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Lights flicker and dim. Footsteps sound from a sealed-off attic. Mysterious events only vulnerable young Paula sees and hears make her fear she's losing her mind exactly what treacherous spouse Gregory hopes. Directed by George Cukor, Gaslight shines as a superb exercise in suspense. Ingrid Bergman won her first Academy Award * as Paula, doubting her sanity while clinging to it. Fellow Oscar nominee Charles Boyer skillfully plays against type as smoothly evil Gregory. Joseph Cotten, Dame May Whitty and an 18-year-old Angela Lansbury in her movie debut (also capturing an Oscar nomination) help make the Victorian era vividly realized through production design that earned an Academy Award *.

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An English family endures the hardships of World War II on the home front.

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Well-to-do wallflower Lina McLaidlaw is in love, perhaps in danger. She suspects that Johnnie Aysgarth, the playboy who swept into her life and married her, is a murderer – and that she is his next intended victim. Alfred Hitchcock’s Suspicion slyly combines romance, mystery and atmospheric flourishes (like an eerie, glowing glass of milk, an effect achieved with a light bulb inside the glass). Joan Fontaine plays vulnerable, nerve-wracked Lina, following her acclaimed work in Hitchcock’s Rebecca with a striking performance that won the Academy Award and New York Film Critics Award as 1941’s Best Actress. Playing against type, Cary Grant makes Johnnie an imposing charmer, wastrel and cad. But also a killer? Like the glass that may or may not contain poison, Johnnie’s words and deeds may or may not be laced with menace.

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After a promising start on Poverty Row quickies, Joseph H. Lewis (The Big Combo) made his first film at Columbia and established himself as a director to watch with this Gothic-tinged Hitchcockian breakout hit, which later proved so popular that Columbia promoted it to A-feature status. The morning after Julia Ross (Nina Foch, Executive Suite) takes a job in London as secretary to wealthy widow Mrs Williamson Hughes (Dame May Whitty, The Lady Vanishes), she wakes up in a windswept Cornish mansion, having been drugged. Mrs Hughes and her volatile son, Ralph (George Macready, Gilda), attempt to gaslight Julia into believing she is Ralph’s wife, Marion. Her belongings have been destroyed, the windows barred and the locals believe that she is mad. Will Julia be able to escape before she falls prey to the Hughes’ sinister charade? And what happened to the real Marion Hughes? A briskly paced and brilliantly stylised mystery that grabs its audience from the start, My Name Is Julia Ross immediately cemented Lewis’ place in the noir pantheon, and anticipated the elaborate identity-based deceptions found in future classic thrillers like Alfred Hitchcock’s Vertigo and Brian De Palma’s Obsession. SPECIAL EDITION CONTENTS: High Definition Blu-ray (1080p) presentation Original uncompressed mono PCM audio Optional English subtitles for the deaf and hard-of-hearing Commentary by noir expert Alan K. Rode Identity Crisis: Joseph H. Lewis at Columbia - The Nitrate Diva (Nora Fiore) provides the background and an analysis of the film Theatrical trailer Reversible sleeve featuring original and newly commissioned artwork by Scott Saslow FIRST PRESSING ONLY: Illustrated collector's booklet featuring new writing on the film by author and critic Adrian Martin

Description

Well-to-do wallflower Lina McLaidlaw is in love, perhaps in danger. She suspects that Johnnie Aysgarth, the playboy who swept into her life and married her, is a murderer – and that she is his next intended victim. Alfred Hitchcock’s Suspicion slyly combines romance, mystery and atmospheric flourishes (like an eerie, glowing glass of milk, an effect achieved with a light bulb inside the glass). Joan Fontaine plays vulnerable, nerve-wracked Lina, following her acclaimed work in Hitchcock’s Rebecca with a striking performance that won the Academy Award and New York Film Critics Award as 1941’s Best Actress. Playing against type, Cary Grant makes Johnnie an imposing charmer, wastrel and cad. But also a killer? Like the glass that may or may not contain poison, Johnnie’s words and deeds may or may not be laced with menace.