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Release: July 29, 2014

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FBI Special Agent Dale Cooper investigates the murder of Laura Palmer in the strange town of Twin Peaks, where dark secrets and supernatural forces lurk beneath the surface.

Release: February 13, 2024

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Witness the birth of Tenacious D, the greatest—and craziest—rock band ever "in a movie destined to become the most hilarious musical epic since This Is Spinal Tap" (Pete Hammond, Maxim). Featuring many A-list movie and rock star cameos, this laugh-a-minute riot is sure to have you begging for an encore. On a fateful day in Venice Beach, JB (Jack Black) and KG (Kyle Gass) meet and realize they are destined to make history by combining their musical genius. But when overnight success eludes them, they set out to find the legendary "Pick of Destiny"—a special guitar pick believed to possess magical powers that can make any open mic wannabe a rock legend. Their epic quest, which includes run-ins with the law, sorority hotties, and Sasquatch, will make you "laugh till it hurts and then you'll laugh some more" (Guy Farriss, KXTV-TV, ABC). Bonus Content: Audio Commentary with Stars Jack Black and Kyle Gass Audio Commentary with Director Liam Lynch Deleted/Extended Scenes Archival Featurettes Home Movies "Hell O'clock News" Internet Shorts Music Video Theatrical Trailer

Release: September 29, 2009

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Product Description Twin Spirits is a unique and intimate, live theatrical performance by a chamber ensemble of actors, singers and musicians, portraying the deep and ultimately tragic love between the composer Robert Schumann and his pianist wife Clara Wieck. In this intensely moving performance of words, song and music, the Schumanns’ long separation, so formative an influence on their lives, is reflected in the division of the ensemble into male and female groups. Robert's letters to Clara are read by Sting and his songs sung by Simon Keenlyside, with accompaniments and instrumental music played by Iain Burnside and Sergej Krylov. Clara's letters to Robert are read by Trudie Styler and her songs sung by Rebecca Evans, with accompaniments and instrumental music played by Natalie Clein and Natasha Paremski. The narrator, Derek Jacobi, links together the letters and lyrics to complete the essential outline of the story. Conceived and directed by John Caird, Twin Spirits was first performed in June 2005 at the Royal Opera House, Covent Garden, London and has since been experienced only at private performances for charity by small audiences of all ages and interests, leaving them deeply touched and inspired. Press Reviews "Twin Spirits portrays the life and love of Robert and Clara Schumann through readings of their surviving letters. These are read by Sting and Trudie Styler, with Derek Jacobi authoritatively filling in any gaps in the story. In one sense it's a static productions, with everyone seated throughout, but it's actually quite engrossing - perfectly paced and beautifully filmed. It's impossible not to emerge with both a true empathy for the Schumanns and a renewed or awakened interest in their music. The acting stays just the right side of luvviness, with Sting and Styler delivering strong, subtly believable performances. They're supported by beautifully executed interludes from a top line-up of soloists. This is tender, moving, well put together, and supplemented by an enlightening bonus DVD." (Classic fM) "John Caird's Twin Spirits, filmed live at the Royal Opera House, is beautifully constructed and performed with extraordinary fervour… Sting and Trudie Styler's own marriage undoubtedly informs their profoundly affecting portrayal of the Schumanns… Musical choices are mostly Schumann, a bit of Clara and some evocative Mozart and Chopin... often in special arrangements. Bonus material is generous... The issues are fascinating, though. How good is Clara's music? The jury is still out." (BBC Music Magazine) Cast Sting (Actor) Trudie Styler (Actor) Derek Jacobi (Narrator) Simon Keenlyside (Tenor) Sergej Krylov (Violin) Iain Burnside (Piano) The Orchestra of the Royal Opera House Production Company: Royal Opera House Stage Director: John Caird Disc Information Catalogue Number: OABD7043D Date of Performance: 2005 Running Time: 206 minutes Sound: 2.0 & 5.0 PCM Aspect Ratio: 1080i High Definition / 16:9 Subtitles: EN, FR, DE, ES, IT + EN (SONGS ONLY) Label: Opus Arte Review A Great Love Story is Told in Words and Music The nearly legendary story of Robert and Clara Schumann was staged and filmed at the Royal Opera House, Covent Garden, in 2007. The production, titled "Twin Spirits," is now available in a 2-DVD set from Opus Arte, and it is impressive and unusual. As Narrator, Derek Jacobi has center stage. On his right are actor Sting to read from Robert Schumann's letters, baritone Simon Keenlyside to sing Schumann's songs, Sergej Krylov (violin), and Iain Burnside (piano). On his left are actress Trudie Styler to read from Clara's letters, soprano Rebecca Evans to sing selections as a solo or as a duet with Keenlyside, Natalie Clein (cello), and Natasha Peremski (piano). The first disc contains the performance, which is an expert balance of narration and dramatic readings with solos and accompaniments from the musicians. As is explained in the program notes, some of the selections were edited in various ways for theatrical effect. All in all, it provides a fascinating insight into two human beings who loved, created complex and beautiful music, and finally suffered when Robert had a mental breakdown. The second disc offers another set of insights into the genius of the two when different members of the cast, actors and players, discuss the personalities and works of the two Schumanns. The educational value of this disc alone is great. I would like to see similar formats used for other famous musicians--but only with such skilled artists as were used in "Twin Spirits." But when will art departments stop using white print over colored backgrounds in the booklets, which might please their eyes but ruin ours? -- Art Times, Frank Behrens, December 2009 Better than you'd expect. This entertainment comes out of a charity event held at the Royal Opera House, Covent Garden. If you don't blink, you can see Alfred Brendel schmoozing before the curtain goes up. Basically, it pairs the music of Robert and Clara Schumann with their writings to and about one another (with side trips to Mozart and Chopin). The texts and notes don't line up chronologically, but emotionally. The words, from letters and diaries (particularly the so-called "marriage" diary which they kept jointly), chronicle the couple from pre-courtship to Robert's insanity and death, with a bit on Clara's long widowhood. A whiff of the "high-class" charity event lingers a little over the enterprise. Frankly, when I saw Sting's name, I muttered, "God save us from arty rockers." However, Sting surprised me. His delivery was intelligent, understated, with just enough "characterization" that you felt the presence of another personality, perhaps even Schumann's. In other words, he convinced me. It's the professional actors -- Jacobi and Styler -- that I occasionally caught "acting." Jacobi at times became a Masterpiece Theatre compère, while Styler here and there over-emoted. Her young Clara Wieck was a little too cute. However, Jacobi's lines functioned simply for set-ups and connections, and Styler became genuinely moving as Clara bears the family catastrophe. However, the real glory of the evening lies -- don't be too surprised -- in the music and the performances. Evans does well with her songs, although she occasionally slips into opera mode. Burnside supplies sensitive accompaniments -- a pro who knows his Schumann. The cellist Natalie Clein . . . well, I couldn't concentrate too well on her music-making, she's so gorgeous -- a bit like the young Argerich. What I did get showed a fiery but musical personality. She's wonderful in chamber music. American pianist Natasha Paremski negotiated some fiendish passage-work from Clara's piano concerto with spirit and aplomb. Violinist Sergei Krylov seemed uncomfortable in a chamber setting, but he certainly set the tone of the playing. You couldn't accuse him of bland good taste or timidity. However, baritone Simon Keenlyside stood out. I've heard few better Lieder singers. Furthermore, his duet with Evans in Mozart's "Là ci darem" from Don Giovanni provided the musical highpoint of the enterprise -- silkily seductive and a better aphrodisiac than oysters (though not as tasty). It strikes me as ironic that Mozart beats out Schumann in a Schumann documentary -- home-field advantage notwithstanding. The music, for the most part, serves the drama. Sometimes, we get abbreviations or cutoffs so the readings may continue. At other times, piano pieces have been "orchestrated" for the instrumental ensemble and at least one solo song turned into a duet. However, Martin Ward displays great taste, even in a chamber arrangement of something like "Träumerei" -- a trap that can lead to sugar coma if you don't take care. Some of the best bits come from the bonus disc, which contains, among other things, interviews with the musicians and the actors as well as a short documentary made at the Schumann-Haus in Zwickau, the composer's birthplace. John Caird serves as interlocutor. As he talks with the actors, it becomes clear that the group brings contemporary cultural perspectives to the marriage. Clara becomes the put-upon mother of the brood, while Robert flits about doing as he pleases -- writing symphonies and music criticism, preparing to conduct, and so on. This really doesn't survive a moment's thought. Clara, one of the greatest pianists of her day, was the primary breadwinner (one of her tours paid the family's expenses for three years) and had plenty of domestic help. She couldn't have practiced otherwise, and she set herself challenging programs. Don't get me wrong. She had plenty to put up with otherwise from Schumann, who among other things couldn't bear extraneous noise while he worked. I don't remember how they worked it out. She may have had to practice off-premises or Schumann may have composed off-premises. At any rate, musicologist Daniel Gallagher sits in and occasionally and gently puts things right. I should point out that these are extremely informal conversations among intelligent people. My favorite moment comes from pianist Natasha Paremski, who uses the word "vibe" and then asks, "That's not too American a word, is it?" Iain Burnside replies in his Best British Manner, "It's a word, yes." For me, however, the documentary, One Heart, One Soul, counts as the most interesting portion of the bonus features. It consists of the director of Schumann-Haus, Gerd Nauhaus, a man who knows his Schumann as well as anybody, discussing the composer. He too corrects some of the misperceptions that have arisen during the other interviews. Nauhaus speaks German, but you can choose subtitles from among several languages, including English. One may very well ask what audience these discs serve. Sting provides one answer: those not normally interested in classical music can come to the genre by getting involved in the story. It is a cracking good story, if a little weepy -- a Romance novel that happens to be true. Die-hard Sting fanatics will probably want it, even though he doesn't sing. Those who know their Schumann may or may not find something to interest them. The performances all shine, but it's not a Schumann concert, after all. You'll just have to work it out for yourselves. -- Classical CD Review, Steve Schwartz, February 2010 Having brought John Dowland to the masses with his album Songs from the Labyrinth, Sting takes another shot at presenting classical music to a wider audience which has developed the infuriating habit of not taking any notice of it. In this live performance, Sting portrays the passionate and tragically short-lived Robert Schumann by reading from his letters, while his wife Trudie Styler enacts the role of Robert's spouse Clara Schumann (formerly Wieck). In between, selections from the Schumanns' music are played by an ensemble comprising cellist Natalie Clein, pianists Iain Burnside and Natasha Paremski, violinist Sergej Krylov and singers Simon Keenlyside and Rebecca Evans. "I think it's a great `in' for people who don't normally listen to classical music," says Sting. Twin Spirits was devised as a fundraiser for a variety of charities, including the Royal Opera House, so we probably have to forgive its overtones of highbrow schlock. However, our task is not made easier by Derek Jacobi's performance as narrator. Ensconced on a throne and dressed like a Victorian philanthropist, Sir Del is at his fruitiest and most orotund. Fans of Frasier may be reminded of his guest performance as Jackson Hedley, the world's most preposterous Shakespearean actor. However, although Sting has suffered his share of critical brickbats, here he keeps a straight bat and delivers his readings with a mixture of wry humour and quiet sincerity. Trudie sometimes lurches into over-emoting luvviedom, but then again, she was a member of the RSC back in the day, which is how the RSC's John Caird was recruited to direct the project. And it can't be denied that the saga of the Schumanns' doomed greatest-love-of-all is a powerful tear-jerker. "There are moments in the story that make me very fearful," Styler admits. "The idea of losing my husband confronts me when I look at Sting as Robert. There are a few moments in the script where Robert and Clara are having a good time, so I try to make the most of them, just as I do in my own life." At 90 minutes, Twin Spirits cries out for some editing scissors, but perseverance is rewarded by the quality of the musical performances. Simon Keenlyside brings thunderous conviction to his musical portrayal of Robert Schumann, and the quartet performance of Traumerei, which marks the composer's solitary and miserable death, feels lonelier than a coyote's howl. Surprisingly, the second disc of additional features contains some of the best bits, especially Caird's conversations with the participants. All the musicians offer useful insights into the music, with Iain Burnside contributing shrewd remarks about the way Robert Schumann's music demands active intervention from the performer to bring it to life. When Caird introduces musicologist Daniel Gallagher to supply commentary on the Schumanns' life and work, he's so fascinating that that even Sting and Trudie find themselves spontaneously quizzing him. Despite all this, if you really want to explore the Schumanns' work, you might consider buying a selection of CDs and playing them a lot. -- The Arts Desk, Adam Sweeting, October 1, 2009 In his lifetime, Robert Schumann remained in the shadow of his wife Clara Wieck, whose concert career as a pianist took her all over Europe while he labored as a music journalist and largely unrecognized composer. Clara's overbearing father had taught them both piano, but his callous objections to the growing romance between Robert and Clara resulted in a physical separation that -- happily for musicologists -- left hundreds of letters detailing the musical and emotional development of this fascinating couple. While in different cities, they would often arrange to play the same piece at the same time, and then write to each other about the emotions aroused; once they were finally married, they kept a joint "marriage diary" for three and half years that recorded their musical and domestic happiness. Sting and his wife, actor Trudie Styler, are joined by Derek Jacobi, soprano Rebecca Evans, baritone Simon Keenlyside, and four instrumentalists for Twin Spirits, an educational project from London's Royal Opera House that presents the lives and works of Clara and Robert Schumann. Sting and Styler portray the couple in words, Keenlyside and Evans in music. Jacobi narrates. Devised and directed by John Caird, the show was recorded live in an intimately arranged and lit studio space at the opera house. It weaves together musical excerpts, love letters, diary entries and narration to tell the story of their love and marriage, tragically shortened when Robert's mental illness forced his commitment to an asylum. The show itself, which has been given as charity performances since 2005, is both informative and affecting, with spontaneous and energetic musical contributions, especially Evans's urgent rendition of Clara's "Er ist gekommen" and Keenlyside's sweeping "Ich grolle nicht," capped by a powerful high A. Evans's controlled voicing of "Ich hab im Traum geweinet" and Keenlyside's "Stille Liebe" are also effective. Most of the musical selections are short, and many have violin and cello additions, which lend an appropriate salon atmosphere, though the opening of "Carnaval" sounds odd with strings. Because of its placement in the storyline (and the use of Chopin's variations on its tune), "Là ci darem la mano" receives an odd interpretation, but Keenlyside's and Evans's skill and naturalness are winning. Another huge plus is Styler's warm, expressive delivery. With her wispy hair, vulnerable face and a faraway look in her eyes, Styler embodies the romantic, artistic spirit who rejoices in her soul mate; in passages detailing the end of Robert's life, Styler makes Clara's pain palpable. Sting's spiky, contemporary look is a bit of a jolt, but his connection to the material and identification with the obsessive, suffering composer are genuine. All the artists contributed their time to the project without remuneration; only Jacobi (whose presence undoubtedly signals "class") seems arch and distanced in his narration. Several bonus offerings include lengthy, round-table discussions in which the singers, instrumentalists and actors speak of how powerfully the interaction of words and music affected their interpretations and delivery. A thirty-five-minute lecture at the Robert Schumann Haus in Leipzig provides biographical details and background on the Schumanns' careers and training, as well as on their marriage and children. All proceeds from DVD sales benefit outreach projects of the Royal Opera House Education Programme. -- Opera News Online, Judith Malafronte, Decmber 2009 Like cucumber sandwiches at high tea, this depiction of the romance between two German musicians is a uniquely English confection. It follows in the tradition of BBC radio's dramatization of biographical presentations. In this case, the extended courtship and all-too-brief marriage is rendered with convincing fidelity through an enlightened blending of the spoken word and musical examples from the respective compositions of Robert Schumann and Clara Wieck. Nobly narrated by Derek Jacobi, the dialogue is ably conveyed by Sting (when will he, as an emerging musical polymath, be granted a knighthood so that his real name may enter common usage?) and Trudie Styler reading the lovers' correspondence compiled over decades. An unusual form of entertainment, but it kept a capacity audience in rapt attention over a long evening at Covent Garden. The singers and musicians give heartfelt support to the story with immaculate performances. The set includes close to two hours of extra features. It is also available from Opus Arte on conventional DVD format. Highly recommended to admirers of the Schumanns and all collectors with a special interest in German music of the Romantic period. -- La Scena Musicale, October 2009 One of the most moving love stories in the world of music is the relationship between Robert and Clara Schumann. In 2007, the British producer David Caird put together a music theater piece called Twin Spirits at London's Covent Garden in which Derek Jacoby narrated the romantic and tragic story, with Sting and his wife Trudie Styler reading passages from Robert and Clara's letters and the remarkable diary they kept together in the first years of their marriage. Some excellent chamber musicians and singers punctuate the readings with excerpts from the works of both Robert and Clara. Twin Spirits tells the story of Robert Schumann coming to Leipzig to study with the renowned music teacher Friedrich Wieck. Wieck's daughter Clara was a piano prodigy, by far the most talented of his six children. Robert was nine years older than her. He lived with the Wiecks for a year. By the time Clara was in her mid teens, they had fallen in love. Wieck was violently opposed to this romance. Clara's career came first. He refused to permit the marriage and ultimately the two lovers went to court for permission. Clara was 21; Robert 30. Wieck eventually relented when the couple had the first of their eight children, only four of whom outlived their parents. Clara was much more famous than Robert, and traveled extensively giving recitals, which were admired by the greatest musical figures of the time. She inspired Robert -- the year before they were married, he wrote more than 100 of his greatest songs. And she helped further his career by playing his compositions. Robert Schumann suffered from periodic mental breakdowns; tragedy struck when he tried to drown himself. He was institutionalized, but Clara was forbidden to see him for more than two years, until he was actually dying. She spent the rest of her life giving concerts and performing her husband's music. In his musical selection, Twin Spirits producer/director David Caird is less concerned with chronology than with finding something appropriate for each part of the story. Purists might object to the way Caird has rearranged some of the original music for this production. But in this dramatic context, I find these new arrangements both tasteful and effective. Sting, we've come to know, has a serious interest in classical music; he's also a coolly expressive actor and reader. Trudie Styler is particularly affecting reading what Clara wrote during her final visits to Robert. The most disappointing element of Twin Spirits is the rather artificial narration by Derek Jacobi, an actor I usually admire. But the whole enterprise is a compelling and poignant retelling of the story, and the well-chosen and well-performed music make this an outstanding addition to the year celebration of Robert Schumann's bicentennial. -- NPR, Lloyd Schwartz, February 17, 2010 Sting has been taking ever braver leaps into the classical music world over the last few years. As someone who doesn't enjoy his singing, I heaved a sigh of relief that he is on speaking duty in this fascinating musical dramatization of the often difficult, artistically inspirational, romantically fulfilling relationship between composer Robert Schumann and Clara Wieck. Sting is Robert to Trudie Styler's Clara as they sit with narrator Derek Jacobi on the Covent Garden stage, surrounded by exceptional musicians, including tenor Simon Keenlyside, soprano Rebecca Evans and violinist Sergei Krylov. Excerpts from the lovebirds' letters are interwoven with Schumann's music (and a bit of Mozart and Chopin). Once you get into the slow, black-backdropped pace of the story, you come to appreciate what an amazing job director John Caird has done to make the 90-minute show absorbing. A second DVD has more than an hour of extras, including background interviews and a documentary. This is inventive classical programming at its best, though music purists might prefer to hear uncut versions of many of the pieces on the program. -- TheStar.com, John Terauds, November 17, 2009 This is an uncharacteristically small-scale production for writer-director John Caird, who is more closely associated with such spectacles as Les misérables and Nicholas Nickleby. It's a 90-minute account, through words and music, of the personal and professional relationship between Robert Schumann and his wife, née Clara Wieck, devised in 2005 for the education division of the Royal Opera House, Covent Garden, and since then trotted out for various fundraising events with different performer rosters. This version was recorded before a silent audience in late 2007. Despite the number of artists on stage, it seems quite intimate; the actors are low-key, and the musicians, while rising to the passions of the music as necessary (particularly in the finale of Robert's Piano Trio No. 1, which closes the program), are direct and obviously under no pressure to play to a large hall. Although the proceedings are conveyed mainly through close-ups and two- and three-shots, the placement of the performers is interesting and deliberate. In the center, to the rear, on what looks almost like a throne, Sir Derek Jacobi offers bits of introduction and narrative context. Down front, at opposite sides of the stage, sit the actors portraying the Schumanns: pop star Sting, who has always struck me as more intelligent and subtle than he is generally given credit for, and Trudie Styler, best known in America as Mrs. Sting, but in England an accomplished actress with (like Jacobi) a Shakespearean background. Clustered near each of the two main actors is a trio of musicians, divided by gender. On Robert's side are a baritone and a male violinist and pianist; on Clara's, a soprano and a female cellist and pianist. The musicians do not remain segregated all the time; obviously, there's crossover in the trio movement, and both singers deliver Mozart's "Là ci darem la mano," which was important in the Schumanns' personal history. There's also an arrangement of "Träumerei" that manages to include all the instrumentalists. But for the most part, each historical figure is represented by his or her own group of musicians. As you might have guessed, the music comes in bits and pieces, mostly songs and instrumental miniatures (by both Robert and Clara), but for the most part each item is complete in itself and only occasionally, mainly in the beginning, do the actors talk over the music. The spoken lines are drawn from the Schumanns' letters; Caird has heavily edited them and mingled missives from various periods to create a coherent narrative. This overall approach will obviously not satisfy purists who seek an impartial documentary account of the Schumanns, nor music lovers who prefer to hear song cycles and chamber works in their entirety. But that's not the point of this project; it's an introduction to the general, intelligent, curious music lover of the personalities behind this music, and to Clara's essential role in Robert's life and career. If Sting and Styler, sometimes reading from scripts but often looking straight into the camera, don't fully convey the excitement of early love, they are very good at communicating the comfortable intimacy, affection, and mutual respect of an old married couple. Perhaps each is best when not speaking; they can communicate quite a lot in the cutaway shots of one watching the other deliver lines, or in listening to the musicians (who are also seen being quietly attentive during some of the spoken passages). The musical performances are quite good, even if Simon Keenlyside, like most baritones, finds Schumann's top notes taxing. Those requiring a more straightforward documentation of the Schumann situation may prefer the 35-minute documentary in which a curator from the Schumann House museum and archive speaks, in subtitled German, about their marriage and careers, repeating some material from the stage presentation but elaborating on other issues. There's also a surprisingly engaging series of chats with Caird, the performers, and musicologist Daniel Gallagher about the Schumanns and their music. Gallagher's contributions are especially good, even for non-specialists, and while the actors don't have much of substance to contribute, they do at least chime in with the occasional smart observation and perceptive question. The Blu-ray video quality is, as usual, superb, although there's nothing more technically challenging here than maintaining clarity on a rather dark stage. The aspect ratio is 16:9, and the audio options are limited to PCM 2.0 and 5.0. Subtitles are available for the songs and the German documentary. Old hands at this subject may feel that its treatment here is too superficial, but take this for what it is: an educational entertainment designed to introduce the Schumanns' music and cobiography to the uninitiated without insulting their intelligence. "Twin Spirits" surely succeeds on those grounds, most touchingly. -- Fanfare, James Reel, Mar-Apr 2010 Twin Spirits is a live theatrical performance that features narration, impersonation (in an epistolary manner), and chamber music centered on the lives and love of Robert and Clara Schumann. Evidently the work, created and directed by John Caird, toured in smaller venues before being presented at the Royal Opera House. It is indeed a unique experience, the letters of the Schumann's used as the basis for a story of their lives, dramatized here to excellent effect, and enhanced by their music. One can think of no more worthy subjects than these two hyper-romantic figures, celebrated in their day and long afterwards, with personal connections tying them into the fortunes and foibles of Brahms, Liszt, Mendelssohn, Joachim, and Chopin. Their love story is one that was well known even in their own day, and their passion for one another is marked only by the equal degree of tragedy and sorrow that graced their short time together. I will not dwell on aspects of that story here, as it is well known, and if unknown easily found in books and on the Web. Suffice it to say, the story begins with Robert's first studies with Clara Wieck's father (Robert was essentially self-taught), his aspirations as a pianist until he ruined his hands, his solicitation of love from Clara and desire to marry her (against her father's wishes), the frustration they experienced until they could get married, early bliss in their marital life and the success of each, Robert's seminal decline and mental instability, Clara's heartrending final years with Robert in an asylum, and her life after Robert's death. All of this seems like it might be too much for a stage production, but the letters have been carefully vetted in order to keep the action--such as it is--moving along. The story is given general guidelines by Derek Jacobi--superb as usual--and the parts of Robert and Clara taken by Sting and wife Trudie Styler. This might seem an odd choice at first, but Sting seems to have had a late-in-life classical-music conversion (remember his Dowland record?), and his performance as Robert is outstanding, as seasoned as from any actor I can imagine playing the part. Trudie Styler is equally affecting, and her moment of breakdown towards the end is truly distressing. But this is not a play at all--there is no dramatic movement or stage acting. Most of the time, Sting and Trudie are seated close to one another, and they often lean towards each other when speaking. Jacobi is seated pretty much center stage, and they all can be seen watching each other. Interspersed among the talkers are a series of musicians, an all-male group (baritone, violin, piano) on Robert's side, and a female group (soprano, cello, piano) on Clara's side. At different times in the "action," the music of one of the Schumanns is played by one of these groups, or a portion of each. For the most part, the performances are excellent, the singing of Simon Keenlyside being notable, along with the last selection, the Finale from the D-Minor Piano Trio, op. 63, a real barnburner and triumphant ending to an otherwise factual human misfortune that nonetheless had moments of supreme joy. But its protagonists were certainly as star-crossed as Romeo and Juliet ever were. If there is a downside, it would be the lack of more representative music on Robert's part. The very nature and intimacy of this production nixes the idea of large ensemble performances, but one feels like part of the emotional picture is missing without them. Some of the music has been doctored or altered, nothing egregious, but odd sounding to those who know it. This was probably unavoidable in order to make the music portion fuller while using only chamber pieces. The songs are what they are, and there are a few pieces pertinent to the Schumanns at certain times that are by other composers. The staging is wonderful, making it easy to follow what is happening; the sound is equally pleasing, LPCM stereo or DTS surround (my choice). The music however, is only secondary to the engrossing tale, and is chosen wisely to enhance the story where the words end. As bonuses, we get a substantial amount, the cast talks and the documentary being of more than casual interest. I enjoyed this thoroughly, and I can't imagine any music lover who wouldn't. -- Fanfare, Steven E. Ritter, Jan/Feb 2010 Top About this item Similar From the Brand Reviews Twin Spirits: Sting performs Schumann [Blu-ray]

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The Terror: Infamy, chronicles a series of bizarre deaths that haunt a Japanese American community.

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Alcoholic Calvin cons his way into a job tending the grounds of a hillside mansion owned by the reclusive Jack. On the night Calvin stumbles into a bathroom to see Jack with a gun to his head, an unlikely friendship is born.

Release: July 30, 2024

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Ashley Judd (Kiss the Girls, Double Jeopardy) is sensual and stunning as Jessica Shepard, a San Francisco police inspector prowling the wharf for a serial killer whose victims all have one thing in common: her. The investigation becomes more and more twisted as her partner (Andy Garcia, Internal Affairs) behaves strangely, and the police commissioner (Samuel L. Jackson, Changing Lanes) is being asked to remove her from the investigation as she is a prime suspect. All the clues point to her and Jessica begins to suspect that she might be the killer she is looking for. Directed by the great Philip Kaufman (The Wanderers, Invasion of the Body Snatchers, The Right Stuff) and simmering with nail-biting suspense, Twisted is a provocative, pulse-pounding psychological thriller that will keep you guessing to the very end. Featuring David Strathairn, Leland Orser, Titus Welliver, Russell Wong, Camryn Manheim, Mark Pellegrino, D.W. Moffett and Richard T. Jones. Special Features: • Brand New HD Master – From a 4K Scan of the Original Camera Negative • Audio Commentary by Director Phillip Kaufman • Creating a 'Twisted' Web of Intrigue: Featurette (11:00) • The Investigators - Clues of Crime: Featurette (10:02) • San Francisco - Scene of the Crime: Featurette (6:57) • Cutting Room Floor: Deleted Scenes with Optional Commentary (16:37) • Theatrical Trailer • 5.1 Surround and Lossless 2.0 Stereo • Optional English Subtitles

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Actors: Philip Seymour Hoffman, Helen Hunt, Bill Paxton, Cary Elwes, Jami Gertz Directors: Jan De Bont Writers: Michael Crichton, Anne-marie Martin Producers: Steven Spielberg, Laurie Mac Donald, Gerald R. Molen, Walter F. Parkes, Kathleen Kennedy Format: Blu-ray, Closed-captioned, Color, NTSC, Original recording remastered, Special Edition, Subtitled, Widescreen Language: English Subtitles: English, French Region: Region A/1 (Read more about DVD/Blu-ray formats.) Aspect Ratio: 2.35:1 Number of discs: 1 Rated: PG-13 (Parental Guidance Suggested) Studio: Warner Home Video DVD Release Date: May 6, 2008 Run Time: 113 minutes Average Customer Review: 4.2 out of 5 stars See all reviews (630

Release: July 9, 2024

$7.99

Description

A mile-wide, 300 miles-per-hour force of total devastation is coming at you! In this adventure swirling with cliffhanging excitement and awesome special effects, Helen Hunt and Bill Paxton play scientists pursuing the most destructive weather front to sweep through mid-Americas Tornado Alley in 50 years. By launching electronic sensors into the funnel, the storm chasers hope to obtain data to create an improved warning system. But to do so, they must intercept the twisters deadly path. The chase is on!

Release: October 22, 2024

$6.99

Description

Twisters brings back the blockbuster disaster epic with a whirlwind of heart-stopping action and exhilarating thrills. Ever since a devastating tornado encounter, Kate (Daisy Edgar-Jones) gave up chasing storms across the Oklahoma prairie to safely study them on screens in New York City. Lured back to the field by her friend Javi (Anthony Ramos) and a once-in-a-lifetime scientific opportunity, Kate crosses paths with Tyler (Glen Powell), a charming daredevil and self-proclaimed tornado wrangler whose thirst for tornado-tracking adventures made him a social media sensation. As storm season intensifies with terrifying phenomena unlike anything seen before, Kate and Tyler realize they may need to work together if they are to have any chance of taming, and surviving, an unprecedented outbreak of destructive tornados. Bonus Content: Includes a digital copy of Twisters (Subject to expiration. Go to NBCUCodes.com for details.) Deleted Scenes Gag Reel Tracking the Fronts: The Path of Twisters Into the Eye of the Storm Glen Powell: All Access Front Seat to a Chase Voice of a Villain Tricked-Out Trucks Feature Commentary with Director Lee Isaac Chung Top About this item Similar From the Brand Reviews Twisters - Collector's Edition Blu-ray + Digital

Release: October 22, 2024

$7.99

Description

Twisters brings back the blockbuster disaster epic with a whirlwind of heart-stopping action and exhilarating thrills. Ever since a devastating tornado encounter, Kate (Daisy Edgar-Jones) gave up chasing storms across the Oklahoma prairie to safely study them on screens in New York City. Lured back to the field by her friend Javi (Anthony Ramos) and a once-in-a-lifetime scientific opportunity, Kate crosses paths with Tyler (Glen Powell), a charming daredevil and self-proclaimed tornado wrangler whose thirst for tornado-tracking adventures made him a social media sensation. As storm season intensifies with terrifying phenomena unlike anything seen before, Kate and Tyler realize they may need to work together if they are to have any chance of taming, and surviving, an unprecedented outbreak of destructive tornados. Bonus Content: Includes 4K UHD, Blu-ray and a digital copy of Twisters (Subject to expiration. Go to NBCUCodes.com for details.) Features Dolby Vision and HDR10 for Brighter, Deeper, More Lifelike Color Deleted Scenes Gag Reel Tracking the Fronts: The Path of Twisters Into the Eye of the Storm Glen Powell: All Access Front Seat to a Chase Voice of a Villain Tricked-Out Trucks Feature Commentary with Director Lee Isaac Chung

Release: February 2, 2021

$6.99

Description

Yakuza bosses are supposed to be tough, ruthless, and treat their men like cogs in a callous criminal machine. When former cop and ex-con Doumeki accepts his latest bodyguard assignment, however, he realizes that there's something different about his new boss, Yashiro. Because while Yashiro may seem as emotionally distant as his counterparts, he's also a closet masochist who enjoys receiving pain as much as his job involves bringing it. Yashiro's feelings for at least a few of his men also extends far beyond what's normally extended to other members of the same crime family... a group that now includes Doumeki. Of course, Doumeki's got his own issues, Doumeki. Of course, Doumeki's got his own issues, and nobody can beat an ex cop when it comes to putting the lockdown on a relationship. Except, possibly, a true King of Pain in TWITTERING BIRDS NEVER FLY THE CLOUDS GATHER.

Release: November 11, 2025

$6.99

Description

The long-running sitcom follows the chaotic Harper household through marriages, breakups, schemes and endless wisecracks.

Release: November 11, 2025

$6.99

Description

The long-running sitcom follows the chaotic Harper household through marriages, breakups, schemes and endless wisecracks.

Release: November 11, 2025

$6.99

Description

The long-running sitcom follows the chaotic Harper household through marriages, breakups, schemes and endless wisecracks.

Release: November 11, 2025

$6.99

Description

The long-running sitcom follows the chaotic Harper household through marriages, breakups, schemes and endless wisecracks.

Release: November 11, 2025

$6.99

Description

The long-running sitcom follows the chaotic Harper household through marriages, breakups, schemes and endless wisecracks.

Release: August 16, 2011

$6.99

Description

The writer of How to Be a Player turns a hilariously candid eye toward the complex and comical issues of dating, relationships and the ongoing battle between the sexes; featuring a happening and sexy cast including Vivica A. Fox (Independence Day, Booty Call), Morris Chestnut (The Brothers, The Best Man), Anthony Anderson (Big Momma's House, Exit Wounds) and Gabrielle Union (The Brothers, Bring It On, Love and Basketball). Shante Smith (Fox) is a beautiful advertising executive who seems to have her life– and her man– completely under control. Her relationship with Keith (Chestnut), a handsome lawyer, is the envy of her friends, until one night when the girls stumble upon Keith at a nightclub with another woman. Now, Shante is forced to launch her Ten-Day Plan to get her man back in line, save face with her friends and climb back on top of her strained relationship.

Release: December 19, 2023

$6.99

Description

Another 12 classic martial arts films highlight this explosive box set comprised from the famous Shaw Brothers' library and featuring some of their greatest stars including The Five Deadly Venom's stars Phillip Kwok, Sun Chien, Lu Feng, Chiang Sheng, and Lo Meng and A Better Tomorrow's Derek Yee and Ti Lung. Many of these visually spectacular films are debuting for the first time on Blu-ray. Heroes meet villains in edge-of-your-seat duels in this exciting array of some of Shaw Brothers' best! The Rebel Intruders: The "Venoms" are back in action again! After creating an international sensation in The Five Venoms, Taiwanese Opera artists Phillip Kwok, Chiang Sheng and Lu Feng reteamed with Chinese muscleman Lo Meng and super-kicker Sun Chien for this politically charged thriller. Set in the early Republican years, The Rebel Intruders follows skilled refugees who run afoul of a powerful traitor. From then on, it's one amazing battle after another! Two Champions Of Shaolin: Legendary director Chang Cheh hit upon a winning formula by teaming three Taiwanese stars with a Korean kicker and a Chinese strongman in a super heroic series of kung fu-filled adventures—starting with the international cult favorite, The Five Venoms. This particular action-packed tale of Shaolin vs. Wu Tang fighters is special in that the fifth "Venom" worked behind the scenes while the other four strut their stuff all the more intently because of it. Legend Of The Fox: Revered director Chang Cheh co-wrote this showcase for a new discovery. Bloody thrills and superlative fight scenes buoy his exciting tale of revenge, which was choreographed by and features cameos from the director's three most popular "Venoms": Kuo Chue, Chiang Sheng, and Lu Feng. Already famous for starring in more than a dozen films, here they lend their extensive expertise to Chien Hsiao-hou, who went on to star in such classics as Mr. Vampire and Fist Of Legend. Black Lizard: Director Chor Yuen is famous for introducing elements of murder mysteries, detective tales, and emotional melodrama into kung fu films. This is one of those skilled thrillers, wherein he uses two editors and three martial arts choreographers to tell a tale of kidnapping, murder, frame-ups, and even being buried alive. The kung fu takes on a macabre, horrific flair in this stunning story of swordsmen and women struggling to save their true loves…and their sanity. House Of Traps: It started with The Five Venoms, the internationally loved kung fu thriller. It continues through more than a dozen bloody good films featuring the same actors in different roles. House Of Traps is considered the last official "Venoms" movie, but what a film it is. There's one plasma-spurting attack after another as heroes and rogues alike try to solve the secrets of a hell house. The core Venoms themselves choreograph the gory fun in this fond farewell to their worldwide film series sensation. Masked Avengers: The godfather of the kung fu film, Chang Cheh, star

Release: August 25, 2015

$7.99

Description

Oscar winner Marion Cotillard (La Vie En Rose) received another nomination for her searing, deeply felt performance as a working-class woman desperate to hold on to her factory job, in this gripping film from master Belgian directors Jean-Pierre and Luc Dardenne (The Kid with a Bike). Cotillard is Sandra, a wife and mother who suffers from depression and discovers that, while she was home on sick leave, a majority of her coworkers voted in favor of her being fired rather than give up their annual bonuses. She then spends a Saturday and Sunday visiting them each in turn, to try to convince them to change their minds. From this simple premise, the Dardennes render a powerful, humanist drama about the importance of community in an increasingly impersonal world.

Release: November 9, 2010

$7.99

Description

From award-winning Director Jeff Zimbalist (Favela Rising)1 & Michael Zimbalist comes a "gripping human drama" (Huffington Post) about the intersection of crime, sports and nationalism in 1990's Columbia. At a time when drug money fueled the sport known in the underworld as "narco-soccer", the fates of Andres Escobar, the inspirational captain of Nacional, and Pablo Escober, the notorious leader of the Medellfn cartel, were permanently linked. When Andres was murdered 10 days after scoring an own goal against the US in the first round of the 1994 World Cup, it cost the country more than a shot at the title. Complete with never-before-seen video from the personal archives of Pablo's relatives and new interviews with Andres' teammates and family, the Two Escobars is a "complex and ambitious" (NY Times) thriller.

Release: August 24, 2021

$6.99

Description

Product Description A Double Dose of Terror from the Directors of DAWN OF THE DEAD and SUSPIRIA The Masters of Modern Horror - George Romero and Dario Argento - bring you an unprecedented pair of shockers inspired by the tales of Edgar Allan Poe. In Romero's The Facts In The Case Of Mr. Valdemar, a conniving wife (Adrienne Barbeau of THE FOG) and her lover use a hypnotic trance to embezzle a fortune from her dying husband, only to receive some chilling surprises from beyond the grave. Then in Argento's The Black Cat, a deranged crime scene photographer (Harvey Keitel of FROM DUSK TILL DAWN) is driven to brutal acts of madness and murder by his girlfriend's new pet. But will this cunning feline deliver a final sickening twist of its own? Martin Balsam (PSYCHO), E.G. Marshall (CREEPSHOW), John Amos (THE BEASTMASTER) and Tom Atkins (NIGHT OF THE CREEPS) co-star in this wild horror hit that also features grisly makeup effects by Tom Savini (MANIAC). Blue Underground's acclaimed restoration of TWO EVIL EYES, scanned in 4K 16-bit from the original camera negative, is now presented with Dolby Vision HDR and a new Dolby Atmos audio mix, packed with hours of Extras! SPECIAL FEATURES: Critically acclaimed restoration NOW IN TRUE 4K ULTRA HIGH DEFINITION with DOLBY VISION HDR and a new DOLBY ATMOS audio mix Ultra HD Blu-ray (2160p) Widescreen 1.85:1 Feature Presentation and Bonus Extras Blu-ray Audio: English: Dolby Atmos; English: 2.0 DTS-HD; French: 1.0 DTS-HD Subtitles: English SDH, French, Spanish Audio Commentary with Troy Howarth, Author of Murder By Design: The Unsane Cinema of Dario Argento Theatrical Trailer Poster & Still Gallery Two Masters’ Eyes - Interviews with Directors Dario Argento & George Romero, Special Make-Up Effects Supervisor Tom Savini, Executive Producer Claudio Argento, and Asia Argento Savini’s EFX - A Behind-the-Scenes look at the film’s Special Make-Up Effects At Home With Tom Savini - A personal tour of Tom Savini’s home Adrienne Barbeau on George Romero Before I Wake - Interview with Star Ramy Zada Behind The Wall - Interview with Star Madeleine Potter One Maestro And Two Masters - Interview with Composter Pino Donaggio Rewriting Poe - Interview with Co-Writer Franco Ferrini The Cat Who Wouldn’t Die - Interview with Assistant Director Luigi Cozzi Two Evil Brothers – Interview with Special Make-Up Assistant Everett Burrell Working With George – Interview with Costume Designer Barbara Anderson BONUS! Limited Edition embossed slipcover featuring artwork by legendary artist Enzo Sciotti (First Pressing Only) REGION FREE Special Features May Not Be Rated, Closed Captioned Or In High Definition. Review Solid shocks! --The New York Daily News Absolutely Not For The Squeamish Romero And Argento Fans Are Not Likely To Be Disappointed By These Tales Of The Supernatural! --The Los Angeles Times TWO EVIL EYES Is Deserving Of A Spot On The Shelf Of Any Romero Or Argento Enthusiast! --DVD Talk

Release: August 24, 2021

$8.99(Not Free for Subscribers)

Description

Product Description A Double Dose of Terror from the Directors of DAWN OF THE DEAD and SUSPIRIA The Masters of Modern Horror - George Romero and Dario Argento - bring you an unprecedented pair of shockers inspired by the tales of Edgar Allan Poe. In Romero's The Facts In The Case Of Mr. Valdemar, a conniving wife (Adrienne Barbeau of THE FOG) and her lover use a hypnotic trance to embezzle a fortune from her dying husband, only to receive some chilling surprises from beyond the grave. Then in Argento's The Black Cat, a deranged crime scene photographer (Harvey Keitel of FROM DUSK TILL DAWN) is driven to brutal acts of madness and murder by his girlfriend's new pet. But will this cunning feline deliver a final sickening twist of its own? Martin Balsam (PSYCHO), E.G. Marshall (CREEPSHOW), John Amos (THE BEASTMASTER) and Tom Atkins (NIGHT OF THE CREEPS) co-star in this wild horror hit that also features grisly makeup effects by Tom Savini (MANIAC). Blue Underground's acclaimed restoration of TWO EVIL EYES, scanned in 4K 16-bit from the original camera negative, is now presented with Dolby Vision HDR and a new Dolby Atmos audio mix, packed with hours of Extras! SPECIAL FEATURES: Critically acclaimed restoration NOW IN TRUE 4K ULTRA HIGH DEFINITION with DOLBY VISION HDR and a new DOLBY ATMOS audio mix Ultra HD Blu-ray (2160p) Widescreen 1.85:1 Feature Presentation and Bonus Extras Blu-ray Audio: English: Dolby Atmos; English: 2.0 DTS-HD; French: 1.0 DTS-HD Subtitles: English SDH, French, Spanish Audio Commentary with Troy Howarth, Author of Murder By Design: The Unsane Cinema of Dario Argento Theatrical Trailer Poster & Still Gallery Two Masters’ Eyes - Interviews with Directors Dario Argento & George Romero, Special Make-Up Effects Supervisor Tom Savini, Executive Producer Claudio Argento, and Asia Argento Savini’s EFX - A Behind-the-Scenes look at the film’s Special Make-Up Effects At Home With Tom Savini - A personal tour of Tom Savini’s home Adrienne Barbeau on George Romero Before I Wake - Interview with Star Ramy Zada Behind The Wall - Interview with Star Madeleine Potter One Maestro And Two Masters - Interview with Composter Pino Donaggio Rewriting Poe - Interview with Co-Writer Franco Ferrini The Cat Who Wouldn’t Die - Interview with Assistant Director Luigi Cozzi Two Evil Brothers – Interview with Special Make-Up Assistant Everett Burrell Working With George – Interview with Costume Designer Barbara Anderson BONUS! Limited Edition embossed slipcover featuring artwork by legendary artist Enzo Sciotti (First Pressing Only) REGION FREE Special Features May Not Be Rated, Closed Captioned Or In High Definition. Review Solid shocks! --The New York Daily News Absolutely Not For The Squeamish Romero And Argento Fans Are Not Likely To Be Disappointed By These Tales Of The Supernatural! --The Los Angeles Times TWO EVIL EYES Is Deserving Of A Spot On The Shelf Of Any Romero Or Argento Enthusiast! --DVD Talk

Release: June 30, 2014

$6.99

Description

Hugh Laurie wields a cane, a brusque bedside manner and a brilliant diagnostic mind as Dr. Gregory House, an acerbic expert in infectious diseases who leads a crack team of physicians as they tackle the most baffling of cases at a New Jersey teaching hospital. Hit 2004-2012 Fox medical drama co-stars Lisa Edelstein, Omar Epps, Robert Sean Leonard, Jesse Spencer, Jennifer Morrison, Peter Jacobson.176 episodes on 39 discs. 128 3/4 hrs. Widescreen (Enhanced); Soundtracks: English, French, German, Japanese, Portuguese, Spanish; Subtitles: French, Dutch, German, Japanese, Portuguese, Spanish.

$6.99

Description

Al Pacino and Matthew McConaughey star in this adrenaline-charged thriller about the sexy, high-stakes world of sports betting, where fortunes can be made or lost with a flip of a coin. When Brandon Lang (McConaughey) is tapped to be the protégé of sports gambling's power player, Walter Abrams (Pacino), he swiftly becomes the golden boy of the high rollers for consistently picking football winners. Now, with millions on the line, Brandon finds himself in a deadly game of con-versus-con with his mentor. Also starring Rene Russo, Armand Assante, and Jeremy Piven, Two For The Money sizzles with intense, non-stop thrills! Bonus Content: Audio Commentary with Director D.J. Caruso and Screenwriter Dan Gilroy The Making of Two For the Money Insider Interview: The Real Brandon Deleted Scenes with Optional Audio Commentary with D.J. Caruso or Dan Gilroy Theatrical Trailer TV Spots

Release: October 31, 2005

$7.99

Description

On their third identical voyage from London to the Riviera, Joanna Wallace (Audrey Hepburn) and husband Mark (Albert Finney) explore their 12-year marriage in a series of wry and illuminating flashbacks. They reminisce about the glorious beginning of their love affair, the early years of marriage and the events that led to their subsequent infidelities. As they try to understand their relationship, they must accept how they have changed if they are to rekindle their original love.

Release: June 7, 2016

$6.99

Description

Product Description Swedish master Ingmar Bergman penned this loving tribute to his parent's epic romance. In 1909, poor, idealistic theology student Henrik Bergman falls in love with Anna Åkerbloom, the intelligent, educated daughter of a rich family in Uppsala. After their wedding Henrik becomes a priest in the north of Sweden. Urbane Anna can't stand living in the rural county and grows increasingly restless. She returns to Uppsala and the couple's love and commitment are put to the test. Review WINNER - Palme d'Or - Cannes Film Festival WINNER - Best Actress - Cannes Film Festival WINNER - Best Screenplay - Guldbagge Awards WINNER - Best Actress - Guldbagge Awards WINNER - Best Actress - National Society of Film Critics Awards WINNER - Best Foreign Language Film - National Society of Film Critics Awards - --- Mr. Bergman's straightforward screenplay is a reminder of how much of what he has expressed as a director goes beyond words. --Janet Maslin, The New York Times In her role, [Pernilla] August displays an emotional range that is Himalayan. Appealing as she is accomplished, the actress charms the audience as easily as Anna seduces Henrik. --Rita Kempley, The Washington Post

Release: September 27, 2022

$7.99

Description

Established by Martin Scorsese in 2007, The Film Foundation’s World Cinema Project has maintained a fierce commitment to preserving and presenting masterpieces from around the globe, with a growing roster of dozens of restorations that have introduced moviegoers to often overlooked areas of cinema history. This collector’s set gathers six important works, from Angola (Sambizanga), Argentina (Prisioneros de la tierra), Iran (Chess of the Wind), Cameroon (Muna moto), Hungary (Two Girls on the Street), and India (Kalpana). Each title is an essential contribution to the art form and a window onto a filmmaking tradition that international audiences previously had limited opportunities to experience. DUAL-FORMAT BLU-RAY AND DVD SPECIAL EDITION FEATURES New 4K digital restorations of Sambizanga, Prisioneros de la tierra, Chess of the Wind, and Muna moto, and 2K digital restorations of Two Girls on the Street and Kalpana, all overseen by The Film Foundation’s World Cinema Project in collaboration with the Cineteca di Bologna, with uncompressed monaural soundtracks on the Blu-rays New introductions to the films by World Cinema Project founder Martin Scorsese New and archival interviews featuring Indian film historian Suresh Chabria and filmmaker Kumar Shahani (on Kalpana); Argentine film historians Paula Félix-Didier and Andrés Levinson (on Prisioneros de la tierra); Two Girls on the Street director André de Toth; and Sambizanga director Sarah Maldoror and Annouchka de Andrade, Maldoror’s daughter New program by filmmaker Mohamed Challouf featuring interviews with Muna moto director Dikongué-Pipa and African film historian Férid Boughedir The Majnoun and the Wind (2022), a documentary by Gita Aslani Shahrestani, daughter of Chess of the Wind director Mohammad Reza Aslani, featuring Aslani, members of the film’s cast and crew, and others New and updated English subtitle translations PLUS: A foreword and essays on the films by critics and scholars Yasmina Price, Matthew Karush, Ehsan Khoshbakht, Aboubakar Sanogo, Chris Fujiwara, and Shai Heredia SAMBIZANGA A bombshell by the first woman to direct a film in Africa, Sarah Maldoror’s chronicle of the awakening of Angola’s independence movement is a stirring hymn to those who risk everything in the fight for freedom. Based on a true story, Sambizanga follows a young woman (Elisa Andrade) as she makes her way from the outskirts of Luanda toward the city’s center looking for her husband (Domingos Oliveira) after his arrest by the Portuguese authorities—an incident that ultimately helps to ignite an uprising. Scored by the language of revolution and the spiritual songs of the colonized Angolan people, and featuring a cast of nonprofessional actors—many of whom were themselves involved in anticolonial resistance—this landmark work of political cinema honors the essential roles of women, as well as the hardships they endure, in the global struggle for liberation. PRISIONEROS DE LA TIERRA The most acclaimed film by one of classic Argentine cinema’s foremost directors, Mario Soffici’s gut-punching work of social realism, shot on location in the dense, sweltering jungle of the Misiones region, simmers with rage against the oppression of workers. A group of desperate men are conscripted into indentured labor on a treacherous, disease-ridden yerba maté plantation under the control of the brutal foreman Köhner (Francisco Petrone)—a situation that boils over in an explosive act of rebellion led by the defiant Podeley (Ángel Magaña), and made all the more tense by the fact that Köhner and Podeley love the same woman: Andrea (Elisa Galvé), the sweet-spirited daughter of the camp’s doctor. The expressionistic, shadow-sculpted cinematography of Pablo Tabernero evokes the feverish dread of a place where suffocating heat, economic exploitation, and unremitting cruelty lead inexorably to madness and violence. CHESS OF THE WIND Lost for decades after screening at the 1976 Tehran International Film Festival, this rediscovered jewel of Iranian cinema reemerges to take its place as one of the most singular and astonishing works of the country’s prerevolutionary New Wave. A hypnotically stylized murder mystery awash in shivery period atmosphere, Chess of the Wind unfolds inside an ornate, candlelit mansion where a web of greed, violence, and betrayal ensnares the potential heirs to a family fortune as they vie for control of their recently deceased matriarch’s estate. Melding the influences of European modernism, gothic horror, and classical Persian art, director Mohammad Reza Aslani crafts an exquisitely restrained mood piece that erupts into a subversive final act in which class conventions, gender roles, and even time itself are upended with shocking ferocity. MUNA MOTO Director Dikongué-Pipa forged a new African cinematic language with Muna moto, a delicate love story with profound emotional resonance. In a close-knit village in Cameroon, the rigid customs governing courtship and marriage mean that a deeply in love betrothed couple (David Endéné and Arlette Din Belle) can be torn apart by the lack of a dowry and by another man’s claiming of the young woman as his own wife—a rupture that sets the stage for a clash between a patriarchal society and a modern generation’s determination to chart its own course. Luminous black-and-white cinematography and stylistic flourishes yield images of haunting power in this potent depiction, told via flashback, of the challenges of postcolonialism and the devastating consequences of a community’s refusal to deviate from tradition. TWO GIRLS ON THE STREET The maverick Hollywood stylist André de Toth sharpened his craft in his native Hungary, where he directed five films, including this chic, dynamically paced melodrama studded with deco decor and jazzy musical interludes. Mária Tasnádi Fekete and Bella Bordy sparkle as upwardly mobile working women—one a musician in an all-girl band, the other a bricklayer—who join forces as they both try to make it in Budapest, supporting each other through changing economic fortunes, the advances of lecherous men, and the highs and heartbreaks of love. Kinetic camera work, brisk editing, and avant-garde imagery abound in Two Girls on the Street, an often strikingly modern ode to the power of working-class female solidarity. KALPANA A riot of ecstatic imagery, performance, and set design, the only film by the visionary dancer and choreographer Uday Shankar is a revolutionary celebration of Indian dance in its myriad varieties and a utopian vision of cultural renewal. Unfolding as an epic film within a film, Kalpana tells the story of an ambitious dancer (Shankar) determined to open a cultural center devoted to breathing new life into India’s traditional artistic forms; meanwhile, the obvious adoration between him and his lead dancer (Shankar’s wife and collaborator, Amala Uday Shankar) arouses the jealousy of his enterprising companion (Lakshmi Kanta). Swirling surrealist dance spectacles—featuring dance masters and young performers, many of whom would become stars in their own right—are interwoven with anticolonial, anticapitalist commentary for a radical, proto-Bollywood milestone that is one of the most influential works in Indian cinema.

Release: June 18, 2024

$6.99

Description

Landmark movie in the film noir tradition, Roman Polanski's Chinatown stands as a true screen classic. Jack Nicholson is private eye Jake Gittes, living off the murky moral climate of sunbaked, pre-war Southern California. Hired by a beautiful socialite (Faye Dunaway) to investigate her husband's extra-marital affair, Gittes is swept into a maelstrom of double dealings and deadly deceits, uncovering a web of personal and political scandals that come crashing together for one, unforgettable night in...Chinatown. Co-starring film legend John Huston and featuring an Academy Award®-winning script by Robert Towne, Chinatown captures a lost era in a masterfully woven movie that remains a timeless gem.

Release: September 2, 2025

$7.99

Description

Jack Nicholson returns as private eye Jake Gittes in the long-awaited sequel to "Chinatown." Set in 1948 Los Angeles, this riveting mystery has Gittes investigating a case of adultery and murder, only to find a web of land fraud, scheming oil barons, and a mysterious link to the past. Harvey Keitel, Meg Tilly, Reuben Blades co-star; directed by Nicholson and written by "Chinatown" scripter Robert Towne. 137 min. Widescreen (Enhanced); Soundtrack: English; Subtitles: English. Two-disc set.

Release: September 17, 2013

$7.99

Description

A French UN delegate has disappeared into thin air, sending reporter Moreau (Jean-Pierre Melville) and hard drinking photographer Delmas (Pierre Grasset) on an assignment to find him. Their only lead is a picture of three women. Set against a smoky jazz score and featuring stunning black and white cinematography that beautifully captures the gritty streets at night, this is director Melville s love letter to New York City and homage to the American Film Noir.

Release: November 29, 2016

$6.99

Description

Disney presents a Roald Dahl classic directed by Steven Spielberg. In an imaginative tale filled with magic, wonder and unexpected friendship, a young girl is launched on an enormous adventure when she crosses paths with a mysterious being called the Big Friendly Giant.

Release: May 12, 2015

$7.99

Description

After a troubled youth and 18 years in prison, William Garnett (Forest Whitaker) is being released. With the help of an idealistic parole agent (Brenda Blethyn) and his newfound Islamic faith, Garnett struggles to rebuild his life and overcome the violent impulses which possess him. However, Bill Agati (Harvey Keitel), the Sheriff of the small New Mexico border county where Garnett is released, has other ideas. Convinced that Garnett is unredeemable and is a threat to the security of his county, Agati launches a campaign to return Garnett to prison for life.

Release: November 19, 2024

$7.99

Description

From Don Siegel, the legendary director of Invasion of the Body Snatchers, Coogan's Bluff, Dirty Harry, Charley Varrick, The Shootist and Escape from Alcatraz, comes this classic western starring screen legends Clint Eastwood (The Good, the Bad and the Ugly, High Plains Drifter) and Shirley MacLaine (Sweet Charity, Irma La Douce). Eastwood is a hard-hitting drifter who rides into town and single-handedly rescues a local nun (MacLaine) from a gang of bandits. After meeting a band of Mexican revolutionaries bent on resisting the French occupation of Mexico, the cowboy and Sister Sara decide to join forces with the freedom fighters and set off on a deadly mission to capture the enemy's garrison. But along the way, a steamy romance develops between them when the soft-spoken hero discovers the nun is not what she seems. Ending with a violent climax at the well-protected fort, this action-packed western classic cemented Eastwood's status as a true cinematic superstar. Featuring a masterful score by the great Ennio Morricone (A Fistful of Dollars).

Release: April 26, 2011

$6.99

Description

In one of his first-ever roles, a young Jack Nicholson stars as Lt. Andre Duvalier, a soldier in Napoleon's army in 19th century France, separated from his regiment. He awakens on a beach to the sight of a strange woman who leads him to the gothic, towering castle that serves as home to eerie Baron Von Leppe (Boris Karloff). But, as Duvalier soon discovers, nothing is what it seems in this ghastly, haunted mansion of death! This underground favorite was made in classic Roger Cormanfashion, making the most of his resources to bring yet another film to life on a minimal budget for his producers at American International Pictures. Short on time himself (there were more movies to be made!), Corman left it to a few of the aspiring directors within his crew (among them, Jack Hill, a young Francis Coppola, and even Jack Nicholson taking a turn behind the camera for a few scenes) to help see the film to completion. The Terror would go on to become a drive-in favorite and late-night TV staple, also appearing under the titles the Terror, Lady of the Shadows and the Castle of Terror.

Release: January 6, 2015

$6.99

Description

A disastrous online hookup turns into an unexpected emotional connection when a blizzard traps two mismatched strangers together for one very long night.

Release: May 29, 2018

$7.99

Description

A comically bittersweet coming of age story, Claude Berri’s THE TWO OF US is also a poignant drama of identity and heritage. When an 8-year-old Jewish boy (Alain Cohen) living in Nazi-occupied France is sent by his parents to live in the country with the Catholic parents of their friends, he is faced with a culture clash both religious and generational. As the grandfatherly Pepe, beloved character actor Michel Simon infuses the role with a gruff tenderness, his growing relationship with the boy a touching portrayal of connection in a broken world. Cohen Film Collection is proud to present a gorgeous new 4K restoration of this world cinema classic.

Release: September 15, 2026

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Release: November 29, 2016

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Disney presents a Roald Dahl classic directed by Steven Spielberg. In an imaginative tale filled with magic, wonder and unexpected friendship, a young girl is launched on an enormous adventure when she crosses paths with a mysterious being called the Big Friendly Giant.

$6.99

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A brilliant lawyer quits working for her charming but impossible billionaire boss, only to find their bond is harder to break than expected.

Release: December 15, 2020

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The third ring offers a whimsical glimpse into the future -- or at least a future from the POV of the mid-20th century -- with a plethora of zany postwar inventions. While none of the cartoons "of tomorrow" foresaw smartphones or DVD players, these far-fetched contraptions, gadgets, houses and farms, televisions, and various modes of transportation could only come from the madcap mind of Avery and his M-G-M crew. Uncut, restored and remastered in High Definition for the first time, Tex Avery Screwball Classics Collection Volume 2 is another must-own collection from the master of hand-drawn mayhem. -- JERRY BECK, Animation Historian

Release: June 28, 2016

$6.99

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In just two terrifying minutes the lives of 91,000 people were changed forever. A nightmare of fear and panic unfolds in this chilling tale of a lone gunman who sets his sights on a sell-out crowd at a championship football game. Charlton Heston is the police captain who leads the desperate fight to stop the madman (high atop the Los Angeles Memorial Coliseum) before he sets off widespread devastation in the jam-packed stadium. John Cassavetes and Martin Balsam are among those risking their lives to thwart the sniper’s attempts, while innocent spectators Gena Rowlands, Jack Klugman, Beau Bridges, Walter Pidgeon, David Janssen and thousands of others try to hide from the fatal gun sites and avoid the deadly ensuing stampede. Special Features Include: -Interview with Director Larry Peerce (25 minutes) -Network Television Broadcast Version (Standard Definition – 141 minutes) -Still Gallery -Radio Spots -Theatrical Trailer

Release: January 30, 2018

$6.99

Description

Madea and the gang are back for this hilarious sequel. Madea, Bam and Hattie venture to a haunted campground and the group must literally run for their lives when monsters, goblins and the bogeyman are unleashed.

Release: January 31, 2017

$6.99

Description

Madea winds up in the middle of mayhem when she spends a hilarious, haunted Halloween fending off killers, paranormal poltergeists, ghosts, ghouls, and zombies while keeping a watchful eye on a group of misbehaving teens.

Release: June 4, 2024

$6.99

Description

Winner of the Grand Prix at the first Tokyo International Film Festival in 1985, Typhoon Club is widely regarded as the seminal film of director Shinji Somai's career. A work of raw, elemental power, it follows an ensemble of junior high students in a provincial town, beset by a summer-y malaise as a typhoon looms. When the storm makes landfall, the teens find themselves holed up in their school unsupervised, while another classmate (Yuki Kudo) disappears alone on a harrowing trek to the big city. Set adrift in a world suddenly unmoored, the students let loose their pent-up angst and burgeoning passions in a series of propulsive, phantasmic scenes-part apocalypse, part utopia-as the deluge rages on into the night. Observed in daring long takes, director Somai gives material form to the students' turbulent inner lives. When day breaks and the rains let up, the youngsters open their eyes to a world in ruins-or a world renewed. The 10th best Japanese film of all time, according to Japan's Kinema Junpo poll. Top About this item Similar From the Brand Reviews Typhoon Club (4K ULTRA HD + Blu-ray) [4K UHD]

Release: June 4, 2024

$7.99

Description

Winner of the Grand Prix at the first Tokyo International Film Festival in 1985, Typhoon Club is widely regarded as the seminal film of director Shinji Somai's career. A work of raw, elemental power, it follows an ensemble of junior high students in a provincial town, beset by a summer-y malaise as a typhoon looms. When the storm makes landfall, the teens find themselves holed up in their school unsupervised, while another classmate (Yuki Kudo) disappears alone on a harrowing trek to the big city. Set adrift in a world suddenly unmoored, the students let loose their pent-up angst and burgeoning passions in a series of propulsive, phantasmic scenes-part apocalypse, part utopia-as the deluge rages on into the night. Observed in daring long takes, director Somai gives material form to the students' turbulent inner lives. When day breaks and the rains let up, the youngsters open their eyes to a world in ruins-or a world renewed. The 10th best Japanese film of all time, according to Japan's Kinema Junpo poll. Top About this item Similar From the Brand Reviews Typhoon Club (4K ULTRA HD + Blu-ray) [4K UHD]

Release: March 12, 2019

$6.99

Description

Tyler (Jason Mitchell, Straight Outta Compton) joins his friend on a trip to the mountains for a weekend birthday party with several people he doesn’t know. As soon as they get there, it’s clear that he’s the only black guest, or minority for that matter, and it’s going to be a weekend of heavy drinking. Although Tyler is welcomed, he can’t help but feel uneasy around a close-knit group of white guys. The combination of all the testosterone and alcohol starts to get out of hand, and a precarious situation starts to feel like a nightmare.

Release: November 11, 2025

$6.99

Description

During World War II, a neophyte officer (Matthew McConaughey) heads up a secret U.S. Navy mission to retrieve a German encoding device from a disabled U-boat in the Atlantic. The operation succeeds, but the American sub is destroyed. Can the crew fix the damaged U-boat and make it home while staving off the enemy? Based on a true (albeit British) story, this gripping war drama also stars Bill Paxton, Harvey Keitel, Jon Bon Jovi. 117 min. Widescreen; Soundtrack: English; audio commentary. Two-disc set.

Release: November 11, 2025

$7.99

Description

During World War II, a neophyte officer (Matthew McConaughey) heads up a secret U.S. Navy mission to retrieve a German encoding device from a disabled U-boat in the Atlantic. The operation succeeds, but the American sub is destroyed. Can the crew fix the damaged U-boat and make it home while staving off the enemy? Based on a true (albeit British) story, this gripping war drama also stars Bill Paxton, Harvey Keitel, Jon Bon Jovi. 117 min. Widescreen; Soundtrack: English; audio commentary. Two-disc set.

Release: June 5, 2012

$6.99

Description

U.S. Marshals (BD) Ladies and gentlemen, be alert. We are going to initiate a hard-target search for a fugitive in an ever-widening perimeter. We will wade through swamps, prowl Manhattan streets, search every house and doghouse. We'll eat on the run, sleep tomorrow, watch our backs. And since Marshal Sam Gerard leads the hunt, we will experience suspense, action and daring twists every breathless step of the way. Returning to his Oscar-winning role from The Fugitive, Tommy Lee Jones is Gerard, joining an A-team including Wesley Snipes, Robert Downey Jr. and director Stuart Baird. (Executive Decision) to deliver adrenaline-rush excitement. The suspect: armed, extremely dangerous, perhaps linked to a spy ring. The chase: highlighted by an out-of-control 727, a death match in a ship's cargo hold, a 12-story plunge onto a moving train and more heart-pounding sequences. The movie: U.S. Marshals. Top About this item Similar From the Brand Reviews U.S. Marshals (BD)