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Release: December 30, 2025

$7.99

Description

*This listing is for the standard edition version and does NOT come with a limited edition slipcase!* Shohei Sugiyama (Koji Yakusho) seems to have it all - a high-paying job as an accountant, a beautiful home, a caring wife and a doting daughter he loves dearly. However, he feels something is missing in his life. One day while commuting on the train he spots a beautiful woman staring wistfully out a window and eventually decides to find her. His search leads him head-first into the world of competitive ballroom dancing. An “infinitely touching" (Washington Post) modern classic from director Masayuki Suo, SHALL WE DANCE? is a feel-good romantic comedy that "will sweep you off your feet" (Austin Chronicle). A box office sensation in North America upon its initial release (which led to a Hollywood remake with Richard Gere), Film Movement Classics presents SHALL WE DANCE? in a new 4K restoration of the original 137-minute film, available uncut for the first time in North America. Bonus Features: 1. New introduction by director Masayuki Suo 2. Archival interviews with the director and cast

Release: January 24, 2017

$6.99

Description

After several years spent working almost exclusively in the direct-to-video world of ‘’V-cinema’’ in Japan, Takashi Miike announced himself as a world-class filmmaking talent with this trio of thematically-connected, character-centric crime stories about violence, the underworld of Japanese society, families both real and surrogate, and the possibly hopeless task of finding one's place in the world. His first films made specifically for theatrical release, and his first for a major studio, the

Release: January 24, 2017

$6.99

Description

After several years spent working almost exclusively in the direct-to-video world of ‘’V-cinema’’ in Japan, Takashi Miike announced himself as a world-class filmmaking talent with this trio of thematically-connected, character-centric crime stories about violence, the underworld of Japanese society, families both real and surrogate, and the possibly hopeless task of finding one's place in the world. His first films made specifically for theatrical release, and his first for a major studio, the