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Product Description Nominated for eight Academy Awards®, Francis Ford Coppola’s stunning vision of the heart of darkness in all of us remains a classic and compelling Vietnam War epic. Martin Sheen stars as Army Captain Willard, a troubled man sent on a dangerous and mesmerizing odyssey into Cambodia to assassinate a renegade American colonel named Kurtz (Marlon Brando), who has succumbed to the horrors of war and barricaded himself in a remote outpost. Amazon.com Apocalypse Now / Apocalypse Now: Redux In the tradition of such obsessively driven directors as Erich von Stroheim and Werner Herzog, Francis Ford Coppola approached the production of Apocalypse Now as if it were his own epic mission into the heart of darkness. On location in the storm-ravaged Philippines, he quite literally went mad as the project threatened to devour him in a vortex of creative despair, but from this insanity came one of the greatest films ever made. It began as a John Milius screenplay, transposing Joseph Conrad's classic story "Heart of Darkness" into the horrors of the Vietnam War, following a battle-weary Captain Willard (Martin Sheen) on a secret upriver mission to find and execute the renegade Colonel Kurtz (Marlon Brando), who has reverted to a state of murderous and mystical insanity. The journey is fraught with danger involving wartime action on epic and intimate scales. One measure of the film's awesome visceral impact is the number of sequences, images, and lines of dialogue that have literally burned themselves into our cinematic consciousness, from the Wagnerian strike of helicopter gunships on a Vietnamese village to the brutal murder of stowaways on a peasant sampan and the unflinching fearlessness of the surfing warrior Lieutenant Colonel Kilgore (Robert Duvall), who speaks lovingly of "the smell of napalm in the morning." Like Herzog's Aguirre: The Wrath of God, this film is the product of genius cast into a pit of hell and emerging, phoenix-like, in triumph. Coppola's obsession (effectively detailed in the riveting documentary Hearts of Darkness, directed by Coppola's wife, Eleanor) informs every scene and every frame, and the result is a film for the ages. --Jeff Shannon

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A look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.

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Now prepare for a motion picture experience unlike anything you've ever seen, heard, or feared before. THE BLAIR WITCH PROJECT follows a trio of filmmakers on what should have been a simple walk in the woods, but quickly becomes an excursion into heart-stopping terror. As the three become inexplicably lost, morale deteriorates. Hunger sets in. Accusations fly. By night, unseen evil stirsbeyond their campfire's light. By day, chilling ritualistic figures are discovered nearby. As the end of their journey approaches, they realize that what they are filming now is not a legend...but their own descent into unimaginable horror.

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Product Description Meet Jonathan Ames: writer, romantic, unlicensed private detective. Moonlighting from his job as a novelist and writer for a New York magazine, Jonathan is looking to jettison some heavy emotional baggage (his girlfriend just dumped him, okay?) through an unusual second careerof cracking cases of missing persons, espionage and infidelity in the Big Apple. DVD Features: Audio Commentary BEHIND THE SCENES Amazon.com The male consciousness, in all its neurotic, demanding, self-deluding glory, runs amok in Bored to Death, an unusual and charming sitcom from HBO. Jonathan Ames (Jason Schwartzman, Rushmore) is supposed to be working on his second novel, but instead he places an ad on the Internet, offering his services as an unlicensed detective. The promise of reasonable rates draws in cases: a kidnapped sister; an unfaithful boyfriend; a blackmailing one-night stand; a stolen skateboard; a long-lost love. His investigations are sometimes helped, sometimes hindered by his best friend Ray (Zach Galifianakis, The Hangover), a sexually frustrated cartoonist, and his boss George (Ted Danson, Cheers), a successful editor who's questioning the value of his career. Bored to Death is steeped in literary slacker quirkiness--hardly surprising, given that it's created by comic writer Jonathan Ames (whose novel The Extra Man is being turned into a movie), who's named the main character after himself. But while the show has a bit of a shaggy dog quality, it's more endearing than arty or precious. Schwartzman's nebbishy intelligence fits his role perfectly, and both Galifianakis and Danson have a field day with the contrasting narcissisms of their characters. The female characters aren't so well drawn, despite the presence of such engaging actresses as Olivia Thirlby, Kristen Wiig, Parker Posey, Bebe Neuwirth, and others. (Male guest stars include Patton Oswalt and Jim Jarmusch, which is about as hip and New York as you can get.) While male self-obsession can be intolerable in real life, as a subject for comedy it's rich material. --Bret Fetzer

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Product Description Meet Jonathan Ames: writer, romantic, unlicensed private detective. Moonlighting from his job as a novelist and writer for a New York magazine, Jonathan is looking to jettison some heavy emotional baggage (his girlfriend just dumped him, okay?) through an unusual second careerof cracking cases of missing persons, espionage and infidelity in the Big Apple. DVD Features: Audio Commentary BEHIND THE SCENES Amazon.com The male consciousness, in all its neurotic, demanding, self-deluding glory, runs amok in Bored to Death, an unusual and charming sitcom from HBO. Jonathan Ames (Jason Schwartzman, Rushmore) is supposed to be working on his second novel, but instead he places an ad on the Internet, offering his services as an unlicensed detective. The promise of reasonable rates draws in cases: a kidnapped sister; an unfaithful boyfriend; a blackmailing one-night stand; a stolen skateboard; a long-lost love. His investigations are sometimes helped, sometimes hindered by his best friend Ray (Zach Galifianakis, The Hangover), a sexually frustrated cartoonist, and his boss George (Ted Danson, Cheers), a successful editor who's questioning the value of his career. Bored to Death is steeped in literary slacker quirkiness--hardly surprising, given that it's created by comic writer Jonathan Ames (whose novel The Extra Man is being turned into a movie), who's named the main character after himself. But while the show has a bit of a shaggy dog quality, it's more endearing than arty or precious. Schwartzman's nebbishy intelligence fits his role perfectly, and both Galifianakis and Danson have a field day with the contrasting narcissisms of their characters. The female characters aren't so well drawn, despite the presence of such engaging actresses as Olivia Thirlby, Kristen Wiig, Parker Posey, Bebe Neuwirth, and others. (Male guest stars include Patton Oswalt and Jim Jarmusch, which is about as hip and New York as you can get.) While male self-obsession can be intolerable in real life, as a subject for comedy it's rich material. --Bret Fetzer

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Samuel Fuller (THE BIG RED ONE) wrote, produced and directed this raw-boned action-packed war film. Near the end of the French phase of the Vietnam War, a group of mercenaries are recruited to travel through enemy territory to the Chinese border, to blow up an arms depot. A Eurasian smuggler, Lucky Legs (Angie Dickinson), agrees to use her connections to help them, in return they agree to take her illegitimate son to America. The racist father of the boy, Sergeant Brock (Gene Barry), is also part of the multinational group. Lucky Legs must use the love of a Eurasian guerilla leader, Major Cham (Lee Van Cleef), to get access to the base. The other members of the patrol are also haunted by past memories - Goldie (Nat King Cole) is a veteran of Korea and World war II who hates war and wants to see peace at all costs; Corporal Pigalle (George Givot) is an ex-French gendarme who doesn't like taking orders; Captain Gaumont (Paul Dubov) is the mercenary leader; Charlie (James Hong) is an Vietnamese-American private; and Private Andreades (Gerald Milton), is a hard-nosed Greek expatriate.

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No description available for this title. Item Type: BLU-RAY DVD Movie Item Rating: R Street Date: 11/24/09 Wide Screen: yes Director Cut: no Special Edition: no Language: ENGLISH Foreign Film: noSubtitles: no Dubbed: no Full Frame: no Re-Release: no Packaging: Sleeve

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Two guys who make a pact to lose their virginity before prom find their friendship tested when one of them comes out of the closet.

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This meditation on cinema’s past from Decasia director Bill Morrison pieces together the bizarre true history of a long-lost collection of 533 nitrate film prints from the early 1900s. Located just south of the Arctic Circle, Dawson City was settled in 1896 and became the center of the Canadian Gold Rush that brought 100,000 prospectors to the area. It was also the final stop for a distribution chain that sent prints and newsreels to the Yukon. The films were seldom, if ever, returned. The now-famous Dawson City Collection was uncovered in 1978 when a bulldozer working its way through a parking lot dug up a horde of film cans.

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Amanda Schull (12 Monkeys), Milo Ventimiglia (This Is Us), Shawn Ashmore (X-Men) and Jonathan Frakes (Star Trek: The Next Generation) star in this unnerving, edge-of-your-seat thriller that "keeps executing its euphoric bacchanal of bizarre plot points", (Paste) until its final twisted reveal. What unholy force lies locked away in this crumbling, booby-trapped, middle-of-nowhere farmhouse? When a woman and her son mysteriously vanish, FBI agent Daria Francis (Schull) is dispatched to the small town of Devil’s Gate, North Dakota to investigate the number one suspect: religious fanatic Jackson Pritchard (Ventimiglia), husband and father of the missing persons. But when Francis and local deputy Colt Salter (Ashmore) arrive at Pritchard’s foreboding property, they discover much more than they bargained for lurking in the basement. Unfolding over the course of 24 delirious hours, this head-spinning sci-fi creature feature hits viewers with a bonkers blitzkrieg of genre-bending twists and turns!

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As the Nazis cut a deadly swath through Russia, the citizens of Stalingrad are mounting a brave resistance, spurred by the exploits of their local hero, Vassili Zaitsev. An expert sniper, Vassili's deeds have become legendary. To stop Vassili, the Germans dispatch their best sniper to Stalingrad. As the city burns, Vassili and Konig begin a cunning game of cat and mouse, waging a private war for courage, honor and country.

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Genre: Action/Adventure Rating: R Release Date: 19-MAY-2009 Media Type: Blu-Ray

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As the Nazis cut a deadly swath through Russia, the citizens of Stalingrad are mounting a brave resistance, spurred by the exploits of their local hero, Vassili Zaitsev. An expert sniper, Vassili's deeds have become legendary. To stop Vassili, the Germans dispatch their best sniper to Stalingrad. As the city burns, Vassili and Konig begin a cunning game of cat and mouse, waging a private war for courage, honor and country.

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After more than thirty years of service as a top naval aviator, Pete “Maverick” Mitchell (Tom Cruise) is where he belongs, pushing the envelope as a courageous test pilot. Yet, Maverick must confront the ghosts of his past when he returns to TOPGUN to train a group of elite graduates and comes face to face with Lt. Bradshaw (Miles Teller), the son of his former wingman "Goose". Bitter rivalries ignite as the pilots prepare for a specialized mission which will require the ultimate sacrifice from those chosen to fly it.

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Rival warriors and schemers converge at a legendary desert inn tied to buried treasure and imperial intrigue.

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Product Description While his parents are away, a teenager and his friends discover that the "gate" to hell is located in his backyard. Review Special Features Include: Audio Commentary with Director Tibor Takacs, Writer Michael Nankin, and Special Effects Designer & Supervisor Randall William Cook Audio Commentary with Special Effects Designer & Supervisor Randall William Cook, Special Make-up Effects Artist Craig Reardon, Special Effects Artist Frank Carere, and Matte Photographer Bill Taylor Isolated Score Selections and Audio Interview with Composers Michael Hoenig and J. Peter Robinson THE GATE: Unlocked -- A Conversation between Director Tibor Takacs and Special Effects Designer & Supervisor Randall William Cook Minion Maker -- An interview with Special Make-up Effects Artist Craig Reardon From Hell It Came -- An Interview with Co-Producer Andras Hamori The Workman Speaks! -- An...

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Not all minions are cute and cuddly … This supercharged sequel to the horror classic The Gate comes alive with unearthly creatures, heart-stopping action and incredible special effects. Gate II picks up again with Terry, the teenage sorcerer who summons beings from the other side whose powers can be used to grant any wish. Unfortunately, before the Gate closes again, a "minion" – a tiny disciple of Satan himself – manages to slip through to our dimension. When the creature is kidnapped – all hell breaks loose. Bonus Content: 2K Scan of the Interpositive Return to the Nightmare - A Look Back at Gate II - Featuring Interviews with Director Tibor Takacs, Screenwriter Michael Nankin and Special Visual Effects Creator Randall William Cook From the Depths - An Interview with Make-up Effects Artists Craig Reardon Theatrical Trailer Video Promo and Video Store Contest Promo Still Gallery

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In the wasteland of postwar Tokyo during the Allied Occupation, a group of prostitutes band to together to build a dancehall called Paradise. In the shell-shocked, rubble-strewn wasteland of postwar Tokyo during the Allied Occupation, a group of prostitutes band to together to form a makeshift guild with the aim of pooling their resources to build a dancehall called Paradise. As their independent existence becomes threatened by the hawkish parade of gangsters, black marketeers and would-be pimps all looking for a cut from their flesh-peddling, the discovery of an unexploded bomb in the cavernous burned-out building where they ply their trade throws their dreams into further jeopardy. Hideo Gosha (Violent Streets, Yakuza Wives) brings a fresh eye to this oft-filmed story by Taijiro Tamura, best known from its 1964 adaptation by Seijun Suzuki, resulting in a powerful and compelling drama making its home premiere for the very first time outside of Japan courtesy of 88 Films. Bonus Materials HIGH DEFINITION BLU-RAY PRESENTATION IN 1.85:1 ASPECT RATIO ORIGINAL MONO 2.0 AUDIO WITH NEW ENGLISH SUBTITLES ORIGINAL AND NEWLY COMMISSIONED ARTWORK BY ILAN SHEADY STILLS GALLERY LIMITED EDITION BOOKLET LIMITED EDITION INDIVIDUALLY NUMBERED OBI STRIP AUDIO COMMENTARY BY AMBER T. AND JASPER SHARP BRAND NEW FILMED INTRODUCTION BY EARL JACKSON EXCLUSIVE INTERVIEW WITH TOEI TATTOO ARTIST SEIJI MOURI TRAILER TEASER Cast & Crew Actors: Reiko Kayama Tokuko Watanabe Miyako Yamaguchi Izumi Shima Junko Miyashita Seiji Endô Akira Hanagami Maya Kudô Rei Okamoto Nagatoshi Sakamoto Kenji Shiiya Kenji Shimamura Akira Takahashi Nakajirô Tomita Akira Ôizumi Director: Shôgorô Nishimura Producer: Akira Miura Top About this item Similar From the Brand Reviews Gate Of Flesh [Blu-ray]

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Vince Vaughn and Hailee Steinfeld are hunted by a vengeful mob boss and dirty cops in this action packed crime thriller co-starring Bill Paxton. When the heist he planned goes horribly wrong and he's framed for a drug lord's son's murder, Nick Barrow (Vaughn) must expose the enemies who set him up before they track down and kill him. Taking out a million-dollar life insurance policy to help his estranged daughter Cate (Steinfeld), Nick is forced to take her on the run until the policy kicks in or he finds a way to clear his name. Also starring Terrence Howard and Taraji P. Henson (Empire). Bonus Content: Includes a digital copy of Term Life (Subject to expiration. Go to NBCUCodes.com for details.) A Family Affair: Making Term Life

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Decades after Sarah Connor (Linda Hamilton) prevented Judgment Day, a lethal new Terminator is sent to eliminate the future leader of the resistance. In a fight to save mankind, battle-hardened Sarah Connor teams up with an unexpected ally (Arnold Schwarzenegger) and an enhanced super soldier to stop the deadliest Terminator yet. Humanity's fate hangs in the balance in this action-packed thrill ride from Tim Miller, the Director of Deadpool, and Producer James Cameron.

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Product Description Kenny Wells, a prospector desperate for a lucky break, teams up with a similarly eager geologist and they set off on an amazing journey to find gold in the uncharted jungle of Indonesia. Review Special Features: Deleted Sequence The Origins of Gold The Locations of Gold Matthew McConaughey as Kenny Wells --Lionsgate

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Product Description Once upon a time in 'Fairy Tale Land', all is going well: Cinderella's at the ball, Rapunzel's letting her hair down, and Sleeping Beauty's about to get a big smooch. But just as it's all headed for 'Happily Ever After', there's a slight hitch: the wise Wizard--who keeps the scales of good and evil in balance--goes on holiday, resulting in his two assistants, Munk and Mambo, slipping up and letting Cinderella's wicked stepmother, Frieda, get hold of his magic staff. With this, Frieda is able to take over 'Fairy Tale Land', let the bad guys win, and turn the ending into 'Happily N'Ever After'. Now Cinderella--'Ella' to her friends--is playing in a whole new ball game. Instead of waiting for her handsome prince to find her, she's got to wake up from her romantic dream, find a way to stop Frieda, and restore the balance of good and evil. With her best friend at her side, and an unlikely army of dwarves, fairies, and Munk and Mambo to back her up, Ella leaps into action. Can she save the d Amazon.com With the success of Shrek, more irreverent animated fairy tales (like Hoodwinked) were inevitable. Unfortunately, the original blockbuster set the bar so high--for characterization, humor, and heart--that other such 'toons are sure to seem redundant. Neither as clever nor as intricately rendered as the tale of the great green ogre, Happily N'Ever After is no exception. That said, small children may find it easier to follow, i.e. no Matrix references. As with the live-action Ella Enchanted, the CGI-animated story revolves around a downtrodden lass named Ella (Sarah Michelle Gellar). Her full name, naturally, is Cinderella. The man of her dreams is pea-brained Prince Humperdink (Patrick Warburton). Little does she know that royal dishwasher Rick (Freddie Prinze Jr., Gellar's real-life husband) has his eye on her. When the Wizard (George Carlin) goes off on a golfing vacation, he leaves bumbling assistants Munk (Wallace Shawn) and Mambo (Andy Dick) in charge. In no time at all, they get into a scuffle, and Ella's evil stepmother, Frieda (Sigourney Weaver), swoops in to take control of Fairy Tale Land. Her first order of business: Let the bad guys win. Consequently, Sleeping Beauty continues to doze, the Seven Dwarves wind up in jail, etc. Ella joins forces with Rick to set things right. Along the way, she realizes that the lowly lad has more princely qualities than the actual prince, and Frieda's reign turns out to be shorter than intended. It's not a bad idea, but the movie drags and the tunes are unmemorable. --Kathleen C. Fennessy

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This edge-of-your-seat psychological thriller is directed by David Slade (The Twilight Sage: Eclipse) and features Patrick Wilson and Ellen Page. Precocious 14-year-old Hayley probably shouldn't be going to a local coffee shop to meet Jeff, a 30-something fashion photographer she met on the Internet. But before she knows it, she's mixing drinks at Jeff's place and stripping for an impromptu photo shoot. It seems to be Jeff's lucky night. But Hayley isn't as innocent as she looks, and the night takes a turn when she begins to impose a hard-hitting investigation on Jeff in an attempt to reveal his possibly scandalous past.

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In 1890 Wyoming, class conflict erupts into violence as a federal marshal, a mercenary and an immigrant madam collide in a range war.

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Producers Kanye West and Damon Dash present this explosive saga of life on the streets, where a gangster's survival depends on maintaining the code of honor - and keeping his mouth shut. Loaded with Special Features!

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SPECIAL EDITION FEATURES include: New digital restoration with 4.0 surround DTS-HD Master Audio soundtrack, 2 audio commentaries, a new documentary, additional scenes, excerpts from Siskel & Ebert tracking their acclaim for the film, and more. Two ordinary inner-city Chicago kids dare to reach for the impossible - professional basketball glory - in this epic chronicle of hope and faith. Filmed over a five-year period, Hoop Dreams, by Steve James (Life Itself), Frederick Marx, and Peter Gilbert follows young Arthur Agee and William Gates as they navigate the complex, competitive world of scholastic athletics while dealing with the intense pressures of their home lives and neighborhoods. This landmark film, which documents the journeys of two remarkable families, continues to educate and inspire viewers, and it is widely considered one of the great works of American nonfiction cinema.

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We've pulled no punches although Jason and Duff probably wish we had! in this uncut, no-holds-barred, 4-disc compendium of Season One episodes. An exciting new series explores the origins and teachings of the world's martial arts. Every episode every kick, thrust, parry and bruise from TV's hardest-hitting show! Jason and Bill have only a week to learn enough not to get killed. In the ultimate search for a HUMAN WEAPON, mixed martial artist Jason Chambers and former football pro Bill Duff put their bodies on the line as they train in the most lethal forms of combat. Despite its emphasis on hand-to-hand combat, in many ways martial arts are about how not to fight. This is one of the first lessons seasoned fighters Jason and Bill learn on their globe-spanning quest to discover the traditions and techniques of the world's fighting styles. Learn with them as they seek out Masters of ancient and modern disciplines in the lands where they were created. Discover the cultures that gave rise to distinct martial arts. Witness as Jason and Bill challenge a champion - a true HUMAN WEAPON - after only a week of instruction! In Season One, our battered hosts explored everything from karate to Krav Maga, from Muay Thai to Eskrima Stick Fighting. And in this awesome four-disc set, you get every single moment, plus bonus footage and features, from the entire adventure! History and culture, body-blows and eye-gouges: now that's entertainment! HUMAN WEAPON COMPLETE SEASON ONE contains: DISC 1: Muay Thai: Ultimate Striking, Eskrima Stickfighting, Karate, Savate Streetfighting, Bonus: Master Fights DISC 2: Judo: Samurai Legacy, Pankration: The Original Martial Art, Krav Maga of the Israeli Commandos, Marine Corps Martial Arts, Bonus: Additional Footage DISC 3: MMA: America's Extreme Fighting, Kung Fu, Sambo: Russia's Extreme Fighting, Cambodian Blood Sport DISC 4: Silat: Martial Art of Malaysia, Passport to Pain, Ninjutsu, Taekwondo, Bonus: Master Moves

Description

We've pulled no punches although Jason and Duff probably wish we had! in this uncut, no-holds-barred, 4-disc compendium of Season One episodes. An exciting new series explores the origins and teachings of the world's martial arts. Every episode every kick, thrust, parry and bruise from TV's hardest-hitting show! Jason and Bill have only a week to learn enough not to get killed. In the ultimate search for a HUMAN WEAPON, mixed martial artist Jason Chambers and former football pro Bill Duff put their bodies on the line as they train in the most lethal forms of combat. Despite its emphasis on hand-to-hand combat, in many ways martial arts are about how not to fight. This is one of the first lessons seasoned fighters Jason and Bill learn on their globe-spanning quest to discover the traditions and techniques of the world's fighting styles. Learn with them as they seek out Masters of ancient and modern disciplines in the lands where they were created. Discover the cultures that gave rise to distinct martial arts. Witness as Jason and Bill challenge a champion - a true HUMAN WEAPON - after only a week of instruction! In Season One, our battered hosts explored everything from karate to Krav Maga, from Muay Thai to Eskrima Stick Fighting. And in this awesome four-disc set, you get every single moment, plus bonus footage and features, from the entire adventure! History and culture, body-blows and eye-gouges: now that's entertainment! HUMAN WEAPON COMPLETE SEASON ONE contains: DISC 1: Muay Thai: Ultimate Striking, Eskrima Stickfighting, Karate, Savate Streetfighting, Bonus: Master Fights DISC 2: Judo: Samurai Legacy, Pankration: The Original Martial Art, Krav Maga of the Israeli Commandos, Marine Corps Martial Arts, Bonus: Additional Footage DISC 3: MMA: America's Extreme Fighting, Kung Fu, Sambo: Russia's Extreme Fighting, Cambodian Blood Sport DISC 4: Silat: Martial Art of Malaysia, Passport to Pain, Ninjutsu, Taekwondo, Bonus: Master Moves

Description

We've pulled no punches although Jason and Duff probably wish we had! in this uncut, no-holds-barred, 4-disc compendium of Season One episodes. An exciting new series explores the origins and teachings of the world's martial arts. Every episode every kick, thrust, parry and bruise from TV's hardest-hitting show! Jason and Bill have only a week to learn enough not to get killed. In the ultimate search for a HUMAN WEAPON, mixed martial artist Jason Chambers and former football pro Bill Duff put their bodies on the line as they train in the most lethal forms of combat. Despite its emphasis on hand-to-hand combat, in many ways martial arts are about how not to fight. This is one of the first lessons seasoned fighters Jason and Bill learn on their globe-spanning quest to discover the traditions and techniques of the world's fighting styles. Learn with them as they seek out Masters of ancient and modern disciplines in the lands where they were created. Discover the cultures that gave rise to distinct martial arts. Witness as Jason and Bill challenge a champion - a true HUMAN WEAPON - after only a week of instruction! In Season One, our battered hosts explored everything from karate to Krav Maga, from Muay Thai to Eskrima Stick Fighting. And in this awesome four-disc set, you get every single moment, plus bonus footage and features, from the entire adventure! History and culture, body-blows and eye-gouges: now that's entertainment! HUMAN WEAPON COMPLETE SEASON ONE contains: DISC 1: Muay Thai: Ultimate Striking, Eskrima Stickfighting, Karate, Savate Streetfighting, Bonus: Master Fights DISC 2: Judo: Samurai Legacy, Pankration: The Original Martial Art, Krav Maga of the Israeli Commandos, Marine Corps Martial Arts, Bonus: Additional Footage DISC 3: MMA: America's Extreme Fighting, Kung Fu, Sambo: Russia's Extreme Fighting, Cambodian Blood Sport DISC 4: Silat: Martial Art of Malaysia, Passport to Pain, Ninjutsu, Taekwondo, Bonus: Master Moves

Description

We've pulled no punches although Jason and Duff probably wish we had! in this uncut, no-holds-barred, 4-disc compendium of Season One episodes. An exciting new series explores the origins and teachings of the world's martial arts. Every episode every kick, thrust, parry and bruise from TV's hardest-hitting show! Jason and Bill have only a week to learn enough not to get killed. In the ultimate search for a HUMAN WEAPON, mixed martial artist Jason Chambers and former football pro Bill Duff put their bodies on the line as they train in the most lethal forms of combat. Despite its emphasis on hand-to-hand combat, in many ways martial arts are about how not to fight. This is one of the first lessons seasoned fighters Jason and Bill learn on their globe-spanning quest to discover the traditions and techniques of the world's fighting styles. Learn with them as they seek out Masters of ancient and modern disciplines in the lands where they were created. Discover the cultures that gave rise to distinct martial arts. Witness as Jason and Bill challenge a champion - a true HUMAN WEAPON - after only a week of instruction! In Season One, our battered hosts explored everything from karate to Krav Maga, from Muay Thai to Eskrima Stick Fighting. And in this awesome four-disc set, you get every single moment, plus bonus footage and features, from the entire adventure! History and culture, body-blows and eye-gouges: now that's entertainment! HUMAN WEAPON COMPLETE SEASON ONE contains: DISC 1: Muay Thai: Ultimate Striking, Eskrima Stickfighting, Karate, Savate Streetfighting, Bonus: Master Fights DISC 2: Judo: Samurai Legacy, Pankration: The Original Martial Art, Krav Maga of the Israeli Commandos, Marine Corps Martial Arts, Bonus: Additional Footage DISC 3: MMA: America's Extreme Fighting, Kung Fu, Sambo: Russia's Extreme Fighting, Cambodian Blood Sport DISC 4: Silat: Martial Art of Malaysia, Passport to Pain, Ninjutsu, Taekwondo, Bonus: Master Moves

Description

“They’re already here! You’re next!” With these chilling words, Invasion of the Body Snatchers sounded the clarion call to the dangers of conformity, paranoia and mass hysteria at the heart of 1950s American life. One of the greatest and most influential science fiction films ever made, Invasion stars Kevin McCarthy (Nightmare, Mirage) as Miles Bennell, a doctor in a small California town whose patients are becoming increasingly overwrought, accusing their loved ones of being emotionless imposters. They’re right! Plant-like extraterrestrials have invaded Earth, taking possession of humans as they sleep and replicating them in giant seed pods. Convinced that a catastrophic pandemic is imminent, Bennell, in a terrifying race for his life, must warn the world of this deadly invasion of the pod people—before it’s too late! This is the original adaptation of Jack Finney’s eerie tale, produced by Walter Wanger (Scarlet Street, Cleopatra) and directed by Don Siegel (Dirty Harry, Charley Varrick) in beautiful black-and-white Superscope. One of the mightiest cult classics of cinema is now scarier and timelier than ever! This special edition features the film in two aspect ratios, 2.00:1 and 1.85:1. Special Features: DISC 1 (4KUHD): • Brand New HDR/Dolby Vision Masters - From a New 4K Scan of the Best Available 35mm Elements • Includes Both the 2.00:1 and 1.85:1 in HDR Dolby Vision • Audio Commentary by Actor Kevin McCarthy and Dana Wynter, Moderated by Legendary Filmmaker Joe Dante • Audio Commentary by Film Historian Richard Harland Smith • NEW Audio Commentary by Film Historians Steve Mitchell and Nathaniel Thompson • NEW Audio Commentary by Professor and Film Scholar Jason A. Ney • Triple-Layered UHD100 Disc • Optional English Subtitles DISC 2 (BLU-RAY): • Brand New HD Masters - From a New 4K Scan of the Best Available 35mm Elements • Includes Both the 2.00:1 and 1.85:1 Version in Newly Remastered 1080P HD • Audio Commentary by Actor Kevin McCarthy and Dana Wynter, Moderated by Legendary Filmmaker Joe Dante • Audio Commentary by Film Historian Richard Harland Smith • NEW Audio Commentary by Film Historians Steve Mitchell and Nathaniel Thompson • NEW Audio Commentary by Professor and Film Scholar Jason A. Ney • The Fear is Real: Featurette (12:26) • The Stranger in Your Lover’s Eyes: Featurette (11:54) • I No Longer Belong – The Rise and Fall of Walter Wanger: Featurett

Description

“They’re already here! You’re next!” With these chilling words, Invasion of the Body Snatchers sounded the clarion call to the dangers of conformity, paranoia and mass hysteria at the heart of 1950s American life. One of the greatest and most influential science fiction films ever made, Invasion stars Kevin McCarthy (Nightmare, Mirage) as Miles Bennell, a doctor in a small California town whose patients are becoming increasingly overwrought, accusing their loved ones of being emotionless imposters. They’re right! Plant-like extraterrestrials have invaded Earth, taking possession of humans as they sleep and replicating them in giant seed pods. Convinced that a catastrophic pandemic is imminent, Bennell, in a terrifying race for his life, must warn the world of this deadly invasion of the pod people—before it’s too late! This is the original adaptation of Jack Finney’s eerie tale, produced by Walter Wanger (Scarlet Street, Cleopatra) and directed by Don Siegel (Dirty Harry, Charley Varrick) in beautiful black-and-white Superscope. One of the mightiest cult classics of cinema is now scarier and timelier than ever! This special edition features the film in two aspect ratios, 2.00:1 and 1.85:1. Special Features: • Brand New HD Masters - From a New 4K Scan of the Best Available 35mm Elements • Includes Both the 2.00:1 and 1.85:1 Version in Newly Remastered 1080P HD • Audio Commentary by Actor Kevin McCarthy and Dana Wynter, Moderated by Legendary Filmmaker Joe Dante • Audio Commentary by Film Historian Richard Harland Smith • NEW Audio Commentary by Film Historians Steve Mitchell and Nathaniel Thompson • NEW Audio Commentary by Professor and Film Scholar Jason A. Ney • The Fear is Real: Featurette (12:26) • The Stranger in Your Lover’s Eyes: Featurette (11:54) • I No Longer Belong – The Rise and Fall of Walter Wanger: Featurette (21:08) • 1956 and 1978 Theatrical Trailers • Dual-Layered BD50 Disc • Optional English Subtitles

Description

“They’re already here! You’re next!” With these chilling words, Invasion of the Body Snatchers sounded the clarion call to the dangers of conformity, paranoia and mass hysteria at the heart of 1950s American life. One of the greatest and most influential science fiction films ever made, Invasion stars Kevin McCarthy (Nightmare, Mirage) as Miles Bennell, a doctor in a small California town whose patients are becoming increasingly overwrought, accusing their loved ones of being emotionless imposters. They’re right! Plant-like extraterrestrials have invaded Earth, taking possession of humans as they sleep and replicating them in giant seed pods. Convinced that a catastrophic pandemic is imminent, Bennell, in a terrifying race for his life, must warn the world of this deadly invasion of the pod people—before it’s too late! This is the original adaptation of Jack Finney’s eerie tale, produced by Walter Wanger (Scarlet Street, Cleopatra) and directed by Don Siegel (Dirty Harry, Charley Varrick) in beautiful black-and-white Superscope. One of the mightiest cult classics of cinema is now scarier and timelier than ever! This special edition features the film in two aspect ratios, 2.00:1 and 1.85:1. Special Features: DISC 1 (4KUHD): • Brand New HDR/Dolby Vision Masters - From a New 4K Scan of the Best Available 35mm Elements • Includes Both the 2.00:1 and 1.85:1 in HDR Dolby Vision • Audio Commentary by Actor Kevin McCarthy and Dana Wynter, Moderated by Legendary Filmmaker Joe Dante • Audio Commentary by Film Historian Richard Harland Smith • NEW Audio Commentary by Film Historians Steve Mitchell and Nathaniel Thompson • NEW Audio Commentary by Professor and Film Scholar Jason A. Ney • Triple-Layered UHD100 Disc • Optional English Subtitles DISC 2 (BLU-RAY): • Brand New HD Masters - From a New 4K Scan of the Best Available 35mm Elements • Includes Both the 2.00:1 and 1.85:1 Version in Newly Remastered 1080P HD • Audio Commentary by Actor Kevin McCarthy and Dana Wynter, Moderated by Legendary Filmmaker Joe Dante • Audio Commentary by Film Historian Richard Harland Smith • NEW Audio Commentary by Film Historians Steve Mitchell and Nathaniel Thompson • NEW Audio Commentary by Professor and Film Scholar Jason A. Ney • The Fear is Real: Featurette (12:26) • The Stranger in Your Lover’s Eyes: Featurette (11:54) • I No Longer Belong – The Rise and Fall of Walter Wanger: Featurett

Description

“They’re already here! You’re next!” With these chilling words, Invasion of the Body Snatchers sounded the clarion call to the dangers of conformity, paranoia and mass hysteria at the heart of 1950s American life. One of the greatest and most influential science fiction films ever made, Invasion stars Kevin McCarthy (Nightmare, Mirage) as Miles Bennell, a doctor in a small California town whose patients are becoming increasingly overwrought, accusing their loved ones of being emotionless imposters. They’re right! Plant-like extraterrestrials have invaded Earth, taking possession of humans as they sleep and replicating them in giant seed pods. Convinced that a catastrophic pandemic is imminent, Bennell, in a terrifying race for his life, must warn the world of this deadly invasion of the pod people—before it’s too late! This is the original adaptation of Jack Finney’s eerie tale, produced by Walter Wanger (Scarlet Street, Cleopatra) and directed by Don Siegel (Dirty Harry, Charley Varrick) in beautiful black-and-white Superscope. One of the mightiest cult classics of cinema is now scarier and timelier than ever! This special edition features the film in two aspect ratios, 2.00:1 and 1.85:1. Special Features: • Brand New HD Masters - From a New 4K Scan of the Best Available 35mm Elements • Includes Both the 2.00:1 and 1.85:1 Version in Newly Remastered 1080P HD • Audio Commentary by Actor Kevin McCarthy and Dana Wynter, Moderated by Legendary Filmmaker Joe Dante • Audio Commentary by Film Historian Richard Harland Smith • NEW Audio Commentary by Film Historians Steve Mitchell and Nathaniel Thompson • NEW Audio Commentary by Professor and Film Scholar Jason A. Ney • The Fear is Real: Featurette (12:26) • The Stranger in Your Lover’s Eyes: Featurette (11:54) • I No Longer Belong – The Rise and Fall of Walter Wanger: Featurette (21:08) • 1956 and 1978 Theatrical Trailers • Dual-Layered BD50 Disc • Optional English Subtitles

Description

Past and present collide in this epic adventure that reveals the origin of Iron Man. While raising the ruins of a long buried Chinese kingdom, billionaire inventor Tony Stark digs up far more than he bargained for. He unleashes an age-old prophecy that foretells the resurrection of the Mandarin, the emperor of China's darkest and most violent dynasty. In order to confront the destructive force, Tony creates an armored suit infused with high-tech weaponry. To stop the evil that he himself has raised form the earth, Tony must become his greatest invention ever--Iron Man! The newly born champion must travel to the four corners of the earth to battle the Mandarin's henchmen, the Elementals-- four magical warriors who harness the power of the elements--earth, water, wind, and fire--withdeadly chemistry. But is the Iron Knight, as he his known in the prophecy, strong enough to defy fate and

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Ralph Fiennes directs and stars in this romantic drama adapted from Clare Tomalin's book about the relationship between celebrated 19th-century novelist Charles Dickens and his mistress. School teacher Nelly Ternan (Felicity Jones), now a wife and mother, looks back on her life as a young woman when, while working as an actress, she met the 45-year-old Dickens (Fiennes). Having become disenchanted with his wife Catherine (Joanna Scanlan), Dickens finds himself enamoured by the equally smitten Nelly and the two become romantically involved. However, they must keep their relationship a secret, meaning Nelly must live an almost invisible existence. The cast also includes Kristin Scott Thomas, Tom Hollander and Michelle Fairley.

Description

Jane Hammond (Natalie Portman) has built a life on the rugged western plains with her husband Bill Ham; Hammond (Noah Emmerich) and young daughter. When Ham stumbles home riddled with bullets after a run-in with the relentless John Bishop (Ewan McGregor) and his gang, she knows they will not stop until her family is dead. In desperation, Jane turns to Dan Frost (Joel Edgerton), a man from her past, for help. Haunted by old memories, Jane s past meets the present in a heart-stopping battle for survival.

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Amazon.com Lost: Season One Along with Desperate Housewives, Lost was one of the two breakout shows in the fall of 2004. Mixing suspense and action with a sci-fi twist, it began with a thrilling pilot episode in which a jetliner traveling from Australia to Los Angeles crashes, leaving 48 survivors on an unidentified island with no sign of civilization or hope of imminent rescue. That may sound like Gilligan's Island meets Survivor, but Lost kept viewers tuning in every Wednesday night--and spending the rest of the week speculating on Web sites--with some irresistible hooks (not to mention the beautiful women). First, there's a huge ensemble cast of no fewer than 14 regular characters, and each episode fills in some of the back story on one of them. There's a doctor; an Iraqi soldier; a has-been rock star; a fugitive from justice; a self-absorbed young woman and her brother; a lottery winner; a father and son; a Korean couple; a pregnant woman; and others. Second, there's a host of unanswered questions: What is the mysterious beast that lurks in the jungle? Why do polar bears and wild boars live there? Why has a woman been transmitting an SOS message in French from somewhere on the island for the last 16 years? Why do impossible wishes seem to come true? Are they really on a physical island, or somewhere else? What is the significance of the recurring set of numbers? And will Kate ever give up her bad-boy fixation and hook up with Jack? Lost did have some hiccups during the first season. Some plot threads were left dangling for weeks, and the "oh, it didn't really happen" card was played too often. But the strong writing and topnotch cast kept the show a cut above most network TV. The best-known actor at the time of the show's debut was Dominic Monaghan, fresh off his stint as Merry the Hobbit in Peter Jackson's Lord of the Rings films. The rest of the cast is either unknowns or "where I have I seen that face before" supporting players, including Matthew Fox and Evangeline Lilly, who are the closest thing to leads. Other standouts include Naveen Andrews, Terry O'Quinn (who's made a nice career out of conspiracy-themed TV shows), Josh Holloway, Jorge Garcia, Yunjin Kim, Maggie Grace, and Emilie de Ravin, but there's really not a weak link in the cast. Co-created by J.J. Abrams (Alias), Lost left enough unanswered questions after its first season to keep viewers riveted for a second season. --David Horiuchi Lost: Season Two What was in the Hatch? The cliffhanger from season one of Lost was answered in its opening sequences, only to launch into more questions as the season progressed. That's right: Just when you say "Ohhhhh," there comes another "What?" Thankfully, the show's producers sprinkle answers like tasty morsels throughout the season, ending with a whopper: What caused Oceanic Air Flight 815 to crash in the first place? As the show digs into more revelations about its inhabitant's pasts, it also devotes a good chunk to new characters (Hey, it's an island; you never know who you're going to run into.) First, there are the "Tailies," passengers from the back end of the plane who crashed on the other side of the island. Among them are the wise, God-fearing ex-drug lord Mr. Eko (standout Adewale Akinnuoye-Agbaje); devoted husband Bernard (Sam Anderson); psychiatrist Libby (Cynthia Watros, whose character has more than one hidden link to the other islanders); and ex-cop Ana Lucia (Michelle Rodriguez), by far the most infuriating character on the show, despite how much the writers tried to incur sympathy with her flashback. Then there are the Others, first introduced when they kidnapped Walt (Malcolm David Kelley) at the end of season one. Brutal and calculating, their agenda only became more complex when one of them (played creepily by Michael Emerson) was held hostage in the hatch and, quite handily, plays mind games on everyone's already frayed nerves. The original cast continues to battle their own skeletons, most notably Locke (Terry O'Quinn), Sun (Yunjin Kim) and Michael (Harold Perrineau), whose obsession with finding Walt takes a dangerous turn. The love triangle between Jack (Matthew Fox), Kate (Evangeline Lilly) and Sawyer (Josh Holloway), which had stalled with Sawyer's departure, heats up again in the second half. Despite the bloating cast size (knocked down by a few by season's end) Lost still does what it does best: explores the psyche of people, about whom "my life is an open book" never applies, and cracks into the social dynamics of strangers thrust into Lord of the Flies-esque situations. Is it all a science experiment? A dream? A supernatural pocket in the universe? Likely, any theory will wind up on shaky ground by the season's conclusion. But hey, that's the fun of it. This show was made for DVD, and you can pause and slow-frame to your heart's content. Just try and keep that.---Ellen Kim Lost: Season Three When it aired in 2006-07, Lost's third season was split into two, with a hefty break in between. This did nothing to help the already weirdly disparate direction the show was taking (Kate and Sawyer in zoo cages! Locke eating goop in a mud hut!), but when it finally righted its course halfway through--in particular that whopper of a finale--the drama series had left its irked fan base thrilled once again. This doesn't mean, however, that you should skip through the first half of the season to get there, because quite a few questions find answers: what the Others are up to, the impact of turning that fail-safe key, the identity of the eye-patched man from the hatch's video monitor. One of the series' biggest curiosities from the past--how Locke ended up in that wheelchair in the first place--also gets its satisfying due. (The episode, "The Man from Tallahassee," likely was a big contributor to Terry O'Quinn's surprising--but long-deserved--Emmy win that year.) Unfortunately, you do have to sit through a lot of aforementioned nuisances to get there. Season 3 kicks off with Jack (Matthew Fox), Kate (Evangeline Lilly), and Sawyer (Josh Holloway) held captive by the Others; Sayid (Naveen Andrews), Sun (Yunjin Kim), and Jin (Daniel Dae Kim) on a mission to rescue them; and Locke, Mr. Eko (Adewale Akinnuoye-Agbaje), and Desmond (Henry Ian Cusick) in the aftermath of the electromagnetic pulse that blew up the hatch. Spinning the storylines away from base camp alone wouldn't have felt so disjointed were it not for the new characters simultaneously being introduced. First there's Juliet, a mysterious member of the Others whose loyalty constantly comes into question as the season goes on. Played delicately by Elizabeth Mitchell (Gia, ER, Frequency), Juliet is in one turn a cold-blooded killer, by another turn a sympathetic friend; possibly both at once, possibly neither at all. (She's also a terrific, albeit unwitting, threat to the Kate-Sawyer-Jack love triangle, which plays out more definitively this season.) On the other hand, there's the now-infamous Nikki and Paulo (Kiele Sanchez and Rodrigo Santoro), a tagalong couple who were cleverly woven into the previous seasons' key moments but came to bear the brunt of fans' ire toward the show (Sawyer humorously echoed the sentiments by remarking, "Who the hell are you?"). By the end of the season, at least two major characters die, another is told he/she will die within months, major new threats are unveiled, and--as mentioned before--the two-part season finale restores your faith in the series. The extras are as well-stocked as a Dharma Initiative food pantry on this seven-disc set. Commentaries by producer Damon Lindelof, show writers, and numerous cast members reveal a whole lot of juicy trivia; plus, the DVDs even provide a subtitle track for the commentary (rarely seen other than on foreign-language director's commentaries) so you won't miss a thing. "Lost Book Club" goes through the parallels between what characters are reading and the show's storylines (The Wizard of Oz and Stephen King are heavily referenced). "Lost: On Location" gives a lot of insight to some of the biggest episodes, and "Lost in a Day" gives a 24-hour glimpse at the drama's arduous production. If you're a Lost fan who gave up during this season, the bonus features alone might lure you back for the next round. --Ellen A. Kim Lost: Season Four Season four of Lost was a fine return to form for the series, which polarized its audience the year before with its focus on The Others and not enough on our original crash victims. That season's finale introduced a new storytelling device--the flash-forward--that's employed to great effect this time around; by showing who actually got off the island (known as the Oceanic Six), the viewer is able to put to bed some longstanding loose ends. As the finale attests, we see that in the future Jack (Matthew Fox) is broken, bearded, and not sober, while Kate (Evangeline Lilly) is estranged from Jack and with another guy (the identity may surprise you). Four others do make it back to their homes, but as the flash-forwards show, it's definitely not the end of their connection to the island. Back in present day, however, the islanders are visited by the denizens of a so-called rescue ship, who have agendas of their own. While Jack works with the newcomers to try to get off the island, Locke (Terry O'Quinn), with a few followers of his own, forms an uneasy alliance with Ben (Michael Emerson) against the suspicious gang. Some episodes featuring the new characters feel like filler, but the evolution of such characters as Sun and Jin (Yunjin Kim and Daniel Dae Kim) is this season's strength; plus, the love story of Desmond (Henry Ian Cusick) and Penny (Sonya Walger) provides some of the show's emotional highlights. As is the custom with Lost, bullets fly and characters die (while others may or may not have). Moreover, the fate of Michael (Harold Perrineau), last seen traitorously sailing off to civilization in season two, as well as the flash-forwards of the Oceanic Six, shows you never quite leave the island once you've left. There's a force that pulls them in, and it's a hook that keeps you watching. Season four was a shorter 13 episodes instead of the usual 22 due to the 2008 writers' strike; nonetheless, the set comes with two discs of extras. One of the best features is "LOST in 8:15," which is a rapid-fire summation of the series thus far in eight minutes, 15 seconds. Narrated by a hilariously droll female, it includes lines such as "Jack meets Kate. Kate stitches up Jack. They bond." and "They see Jack play football with Mr. Friendly. Mr. Friendly throws like a girl." The featurette "The Right to Bear Arms" takes a fun look at the prop masters responsible for supplying the castaways with guns--and keeping track of who has one and who doesn't (best here is Sawyer's (Josh Holloway) assertion that characters often cock their guns just to look cool). Cast members Lilly, Garcia, Yunjin Kim, and Daniel Dae Kim provide a few of the commentaries, and the set even comes with an amusing safety guide for Oceanic Airlines. (Example: "if you notice black smoke emanating from the plane, please alert the captain. It is either a problem with the engines or a mysterious creature.") Finally, for those who bought the standard-def DVD, take a closer look at the front cover after you've removed the O-sleeve; you'll notice the entire cast has been blacked out save for a few: the Oceanic Six. --Ellen A. Kim Lost: Season Five Since Lost made its debut as a cult phenomenon in 2004, certain things seemed inconceivable. In its fourth year, some of those things, like a rescue, came to pass. The season ended with Locke (Terry O'Quinn) attempting to persuade the Oceanic Six to return, but he dies before that can happen--or so it appears--and where Jack (Matthew Fox) used to lead, Ben (Emmy nominee Michael Emerson) now takes the reins and convinces the survivors to fulfill Locke's wish. As producers Damon Lindelof and Carlton Cuse state in their commentary on the fifth-season premiere, "We're doing time travel this year," and the pile-up of flashbacks and flash-forwards will make even the most dedicated fan dizzy. Ben, Jack, Hurley (Jorge Garcia), Sayid (Naveen Andrews), Sun (Yunjin Kim), and Kate (Evangeline Lilly) arrive to find that Sawyer (Josh Holloway) and Juliet (Elizabeth Mitchell) have been part of the Dharma Initiative for three years. The writers also clarify the roles that Richard (Nestor Carbonell) and Daniel (Jeremy Davies) play in the island's master plan, setting the stage for the prophecies of Daniel's mother, Eloise Hawking (Fionnula Flanagan), to play a bigger part in the sixth and final season. Dozens of other players flit in and out, some never to return. A few, such as Jin (Daniel Dae Kim), live again in the past. Lost could've wrapped things up in five years, as The Wire did, but the show continues to excite and surprise. As Lindelof and Cuse admit in the commentary, there's a "fine line between confusion and mystery," adding, "it makes more sense if you're drunk." Other extras include deleted scenes, featurettes, a "lost" episode of Mysteries of the Universe, and commentary from writers Edward Kitsis and Adam Horowitz on "He's Our You," a reference to Sayid, who tries to change the future by changing the past. --Kathleen C. Fennessy

Description

Amazon.com Lost: Season One Along with Desperate Housewives, Lost was one of the two breakout shows in the fall of 2004. Mixing suspense and action with a sci-fi twist, it began with a thrilling pilot episode in which a jetliner traveling from Australia to Los Angeles crashes, leaving 48 survivors on an unidentified island with no sign of civilization or hope of imminent rescue. That may sound like Gilligan's Island meets Survivor, but Lost kept viewers tuning in every Wednesday night--and spending the rest of the week speculating on Web sites--with some irresistible hooks (not to mention the beautiful women). First, there's a huge ensemble cast of no fewer than 14 regular characters, and each episode fills in some of the back story on one of them. There's a doctor; an Iraqi soldier; a has-been rock star; a fugitive from justice; a self-absorbed young woman and her brother; a lottery winner; a father and son; a Korean couple; a pregnant woman; and others. Second, there's a host of unanswered questions: What is the mysterious beast that lurks in the jungle? Why do polar bears and wild boars live there? Why has a woman been transmitting an SOS message in French from somewhere on the island for the last 16 years? Why do impossible wishes seem to come true? Are they really on a physical island, or somewhere else? What is the significance of the recurring set of numbers? And will Kate ever give up her bad-boy fixation and hook up with Jack? Lost did have some hiccups during the first season. Some plot threads were left dangling for weeks, and the "oh, it didn't really happen" card was played too often. But the strong writing and topnotch cast kept the show a cut above most network TV. The best-known actor at the time of the show's debut was Dominic Monaghan, fresh off his stint as Merry the Hobbit in Peter Jackson's Lord of the Rings films. The rest of the cast is either unknowns or "where I have I seen that face before" supporting players, including Matthew Fox and Evangeline Lilly, who are the closest thing to leads. Other standouts include Naveen Andrews, Terry O'Quinn (who's made a nice career out of conspiracy-themed TV shows), Josh Holloway, Jorge Garcia, Yunjin Kim, Maggie Grace, and Emilie de Ravin, but there's really not a weak link in the cast. Co-created by J.J. Abrams (Alias), Lost left enough unanswered questions after its first season to keep viewers riveted for a second season. --David Horiuchi Lost: Season Two What was in the Hatch? The cliffhanger from season one of Lost was answered in its opening sequences, only to launch into more questions as the season progressed. That's right: Just when you say "Ohhhhh," there comes another "What?" Thankfully, the show's producers sprinkle answers like tasty morsels throughout the season, ending with a whopper: What caused Oceanic Air Flight 815 to crash in the first place? As the show digs into more revelations about its inhabitant's pasts, it also devotes a good chunk to new characters (Hey, it's an island; you never know who you're going to run into.) First, there are the "Tailies," passengers from the back end of the plane who crashed on the other side of the island. Among them are the wise, God-fearing ex-drug lord Mr. Eko (standout Adewale Akinnuoye-Agbaje); devoted husband Bernard (Sam Anderson); psychiatrist Libby (Cynthia Watros, whose character has more than one hidden link to the other islanders); and ex-cop Ana Lucia (Michelle Rodriguez), by far the most infuriating character on the show, despite how much the writers tried to incur sympathy with her flashback. Then there are the Others, first introduced when they kidnapped Walt (Malcolm David Kelley) at the end of season one. Brutal and calculating, their agenda only became more complex when one of them (played creepily by Michael Emerson) was held hostage in the hatch and, quite handily, plays mind games on everyone's already frayed nerves. The original cast continues to battle their own skeletons, most notably Locke (Terry O'Quinn), Sun (Yunjin Kim) and Michael (Harold Perrineau), whose obsession with finding Walt takes a dangerous turn. The love triangle between Jack (Matthew Fox), Kate (Evangeline Lilly) and Sawyer (Josh Holloway), which had stalled with Sawyer's departure, heats up again in the second half. Despite the bloating cast size (knocked down by a few by season's end) Lost still does what it does best: explores the psyche of people, about whom "my life is an open book" never applies, and cracks into the social dynamics of strangers thrust into Lord of the Flies-esque situations. Is it all a science experiment? A dream? A supernatural pocket in the universe? Likely, any theory will wind up on shaky ground by the season's conclusion. But hey, that's the fun of it. This show was made for DVD, and you can pause and slow-frame to your heart's content. Just try and keep that.---Ellen Kim Lost: Season Three When it aired in 2006-07, Lost's third season was split into two, with a hefty break in between. This did nothing to help the already weirdly disparate direction the show was taking (Kate and Sawyer in zoo cages! Locke eating goop in a mud hut!), but when it finally righted its course halfway through--in particular that whopper of a finale--the drama series had left its irked fan base thrilled once again. This doesn't mean, however, that you should skip through the first half of the season to get there, because quite a few questions find answers: what the Others are up to, the impact of turning that fail-safe key, the identity of the eye-patched man from the hatch's video monitor. One of the series' biggest curiosities from the past--how Locke ended up in that wheelchair in the first place--also gets its satisfying due. (The episode, "The Man from Tallahassee," likely was a big contributor to Terry O'Quinn's surprising--but long-deserved--Emmy win that year.) Unfortunately, you do have to sit through a lot of aforementioned nuisances to get there. Season 3 kicks off with Jack (Matthew Fox), Kate (Evangeline Lilly), and Sawyer (Josh Holloway) held captive by the Others; Sayid (Naveen Andrews), Sun (Yunjin Kim), and Jin (Daniel Dae Kim) on a mission to rescue them; and Locke, Mr. Eko (Adewale Akinnuoye-Agbaje), and Desmond (Henry Ian Cusick) in the aftermath of the electromagnetic pulse that blew up the hatch. Spinning the storylines away from base camp alone wouldn't have felt so disjointed were it not for the new characters simultaneously being introduced. First there's Juliet, a mysterious member of the Others whose loyalty constantly comes into question as the season goes on. Played delicately by Elizabeth Mitchell (Gia, ER, Frequency), Juliet is in one turn a cold-blooded killer, by another turn a sympathetic friend; possibly both at once, possibly neither at all. (She's also a terrific, albeit unwitting, threat to the Kate-Sawyer-Jack love triangle, which plays out more definitively this season.) On the other hand, there's the now-infamous Nikki and Paulo (Kiele Sanchez and Rodrigo Santoro), a tagalong couple who were cleverly woven into the previous seasons' key moments but came to bear the brunt of fans' ire toward the show (Sawyer humorously echoed the sentiments by remarking, "Who the hell are you?"). By the end of the season, at least two major characters die, another is told he/she will die within months, major new threats are unveiled, and--as mentioned before--the two-part season finale restores your faith in the series. The extras are as well-stocked as a Dharma Initiative food pantry on this seven-disc set. Commentaries by producer Damon Lindelof, show writers, and numerous cast members reveal a whole lot of juicy trivia; plus, the DVDs even provide a subtitle track for the commentary (rarely seen other than on foreign-language director's commentaries) so you won't miss a thing. "Lost Book Club" goes through the parallels between what characters are reading and the show's storylines (The Wizard of Oz and Stephen King are heavily referenced). "Lost: On Location" gives a lot of insight to some of the biggest episodes, and "Lost in a Day" gives a 24-hour glimpse at the drama's arduous production. If you're a Lost fan who gave up during this season, the bonus features alone might lure you back for the next round. --Ellen A. Kim Lost: Season Four Season four of Lost was a fine return to form for the series, which polarized its audience the year before with its focus on The Others and not enough on our original crash victims. That season's finale introduced a new storytelling device--the flash-forward--that's employed to great effect this time around; by showing who actually got off the island (known as the Oceanic Six), the viewer is able to put to bed some longstanding loose ends. As the finale attests, we see that in the future Jack (Matthew Fox) is broken, bearded, and not sober, while Kate (Evangeline Lilly) is estranged from Jack and with another guy (the identity may surprise you). Four others do make it back to their homes, but as the flash-forwards show, it's definitely not the end of their connection to the island. Back in present day, however, the islanders are visited by the denizens of a so-called rescue ship, who have agendas of their own. While Jack works with the newcomers to try to get off the island, Locke (Terry O'Quinn), with a few followers of his own, forms an uneasy alliance with Ben (Michael Emerson) against the suspicious gang. Some episodes featuring the new characters feel like filler, but the evolution of such characters as Sun and Jin (Yunjin Kim and Daniel Dae Kim) is this season's strength; plus, the love story of Desmond (Henry Ian Cusick) and Penny (Sonya Walger) provides some of the show's emotional highlights. As is the custom with Lost, bullets fly and characters die (while others may or may not have). Moreover, the fate of Michael (Harold Perrineau), last seen traitorously sailing off to civilization in season two, as well as the flash-forwards of the Oceanic Six, shows you never quite leave the island once you've left. There's a force that pulls them in, and it's a hook that keeps you watching. Season four was a shorter 13 episodes instead of the usual 22 due to the 2008 writers' strike; nonetheless, the set comes with two discs of extras. One of the best features is "LOST in 8:15," which is a rapid-fire summation of the series thus far in eight minutes, 15 seconds. Narrated by a hilariously droll female, it includes lines such as "Jack meets Kate. Kate stitches up Jack. They bond." and "They see Jack play football with Mr. Friendly. Mr. Friendly throws like a girl." The featurette "The Right to Bear Arms" takes a fun look at the prop masters responsible for supplying the castaways with guns--and keeping track of who has one and who doesn't (best here is Sawyer's (Josh Holloway) assertion that characters often cock their guns just to look cool). Cast members Lilly, Garcia, Yunjin Kim, and Daniel Dae Kim provide a few of the commentaries, and the set even comes with an amusing safety guide for Oceanic Airlines. (Example: "if you notice black smoke emanating from the plane, please alert the captain. It is either a problem with the engines or a mysterious creature.") Finally, for those who bought the standard-def DVD, take a closer look at the front cover after you've removed the O-sleeve; you'll notice the entire cast has been blacked out save for a few: the Oceanic Six. --Ellen A. Kim Lost: Season Five Since Lost made its debut as a cult phenomenon in 2004, certain things seemed inconceivable. In its fourth year, some of those things, like a rescue, came to pass. The season ended with Locke (Terry O'Quinn) attempting to persuade the Oceanic Six to return, but he dies before that can happen--or so it appears--and where Jack (Matthew Fox) used to lead, Ben (Emmy nominee Michael Emerson) now takes the reins and convinces the survivors to fulfill Locke's wish. As producers Damon Lindelof and Carlton Cuse state in their commentary on the fifth-season premiere, "We're doing time travel this year," and the pile-up of flashbacks and flash-forwards will make even the most dedicated fan dizzy. Ben, Jack, Hurley (Jorge Garcia), Sayid (Naveen Andrews), Sun (Yunjin Kim), and Kate (Evangeline Lilly) arrive to find that Sawyer (Josh Holloway) and Juliet (Elizabeth Mitchell) have been part of the Dharma Initiative for three years. The writers also clarify the roles that Richard (Nestor Carbonell) and Daniel (Jeremy Davies) play in the island's master plan, setting the stage for the prophecies of Daniel's mother, Eloise Hawking (Fionnula Flanagan), to play a bigger part in the sixth and final season. Dozens of other players flit in and out, some never to return. A few, such as Jin (Daniel Dae Kim), live again in the past. Lost could've wrapped things up in five years, as The Wire did, but the show continues to excite and surprise. As Lindelof and Cuse admit in the commentary, there's a "fine line between confusion and mystery," adding, "it makes more sense if you're drunk." Other extras include deleted scenes, featurettes, a "lost" episode of Mysteries of the Universe, and commentary from writers Edward Kitsis and Adam Horowitz on "He's Our You," a reference to Sayid, who tries to change the future by changing the past. --Kathleen C. Fennessy

Description

Screen legend Anthony Hopkins (When Eight Bells Toll, The Silence of the Lambs, Nixon) stars with Kristin Scott Thomas (Bitter Moon, The English Patient) and Derek Jacobi (Three Sisters, TV’s I, Claudius) in this compelling World War II drama based on the novel by Graham Greene (The Third Man). Jean-Louis Chavel (Hopkins), a wealthy French lawyer living quietly under Nazi occupation, is seized in a random police raid and thrown into a Paris jail with 29 other innocent men. Marked for the firing squad, he convinces a poor, dying prisoner to take his place by promising his entire estate to the man’s penniless kin. Once freed, the guilt-ridden Chavel returns to his former home and tries to help the family of the man who died in his stead. As he falls in love with the dead man’s sister, Thérèse (Scott Thomas), a stranger (Jacobi in an Emmy-winning role) calling himself “Chavel” arrives on their doorstep. Co-starring Cyril Cusack (Harold Pinter’s The Homecoming) with first-rate direction by Jack Gold (Who?) and photography by Alan Hume (Runaway Train), The Tenth Man is a stylish, powerfully acted thriller from one of the twentieth century’s most acclaimed authors. Special Features: -Includes Both the 1.78:1 and 1.33:1 Versions of the Film -Trailers -Optional English Subtitles

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After a plane crash on a mysterious island, the survivors battle danger, secrets and the unknown in the first season of Lost.

Description

Amazon.com Lost: Season One Along with Desperate Housewives, Lost was one of the two breakout shows in the fall of 2004. Mixing suspense and action with a sci-fi twist, it began with a thrilling pilot episode in which a jetliner traveling from Australia to Los Angeles crashes, leaving 48 survivors on an unidentified island with no sign of civilization or hope of imminent rescue. That may sound like Gilligan's Island meets Survivor, but Lost kept viewers tuning in every Wednesday night--and spending the rest of the week speculating on Web sites--with some irresistible hooks (not to mention the beautiful women). First, there's a huge ensemble cast of no fewer than 14 regular characters, and each episode fills in some of the back story on one of them. There's a doctor; an Iraqi soldier; a has-been rock star; a fugitive from justice; a self-absorbed young woman and her brother; a lottery winner; a father and son; a Korean couple; a pregnant woman; and others. Second, there's a host of unanswered questions: What is the mysterious beast that lurks in the jungle? Why do polar bears and wild boars live there? Why has a woman been transmitting an SOS message in French from somewhere on the island for the last 16 years? Why do impossible wishes seem to come true? Are they really on a physical island, or somewhere else? What is the significance of the recurring set of numbers? And will Kate ever give up her bad-boy fixation and hook up with Jack? Lost did have some hiccups during the first season. Some plot threads were left dangling for weeks, and the "oh, it didn't really happen" card was played too often. But the strong writing and topnotch cast kept the show a cut above most network TV. The best-known actor at the time of the show's debut was Dominic Monaghan, fresh off his stint as Merry the Hobbit in Peter Jackson's Lord of the Rings films. The rest of the cast is either unknowns or "where I have I seen that face before" supporting players, including Matthew Fox and Evangeline Lilly, who are the closest thing to leads. Other standouts include Naveen Andrews, Terry O'Quinn (who's made a nice career out of conspiracy-themed TV shows), Josh Holloway, Jorge Garcia, Yunjin Kim, Maggie Grace, and Emilie de Ravin, but there's really not a weak link in the cast. Co-created by J.J. Abrams (Alias), Lost left enough unanswered questions after its first season to keep viewers riveted for a second season. --David Horiuchi Lost: Season Two What was in the Hatch? The cliffhanger from season one of Lost was answered in its opening sequences, only to launch into more questions as the season progressed. That's right: Just when you say "Ohhhhh," there comes another "What?" Thankfully, the show's producers sprinkle answers like tasty morsels throughout the season, ending with a whopper: What caused Oceanic Air Flight 815 to crash in the first place? As the show digs into more revelations about its inhabitant's pasts, it also devotes a good chunk to new characters (Hey, it's an island; you never know who you're going to run into.) First, there are the "Tailies," passengers from the back end of the plane who crashed on the other side of the island. Among them are the wise, God-fearing ex-drug lord Mr. Eko (standout Adewale Akinnuoye-Agbaje); devoted husband Bernard (Sam Anderson); psychiatrist Libby (Cynthia Watros, whose character has more than one hidden link to the other islanders); and ex-cop Ana Lucia (Michelle Rodriguez), by far the most infuriating character on the show, despite how much the writers tried to incur sympathy with her flashback. Then there are the Others, first introduced when they kidnapped Walt (Malcolm David Kelley) at the end of season one. Brutal and calculating, their agenda only became more complex when one of them (played creepily by Michael Emerson) was held hostage in the hatch and, quite handily, plays mind games on everyone's already frayed nerves. The original cast continues to battle their own skeletons, most notably Locke (Terry O'Quinn), Sun (Yunjin Kim) and Michael (Harold Perrineau), whose obsession with finding Walt takes a dangerous turn. The love triangle between Jack (Matthew Fox), Kate (Evangeline Lilly) and Sawyer (Josh Holloway), which had stalled with Sawyer's departure, heats up again in the second half. Despite the bloating cast size (knocked down by a few by season's end) Lost still does what it does best: explores the psyche of people, about whom "my life is an open book" never applies, and cracks into the social dynamics of strangers thrust into Lord of the Flies-esque situations. Is it all a science experiment? A dream? A supernatural pocket in the universe? Likely, any theory will wind up on shaky ground by the season's conclusion. But hey, that's the fun of it. This show was made for DVD, and you can pause and slow-frame to your heart's content. Just try and keep that.---Ellen Kim Lost: Season Three When it aired in 2006-07, Lost's third season was split into two, with a hefty break in between. This did nothing to help the already weirdly disparate direction the show was taking (Kate and Sawyer in zoo cages! Locke eating goop in a mud hut!), but when it finally righted its course halfway through--in particular that whopper of a finale--the drama series had left its irked fan base thrilled once again. This doesn't mean, however, that you should skip through the first half of the season to get there, because quite a few questions find answers: what the Others are up to, the impact of turning that fail-safe key, the identity of the eye-patched man from the hatch's video monitor. One of the series' biggest curiosities from the past--how Locke ended up in that wheelchair in the first place--also gets its satisfying due. (The episode, "The Man from Tallahassee," likely was a big contributor to Terry O'Quinn's surprising--but long-deserved--Emmy win that year.) Unfortunately, you do have to sit through a lot of aforementioned nuisances to get there. Season 3 kicks off with Jack (Matthew Fox), Kate (Evangeline Lilly), and Sawyer (Josh Holloway) held captive by the Others; Sayid (Naveen Andrews), Sun (Yunjin Kim), and Jin (Daniel Dae Kim) on a mission to rescue them; and Locke, Mr. Eko (Adewale Akinnuoye-Agbaje), and Desmond (Henry Ian Cusick) in the aftermath of the electromagnetic pulse that blew up the hatch. Spinning the storylines away from base camp alone wouldn't have felt so disjointed were it not for the new characters simultaneously being introduced. First there's Juliet, a mysterious member of the Others whose loyalty constantly comes into question as the season goes on. Played delicately by Elizabeth Mitchell (Gia, ER, Frequency), Juliet is in one turn a cold-blooded killer, by another turn a sympathetic friend; possibly both at once, possibly neither at all. (She's also a terrific, albeit unwitting, threat to the Kate-Sawyer-Jack love triangle, which plays out more definitively this season.) On the other hand, there's the now-infamous Nikki and Paulo (Kiele Sanchez and Rodrigo Santoro), a tagalong couple who were cleverly woven into the previous seasons' key moments but came to bear the brunt of fans' ire toward the show (Sawyer humorously echoed the sentiments by remarking, "Who the hell are you?"). By the end of the season, at least two major characters die, another is told he/she will die within months, major new threats are unveiled, and--as mentioned before--the two-part season finale restores your faith in the series. The extras are as well-stocked as a Dharma Initiative food pantry on this seven-disc set. Commentaries by producer Damon Lindelof, show writers, and numerous cast members reveal a whole lot of juicy trivia; plus, the DVDs even provide a subtitle track for the commentary (rarely seen other than on foreign-language director's commentaries) so you won't miss a thing. "Lost Book Club" goes through the parallels between what characters are reading and the show's storylines (The Wizard of Oz and Stephen King are heavily referenced). "Lost: On Location" gives a lot of insight to some of the biggest episodes, and "Lost in a Day" gives a 24-hour glimpse at the drama's arduous production. If you're a Lost fan who gave up during this season, the bonus features alone might lure you back for the next round. --Ellen A. Kim Lost: Season Four Season four of Lost was a fine return to form for the series, which polarized its audience the year before with its focus on The Others and not enough on our original crash victims. That season's finale introduced a new storytelling device--the flash-forward--that's employed to great effect this time around; by showing who actually got off the island (known as the Oceanic Six), the viewer is able to put to bed some longstanding loose ends. As the finale attests, we see that in the future Jack (Matthew Fox) is broken, bearded, and not sober, while Kate (Evangeline Lilly) is estranged from Jack and with another guy (the identity may surprise you). Four others do make it back to their homes, but as the flash-forwards show, it's definitely not the end of their connection to the island. Back in present day, however, the islanders are visited by the denizens of a so-called rescue ship, who have agendas of their own. While Jack works with the newcomers to try to get off the island, Locke (Terry O'Quinn), with a few followers of his own, forms an uneasy alliance with Ben (Michael Emerson) against the suspicious gang. Some episodes featuring the new characters feel like filler, but the evolution of such characters as Sun and Jin (Yunjin Kim and Daniel Dae Kim) is this season's strength; plus, the love story of Desmond (Henry Ian Cusick) and Penny (Sonya Walger) provides some of the show's emotional highlights. As is the custom with Lost, bullets fly and characters die (while others may or may not have). Moreover, the fate of Michael (Harold Perrineau), last seen traitorously sailing off to civilization in season two, as well as the flash-forwards of the Oceanic Six, shows you never quite leave the island once you've left. There's a force that pulls them in, and it's a hook that keeps you watching. Season four was a shorter 13 episodes instead of the usual 22 due to the 2008 writers' strike; nonetheless, the set comes with two discs of extras. One of the best features is "LOST in 8:15," which is a rapid-fire summation of the series thus far in eight minutes, 15 seconds. Narrated by a hilariously droll female, it includes lines such as "Jack meets Kate. Kate stitches up Jack. They bond." and "They see Jack play football with Mr. Friendly. Mr. Friendly throws like a girl." The featurette "The Right to Bear Arms" takes a fun look at the prop masters responsible for supplying the castaways with guns--and keeping track of who has one and who doesn't (best here is Sawyer's (Josh Holloway) assertion that characters often cock their guns just to look cool). Cast members Lilly, Garcia, Yunjin Kim, and Daniel Dae Kim provide a few of the commentaries, and the set even comes with an amusing safety guide for Oceanic Airlines. (Example: "if you notice black smoke emanating from the plane, please alert the captain. It is either a problem with the engines or a mysterious creature.") Finally, for those who bought the standard-def DVD, take a closer look at the front cover after you've removed the O-sleeve; you'll notice the entire cast has been blacked out save for a few: the Oceanic Six. --Ellen A. Kim Lost: Season Five Since Lost made its debut as a cult phenomenon in 2004, certain things seemed inconceivable. In its fourth year, some of those things, like a rescue, came to pass. The season ended with Locke (Terry O'Quinn) attempting to persuade the Oceanic Six to return, but he dies before that can happen--or so it appears--and where Jack (Matthew Fox) used to lead, Ben (Emmy nominee Michael Emerson) now takes the reins and convinces the survivors to fulfill Locke's wish. As producers Damon Lindelof and Carlton Cuse state in their commentary on the fifth-season premiere, "We're doing time travel this year," and the pile-up of flashbacks and flash-forwards will make even the most dedicated fan dizzy. Ben, Jack, Hurley (Jorge Garcia), Sayid (Naveen Andrews), Sun (Yunjin Kim), and Kate (Evangeline Lilly) arrive to find that Sawyer (Josh Holloway) and Juliet (Elizabeth Mitchell) have been part of the Dharma Initiative for three years. The writers also clarify the roles that Richard (Nestor Carbonell) and Daniel (Jeremy Davies) play in the island's master plan, setting the stage for the prophecies of Daniel's mother, Eloise Hawking (Fionnula Flanagan), to play a bigger part in the sixth and final season. Dozens of other players flit in and out, some never to return. A few, such as Jin (Daniel Dae Kim), live again in the past. Lost could've wrapped things up in five years, as The Wire did, but the show continues to excite and surprise. As Lindelof and Cuse admit in the commentary, there's a "fine line between confusion and mystery," adding, "it makes more sense if you're drunk." Other extras include deleted scenes, featurettes, a "lost" episode of Mysteries of the Universe, and commentary from writers Edward Kitsis and Adam Horowitz on "He's Our You," a reference to Sayid, who tries to change the future by changing the past. --Kathleen C. Fennessy

Description

A shady New York book dealer tries to track down the last remaining copies of 'The Nine Gates of the Kingdom of Shadows', a demonic manuscript written in collaboration with the devil. He finds himself drawn into a web of occult horror and supernatural terrors that could open the gates of Hell and lead to the end of the world...

Description

A shady New York book dealer tries to track down the last remaining copies of 'The Nine Gates of the Kingdom of Shadows', a demonic manuscript written in collaboration with the devil. He finds himself drawn into a web of occult horror and supernatural terrors that could open the gates of Hell and lead to the end of the world...

Description

A shady New York book dealer tries to track down the last remaining copies of 'The Nine Gates of the Kingdom of Shadows', a demonic manuscript written in collaboration with the devil. He finds himself drawn into a web of occult horror and supernatural terrors that could open the gates of Hell and lead to the end of the world...

Description

Blu-ray. When the scheming, double-crossing Carolyn Ellenson-Grant (Marie Windsor, The Killing) is found murdered, the list of possible suspects is very long. Those who may have killed this most unpleasant woman include her husband Harlow (John Archer, White Heat), a man desperate to divorce his money-grubbing wife so that he can move on with his life; Wayne Vincent (Patric Knowles, Auntie Mame) a newspaper columnist and art collector who believed that Carolyn loved him only to find out that her interests were not purely of a romantic nature; Betty Allen (Jil Jarmyn, Lay That Rifle Down), Carolyn's assistant who discovered that Carolyn had designs on her fiancé; Dick Sawyer (Richard Crane, Mysterious Island), Betty's fiancé and the object of Carolyn's recent seduction... and blackmail plot. The stage is set for this thrilling drama directed by Franklin Adreon (Hell's Crossroad) and photographed in silken black & white by Bud Thackery (The Crimson Ghost).

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PEARLY GATES is a story about wanting to be remembered, and knowing that long after death, a person can live on through the memories of family, friends associates and even strangers whose lives that person touched.

Description

A group of kids face their fears in order to save their town.

Description

There has never been a filmmaker like Marlon Riggs (1957–1994): an unapologetic gay Black man who defied a culture of silence and shame to speak his truth with resounding joy and conviction. An early adopter of video technology who had a profound understanding of the power of words and images to effect change, Riggs employed a bold mix of documentary, performance, poetry, music, and experimental techniques in order to confront issues that most of Reagan-era America refused to acknowledge, from the devastating legacy of racist stereotypes to the impact of the AIDS crisis on his own queer African American community to the very definition of what it is to be Black. Bringing together Riggs’s complete works—including his controversy-inciting queer landmark Tongues Untied and Black Is . . . Black Ain’t, his deeply personal career summation—The Signifyin’ Works of Marlon Riggs traces the artistic and political evolution of a transformative filmmaker whose work is both an electrifying call for liberation and an invaluable historical document. TWO-BLU-RAY SPECIAL EDITION FEATURES • New high-definition digital masters of all seven films, with uncompressed stereo soundtracks • Four new programs featuring editor Christiane Badgley; performers Brian Freeman, Reginald T. Jackson, and Bill T. Jones; filmmakers Cheryl Dunye and Rodney Evans; poet Jericho Brown; film and media scholar Racquel Gates; and sociologist Herman Gray • Long Train Running: The Story of the Oakland Blues (1981), Riggs’s graduate thesis film • Introduction to Riggs, recorded in 2020 and featuring filmmakers Vivian Kleiman and Shikeith, and Ashley Clark, curatorial director of the Criterion Collection • I Shall Not Be Removed: The Life of Marlon Riggs (1996), a documentary by Karen Everett that features interviews with Riggs; Kleiman; filmmaker Isaac Julien; African American studies scholar Barbara Christian; several of Riggs’s longtime friends and collaborators; and members of his family • English subtitles for the deaf and hard of hearing • PLUS: An essay by film critic K. Austin Collins ETHNIC NOTIONS Marlon Riggs brings viewers face-to-face with the insidious images that have shaped America’s racial mythologies, in his first major work, a brilliant and disturbing deconstruction of the ways in which anti-Black stereotypes have permeated nearly every aspect of popular culture. Through razor-sharp historical analysis including interviews with historians and folklore scholars, powerfully deployed imagery, and narration by actor Esther Rolle, Ethnic Notions illuminates, with devastating clarity, how dehumanizing caricatures of Black people—seen everywhere from children’s books to films to household products—have been used to uphold white supremacy and to justify slavery, segregation, and the continuing oppression of African Americans. In its refusal to look away from racism’s ugliest manifestations, this Emmy-winning documentary has become an essential text for understanding the origins of American racial violence. TONGUES UNTIED Made, in Marlon Riggs’s own words, to “shatter the nation’s brutalizing silence on matters of sexual and racial difference,” this radical blend of documentary and performance defies the stigmas surrounding Black gay sexuality in the belief that, as long as shame prevails, liberation will never be possible. Through music and dance, words and poetry by such pathbreaking writers as Essex Hemphill and Joseph Beam—and by turns candid, humorous, and heartbreaking interviews with queer African American men—Tongues Untied gives voice to what it means to live as an outsider in both a Black community rife with homophobia and a largely white gay subculture poisoned by racism. A lightning rod in the conservative culture wars of the 1980s that incited a right-wing furor over public funding for the arts, the film has lost none of its resonance in its unapologetic, life-affirming declaration that “Black men loving Black men is the revolutionary act.” AFFIRMATIONS Marlon Riggs expresses the hopes, dreams, and desires of gay Black men in this ode to queer African American empowerment. Built around outtakes of interview and protest footage from Tongues Untied, Affirmations begins as a candid, sex-positive confessional about first-time penetration and evolves into a rousing chorus of calls for freedom, recognition, and inclusion. ANTHEM “Pervert the language.” Made at a time when Marlon Riggs was three years into living with HIV and the motto “Silence=Death” was the queer community’s defiant response to the antigay policies of the Reagan era, this experimental music video employs a mix of poetry, African beats, and provocative imagery—sexual, political, and religious—in order to challenge and redefine prevailing images of Black masculinity. Led by the liberated dancing of the filmmaker himself, Anthem is a bold vision of queer revolution, proclaiming “Every time we kiss we confirm the new world coming.” COLOR ADJUSTMENT What does the American dream look like? Where do Black Americans fit into it? And what is television’s role in shaping our views of racial progress and the idealized American family? Picking up where the groundbreaking Ethnic Notions left off, this pioneering work of media studies by Marlon Riggs presents a complicated, challenging, and nuanced view of evolving racial attitudes as reflected in popular programs such as Amos ’n’ Andy, Julia, All in the Family, Good Times, Roots, and The Cosby Show. Narrated by Ruby Dee and featuring interviews with actors Diahann Carroll, Tim Reid, and Esther Rolle, African American historian Henry Louis Gates Jr., and producer Norman Lear, among others, Color Adjustment looks beyond the whitewashed, middle-class mythologies peddled by prime-time entertainment to track the ways in which Black Americans have been assimilated into a new but no less harmful racial narrative. NON, JE NE REGRETTE RIEN (NO REGRET) Through music, poetry, and courageous self-disclosure, five HIV-positive gay Black men (among them poet and performance artist Assotto Saint) discuss their individual confrontations with AIDS, illuminating their journeys through the fear, shame, and stigma that accompanied the disease at the height of the epidemic toward healing, acceptance, and truth. In Non, Je Ne Regrette Rien (No Regret), director Marlon Riggs tells stories of self-transformation in which a once unmentionable “affliction” is forged into a tool of personal and communal empowerment. BLACK IS . . . BLACK AIN’T Made with an urgency imparted by the knowledge that he was nearing the end of his life, Marlon Riggs’s final film—completed after his death of AIDS by a group of his devoted collaborators—is a wide-ranging consideration of a question that had long been central to his work: What does it mean to be Black? Using his mother’s gumbo recipe as a metaphor for the diversity of the African American experience, Riggs travels the country, seeking insights from leading thinkers like Angela Davis, Henry Louis Gates Jr., bell hooks, and Barbara Smith as well as ordinary people—young and old, rich and poor, rural and urban, gay and straight—all grappling with the numerous, often contested definitions of Blackness that have shaped their lives. Punctuated by footage of a dying Riggs directing his crew and delivering parting wisdom from his hospital bed, Black Is . . . Black Ain’t breaks down the divides of class, colorism, patriarchy, and homophobia as it issues a stirring appeal for unity. Top About this item Similar From the Brand Reviews The Signifyin' Works of Marlon Riggs (The Criterion Collection) (Ethnic Notions/Tongues Untied/Affirmations/Anthem/Color Adjustment/Non, Je Ne Regrette Rien (No Regret)/Black Is . . . Black Ain’t)

Description

There has never been a filmmaker like Marlon Riggs (1957–1994): an unapologetic gay Black man who defied a culture of silence and shame to speak his truth with resounding joy and conviction. An early adopter of video technology who had a profound understanding of the power of words and images to effect change, Riggs employed a bold mix of documentary, performance, poetry, music, and experimental techniques in order to confront issues that most of Reagan-era America refused to acknowledge, from the devastating legacy of racist stereotypes to the impact of the AIDS crisis on his own queer African American community to the very definition of what it is to be Black. Bringing together Riggs’s complete works—including his controversy-inciting queer landmark Tongues Untied and Black Is . . . Black Ain’t, his deeply personal career summation—The Signifyin’ Works of Marlon Riggs traces the artistic and political evolution of a transformative filmmaker whose work is both an electrifying call for liberation and an invaluable historical document. TWO-BLU-RAY SPECIAL EDITION FEATURES • New high-definition digital masters of all seven films, with uncompressed stereo soundtracks • Four new programs featuring editor Christiane Badgley; performers Brian Freeman, Reginald T. Jackson, and Bill T. Jones; filmmakers Cheryl Dunye and Rodney Evans; poet Jericho Brown; film and media scholar Racquel Gates; and sociologist Herman Gray • Long Train Running: The Story of the Oakland Blues (1981), Riggs’s graduate thesis film • Introduction to Riggs, recorded in 2020 and featuring filmmakers Vivian Kleiman and Shikeith, and Ashley Clark, curatorial director of the Criterion Collection • I Shall Not Be Removed: The Life of Marlon Riggs (1996), a documentary by Karen Everett that features interviews with Riggs; Kleiman; filmmaker Isaac Julien; African American studies scholar Barbara Christian; several of Riggs’s longtime friends and collaborators; and members of his family • English subtitles for the deaf and hard of hearing • PLUS: An essay by film critic K. Austin Collins ETHNIC NOTIONS Marlon Riggs brings viewers face-to-face with the insidious images that have shaped America’s racial mythologies, in his first major work, a brilliant and disturbing deconstruction of the ways in which anti-Black stereotypes have permeated nearly every aspect of popular culture. Through razor-sharp historical analysis including interviews with historians and folklore scholars, powerfully deployed imagery, and narration by actor Esther Rolle, Ethnic Notions illuminates, with devastating clarity, how dehumanizing caricatures of Black people—seen everywhere from children’s books to films to household products—have been used to uphold white supremacy and to justify slavery, segregation, and the continuing oppression of African Americans. In its refusal to look away from racism’s ugliest manifestations, this Emmy-winning documentary has become an essential text for understanding the origins of American racial violence. TONGUES UNTIED Made, in Marlon Riggs’s own words, to “shatter the nation’s brutalizing silence on matters of sexual and racial difference,” this radical blend of documentary and performance defies the stigmas surrounding Black gay sexuality in the belief that, as long as shame prevails, liberation will never be possible. Through music and dance, words and poetry by such pathbreaking writers as Essex Hemphill and Joseph Beam—and by turns candid, humorous, and heartbreaking interviews with queer African American men—Tongues Untied gives voice to what it means to live as an outsider in both a Black community rife with homophobia and a largely white gay subculture poisoned by racism. A lightning rod in the conservative culture wars of the 1980s that incited a right-wing furor over public funding for the arts, the film has lost none of its resonance in its unapologetic, life-affirming declaration that “Black men loving Black men is the revolutionary act.” AFFIRMATIONS Marlon Riggs expresses the hopes, dreams, and desires of gay Black men in this ode to queer African American empowerment. Built around outtakes of interview and protest footage from Tongues Untied, Affirmations begins as a candid, sex-positive confessional about first-time penetration and evolves into a rousing chorus of calls for freedom, recognition, and inclusion. ANTHEM “Pervert the language.” Made at a time when Marlon Riggs was three years into living with HIV and the motto “Silence=Death” was the queer community’s defiant response to the antigay policies of the Reagan era, this experimental music video employs a mix of poetry, African beats, and provocative imagery—sexual, political, and religious—in order to challenge and redefine prevailing images of Black masculinity. Led by the liberated dancing of the filmmaker himself, Anthem is a bold vision of queer revolution, proclaiming “Every time we kiss we confirm the new world coming.” COLOR ADJUSTMENT What does the American dream look like? Where do Black Americans fit into it? And what is television’s role in shaping our views of racial progress and the idealized American family? Picking up where the groundbreaking Ethnic Notions left off, this pioneering work of media studies by Marlon Riggs presents a complicated, challenging, and nuanced view of evolving racial attitudes as reflected in popular programs such as Amos ’n’ Andy, Julia, All in the Family, Good Times, Roots, and The Cosby Show. Narrated by Ruby Dee and featuring interviews with actors Diahann Carroll, Tim Reid, and Esther Rolle, African American historian Henry Louis Gates Jr., and producer Norman Lear, among others, Color Adjustment looks beyond the whitewashed, middle-class mythologies peddled by prime-time entertainment to track the ways in which Black Americans have been assimilated into a new but no less harmful racial narrative. NON, JE NE REGRETTE RIEN (NO REGRET) Through music, poetry, and courageous self-disclosure, five HIV-positive gay Black men (among them poet and performance artist Assotto Saint) discuss their individual confrontations with AIDS, illuminating their journeys through the fear, shame, and stigma that accompanied the disease at the height of the epidemic toward healing, acceptance, and truth. In Non, Je Ne Regrette Rien (No Regret), director Marlon Riggs tells stories of self-transformation in which a once unmentionable “affliction” is forged into a tool of personal and communal empowerment. BLACK IS . . . BLACK AIN’T Made with an urgency imparted by the knowledge that he was nearing the end of his life, Marlon Riggs’s final film—completed after his death of AIDS by a group of his devoted collaborators—is a wide-ranging consideration of a question that had long been central to his work: What does it mean to be Black? Using his mother’s gumbo recipe as a metaphor for the diversity of the African American experience, Riggs travels the country, seeking insights from leading thinkers like Angela Davis, Henry Louis Gates Jr., bell hooks, and Barbara Smith as well as ordinary people—young and old, rich and poor, rural and urban, gay and straight—all grappling with the numerous, often contested definitions of Blackness that have shaped their lives. Punctuated by footage of a dying Riggs directing his crew and delivering parting wisdom from his hospital bed, Black Is . . . Black Ain’t breaks down the divides of class, colorism, patriarchy, and homophobia as it issues a stirring appeal for unity. Top About this item Similar From the Brand Reviews The Signifyin' Works of Marlon Riggs (The Criterion Collection) (Ethnic Notions/Tongues Untied/Affirmations/Anthem/Color Adjustment/Non, Je Ne Regrette Rien (No Regret)/Black Is . . . Black Ain’t)