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Release: May 24, 2016

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When scuffling WWII returnee Chuck Scott (Robert Cummings) fell into a chauffeur's job with sadistic Miami gangster Eddie Roman (Steve Cochrane), he became the shoulder to cry on for the thug's abused wife Lorna (Michèle Morgan). Scott made the dangerous move of fleeing with her to Havana... but their attempt at escape would meet with a series of truly unexpected twists. Distinctive film noir, adapted from a Cornell Woolrich novel by Philip Yordan, also stars Peter Lorre, Lloyd Corrigan, Jack Holt. 86 min.

Release: June 14, 2011

$7.99

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Steve McQueen brings his cool fire to the role of the Cincinnati Kid, a small-timer eager to take his chances in high-stakes poker. He gets his chance. Regal, ruthless Lancey Howard (Edward G. Robinson), the elite gambler called the Man, accepts the Kid's challenge. Norman Jewison (In the Heat of the Night, Moonstruck) directs this taut exploration of back-room gaming, building suspense with each turn of a card. And Ann-Margret, Karl Malden, Rip Torn, National Board of Review Best Supporting Actress Award winner Joan Blondell and many more comprise a full house of talent. Grab a chair and ante up.

Release: July 14, 2020

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In the early 1970s, a kung-fu dynamo named Bruce Lee side-kicked his way onto the screen and straight into pop-culture immortality. With his magnetic screen presence, tightly coiled intensity, and superhuman martial-arts prowess, Lee was an icon who conquered both Hong Kong and Hollywood cinema and transformed the art of the action film in the process. This collection brings together the five films that define the Lee legend: furiously exciting fist-fliers propelled by his innovative choreography, unique martial-arts philosophy, and whirlwind fighting style. Though he completed only a handful of films while at the peak of his stardom before his untimely death at age thirty-two, Lee left behind a monumental legacy as both a consummate entertainer and a supremely disciplined artist who made Hong Kong action cinema a sensation the world over. SEVEN-BLU-RAY SPECIAL EDITION FEATURES 4K digital restorations of The Big Boss, Fist of Fury, The Way of the Dragon, and Game of Death, with uncompressed original monaural soundtracks New 2K digital restoration of the rarely seen 99-minute 1973 theatrical version of Enter the Dragon, with uncompressed original monaural soundtrack New 2K digital restoration of the 102-minute “special-edition” version of Enter the Dragon, with alternate 5.1 surround DTS-HD Master Audio soundtrack Alternate soundtracks for the films, including original English-dubbed tracks Six audio commentaries: on The Big Boss by Bruce Lee expert Brandon Bentley; on The Big Boss, Fist of Fury, The Way of the Dragon, and Game of Death by Hong Kong–film expert Mike Leeder; and on the special-edition version of Enter the Dragon by producer Paul Heller High-definition presentation of the 1981 film Game of Death II Game of Death Redux, a new presentation of Lee’s original Game of Death footage, produced by Alan Canvan New interviews on all five films with Lee biographer Matthew Polly New interview with producer Andre Morgan about Golden Harvest, the company behind Hong Kong’s top martial-arts stars, including Lee New program about English-language dubbing, featuring performers Michael Kaye (the English-speaking voice of Lee’s Chen Zhen in Fist of Fury) and Vaughan Savidge New interview with author Grady Hendrix about the “Bruceploitation” subgenre that followed Lee’s death, and a selection of Bruceploitation trailers Blood and Steel, a 2004 documentary about the making of Enter the Dragon Multiple programs and documentaries about Lee’s life and philosophies, including Bruce Lee: The Man and the Legend (1973) and Bruce Lee: In His Own Words (1998) Interviews with Linda Lee Cadwell, Lee’s widow, and many of Lee’s collaborators and admirers, including actors Jon T. Benn, Riki Hashimoto, Nora Miao, Robert Wall, Yuen Wah, and Simon Yam and directors Clarence Fok, Sammo Hung, and Wong Jing Promotional materials New English subtitle translations and subtitles for the deaf and hard of hearing PLUS: An essay by critic Jeff Chang THE BIG BOSS Enter a legend. Bruce Lee’s return to the Hong Kong film industry after a decade in America proved to be his big breakthrough, launching him to superstardom and setting a new standard for kung-fu heroics. In The Big Boss, he commands the screen with his gravitas and explosive physicality in the role of a Chinese immigrant working at a Thai ice factory and sworn to an oath of nonviolence. When he discovers that the factory’s ruthless higher-ups are running a secret heroin ring and offing their own workers, his commitment to pacifism is put to the test. With his undeniable charisma and fluid, lightning-fast martial-arts style, Lee is a revelation, streaking across the screen with a speed and power the likes of which had never been seen before. FIST OF FURY Bruce Lee is at his most awe-inspiringly ferocious in this blistering follow-up to his star-making performance in The Big Boss, which turned out to be an even greater success than its predecessor. Set in 1910s Shanghai, Fist of Fury casts Lee as a martial-arts student who, after his revered master is murdered by a rival dojo of Japanese imperialists, sets out to defend the honor of both his school and the Chinese people, with his fatal fists as his weapon of choice. Elevating Lee to a hero of near folkloric proportions, this historical revenge fantasy blends its stunning action set pieces with a strong anticolonialist statement and a potent dose of the fierce cultural pride that the actor embodied. THE WAY OF THE DRAGON After the back-to-back triumphs of The Big Boss and Fist of Fury, Bruce Lee was given the chance to write, produce, and direct his third outing as a martial-arts superstar. He used the opportunity to add a touch of goofily entertaining comedy to the typically action-driven proceedings in The Way of the Dragon, which finds him playing a rigorously trained martial artist who travels from Hong Kong to Rome to help his cousin, whose restaurant is being threatened by a gang of thugs. Reaching new heights of physical virtuosity, Lee unleashes an astonishing display of nunchaku-swinging, fly-kicking mayhem, all culminating in one of his most breathtaking fights: an epic gladiatorial death match with Chuck Norris in the Colosseum. ENTER THE DRAGON At the height of his stardom in Hong Kong, Bruce Lee was called to Hollywood to make the film that, perhaps more than any other, defines his legacy. His electrifying fighting style and the deeply personal philosophy that guided it received their fullest expression yet in this thrilling tale of a Shaolin fighter who goes undercover to infiltrate an island presided over by a renegade monk turned diabolical criminal mastermind. Released just days after Lee’s tragic death, Enter the Dragon went on to become his greatest international success and one of the most influential action movies ever made, with its famed hall-of-mirrors finale bringing together the physical and intellectual dimensions of his artistry in one dazzling set piece. GAME OF DEATH Released five years after Bruce Lee’s death, this eccentrically entertaining kung-fu curio combines footage from an unfinished project directed by and starring Lee with original material shot by Enter the Dragon director Robert Clouse to create an entirely new work that testifies to the actor’s enduring place in the pop-culture imagination. Using stand-ins, doubles, and archival footage to compensate for Lee’s absence, Game of Death follows a martial-arts movie star who, when he is threatened by a cutthroat crime syndicate intent on controlling his career, must take his skills from the soundstage to the streets. It all builds to an exhilarating climax that is pure Lee: a tour de force of martial-arts mastery in which the legend himself, clad in an iconic yellow jumpsuit, fights his way up a multilevel pagoda, with the towering Kareem Abdul-Jabbar among his formidable opponents.

$7.99

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Mystery/Thriller, Mystery/Thriller/Film Noir

Release: October 27, 2015

$6.99

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Set almost 100 years after mankind nearly destroyed itself in a nuclear Armageddon, the surviving human race aboard the orbiting “Ark” space station take the first step to recolonize Earth, by sending 100 juvenile delinquents back to the planet’s surface to see if it is habitable. In the first season, they discovered that the Earth is not quite what they imagined – and that they were not alone. Survivors from the nuclear apocalypse have broken into dangerous factions including The Grounders, Reapers and Mountain Men. The first season finale found all of the survivors of the Ark attempting to return to the surface, while The 100 fought for their lives against the Grounders. In Season Two, Clarke and Monty have been captured by the Mountain Men and are being held inside Mt. Weather, but the fate of everyone else is unclear.

Release: April 18, 2017

$7.99

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Product Description Buena Vista Social Club (Criterion Collection) Traveling from the streets of Havana to the stage of Carnegie Hall, this revelatory documentary captures a forgotten generation of Cuba’s brightest musical talents as they enjoy an unexpected brush with world fame. The veteran vocalists and instrumentalists collaborated with American guitarist and roots-music champion Ry Cooder to form the Buena Vista Social Club, playing a jazz-inflected mix of cha-cha, mambo, bolero, and other traditional Latin American styles, and recording an album that won a Grammy and made them an international phenomenon. In the wake of this success, director Wim Wenders filmed the ensemble’s members—including golden-voiced Ibrahim Ferrer and piano virtuoso Rubén González—in a series of illuminating interviews and live performances. The result is one of the most beloved music documentaries of the 1990s, and an infectious ode to a neglected corner of Cuba’s prerevolutionary heritage. DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES New high-definition digital transfer, with 5.1 surround DTS-HD Master Audio soundtrack Audio commentary from 1999 featuring director Wim Wenders New interview with Wenders We Believe in Dreams, a new piece featuring never-before-seen outtakes from the rehearsals for the Buena Vista Social Club’s Amsterdam concerts Interview from 1998 with musician Compay Segundo on his career and the Cuban music scene Radio interviews from 2000 featuring musicians Ibrahim Ferrer, Rubén González, Eliades Ochoa, Omara Portuondo, and others Additional scenes Trailer PLUS: An essay by author and geographer Joshua Jelly-Schapiro" GENRE: Documentary LANGUAGE: Spanish, English English Subtitles AUDIO: 5.1 Surround DTS-HD Master Audio COLOR TIME: 105 Minutes Review Traveling from the streets of Havana to the stage of Carnegie Hall, this revelatory documentary captures a forgotten generation of Cuba’s brightest musical talents as they enjoy an unexpected brush with world fame. The veteran vocalists and instrumentalists collaborated with American guitarist and roots-music champion Ry Cooder to form the Buena Vista Social Club, playing a jazz-inflected mix of cha-cha, mambo, bolero, and other traditional Latin American styles, and recording an album that won a Grammy and made them an international phenomenon. In the wake of this success, director Wim Wenders filmed the ensemble’s members—including golden-voiced Ibrahim Ferrer and piano virtuoso Rubén González—in a series of illuminating interviews and live performances. The result is one of the most beloved music documentaries of the 1990s, and an infectious ode to a neglected corner of Cuba’s prerevolutionary heritage. DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES New high-definition digital transfer, with 5.1 surround DTS-HD Master Audio soundtrack Audio commentary from 1999 featuring director Wim Wenders New interview with Wenders We Believe in Dreams, a new piece featuring never-before-seen outtakes from the rehearsals for the Buena Vista Social Club’s Amsterdam concerts Interview from 1998 with musician Compay Segundo on his career and the Cuban music scene Radio interviews from 2000 featuring musicians Ibrahim Ferrer, Rubén González, Eliades Ochoa, Omara Portuondo, and others Additional scenes Trailer PLUS: An essay by author and geographer Joshua Jelly-Schapiro

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Animation, Kids & Family

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Animation, Kids & Family

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Animation, Kids & Family

$6.99

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A reckless ex-racketeer and a disbarred lawyer head to Mexico to seize a hidden fortune, setting off a chain of betrayal and murder.

Release: November 11, 2025

$7.99

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For nearly five years, acclaimed German director Werner Herzog desperately tried to complete one of the most ambitious and difficult projects of his career: Fitzcarraldo, the story of one man’s attempt to build an opera house deep in the Amazon jungle. Documentary filmmaker Les Blank captured the unfolding of this production, made more perilous by Herzog’s determination to shoot the most daunting scenes without models or special effects, including a sequence requiring hundreds of Indigenous locals to pull a full-size 320-ton steamship over a small mountain. The result is an extraordinary document of the filmmaking process and a unique look into the single-minded mission of one of cinema’s most fearless directors. BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, supervised by filmmaker Harrod Blank, director Les Blank’s son, with 5.1 surround DTS-HD Master Audio soundtrack Alternate uncompressed monaural soundtrack Audio commentary featuring Les Blank, editor and sound recordist Maureen Gosling, and Fitzcarraldo director Werner Herzog Interview with Herzog Werner Herzog Eats His Shoe (1980), a short film by Blank Deleted scenes Behind-the-scenes photos taken by Gosling Trailer New English subtitle translation and English subtitles for the deaf and hard of hearing PLUS: An essay by film scholar Paul Arthur

Release: November 11, 2025

$7.99

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For nearly five years, acclaimed German director Werner Herzog desperately tried to complete one of the most ambitious and difficult projects of his career: Fitzcarraldo, the story of one man’s attempt to build an opera house deep in the Amazon jungle. Documentary filmmaker Les Blank captured the unfolding of this production, made more perilous by Herzog’s determination to shoot the most daunting scenes without models or special effects, including a sequence requiring hundreds of Indigenous locals to pull a full-size 320-ton steamship over a small mountain. The result is an extraordinary document of the filmmaking process and a unique look into the single-minded mission of one of cinema’s most fearless directors. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, supervised by filmmaker Harrod Blank, director Les Blank’s son, with 5.1 surround DTS-HD Master Audio soundtrack Alternate uncompressed monaural soundtrack One 4K UHD disc of the film and one Blu-ray with the film and special features Audio commentary featuring Les Blank, editor and sound recordist Maureen Gosling, and Fitzcarraldo director Werner Herzog Interview with Herzog Werner Herzog Eats His Shoe (1980), a short film by Blank Deleted scenes Behind-the-scenes photos taken by Gosling Trailer New English subtitle translation and English subtitles for the deaf and hard of hearing PLUS: An essay by film scholar Paul Arthur and a book of excerpts from Blank’s and Gosling’s production journals

Release: August 5, 2025

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An Imperial Japanese Army regiment surrenders to British forces in Burma at the close of World War II and finds harmony through song. A private, thought to be dead, disguises himself as a Buddhist monk and stumbles upon spiritual enlightenment. Magnificently shot in hushed black and white, Kon Ichikawa’s The Burmese Harp is an eloquent meditation on beauty coexisting with death and remains one of Japanese cinema’s most overwhelming antiwar sentiments, both tender and brutal in its grappling with Japan’s wartime legacy. BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack Interviews with director Kon Ichikawa and actor Rentaro Mikuni Trailer New English subtitle translation PLUS: An essay by critic and historian Tony Rayns

Release: August 5, 2025

$7.99

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An Imperial Japanese Army regiment surrenders to British forces in Burma at the close of World War II and finds harmony through song. A private, thought to be dead, disguises himself as a Buddhist monk and stumbles upon spiritual enlightenment. Magnificently shot in hushed black and white, Kon Ichikawa’s The Burmese Harp is an eloquent meditation on beauty coexisting with death and remains one of Japanese cinema’s most overwhelming antiwar sentiments, both tender and brutal in its grappling with Japan’s wartime legacy. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack One 4K UHD disc of the film and one Blu-ray with the film and special features Interviews with director Kon Ichikawa and actor Rentaro Mikuni Trailer New English subtitle translation PLUS: An essay by critic and historian Tony Rayns

$6.99

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This intimate documentary portrait captures author William S. Burroughs reflecting on his life, work, and strange cultural legacy.

$6.99

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A collection of classic Buster Keaton shorts showcasing the silent comedian's deadpan humor, daredevil stunts, and inventive visual gags.

Release: May 24, 2016

$6.99

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As new generations of viewers discover the magic of silent cinema, Buster Keaton has emerged as one of the era's most admired and respected artists. Behind the deadpan expression and trademark porkpie hat was a filmmaking genius who conceived and engineered some of the most breathtaking stunts and feats of visual trickery, while never losing sight of slapstick cinema s primary objective: laughter. Produced by Lobster Films, BUSTER KEATON: THE SHORTS COLLECTION includes all 32 of Keaton s extant silent shorts (thirteen of which were produced in collaborations with comedians Roscoe Fatty Arbuckle and Al St. John). These 2K restorations were performed utilizing archival film elements from around the world, and promises to be the definitive representation of Keaton s early career. Bonus Features: 2K Restorations, newly scanned (in 2K and 4K) from archival film elements | Orchestral scores by Frank Bockius, Neil Brand, Timothy Brock, Günter Buchwald, Antonio Coppola, Stephen Horne, Robert Israel, The Mont Alto Motion Picture Orchestra, Dennis Scott, and Donald Sosin | 24-Page booklet with detailed film notes and essay by Jeffrey Vance, author of Buster Keaton Remembered | The Blacksmith - Newly rediscovered alternate version of the 1922 comedy, containing four minutes of previously unseen material | Coney Island - Alternate (politically incorrect) ending | My Wife s Relations - Alternate ending | Introduction by film preservationist Serge Bromberg (6 Min.) | Life With Buster Keaton (1951, excerpt) - Keaton reenacts Roscoe Arbuckle s Salomé dance first performed in The Cook

Release: June 21, 2016

$6.99

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A dimwitted English football hooligan reunites with his long-lost brother, a deadly MI6 agent, to prevent a massive global terror attack.

Release: May 24, 2016

$6.99

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As new generations of viewers discover the magic of silent cinema, Buster Keaton has emerged as one of the era's most admired and respected artists. Behind the deadpan expression and trademark porkpie hat was a filmmaking genius who conceived and engineered some of the most breathtaking stunts and feats of visual trickery, while never losing sight of slapstick cinema s primary objective: laughter. Produced by Lobster Films, BUSTER KEATON: THE SHORTS COLLECTION includes all 32 of Keaton s extant silent shorts (thirteen of which were produced in collaborations with comedians Roscoe Fatty Arbuckle and Al St. John). These 2K restorations were performed utilizing archival film elements from around the world, and promises to be the definitive representation of Keaton s early career. Bonus Features: 2K Restorations, newly scanned (in 2K and 4K) from archival film elements | Orchestral scores by Frank Bockius, Neil Brand, Timothy Brock, Günter Buchwald, Antonio Coppola, Stephen Horne, Robert Israel, The Mont Alto Motion Picture Orchestra, Dennis Scott, and Donald Sosin | 24-Page booklet with detailed film notes and essay by Jeffrey Vance, author of Buster Keaton Remembered | The Blacksmith - Newly rediscovered alternate version of the 1922 comedy, containing four minutes of previously unseen material | Coney Island - Alternate (politically incorrect) ending | My Wife s Relations - Alternate ending | Introduction by film preservationist Serge Bromberg (6 Min.) | Life With Buster Keaton (1951, excerpt) - Keaton reenacts Roscoe Arbuckle s Salomé dance first performed in The Cook

Release: May 24, 2016

$6.99

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As new generations of viewers discover the magic of silent cinema, Buster Keaton has emerged as one of the era's most admired and respected artists. Behind the deadpan expression and trademark porkpie hat was a filmmaking genius who conceived and engineered some of the most breathtaking stunts and feats of visual trickery, while never losing sight of slapstick cinema s primary objective: laughter. Produced by Lobster Films, BUSTER KEATON: THE SHORTS COLLECTION includes all 32 of Keaton s extant silent shorts (thirteen of which were produced in collaborations with comedians Roscoe Fatty Arbuckle and Al St. John). These 2K restorations were performed utilizing archival film elements from around the world, and promises to be the definitive representation of Keaton s early career. Bonus Features: 2K Restorations, newly scanned (in 2K and 4K) from archival film elements | Orchestral scores by Frank Bockius, Neil Brand, Timothy Brock, Günter Buchwald, Antonio Coppola, Stephen Horne, Robert Israel, The Mont Alto Motion Picture Orchestra, Dennis Scott, and Donald Sosin | 24-Page booklet with detailed film notes and essay by Jeffrey Vance, author of Buster Keaton Remembered | The Blacksmith - Newly rediscovered alternate version of the 1922 comedy, containing four minutes of previously unseen material | Coney Island - Alternate (politically incorrect) ending | My Wife s Relations - Alternate ending | Introduction by film preservationist Serge Bromberg (6 Min.) | Life With Buster Keaton (1951, excerpt) - Keaton reenacts Roscoe Arbuckle s Salomé dance first performed in The Cook

Release: May 24, 2016

$6.99

Description

As new generations of viewers discover the magic of silent cinema, Buster Keaton has emerged as one of the era's most admired and respected artists. Behind the deadpan expression and trademark porkpie hat was a filmmaking genius who conceived and engineered some of the most breathtaking stunts and feats of visual trickery, while never losing sight of slapstick cinema s primary objective: laughter. Produced by Lobster Films, BUSTER KEATON: THE SHORTS COLLECTION includes all 32 of Keaton s extant silent shorts (thirteen of which were produced in collaborations with comedians Roscoe Fatty Arbuckle and Al St. John). These 2K restorations were performed utilizing archival film elements from around the world, and promises to be the definitive representation of Keaton s early career. Bonus Features: 2K Restorations, newly scanned (in 2K and 4K) from archival film elements | Orchestral scores by Frank Bockius, Neil Brand, Timothy Brock, Günter Buchwald, Antonio Coppola, Stephen Horne, Robert Israel, The Mont Alto Motion Picture Orchestra, Dennis Scott, and Donald Sosin | 24-Page booklet with detailed film notes and essay by Jeffrey Vance, author of Buster Keaton Remembered | The Blacksmith - Newly rediscovered alternate version of the 1922 comedy, containing four minutes of previously unseen material | Coney Island - Alternate (politically incorrect) ending | My Wife s Relations - Alternate ending | Introduction by film preservationist Serge Bromberg (6 Min.) | Life With Buster Keaton (1951, excerpt) - Keaton reenacts Roscoe Arbuckle s Salomé dance first performed in The Cook

Release: May 24, 2016

$6.99

Description

As new generations of viewers discover the magic of silent cinema, Buster Keaton has emerged as one of the era's most admired and respected artists. Behind the deadpan expression and trademark porkpie hat was a filmmaking genius who conceived and engineered some of the most breathtaking stunts and feats of visual trickery, while never losing sight of slapstick cinema s primary objective: laughter. Produced by Lobster Films, BUSTER KEATON: THE SHORTS COLLECTION includes all 32 of Keaton s extant silent shorts (thirteen of which were produced in collaborations with comedians Roscoe Fatty Arbuckle and Al St. John). These 2K restorations were performed utilizing archival film elements from around the world, and promises to be the definitive representation of Keaton s early career. Bonus Features: 2K Restorations, newly scanned (in 2K and 4K) from archival film elements | Orchestral scores by Frank Bockius, Neil Brand, Timothy Brock, Günter Buchwald, Antonio Coppola, Stephen Horne, Robert Israel, The Mont Alto Motion Picture Orchestra, Dennis Scott, and Donald Sosin | 24-Page booklet with detailed film notes and essay by Jeffrey Vance, author of Buster Keaton Remembered | The Blacksmith - Newly rediscovered alternate version of the 1922 comedy, containing four minutes of previously unseen material | Coney Island - Alternate (politically incorrect) ending | My Wife s Relations - Alternate ending | Introduction by film preservationist Serge Bromberg (6 Min.) | Life With Buster Keaton (1951, excerpt) - Keaton reenacts Roscoe Arbuckle s Salomé dance first performed in The Cook

Release: May 24, 2016

$6.99

Description

As new generations of viewers discover the magic of silent cinema, Buster Keaton has emerged as one of the era's most admired and respected artists. Behind the deadpan expression and trademark porkpie hat was a filmmaking genius who conceived and engineered some of the most breathtaking stunts and feats of visual trickery, while never losing sight of slapstick cinema s primary objective: laughter. Produced by Lobster Films, BUSTER KEATON: THE SHORTS COLLECTION includes all 32 of Keaton s extant silent shorts (thirteen of which were produced in collaborations with comedians Roscoe Fatty Arbuckle and Al St. John). These 2K restorations were performed utilizing archival film elements from around the world, and promises to be the definitive representation of Keaton s early career. Bonus Features: 2K Restorations, newly scanned (in 2K and 4K) from archival film elements | Orchestral scores by Frank Bockius, Neil Brand, Timothy Brock, Günter Buchwald, Antonio Coppola, Stephen Horne, Robert Israel, The Mont Alto Motion Picture Orchestra, Dennis Scott, and Donald Sosin | 24-Page booklet with detailed film notes and essay by Jeffrey Vance, author of Buster Keaton Remembered | The Blacksmith - Newly rediscovered alternate version of the 1922 comedy, containing four minutes of previously unseen material | Coney Island - Alternate (politically incorrect) ending | My Wife s Relations - Alternate ending | Introduction by film preservationist Serge Bromberg (6 Min.) | Life With Buster Keaton (1951, excerpt) - Keaton reenacts Roscoe Arbuckle s Salomé dance first performed in The Cook

Release: November 22, 2011

$6.99

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12 Angry Men, by Sidney Lumet, may be the most radical big-screen courtroom drama in cinema history. A behind-closed-doors look at the American legal system as riveting as it is spare, the iconic adaptation of Reginald Rose’s teleplay stars Henry Fonda as the initially dissenting member of a jury of white men ready to pass judgment on a Puerto Rican teenager charged with murdering his father. What results is a saga of epic proportions that plays out in real time over ninety minutes in one sweltering room. Lumet’s electrifying snapshot of 1950s America on the verge of change is one of the great feature-film debuts.

Release: July 21, 2026

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The legacies we inherit, and the ones we pass on, form the heart of writer-director Mike Mills’s family portraits, inspired by his own experience. Both personal and panoramic, the films collected here—Beginners, 20th Century Women, and C’mon C’mon—set their stories of parents and children against the backdrop of a changing America, from the 1970s to the present. Anchored by performances of depth and wit from the likes of Christopher Plummer, Ewan McGregor, Annette Bening, Greta Gerwig, Elle Fanning, Joaquin Phoenix, and Gaby Hoffmann, these three films compose a mosaic of Mills’s own life, from boyhood to fatherhood, and of the people, places, music, and memories that marked him along the way. DIRECTOR-APPROVED THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital masters of Beginners and 20th Century Women, supervised and approved by director Mike Mills, with 5.1 surround DTS-HD Master Audio soundtracks New 4K digital master of C’mon C’mon, supervised and approved by Mills, with Dolby Atmos soundtrack Audio commentaries on all three films featuring Mills New documentary featuring Mills in conversation with filmmaker Kirsten Johnson Making-of programs for each film Music

Release: July 21, 2026

$7.99

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The legacies we inherit, and the ones we pass on, form the heart of writer-director Mike Mills’s family portraits, inspired by his own experience. Both personal and panoramic, the films collected here—Beginners, 20th Century Women, and C’mon C’mon—set their stories of parents and children against the backdrop of a changing America, from the 1970s to the present. Anchored by performances of depth and wit from the likes of Christopher Plummer, Ewan McGregor, Annette Bening, Greta Gerwig, Elle Fanning, Joaquin Phoenix, and Gaby Hoffmann, these three films compose a mosaic of Mills’s own life, from boyhood to fatherhood, and of the people, places, music, and memories that marked him along the way. DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital masters of Beginners and 20th Century Women, supervised and approved by director Mike Mills, with 5.1 surround DTS-HD Master Audio soundtracks New 4K digital master of C’mon C’mon, supervised and approved by Mills, with Dolby Atmos soundtrack Three 4K UHD discs of the films presented in Dolby Vision HDR and three Blu-rays with the films and special features Audio commentaries on all three films featuring Mills New documentary featuring Mills in conversation with filmmaker Kirsten Johnson Making-of programs for each film Music I'll Remind You of Everything

Release: August 12, 2025

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Youssef Chahine established his international reputation with this masterpiece, which, though initially a commercial failure in Egypt, would become one of the most influential and celebrated works in all of Arab cinema. The director himself stars as Kenawi, a disabled newspaper hawker whose obsession with a sultry drink seller (Hind Rostom, known as the “Marilyn Monroe of Arabia”) leads to tragedy of operatic proportions on the streets of Cairo. Blending elements of neorealism with provocative noir-melodrama, Cairo Station is a work of raw populist poetry that explores the individual’s search for a place in Egypt’s new postrevolutionary political order. BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack New 2K digital restoration of Cairo as Seen by Chahine (1991), a short documentary by Youssef Chahine, with an introduction by film scholar Joseph Fahim New interview with Fahim Chahine . . . Why? (2009), a documentary on the director and Cairo Station Excerpt from Chahine’s appearance at the 1998 Midnight Sun Film Festival New English subtitle translation PLUS: An essay by Fahim

Release: September 5, 2023

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After being bitten by the vampire Nazuna while wandering late at night, insomniac student Ko Yamori unhappily learns that he's NOT becoming a vampire himself. Apparently, if you're bitten by a vampire that you're not in love with, you just get a bloodthirsty friend instead of a supernatural blood connection. But being vamped is one of the few things to ever intrigue Ko, so he makes it his goal to fall in love with Nazuna. Of course, Ko's friends aren't thrilled with his new vampiric ambitions, and it's not even clear if Nazuna will bite on the offer should Ko try to answer the CALL OF THE NIGHT!

Release: June 16, 2020

$7.99

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Buster Keaton is at the peak of his slapstick powers in The Cameraman—the first film that the silent-screen legend made after signing with MGM, and his last great masterpiece. The final work over which he maintained creative control, this clever farce is the culmination of an extraordinary, decade-long run that produced some of the most innovative and enduring comedies of all time. Keaton plays a hapless newsreel cameraman desperate to impress both his new employer and his winsome office crush as he zigzags up and down Manhattan hustling for a scoop. Along the way, he goes for a swim (and winds up soaked), becomes embroiled in a Chinatown Tong War, and teams up with a memorable monkey sidekick (the famous Josephine). The marvelously inventive film-within-a-film setup allows Keaton’s imagination to run wild, yielding both sly insights into the travails of moviemaking and an emotional payoff of disarming poignancy. BLU-RAY SPECIAL EDITION FEATURES • New 4K digital restoration undertaken by the Cineteca di Bologna, the Criterion Collection, and Warner Bros. • New score by composer Timothy Brock, conducted by Brock and performed by the orchestra of the Teatro Comunale di Bologna in 2020, presented in uncompressed stereo • Audio commentary from 2004 featuring Glenn Mitchell, author of A–Z of Silent Film Comedy: An Illustrated Companion • Spite Marriage (1929), Buster Keaton’s next feature for MGM following The Cameraman, in a new 2K restoration, with a 2004 commentary by film historians John Bengtson and Jeffrey Vance • Time Travelers, a new documentary by Daniel Raim featuring interviews with Bengtson and film historian Marc Wanamaker • So Funny It Hurt: Buster Keaton & MGM, a 2004 documentary by film historians Kevin Brownlow and Christopher Bird • New interview with James L. Neibaur, author of The Fall of Buster Keaton: His Films for MGM, Educational Pictures, and Columbia • The Motion Picture Camera (1979), a documentary by A.S.C. cinematographer and film preservationist Karl Malkames, in a 4k restoration • PLUS: An essay by film critic Imogen Sara Smith.

Release: February 7, 2017

$7.99

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A boxing match in Brooklyn; life in postwar Bosnia and Herzegovina; the daily routine of a Nigerian midwife; an intimate family moment at home with the director: Kirsten Johnson weaves these scenes and others into her film Cameraperson, a tapestry of footage captured over her twenty-five-year career as a documentary cinematographer. Through a series of episodic juxtapositions, Johnson explores the relationships between image makers and their subjects, the tension between the objectivity and intervention of the camera, and the complex interaction of unfiltered reality with crafted narrative. A work that combines documentary, autobiography, and ethical inquiry, Cameraperson is a moving glimpse into one filmmaker s personal journey and a thoughtful examination of what it means to train a camera on the world. DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES - New high-definition digital master, with 5.1 surround DTS-HD Master Audio soundtrack - Making Cameraperson, a new program featuring director Kirsten Johnson, producers Marilyn Ness and Danielle Varga, and editors Nels Bangerter and Amanda Laws - In the Service of the Film, a roundtable conversation with Johnson, producer Gini Reticker, and sound recordists Wellington Bowler and Judy Karp - Excerpts from two 2016 film festival talks with Johnson, including one between her and filmmaker Michael Moore - The Above, a 2015 short film by Johnson - Trailer - PLUS: An essay by filmmaker Michael Almereyda and reprinted writings by Johnson

Release: September 27, 2022

$6.99

Description

Product Description THE HILARIOUS COMEDY FROM THE ACADEMY AWARD® WINNING DIRECTOR OF ‘BOWLING FOR COLUMBINE’ AND ‘FAHRENHEIT 9/11’ "Surrender pronto, or… we'll level Toronto!" Academy Award® winning* writer/director Michael Moore (Fahrenheit 9/11) serves up a "delightfully ludicrous" (Sight and Sound) political send-up brimming with madcap hilarity and side-splitting slapstick! Starring legendary funnyman John Candy (Planes, Trains and Automobiles), as well as Rhea Perlman (“Cheers”), Alan Alda (Marriage Story), Kevin Pollak (The Usual Suspects), Rip Torn (Men in Black) and Steven Wright (Natural Born Killers), Canadian Bacon is one "funny, acidic satire" (Variety)! Faced with sagging approval ratings and disgruntled arms manufacturers, the U.S. President (Alda) decides to cook up a new Cold War with Canada! And after a flood of media propaganda, Americans waste no time in "patriotically" burning their ice skates and swearing off maple syrup. But when bumbling U.S. sheriff Boomer (Candy) and his hair-trigger deputy Honey (Perlman) decide to take matters into their own hands and lead a preemptive strike, they soon find themselves embroiled in a hilarious international incident that's too close for comfort, eh! *2002: Best Documentary, Bowling for Columbine SPECIAL FEATURES: High Definition (1080p) presentation of the main feature in 1:85.1 aspect ratio Audio: English 2.0 Stereo Optional French and Spanish Subtitles Original Theatrical Trailer (2:31) Reversible Artwork * Special Features May Not Be Rated, Closed Captioned Or In High Definition. Review A determinedly wacky comedy. Candy is, as usual, loveable. --Entertainment Weekly Delightfully ludicrous. --Sight and Sound Funny, acidic satire! --Variety See more

Release: March 14, 2017

$7.99

Description

Product description Canoa: A Shameful Memory (Criterion) is a powerful Mexican docudrama—historic, unsettling, and essential for world cinema collectors. Review One of Mexico’s best-regarded works of political cinema, Canoa: A Shameful Memory reimagines a real-life incident that had occurred just eight years before its release, when a group of urban university employees on a hiking trip were viciously attacked by residents of the village of San Miguel de Canoa, who had been manipulated by a corrupt priest into believing the travelers were communist revolutionaries. Intercutting footage from a fictional documentary about the village with gruesome scenes of the crime itself, director Felipe Cazals produced a daring commentary on the climate of violence and repression in Mexico during that era, including the military’s infamous massacre of demonstrating students in Tlatelolco, Mexico City. With its gritty newsreel style, Canoa is a visceral expression of horror as well as an important historical document. DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES -New, restored 4K digital transfer, supervised by director Felipe Cazals, with uncompressed monaural soundtrack -New introduction by filmmaker Guillermo del Toro -New conversation between filmmaker Alfonso Cuarón and Cazals -Trailer -New English subtitle translation -PLUS: An essay by critic Fernanda Solórzano

Release: January 20, 2026

$7.99

Description

With this spectacular romantic adventure, a new era of Hollywood swashbuckling was born, as was a devilishly dashing star named Errol Flynn. He brings boundless charisma to the role of an idealistic Irish physician who, declared a traitor to England and sold into slavery in the New World, takes his revenge by transforming himself into the notorious pirate Captain Blood. The groundbreaking symphonic score by Erich Wolfgang Korngold, marking the emergence of the Warner Bros. music department as a vital element in the studio’s moviemaking; the spitfire chemistry between Flynn and Olivia de Havilland in the first of their iconic pairings; the rousing naval-battle finale—all come together under the expert direction of Michael Curtiz to form an exemplar of classic film craftsmanship sailing full speed ahead. BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack Audio commentary featuring Alan K. Rode, author of Michael Curtiz: A Life in Film Documentary from 2005 on the making of the film Lux Radio Theatre adaptation of the film from 1937, starring Errol Flynn, Olivia de Havilland, and Basil Rathbone Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by critic Farran Smith Nehme

Release: January 20, 2026

$7.99

Description

With this spectacular romantic adventure, a new era of Hollywood swashbuckling was born, as was a devilishly dashing star named Errol Flynn. He brings boundless charisma to the role of an idealistic Irish physician who, declared a traitor to England and sold into slavery in the New World, takes his revenge by transforming himself into the notorious pirate Captain Blood. The groundbreaking symphonic score by Erich Wolfgang Korngold, marking the emergence of the Warner Bros. music department as a vital element in the studio’s moviemaking; the spitfire chemistry between Flynn and Olivia de Havilland in the first of their iconic pairings; the rousing naval-battle finale—all come together under the expert direction of Michael Curtiz to form an exemplar of classic film craftsmanship sailing full speed ahead. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack One 4K UHD disc of the film and one Blu-ray with the film and special features Audio commentary featuring Alan K. Rode, author of Michael Curtiz: A Life in Film Documentary from 2005 on the making of the film Lux Radio Theatre adaptation of the film from 1937, starring Errol Flynn, Olivia de Havilland, and Basil Rathbone Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by critic Farran Smith Nehme

Release: September 27, 2011

$7.99

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Carlos, directed by Olivier Assayas (Summer Hours), is an epic, intensely detailed account of the life of the infamous international terrorist Ilich Ramírez Sanchez—also known as Carlos the Jackal. One of the twentieth century’s most-wanted fugitives, Carlos was committed to violent left-wing activism throughout the seventies and eighties, orchestrating bombings, kidnappings, and hijackings in Europe and the Middle East. Assayas portrays him not as a criminal mastermind but as a symbol of seismic political shifts around the world, and the magnetic Édgar Ramírez (The Bourne Ultimatum) brilliantly embodies him as a swaggering global gangster. Criterion presents the complete, uncut, director-approved, five-and-a-half-hour version of Carlos.

Release: July 22, 2025

$7.99

Description

Amid the sexual revolution and social upheaval of the early 1970s, acclaimed director Mike Nichols delivered a zeitgeist-defining examination of American mores. Sharply written by Jules Feiffer, this acerbic drama flashes through more than twenty years in the lives of two college buddies (Jack Nicholson and Art Garfunkel) whose casual chauvinism is all fun and games—until it’s not. As the women who suffer and see through the friends’ insecure posturing, Candice Bergen, Ann-Margret, Rita Moreno, Carol Kane, and Cynthia O’Neal form an extraordinary ensemble that gives the film its soul. So controversial it became embroiled in an obscenity case that went all the way to the Supreme Court, Carnal Knowledge remains startling for its unnervingly frank look at postwar masculinity. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and

Release: July 22, 2025

$7.99

Description

Amid the sexual revolution and social upheaval of the early 1970s, acclaimed director Mike Nichols delivered a zeitgeist-defining examination of American mores. Sharply written by Jules Feiffer, this acerbic drama flashes through more than twenty years in the lives of two college buddies (Jack Nicholson and Art Garfunkel) whose casual chauvinism is all fun and games—until it’s not. As the women who suffer and see through the friends’ insecure posturing, Candice Bergen, Ann-Margret, Rita Moreno, Carol Kane, and Cynthia O’Neal form an extraordinary ensemble that gives the film its soul. So controversial it became embroiled in an obscenity case that went all the way to the Supreme Court, Carnal Knowledge remains startling for its unnervingly frank look at postwar masculinity. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features New audio commentary featuring filmmaker and playwright Neil LaBute New program with Mike Nichols biographer Mark Harris and film critic Dana Stevens New interview with film-editing historian Bobbie O’Steen Conversation from 2011 between Nichols and filmmaker Jason Reitman Q&A with screenwriter Jules Feiffer Radio spot and trailer English subtitles for the deaf and hard of hearing PLUS: An essay by scholar Moira Weigel and a 1971 piece from American Cinematographer about the look of the film

Release: July 12, 2016

$7.99

Description

A young woman in a small Kansas town survives a drag race accident, then agrees to take a job as a church organist in Salt Lake City. En route, she becomes haunted by a bizarre apparition that compels her toward an abandoned lakeside pavilion. Made by industrial filmmakers on a modest budget, the eerily effective B-movie classic Carnival of Souls was intended to have the look of a Bergman and the feel of a Cocteau and, with its strikingly used locations and spooky organ score, it succeeds. Herk Harvey s macabre masterpiece gained a cult following on late-night television and continues to inspire filmmakers today. BLU-RAY SPECIAL EDITION FEATURES - New, restored 4K digital transfer, with uncompressed monaural soundtrack - Selected-scene audio commentary featuring director Herk Harvey and screenwriter John Clifford - New interview with comedian and writer Dana Gould - New video essay by film critic David Cairns - The Movie That Wouldn t Die!, a documentary on the 1989 reunion of the film s cast and crew - The Carnival Tour, a 2000 update on the film s locations - Excerpts from movies made by the Centron Corporation, an industrial film company based in Lawrence, Kansas, that once employed Harvey and Clifford - Deleted scenes - Outtakes, accompanied by Gene Moore s organ score - History of the Saltair Resort in Salt Lake City, where key scenes in the film were shot - Trailer - PLUS: An essay by writer and programmer Kier-La Janisse

Release: April 21, 2015

$6.99

Description

What happens after everyone’s favorite teenage super heroes have saved the planet from total annihilation? Swing by Titans Tower and find out as Robin, Cyborg, Raven, Starfire and Beast Boy chill out after a hard day of crime fighting and take on some real challenges like laundry, chores, video games and plain ol’ trying to get along! Enjoy the laughs when Beast Boy introduces his new villainous girlfriend, Raven’s demonic father stops in for a visit, or Cyborg has his birthday bashed by an evil pie baker. So suit up, order a pizza and check out these adventures, at least until the next time the world needs saving!

Release: April 21, 2015

$6.99

Description

What happens after everyone’s favorite teenage super heroes have saved the planet from total annihilation? Swing by Titans Tower and find out as Robin, Cyborg, Raven, Starfire and Beast Boy chill out after a hard day of crime fighting and take on some real challenges like laundry, chores, video games and plain ol’ trying to get along! Enjoy the laughs when Beast Boy introduces his new villainous girlfriend, Raven’s demonic father stops in for a visit, or Cyborg has his birthday bashed by an evil pie baker. So suit up, order a pizza and check out these adventures, at least until the next time the world needs saving!

Release: August 9, 2016

$6.99

Description

"I'm not living with you," Maggie snaps at Brick. "We occupy the same cage, that's all." The raw emotions and crackling dialogue of Tennessee Williams' 1955 Pulitzer Prize play rumble like a thunderstorm in this film version, whose fiery performances and grown-up themes made it one of 1958's top box-office hits. Paul Newman earned his first Oscar nomination as troubled ex-sports-hero Brick. In a performance that marked a transition to richer adult roles, Elizabeth Taylor snagged her second nomination. Her Maggie the Cat is a vivid portrait of passionate loyalty. Nominated for six Academy Awards~ , including Best Picture, and also starring Burl Ives (repeating his Broadway triumph as mendacity-loathing Big Daddy), Judith Anderson and Jack Carson, Cat on a Hot Tin Roof sizzles.

Release: September 20, 2016

$6.99

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The first of the horror films producer Val Lewton (The Body Snatcher, I Walked with a Zombie) made for RKO Pictures redefined the genre by leaving its most frightening terrors to its audience s imagination. Simone Simon (La bête humaine) stars as a Serbian émigré in Manhattan who believes that, because of an ancient curse, any physical intimacy with the man she loves (Kent Smith) will turn her into a feline predator. Lewton, a consummate producer-auteur who oversaw every aspect of his projects, found an ideal director in Jacques Tourneur (Out of the Past), a chiaroscuro stylist adept at keeping viewers off-kilter with startling compositions and psychological innuendo. Together, they eschewed the canned effects of earlier monster movies in favor of shocking with subtle shadows and creative audio cues. One of the studio s most successful movies of the 1940s, Cat People raised the creature feature to new heights of sophistication and mystery. BLU-RAY SPECIAL EDITION FEATURES - New, restored 2K digital transfer, with uncompressed monaural soundtrack - Audio commentary from 2005 featuring film historian Gregory Mank, with excerpts from an audio interview with actor Simone Simon - Val Lewton: The Man in the Shadows, a 2008 feature-length documentary that explores the life and career of the legendary Hollywood producer - Interview with director Jacques Tourneur from 1977 - New interview with cinematographer John Bailey about the look of the film - Trailer - PLUS: An essay by critic Geoffrey O Brien

Release: January 20, 2026

$7.99

Description

In this visionary chronicle of China’s turbulent new century, acclaimed director Jia Zhang-Ke embarks on a kaleidoscopic odyssey across time and space, incorporating footage captured for his previous films into an entirely original, captivating epic. Drawing on a twenty-three-year collaboration between Jia and actors Zhao Tao and Li Zhubin, Caught by the Tides casts them as a pair of estranged lovers, tracking these characters across an increasingly alien China as they age in real time, from the dawn of the millennium to the COVID-19 era. Observing the future-shock developments transforming his country, Jia constructs a sensorially immersive, emotionally profound portrait of both a world in flux and two people navigating its uncertain currents. SPECIAL EDITION FEATURES Meet the Filmmakers: Jia Zhang-Ke, a Criterion Channel original interview Trailer Notes by film critic Carlos Aguilar Top About this item Similar From the Brand Reviews Caught by the Tides (Criterion Premieres) [Blu-ray]

Release: January 11, 2022

$7.99

Description

The Danish Dogme 95 movement that struck world cinema like a thunderbolt began with The Celebration, the international breakthrough by Thomas Vinterberg, a lacerating chamber drama that uses the economic and aesthetic freedoms of digital video to achieve annihilating emotional intensity. On a wealthy man’s sixtieth birthday, a sprawling group of family and friends convenes at his country estate for a celebration that soon spirals into bedlam, as bombshell revelations threaten to tear away the veneer of bourgeois respectability and expose the traumas roiling beneath. The dynamic handheld camera work, grainy natural lighting, cacophonous diegetic sound, and raw performance style that would become Dogme hallmarks enhance the shattering visceral impact of this caustic indictment of patriarchal failings, which swings between blackest comedy and bleakest tragedy as it turns the sick soul of a family inside out. DIRECTOR-APPROVED TWO-BLU-RAY SPECIAL EDITION FEATURES 2K digital restoration, approved by director Thomas Vinterberg, with uncompressed monaural soundtrack Audio commentary from 2005 featuring Vinterberg New interview with Vinterberg Two early short films by Vinterberg: Last Round (1993) and The Boy Who Walked Backwards (1995) The Purified, a 2002 documentary about Dogme 95, featuring interviews with Vinterberg and filmmakers Søren Kragh-Jacobsen, Kristian Levring, and Lars von Trier Program in which Vinterberg discusses the real-life inspiration for the film Documentaries featuring members of the cast and crew at the film’s premiere in Copenhagen and reflecting back on the production ADM:DOP, a 2003 documentary profile of cinematographer Anthony Dod Mantle Deleted scenes, with optional audio commentary by Vinterberg Trailer PLUS: An essay by critic and author Michael Koresky

Release: March 16, 2021

$7.99

Description

Whiling away a summer in Paris, director Jacques Rivette, working in close collaboration with his stars and coconspirators Juliet Berto and Dominique Labourier, set out to rewrite the rules of cinema in the spirit of pure play—moviemaking as an anything-goes romp through the labyrinths of imagination. The result is one of the most exuberantly inventive and utterly enchanting films of the French New Wave, in which Julie (Labourier), a daydreaming librarian, meets Céline (Berto), an enigmatic magician, and together they become the heroines of a time-warping adventure involving a haunted house, psychotropic candy, and a murder-mystery melodrama. Incorporating allusions to everything from Lewis Carroll to Louis Feuillade, Céline and Julie Go Boating is both one of the all-time-great hangout comedies and a totally unique, enveloping cinematic dream space that delights in the endless pleasures and possibilities of stories. TWO-BLU-RAY SPECIAL EDITION FEATURES • New 2K digital restoration, with uncompressed monaural soundtrack • Audio commentary from 2017 featuring critic Adrian Martin • Jacques Rivette: Le veilleur, a 1994 two-part feature documentary by Claire Denis, featuring an extensive interview with Rivette by film critic Serge Daney • New interviews with actor Bulle Ogier and producer and actor Barbet Schroeder • New conversation between critic Pacôme Thiellement and Hélène Frappat, author of Jacques Rivette, secret compris • Archival interviews with Rivette, Ogier, and actors Juliet Berto, Dominique Labourier, and Marie-France Pisier • New English subtitle translation • PLUS: An essay by critic Beatrice Loayza and a 1974 piece by Berto

Release: September 19, 2017

$7.99

Description

The expanses of the American Northwest take center stage in this intimately observed triptych from Kelly Reichardt. Adapted from three short stories by Maile Meloy and unfolding in self-contained but interlocking episodes, Certain Women navigates the subtle shifts in personal desire and social expectation that unsettle the circumscribed lives of its characters: a lawyer (Laura Dern) forced to subdue a troubled client; a woman (Michelle Williams) whose plans to construct her dream home reveal fissures in her marriage; and a night-school teacher (Kristen Stewart) who forms a tenuous bond with a lonely ranch hand (Lily Gladstone), whose unguardedness and deep attachment to the land deliver an unexpected jolt of emotional immediacy. With unassuming craft, Reichardt captures the rhythms of daily life in small-town Montana through these fine-grained portraits of women trapped within the landscape s wide-open spaces.

Release: May 22, 2012

$6.99

Description

The great Iranian director Abbas Kiarostami (Close-up) travels to Tuscany for a luminous and provocative romance in which nothing is as it appears. What seems at first to be a straightforward tale of two people played by Oscar-winning actress Juliette Binoche (Blue) and opera singer William Shimell getting to know each other over the course of an afternoon gradually reveals itself as something richer, stranger, and trickier: a mind-bending reflection on authenticity, in art as well as in relationships. Both cerebrally and emotionally engaging, Certified Copy (Copie conforme) reminds us that love itself is an enigma.

Release: January 23, 2024

$7.99

Description

In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

Release: January 23, 2024

$7.99

Description

In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

Release: January 23, 2024

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In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]