Stock: In Stock
My Name Is Julia Ross 01/19 Blu-ray (Rental)
Format: Blu-ray
Details
Genre: Film Noir, Mystery & Thriller
Rated: NR
Runtime: 65 min
Studio: Arrow Video
Director: Joseph H. Lewis
Starring: Dame May Whitty, George Macready, Nina Foch
Language: English
Release Date: February 19, 2019
Description
After a promising start on Poverty Row quickies, Joseph H. Lewis (The Big Combo) made his first film at Columbia and established himself as a director to watch with this Gothic-tinged Hitchcockian breakout hit, which later proved so popular that Columbia promoted it to A-feature status. The morning after Julia Ross (Nina Foch, Executive Suite) takes a job in London as secretary to wealthy widow Mrs Williamson Hughes (Dame May Whitty, The Lady Vanishes), she wakes up in a windswept Cornish mansion, having been drugged. Mrs Hughes and her volatile son, Ralph (George Macready, Gilda), attempt to gaslight Julia into believing she is Ralph’s wife, Marion. Her belongings have been destroyed, the windows barred and the locals believe that she is mad. Will Julia be able to escape before she falls prey to the Hughes’ sinister charade? And what happened to the real Marion Hughes? A briskly paced and brilliantly stylised mystery that grabs its audience from the start, My Name Is Julia Ross immediately cemented Lewis’ place in the noir pantheon, and anticipated the elaborate identity-based deceptions found in future classic thrillers like Alfred Hitchcock’s Vertigo and Brian De Palma’s Obsession. SPECIAL EDITION CONTENTS: High Definition Blu-ray (1080p) presentation Original uncompressed mono PCM audio Optional English subtitles for the deaf and hard-of-hearing Commentary by noir expert Alan K. Rode Identity Crisis: Joseph H. Lewis at Columbia - The Nitrate Diva (Nora Fiore) provides the background and an analysis of the film Theatrical trailer Reversible sleeve featuring original and newly commissioned artwork by Scott Saslow FIRST PRESSING ONLY: Illustrated collector's booklet featuring new writing on the film by author and critic Adrian Martin
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