Paris, Texas 01/18 Blu-ray (Rental)
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Product Description New German Cinema pioneer Wim Wenders brings his keen eye for landscape to the American Southwest in Paris, Texas, a profoundly moving character study written by Pulitzer Prize–winning playwright Sam Shepard. Paris, Texas follows the mysterious, nearly mute drifter Travis (a magnificent Harry Dean Stanton, whose face is a landscape all its own) as he tries to reconnect with his young son, living with his brother (Dean Stockwell) in Los Angeles, and his missing wife (Nastassja Kinski). From this simple setup, Wenders and Shepard produce a powerful statement on codes of masculinity and the myth of the American family, as well as an exquisite visual exploration of a vast, crumbling world of canyons and neon. DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES Restored high-definition digital transfer, supervised and approved by director Wim Wenders, with DTS-HD Master Audio soundtrack Audio commentary featuring Wenders Archival interviews with Wenders; cinematographer Robby Müller; composer Ry Cooder; actors Harry Dean Stanton, Dennis Hopper, Peter Falk, and Hanns Zischler; novelist Patricia Highsmith; and filmmaker Samuel Fuller Interviews with filmmakers Allison Anders and Claire Denis Deleted scenes and Super 8 home movies Gallery of Wenders’ location-scouting photos Behind-the-scenes photos by Robin Holland Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by film critic Nick Roddick; interviews with Stanton, writer Sam Shepard, and actors Nastassja Kinski and Dean Stockwell; and excerpts from Wenders' book of photos Written in the West Amazon.com Something like a perfect artistic union is achieved in the major components of Paris, Texas: the twang of Ry Cooder's guitar, the lonely light of Robbie Muller's camera, the craggy landscape of Harry Dean Stanton's face. In his greatest role, longtime character actor Stanton plays a man brought back to his old life after wandering in the desert (or somewhere) for four years. He has a 7-year-old son to get to know, and his wife has gone missing. The material is much in the wanderlust spirit of director Wim Wenders, working from a script by Sam Shepard and L.M. Kit Carson. If the long climactic conversation between Stanton and Nastassja Kinski renders the movie uneven and slightly inscrutable, it's hard to think of a more fitting ending--and besides, the achingly empty American spaces stick longer in the memory than the dialogue. Winner of the top prize at the 1984 Cannes Film Festival. --Robert Horton
