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Terror lives in the shadows in a pair of mesmerizingly moody horror milestones conjured from the imagination of Val Lewton, the visionary producer-auteur who turned our fears of the unseen and the unknown into haunting excursions into existential dread. As head of RKO’s B-horror-movie unit during the 1940s, Lewton, working with directors such as Jacques Tourneur and Mark Robson, brought a new sophistication to the genre by wringing chills not from conventional movie monsters but from brooding atmosphere, suggestion, and psychosexual unease. Suffused with ritual, mysticism, and the occult, the poetically hypnotic I Walked with a Zombie and the shockingly subversive The Seventh Victim are still-tantalizing dreams of death that dare to embrace the darkness. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restorations of both films, with uncompressed monaural soundtracks One 4K UHD disc of the films and one Blu-ray with the films and special features Audio commentary on I Walked with a Zombie featuring authors Kim Newman and Stephen Jones Audio commentary on The Seventh Victim featuring film historian Steve Haberman Interview with film historian Imogen Sara Smith Audio essays from Adam Roche’s podcast The Secret History of Hollywood featuring stories about the casts, crews, and productions of both films Shadows in the Dark: The Val Lewton Legacy (2005), a documentary featuring Newman; Val E. Lewton, son of producer Val Lewton; filmmakers William Friedkin, Guillermo del Toro, George A. Romero, John Landis, and Robert Wise; actor Sara Karloff; and others Excerpts from “The Origins of the Zombie, from Haiti to the U.S.,” an episode of the PBS series Monstrum, hosted by scholar Emily Zarka Trailers English subtitles for the deaf and hard of hearing PLUS: Essays by critics Chris Fujiwara and Lucy Sante I WALKED WITH A ZOMBIE Producer Val Lewton and director Jacques Tourneur elevated the horror film to new heights of poetic abstraction with this entrancing journey into the realm between life and death. When she takes a job caring for a comatose woman on a Caribbean island, a young nurse (Frances Dee) finds herself plunged into a mysterious world where the ghosts of slavery haunt the present and Vodou priests have the power to summon the living dead. Sugarcane swaying in a moonlit field, the hypnotic beat of ceremonial drums, the relentless pull toward death—the otherworldly atmosphere of this bold reimagining of Jane Eyre is as close as studio-era Hollywood ever came to pure dream-state surrealism. THE SEVENTH VICTIM “Death is good” is how producer Val Lewton summarized the message of his films, a credo that received its most explicit expression in this strikingly nihilistic shocker, the first film directed by regular Lewton editor Mark Robson. Kim Hunter makes her film debut as a young boarding-school student who, in search of her missing sister (proto-goth icon Jean Brooks), travels to New York’s bohemian Greenwich Village, where she uncovers a sinister shadow world of devil-worshippers and murder. And what about that mysterious room furnished with nothing but a chair and a hangman’s noose? With its daring treatment of depression and queerness, The Seventh Victim has haunted the margins of cinema for decades, its radical bleakness undiminished by time.

Description

Terror lives in the shadows in a pair of mesmerizingly moody horror milestones conjured from the imagination of Val Lewton, the visionary producer-auteur who turned our fears of the unseen and the unknown into haunting excursions into existential dread. As head of RKO’s B-horror-movie unit during the 1940s, Lewton, working with directors such as Jacques Tourneur and Mark Robson, brought a new sophistication to the genre by wringing chills not from conventional movie monsters but from brooding atmosphere, suggestion, and psychosexual unease. Suffused with ritual, mysticism, and the occult, the poetically hypnotic I Walked with a Zombie and the shockingly subversive The Seventh Victim are still-tantalizing dreams of death that dare to embrace the darkness. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restorations of both films, with uncompressed monaural soundtracks One 4K UHD disc of the films and one Blu-ray with the films and special features Audio commentary on I Walked with a Zombie featuring authors Kim Newman and Stephen Jones Audio commentary on The Seventh Victim featuring film historian Steve Haberman Interview with film historian Imogen Sara Smith Audio essays from Adam Roche’s podcast The Secret History of Hollywood featuring stories about the casts, crews, and productions of both films Shadows in the Dark: The Val Lewton Legacy (2005), a documentary featuring Newman; Val E. Lewton, son of producer Val Lewton; filmmakers William Friedkin, Guillermo del Toro, George A. Romero, John Landis, and Robert Wise; actor Sara Karloff; and others Excerpts from “The Origins of the Zombie, from Haiti to the U.S.,” an episode of the PBS series Monstrum, hosted by scholar Emily Zarka Trailers English subtitles for the deaf and hard of hearing PLUS: Essays by critics Chris Fujiwara and Lucy Sante I WALKED WITH A ZOMBIE Producer Val Lewton and director Jacques Tourneur elevated the horror film to new heights of poetic abstraction with this entrancing journey into the realm between life and death. When she takes a job caring for a comatose woman on a Caribbean island, a young nurse (Frances Dee) finds herself plunged into a mysterious world where the ghosts of slavery haunt the present and Vodou priests have the power to summon the living dead. Sugarcane swaying in a moonlit field, the hypnotic beat of ceremonial drums, the relentless pull toward death—the otherworldly atmosphere of this bold reimagining of Jane Eyre is as close as studio-era Hollywood ever came to pure dream-state surrealism. THE SEVENTH VICTIM “Death is good” is how producer Val Lewton summarized the message of his films, a credo that received its most explicit expression in this strikingly nihilistic shocker, the first film directed by regular Lewton editor Mark Robson. Kim Hunter makes her film debut as a young boarding-school student who, in search of her missing sister (proto-goth icon Jean Brooks), travels to New York’s bohemian Greenwich Village, where she uncovers a sinister shadow world of devil-worshippers and murder. And what about that mysterious room furnished with nothing but a chair and a hangman’s noose? With its daring treatment of depression and queerness, The Seventh Victim has haunted the margins of cinema for decades, its radical bleakness undiminished by time.

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Repeat Performance, the most requested film in the early years of the Film Noir Foundation's restoration campaign, is finally available in digital form! An amazingly original hybrid of film noir, supernatural fantasy, and backstage melodrama, the film stars Joan Leslie as a Broadway actress who magically relives the previous year of her life, but can she alter the fateful mistakes and misjudgments that led to a New Year's Eve tragedy? Think of it as film noir's answer to It's a Wonderful Life or a full-length precursor to The Twilight Zone.Produced as a rare prestige picture by fledgling Eagle-Lion Pictures, the movie features an array of vivid performances: 21-year-old Joan Leslie as Sheila Page, her first mature role following a parade of teenage ingenues at Warner Bros.; Louis Hayward as her husband Barney, a bitter and vengeful playwright; Virginia Field as Sheila's personal and professional rival, Paula Costello; Tom Conway as suave stage producer John Friday; and Richard Basehart in his movie debut as poet William Williams, one of the era's most sensitive depictions of a gay artist.In the years after it's 1947 release, Repeat Performance seemingly vanished. For many who'd seen it, the film's startling premise and stunning set-pieces became merely a tantalizing memory. It fell so far off the cultural radar people began to think they'd only imagined the movie. But thanks to the dedication and diligence of the Film Noir Foundation, Repeat Performance was restored in collaboration with UCLA Film & Television Archive and the Packard Humanities Institute. And now, it lives again in a beautiful Blu-ray/DVD dual-format edition loaded with special features. Top About this item Similar From the Brand Reviews Repeat Performance (Blu-ray/DVD Dual-Format Deluxe Edition) [Flicker Alley]

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After more than thirty years of service as a top naval aviator, Pete “Maverick” Mitchell (Tom Cruise) is where he belongs, pushing the envelope as a courageous test pilot. Yet, Maverick must confront the ghosts of his past when he returns to TOPGUN to train a group of elite graduates and comes face to face with Lt. Bradshaw (Miles Teller), the son of his former wingman "Goose". Bitter rivalries ignite as the pilots prepare for a specialized mission which will require the ultimate sacrifice from those chosen to fly it. Top About this item Similar From the Brand Reviews Top Gun: Maverick [Blu-ray]