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Description

Filmmakers often begin their directing careers with works of limited scale. Sergio Leone began with a Colossus. Spectacle is king in The Colossus of Rhodes, Leone’s first credited film as a director. Sun-bronzed heroes (including toga-wearing Rory Calhoun) battle tyranny. Prisoners scramble for their lives in coliseum pageants of doom. Usurpers connive. Revolution erupts. And towering over all the excitement is the mighty bronze Colossus that straddles the harbor, fighting foes by dropping burning oil from the huge cauldron it holds and firing streams of molten lead from the catapults in its headpiece. Once upon a time, it dazzled the ancient world. Cult-movie fans think it’s pretty nifty, too.

Description

From the masterful Max Ophüls (Letter from an Unknown Woman, The Earrings of Madame de…) comes There’s No Tomorrow (Sans lendemain), a bittersweet melodrama with a dash of film noir. Edwige Feuillère (From Mayerling to Sarajevo) commands the screen as a woman of bourgeois origin, now reduced to dancing in a disreputable nightclub to support her young son. When her lost love (George Rigaud, I Walk Alone), now a successful doctor, suddenly reappears, she puts on the charade that her life has been far more fortunate. But maintaining such an illusion won’t come easy. A ravishing and tragic screen romance, There’s No Tomorrow glitters with Ophüls’ trademark sophistication and opulent camerawork. Special Features: • Audio commentary by film historian Adrian Martin • Trailer