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Release: July 14, 2020

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In the early 1970s, a kung-fu dynamo named Bruce Lee side-kicked his way onto the screen and straight into pop-culture immortality. With his magnetic screen presence, tightly coiled intensity, and superhuman martial-arts prowess, Lee was an icon who conquered both Hong Kong and Hollywood cinema and transformed the art of the action film in the process. This collection brings together the five films that define the Lee legend: furiously exciting fist-fliers propelled by his innovative choreography, unique martial-arts philosophy, and whirlwind fighting style. Though he completed only a handful of films while at the peak of his stardom before his untimely death at age thirty-two, Lee left behind a monumental legacy as both a consummate entertainer and a supremely disciplined artist who made Hong Kong action cinema a sensation the world over. SEVEN-BLU-RAY SPECIAL EDITION FEATURES 4K digital restorations of The Big Boss, Fist of Fury, The Way of the Dragon, and Game of Death, with uncompressed original monaural soundtracks New 2K digital restoration of the rarely seen 99-minute 1973 theatrical version of Enter the Dragon, with uncompressed original monaural soundtrack New 2K digital restoration of the 102-minute “special-edition” version of Enter the Dragon, with alternate 5.1 surround DTS-HD Master Audio soundtrack Alternate soundtracks for the films, including original English-dubbed tracks Six audio commentaries: on The Big Boss by Bruce Lee expert Brandon Bentley; on The Big Boss, Fist of Fury, The Way of the Dragon, and Game of Death by Hong Kong–film expert Mike Leeder; and on the special-edition version of Enter the Dragon by producer Paul Heller High-definition presentation of the 1981 film Game of Death II Game of Death Redux, a new presentation of Lee’s original Game of Death footage, produced by Alan Canvan New interviews on all five films with Lee biographer Matthew Polly New interview with producer Andre Morgan about Golden Harvest, the company behind Hong Kong’s top martial-arts stars, including Lee New program about English-language dubbing, featuring performers Michael Kaye (the English-speaking voice of Lee’s Chen Zhen in Fist of Fury) and Vaughan Savidge New interview with author Grady Hendrix about the “Bruceploitation” subgenre that followed Lee’s death, and a selection of Bruceploitation trailers Blood and Steel, a 2004 documentary about the making of Enter the Dragon Multiple programs and documentaries about Lee’s life and philosophies, including Bruce Lee: The Man and the Legend (1973) and Bruce Lee: In His Own Words (1998) Interviews with Linda Lee Cadwell, Lee’s widow, and many of Lee’s collaborators and admirers, including actors Jon T. Benn, Riki Hashimoto, Nora Miao, Robert Wall, Yuen Wah, and Simon Yam and directors Clarence Fok, Sammo Hung, and Wong Jing Promotional materials New English subtitle translations and subtitles for the deaf and hard of hearing PLUS: An essay by critic Jeff Chang THE BIG BOSS Enter a legend. Bruce Lee’s return to the Hong Kong film industry after a decade in America proved to be his big breakthrough, launching him to superstardom and setting a new standard for kung-fu heroics. In The Big Boss, he commands the screen with his gravitas and explosive physicality in the role of a Chinese immigrant working at a Thai ice factory and sworn to an oath of nonviolence. When he discovers that the factory’s ruthless higher-ups are running a secret heroin ring and offing their own workers, his commitment to pacifism is put to the test. With his undeniable charisma and fluid, lightning-fast martial-arts style, Lee is a revelation, streaking across the screen with a speed and power the likes of which had never been seen before. FIST OF FURY Bruce Lee is at his most awe-inspiringly ferocious in this blistering follow-up to his star-making performance in The Big Boss, which turned out to be an even greater success than its predecessor. Set in 1910s Shanghai, Fist of Fury casts Lee as a martial-arts student who, after his revered master is murdered by a rival dojo of Japanese imperialists, sets out to defend the honor of both his school and the Chinese people, with his fatal fists as his weapon of choice. Elevating Lee to a hero of near folkloric proportions, this historical revenge fantasy blends its stunning action set pieces with a strong anticolonialist statement and a potent dose of the fierce cultural pride that the actor embodied. THE WAY OF THE DRAGON After the back-to-back triumphs of The Big Boss and Fist of Fury, Bruce Lee was given the chance to write, produce, and direct his third outing as a martial-arts superstar. He used the opportunity to add a touch of goofily entertaining comedy to the typically action-driven proceedings in The Way of the Dragon, which finds him playing a rigorously trained martial artist who travels from Hong Kong to Rome to help his cousin, whose restaurant is being threatened by a gang of thugs. Reaching new heights of physical virtuosity, Lee unleashes an astonishing display of nunchaku-swinging, fly-kicking mayhem, all culminating in one of his most breathtaking fights: an epic gladiatorial death match with Chuck Norris in the Colosseum. ENTER THE DRAGON At the height of his stardom in Hong Kong, Bruce Lee was called to Hollywood to make the film that, perhaps more than any other, defines his legacy. His electrifying fighting style and the deeply personal philosophy that guided it received their fullest expression yet in this thrilling tale of a Shaolin fighter who goes undercover to infiltrate an island presided over by a renegade monk turned diabolical criminal mastermind. Released just days after Lee’s tragic death, Enter the Dragon went on to become his greatest international success and one of the most influential action movies ever made, with its famed hall-of-mirrors finale bringing together the physical and intellectual dimensions of his artistry in one dazzling set piece. GAME OF DEATH Released five years after Bruce Lee’s death, this eccentrically entertaining kung-fu curio combines footage from an unfinished project directed by and starring Lee with original material shot by Enter the Dragon director Robert Clouse to create an entirely new work that testifies to the actor’s enduring place in the pop-culture imagination. Using stand-ins, doubles, and archival footage to compensate for Lee’s absence, Game of Death follows a martial-arts movie star who, when he is threatened by a cutthroat crime syndicate intent on controlling his career, must take his skills from the soundstage to the streets. It all builds to an exhilarating climax that is pure Lee: a tour de force of martial-arts mastery in which the legend himself, clad in an iconic yellow jumpsuit, fights his way up a multilevel pagoda, with the towering Kareem Abdul-Jabbar among his formidable opponents.

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Mystery/Thriller, Mystery/Thriller/Film Noir

Release: April 18, 2017

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Product Description Buena Vista Social Club (Criterion Collection) Traveling from the streets of Havana to the stage of Carnegie Hall, this revelatory documentary captures a forgotten generation of Cuba’s brightest musical talents as they enjoy an unexpected brush with world fame. The veteran vocalists and instrumentalists collaborated with American guitarist and roots-music champion Ry Cooder to form the Buena Vista Social Club, playing a jazz-inflected mix of cha-cha, mambo, bolero, and other traditional Latin American styles, and recording an album that won a Grammy and made them an international phenomenon. In the wake of this success, director Wim Wenders filmed the ensemble’s members—including golden-voiced Ibrahim Ferrer and piano virtuoso Rubén González—in a series of illuminating interviews and live performances. The result is one of the most beloved music documentaries of the 1990s, and an infectious ode to a neglected corner of Cuba’s prerevolutionary heritage. DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES New high-definition digital transfer, with 5.1 surround DTS-HD Master Audio soundtrack Audio commentary from 1999 featuring director Wim Wenders New interview with Wenders We Believe in Dreams, a new piece featuring never-before-seen outtakes from the rehearsals for the Buena Vista Social Club’s Amsterdam concerts Interview from 1998 with musician Compay Segundo on his career and the Cuban music scene Radio interviews from 2000 featuring musicians Ibrahim Ferrer, Rubén González, Eliades Ochoa, Omara Portuondo, and others Additional scenes Trailer PLUS: An essay by author and geographer Joshua Jelly-Schapiro" GENRE: Documentary LANGUAGE: Spanish, English English Subtitles AUDIO: 5.1 Surround DTS-HD Master Audio COLOR TIME: 105 Minutes Review Traveling from the streets of Havana to the stage of Carnegie Hall, this revelatory documentary captures a forgotten generation of Cuba’s brightest musical talents as they enjoy an unexpected brush with world fame. The veteran vocalists and instrumentalists collaborated with American guitarist and roots-music champion Ry Cooder to form the Buena Vista Social Club, playing a jazz-inflected mix of cha-cha, mambo, bolero, and other traditional Latin American styles, and recording an album that won a Grammy and made them an international phenomenon. In the wake of this success, director Wim Wenders filmed the ensemble’s members—including golden-voiced Ibrahim Ferrer and piano virtuoso Rubén González—in a series of illuminating interviews and live performances. The result is one of the most beloved music documentaries of the 1990s, and an infectious ode to a neglected corner of Cuba’s prerevolutionary heritage. DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES New high-definition digital transfer, with 5.1 surround DTS-HD Master Audio soundtrack Audio commentary from 1999 featuring director Wim Wenders New interview with Wenders We Believe in Dreams, a new piece featuring never-before-seen outtakes from the rehearsals for the Buena Vista Social Club’s Amsterdam concerts Interview from 1998 with musician Compay Segundo on his career and the Cuban music scene Radio interviews from 2000 featuring musicians Ibrahim Ferrer, Rubén González, Eliades Ochoa, Omara Portuondo, and others Additional scenes Trailer PLUS: An essay by author and geographer Joshua Jelly-Schapiro

Release: July 10, 2018

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Former minor leaguer Ron Shelton hit a grand slam with his directorial debut, one of the most revered sports movies of all time. Durham Bulls devotee Annie Savoy (Susan Sarandon)—who every year takes a new player under her wing (and into her bed)—has singled out the loose-cannon pitching prospect Nuke LaLoosh (Tim Robbins), a big-league talent with a rock-bottom maturity level. But she’s unable to shake Crash Davis (Kevin Costner), the veteran catcher brought in to give Nuke some on-the-field seasoning. A breakthrough film for all three of its stars and an Oscar nominee for Shelton’s highly qu

Release: November 11, 2025

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For nearly five years, acclaimed German director Werner Herzog desperately tried to complete one of the most ambitious and difficult projects of his career: Fitzcarraldo, the story of one man’s attempt to build an opera house deep in the Amazon jungle. Documentary filmmaker Les Blank captured the unfolding of this production, made more perilous by Herzog’s determination to shoot the most daunting scenes without models or special effects, including a sequence requiring hundreds of Indigenous locals to pull a full-size 320-ton steamship over a small mountain. The result is an extraordinary document of the filmmaking process and a unique look into the single-minded mission of one of cinema’s most fearless directors. BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, supervised by filmmaker Harrod Blank, director Les Blank’s son, with 5.1 surround DTS-HD Master Audio soundtrack Alternate uncompressed monaural soundtrack Audio commentary featuring Les Blank, editor and sound recordist Maureen Gosling, and Fitzcarraldo director Werner Herzog Interview with Herzog Werner Herzog Eats His Shoe (1980), a short film by Blank Deleted scenes Behind-the-scenes photos taken by Gosling Trailer New English subtitle translation and English subtitles for the deaf and hard of hearing PLUS: An essay by film scholar Paul Arthur

Release: November 11, 2025

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For nearly five years, acclaimed German director Werner Herzog desperately tried to complete one of the most ambitious and difficult projects of his career: Fitzcarraldo, the story of one man’s attempt to build an opera house deep in the Amazon jungle. Documentary filmmaker Les Blank captured the unfolding of this production, made more perilous by Herzog’s determination to shoot the most daunting scenes without models or special effects, including a sequence requiring hundreds of Indigenous locals to pull a full-size 320-ton steamship over a small mountain. The result is an extraordinary document of the filmmaking process and a unique look into the single-minded mission of one of cinema’s most fearless directors. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, supervised by filmmaker Harrod Blank, director Les Blank’s son, with 5.1 surround DTS-HD Master Audio soundtrack Alternate uncompressed monaural soundtrack One 4K UHD disc of the film and one Blu-ray with the film and special features Audio commentary featuring Les Blank, editor and sound recordist Maureen Gosling, and Fitzcarraldo director Werner Herzog Interview with Herzog Werner Herzog Eats His Shoe (1980), a short film by Blank Deleted scenes Behind-the-scenes photos taken by Gosling Trailer New English subtitle translation and English subtitles for the deaf and hard of hearing PLUS: An essay by film scholar Paul Arthur and a book of excerpts from Blank’s and Gosling’s production journals

Release: August 5, 2025

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An Imperial Japanese Army regiment surrenders to British forces in Burma at the close of World War II and finds harmony through song. A private, thought to be dead, disguises himself as a Buddhist monk and stumbles upon spiritual enlightenment. Magnificently shot in hushed black and white, Kon Ichikawa’s The Burmese Harp is an eloquent meditation on beauty coexisting with death and remains one of Japanese cinema’s most overwhelming antiwar sentiments, both tender and brutal in its grappling with Japan’s wartime legacy. BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack Interviews with director Kon Ichikawa and actor Rentaro Mikuni Trailer New English subtitle translation PLUS: An essay by critic and historian Tony Rayns

Release: August 5, 2025

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An Imperial Japanese Army regiment surrenders to British forces in Burma at the close of World War II and finds harmony through song. A private, thought to be dead, disguises himself as a Buddhist monk and stumbles upon spiritual enlightenment. Magnificently shot in hushed black and white, Kon Ichikawa’s The Burmese Harp is an eloquent meditation on beauty coexisting with death and remains one of Japanese cinema’s most overwhelming antiwar sentiments, both tender and brutal in its grappling with Japan’s wartime legacy. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack One 4K UHD disc of the film and one Blu-ray with the film and special features Interviews with director Kon Ichikawa and actor Rentaro Mikuni Trailer New English subtitle translation PLUS: An essay by critic and historian Tony Rayns

$6.99

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This intimate documentary portrait captures author William S. Burroughs reflecting on his life, work, and strange cultural legacy.

Release: November 22, 2011

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12 Angry Men, by Sidney Lumet, may be the most radical big-screen courtroom drama in cinema history. A behind-closed-doors look at the American legal system as riveting as it is spare, the iconic adaptation of Reginald Rose’s teleplay stars Henry Fonda as the initially dissenting member of a jury of white men ready to pass judgment on a Puerto Rican teenager charged with murdering his father. What results is a saga of epic proportions that plays out in real time over ninety minutes in one sweltering room. Lumet’s electrifying snapshot of 1950s America on the verge of change is one of the great feature-film debuts.

Release: July 21, 2026

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The legacies we inherit, and the ones we pass on, form the heart of writer-director Mike Mills’s family portraits, inspired by his own experience. Both personal and panoramic, the films collected here—Beginners, 20th Century Women, and C’mon C’mon—set their stories of parents and children against the backdrop of a changing America, from the 1970s to the present. Anchored by performances of depth and wit from the likes of Christopher Plummer, Ewan McGregor, Annette Bening, Greta Gerwig, Elle Fanning, Joaquin Phoenix, and Gaby Hoffmann, these three films compose a mosaic of Mills’s own life, from boyhood to fatherhood, and of the people, places, music, and memories that marked him along the way. DIRECTOR-APPROVED THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital masters of Beginners and 20th Century Women, supervised and approved by director Mike Mills, with 5.1 surround DTS-HD Master Audio soundtracks New 4K digital master of C’mon C’mon, supervised and approved by Mills, with Dolby Atmos soundtrack Audio commentaries on all three films featuring Mills New documentary featuring Mills in conversation with filmmaker Kirsten Johnson Making-of programs for each film Music

Release: July 21, 2026

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The legacies we inherit, and the ones we pass on, form the heart of writer-director Mike Mills’s family portraits, inspired by his own experience. Both personal and panoramic, the films collected here—Beginners, 20th Century Women, and C’mon C’mon—set their stories of parents and children against the backdrop of a changing America, from the 1970s to the present. Anchored by performances of depth and wit from the likes of Christopher Plummer, Ewan McGregor, Annette Bening, Greta Gerwig, Elle Fanning, Joaquin Phoenix, and Gaby Hoffmann, these three films compose a mosaic of Mills’s own life, from boyhood to fatherhood, and of the people, places, music, and memories that marked him along the way. DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital masters of Beginners and 20th Century Women, supervised and approved by director Mike Mills, with 5.1 surround DTS-HD Master Audio soundtracks New 4K digital master of C’mon C’mon, supervised and approved by Mills, with Dolby Atmos soundtrack Three 4K UHD discs of the films presented in Dolby Vision HDR and three Blu-rays with the films and special features Audio commentaries on all three films featuring Mills New documentary featuring Mills in conversation with filmmaker Kirsten Johnson Making-of programs for each film Music I'll Remind You of Everything

Release: August 12, 2025

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Youssef Chahine established his international reputation with this masterpiece, which, though initially a commercial failure in Egypt, would become one of the most influential and celebrated works in all of Arab cinema. The director himself stars as Kenawi, a disabled newspaper hawker whose obsession with a sultry drink seller (Hind Rostom, known as the “Marilyn Monroe of Arabia”) leads to tragedy of operatic proportions on the streets of Cairo. Blending elements of neorealism with provocative noir-melodrama, Cairo Station is a work of raw populist poetry that explores the individual’s search for a place in Egypt’s new postrevolutionary political order. BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack New 2K digital restoration of Cairo as Seen by Chahine (1991), a short documentary by Youssef Chahine, with an introduction by film scholar Joseph Fahim New interview with Fahim Chahine . . . Why? (2009), a documentary on the director and Cairo Station Excerpt from Chahine’s appearance at the 1998 Midnight Sun Film Festival New English subtitle translation PLUS: An essay by Fahim

Release: June 16, 2020

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Buster Keaton is at the peak of his slapstick powers in The Cameraman—the first film that the silent-screen legend made after signing with MGM, and his last great masterpiece. The final work over which he maintained creative control, this clever farce is the culmination of an extraordinary, decade-long run that produced some of the most innovative and enduring comedies of all time. Keaton plays a hapless newsreel cameraman desperate to impress both his new employer and his winsome office crush as he zigzags up and down Manhattan hustling for a scoop. Along the way, he goes for a swim (and winds up soaked), becomes embroiled in a Chinatown Tong War, and teams up with a memorable monkey sidekick (the famous Josephine). The marvelously inventive film-within-a-film setup allows Keaton’s imagination to run wild, yielding both sly insights into the travails of moviemaking and an emotional payoff of disarming poignancy. BLU-RAY SPECIAL EDITION FEATURES • New 4K digital restoration undertaken by the Cineteca di Bologna, the Criterion Collection, and Warner Bros. • New score by composer Timothy Brock, conducted by Brock and performed by the orchestra of the Teatro Comunale di Bologna in 2020, presented in uncompressed stereo • Audio commentary from 2004 featuring Glenn Mitchell, author of A–Z of Silent Film Comedy: An Illustrated Companion • Spite Marriage (1929), Buster Keaton’s next feature for MGM following The Cameraman, in a new 2K restoration, with a 2004 commentary by film historians John Bengtson and Jeffrey Vance • Time Travelers, a new documentary by Daniel Raim featuring interviews with Bengtson and film historian Marc Wanamaker • So Funny It Hurt: Buster Keaton & MGM, a 2004 documentary by film historians Kevin Brownlow and Christopher Bird • New interview with James L. Neibaur, author of The Fall of Buster Keaton: His Films for MGM, Educational Pictures, and Columbia • The Motion Picture Camera (1979), a documentary by A.S.C. cinematographer and film preservationist Karl Malkames, in a 4k restoration • PLUS: An essay by film critic Imogen Sara Smith.

Release: February 7, 2017

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A boxing match in Brooklyn; life in postwar Bosnia and Herzegovina; the daily routine of a Nigerian midwife; an intimate family moment at home with the director: Kirsten Johnson weaves these scenes and others into her film Cameraperson, a tapestry of footage captured over her twenty-five-year career as a documentary cinematographer. Through a series of episodic juxtapositions, Johnson explores the relationships between image makers and their subjects, the tension between the objectivity and intervention of the camera, and the complex interaction of unfiltered reality with crafted narrative. A work that combines documentary, autobiography, and ethical inquiry, Cameraperson is a moving glimpse into one filmmaker s personal journey and a thoughtful examination of what it means to train a camera on the world. DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES - New high-definition digital master, with 5.1 surround DTS-HD Master Audio soundtrack - Making Cameraperson, a new program featuring director Kirsten Johnson, producers Marilyn Ness and Danielle Varga, and editors Nels Bangerter and Amanda Laws - In the Service of the Film, a roundtable conversation with Johnson, producer Gini Reticker, and sound recordists Wellington Bowler and Judy Karp - Excerpts from two 2016 film festival talks with Johnson, including one between her and filmmaker Michael Moore - The Above, a 2015 short film by Johnson - Trailer - PLUS: An essay by filmmaker Michael Almereyda and reprinted writings by Johnson

Release: March 14, 2017

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Product description Canoa: A Shameful Memory (Criterion) is a powerful Mexican docudrama—historic, unsettling, and essential for world cinema collectors. Review One of Mexico’s best-regarded works of political cinema, Canoa: A Shameful Memory reimagines a real-life incident that had occurred just eight years before its release, when a group of urban university employees on a hiking trip were viciously attacked by residents of the village of San Miguel de Canoa, who had been manipulated by a corrupt priest into believing the travelers were communist revolutionaries. Intercutting footage from a fictional documentary about the village with gruesome scenes of the crime itself, director Felipe Cazals produced a daring commentary on the climate of violence and repression in Mexico during that era, including the military’s infamous massacre of demonstrating students in Tlatelolco, Mexico City. With its gritty newsreel style, Canoa is a visceral expression of horror as well as an important historical document. DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES -New, restored 4K digital transfer, supervised by director Felipe Cazals, with uncompressed monaural soundtrack -New introduction by filmmaker Guillermo del Toro -New conversation between filmmaker Alfonso Cuarón and Cazals -Trailer -New English subtitle translation -PLUS: An essay by critic Fernanda Solórzano

Release: January 20, 2026

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With this spectacular romantic adventure, a new era of Hollywood swashbuckling was born, as was a devilishly dashing star named Errol Flynn. He brings boundless charisma to the role of an idealistic Irish physician who, declared a traitor to England and sold into slavery in the New World, takes his revenge by transforming himself into the notorious pirate Captain Blood. The groundbreaking symphonic score by Erich Wolfgang Korngold, marking the emergence of the Warner Bros. music department as a vital element in the studio’s moviemaking; the spitfire chemistry between Flynn and Olivia de Havilland in the first of their iconic pairings; the rousing naval-battle finale—all come together under the expert direction of Michael Curtiz to form an exemplar of classic film craftsmanship sailing full speed ahead. BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack Audio commentary featuring Alan K. Rode, author of Michael Curtiz: A Life in Film Documentary from 2005 on the making of the film Lux Radio Theatre adaptation of the film from 1937, starring Errol Flynn, Olivia de Havilland, and Basil Rathbone Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by critic Farran Smith Nehme

Release: January 20, 2026

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With this spectacular romantic adventure, a new era of Hollywood swashbuckling was born, as was a devilishly dashing star named Errol Flynn. He brings boundless charisma to the role of an idealistic Irish physician who, declared a traitor to England and sold into slavery in the New World, takes his revenge by transforming himself into the notorious pirate Captain Blood. The groundbreaking symphonic score by Erich Wolfgang Korngold, marking the emergence of the Warner Bros. music department as a vital element in the studio’s moviemaking; the spitfire chemistry between Flynn and Olivia de Havilland in the first of their iconic pairings; the rousing naval-battle finale—all come together under the expert direction of Michael Curtiz to form an exemplar of classic film craftsmanship sailing full speed ahead. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack One 4K UHD disc of the film and one Blu-ray with the film and special features Audio commentary featuring Alan K. Rode, author of Michael Curtiz: A Life in Film Documentary from 2005 on the making of the film Lux Radio Theatre adaptation of the film from 1937, starring Errol Flynn, Olivia de Havilland, and Basil Rathbone Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by critic Farran Smith Nehme

Release: September 27, 2011

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Carlos, directed by Olivier Assayas (Summer Hours), is an epic, intensely detailed account of the life of the infamous international terrorist Ilich Ramírez Sanchez—also known as Carlos the Jackal. One of the twentieth century’s most-wanted fugitives, Carlos was committed to violent left-wing activism throughout the seventies and eighties, orchestrating bombings, kidnappings, and hijackings in Europe and the Middle East. Assayas portrays him not as a criminal mastermind but as a symbol of seismic political shifts around the world, and the magnetic Édgar Ramírez (The Bourne Ultimatum) brilliantly embodies him as a swaggering global gangster. Criterion presents the complete, uncut, director-approved, five-and-a-half-hour version of Carlos.

Release: July 22, 2025

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Amid the sexual revolution and social upheaval of the early 1970s, acclaimed director Mike Nichols delivered a zeitgeist-defining examination of American mores. Sharply written by Jules Feiffer, this acerbic drama flashes through more than twenty years in the lives of two college buddies (Jack Nicholson and Art Garfunkel) whose casual chauvinism is all fun and games—until it’s not. As the women who suffer and see through the friends’ insecure posturing, Candice Bergen, Ann-Margret, Rita Moreno, Carol Kane, and Cynthia O’Neal form an extraordinary ensemble that gives the film its soul. So controversial it became embroiled in an obscenity case that went all the way to the Supreme Court, Carnal Knowledge remains startling for its unnervingly frank look at postwar masculinity. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and

Release: July 22, 2025

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Amid the sexual revolution and social upheaval of the early 1970s, acclaimed director Mike Nichols delivered a zeitgeist-defining examination of American mores. Sharply written by Jules Feiffer, this acerbic drama flashes through more than twenty years in the lives of two college buddies (Jack Nicholson and Art Garfunkel) whose casual chauvinism is all fun and games—until it’s not. As the women who suffer and see through the friends’ insecure posturing, Candice Bergen, Ann-Margret, Rita Moreno, Carol Kane, and Cynthia O’Neal form an extraordinary ensemble that gives the film its soul. So controversial it became embroiled in an obscenity case that went all the way to the Supreme Court, Carnal Knowledge remains startling for its unnervingly frank look at postwar masculinity. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features New audio commentary featuring filmmaker and playwright Neil LaBute New program with Mike Nichols biographer Mark Harris and film critic Dana Stevens New interview with film-editing historian Bobbie O’Steen Conversation from 2011 between Nichols and filmmaker Jason Reitman Q&A with screenwriter Jules Feiffer Radio spot and trailer English subtitles for the deaf and hard of hearing PLUS: An essay by scholar Moira Weigel and a 1971 piece from American Cinematographer about the look of the film

Release: July 12, 2016

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A young woman in a small Kansas town survives a drag race accident, then agrees to take a job as a church organist in Salt Lake City. En route, she becomes haunted by a bizarre apparition that compels her toward an abandoned lakeside pavilion. Made by industrial filmmakers on a modest budget, the eerily effective B-movie classic Carnival of Souls was intended to have the look of a Bergman and the feel of a Cocteau and, with its strikingly used locations and spooky organ score, it succeeds. Herk Harvey s macabre masterpiece gained a cult following on late-night television and continues to inspire filmmakers today. BLU-RAY SPECIAL EDITION FEATURES - New, restored 4K digital transfer, with uncompressed monaural soundtrack - Selected-scene audio commentary featuring director Herk Harvey and screenwriter John Clifford - New interview with comedian and writer Dana Gould - New video essay by film critic David Cairns - The Movie That Wouldn t Die!, a documentary on the 1989 reunion of the film s cast and crew - The Carnival Tour, a 2000 update on the film s locations - Excerpts from movies made by the Centron Corporation, an industrial film company based in Lawrence, Kansas, that once employed Harvey and Clifford - Deleted scenes - Outtakes, accompanied by Gene Moore s organ score - History of the Saltair Resort in Salt Lake City, where key scenes in the film were shot - Trailer - PLUS: An essay by writer and programmer Kier-La Janisse

Release: September 20, 2016

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The first of the horror films producer Val Lewton (The Body Snatcher, I Walked with a Zombie) made for RKO Pictures redefined the genre by leaving its most frightening terrors to its audience s imagination. Simone Simon (La bête humaine) stars as a Serbian émigré in Manhattan who believes that, because of an ancient curse, any physical intimacy with the man she loves (Kent Smith) will turn her into a feline predator. Lewton, a consummate producer-auteur who oversaw every aspect of his projects, found an ideal director in Jacques Tourneur (Out of the Past), a chiaroscuro stylist adept at keeping viewers off-kilter with startling compositions and psychological innuendo. Together, they eschewed the canned effects of earlier monster movies in favor of shocking with subtle shadows and creative audio cues. One of the studio s most successful movies of the 1940s, Cat People raised the creature feature to new heights of sophistication and mystery. BLU-RAY SPECIAL EDITION FEATURES - New, restored 2K digital transfer, with uncompressed monaural soundtrack - Audio commentary from 2005 featuring film historian Gregory Mank, with excerpts from an audio interview with actor Simone Simon - Val Lewton: The Man in the Shadows, a 2008 feature-length documentary that explores the life and career of the legendary Hollywood producer - Interview with director Jacques Tourneur from 1977 - New interview with cinematographer John Bailey about the look of the film - Trailer - PLUS: An essay by critic Geoffrey O Brien

Release: January 20, 2026

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In this visionary chronicle of China’s turbulent new century, acclaimed director Jia Zhang-Ke embarks on a kaleidoscopic odyssey across time and space, incorporating footage captured for his previous films into an entirely original, captivating epic. Drawing on a twenty-three-year collaboration between Jia and actors Zhao Tao and Li Zhubin, Caught by the Tides casts them as a pair of estranged lovers, tracking these characters across an increasingly alien China as they age in real time, from the dawn of the millennium to the COVID-19 era. Observing the future-shock developments transforming his country, Jia constructs a sensorially immersive, emotionally profound portrait of both a world in flux and two people navigating its uncertain currents. SPECIAL EDITION FEATURES Meet the Filmmakers: Jia Zhang-Ke, a Criterion Channel original interview Trailer Notes by film critic Carlos Aguilar Top About this item Similar From the Brand Reviews Caught by the Tides (Criterion Premieres) [Blu-ray]

Release: May 21, 2024

$7.99

Description

Having blazed a trail for African filmmakers to tell their own stories on-screen, Senegalese auteur Ousmane Sembène took his career-long project—to unlock cinema’s potential as a vehicle for social change—in increasingly urgent and provocative directions in the 1970s. Searing critiques of colonialism, political corruption, patriarchal arrogance, and religious indoctrination, his three features from this decade—the radical call to resistance Emitaï, the wickedly subversive satire Xala, and the controversial historical epic Ceddo—confirmed his standing as a fearless truth-teller for whom the camera was the ultimate weapon in the fight against oppression in all its forms. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restorations of all three films, with uncompressed monaural soundtracks New conversation between Mahen Bonetti, founder and executive director of the African Film Festival, and writer Amy Sall The Making of “Ceddo,” a 1981 documentary by Paulin Soumanou Vieyra New English subtitle translations PLUS: An essay by film scholar Yasmina Price EMITAÏ With revolutionary outrage, Ousmane Sembène chronicles a period during World War II when French colonial forces in Senegal conscripted young men of the Diola people and attempted to seize rice stores for soldiers back in Europe. As the tribe’s patriarchal leaders pray and make sacrifices to their gods, the women in the community refuse to yield their harvests, incurring the French army’s wrath. With a deep understanding of the oppressive forces that have shaped Senegalese history, Emitaï explores the strains that colonialism places upon cultural traditions and, in the process, discovers a people’s hidden reserves of rebellion and dignity. XALA An adaptation of Ousmane Sembène’s own 1973 novel, Xala is a hilarious, caustic satire of political corruption under an inept patriarchy. On the night of his wedding to his third bride, government official El Hadji (Thierno Leye) is rendered impotent and begins to suspect that one of his other wives has placed a curse on him. After seeking a cure from a local marabout, El Hadji must face the possibility that he deserves the infliction for his part in embezzling public funds and for helping to keep Senegal under French control. Adeptly combining elements of African folklore and popular cinema, Sembène indicts the hubris, entitlement, and opportunism of male authority figures. CEDDO In precolonial Senegal, members of the Ceddo (or “outsiders”) kidnap Princess Dior Yacine (Tabata Ndiaye) after her father, the king, pledges loyalty to an ascendant Islamic faction that plans to convert the entire clan to its faith. Attempts to recapture her fail, provoking further division and eventual war between the animistic Ceddo and the fundamentalist Muslims, with Christian missionaries and slave traders from Europe also playing a role in the conflict. Banned in Senegal upon its release, Ceddo is an ambitious, multilayered epic that explores the combustible tensions among ancient tradition, religious colonization, political expediency, and individual freedom.

Release: January 11, 2022

$7.99

Description

The Danish Dogme 95 movement that struck world cinema like a thunderbolt began with The Celebration, the international breakthrough by Thomas Vinterberg, a lacerating chamber drama that uses the economic and aesthetic freedoms of digital video to achieve annihilating emotional intensity. On a wealthy man’s sixtieth birthday, a sprawling group of family and friends convenes at his country estate for a celebration that soon spirals into bedlam, as bombshell revelations threaten to tear away the veneer of bourgeois respectability and expose the traumas roiling beneath. The dynamic handheld camera work, grainy natural lighting, cacophonous diegetic sound, and raw performance style that would become Dogme hallmarks enhance the shattering visceral impact of this caustic indictment of patriarchal failings, which swings between blackest comedy and bleakest tragedy as it turns the sick soul of a family inside out. DIRECTOR-APPROVED TWO-BLU-RAY SPECIAL EDITION FEATURES 2K digital restoration, approved by director Thomas Vinterberg, with uncompressed monaural soundtrack Audio commentary from 2005 featuring Vinterberg New interview with Vinterberg Two early short films by Vinterberg: Last Round (1993) and The Boy Who Walked Backwards (1995) The Purified, a 2002 documentary about Dogme 95, featuring interviews with Vinterberg and filmmakers Søren Kragh-Jacobsen, Kristian Levring, and Lars von Trier Program in which Vinterberg discusses the real-life inspiration for the film Documentaries featuring members of the cast and crew at the film’s premiere in Copenhagen and reflecting back on the production ADM:DOP, a 2003 documentary profile of cinematographer Anthony Dod Mantle Deleted scenes, with optional audio commentary by Vinterberg Trailer PLUS: An essay by critic and author Michael Koresky

Release: March 16, 2021

$7.99

Description

Whiling away a summer in Paris, director Jacques Rivette, working in close collaboration with his stars and coconspirators Juliet Berto and Dominique Labourier, set out to rewrite the rules of cinema in the spirit of pure play—moviemaking as an anything-goes romp through the labyrinths of imagination. The result is one of the most exuberantly inventive and utterly enchanting films of the French New Wave, in which Julie (Labourier), a daydreaming librarian, meets Céline (Berto), an enigmatic magician, and together they become the heroines of a time-warping adventure involving a haunted house, psychotropic candy, and a murder-mystery melodrama. Incorporating allusions to everything from Lewis Carroll to Louis Feuillade, Céline and Julie Go Boating is both one of the all-time-great hangout comedies and a totally unique, enveloping cinematic dream space that delights in the endless pleasures and possibilities of stories. TWO-BLU-RAY SPECIAL EDITION FEATURES • New 2K digital restoration, with uncompressed monaural soundtrack • Audio commentary from 2017 featuring critic Adrian Martin • Jacques Rivette: Le veilleur, a 1994 two-part feature documentary by Claire Denis, featuring an extensive interview with Rivette by film critic Serge Daney • New interviews with actor Bulle Ogier and producer and actor Barbet Schroeder • New conversation between critic Pacôme Thiellement and Hélène Frappat, author of Jacques Rivette, secret compris • Archival interviews with Rivette, Ogier, and actors Juliet Berto, Dominique Labourier, and Marie-France Pisier • New English subtitle translation • PLUS: An essay by critic Beatrice Loayza and a 1974 piece by Berto

Release: September 19, 2017

$7.99

Description

The expanses of the American Northwest take center stage in this intimately observed triptych from Kelly Reichardt. Adapted from three short stories by Maile Meloy and unfolding in self-contained but interlocking episodes, Certain Women navigates the subtle shifts in personal desire and social expectation that unsettle the circumscribed lives of its characters: a lawyer (Laura Dern) forced to subdue a troubled client; a woman (Michelle Williams) whose plans to construct her dream home reveal fissures in her marriage; and a night-school teacher (Kristen Stewart) who forms a tenuous bond with a lonely ranch hand (Lily Gladstone), whose unguardedness and deep attachment to the land deliver an unexpected jolt of emotional immediacy. With unassuming craft, Reichardt captures the rhythms of daily life in small-town Montana through these fine-grained portraits of women trapped within the landscape s wide-open spaces.

Release: May 22, 2012

$6.99

Description

The great Iranian director Abbas Kiarostami (Close-up) travels to Tuscany for a luminous and provocative romance in which nothing is as it appears. What seems at first to be a straightforward tale of two people played by Oscar-winning actress Juliette Binoche (Blue) and opera singer William Shimell getting to know each other over the course of an afternoon gradually reveals itself as something richer, stranger, and trickier: a mind-bending reflection on authenticity, in art as well as in relationships. Both cerebrally and emotionally engaging, Certified Copy (Copie conforme) reminds us that love itself is an enigma.

Release: January 23, 2024

$7.99

Description

In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

Release: January 23, 2024

$7.99

Description

In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

Release: January 23, 2024

$7.99

Description

In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

Release: June 2, 2026

$7.99

Description

In this comedic thriller, a trio of crooks relentlessly pursue a young American, played by Audrey Hepburn in gorgeous Givenchy, through Paris in an attempt to recover the fortune her dead husband stole from them. The only person she can trust is Cary Grant’s suave, mysterious stranger. Director Stanley Donen goes deliciously dark for Charade, a glittering emblem of 1960s style and macabre wit. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack One 4K UHD disc of the film and one Blu-ray with the film and special features Audio commentary from 1999 featuring director Stanley Donen and screenwriter Peter Stone Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by film historian Bruce Eder

Release: February 18, 2020

$6.99

Description

One of the iconoclastic Pier Paolo Pasolini’s most radical provocations, Teorema finds the auteur moving beyond the poetic, proletarian earthiness that first won him renown and notoriety with a coolly cryptic exploration of bourgeois spiritual emptiness. Terence Stamp stars as the mysterious stranger—perhaps an angel, perhaps a devil—who, one by one, seduces the members of a wealthy Milanese family (including European cinema icons Silvana Mangano, Massimo Girotti, Laura Betti, and Anne Wiazemsky), precipitating an existential crisis in each of their lives. Unfolding nearly wordlessly in a procession of sacred and profane images, this tantalizing metaphysical riddle—blocked from exhibition by the Catholic Church for degeneracy—is at once a blistering Marxist treatise on sex, religion, and art and a primal scream into the void. BLU-RAY SPECIAL EDITION FEATURES • New, restored 4K digital transfer, with uncompressed monaural soundtrack • Alternate English-dubbed soundtrack, featuring the voice of actor Terence Stamp and others • Audio commentary from 2007 featuring Robert S. C. Gordon, author of Pasolini: Forms of Subjectivity • Introduction by director Pier Paolo Pasolini from 1969 • Interview from 2007 with Stamp • New interview with John David Rhodes, author of Stupendous, Miserable City: Pasolini’s Rome • New English subtitle translation • More! • PLUS: An essay by film scholar James Quandt

Release: September 27, 2022

$7.99

Description

Established by Martin Scorsese in 2007, The Film Foundation’s World Cinema Project has maintained a fierce commitment to preserving and presenting masterpieces from around the globe, with a growing roster of dozens of restorations that have introduced moviegoers to often overlooked areas of cinema history. This collector’s set gathers six important works, from Angola (Sambizanga), Argentina (Prisioneros de la tierra), Iran (Chess of the Wind), Cameroon (Muna moto), Hungary (Two Girls on the Street), and India (Kalpana). Each title is an essential contribution to the art form and a window onto a filmmaking tradition that international audiences previously had limited opportunities to experience. DUAL-FORMAT BLU-RAY AND DVD SPECIAL EDITION FEATURES New 4K digital restorations of Sambizanga, Prisioneros de la tierra, Chess of the Wind, and Muna moto, and 2K digital restorations of Two Girls on the Street and Kalpana, all overseen by The Film Foundation’s World Cinema Project in collaboration with the Cineteca di Bologna, with uncompressed monaural soundtracks on the Blu-rays New introductions to the films by World Cinema Project founder Martin Scorsese New and archival interviews featuring Indian film historian Suresh Chabria and filmmaker Kumar Shahani (on Kalpana); Argentine film historians Paula Félix-Didier and Andrés Levinson (on Prisioneros de la tierra); Two Girls on the Street director André de Toth; and Sambizanga director Sarah Maldoror and Annouchka de Andrade, Maldoror’s daughter New program by filmmaker Mohamed Challouf featuring interviews with Muna moto director Dikongué-Pipa and African film historian Férid Boughedir The Majnoun and the Wind (2022), a documentary by Gita Aslani Shahrestani, daughter of Chess of the Wind director Mohammad Reza Aslani, featuring Aslani, members of the film’s cast and crew, and others New and updated English subtitle translations PLUS: A foreword and essays on the films by critics and scholars Yasmina Price, Matthew Karush, Ehsan Khoshbakht, Aboubakar Sanogo, Chris Fujiwara, and Shai Heredia SAMBIZANGA A bombshell by the first woman to direct a film in Africa, Sarah Maldoror’s chronicle of the awakening of Angola’s independence movement is a stirring hymn to those who risk everything in the fight for freedom. Based on a true story, Sambizanga follows a young woman (Elisa Andrade) as she makes her way from the outskirts of Luanda toward the city’s center looking for her husband (Domingos Oliveira) after his arrest by the Portuguese authorities—an incident that ultimately helps to ignite an uprising. Scored by the language of revolution and the spiritual songs of the colonized Angolan people, and featuring a cast of nonprofessional actors—many of whom were themselves involved in anticolonial resistance—this landmark work of political cinema honors the essential roles of women, as well as the hardships they endure, in the global struggle for liberation. PRISIONEROS DE LA TIERRA The most acclaimed film by one of classic Argentine cinema’s foremost directors, Mario Soffici’s gut-punching work of social realism, shot on location in the dense, sweltering jungle of the Misiones region, simmers with rage against the oppression of workers. A group of desperate men are conscripted into indentured labor on a treacherous, disease-ridden yerba maté plantation under the control of the brutal foreman Köhner (Francisco Petrone)—a situation that boils over in an explosive act of rebellion led by the defiant Podeley (Ángel Magaña), and made all the more tense by the fact that Köhner and Podeley love the same woman: Andrea (Elisa Galvé), the sweet-spirited daughter of the camp’s doctor. The expressionistic, shadow-sculpted cinematography of Pablo Tabernero evokes the feverish dread of a place where suffocating heat, economic exploitation, and unremitting cruelty lead inexorably to madness and violence. CHESS OF THE WIND Lost for decades after screening at the 1976 Tehran International Film Festival, this rediscovered jewel of Iranian cinema reemerges to take its place as one of the most singular and astonishing works of the country’s prerevolutionary New Wave. A hypnotically stylized murder mystery awash in shivery period atmosphere, Chess of the Wind unfolds inside an ornate, candlelit mansion where a web of greed, violence, and betrayal ensnares the potential heirs to a family fortune as they vie for control of their recently deceased matriarch’s estate. Melding the influences of European modernism, gothic horror, and classical Persian art, director Mohammad Reza Aslani crafts an exquisitely restrained mood piece that erupts into a subversive final act in which class conventions, gender roles, and even time itself are upended with shocking ferocity. MUNA MOTO Director Dikongué-Pipa forged a new African cinematic language with Muna moto, a delicate love story with profound emotional resonance. In a close-knit village in Cameroon, the rigid customs governing courtship and marriage mean that a deeply in love betrothed couple (David Endéné and Arlette Din Belle) can be torn apart by the lack of a dowry and by another man’s claiming of the young woman as his own wife—a rupture that sets the stage for a clash between a patriarchal society and a modern generation’s determination to chart its own course. Luminous black-and-white cinematography and stylistic flourishes yield images of haunting power in this potent depiction, told via flashback, of the challenges of postcolonialism and the devastating consequences of a community’s refusal to deviate from tradition. TWO GIRLS ON THE STREET The maverick Hollywood stylist André de Toth sharpened his craft in his native Hungary, where he directed five films, including this chic, dynamically paced melodrama studded with deco decor and jazzy musical interludes. Mária Tasnádi Fekete and Bella Bordy sparkle as upwardly mobile working women—one a musician in an all-girl band, the other a bricklayer—who join forces as they both try to make it in Budapest, supporting each other through changing economic fortunes, the advances of lecherous men, and the highs and heartbreaks of love. Kinetic camera work, brisk editing, and avant-garde imagery abound in Two Girls on the Street, an often strikingly modern ode to the power of working-class female solidarity. KALPANA A riot of ecstatic imagery, performance, and set design, the only film by the visionary dancer and choreographer Uday Shankar is a revolutionary celebration of Indian dance in its myriad varieties and a utopian vision of cultural renewal. Unfolding as an epic film within a film, Kalpana tells the story of an ambitious dancer (Shankar) determined to open a cultural center devoted to breathing new life into India’s traditional artistic forms; meanwhile, the obvious adoration between him and his lead dancer (Shankar’s wife and collaborator, Amala Uday Shankar) arouses the jealousy of his enterprising companion (Lakshmi Kanta). Swirling surrealist dance spectacles—featuring dance masters and young performers, many of whom would become stars in their own right—are interwoven with anticolonial, anticapitalist commentary for a radical, proto-Bollywood milestone that is one of the most influential works in Indian cinema.

Release: August 30, 2016

$6.99

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The crowning achievement of Orson Welles's extraordinary film career, Chimes at Midnight was the culmination of the filmmaker s lifelong obsession with Shakespeare s ultimate rapscallion, Sir John Falstaff. Usually a comic supporting figure, Falstaff the loyal, often soused friend of King Henry IV s wayward son Prince Hal here becomes the focus: a robustly funny and ultimately tragic screen antihero played by Welles with looming, lumbering grace. Integrating elements from both Henry IV plays as well as Richard II, Henry V, and The Merry Wives of Windsor, Welles created a gritty and unorthodox Shakespeare film, one that he intended, he said, as a lament . . . for the death of Merrie England. Poetic, philosophical, and visceral with a kinetic centerpiece battle sequence that rivals anything else in the director s body of work Chimes at Midnight is as monumental as the figure at its heart. BLU-RAY SPECIAL EDITION FEATURES - New digital restoration, with uncompressed monaural soundtrack - Audio commentary featuring film scholar James Naremore, author of The Magic World of Orson Welles - New interview with actor Keith Baxter - New interview with director Orson Welles s daughter Beatrice Welles, who appeared in the film at age seven - New interview with actor and Welles biographer Simon Callow - New interview with film historian Joseph McBride, author of What Ever Happened to Orson Welles? - Interview with Welles while at work editing the film, from a 1965 episode of The Merv Griffin Show - Trailer

Release: September 2, 2020

$7.99

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On an ordinary suburban street in Buenos Aires, voices are heard from kitchen sinks. Bodies are levitating. Evil is here. It is up to a doctor, her colleague, and an ex-cop to get to the bottom of this neighborhood nightmare. Demian Rugna’s must-see TERRIFIED “punches you in the face with genuine scares” (Screen Anarchy).

Release: March 25, 2025

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An achingly romantic neon dream, Alan Rudolph’s comic and cutting exploration of the mysteries of human desire established him as one of the most boldly idiosyncratic independent auteurs of the 1980s. At the smoky dive Eve’s Lounge, a collection of strangers—including an insecure radio sexpert (Geneviève Bujold), a commitment-phobic former sex worker (Lesley Ann Warren), and a globe-trotting mystery man (Keith Carradine)—become entangled in a web of passion, jealousy, and self-discovery. Grooving to the rhythms of Teddy Pendergrass’s sexy slow jams, Choose Me exists on its own offbeat wavelength—knotty, surprising, and deeply tender in its vision of lost souls wounded by love yet still reaching out for human connection. DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, supervised by director Alan Rudolph and producer David Blocker, with uncompressed monaural soundtrack One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features New conversation between Rudolph and actor Keith Carradine New program featuring interviews with Rudolph, producer Carolyn Pfeiffer, Blocker, and production designer Steven Legler Excerpts from an interview with Rudolph at the Midnight Sun Film Festival English subtitles for the deaf and hard of hearing PLUS: An essay by critic Beatrice Loayza Top About this item Similar From the Brand Reviews Choose Me (The Criterion Collection) [4K UHD]

Release: February 23, 2021

$7.99

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For his acclaimed follow-up to Man Push Cart, Ramin Bahrani once again turned his camera on a slice of New York City rarely seen on-screen: Willets Point, Queens, an industrial sliver of automotive-repair shops that remains perpetually at risk of being redeveloped off the map. It’s within this precarious ecosystem that twelve-year-old Ale (Alejandro Polanco) must grow up fast, hustling in the neighborhood chop shops to build a more stable life for himself and his sister (Isamar Gonzales) even as their tenuous circumstances force each to compete with other struggling people and make desperate decisions. A deeply human story of a fierce but fragile sibling bond being tested by hardscrabble reality, Chop Shop tempers its sobering authenticity with flights of lyricism and hope. DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES • High-definition digital master, supervised and approved by director Ramin Bahrani, with 5.1 surround DTS-HD Master Audio soundtrack • Audio commentary from 2006 featuring Bahrani, director of photography Michael Simmonds, and actor Alejandro Polanco • New program featuring a conversation among Bahrani, Polanco, actor Ahmad Razvi, and assistant director Nicholas Elliott about the making of the film • New conversation between Bahrani and writer and scholar Suketu Mehta on the immigrant experience in New York City and on film • Rehearsal footage from 2006 featuring Polanco and actors Isamar Gonzales and Carlos Zapata • Trailer • English subtitles for the deaf and hard of hearing • PLUS: An essay by novelist Viet Thanh Nguyen

Release: September 22, 2020

$7.99

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An elegy of exile and an epic immersion into the world of rural Italy during the Mussolini years, Francesco Rosi’s sublime adaptation of the memoirs of the painter, physician, and political activist Carlo Levi brings a monument of twentieth-century autobiography to the screen with quiet grace and solemn beauty. Banished to a desolate southern town for his anti-Fascist views, the worldly Levi (Gian Maria Volontè) discovers an Italy he never knew existed, a place where ancient folkways and superstitions still hold sway and that gradually transforms his understanding of both himself and his country. Presented for the first time on home video in its original full-length, four-part cut, Christ Stopped at Eboli ruminates profoundly on the political and philosophical rifts within Italian society—between north and south, tradition and modernity, fascism and freedom—and the essential humanity that transcends all. BLU-RAY SPECIAL EDITION FEATURES • New 2K digital restoration, with uncompressed monaural soundtrack • New introduction by translator and author Michael F. Moore • Documentary from 1978 on Italian political cinema, featuring director Francesco Rosi and actor Gian Maria Volontè • Excerpt from a 1974 documentary featuring Rosi and author Carlo Levi • Excerpt from Marco Spagnoli’s short 2014 documentary Unico, in which Rosi discusses Volontè • Trailer • New English subtitle translation by Moore • PLUS: A booklet featuring an essay by scholar Alexander Stille and a 1979 director’s statement by Rosi

Release: December 1, 2009

$7.99

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In Arnaud Desplechin’s beguiling A Christmas Tale (Un conte de Noël), Catherine Deneuve brings her legendary poise to the role of Junon, matriarch of the troubled Vuillard family, who come together at Christmas after she learns she needs a bone marrow transplant from a blood relative. That simple family reunion setup, however, can’t begin to describe the unpredictable, emotionally volatile experience of this film, an inventive, magical drama that’s equal parts merriment and melancholy. Unrequited childhood loves and blinding grudges, brutal outbursts and sudden slapstick, music, movies, and poetry, A Christmas Tale ties it all together in a marvelously messy package. DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES New, restored high-definition digital transfer, supervised by director Arnaud Desplechin, with DTS-HD Master Audio soundtrack L’aimée, Desplechin’s 2007 documentary about the selling of his family home Arnaud's Tale, a new 35-minute documentary featuring interviews with Desplechin and actors Mathieu Amalric and Catherine Deneuve Original theatrical trailers New and improved English subtitle translation PLUS: A new essay by critic Philip Lopate

Release: February 26, 2013

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Few films can claim to be as influential to the course of cinema history as Chronicle of a Summer. The fascinating result of a collaboration between filmmaker-anthropologist Jean Rouch (Moi, un noir) and sociologist Edgar Morin, this vanguard work of what Morin would term cinéma verité is a brilliantly conceived and realized sociopolitical diagnosis of the early sixties in France. By simply interviewing a group of Paris residents in the summer of 1960—beginning with the provocative and eternal question “Are you happy?” and expanding to political issues, including the ongoing Algerian War—Rouch and Morin reveal the hopes and dreams of a wide array of people, from artists to factory workers, from an Italian émigré to an African student. Chronicle of a Summer’s penetrative approach gives us a document of a time and place with extraordinary emotional depth.

Release: January 20, 2026

$7.99

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Established by Martin Scorsese in 2007, The Film Foundation’s World Cinema Project has maintained a fierce commitment to preserving and presenting masterpieces from around the globe, with a growing roster of more than sixty restorations of works by essential filmmakers. This collector’s set gathers four groundbreaking and innovative films, ranging from the epic to the intimate, from Algeria (Chronicle of the Years of Fire), Burkina Faso (Yam daabo), India (Kummatty), and Kazakhstan (The Fall of Otrar). Each title is a significant contribution to the art form and a window onto a cinematic tradition that international audiences previously had limited opportunities to experience. THREE-BLU-RAY SPECIAL EDITION FEATURES 4K digital restorations of all four films, overseen by The Film Foundation’s World Cinema Project in collaboration with the Cineteca di Bologna (and with Film Heritage Foundation on Kummatty), with uncompressed monaural soundtracks New introductions to the films by The Film Foundation’s World Cinema Project founder Martin Scorsese New interviews featuring film scholar and producer Ahmed Bedjaoui (on Chronicle of the Years of Fire); film and African-studies scholar Aboubakar Sanogo (on Yam daabo); and photographer Ramu Aravindan, director G. Aravindan’s son, and film editor and festival programmer Bina Paul (on Kummatty) The Making of “The Fall of Otrar,” a new program featuring interviews with director Ardak Amirkulov, actor Tungyshbai Dzhamankulov, production designer Umirzak Shmanov, and film journalist Gulnara Abikeyeva Updated English subtitle translations PLUS: Essays by critics and scholars Joseph Fahim, Chrystel Oloukoï, Ratik Asokan, and Kent Jones CHRONICLE OF THE YEARS OF FIRE Burning with passion, poetry, and a nation’s fervent spirit of resistance, Mohammed Lakhdar-Hamina’s stirring revolutionary epic vividly dramatizes the pivotal decades leading up to Algeria’s War of Independence through the harrowing saga of Ahmed (Yorgo Voyagis), a proud farmer seeking a dignified life, whose experience of brutal oppression and systemic injustice leads him, like so many others, to take a stand against the seemingly indomitable might of French colonialism. Winner of the Palme d’Or at the 1975 Cannes Film Festival, this awe-inspiring landmark of Arab cinema is an at once personal and expansive vision of a country awakening from despair to build an unbreakable movement of liberation YAM DAABO A family’s quest for self-determination mirrors a nation’s struggle in the sensitively observed feature debut by titan of Burkinabe cinema Idrissa Ouédraogo, who cast an ennobling gaze on ordinary Africans navigating the upheavals of the postcolonial era. Made amid revolutionary leader Thomas Sankara’s push to create a self-reliant Burkina Faso, Yam daabo follows an impoverished family as they leave behind a life in the city reliant on Western aid to start anew in the more verdant countryside, quietly capturing the rhythms of everyday life as well as its devastating tragedies and intimate joys. Featuring music by the legendary Francis Bebey, Yam daabo imbues an elemental human story with profound political weight. KUMMATTY Beautifully photographed amid the lush pastoral landscapes of southern India’s Kerala region, this enchanting child’s-eye fable conjures a folkloric world in which the magical exists side by side with the everyday. When Kummatty, a kind of shamanic bogeyman, arrives in a small village, he captivates the children with his music and colorful masks—until he casts a spell that has unexpected consequences for one boy. Bursting with exuberant songs and children’s chants, this fantasy from G. Aravindan, a pioneer of India’s art-house “parallel cinema” movement, is a treasure of imagination and entrancing visual lyricism. THE FALL OF OTRAR Kazakh New Wave iconoclast Ardak Amirkulov’s hypnotic thirteenth-century epic is a feverish vision of one of history’s most decisive battles—Genghis Khan’s siege of the now-lost city of Otrar—engraved in images of stunning, hallucinatory power. When his warnings about an imminent invasion are taken for insolence, a former Mongol scout (Dokhdurbek Kydyraliyev) must escape imprisonment to stop an escalating diplomatic crisis and avert a clash of civilizations. With a panoramic scope that encompasses intimate palace intrigue and the merciless sweep of battlefield carnage, The Fall of Otrar is a monumental imagining of seismic historical upheaval—and a terrifying, electrifying feast for the senses.

Release: April 15, 2025

$7.99

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The whiplash, double-pronged Chungking Express is one of the defining works of 1990s cinema and the film that made Wong Kar Wai an instant icon. Two heartsick Hong Kong cops (Takeshi Kaneshiro and Tony Leung Chiu Wai), both jilted by ex-lovers, cross paths at the Midnight Express take-out food stand, where the ethereal pixie waitress Faye (Faye Wong) works. Anything goes in Wong’s gloriously shot and utterly unexpected charmer, which cemented the sex appeal of its gorgeous stars and forever turned canned pineapple and the Mamas & the Papas’ “California Dreamin’ ” into tokens of romantic longing. DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES 4K digital restoration, with 5.1 surround DTS-HD Master Audio soundtrack, both supervised and approved by director Wong Kar Wai One 4K UHD disc of the film and one Blu-ray with the film and special features Interview from 2002 with cinematographer Christopher Doyle Episode of Moving Pictures from 1996 featuring interviews with Wong and Doyle Deleted scenes Trailer PLUS: An essay by critic Amy Taubin

Release: September 24, 2019

$7.99

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In the last film he made during the silent era, Charlie Chaplin revels in the art of the circus, paying tribute to the acrobats and pantomimists who inspired his virtuoso pratfalls. After being mistaken for a pickpocket, Chaplin’s Little Tramp flees into the ring of a traveling circus and soon becomes the star of the show, falling for the troupe’s bareback rider along the way. Despite its famously troubled production, this gag packed comedy ranks among Chaplin’s finest, thanks to some of the most audacious set pieces of the director performer’s career, including a close brush with a lion and a climactic tightrope walk with a barrelful of monkeys. Rereleased in 1969 with a new score by Chaplin, The Circus is an uproarious high wire act that showcases silent cinema’s most popular entertainer at the peak of his comic powers. BLU RAY SPECIAL EDITION FEATURES • New 4K digital restoration of Charlie Chaplin’s 1969 rerelease version of the film, featuring an original score by Chaplin, with uncompressed monaural soundtrack • New audio commentary featuring Charlie Chaplin biographer Jeffrey Vance • Interview with Chaplin from 1969 • New interview with Chaplin’s son Eugene Chaplin • In the Service of the Story, a new program on the film’s visual effects and production design by effects specialist Craig Barron • Chaplin Today: “The Circus,” a 2003 documentary on the film, featuring filmmaker Emir Kusturica • Excerpted audio interview with Chaplin musical associate Eric James • Unused café sequence with new score by composer Timothy Brock, and related outtakes with audio commentary by Chaplin historian Dan Kamin • Newly discovered outtakes featuring the Tramp and the bareback rider • Original recording of the film’s opening song, “Swing, Little Girl,” by Ken Barrie • Footage of the 1928 Hollywood premiere • Rerelease trailers • PLUS: An essay by critic Pamela Hutchinson

Release: November 23, 2021

$6.99

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Following the death of publishing tycoon Charles Foster Kane, a reporter investigates the meaning of his final word, uncovering the rise, power, and loneliness behind an American legend.

Release: November 23, 2021

$7.99

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In the most dazzling debut feature in cinema history, twenty-five-year-old writer-producer-director-star Orson Welles synthesized the possibilities of sound-era filmmaking into what could be called the first truly modern movie. In telling the story of the meteoric rise and precipitous fall of a William Randolph Hearst–like newspaper magnate named Charles Foster Kane, Welles not only created the definitive portrait of American megalomania, he also unleashed a torrent of stylistic innovations—from the jigsaw-puzzle narrative structure to the stunning deep-focus camera work of Gregg Toland—that have ensured that Citizen Kane remains fresh and galvanizing for every new generation of moviegoers to encounter it. 4K UHD + BLU-RAY COMBO PACK SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack 4-DISC EDITION includes one 4K UHD disc of the film presented in Dolby Vision HDR and three Blu-rays with the film and special features Three audio commentaries: from 2021 featuring Orson Welles scholars James Naremore and Jonathan Rosenbaum; from 2002 featuring filmmaker Peter Bogdanovich; and from 2002 featuring film critic Roger Ebert The Complete “Citizen Kane” (1991), a rarely seen feature-length BBC documentary New interviews with critic Farran Smith Nehme and film scholar Racquel J. Gates New video essay by Orson Welles scholar Robert Carringer New program on the film’s special effects by film scholars and effects experts Craig Barron and Ben Burtt Interviews from 1990 with editor Robert Wise; actor Ruth Warrick; optical-effects designer Linwood Dunn; Bogdanovich; filmmakers Martin Scorsese, Henry Jaglom, Martin Ritt, and Frank Marshall; and cinematographers Allen Daviau, Gary Graver, and Vilmos Zsigmond New documentary featuring archival interviews with Welles Interviews with actor Joseph Cotten from 1966 and 1975 The Hearts of Age, a brief silent film made by Welles as a student in 1934 Television programs from 1979 and 1988 featuring appearances by Welles and Mercury Theatre producer John Houseman Program featuring a 1996 interview with actor William Alland on his collaborations with Welles Selection of The Mercury Theatre on the Air radio plays featuring many of the actors from Citizen Kane Trailer English subtitles for the deaf and hard of hearing PLUS: Deluxe packaging, including a book with an essay by film critic Bilge Ebiri

Release: March 22, 2016

$7.99

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The most cherished film by Charlie Chaplin (Modern Times) is also his ultimate Little Tramp chronicle. The writer-director-star achieved new levels of grace, in both physical comedy and dramatic poignancy, with this silent tale of a lovable vagrant falling for a young blind woman who sells flowers on the street (a magical Virginia Cherrill) and mistakes him for a millionaire. Though this Depression-era smash was made after the advent of sound, Chaplin remained steadfast in his love for the expressive beauty of the pre-talkie form. The result was the epitome of his art and the crowning achievement of silent comedy. BLU-RAY SPECIAL EDITION FEATURES - New, restored 4K digital film transfer, with uncompressed monaural soundtrack on the Blu-ray - New audio commentary by Charlie Chaplin biographer Jeffrey Vance - Chaplin Today: City Lights, a 2003 documentary on the film s production, featuring Aardman Animations cofounder Peter Lord - Chaplin Studios: Creative Freedom by Design, a new interview program featuring visual effects expert Craig Barron - Archival footage from the production of City Lights, including film from the set, with audio commentary by Chaplin historian Hooman Mehran; a costume test; a rehearsal; and a complete scene not used in the film - Excerpt from Chaplin s short film The Champion (1915), along with footage of the director with boxing stars at Chaplin Studios in 1918 - Trailers - PLUS: A booklet featuring an essay by critic Gary Giddins and a 1966 interview with Chaplin

Release: February 28, 2017

$6.99

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The cornerstone of director Richard Linklater’s career‑long exploration of cinematic time, this celebrated three-part romance captures a relationship as it begins, begins again, deepens, and strains over the course of almost two decades. Chronicling the love of Celine (Julie Delpy) and Jesse (Ethan Hawke), from their first meeting as idealistic twentysomethings to the disillusionment they face together in middle age, The Before Trilogy also serves as a document of a boundary-pushing and extraordinarily intimate collaboration between director and actors, as Delpy and Hawke imbue their characters with a sense of lived-in experience, and age on-screen along with them. Attuned to the sweeping grandeur of time’s passage as well as the evanescence of individual moments, the Before films chart the progress of romantic destiny as it navigates the vicissitudes of ordinary life. DIRECTOR-APPROVED THREE-BLU-RAY SPECIAL EDITION FEATURES New, restored 2K digital transfers of Before Sunrise and Before Sunset and a 2K digital master of Before Midnight, approved by director Richard Linklater, with 2.0 surround DTS-HD Master Audio soundtrack on Before Sunrise and 5.1 surround DTS-HD Master Audio soundtracks on Before Sunset and Before Midnight New discussion featuring Linklater and actors Julie Delpy and Ethan Hawke, moderated by critic Kent Jones Behind-the-scenes footage and interviews from the productions of Before Sunrise and Before Sunset Audio commentary on Before Midnight by Delpy, Linklater, and Hawke Richard Linklater: Dream Is Destiny, a feature-length 2016 documentary by Louis Black and Karen Bernstein After Before, a new documentary by Athina Rachel Tsangari about the making of Before Midnight in Greece New conversation between scholars Dave Johnson and Rob Stone about Linklater’s work Episode of the radio program Fresh Air featuring host Terry Gross, Linklater, Delpy, and Hawke Linklater // On Cinema & Time, a 2016 video essay by filmmaker :: kogonada English subtitles for the deaf and hard of hearing PLUS: An essay on the trilogy by critic Dennis Lim BEFORE SUNRISE An exquisitely understated ode to the thrill of romantic possibility, the inaugural installment of The Before Trilogy opens with a chance encounter between two solitary young strangers. After they hit it off on a train bound for Vienna, the Paris university student Celine and the scrappy American tourist Jesse impulsively decide to spend a day together before he returns to the U.S. the next morning. As the pair roam the streets of the stately city, Richard Linklater’s tenderly observant gaze captures the uncertainty and intoxication of young love, from the first awkward stirrings of attraction to the hopeful promise that Celine and Jesse make upon their inevitable parting. BEFORE SUNSET In the breathtaking follow-up to Before Sunrise, Celine tracks down Jesse, now an author, at the tail end of his book tour in Paris, with only a few hours left before he is to board a flight back home to the States. Meeting almost a decade after their short-lived romance in Vienna, the pair find their chemistry rekindled by increasingly candid exchanges about professional setbacks, marital disappointments, and the compromises of adulthood. Impelled by an urgent sense of the transience of human connection, Before Sunset remains Richard Linklater’s most seductive experiment with time’s inexorable passage and the way love can seem to stop it in its tracks. BEFORE MIDNIGHT The conclusion of The Before Trilogy finds Celine and Jesse several years into a relationship and in the midst of a sun-dappled Greek retreat with their twin daughters and a group of friends. The couple soon find their vacation upended, however, by long-simmering problems that come to a boil. Marked by the emotional depth, piercing wit, and conversational exuberance that Linklater and his actors honed over two decades of abiding with these characters, Before Midnight grapples with the complexities of long-term intimacy, and asks what becomes of love when it has no recourse to its past illusions.

Release: March 17, 2026

$7.99

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After hiding out in Milan for nearly a decade, fugitive gangland chief Abel Davos (Lino Ventura) sneaks back to Paris with his children, despite a death sentence hanging over his head. Accompanied by appointed guardian Eric Stark (Jean-Paul Belmondo, fresh off his star turn in Breathless) and beset by backstabbing former friends, Abel begins a throat-grabbing, soul-searching journey through the postwar Parisian underworld. A character study of a career criminal at the end of his rope, this rugged noir from Claude Sautet is a highlight of 1960s French cinema. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features Excerpts from Claude Sautet, ou La magie invisible, a 2003 documentary on the director by N. T. Binh and Dominique Rabourdin Interview with Classe tous risques novelist and coscreenwriter José Giovanni Archival interview footage featuring actor Lino Ventura discussing his career Trailers PLUS: Essays by filmmaker Bertrand Tavernier and Binh, a reprinted interview with Sautet, and a 1962 tribute by Jean-Pierre Melville