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Years of police work have taught Detective Finlay that where there's crime, there's motive. But he finds no usual motive when investigating a man's death by beating. The man was killed because he was a Jew. "Hate," Finlay says, "is like a gun." Robert Young portrays Finlay, Robert Mitchum is a laconic army sergeant assisting in the investigation of G.I. suspects, and Robert Ryan plays a vicious bigot in a landmark film noir nominated for five Academy Awards , including Best Picture. Edward Dmytryk (Murder, My Sweet) directs, draping the genre's stylistic backdrops and flourishes around a topic rarely before explored in films: anti-Semitism in the U.S. Here, Hollywood takes aim at injustice...and catches bigotry in a Crossfire.

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Blu-ray. Restored by the UCLA Film & Television Archive. Restoration funding provided by the Film Noir Foundation. Dick Powell (MURDER, MY SWEET) plays Rocky, an innocent man just released from prison. He's on the hunt for a 100,000 bankroll he had allegedly stolen and the people who framed him. Delong (Richard Erdman, THE MEN) is a disabled Marine veteran who produced the recent evidence that led to Rocky's release. He now wants part of the $100,000 in exchange for his help. However, after serving 5 years of a life-sentence for a crime he didn't commit, Rocky has a different plan. He wants to bring the real crooks to justice and clear the name of his friend Danny Morgan, who's unjustly serving time for the same crime. The stellar cast includes Rhonda Fleming (OUT OF THE PAST) as Rocky's old flame now married to his best friend Danny, Regis Toomey (THE BIG SLEEP) as a tough-as-nails h...

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Bogie's on the lam and Bacall's at his side in Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey Bogart and Lauren Bacall made together. Bogart is Vincent Parry, a prison escapee framed for murder who emerges from plastic surgery with a new face. Bacall is Irene Jansen, his lone ally. In sharp support, Agnes Moorehead plays a venomous harpy finding pleasure in the unhappiness of others. The leads' chemistry is undeniable, augmented here with exceptional tenderness. Exceptional too are San Francisco locations and creative camerawork that shows Vincent's point of view -- but not his face -- until bandages are removed. Lest Irene get ideas, post-surgery Vincent tells her: "Don't change yours. I like it just as it is." So do we.

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Screen legend Humphrey Bogart (Casablanca) stars as a fictional newspaper editor Ed Hutcheson of The Day , which will be folding in three days. Even though he and his staff will be out of work within days, he intends to expose the criminal activities of vicious crime boss Tomas Rienzi (Martin Gabel, The Thief). An abundance of subplots are expertly woven together by legendary screenwriter/director Richard Brooks (Elmer Gantry) in Deadline U.S.A. This classic film noir features stunning black-and-white cinematography by the great Milton R. Krasner (23 Paces to Baker Street) with an uniformly excellent cast that includes Ethel Barrymore (Portrait of Jennie), Kim Hunter (A Streetcar Named Desire), Ed Begley (12 Angry Men), Warren Stevens (Forbidden Planet), Paul Stewart (Kiss Me Deadly) and Jim Buckus (Gilligan s Island). Bonus Features: Audio Commentary with Film Historian Eddie Muller | Trailer Gallery

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Based on the smash Broadway hit, the gritty and gripping drama of Detective Story explodes onto the big screen under the capable direction of William Wyler (The Good Fairy, Ben-Hur). Set amidst the hectic activity of a New York City police station, Kirk Douglas (Paths of Glory) stars as the principled, rigid detective whose personal code has become twisted from dealing with too many criminals. Eleanor Parker (Caged) is his wife, tormented by a guilty secret. While the business of the precinct swirls around them—from a case involving a frightened shoplifter (Lee Grant, The Landlord) to an amusing burglar (Joseph Wiseman, Dr. No)—the couple’s personal conflict reaches an explosive, unforgettable climax. Academy Award nominations went to Wyler (for Best Director), Parker (Best Actress), Grant (Best Supporting Actress) and the writing team of Robert Wyler (The Big Country) and Philip Yordan (The Big Combo) for their vivid screenplay. Co-stars William Bendix (Lifeboat), Cathy O’Donnell (They Live by Night) and George Macready (Gilda) also give sterling performances in this classic cop noir. Special Features: -Remastered in HD by Paramount Pictures – From a 4K Scan of the Original Camera Negative -Audio Commentary by Author/Film Historian Alan K. Rode -Theatrical Trailer -Optional English Subtitles

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Thumbing his way cross-country to L.A., club pianist Al Roberts (Tom Neal) gladly took a lift in the desert from amiable gambler Haskell (Edmund MacDonald). After his ride succumbed to a heart attack, Roberts opted to bury him, and help himself to car and wallet. His next bad move was to pick up hard-looking hitcher Vera (Ann Savage)-as fateful coincidence would soon steep him in a deadly con game. Seedy, shot-on-a-shoestring noir staple from Edgar G. Ulmer also stars Claudia Drake, Tim Ryan. 68 min. Standard; Soundtrack: English Dolby Digital mono; bonus documentary "Edgar G. Ulmer: The Man Off-Screen" (2004); featurettes; theatrical trailer.

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A laid-off WWII veteran becomes a private detective in 1948 Los Angeles and uncovers deadly political corruption.

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Mere months after delivering one of the definitive examples of film noir with Kiss Me Deadly, Robert Aldrich brought a noir flavour to Hollywood with his classic adaptation of Clifford Odets stage play, The Big Knife. Charles Castle, one of Hollywood s biggest stars, looks like he has it all. But his marriage is falling apart and his wife is threatening to leave him if he renews his contract. Studio boss Stanley Shriner Hoff isn t taking the news too well, and he ll do anything he can to get his man to sign on the dotted line even if means exposing dark secrets... Winner of the Silver Lion at the 1955 Venice Film Festival, The Big Knife also boasts a remarkable cast list including Jack Palance (Shane) as Castle and Rod Steiger (On the Waterfront) as Hoff, plus Shelley Winters (The Night of the Hunter), Ida Lupino (On Dangerous Ground), Jean Hagen (Singin in the Rain) and Everett Sloane (Citizen Kane). SPECIAL EDITION CONTENTS Brand-new 2K restoration from original film elements produced by Arrow Films exclusively for this release High Definition Blu-ray (1080p) Original English mono audio uncompressed LPCM Optional English subtitles for the deaf and hard-of-hearing Commentary by film critics Glenn Kenny and Nick Pinkerton, recorded exclusively for this release Bass on Titles Saul Bass, responsible for The Big Knife s credit sequence, discusses some of his classic work in this self-directed documentary from 1972 Theatrical trailer Reversible sleeve featuring original and newly commissioned artwork by Sean Phillips FIRST PRESSING ONLY: Illustrated collector s booklet featuring new writing on the film by Nathalie Morris

Description

Has dialogue ever been more perfectly hard-boiled? Has a femme fatale ever been as deliciously evil as Barbara Stanwyck? And has 1940s Los Angeles ever looked so seductively sordid? Working with cowriter Raymond Chandler, director Billy Wilder launched himself onto the Hollywood A-list with this paragon of film-noir fatalism from James M. Cain’s pulp novel. When slick salesman Walter Neff (Fred MacMurray) walks into the swank home of dissatisfied housewife Phyllis Dietrichson (Stanwyck), he intends to sell her insurance, but he winds up becoming entangled with her in a far more sinister way. Featuring scene-stealing supporting work from Edward G. Robinson and the chiaroscuro of cinematographer John F. Seitz, Double Indemnity is one of the most wickedly perverse stories ever told and the cynical standard by which all noir must be measured. 2-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack Audio commentary featuring film critic Richard Schickel New interview with film scholar Noah Isenberg, editor of Billy Wilder on Assignment New conversation between film historians Eddie Muller and Imogen Sara Smith Billy, How Did You Do It?, a 1992 film by Volker Schlöndorff and Gisela Grischow featuring interviews with director Billy Wilder Shadows of Suspense, a 2006 documentary on the making of Double Indemnity Audio excerpts from 1971 and 1972 interviews with cinematographer John F. Seitz Radio adaptations from 1945 and 1950 Trailer English subtitles for the deaf and hard of hearing

Description

Has dialogue ever been more perfectly hard-boiled? Has a femme fatale ever been as deliciously evil as Barbara Stanwyck? And has 1940s Los Angeles ever looked so seductively sordid? Working with cowriter Raymond Chandler, director Billy Wilder launched himself onto the Hollywood A-list with this paragon of film-noir fatalism from James M. Cain’s pulp novel. When slick salesman Walter Neff (Fred MacMurray) walks into the swank home of dissatisfied housewife Phyllis Dietrichson (Stanwyck), he intends to sell her insurance, but he winds up becoming entangled with her in a far more sinister way. Featuring scene-stealing supporting work from Edward G. Robinson and the chiaroscuro of cinematographer John F. Seitz, Double Indemnity is one of the most wickedly perverse stories ever told and the cynical standard by which all noir must be measured. 2-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack Audio commentary featuring film critic Richard Schickel New interview with film scholar Noah Isenberg, editor of Billy Wilder on Assignment New conversation between film historians Eddie Muller and Imogen Sara Smith Billy, How Did You Do It?, a 1992 film by Volker Schlöndorff and Gisela Grischow featuring interviews with director Billy Wilder Shadows of Suspense, a 2006 documentary on the making of Double Indemnity Audio excerpts from 1971 and 1972 interviews with cinematographer John F. Seitz Radio adaptations from 1945 and 1950 Trailer English subtitles for the deaf and hard of hearing

Description

Has dialogue ever been more perfectly hard-boiled? Has a femme fatale ever been as deliciously evil as Barbara Stanwyck? And has 1940s Los Angeles ever looked so seductively sordid? Working with cowriter Raymond Chandler, director Billy Wilder launched himself onto the Hollywood A-list with this paragon of film-noir fatalism from James M. Cain’s pulp novel. When slick salesman Walter Neff (Fred MacMurray) walks into the swank home of dissatisfied housewife Phyllis Dietrichson (Stanwyck), he intends to sell her insurance, but he winds up becoming entangled with her in a far more sinister way. Featuring scene-stealing supporting work from Edward G. Robinson and the chiaroscuro of cinematographer John F. Seitz, Double Indemnity is one of the most wickedly perverse stories ever told and the cynical standard by which all noir must be measured. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack In the 4K UHD edition: One 4K UHD disc of the film presented in Dolby Vision HDR and two Blu-rays with the film and special features Audio commentary featuring film critic Richard Schickel New interview with film scholar Noah Isenberg, editor of Billy Wilder on Assignment New conversation between film historians Eddie Muller and Imogen Sara Smith Billy, How Did You Do It?, a 1992 film by Volker Schlöndorff and Gisela Grischow featuring interviews with director Billy Wilder Shadows of Suspense, a 2006 documentary on the making of Double Indemnity Audio excerpts from 1971 and 1972 interviews with cinematographer John F. Seitz Radio adaptations from 1945 and 1950 Trailer English subtitles for the deaf and hard of hearing

Description

Has dialogue ever been more perfectly hard-boiled? Has a femme fatale ever been as deliciously evil as Barbara Stanwyck? And has 1940s Los Angeles ever looked so seductively sordid? Working with cowriter Raymond Chandler, director Billy Wilder launched himself onto the Hollywood A-list with this paragon of film-noir fatalism from James M. Cain’s pulp novel. When slick salesman Walter Neff (Fred MacMurray) walks into the swank home of dissatisfied housewife Phyllis Dietrichson (Stanwyck), he intends to sell her insurance, but he winds up becoming entangled with her in a far more sinister way. Featuring scene-stealing supporting work from Edward G. Robinson and the chiaroscuro of cinematographer John F. Seitz, Double Indemnity is one of the most wickedly perverse stories ever told and the cynical standard by which all noir must be measured. 2-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack Audio commentary featuring film critic Richard Schickel New interview with film scholar Noah Isenberg, editor of Billy Wilder on Assignment New conversation between film historians Eddie Muller and Imogen Sara Smith Billy, How Did You Do It?, a 1992 film by Volker Schlöndorff and Gisela Grischow featuring interviews with director Billy Wilder Shadows of Suspense, a 2006 documentary on the making of Double Indemnity Audio excerpts from 1971 and 1972 interviews with cinematographer John F. Seitz Radio adaptations from 1945 and 1950 Trailer English subtitles for the deaf and hard of hearing

Description

The future is no mystery to Julie Gillis. She has her life mapped out in details that fall just shy of where the wedding portrait will hang and the number of goldfish swimming in the bowl. Julie even knows she will be married next March 12. She just does not know to whom. But it is a cinch he will have blue eyes. Frank Sinatra headlines this ring\-a\-ding\-ding delight with the title tune that became a Sinatra standard. Debbie Reynolds plays Julie, who sets her marital sights on a Manhattan talent agent (Sinatra) dedicated to life, liberty and the happiness of pursuit. Love is indeed The Tender Trap. And with Sinatra, Reynolds and comedy experts Celeste Holm, David Wayne and Carolyn Jones on call, its an entertainment gotcha!

Description

Mere months after delivering one of the definitive examples of film noir with Kiss Me Deadly, Robert Aldrich brought a noir flavour to Hollywood with his classic adaptation of Clifford Odets stage play, The Big Knife. Charles Castle, one of Hollywood s biggest stars, looks like he has it all. But his marriage is falling apart and his wife is threatening to leave him if he renews his contract. Studio boss Stanley Shriner Hoff isn t taking the news too well, and he ll do anything he can to get his man to sign on the dotted line even if means exposing dark secrets... Winner of the Silver Lion at the 1955 Venice Film Festival, The Big Knife also boasts a remarkable cast list including Jack Palance (Shane) as Castle and Rod Steiger (On the Waterfront) as Hoff, plus Shelley Winters (The Night of the Hunter), Ida Lupino (On Dangerous Ground), Jean Hagen (Singin in the Rain) and Everett Sloane (Citizen Kane). SPECIAL EDITION CONTENTS Brand-new 2K restoration from original film elements produced by Arrow Films exclusively for this release High Definition Blu-ray (1080p) Original English mono audio uncompressed LPCM Optional English subtitles for the deaf and hard-of-hearing Commentary by film critics Glenn Kenny and Nick Pinkerton, recorded exclusively for this release Bass on Titles Saul Bass, responsible for The Big Knife s credit sequence, discusses some of his classic work in this self-directed documentary from 1972 Theatrical trailer Reversible sleeve featuring original and newly commissioned artwork by Sean Phillips FIRST PRESSING ONLY: Illustrated collector s booklet featuring new writing on the film by Nathalie Morris

Description

The File on Thelma Jordon is a 1950 film noir directed by noir veteran Robert Siodmak (The Dark Mirror, the Killers). No one is as good as Barbara Stanwyck (No Man of Her Own) when she's bad - the legendary actress play Thelma Jordon, a woman who seduces the married Assistant District Attorney (Wendell Corey, Hell's Half Acre) and pulls him into a web of theft and murder. Her aunt's mansion is burglarized and the woman is murdered, Thelma calls the Assistant DA to help her cover up evidence that may incriminate her. When she emerges as the prime suspect, the infatuated Assistant DA tries to sabotages the prosecution. The File on Thelma Jordon is a romantic and unusual mystery with great performances and superior direction. Beautifully shot by George Barnes (Spellbound) with a haunting score by Victor Young (The Quiet Man).

Description

This set collects three sensational crime stories that span the classic noir era. Citadel of Crime (1941) – The boss of a moonshining racket hits a snag when the distrustful residents of Pine Flats refuse to cooperate. He gets help from ex-con Cal Fullerton (King Kong’s Robert Armstrong). Only Cal has plans of his own: to take control of the gang and the whole bootlegging business. Cry Danger (1951) – This noir favorite stars Dick Powell (Murder, My Sweet) as Rocky Mulloy, a bookie who has been framed, tried and sent to jail for a holdup and murder he didn’t commit. When he’s sprung from prison with the help of a phony alibi, his eyes focus on sweet revenge—and the $100,000 stolen payroll stashed five years ago. Terror at Midnight (1956) – A young police detective (Scott Brady, I Was a Shoplifter) investigates a major interstate hot car racket while his fiancée (Joan Vohs, Vice Squad) becomes a victim of circumstances. When Susan brings her car into a garage for repairs, she unwittingly becomes ensnared in the deadly racketeering scheme. Special Features: -Citadel of Crime Audio Commentary by Film Historian Gary Gerani -Cry Danger Audio Commentary by Film Historian/Author Alan K. Rode -Archival Interview with Cry Danger Actor Richard Erdman -Terror at Midnight Audio Commentary by Mystery Writer and Filmmaker Max Allan Collins with Film Historian and Host of Cereal at Midnight Podcast, Heath Holland Top Similar From the Brand Questions Reviews Film Noir: The Dark Side of Cinema XXVIII - Citadel of Crime / Cry Danger / Terror at Midnight - Blu-ray Film Noir: The Dark Side of Cinema XXVIII - Citadel of Crime / Cry Danger / Terror at Midnight

Description

This set collects three sensational crime stories that span the classic noir era. Citadel of Crime (1941) – The boss of a moonshining racket hits a snag when the distrustful residents of Pine Flats refuse to cooperate. He gets help from ex-con Cal Fullerton (King Kong’s Robert Armstrong). Only Cal has plans of his own: to take control of the gang and the whole bootlegging business. Cry Danger (1951) – This noir favorite stars Dick Powell (Murder, My Sweet) as Rocky Mulloy, a bookie who has been framed, tried and sent to jail for a holdup and murder he didn’t commit. When he’s sprung from prison with the help of a phony alibi, his eyes focus on sweet revenge—and the $100,000 stolen payroll stashed five years ago. Terror at Midnight (1956) – A young police detective (Scott Brady, I Was a Shoplifter) investigates a major interstate hot car racket while his fiancée (Joan Vohs, Vice Squad) becomes a victim of circumstances. When Susan brings her car into a garage for repairs, she unwittingly becomes ensnared in the deadly racketeering scheme. Special Features: -Citadel of Crime Audio Commentary by Film Historian Gary Gerani -Cry Danger Audio Commentary by Film Historian/Author Alan K. Rode -Archival Interview with Cry Danger Actor Richard Erdman -Terror at Midnight Audio Commentary by Mystery Writer and Filmmaker Max Allan Collins with Film Historian and Host of Cereal at Midnight Podcast, Heath Holland Top Similar From the Brand Questions Reviews Film Noir: The Dark Side of Cinema XXVIII - Citadel of Crime / Cry Danger / Terror at Midnight - Blu-ray Film Noir: The Dark Side of Cinema XXVIII - Citadel of Crime / Cry Danger / Terror at Midnight

Description

This collection features three film noir classics: MAN AFRAID (1957) – Noir greats George Nader (Six Bridges to Cross, Appointment with a Shadow) and director Harry Keller (The Unguarded Moment, The Female Animal) come together for Man Afraid, a heart-stopping CinemaScope noir about a preacher ensnared in fear. When Reverend David Collins (Nader) and his wife Lisa (Phyllis Thaxter, Act of Violence) catch a burglar in their son’s room, the ensuing struggle ends with an injury to Lisa’s eyes and David unintentionally killing the thief. The Collins struggle with the resulting publicity, David’s own conscience, Lisa’s temporary blindness...and the burglar’s vengeful father (Eduard Franz, Cyborg 2087) who begins to stalk their son Michael (Tim Hovey, Queen Bee). The tense revenge-noir Man Afraid features a score by the great Henry Mancini (Touch of Evil). THE GIRL IN THE KREMLIN (1957) – Moscow, 1953. Four terrified women prisoners are brought before Soviet dictator Joseph Stalin, who picks the beautiful Dasha and proceeds to punish her by shaving off her long, black hair. Moments later, a plastic surgeon leads Stalin into an operating room and transforms his face into something new. So begins the story of the world’s greatest conspiracy: The Girl in the Kremlin, a harrowing Cold War noir starring Lex Barker (The Price of Fear, The Girl in Black Stockings) and Zsa Zsa Gabor (Touch of Evil, Picture Mommy Dead). When Stalin alters his appearance, fakes his own death and vanishes, ex-O.S.S. agent Steve Anderson (Barker) and Lithuanian refugee Lili Grisenko (Gabor) lead the manhunt across Europe. Directed by Russell Birdwell (The Come On) and featuring Maurice Manson (The Creature Walks Among Us) in a chilling performance. THE TATTERED DRESS (1957) – In this CinemaScope film noir from director Jack Arnold (The Incredible Shrinking Man, Man in the Shadow), top lawyer James Blane (Jeff Chandler, Red Ball Express, Female on the Beach) is a man known to do anything it takes to win a case. But when Blane defends a socialite on trial for the murder of a bartender who made a pass at his wife, a scheming sheriff (Jack Carson, The Tarnished Angels) frames Blane for bribing a juror (Gail Russell, Calcutta, Night Has a Thousand Eyes) and exposes the hidden evil simmering beneath the surface of their quiet desert town. The Tattered Dress boasts powerful performances by its never-better cast, which includes Jeanne Crain (Man Without a Star), Elaine Stewart (Night Passage), George Tobias (Rawhide), Edward Andrews (The Unguarded Moment) and Phillip Reed (Klondike Annie). Special Features: • Brand New HD Masters – From a 2K Scan of the 35mm Fine Grains • NEW Audio Commentary for MAN AFRAID by Film Historian David Del Valle and Filmmaker David DeCoteau • NEW Audio Commentary for THE GIRL IN THE KREMLIN by Film Historians Emma Westwood and Paul Anthony Nelson • NEW Audio Commentary for THE TATTERED DRESS by Professor and Film Scholar Jason A. Ney • Theatrical Trailers for MAN AFRAID and THE TATTERED DRESS (Newly Mastered in 2K) • 3 TV Spots for THE GIRL IN THE KREMLIN (Newly Mastered in 2K) • Optional English Subtitles

Description

This collection features three film noir classics: MAN AFRAID (1957) – Noir greats George Nader (Six Bridges to Cross, Appointment with a Shadow) and director Harry Keller (The Unguarded Moment, The Female Animal) come together for Man Afraid, a heart-stopping CinemaScope noir about a preacher ensnared in fear. When Reverend David Collins (Nader) and his wife Lisa (Phyllis Thaxter, Act of Violence) catch a burglar in their son’s room, the ensuing struggle ends with an injury to Lisa’s eyes and David unintentionally killing the thief. The Collins struggle with the resulting publicity, David’s own conscience, Lisa’s temporary blindness...and the burglar’s vengeful father (Eduard Franz, Cyborg 2087) who begins to stalk their son Michael (Tim Hovey, Queen Bee). The tense revenge-noir Man Afraid features a score by the great Henry Mancini (Touch of Evil). THE GIRL IN THE KREMLIN (1957) – Moscow, 1953. Four terrified women prisoners are brought before Soviet dictator Joseph Stalin, who picks the beautiful Dasha and proceeds to punish her by shaving off her long, black hair. Moments later, a plastic surgeon leads Stalin into an operating room and transforms his face into something new. So begins the story of the world’s greatest conspiracy: The Girl in the Kremlin, a harrowing Cold War noir starring Lex Barker (The Price of Fear, The Girl in Black Stockings) and Zsa Zsa Gabor (Touch of Evil, Picture Mommy Dead). When Stalin alters his appearance, fakes his own death and vanishes, ex-O.S.S. agent Steve Anderson (Barker) and Lithuanian refugee Lili Grisenko (Gabor) lead the manhunt across Europe. Directed by Russell Birdwell (The Come On) and featuring Maurice Manson (The Creature Walks Among Us) in a chilling performance. THE TATTERED DRESS (1957) – In this CinemaScope film noir from director Jack Arnold (The Incredible Shrinking Man, Man in the Shadow), top lawyer James Blane (Jeff Chandler, Red Ball Express, Female on the Beach) is a man known to do anything it takes to win a case. But when Blane defends a socialite on trial for the murder of a bartender who made a pass at his wife, a scheming sheriff (Jack Carson, The Tarnished Angels) frames Blane for bribing a juror (Gail Russell, Calcutta, Night Has a Thousand Eyes) and exposes the hidden evil simmering beneath the surface of their quiet desert town. The Tattered Dress boasts powerful performances by its never-better cast, which includes Jeanne Crain (Man Without a Star), Elaine Stewart (Night Passage), George Tobias (Rawhide), Edward Andrews (The Unguarded Moment) and Phillip Reed (Klondike Annie). Special Features: • Brand New HD Masters – From a 2K Scan of the 35mm Fine Grains • NEW Audio Commentary for MAN AFRAID by Film Historian David Del Valle and Filmmaker David DeCoteau • NEW Audio Commentary for THE GIRL IN THE KREMLIN by Film Historians Emma Westwood and Paul Anthony Nelson • NEW Audio Commentary for THE TATTERED DRESS by Professor and Film Scholar Jason A. Ney • Theatrical Trailers for MAN AFRAID and THE TATTERED DRESS (Newly Mastered in 2K) • 3 TV Spots for THE GIRL IN THE KREMLIN (Newly Mastered in 2K) • Optional English Subtitles

Description

This collection features three film noir classics: MAN AFRAID (1957) – Noir greats George Nader (Six Bridges to Cross, Appointment with a Shadow) and director Harry Keller (The Unguarded Moment, The Female Animal) come together for Man Afraid, a heart-stopping CinemaScope noir about a preacher ensnared in fear. When Reverend David Collins (Nader) and his wife Lisa (Phyllis Thaxter, Act of Violence) catch a burglar in their son’s room, the ensuing struggle ends with an injury to Lisa’s eyes and David unintentionally killing the thief. The Collins struggle with the resulting publicity, David’s own conscience, Lisa’s temporary blindness...and the burglar’s vengeful father (Eduard Franz, Cyborg 2087) who begins to stalk their son Michael (Tim Hovey, Queen Bee). The tense revenge-noir Man Afraid features a score by the great Henry Mancini (Touch of Evil). THE GIRL IN THE KREMLIN (1957) – Moscow, 1953. Four terrified women prisoners are brought before Soviet dictator Joseph Stalin, who picks the beautiful Dasha and proceeds to punish her by shaving off her long, black hair. Moments later, a plastic surgeon leads Stalin into an operating room and transforms his face into something new. So begins the story of the world’s greatest conspiracy: The Girl in the Kremlin, a harrowing Cold War noir starring Lex Barker (The Price of Fear, The Girl in Black Stockings) and Zsa Zsa Gabor (Touch of Evil, Picture Mommy Dead). When Stalin alters his appearance, fakes his own death and vanishes, ex-O.S.S. agent Steve Anderson (Barker) and Lithuanian refugee Lili Grisenko (Gabor) lead the manhunt across Europe. Directed by Russell Birdwell (The Come On) and featuring Maurice Manson (The Creature Walks Among Us) in a chilling performance. THE TATTERED DRESS (1957) – In this CinemaScope film noir from director Jack Arnold (The Incredible Shrinking Man, Man in the Shadow), top lawyer James Blane (Jeff Chandler, Red Ball Express, Female on the Beach) is a man known to do anything it takes to win a case. But when Blane defends a socialite on trial for the murder of a bartender who made a pass at his wife, a scheming sheriff (Jack Carson, The Tarnished Angels) frames Blane for bribing a juror (Gail Russell, Calcutta, Night Has a Thousand Eyes) and exposes the hidden evil simmering beneath the surface of their quiet desert town. The Tattered Dress boasts powerful performances by its never-better cast, which includes Jeanne Crain (Man Without a Star), Elaine Stewart (Night Passage), George Tobias (Rawhide), Edward Andrews (The Unguarded Moment) and Phillip Reed (Klondike Annie). Special Features: • Brand New HD Masters – From a 2K Scan of the 35mm Fine Grains • NEW Audio Commentary for MAN AFRAID by Film Historian David Del Valle and Filmmaker David DeCoteau • NEW Audio Commentary for THE GIRL IN THE KREMLIN by Film Historians Emma Westwood and Paul Anthony Nelson • NEW Audio Commentary for THE TATTERED DRESS by Professor and Film Scholar Jason A. Ney • Theatrical Trailers for MAN AFRAID and THE TATTERED DRESS (Newly Mastered in 2K) • 3 TV Spots for THE GIRL IN THE KREMLIN (Newly Mastered in 2K) • Optional English Subtitles

Description

This set collects three sensational crime stories that span the classic noir era. Citadel of Crime (1941) – The boss of a moonshining racket hits a snag when the distrustful residents of Pine Flats refuse to cooperate. He gets help from ex-con Cal Fullerton (King Kong’s Robert Armstrong). Only Cal has plans of his own: to take control of the gang and the whole bootlegging business. Cry Danger (1951) – This noir favorite stars Dick Powell (Murder, My Sweet) as Rocky Mulloy, a bookie who has been framed, tried and sent to jail for a holdup and murder he didn’t commit. When he’s sprung from prison with the help of a phony alibi, his eyes focus on sweet revenge—and the $100,000 stolen payroll stashed five years ago. Terror at Midnight (1956) – A young police detective (Scott Brady, I Was a Shoplifter) investigates a major interstate hot car racket while his fiancée (Joan Vohs, Vice Squad) becomes a victim of circumstances. When Susan brings her car into a garage for repairs, she unwittingly becomes ensnared in the deadly racketeering scheme. Special Features: -Citadel of Crime Audio Commentary by Film Historian Gary Gerani -Cry Danger Audio Commentary by Film Historian/Author Alan K. Rode -Archival Interview with Cry Danger Actor Richard Erdman -Terror at Midnight Audio Commentary by Mystery Writer and Filmmaker Max Allan Collins with Film Historian and Host of Cereal at Midnight Podcast, Heath Holland Top Similar From the Brand Questions Reviews Film Noir: The Dark Side of Cinema XXVIII - Citadel of Crime / Cry Danger / Terror at Midnight - Blu-ray Film Noir: The Dark Side of Cinema XXVIII - Citadel of Crime / Cry Danger / Terror at Midnight

Description

Two hard-hitting examples of the Film-noir genre, with newly restored HD versions, for the price of one! Borderline- Two undercover agents embed themselves inside a Mexican drug-smuggling operation--each completely unaware that the other is working the same case. D.O.A. -D.O.A. is the classic drama of suspense with Edmond O'Brien giving one of his finest performances. O'Brien plays, Frank Bigelow, a real-estate salesman whose life suddenly turns into a bizarre nightmare after he is mistakenly poisoned while on a business trip. Bonus Materials D.O.A. Video Essay: Edmond O’Brien: The Man Who Made Every Second Count D.O.A. Video Essay: Rudolph Maté: The Eye Behind the Shadows D.O.A. Video Essay: Forgotten Stardust: The Short, Shining Life of Pamela Britton Borderline Video Essay: Fred MacMurray: From Noir Shadows to Disney Light Borderline Video Essay: Claire Trevor: The Toughest Dame with a Heart of Gold Borderline Video Essay: William A. Seiter: Hollywood’s Hidden Craftsman Cast & Crew Actors: Fred MacMurray Claire Trevor Raymond Burr José Torvay Morris Ankrum Roy Roberts Don Diamond Nacho Galindo Pepe Hern Grazia Narciso Edmond O'Brien Pamela Britton Luther Adler Beverly Garland Lynn Baggett William Ching Henry Hart Neville Brand Laurette Luez Jess Kirkpatrick Cay Forester Frank Jaquet Director: William A. Seiter Director: Rudolph Maté Top About this item Similar From the Brand Questions Reviews Film Noir Classics Double Feature: Borderline (1950) & D.O.A. (1949) Film Noir Classics Double Feature: Borderline (1950) & D.O.A. (1949)

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This collection features three film noir classics. ABANDONED (1949) – Noir great Dennis O’Keefe (T-Men, Raw Deal, Cover Up) and Gale Storm (Between Midnight and Dawn) expose a baby-selling racket in the searing crime drama Abandoned, co-starring Jeff Chandler (Man in the Shadow) and Raymond Burr (Pitfall). When Paula Considine (Storm) arrives in Los Angeles to find her sister Mary, she soon learns the unwed mother is dead and her newborn infant is missing. Teaming up with a cynical reporter named Mark Sitko (O’Keefe), Paula discovers Mary was the victim of a black market adoption ring run by Mrs. Leona Donner (Marjorie Rambeau, Torch Song) and her sleazy assistant Kerric (Burr). Hoping to entrap the pair, Paula and Sitko devise a plan but the sting operation proves to have deadly consequences. This classic film noir was beautifully shot by William H. Daniels (Woman in Hiding) and wonderfully directed by Joseph M. Newman (711 Ocean Drive), with top-notch supporting performances by Jeanette Nolan (Macbeth) and Mike Mazurki (Murder, My Sweet). THE LADY GAMBLES (1949) – From Michael Gordon, the outstanding director of The Web, An Act of Murder, Woman in Hiding, Cyrano de Bergerac, Pillow Talk and Portrait in Black, comes this classic film noir starring screen legend Barbara Stanwyck (Double Indemnity, Witness to Murder) as a once respectable and vibrant wife who has become a desperately out-of-control high-roller gambler. A chance visit into a Las Vegas casino introduces Joan Boothe (Stanwyck) to the seductive allure of poker and the craps table. All too soon, she ignores her devoted husband (Robert Preston, Wake Island, This Gun for Hire) and older sister (Edith Barrett, I Walked with a Zombie) as she compulsively chases after hard-hearted Lady Luck. Beautifully shot by Russell Metty (Touch of Evil) and featuring a stellar supporting cast that includes Stephen McNally (Diplomatic Courier), John Hoyt (O.S.S.), Leif Erickson (On the Waterfront) and Tony Curtis (6 Bridges to Cross). THE SLEEPING CITY (1950) – Drug pushing and gambling set the stage for murder in The Sleeping City, a hardboiled film-noir thriller shot on the streets of New York. When a doctor is shot dead outside Bellevue Hospital, detective Fred Rowen (Richard Conte, Cry of the City, Thieves’ Highway) is assigned to find the killer. Posing as an intern, Rowen is befriended by the hospital’s elevator operator and a ward nurse (Coleen Gray, Kiss of Death, Nightmare Alley) he begins to date. As his investigation continues and potential witnesses wind up dead, Rowen finds himself next on the murderer’s list when he uncovers a narcotics ring. Suddenly, everyone is a suspect and he doesn’t know whom he can trust! Written by Jo Eisinger (Gilda, Night and the City) and directed by George Sherman (Larceny, Big Jake). Special Features: -NEW Audio Commentary by Film Historian Samm Deighan (Abandoned) -NEW Audio Commentary by Film Historian Kat Ellinger (The Lady Gambles) -NEW Audio Commentary by Film Historian Imogen Sara Smith (The Sleeping City) -Optional English Subtitles -Theatrical Trailers Top About this item Similar From the Brand Reviews Film Noir: The Dark Side of Cinema III [Abandoned / The Lady Gambles / The Sleeping City] [Blu-ray]

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This collection features three film noir classics. ABANDONED (1949) – Noir great Dennis O’Keefe (T-Men, Raw Deal, Cover Up) and Gale Storm (Between Midnight and Dawn) expose a baby-selling racket in the searing crime drama Abandoned, co-starring Jeff Chandler (Man in the Shadow) and Raymond Burr (Pitfall). When Paula Considine (Storm) arrives in Los Angeles to find her sister Mary, she soon learns the unwed mother is dead and her newborn infant is missing. Teaming up with a cynical reporter named Mark Sitko (O’Keefe), Paula discovers Mary was the victim of a black market adoption ring run by Mrs. Leona Donner (Marjorie Rambeau, Torch Song) and her sleazy assistant Kerric (Burr). Hoping to entrap the pair, Paula and Sitko devise a plan but the sting operation proves to have deadly consequences. This classic film noir was beautifully shot by William H. Daniels (Woman in Hiding) and wonderfully directed by Joseph M. Newman (711 Ocean Drive), with top-notch supporting performances by Jeanette Nolan (Macbeth) and Mike Mazurki (Murder, My Sweet). THE LADY GAMBLES (1949) – From Michael Gordon, the outstanding director of The Web, An Act of Murder, Woman in Hiding, Cyrano de Bergerac, Pillow Talk and Portrait in Black, comes this classic film noir starring screen legend Barbara Stanwyck (Double Indemnity, Witness to Murder) as a once respectable and vibrant wife who has become a desperately out-of-control high-roller gambler. A chance visit into a Las Vegas casino introduces Joan Boothe (Stanwyck) to the seductive allure of poker and the craps table. All too soon, she ignores her devoted husband (Robert Preston, Wake Island, This Gun for Hire) and older sister (Edith Barrett, I Walked with a Zombie) as she compulsively chases after hard-hearted Lady Luck. Beautifully shot by Russell Metty (Touch of Evil) and featuring a stellar supporting cast that includes Stephen McNally (Diplomatic Courier), John Hoyt (O.S.S.), Leif Erickson (On the Waterfront) and Tony Curtis (6 Bridges to Cross). THE SLEEPING CITY (1950) – Drug pushing and gambling set the stage for murder in The Sleeping City, a hardboiled film-noir thriller shot on the streets of New York. When a doctor is shot dead outside Bellevue Hospital, detective Fred Rowen (Richard Conte, Cry of the City, Thieves’ Highway) is assigned to find the killer. Posing as an intern, Rowen is befriended by the hospital’s elevator operator and a ward nurse (Coleen Gray, Kiss of Death, Nightmare Alley) he begins to date. As his investigation continues and potential witnesses wind up dead, Rowen finds himself next on the murderer’s list when he uncovers a narcotics ring. Suddenly, everyone is a suspect and he doesn’t know whom he can trust! Written by Jo Eisinger (Gilda, Night and the City) and directed by George Sherman (Larceny, Big Jake). Special Features: -NEW Audio Commentary by Film Historian Samm Deighan (Abandoned) -NEW Audio Commentary by Film Historian Kat Ellinger (The Lady Gambles) -NEW Audio Commentary by Film Historian Imogen Sara Smith (The Sleeping City) -Optional English Subtitles -Theatrical Trailers

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An undercover detective investigates a string of hospital murders while navigating corruption inside a major city medical center.

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This collection features three film noir classics. BECAUSE OF YOU (1952) – Loretta Young (The Stranger, The Farmer’s Daughter) and Jeff Chandler (Red Ball Express, Man in the Shadow) star in the noir romance Because of You. Blonde bombshell Christine Carroll (Young) finds out too late that her fiancé Mike Monroe (Alex Nicol, The Sleeping City) is a gangster—and she’s his unwitting accessory. Emerging from prison with dark hair and an interest in nursing, she becomes a nurse’s aide in a war hospital and soon marries a battle-fatigued patient, Steve Kimberly (Chandler). The happy couple have a daughter, Kim, but Christine’s secret past threatens to tear her family apart when Mike reappears, forcing Christine to help him escape across the Mexican border. Joseph Pevney, the director of Six Bridges to Cross and Female on the Beach, helmed this saga of love and sacrifice, shot by the great cinematographer Russell Metty (Touch of Evil). The title song was Tony Bennett’s first number-one hit and became one of his many signature songs. OUTSIDE THE LAW (1956) – Ray Danton (The Night Runner), Leigh Snowden (The Square Jungle) and Grant Williams (The Incredible Shrinking Man) star in the riveting film noir Outside the Law. Ex-con Johnny Salvo (Danton) is given the chance to redeem himself, and revenge the murder of an old Army buddy, by going undercover and helping the authorities break up a ring of international counterfeiters who will stop at nothing, including murder, to protect their operation. But first, Johnny must earn the respect of his Treasury-man father (Onslow Stevens, O.S.S.) and the trust of his buddy’s widow (Snowden). Prolific filmmaker Jack Arnold, the director of It Came from Outer Space, Creature from the Black Lagoon, Man in the Shadow, No Name on the Bullet and The Mouse That Roared, helmed this action-packed crime drama that features cinematography by noir specialist Irving Glassberg (Larceny, The Price of Fear). THE MIDNIGHT STORY (1957) – Screen great Tony Curtis (The Vikings, The Great Impostor) gives a powerful performance in the superb ’50s film noir The Midnight Story. When beloved priest Father Tomasino is murdered in a San Francisco alleyway, traffic cop Joe Martini (Curtis) vows to catch the killer. Ordered off the case by homicide detective Kilrain (Ted de Corsia, The Killing), Martini turns in his badge and investigates alone. He follows a hunch that Italian restaurant owner Sylvio (Gilbert Roland, Thunder Bay) could be involved and decides to hide his previous life as a cop in order to become friendly with his suspect’s family. But as Martini starts to unravel the truth behind Father Tomasino’s murder, he falls in love with the suspect’s cousin (Marisa Pavan, The Rose Tattoo), and his world is torn apart by old and new loyalties. Joseph Pevney, the director of The Strange Door and Foxfire, helmed this compelling psychological crime drama that boasts gorgeous CinemaScope cinematography by the great Russell Metty (Spartacus). Special Features: -NEW Audio Commentary for BECAUSE OF YOU by Film Historian Samm Deighan -NEW Audio Commentary for OUTSIDE THE LAW by Film Historian Richard Harland Smith -NEW Audio Commentary for THE MIDNIGHT STORY by Professor and Film Scholar Jason A. Ney -Theatrical Trailers for All Three Features Top About this item Similar From the Brand Reviews Film Noir: The Dark Side of Cinema V [Because of You / Outside the Law / The Midnight Story] [Blu-ray]

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This collection features three film noir classics. BECAUSE OF YOU (1952) – Loretta Young (The Stranger, The Farmer’s Daughter) and Jeff Chandler (Red Ball Express, Man in the Shadow) star in the noir romance Because of You. Blonde bombshell Christine Carroll (Young) finds out too late that her fiancé Mike Monroe (Alex Nicol, The Sleeping City) is a gangster—and she’s his unwitting accessory. Emerging from prison with dark hair and an interest in nursing, she becomes a nurse’s aide in a war hospital and soon marries a battle-fatigued patient, Steve Kimberly (Chandler). The happy couple have a daughter, Kim, but Christine’s secret past threatens to tear her family apart when Mike reappears, forcing Christine to help him escape across the Mexican border. Joseph Pevney, the director of Six Bridges to Cross and Female on the Beach, helmed this saga of love and sacrifice, shot by the great cinematographer Russell Metty (Touch of Evil). The title song was Tony Bennett’s first number-one hit and became one of his many signature songs. OUTSIDE THE LAW (1956) – Ray Danton (The Night Runner), Leigh Snowden (The Square Jungle) and Grant Williams (The Incredible Shrinking Man) star in the riveting film noir Outside the Law. Ex-con Johnny Salvo (Danton) is given the chance to redeem himself, and revenge the murder of an old Army buddy, by going undercover and helping the authorities break up a ring of international counterfeiters who will stop at nothing, including murder, to protect their operation. But first, Johnny must earn the respect of his Treasury-man father (Onslow Stevens, O.S.S.) and the trust of his buddy’s widow (Snowden). Prolific filmmaker Jack Arnold, the director of It Came from Outer Space, Creature from the Black Lagoon, Man in the Shadow, No Name on the Bullet and The Mouse That Roared, helmed this action-packed crime drama that features cinematography by noir specialist Irving Glassberg (Larceny, The Price of Fear). THE MIDNIGHT STORY (1957) – Screen great Tony Curtis (The Vikings, The Great Impostor) gives a powerful performance in the superb ’50s film noir The Midnight Story. When beloved priest Father Tomasino is murdered in a San Francisco alleyway, traffic cop Joe Martini (Curtis) vows to catch the killer. Ordered off the case by homicide detective Kilrain (Ted de Corsia, The Killing), Martini turns in his badge and investigates alone. He follows a hunch that Italian restaurant owner Sylvio (Gilbert Roland, Thunder Bay) could be involved and decides to hide his previous life as a cop in order to become friendly with his suspect’s family. But as Martini starts to unravel the truth behind Father Tomasino’s murder, he falls in love with the suspect’s cousin (Marisa Pavan, The Rose Tattoo), and his world is torn apart by old and new loyalties. Joseph Pevney, the director of The Strange Door and Foxfire, helmed this compelling psychological crime drama that boasts gorgeous CinemaScope cinematography by the great Russell Metty (Spartacus). Special Features: -NEW Audio Commentary for BECAUSE OF YOU by Film Historian Samm Deighan -NEW Audio Commentary for OUTSIDE THE LAW by Film Historian Richard Harland Smith -NEW Audio Commentary for THE MIDNIGHT STORY by Professor and Film Scholar Jason A. Ney -Theatrical Trailers for All Three Features Top About this item Similar From the Brand Reviews Film Noir: The Dark Side of Cinema V [Because of You / Outside the Law / The Midnight Story] [Blu-ray]

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This collection features three film noir classics. BECAUSE OF YOU (1952) – Loretta Young (The Stranger, The Farmer’s Daughter) and Jeff Chandler (Red Ball Express, Man in the Shadow) star in the noir romance Because of You. Blonde bombshell Christine Carroll (Young) finds out too late that her fiancé Mike Monroe (Alex Nicol, The Sleeping City) is a gangster—and she’s his unwitting accessory. Emerging from prison with dark hair and an interest in nursing, she becomes a nurse’s aide in a war hospital and soon marries a battle-fatigued patient, Steve Kimberly (Chandler). The happy couple have a daughter, Kim, but Christine’s secret past threatens to tear her family apart when Mike reappears, forcing Christine to help him escape across the Mexican border. Joseph Pevney, the director of Six Bridges to Cross and Female on the Beach, helmed this saga of love and sacrifice, shot by the great cinematographer Russell Metty (Touch of Evil). The title song was Tony Bennett’s first number-one hit and became one of his many signature songs. OUTSIDE THE LAW (1956) – Ray Danton (The Night Runner), Leigh Snowden (The Square Jungle) and Grant Williams (The Incredible Shrinking Man) star in the riveting film noir Outside the Law. Ex-con Johnny Salvo (Danton) is given the chance to redeem himself, and revenge the murder of an old Army buddy, by going undercover and helping the authorities break up a ring of international counterfeiters who will stop at nothing, including murder, to protect their operation. But first, Johnny must earn the respect of his Treasury-man father (Onslow Stevens, O.S.S.) and the trust of his buddy’s widow (Snowden). Prolific filmmaker Jack Arnold, the director of It Came from Outer Space, Creature from the Black Lagoon, Man in the Shadow, No Name on the Bullet and The Mouse That Roared, helmed this action-packed crime drama that features cinematography by noir specialist Irving Glassberg (Larceny, The Price of Fear). THE MIDNIGHT STORY (1957) – Screen great Tony Curtis (The Vikings, The Great Impostor) gives a powerful performance in the superb ’50s film noir The Midnight Story. When beloved priest Father Tomasino is murdered in a San Francisco alleyway, traffic cop Joe Martini (Curtis) vows to catch the killer. Ordered off the case by homicide detective Kilrain (Ted de Corsia, The Killing), Martini turns in his badge and investigates alone. He follows a hunch that Italian restaurant owner Sylvio (Gilbert Roland, Thunder Bay) could be involved and decides to hide his previous life as a cop in order to become friendly with his suspect’s family. But as Martini starts to unravel the truth behind Father Tomasino’s murder, he falls in love with the suspect’s cousin (Marisa Pavan, The Rose Tattoo), and his world is torn apart by old and new loyalties. Joseph Pevney, the director of The Strange Door and Foxfire, helmed this compelling psychological crime drama that boasts gorgeous CinemaScope cinematography by the great Russell Metty (Spartacus). Special Features: -NEW Audio Commentary for BECAUSE OF YOU by Film Historian Samm Deighan -NEW Audio Commentary for OUTSIDE THE LAW by Film Historian Richard Harland Smith -NEW Audio Commentary for THE MIDNIGHT STORY by Professor and Film Scholar Jason A. Ney -Theatrical Trailers for All Three Features Top About this item Similar From the Brand Reviews Film Noir: The Dark Side of Cinema V [Because of You / Outside the Law / The Midnight Story] [Blu-ray]

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This collection features three film Noir classics. STREET OF CHANCE (1942) – From the novel The Black Curtain by the great Cornell Woolrich (Rear Window) comes this classic film noir about an amnesiac who uncovers an ugly truth. Burgess Meredith (Rocky) is Frank Thompson, who awakens in the middle of the street with nary a clue of where he is, how he got there, or why his cigarette case and hat both have the letters “D.N.” on them. Frank tries to piece together his old life while a mysterious stranger (Claire Trevor, Key Largo) seems more interested in probing his past than his wife Virginia (Louise Platt, Stagecoach). Then there’s the matter of the murder that Frank cannot remember committing. This suspense-soaked gem, with its pulpy plot and brilliant cinematography by Theodor Sparkuhl (Among the Living), established a number of conventions that helped define the noir genre. Directed by Jack Hively (The Saint’s Double Trouble). ENTER ARSÈNE LUPIN (1944) – The charming French thief Arsène Lupin (Charles Korvin, Temptation) steals a priceless emerald from the beautiful English heiress Stacie Kanares (Ella Raines, The Web) while en route to Paris on the Orient Express. However, he becomes so infatuated with Stacie that he reroutes himself to Great Britain in order to return the jewel. Meanwhile, her cousin Bessie (Gale Sondergaard, The Spider Woman Strikes Back) schemes to murder Stacie in order to claim her inheritance. Lupin is determined to intervene to save Stacie’s life, but doing so puts him at risk of being captured by the dogged cop Ganimard (J. Carrol Naish, Beau Geste). The most lovable rogue in mystery fiction leaps to the screen in this thrilling film noir directed by action-adventure ace Ford Beebe (Buck Rogers, Flash Gordon Conquers the Universe). TEMPTATION (1946) – In this Victorian-era film noir, the mesmerizing Merle Oberon (The Lodger) is Ruby, the new wife of wealthy archaeologist Nigel (George Brent, The Spiral Staircase). Unbeknownst to her husband, Ruby has had quite a checkered past, involving several divorces and extramarital affairs. While Nigel is out digging up an ancient mummy, Ruby takes up with Baroudi (Charles Korvin, Enter Arsène Lupin), a slick but impoverished Egyptian opportunist. When Baroudi threatens to leave Ruby unless she puts her husband out of the way, she plots to poison the unwitting Nigel, setting the stage for a spectacular revenge-and-retribution finale. Paul Lukas (The Kiss Before the Mirror) also stars in this electrifying melodrama from director Irving Pichel (O.S.S.), based on the book Bella Donna by Robert Hichens (The Paradine Case). Special Features: -Brand New 2K Masters -NEW Audio Commentary for STREET OF CHANCE by Professor and Film Scholar Jason A. Ney -NEW Audio Commentary for ENTER ARSENE LUPIN by Film Historian Anthony Slide -NEW Audio Commentary for TEMPTATION by Film Historian Kelly Robinson -Theatrical Trailers -Optional English Subtitles

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This collection features three film Noir classics. STREET OF CHANCE (1942) – From the novel The Black Curtain by the great Cornell Woolrich (Rear Window) comes this classic film noir about an amnesiac who uncovers an ugly truth. Burgess Meredith (Rocky) is Frank Thompson, who awakens in the middle of the street with nary a clue of where he is, how he got there, or why his cigarette case and hat both have the letters “D.N.” on them. Frank tries to piece together his old life while a mysterious stranger (Claire Trevor, Key Largo) seems more interested in probing his past than his wife Virginia (Louise Platt, Stagecoach). Then there’s the matter of the murder that Frank cannot remember committing. This suspense-soaked gem, with its pulpy plot and brilliant cinematography by Theodor Sparkuhl (Among the Living), established a number of conventions that helped define the noir genre. Directed by Jack Hively (The Saint’s Double Trouble). ENTER ARSÈNE LUPIN (1944) – The charming French thief Arsène Lupin (Charles Korvin, Temptation) steals a priceless emerald from the beautiful English heiress Stacie Kanares (Ella Raines, The Web) while en route to Paris on the Orient Express. However, he becomes so infatuated with Stacie that he reroutes himself to Great Britain in order to return the jewel. Meanwhile, her cousin Bessie (Gale Sondergaard, The Spider Woman Strikes Back) schemes to murder Stacie in order to claim her inheritance. Lupin is determined to intervene to save Stacie’s life, but doing so puts him at risk of being captured by the dogged cop Ganimard (J. Carrol Naish, Beau Geste). The most lovable rogue in mystery fiction leaps to the screen in this thrilling film noir directed by action-adventure ace Ford Beebe (Buck Rogers, Flash Gordon Conquers the Universe). TEMPTATION (1946) – In this Victorian-era film noir, the mesmerizing Merle Oberon (The Lodger) is Ruby, the new wife of wealthy archaeologist Nigel (George Brent, The Spiral Staircase). Unbeknownst to her husband, Ruby has had quite a checkered past, involving several divorces and extramarital affairs. While Nigel is out digging up an ancient mummy, Ruby takes up with Baroudi (Charles Korvin, Enter Arsène Lupin), a slick but impoverished Egyptian opportunist. When Baroudi threatens to leave Ruby unless she puts her husband out of the way, she plots to poison the unwitting Nigel, setting the stage for a spectacular revenge-and-retribution finale. Paul Lukas (The Kiss Before the Mirror) also stars in this electrifying melodrama from director Irving Pichel (O.S.S.), based on the book Bella Donna by Robert Hichens (The Paradine Case). Special Features: -Brand New 2K Masters -NEW Audio Commentary for STREET OF CHANCE by Professor and Film Scholar Jason A. Ney -NEW Audio Commentary for ENTER ARSENE LUPIN by Film Historian Anthony Slide -NEW Audio Commentary for TEMPTATION by Film Historian Kelly Robinson -Theatrical Trailers -Optional English Subtitles

Description

This collection features three film Noir classics. STREET OF CHANCE (1942) – From the novel The Black Curtain by the great Cornell Woolrich (Rear Window) comes this classic film noir about an amnesiac who uncovers an ugly truth. Burgess Meredith (Rocky) is Frank Thompson, who awakens in the middle of the street with nary a clue of where he is, how he got there, or why his cigarette case and hat both have the letters “D.N.” on them. Frank tries to piece together his old life while a mysterious stranger (Claire Trevor, Key Largo) seems more interested in probing his past than his wife Virginia (Louise Platt, Stagecoach). Then there’s the matter of the murder that Frank cannot remember committing. This suspense-soaked gem, with its pulpy plot and brilliant cinematography by Theodor Sparkuhl (Among the Living), established a number of conventions that helped define the noir genre. Directed by Jack Hively (The Saint’s Double Trouble). ENTER ARSÈNE LUPIN (1944) – The charming French thief Arsène Lupin (Charles Korvin, Temptation) steals a priceless emerald from the beautiful English heiress Stacie Kanares (Ella Raines, The Web) while en route to Paris on the Orient Express. However, he becomes so infatuated with Stacie that he reroutes himself to Great Britain in order to return the jewel. Meanwhile, her cousin Bessie (Gale Sondergaard, The Spider Woman Strikes Back) schemes to murder Stacie in order to claim her inheritance. Lupin is determined to intervene to save Stacie’s life, but doing so puts him at risk of being captured by the dogged cop Ganimard (J. Carrol Naish, Beau Geste). The most lovable rogue in mystery fiction leaps to the screen in this thrilling film noir directed by action-adventure ace Ford Beebe (Buck Rogers, Flash Gordon Conquers the Universe). TEMPTATION (1946) – In this Victorian-era film noir, the mesmerizing Merle Oberon (The Lodger) is Ruby, the new wife of wealthy archaeologist Nigel (George Brent, The Spiral Staircase). Unbeknownst to her husband, Ruby has had quite a checkered past, involving several divorces and extramarital affairs. While Nigel is out digging up an ancient mummy, Ruby takes up with Baroudi (Charles Korvin, Enter Arsène Lupin), a slick but impoverished Egyptian opportunist. When Baroudi threatens to leave Ruby unless she puts her husband out of the way, she plots to poison the unwitting Nigel, setting the stage for a spectacular revenge-and-retribution finale. Paul Lukas (The Kiss Before the Mirror) also stars in this electrifying melodrama from director Irving Pichel (O.S.S.), based on the book Bella Donna by Robert Hichens (The Paradine Case). Special Features: -Brand New 2K Masters -NEW Audio Commentary for STREET OF CHANCE by Professor and Film Scholar Jason A. Ney -NEW Audio Commentary for ENTER ARSENE LUPIN by Film Historian Anthony Slide -NEW Audio Commentary for TEMPTATION by Film Historian Kelly Robinson -Theatrical Trailers -Optional English Subtitles

Description

Mere months after delivering one of the definitive examples of film noir with Kiss Me Deadly, Robert Aldrich brought a noir flavour to Hollywood with his classic adaptation of Clifford Odets stage play, The Big Knife. Charles Castle, one of Hollywood s biggest stars, looks like he has it all. But his marriage is falling apart and his wife is threatening to leave him if he renews his contract. Studio boss Stanley Shriner Hoff isn t taking the news too well, and he ll do anything he can to get his man to sign on the dotted line even if means exposing dark secrets... Winner of the Silver Lion at the 1955 Venice Film Festival, The Big Knife also boasts a remarkable cast list including Jack Palance (Shane) as Castle and Rod Steiger (On the Waterfront) as Hoff, plus Shelley Winters (The Night of the Hunter), Ida Lupino (On Dangerous Ground), Jean Hagen (Singin in the Rain) and Everett Sloane (Citizen Kane). SPECIAL EDITION CONTENTS Brand-new 2K restoration from original film elements produced by Arrow Films exclusively for this release High Definition Blu-ray (1080p) Original English mono audio uncompressed LPCM Optional English subtitles for the deaf and hard-of-hearing Commentary by film critics Glenn Kenny and Nick Pinkerton, recorded exclusively for this release Bass on Titles Saul Bass, responsible for The Big Knife s credit sequence, discusses some of his classic work in this self-directed documentary from 1972 Theatrical trailer Reversible sleeve featuring original and newly commissioned artwork by Sean Phillips FIRST PRESSING ONLY: Illustrated collector s booklet featuring new writing on the film by Nathalie Morris

Description

Mere months after delivering one of the definitive examples of film noir with Kiss Me Deadly, Robert Aldrich brought a noir flavour to Hollywood with his classic adaptation of Clifford Odets stage play, The Big Knife. Charles Castle, one of Hollywood s biggest stars, looks like he has it all. But his marriage is falling apart and his wife is threatening to leave him if he renews his contract. Studio boss Stanley Shriner Hoff isn t taking the news too well, and he ll do anything he can to get his man to sign on the dotted line even if means exposing dark secrets... Winner of the Silver Lion at the 1955 Venice Film Festival, The Big Knife also boasts a remarkable cast list including Jack Palance (Shane) as Castle and Rod Steiger (On the Waterfront) as Hoff, plus Shelley Winters (The Night of the Hunter), Ida Lupino (On Dangerous Ground), Jean Hagen (Singin in the Rain) and Everett Sloane (Citizen Kane). SPECIAL EDITION CONTENTS Brand-new 2K restoration from original film elements produced by Arrow Films exclusively for this release High Definition Blu-ray (1080p) Original English mono audio uncompressed LPCM Optional English subtitles for the deaf and hard-of-hearing Commentary by film critics Glenn Kenny and Nick Pinkerton, recorded exclusively for this release Bass on Titles Saul Bass, responsible for The Big Knife s credit sequence, discusses some of his classic work in this self-directed documentary from 1972 Theatrical trailer Reversible sleeve featuring original and newly commissioned artwork by Sean Phillips FIRST PRESSING ONLY: Illustrated collector s booklet featuring new writing on the film by Nathalie Morris

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Joe Wilson, a wrongly jailed man thought to have died in a blaze started by a bloodthirsty lynch mob, is somehow alive. And dead to all he ever stood for and perhaps ever will. Because Joe aims to ensure his would-be executioners meet the fate Joe miraculously escaped. Spencer Tracy is Joe, Sylvia Sidney is his bride-to-be, and Fury lives up to its volatile name with its searing indictment of mob justice and lynching. In his first American film, director Fritz Lang (Metropolis, The Big Heat) combines a passion for justice and a sharp visual style into a landmark of social-conscience filmmaking. In the 49 years before this movie's release, some 6,000 people in the U.S. were victims of lynch mobs. The Fury over those tragedies -- and over other injustices to come -- remains.

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Lights flicker and dim. Footsteps sound from a sealed-off attic. Mysterious events only vulnerable young Paula sees and hears make her fear she's losing her mind exactly what treacherous spouse Gregory hopes. Directed by George Cukor, Gaslight shines as a superb exercise in suspense. Ingrid Bergman won her first Academy Award * as Paula, doubting her sanity while clinging to it. Fellow Oscar nominee Charles Boyer skillfully plays against type as smoothly evil Gregory. Joseph Cotten, Dame May Whitty and an 18-year-old Angela Lansbury in her movie debut (also capturing an Oscar nomination) help make the Victorian era vividly realized through production design that earned an Academy Award *.

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“Gilda, are you decent?” Rita Hayworth tosses her hair back and slyly responds, “Me?” in one of the great star entrances in movie history. Gilda, directed by Charles Vidor, features a sultry Hayworth in her most iconic role, as the much-lusted-after wife of a criminal kingpin (George Macready), as well as the former flame of his bitter henchman (Glenn Ford), and she drives them both mad with desire and jealousy. An ever-shifting battle of the sexes set on a Buenos Aires casino’s glittering floor and in its shadowy back rooms, Gilda is among the most sensual of all Hollywood noirs. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features Audio commentary by film critic Richard Schickel Interview with film-noir historian Eddie Muller Program featuring filmmakers Martin Scorsese and Baz Luhrmann discussing their appreciation for Gilda “The Odyssey of Rita Hayworth,” a 1964 episode of the television show Hollywood and the Stars Trailer English subtitles for the deaf and hard of hearing Plus: An essay by critic Sheila O’Malley

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“Gilda, are you decent?” Rita Hayworth tosses her hair back and slyly responds, “Me?” in one of the great star entrances in movie history. Gilda, directed by Charles Vidor, features a sultry Hayworth in her most iconic role, as the much-lusted-after wife of a criminal kingpin (George Macready), as well as the former flame of his bitter henchman (Glenn Ford), and she drives them both mad with desire and jealousy. An ever-shifting battle of the sexes set on a Buenos Aires casino’s glittering floor and in its shadowy back rooms, Gilda is among the most sensual of all Hollywood noirs. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features Audio commentary by film critic Richard Schickel Interview with film-noir historian Eddie Muller Program featuring filmmakers Martin Scorsese and Baz Luhrmann discussing their appreciation for Gilda “The Odyssey of Rita Hayworth,” a 1964 episode of the television show Hollywood and the Stars Trailer English subtitles for the deaf and hard of hearing Plus: An essay by critic Sheila O’Malley

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Gilda, are you decent? Rita Hayworth (The Lady from Shanghai) tosses her hair back and slyly responds, Me? in one of the great star entrances in movie history. Gilda, directed by Charles Vidor (Cover Girl), features a sultry Hayworth in her most iconic role, as the much-lusted-after wife of a criminal kingpin (Paths of Glory s George Macready), as well as the former flame of his bitter henchman (3:10 to Yuma s Glenn Ford), and she drives them both mad with desire and jealousy. An ever-shifting battle of the sexes set on a Buenos Aires casino s glittering floor and in its shadowy back rooms, Gilda is among the most sensual of all Hollywood noirs. BLU-RAY SPECIAL EDITION FEATURES - New 2K digital restoration, with uncompressed monaural soundtrack - Audio commentary from 2010 by film critic Richard Schickel - New interview with film noir historian Eddie Muller - Appreciation of Gilda from 2010 featuring filmmakers Martin Scorsese and Baz Luhrmann - Rita Hayworth: The Columbia Lady, a 2000 featurette on Hayworth s career as an actor and dancer - Trailer - PLUS: An essay by critic Sheila O Malley

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A gambler becomes entangled in a volatile love triangle with his glamorous former lover and his sinister employer.

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A political fixer becomes embroiled in murder and corruption while trying to protect a ruthless boss

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Gorgeously remastered for the very first time in 3-D by 3-D Film Archive! Film noir legend Edward G. Robinson (Scarlet Street, Night Has a Thousand Eyes) spins The Glass Web the ultimate in shocking 3-D suspense! Television writer Don (John Forsythe, In Cold Blood) has been having an affair with ice-cold actress Paula (Kathleen Hughes, Three Bad Sisters) while working on the weekly authentic TV show Crime of the Week. When Paula demands a ransom to keep the affair from Don's wife (Marcia Henderson, All I Desire), he agrees. However, as he arrives to deliver the money, he finds Paula dead. Soon, the show's researcher, Henry (Robinson), proposes that their next episode should reenact Paula's murder and that he has incriminating evidence against Don. This twist-filled noir classic was filmed in three glorious dimensions by legendary director Jack Arnold (Creature from the Black Lagoon, This Island Earth, The Incredible Shrinking Man, The Tattered Dress).