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Clean Slate stars Saturday Night Live alum Dana Carvey as Maurice Pogue, a private detective recovering from amnesia. Pogue suffers a head injury that affects his short-term memory (which disappears every time he falls asleep), an affliction that will jeopardize his professional life as well as a major case against mobster Cornell (Michael Gambon, Harry Potter and the Prisoner of Azkaban), in which he's a witness. Add to the mix a murder plot, double-crosses and a possible femme fatale (Valeria Golino, Rain Man) and you have the ingredients for a first-rate comic thriller. Clean Slate, directed by Mick Jackson (L.A. Story) from a screenplay by Robert King, features supporting performances by James Earl Jones (Star Wars), Kevin Pollak (L.A. Story), Michael Murphy (Phase IV), Jayne Brook (Kindergarten Cop) and Olivia d'Abo (Wayne World 2).

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CIA agent Roger Ferris (Leonardo DiCaprio) hatches a bold but dangerous plan to capture terrorist Al-Saleem. With the help of Ed Hoffman (Russell Crowe) who is a master of subterfuge, Ferris creates a fake terrorist organization to prompt Al-Saleem out of hiding. At the same time, Ferris must keep his plan secret from Hani (Mark Strong), the head of Jordanian intelligence, because Ferris will lose his own life if Hani finds out.

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“No other crime thriller compares to Filibus!” exclaimed a Corona Films ad in the April 1915 Italian film magazine La Vita Cinematografica ― and for once the ballyhoo was correct! Directed by Mario Roncoroni and scripted by future science fiction author Giovanni Bertinetti, Filibus is the most exciting, witty, feminist, steampunk, cross-dressing aviatrix thriller you will ever see! Flying high above the clouds in her dirigible, Filibus, the mysterious sky pirate, is a master of disguise and the scourge of millionaires, banks, and the police. Lowered in a gondola by her henchmen, Filibus steals from the rich and then mysteriously vanishes into the clouds. With a new digital transfer, newly translated intertitles and a stunning score by the famed Mont Alto Motion Picture Orchestra, Filibus is a joy to behold!

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A gifted but unstable pilot becomes the unlikely centerpiece of a broad spoof of Top Gun and military-action films.

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This outrageous sequel spoofs war movies as a dim but fearless hero is sent on a mission to rescue hostages.

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A bittersweet, romantic tale about two people wrestling with intense personal demons. He's an alcoholic who has lost his job and travels to Las Vegas to drink himself to death. She's a beautiful Hollywood prostitute trapped in a destructive relationship with her boyfriend. The two find each other in the dizzinging backdrop of the Las Vegas scene and discover a special companionship and understanding within each other.

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Passion brews quietly between an artist and her subject, until they together create a space in which it can briefly flourish, in this sumptuous eighteenth-century romance from Céline Sciamma, one of contemporary French cinema’s most acclaimed auteurs. Summoned to an isolated seaside estate on a secret assignment, Marianne (Noémie Merlant) must find a way to paint a wedding portrait of Héloïse (Adèle Haenel), who is resisting chattel marriage, by furtively observing her. What unfolds in exquisite tension is an exchange of sustained gazes in which the two women come to know each other’s gestures, expressions, and bodies with rapturous intimacy, ultimately forging a subversive creative collaboration as well as a delirious romance. Charged with a yearning that almost transcends time and space, Portrait of a Lady on Fire mines the emotional and artistic possibilities that emerge when women can freely live together and look at one another in a world without men DIRECTOR-APPROVED SPECIAL EDITION BLU-RAY FEATURES • New 4K digital master, with 5.1 surround DTS-HD Master Audio soundtrack • New conversation between director Céline Sciamma and film critic Dana Stevens • New interviews with actors Adèle Haenel and Noémie Merlant • Interview with cinematographer Claire Mathon from the 2019 Cannes Film Festival • Interview from 2019 with artist Hélène Delmaire on creating the paintings for the film, along with behind-the-scenes footage • New English subtitle translation • PLUS: An essay by film critic Ela Bittencourt.

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Product Description WINNER OF 4 ACADEMY AWARDS® INCLUDING BEST PICTURE! Dustin Hoffman (Meet the Fockers) is a “triumph” (People) in an Oscar®-Winning* role, and Tom Cruise (Top Gun: Maverick) delivers the “best acting of his career [in a film that’s] fascinating, touching and full of smart surprises” (Newsweek). Charlie Babbitt (Cruise) has just discovered he has an autistic brother named Raymond (Hoffman) and is now taking him on the ride of his life. Or is it the other way around? From his refusal to drive on major highways to a “four minutes to Wapner “ meltdown at an Oklahoma farmhouse, Raymond first pushes hot-headed Charlie to limits of his patience… and then pulls him completely out of his self-centered world. But what begins as an unsentimental journey for the Babbitt brothers becomes much more than the distance between two places. It’s a connection between two vastly different people… and “a poignant profound and powerful film” (Joel Siegel, ABC-TV). *1988, Best Actor SPECIAL FEATURES: DISC ONE: 4K ULTRA HD DISC 2023 4K restoration (16-Bit Scan of the Original Camera Negative) approved by director Barry Levinson and presented in its original 1.85:1 Aspect Ratio in Dolby Vision / HDR English 5.1 DTS-HD Master Audio, French 5.1 DTS-HD Master Audio, Spanish Mono Optional English Subtitles Audio Commentary by Director Barry Levinson Audio Commentary by Writer Barry Morrow Audio Commentary by Writer Ronald Bass Original Theatrical Trailer (HD, 2:13) DISC TWO: BLU-RAY DISC Brand New 2023 HD (1080p) restoration of the main feature approved by director Barry Levinson presented in 1.85:1 aspect ratio. Audio Commentary by Director Barry Levinson Audio Commentary by Writer Barry Morrow Audio Commentary by Writer Ronald Bass English 5.1 DTS-HD Master Audio, French 5.1 DTS-HD Master Audio, Spanish Mono Optional English Subtitles, Spanish Subtitles, French Subtitles ‘The Journey of Rain Man’ featurette (SD, 22:07) ‘Lifting the Fog: A Look at the Mysteries of Autism’ featurette (SD, 20:13) Deleted Scene (SD, 2:10) Original Theatrical Trailer (HD, 2:13) * Special Features may not be rated, closed captioned or in high definition and are subject to change. Review Under Barry Levinson's astringent direction, Hoffman and Cruise evoke honestly earned emotions. Don't pass on this wonderfully funny and touching movie. There's magic in it. --Pete Travers, People Magazine I found that the Ultra HD presentation of Rain Man allows its attributes to be fully realized in a way that perhaps it hadn’t been before on home video.... Makes for a solid improvement over the previous 1080p release... I am pleased to own it on Ultra HD Blu-ray, and, consider it to be a worthwhile upgrade for fans." --Ralph Potts, AVS Forum A classic from the late 1980s that still holds up well, contains brilliant performances, and delicate direction from Barry Levinson. This new 4K restoration presents the film looking arguably as good or better than it ever has. --Brandon A. Duhamel, TheaterByte.com

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The bourgeois and extremely eccentric Van Peteghem family among them Juliette Binoche, Fabrice Luchini, and Valeria Bruni Tedeschi have settled in for another summer at their cliff- top villa overlooking the picturesque Slack Bay. Their leisurely rhythm of sunbathing and seaside constitutionals is soon interrupted by the arrival of two bumbling inspectors investigating a string of tourists gone missing (and serving full-on Keystone Kops). As the macabre mysteries mount and love blossoms between the family's genderqueer teen and the son of a local fisherman, Binoche and company ratchet the slapstick up to eleven. It's no wonder director Bruno Dumont (Li'l Quinquin, Camille Claudel 1915) cites Peter Sellers, Monty Python, and Laurel and Hardy as cinematic influences for his delightful foray into winking, absurdist farce. Special Features: Interview with Juliette Binoche | Trailer | Interview with Bruno Dumont (courtesy of UniFrance)