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When suburban dogs begin attacking humans, one family finds itself trapped in a neighborhood turning feral.

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From the legendary John Huston, the director of The Maltese Falcon, The Treasure of the Sierra Madre, The African Queen, Moby Dick, The Misfits and Prizzi’s Honor, comes this compelling biopic starring the incomparable Montgomery Clift (Indiscretion of an American Wife) as the renowned Austrian neurologist Sigmund Freud. The film follows Freud’s descent into a region almost as black as Hell itself—man’s unconscious—as he develops the notion that neurosis stems from sexual repression. By treating patients with various issues, including a woman haunted by recurring dreams (Susannah York, The Killing of Sister George) and a man with an Oedipus complex (David McCallum, The Great Escape), Freud experiences epiphanies that lead to the birth of modern analysis, despite the scorn his theories initially receive from his colleagues. Garnering Oscar nominations for its score by Jerry Goldsmith (Lonely Are the Brave) and screenplay by Charles Kaufman and Wolfgang Reinhardt (its original script was by French philosopher Jean-Paul Sartre), and featuring evocative black-and-white cinematography by Douglas Slocombe (Raiders of the Lost Ark), Freud also-known-as Freud: The Secret Passion delivers a penetrating character study of the father of psychoanalytical psychiatry. Special Features: -Brand New 2K Master -NEW Audio Commentary by Film Historian Tim Lucas -TRAILERS FROM HELL with Howard Rodman -Theatrical Trailer -Optional English Subtitles

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On April 14, 1912, just before midnight, the unsinkable Titanic struck an iceberg. In less than three hours, it had plunged to the bottom of the sea, taking with it more than 1,500 of its 2,200 passengers. In his unforgettable rendering of Walter Lord’s book of the same name, A Night to Remember, the acclaimed British director Roy Ward Baker (Don’t Bother to Knock) depicts with sensitivity, awe, and a fine sense of tragedy the ship’s final hours. Featuring remarkably restrained performances, A Night to Remember is cinema’s subtlest, finest dramatization of this monumental twentieth-century catastrophe.

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What would you do if going outside meant being killed by a raging hurricane, but staying indoors meant being hacked to pieces by a sickle wielding maniac? Arrow Video proudly presents The Wind, from prolific genre filmmaker Nico Mastorakis, the director behind such cult classics as Hired to Kill and Island of Death. When mystery novelist Sian Anderson (Meg Foster, They Live) arrives in the remote Greek town of Monemvasia, Elias Appleby (Robert Morley, The African Queen), the pompous British landlord of the house she’s renting warns her of two dangers: the wind, which gets dangerously strong at night, and Phil (Wings Hauser, Vice Squad), his sleazy and suspicious American handyman. As night falls and the wind starts howling, Sian witnesses the shocking sight of Phil burying Elias’s dead body in a shallow grave in his front garden! Trapped indoors from the raging, tree-branch-breaking wind, Sian must play a deadly game of cat-and-mouse with the murderous Phil, who’ll stop at nothing to silence this inconvenient witness! A tense and thrilling blend of Euro-horror and late 80s slasher, The Wind is a stalk ‘n’ slash hidden gem, presented here for the first time on Blu-ray. Get ready to be blown away! SPECIAL EDITION CONTENTS New restoration by Arrow Films from a 4K scan of the original negative, approved by writer-director Nico Mastorakis High Definition (1080p) Blu-ray™ presentation Optional English subtitles for the deaf and hard of hearing Optional Greek subtitles Original DTS-HD Master Audio 5.1 surround and LPCM Stereo 2.0 Audio Blowing The Wind - Brand new interview with Director Nico Mastorakis The Sound of The Wind - The complete soundtrack composed by Hans Zimmer and Stanley Myers A collection of trailers for the films of Nico Mastorakis Reversible sleeve featuring original and newly commissioned artwork by Graham Humphreys FIRST PRESSING ONLY: Illustrated collectors’ booklet featuring new writing on the film by critic and author Kat Ellinger