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4 results for Bryan Marshall

Cold Comes the Night Blu-ray (Rental)
$6.99
Format: Blu-ray
Stock: In Stock
Release: March 4, 2014
Description
A struggling motel owner (Alice Eve) and her daughter are taken hostage by a nearly blind career criminal (Bryan Cranston) to be his eyes as he attempts to retrieve his cash package from a crooked cop (Logan Marshall-Green).

I Start Counting 04/21 Blu-ray (Rental)
$7.99
Format: Blu-ray
Stock: In Stock
Release: November 24, 2020
Description
Fourteen-year-old adoptee Wynne Kinch (Jenny Agutter) had a major crush on her much older foster sibling George (Bryan Marshall)... and she couldn't let herself believe the telltale clues that he might be the serial killer terrorizing the town. She starts tailing him in search of the truth, but she might not be prepared to deal with what she ultimately discovers. Long-sought British thriller from the Audrey Erskine Lindop novel co-stars Clare Sutcliffe, Lana Morris, Simon Ward, Fay Compton. 105 min. Widescreen; Soundtrack: English; Subtitles: English (SDH); audio commentary; featurettes; image gallery; theatrical trailer.

Long Good Friday (Criterion) 09/24 Blu-ray (Rental)
$7.99
Format: Blu-ray
Stock: In Stock
Release: September 17, 2024
Description
A combustible performance from Bob Hoskins is the fuse that lights this underworld saga, a landmark of British crime cinema. Hoskins plays Harold Shand, an ambitious London mobster who, just as he attempts to close a major real-estate deal with the American Mafia, finds his crime empire rocked by a string of attacks, sending him on a ruthless quest to find out who’s responsible. Abetted by an ice-cool performance from Helen Mirren as Shand’s in-command moll, The Long Good Friday is not only a gripping gangster thriller but also a vivid portrait of late-1970s Britain—a powder keg of cultural and political tensions on the verge of explosion. TWO-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, approved by director of photography Phil Méheux, with uncompressed monaural soundtrack Audio commentary with director John Mackenzie An Accidental Studio (2019), a documentary about the early years of HandMade Films Introduction by Criterion Collection curatorial director Ashley Clark Documentary about the making of the film featuring interviews with Mackenzie and actors Bob Hoskins and Helen Mirren Interviews with Méheux and screenwriter Barrie Keeffe Program comparing the soundtracks for the UK and U.S. releases Trailers English subtitles for the deaf and hard of hearing PLUS: An essay by film critic Ryan Gilbey

Long Good Friday (Criterion) 4K UHD 09/24 Blu-ray (Rental)
$7.99
Format: 4K UltraHD
Stock: In Stock
Release: September 17, 2024
Description
A combustible performance from Bob Hoskins is the fuse that lights this underworld saga, a landmark of British crime cinema. Hoskins plays Harold Shand, an ambitious London mobster who, just as he attempts to close a major real-estate deal with the American Mafia, finds his crime empire rocked by a string of attacks, sending him on a ruthless quest to find out who’s responsible. Abetted by an ice-cool performance from Helen Mirren as Shand’s in-command moll, The Long Good Friday is not only a gripping gangster thriller but also a vivid portrait of late-1970s Britain—a powder keg of cultural and political tensions on the verge of explosion. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, approved by director of photography Phil Méheux, with uncompressed monaural soundtrack One 4K UHD disc of the film presented in Dolby Vision HDR and two Blu-rays with the film and special features Audio commentary with director John Mackenzie An Accidental Studio (2019), a documentary about the early years of HandMade Films Introduction by Criterion Collection curatorial director Ashley Clark Documentary about the making of the film featuring interviews with Mackenzie and actors Bob Hoskins and Helen Mirren Interviews with Méheux and screenwriter Barrie Keeffe Program comparing the soundtracks for the UK and U.S. releases Trailers English subtitles for the deaf and hard of hearing PLUS: An essay by film critic Ryan Gilbey
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