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Release: November 29, 2022

$7.99

Description

Bruno Ganz gives a tour-de-force performance as Hoffman, an innocent bystander who survives a gunshot to the head by the police during a raid on a group of revolutionaries. In order to justify the shooting, the police claim he is a dangerous radical who attacked a policeman. The leftist revolutionaries in turn claim him as a hero and victim of police brutality. As Hoffman struggles to recover from the trauma to his brain and memory loss, he must try to piece together what really happened that fateful night. Featuring a stunning first solo score by Irmin Schmidt, co-founder of the legendary krautrock band CAN. Special Features: • Interview with director Reinhard Hauff • Interview with executive producer Eberhard Junkersdorff • Trailers

Release: August 6, 2013

$6.99

Description

Zambezia is a new feature film by Triggerfish Animation Studios about a young high-spirited falcon who journeys to the famed bird city of Zambezia.

Release: February 20, 2024

$7.99

Description

While vacationing by the Baltic Sea, writer Leon (Thomas Schubert) and photographer Felix (Langston Uibel) are surprised to encounter Nadja (Paula Beer), a mysterious young woman staying as a guest at the holiday home of Felix’s family. Nadja soon distracts Leon from finishing his latest novel, not only because of her passionate liaison with lifeguard Devid (Enno Trebs) but also because her brutal honesty forces Leon to confront his artistic inadequacies. As Nadja and Leon grow closer, an encroaching forest fire threatens the group and pushes the writer to discover whether he can truly care for anything beyond himself. Christian Petzold’s acclaimed latest film was the winner of the Silver Bear Grand Jury Prize at the 2023 Berlin International Film Festival. INCLUDES Meet the Filmmakers, a new interview with director Christian Petzold Trailer

Release: April 7, 2026

$6.99

Description

After the Millennium is a new documentary focused on Chris Carter's landmark television series Millennium. After the Millennium is a new documentary focused on Chris Carter's landmark television series Millennium. This all new and much extended cut of the original 2019 documentary looks back at what makes Millennium so enduring to fans and critics alike. Bonus Materials -NEW 2 hr 22 min CUT! -Home Again: Return to the Yellow House -Millennium CD Release Signing Event -Matthew Ingle’s Artwork Gallery -End Game: The Return of Avatar -Behind the Scenes Interviews -Opening Credits Contest Submissions -Promos and Trailers -SRS Cinema and Resurrection Films Trailers Cast & Crew Actors: Lance Henriksen Megan Gallagher Chris Carter Director: Jason D. Morris Top About this item Similar From the Brand Questions Reviews After The Millennium After The Millennium

Release: August 27, 2024

$7.99

Description

From Jean-Luc Godard, the influential filmmaker behind the French New Wave classics, Breathless, Contempt, Band of Outsiders and Pierrot Le Fou, comes this futuristic noir masterpiece. American secret agent Lemmy Caution (Eddie Constantine, Attack of the Robots) is sent to the distant space city of Alphaville where he must find a missing person and kill the inventor of fascist computer Alpha 60. Anna Karina (The Nun) and Akim Tamiroff (Touch of Evil) co-star in this cockeyed fusion of science-fiction with pulp characters and surrealist poetry. Godard’s irreverent journey to the mysterious Alphaville remains one of the least conventional films of all time. Beautifully shot in glorious black-and-white by Raoul Coutard (Jules and Jim, First Name: Carmen). Special Features: • 2023 HDR/Dolby Vision Master by StudioCanal – From 4K Scan of the Original Camera Negative • Audio Commentary by Novelist and Critic Tim Lucas • Anna Karina Interview (4:31) • Colin McCabe Introduction (5:26) • Includes Both Original French and English Audio with Optional English Subtitles • Theatrical Trailer

Release: May 12, 2026

$6.99

Description

After being assaulted, a woman enacts brutal, violent, blood soaked revenge on any man in her path. Virginia, a lawyer's secretary, is trapped in her daily routine: subway, work, sleep. But one night on the way home, she is sexually assaulted. She falls into a pit of darkness and despair. But soon she emerges, filled with rage, enacting brutal, violent, blood soaked revenge on any man in her path. But amidst her carnage, someone has taken notice. He follows and documents her vengeance. Will he turn her in, or does he want something else, something more? And what will Virginia do to him when their destinies finally cross? Bonus Materials Commentary Making of Trailer SRS Trailers Cast & Crew Director: Raphaël Desbordes

Release: April 7, 2026

$6.99

Description

The curse of Amityville - 10 amazing underground filmmakers have come together to drag you down into the darkest depths of its private hell. The curse of Amityville. You know it. You've seen it. Now 10 amazing underground filmmakers have come together to drag you down into the darkest depths of its private hell: Blaize Tudor - Amityville Clownopalooza Chad Nelson Knauer - Skeleton Cop Goes to Amityville Evan Jacobs - Amityville Death Toilet: Reprise Curtis Everitt - Amityville Mime Chad Michael Campbell - Scamityville JT Kris - Amityville Killer Josh Spiegel - A-Mall-Tyville Andy Wolf - Amityville Next Door Douglas Waltz - Amityville Lawn Flamingo Ron Ford - Amityville Murder Hammer Will you survive? No. The answer is no. But try to at least enjoy the terror-filled ride. Bonus Materials -English Captions -Commentary -Trailer -SRS Trailers Cast & Crew Actors: Shannon Taylor Jack Estabrook Director: Blaize Tudor Director: Chad Nelson Knauer Director: Evan Jacobs Director: Josh Spiegel Top About this item Similar From the Brand Questions Reviews Amityverse Amityverse

Release: September 8, 2026

$7.99

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Will you succumb to the insanity in this terror-filled ride? The curse of Amityville. You know it. You've felt it. Now even more amazing underground filmmakers have come together for another trip into the darkest depths of its private hell: Brock Bones - Amityville Tourist Caleb Elijah - Amityville Radio Jeff Hylton/Martin Stone Hennessee - Amityville: The Musical Brandon Farmer - Event Report Mark Holmberg - Amityville Crab Sharks Scarlet Fry/Paul C. Hemmes - For Sale By Owner Paul "Duck" Tucker - Amityville Evocation Marcus Kempton - Amityville Crime Boss Ryan Stockstad - Amityville Toothache Bobby Canipe - Amityville Ripper Revue Will you succumb to the insanity in this terror-filled ride? Bonus Materials Commentary Trailer SRS Trailers Cast & Crew Actors: Joel D. Wynkoop Damon Packard Director: Jeff Hylton Director: Scarlet Fry Director: Bobby Canipe

Release: April 7, 2026

$6.99

Description

After a rash of "toilet murders" sweep across the sleepy town of Amityville, New York, a Ghost Hunter is called in to investigate. After a rash of "toilet murders" sweep across the sleepy town of Amityville, New York, a Ghost Hunter is called in to investigate. He soon finds himself back in an eerie home that is known for a legacy of paranormal executions. Gregg G. Allin (Isaac Golub) has a semi-successful podcast exploring paranormal events. When Amityville is overrun with a spate of toilet murders leading back to the haunted house of yesteryear, Gregg wastes no time flying into town to get some answers. With Amityville's Mayor Dump (Roy Englebrecht, Celebrity Boxing) demanding answers and an end to the killings, Gregg is perplexed because this Amityville house doesn't seem to be that scary. Looks are very deceiving, and, after a toilet in the house mutilates Sebastian the caretaker, Gregg is forced to act. What ensues is a battle like no other where Gregg is pushed to the very limits of hell and beyond in an effort to save the town... and the world! Bonus Materials Commentary Making of Trailer SRS Trailers Cast & Crew Director: Evan Jacobs Top About this item Similar From the Brand Questions Reviews Amityville Death Toilet Amityville Death Toilet

Release: October 13, 2026

$7.99

Description

This Easter... the hunt isn't for eggs... It's for survival. Over Easter break, a group of rising content creators travels to a notorious murder house tied to a brutal, long-forgotten killing. What begins as a viral interview with the killer's widow quickly turns into a night of unimaginable horror. Hidden deep within the house, her son--a grotesque half-man, half-bunny--emerges from the shadows... hunting... watching... waiting to strike. Their cameras keep rolling as the screams get louder, the blood starts to flow, and escape becomes impossible. Because this Easter... the hunt isn't for views... It's for survival. Bonus Materials Commentary Sub-titles Trailer SRS Trailers Cast & Crew Actors: JULIE ANNE PRESCOTT PHIL HERMAN MISTY WAGNER Director: JULIE ANNE PRESCOTT Director: WILL COLLAZO Top About this item Similar From the Brand Questions Reviews Amityville Easter [Blu-ray] Amityville Easter [Blu-ray]

Release: January 2, 2024

$7.99

Description

A breathtaking milestone that brought India into the golden age of international art-house film, Satyajit Ray’s The Apu Trilogy follows one indelible character, a free-spirited child in rural Bengal who matures into an adolescent urban student and, finally, a sensitive man of the world. Ray’s delicate masterworks—Pather Panchali (Song of the Little Road), Aparajito (The Unvanquished), and Apur Sansar (The World of Apu)—based on two books by Bibhutibhusan Banerjee, were shot over the course of five years, and each stands on its own as a tender, visually radiant journey. These films—which have risen from the ashes in meticulously reconstructed restorations, after the original negatives were burned in a fire—are among the most achingly beautiful, richly humane movies ever made. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES 4K digital restorations of all three films, undertaken in collaboration with the Academy Film Archive at the Academy of Motion Picture Arts and Sciences and L’Immagine Ritrovata, with uncompressed monaural soundtracks Three 4K UHD discs of the films and three Blu-rays with the films and special features Audio recordings from 1958 of director Satyajit Ray reading his essay “A Long Time on the Little Road” and in conversation with film historian Gideon Bachmann Interviews with actors Soumitra Chatterjee, Shampa Srivastava, and Sharmila Tagore; camera assistant Soumendu Roy; and film writer Ujjal Chakraborty Making “The Apu Trilogy”: Satyajit Ray’s Epic Debut, a video essay by Ray biographer Andrew Robinson “The Apu Trilogy”: A Closer Look, a program featuring filmmaker, producer, and teacher Mamoun Hassan Excerpts from the 2003 documentary The Song of the Little Road, featuring composer Ravi Shankar The Creative Person: “Satyajit Ray,” a 1967 documentary short by James Beveridge, featuring interviews with Ray, several of his actors, members of his creative team, and film critic Chidananda Das Gupta Footage of Ray receiving an honorary Oscar in 1992 Programs on the restorations by filmmaker Kogonada PLUS: Essays by critics Terrence Rafferty and Girish Shambu, as well as a selection of Ray’s storyboards for Pather Panchali PATHER PANCHALI With the release in 1955 of Satyajit Ray’s debut, Pather Panchali, an eloquent and important new cinematic voice made itself heard all over the world. A depiction of rural Bengali life in a style inspired by Italian neorealism, this naturalistic but poetic evocation of a number of years in the life of a family introduces us to both little Apu and, just as essentially, the women who will help shape him: his independent older sister, Durga; his harried mother, Sarbajaya, who, with her husband away, must hold the family together; and his kindly and mischievous elderly “auntie,” Indir—vivid, multifaceted characters all. With resplendent photography informed by its young protagonist’s perpetual sense of discovery, Pather Panchali, which won an award for Best Human Document at the Cannes Film Festival, is an immersive cinematic experience and a film of elemental power. APARAJITO Satyajit Ray had not planned to make a sequel to Pather Panchali, but after the film’s international success, he decided to continue Apu’s narrative. Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. APUR SANSAR By the time Apur Sansar was released, Satyajit Ray had directed not only the first two Apu films but also the masterpiece The Music Room, and was well on his way to becoming a legend. This extraordinary final chapter brings our protagonist’s journey full circle. Apu is now in his early twenties, out of college, and hoping to live as a writer. Alongside his professional ambitions, the film charts his romantic awakening, which occurs as the result of a most unlikely turn of events, and his eventual, fraught fatherhood. Featuring soon-to-be Ray regulars Soumitra Chatterjee and Sharmila Tagore in star-making performances, and demonstrating Ray’s ever more impressive skills as a crafter of pure cinematic imagery, Apur Sansar is a moving conclusion to this monumental trilogy.

Release: January 2, 2024

$7.99

Description

A breathtaking milestone that brought India into the golden age of international art-house film, Satyajit Ray’s The Apu Trilogy follows one indelible character, a free-spirited child in rural Bengal who matures into an adolescent urban student and, finally, a sensitive man of the world. Ray’s delicate masterworks—Pather Panchali (Song of the Little Road), Aparajito (The Unvanquished), and Apur Sansar (The World of Apu)—based on two books by Bibhutibhusan Banerjee, were shot over the course of five years, and each stands on its own as a tender, visually radiant journey. These films—which have risen from the ashes in meticulously reconstructed restorations, after the original negatives were burned in a fire—are among the most achingly beautiful, richly humane movies ever made. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES 4K digital restorations of all three films, undertaken in collaboration with the Academy Film Archive at the Academy of Motion Picture Arts and Sciences and L’Immagine Ritrovata, with uncompressed monaural soundtracks Three 4K UHD discs of the films and three Blu-rays with the films and special features Audio recordings from 1958 of director Satyajit Ray reading his essay “A Long Time on the Little Road” and in conversation with film historian Gideon Bachmann Interviews with actors Soumitra Chatterjee, Shampa Srivastava, and Sharmila Tagore; camera assistant Soumendu Roy; and film writer Ujjal Chakraborty Making “The Apu Trilogy”: Satyajit Ray’s Epic Debut, a video essay by Ray biographer Andrew Robinson “The Apu Trilogy”: A Closer Look, a program featuring filmmaker, producer, and teacher Mamoun Hassan Excerpts from the 2003 documentary The Song of the Little Road, featuring composer Ravi Shankar The Creative Person: “Satyajit Ray,” a 1967 documentary short by James Beveridge, featuring interviews with Ray, several of his actors, members of his creative team, and film critic Chidananda Das Gupta Footage of Ray receiving an honorary Oscar in 1992 Programs on the restorations by filmmaker Kogonada PLUS: Essays by critics Terrence Rafferty and Girish Shambu, as well as a selection of Ray’s storyboards for Pather Panchali PATHER PANCHALI With the release in 1955 of Satyajit Ray’s debut, Pather Panchali, an eloquent and important new cinematic voice made itself heard all over the world. A depiction of rural Bengali life in a style inspired by Italian neorealism, this naturalistic but poetic evocation of a number of years in the life of a family introduces us to both little Apu and, just as essentially, the women who will help shape him: his independent older sister, Durga; his harried mother, Sarbajaya, who, with her husband away, must hold the family together; and his kindly and mischievous elderly “auntie,” Indir—vivid, multifaceted characters all. With resplendent photography informed by its young protagonist’s perpetual sense of discovery, Pather Panchali, which won an award for Best Human Document at the Cannes Film Festival, is an immersive cinematic experience and a film of elemental power. APARAJITO Satyajit Ray had not planned to make a sequel to Pather Panchali, but after the film’s international success, he decided to continue Apu’s narrative. Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. APUR SANSAR By the time Apur Sansar was released, Satyajit Ray had directed not only the first two Apu films but also the masterpiece The Music Room, and was well on his way to becoming a legend. This extraordinary final chapter brings our protagonist’s journey full circle. Apu is now in his early twenties, out of college, and hoping to live as a writer. Alongside his professional ambitions, the film charts his romantic awakening, which occurs as the result of a most unlikely turn of events, and his eventual, fraught fatherhood. Featuring soon-to-be Ray regulars Soumitra Chatterjee and Sharmila Tagore in star-making performances, and demonstrating Ray’s ever more impressive skills as a crafter of pure cinematic imagery, Apur Sansar is a moving conclusion to this monumental trilogy.

Release: January 2, 2024

$7.99

Description

A breathtaking milestone that brought India into the golden age of international art-house film, Satyajit Ray’s The Apu Trilogy follows one indelible character, a free-spirited child in rural Bengal who matures into an adolescent urban student and, finally, a sensitive man of the world. Ray’s delicate masterworks—Pather Panchali (Song of the Little Road), Aparajito (The Unvanquished), and Apur Sansar (The World of Apu)—based on two books by Bibhutibhusan Banerjee, were shot over the course of five years, and each stands on its own as a tender, visually radiant journey. These films—which have risen from the ashes in meticulously reconstructed restorations, after the original negatives were burned in a fire—are among the most achingly beautiful, richly humane movies ever made. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES 4K digital restorations of all three films, undertaken in collaboration with the Academy Film Archive at the Academy of Motion Picture Arts and Sciences and L’Immagine Ritrovata, with uncompressed monaural soundtracks Three 4K UHD discs of the films and three Blu-rays with the films and special features Audio recordings from 1958 of director Satyajit Ray reading his essay “A Long Time on the Little Road” and in conversation with film historian Gideon Bachmann Interviews with actors Soumitra Chatterjee, Shampa Srivastava, and Sharmila Tagore; camera assistant Soumendu Roy; and film writer Ujjal Chakraborty Making “The Apu Trilogy”: Satyajit Ray’s Epic Debut, a video essay by Ray biographer Andrew Robinson “The Apu Trilogy”: A Closer Look, a program featuring filmmaker, producer, and teacher Mamoun Hassan Excerpts from the 2003 documentary The Song of the Little Road, featuring composer Ravi Shankar The Creative Person: “Satyajit Ray,” a 1967 documentary short by James Beveridge, featuring interviews with Ray, several of his actors, members of his creative team, and film critic Chidananda Das Gupta Footage of Ray receiving an honorary Oscar in 1992 Programs on the restorations by filmmaker Kogonada PLUS: Essays by critics Terrence Rafferty and Girish Shambu, as well as a selection of Ray’s storyboards for Pather Panchali PATHER PANCHALI With the release in 1955 of Satyajit Ray’s debut, Pather Panchali, an eloquent and important new cinematic voice made itself heard all over the world. A depiction of rural Bengali life in a style inspired by Italian neorealism, this naturalistic but poetic evocation of a number of years in the life of a family introduces us to both little Apu and, just as essentially, the women who will help shape him: his independent older sister, Durga; his harried mother, Sarbajaya, who, with her husband away, must hold the family together; and his kindly and mischievous elderly “auntie,” Indir—vivid, multifaceted characters all. With resplendent photography informed by its young protagonist’s perpetual sense of discovery, Pather Panchali, which won an award for Best Human Document at the Cannes Film Festival, is an immersive cinematic experience and a film of elemental power. APARAJITO Satyajit Ray had not planned to make a sequel to Pather Panchali, but after the film’s international success, he decided to continue Apu’s narrative. Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. APUR SANSAR By the time Apur Sansar was released, Satyajit Ray had directed not only the first two Apu films but also the masterpiece The Music Room, and was well on his way to becoming a legend. This extraordinary final chapter brings our protagonist’s journey full circle. Apu is now in his early twenties, out of college, and hoping to live as a writer. Alongside his professional ambitions, the film charts his romantic awakening, which occurs as the result of a most unlikely turn of events, and his eventual, fraught fatherhood. Featuring soon-to-be Ray regulars Soumitra Chatterjee and Sharmila Tagore in star-making performances, and demonstrating Ray’s ever more impressive skills as a crafter of pure cinematic imagery, Apur Sansar is a moving conclusion to this monumental trilogy.

Release: June 16, 2019

$7.99

Description

Qiao is in love with Bin, a local mobster. During a fight between rival gangs, she fires a gun to protect him. Qiao gets five years in prison for this act of loyalty.\r\nUpon her release, she goes looking for Bin to pick up where they left off.

Release: November 14, 2023

$7.99

Description

The inaugural film of Eric Rohmer’s sparkling “Comedies and Proverbs” cycle, The Aviator’s Wife is a fleecy farce of romantic overanalysis that finds the director exploring the possibilities of handheld camerawork as he seeks a narrative expression of the opening epigraph: “It is impossible to think of nothing.” A young man sees his girlfriend’s ex leaving her apartment one early morning, and his imagination is off to the races, as stars Philippe Marlaud and Marie Rivière (The Green Ray) introduce a younger, less perfectly articulate type of Rohmer character than those of the “Moral Tales.” Special Features: • Audio commentary by film historian Adrian Martin • Trailer Top About this item Similar From the Brand Reviews The Aviator's Wife [Blu-ray]

Release: September 19, 2017

$6.99

Description

THE BAD BATCH follows Arlen (Waterhouse) after she's left in a Texas wasteland fenced off from civilization. While trying to navigate the unforgiving landscape, Arlen is captured by a savage band of cannibals led by the mysterious Miami Man (Momoa). With her life on the line she makes her way to The Dream (Reeves). As she adjusts to life in 'the bad batch', Arlen discovers that being good or bad mostly depends on who's standing next to you.

Release: August 6, 2024

$7.99

Description

Banel and Adama are fiercely in love. The young couple lives in a remote village in northern Senegal. For them, nothing else exists except each other. But for the rest of their tight-knit village, duty dictates that Adama soon accept the role of chief. The two lovers have other plans… until something in the air changes. The rains do not come; the cattle begin to die; the men leave. A rare debut feature that premiered in competition at the Cannes Film Festival, and Senegal’s official submission to the Academy Awards®, Ramata-Toulaye Sy’s Banel & Adama is a lush and lyrical fable that soars to the heights of longing and descends deep into the realm of myth, sending its protagonists’ idyllic love on a collision course with their community’s customs. Because in this world, there is no room for passion, let alone chaos. Special Features: • Q&A with director Ramata-Toulaye Sy (courtesy of Film at Lincoln Center) • Theatrical Trailer

Release: August 11, 2026

$6.99

Description

Something lurks in the drain of the bathtub. Something that's thousands of years old...and it is hungry. A young down-on-their-luck couple settle for a cheap apartment that seems too good to be true. Little do they know, something lurks in the drain of the bathtub. Something that's thousands of years old...and it is hungry. Bonus Materials Commentary Location Tour Outtakes Trailers Art Slideshow SRS Trailers Cast & Crew Actors: Ruby Craft Lynn Lowry Director: Madeline Deering Bathtub Shark Attack Bathtub Shark Attack About this item Similar From the Brand Reviews

Release: May 21, 2024

$7.99

Description

"The Beauty of Beauties", the spectacular historical epic that swept the Golden Horse Awards (winning for best feature film, director, actor, color cinematography, and art direction), is a story drawn from China's legendary Warring States Period,. The King of Yueh, Goujian (Lei Zhao) , is defeated and imprisoned by the King of Wu, Fucha (Mu Chu). But when Goujian returns to his much-maligned homeland, he is determined to defeat Wu once and for all, with a secret weapon: a local beauty named Xi Si (Ching Chiang), who is sent to serve Fucha and lure him to his doom. SPECIAL FEATURES: Brand new 4K Remaster from the Original Negatives High Definition (1080p) Blu-ray in 2.39:1 Aspect Ratio 2.0 Original Mandarin Mono Newly Translated English Subtitles An Interview with Oriental Cinema Expert Tony Rayns Original Trailer Restoration Comparison

Release: April 23, 2024

$7.99

Description

THE SUPERHERO MARTIAL ARTS CLASSIC FROM WRITER / PRODUCER TSUI HARK (ONCE UPON A TIME IN CHINA, KNOCK OFF) NOW AVAILABLE IN A 2-DISC LIMITED EDITION BLU-RAY! Tsui Chik (Li) is a librarian who leads a quiet, unassuming life - or, at least, that's what he wants people to believe. In truth, he was once a member of the 701 Squad, a group of elite combatants produced by a failed super-soldier project. In kind with his former comrades, his central nervous system has been altered to render him impervious to pain. When several of his fellow test subjects resurface and embark on a crimewave under the leadership of their former commander Hung Kuk (Patrick Lung), Tsui is forced to use his extraordinary abilities once more. Donning a costume, he sets out to face his past - as the vigilante known as the Black Mask. Adapted from the manhua by Pang Chi-ming and Li Chi-tak and heavily influenced by Bruce Lee's turn as Kato in The Green Hornet, Black Mask is one of the most entertaining movies in Jet Li's filmography and boasts action orchestrated by Yuen Woo-ping, who would later win an Academy Award for his work on Crouching Tiger, Hidden Dragon. Eureka Classics is proud to present the film in its rarely seen uncut version on Blu-ray from a 2K restoration! LIMITED EDITION TWO-DISC BLU-RAY SET FEATURES: Limited Edition of 2000 copies only | O-card slipcase featuring new artwork by Grégory Sacré (Gokaiju) | Limited Edition bonus disc featuring an extended version of the film | PLUS: A Limited- edition collector’s booklet featuring new writing on the film by James Oliver DISC ONE Fully uncut Hong Kong version presented in 1080p from a 2K restoration Original US version presented in 1080p from a 2K restoration Original Cantonese Stereo and optional DTS-HD MA 5.1 (Hong Kong Version) Optional English subtitles, newly translated for this release Brand new audio commentary on the Hong Kong version by Asian film expert Frank Djeng (NY Asian Film Festival) Brand new audio commentary on the US export version by action cinema experts Mike Leeder and Arne Venema Brand new interview with stuntman Mike Lambert Brand new interview with film critic Andrew Heskins (easternKicks.com) Brand new interview with Leon Hunt, author of Kung Fu Cult Masters: From Bruce Lee to Crouching Tiger Reversible sleeve featuring original poster artwork Archival Making of featurette Trailers DISC TWO (LIMITED EDITION BONUS DISC) Extended version of Black Mask featuring all the unique footage from the various releases of the film re-inserted

Release: April 23, 2024

$7.99

Description

THE SUPERHERO MARTIAL ARTS CLASSIC FROM WRITER / PRODUCER TSUI HARK (ONCE UPON A TIME IN CHINA, KNOCK OFF) NOW AVAILABLE IN A 2-DISC LIMITED EDITION BLU-RAY! Tsui Chik (Li) is a librarian who leads a quiet, unassuming life - or, at least, that's what he wants people to believe.

Release: February 10, 2026

$6.99

Description

Centuries ago, a mysterious meteor fell from the sky. Imbued with power, the ancient Egyptians carved it into the shape of a mystical scarab. Now, in the present, an evil villain known as the Sphinx tries to retrieve it. Unknown to the Sphinx, the scarab has fallen into the hands of a heroic archaeologist and granted him super powers and the black costume of THE SCARAB. Teaming with several other costumed allies, the Scarab must keep the Sphinx from achieving his goals of world-domination. Bonus Materials Documentary Motion Comic Trailer SRS Trailers Cast & Crew Actors: Mark Courneyea Alix Pasquet Director: Brett Kelly Top About this item Similar From the Brand Reviews Black Scarab

Release: July 10, 2012

$8.99(Not Free for Subscribers)

Description

Blade 2 (BD) Get set for more action, more vampires and more Wesley Snipes in this second monster-hit installment in the Blade franchise. When the world is threatened by a new and deadlier breed of super vampires, the legendary Blade and his mentor, Whistler, must join forces with the Bloodpack, an elite team of vampire warriors.

Release: March 31, 2026

$7.99

Description

From legendary cult filmmaker Takashi Miike comes the story of Ikuto and Ryoma, troubled teens who meet in juvenile detention and plan to fight their way to freedom. Inspired by MMA fighter and Breaking Down founder Mikuru Asakura, the two boys set their sights on competing in Asakura’s popular tournament. After their release, they discover they must defeat their pasts outside the ring before they can become champions inside it.

Release: January 9, 2024

$7.99

Description

Joel and Ethan Coen’s career-long darkly comic road trip through misfit America began with this razor-sharp, hard-boiled neonoir set somewhere in Texas, where a sleazy bar owner releases a torrent of violence with one murderous thought. Actor M. Emmet Walsh looms over the proceedings as a slippery private eye with a yellow suit, a cowboy hat, and no moral compass, and Frances McDormand’s cunning debut performance set her on the road to stardom. The tight scripting and inventive style that have marked the Coens’ work for decades are all here in their first film, in which cinematographer Barry Sonnenfeld abandons black-and-white chiaroscuro for neon signs and jukebox colors that combine with Carter Burwell’s haunting score to lurid and thrilling effect. Blending elements from pulp fiction and low-budget horror flicks, Blood Simple reinvented the film noir for a new generation, marking the arrival of a filmmaking ensemble that would transform the American independent cinema scene. DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES Restored 4K digital transfer, approved by cinematographer Barry Sonnenfeld and filmmakers Joel and Ethan Coen, with 5.1 surround DTS-HD Master Audio soundtrack One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features Conversation between Sonnenfeld and the Coens about the film’s look, featuring Telestrator video illustrations Conversation between author Dave Eggers and the Coens about the film’s production, from inception to release Interviews with composer Carter Burwell, sound editor Skip Lievsay, and actors Frances McDormand and M. Emmet Walsh Trailers English subtitles for the deaf and hard of hearing PLUS: An essay by novelist and critic Nathaniel Rich

Release: August 13, 2024

$7.99

Description

From Jean-Pierre Melville, the legendary director of Le Doulos, Le Samouraï, Army of Shadows and Un Flic, comes this classic heist film noir, in the tradition of Rififi. Suffused with wry humor, Bob Le Flambeur melds the toughness of American gangster films with Gallic sophistication to lay the roadmap for the French New Wave. As the neon is extinguished for another dawn, an aging gambler (Roger Duchesne) navigates the treacherous world of pimps, moneymen and naïve associates while plotting one last score—the heist of the Deauville casino. This underworld comedy of manners possesses all the formal beauty, finesse and treacherous allure of green baize. Boasting a beautifully written screenplay by Melville and Auguste Le Breton (Razzia Sur la Chnouf) and stunning black-and-white cinematography by Henri Decaë (The 400 Blows, Purple Noon). Special Features: • UHD SDR Master by StudioCanal – From a 4K Scan of the 35mm Original Camera Negative • Audio Commentary by Film Critic Nick Pinkerton • Diary of a Villain: Documentary by Dominique Maillet (25:45) • Theatrical Trailer • In French with Optional English Subtitles

Release: March 27, 2012

$6.99

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Bodyguard, The (BD) The Bodyguard stars Whitney Houston as a pop-music diva and Kevin Costner as the ultra-serious bodyguard assigned to protect her in teh aftermath of several death threats. Initially repelled by each other like water and oil, a passion ignites between them as teh danger increases, transforming them as everythign around them explodes.

Release: November 28, 2023

$7.99

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In Boyfriends and Girlfriends (aka My Girlfriend’s Boyfriend) Rohmer uses the amorous misadventures of two girlfriends in the Paris suburbs to test the old proverb “les amis de mes amis sont mes amis” (“the friends of my friends are my friends”) in the final episode of his “Comedies and Proverbs” series. Taking an identifiable stab at a yuppie(ish) set, Rohmer’s witty Shakespearean roundelay involves the buttoned-up Blanche (Emmanuelle Chaulet, in a superb debut) and the free-spirited Lea (Sophie Renoir), and their current amours. The pair are tempted by each other’s love interests, testing both their friendship and their understanding of matters of the heart. Special Features: • Audio commentary by film historian Adrian Martin • Trailer

Release: February 14, 2023

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Brilliant and daring, writer/director François Truffaut (The 400 Blows, Mississippi Mermaid) marries passion with vengeance for one of the most haunting love stories ever filmed. The incandescent Jeanne Moreau (Jules and Jim) is Julie, who has just wed her childhood sweetheart. But just moments after the ceremony, her beloved is murdered on the steps of the church. Emotionally distraught, Julie becomes obsessed with her bridegroom’s death and begins a descent into madness as she relentlessly pursues the men responsible. Adapted from Cornell Woolrich (Rear Window) and scored by Bernard Herrmann (Psycho), The Bride Wore Black unveils itself as a Hitchcockian thriller and gradually evolves into the fascinating portrait of a woman ravaged by grief. Featuring sumptuous cinematography by Raoul Coutard (Shoot the Piano Player) and pitch-black performances by Michel Bouquet, Jean-Claude Brialy, Charles Denner, Claude Rich, Daniel Boulanger, Michael Lonsdale and Alexandra Stewart. Special Features: -Audio Commentary by Film Historians Julie Kirgo, Steven C. Smith and Nick Redman -Theatrical Trailer -In French with Optional English Subtitles -Reversible Cover Art Top About this item Similar From the Brand Reviews The Bride Wore Black [Blu-ray]

Release: January 14, 2020

$6.99

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After the end of a long marriage, Britt-Marie is starting over at age 63. In the small town of Borg, the only job she can find is quite challenging: to coach the town's youth soccer team. Based on the bestselling novel by author Fredrik Backman (A Man Called Ove).

$6.99

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One disc Director's Cut!

Release: July 9, 2024

$7.99

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Polish-born actress Pola Negri was already popular when she began appearing in German silents in the 1910s, but it was her collaborations with Ernst Lubitsch that transformed her into a silver screen goddess, a mesmerizing presence as formidable in comedies (The Wildcat) as in tragedies (Madame Dubarry). Released in the U.S. as Gypsy Blood, Carmen retells Prosper Merimée’s classic tale of a Romani woman who seduces a military officer and sends each of them on a trajectory of dramatic self-destruction. Restored in 4K by the Friedrich-Wilhelm-Murnau-Stiftung, Carmen features a lively score by Tobias Schwenke, performed by the orchestral ensemble Kontraste. Special Features: • Audio commentary by film historian Anthony Slide • Short documentary on the film's restoration (5 min.)

Release: May 12, 2026

$7.99

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Imagine someone or something takes your identity, along with your memories and emotions. That's what happens to a nurse, Cathy Myers. Imagine someone or something takes your identity, along with your memories and emotions. That's what happens to a nurse, Cathy Myers (Deborah Thomas). While making her rounds, Cathy is attacked by a patient. Soon she finds herself driven by a hunger she cannot control. Absorbing the very souls of those unfortunate enough to cross her path. Bonus Materials -Subtitles -Interview -Trailer -5 Short Films -SRS Trailers Cast & Crew Actors: DEBORAH THOMAS JENNIFER SHUMAKER Director: Chris Woods Top About this item Similar From the Brand Questions Reviews Chameleon Chameleon

Release: January 23, 2024

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In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

Release: January 23, 2024

$7.99

Description

In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

Release: January 23, 2024

$7.99

Description

In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

Release: May 12, 2026

$7.99

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On Halloween night, an abusive group is kidnapped to a filthy lair by a group of vicious psychopaths intent on torturing and killing them. On Halloween night, an abused housewife (Ashley Lynn Caputo) with a deadly secret, a sleazy politician (David A. Jackson), and a brother and sister (Lisa Marie Kart and Eric Danger Dionne) with an abusive father are all kidnapped or lured into a filthy scummy lair by a group of vicious psychopaths, mostly made up of women, hell bent on torturing and killing them. Led by the malicious Bytch (Cayt Feinics) and her twisted girl-toy Vixen (Amanda Welch), along with the savaged Uncle Lester (Bob Glazier), the cannibalistic Lilith (Paula Tsurara) and the giantess Misery (Saharra Huxly), this murderous gang cages, degrades, tortures and kills everything in their path. Bonus Materials -Subtitles -Behind the Scenes -Interview -Photo Gallery -Deleted Scenes -Trailer -SRS Trailers Cast & Crew Actors: LISA MARIE KART ASHLEY LYNN CAPUTO CAYT FEINICS JOEL D. WYNKOOP Director: CHRIS WOODS Top About this item Similar From the Brand Questions Reviews Chaos A.D. Chaos A.D.

Release: March 28, 2017

$7.99

Description

A CELEBRATION OF YOUTH, FRIENDSHIP, AND THE EVERLASTING MAGIC OF THE MOVIES A winner of awards across the world including Best Foreign Language Film Oscar, five BAFTA Awards including Best Actor, Original Screenplay and Score, the Grand Prize of the Jury at the Cannes Film Festival and many more. Giuseppe Tornatore s loving homage to the cinema tells the story of Salvatore, a successful film director, returning home for the funeral of Alfredo, his old friend who was the projectionist at the local cinema throughout his childhood. Soon memories of his first love affair with the beautiful Elena and all the high and lows that shaped his life come flooding back, as Salvatore reconnects with the community he left 30 years earlier. Presented in both the original award-winning cut and the expanded Director s Cut incorporating more of Salvatore s backstory, newly restored from original negative materials. SPECIAL EDITION CONTENTS Restored from the original camera negative and presented in two versions the 124 minute Cannes Festival theatrical version and the 174 minute Director s Cut Uncompressed original stereo 2.0 Audio and 5.1 DTS-HD Master Audio options Optional English subtitles Audio commentary with director Giuseppe Tornatore and Italian cinema expert critic Millicent Marcus A Dream of Sicily A 52-minute documentary profile of Giuseppe Tornatore featuring interviews with director and extracts from his early home movies as well as interviews with director Francesco Rosi and painter Peppino Ducato, set to music by the legendary Ennio Morricone A Bear and a Mouse in Paradise A 27-minute documentary on the genesis of Cinema Paradiso, the characters of Toto and Alfredo, featuring interviews with the actors who play them, Philippe Noiret and Salvatore Cascio as well as Tornatore The Kissing Sequence Giuseppe Tornatore discusses the origins of the kissing scenes with full clips identifying each scene Original Director s Cut Theatrical Trailer and 25th Anniversary Re-Release Trailer FIRST PRESSING ONLY: Collector's booklet by Pasquale Iannone illustrated with archive stills, behind-the-scenes images and posters

Release: December 8, 2020

$7.99

Description

A CELEBRATION OF YOUTH, FRIENDSHIP, AND THE EVERLASTING MAGIC OF THE MOVIES A winner of awards across the world including Best Foreign Language Film Oscar, 5 BAFTA Awards including Best Actor, Original Screenplay and Score, the Grand Prize of the Jury at the Cannes Film Festival and many more. Giuseppe Tornatore s loving homage to the cinema tells the story of Salvatore, a successful film director, returning home for the funeral of Alfredo, his old friend who was the projectionist at the local cinema throughout his childhood. Soon memories of his first love affair with the beautiful Elena and all the highs and lows that shaped his life come flooding back, as Salvatore reconnects with the community he left 30 years earlier. The original award-winning theatrical version of Tornatore s classic is presented here for the first time on 4K Ultra-HD Blu-ray. This edition also includes the expanded Director s Cut, which delves deeper into Salvatore s backstory [Blu-ray]. SPECIAL EDITION CONTENTS 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) of the 124 minute theatrical version High Definition Blu-ray (1080p) presentation of the 174 minute Director s Cut Uncompressed original stereo 2.0 Audio and 5.1 surround sound options Optional English subtitles Audio commentary with director Giuseppe Tornatore and Italian cinema expert critic Millicent Marcus A Dream of Sicily A 52-minute documentary profile of Giuseppe Tornatore featuring interviews with the director and extracts from his early home movies as well as interviews with director Francesco Rosi and painter Peppino Ducato, set to music by the legendary Ennio Morricone A Bear and a Mouse in Paradise A 27-minute documentary on the making of Cinema Paradiso and the characters of Toto and Alfredo, featuring interviews the actors who play them, Philippe Noiret and Salvatore Cascio as well as Tornatore The Kissing Sequence Giuseppe Tornatore discusses the origins of the kissing scenes with clips identifying each scene Original Director s Cut Theatrical Trailer and 25th Anniversary Re-Release Trailer

Release: September 27, 2022

$6.99

Description

A fascinating look at the art of filmmaking, including stories and clips from the making of some of the greatest films of the 70's and 80's. Focuses on several men who made a huge impact on a craft that's vital to the making of any film.

Release: June 27, 2023

$7.99

Description

Directed by Italian genre-film stalwart Enzo G Castellari (Inglorious Bastards), Cold Eyes of Fear (Gli occhi freddi della paura) is a tense and brutal thriller which features an all-star line-up, including Gianni Garko (If You Meet Sartana Pray for Your Death), Fernando Rey (The French Connection), Giovanna Ralli (What Have They Done to Your Daughters?), and Frank Wolff (Once Upon a Time in the West).

Release: January 27, 2017

$6.99

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Product Description A stunning, dream-like odyssey through a beautiful and otherworldly Helsinki over the course of one evening, CONCRETE NIGHT follows the impressionable 14-year-old Simo as he keeps his soon-to-be incarcerated brother company. The official Finnish submission to the Academy Awards® for Best Foreign Language Film captures the pain and joy of youth through exquisite, eye-popping black-and-white cinematography. Cast & Crew Actors: Johannes Brotherus Jari Virman Juhan Ulfsak Anneli Karppinen Alex Anton Director: Pirjo Honkasalo Producers: Misha Jaari Producers: Mark Lwoff Review Poetic and stirring... Otherworldly. --Chicago Reader A powerful piece of work, beautifully depicted. --Eye For Film Stunning to look at and chilling at its core... A tale of innocence lost. --Hollywood Reporter Top About this item Similar From the Brand Reviews Concrete Night

Release: June 3, 2014

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Actors: Jules Guiteaux Directors: Dominique Benicheti Format: Multiple Formats, Blu-ray, Anamorphic, Surround Sound, Widescreen Region: Region A/1 Number of discs: 1 Rated: NR (Not Rated) Studio: Cinema Guild DVD Release Date: June 3, 2014 Run Time: 91 minutes

Release: November 28, 2017

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Product Description Arguably the most insanely idiosyncratic giallo ever directed, DEATH LAID AN EGG (1968) is a true wayward masterpiece of kaleidoscopic Italian counterculture cinema. Directed by largely unsung iconoclastic auteur Giulio Questi (DJANGO KILL!, ARCANA) and starring legendary leading man Jean-Louis Trintignant (THE CONFORMIST) as a married man that may or may not be a serial killer, Gina Lollobrigida (John Huston's BEAT THE DEVIL) as his delectable yet overly domineering careerist wife, and Swedish blonde bombshell Ewa Aulin (CANDY) as his murderous double-crossing mistress, the film is the virtual giallo equivalent to Godard’s WEEKEND in terms of its crass car crash fetishism, savage anti-bourgeois sentiments, and overall anarchic spirit. Set largely in a hi-tech automated poultry factory that breeds mutant boneless chickens. DEATH LAID AN EGG is a socio-politically sophisticated avant-garde giallo that is more pertinent today than when it was first released in terms of its quite modern depiction of the battle of the sexes and the perils of technology. The original Italian "superbly edited" giallo version is presented by Cult Epics in High-definition and with new bonus features. Special Features: HD presentation Original Theatrical Trailer Lobby Cards photo gallery Isolated Score by Bruna Maderna Review "One of the craziest films ever made in any genre." –David Cairns, MUBI

Release: September 26, 2017

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Versailles, August 1715. Back from hunting, Louis XIV - magisterially interpreted by New Wave icon and honorary Palme d Or recipient Jean-Pierre Léaud (The 400 Blows) - feels pain in his leg. A serious fever erupts, which marks the beginning of the agony of the greatest King of France. Surrounded by a horde of doctors and his closest counselors who come in turns at his bedside sensing the impending power vacuum, the Sun King struggles to run the country from his bed. Based on extensive medical records and the memoirs of the Duke of Saint-Simon and other courtiers, The Death of Louis XIV is a wry neoclassical chamber drama, a work of pure magic by Albert Serra, one of today s most singular directors. Special Features: * Film Society of Lincoln Center presents Jean-Pierre Léaud & Albert Serra Q&A at NYFF54 * Cuba Libre (2013, 18 mins) a film by Albert Serra * Theatrical Trailer * Booklet featuring essay by Jordan Cronk

Release: February 10, 2026

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In a world grappling with strange phenomena and low-budget superheroics, Den Ace is... well, he's trying his best. In a world grappling with strange phenomena and low-budget superheroics, Den Ace is...

Release: August 11, 2026

$7.99

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Lost for decades, highly sought by fans, the 70's horror movie "Devil Times Two" has been found on a VHS recording from its one time TV broadcast. Lost for decades, highly sought after by fans the world over, the 70's horror movie "Devil Times Two" has been found on a VHS recording from its one time TV broadcast. "The late 1970's, in a convent near Milan, mysterious murders are believed to be connected to the Devil himself. Exorcists are sent in to investigate, and soon discover that the perpetrators are two 'Returnees' - damned souls who have escaped from the Gates of Hell. It will be a brutal and gore-soaked battle when good tries to expel evil back to the depths from whence it came!" See the movie as it was broadcast on that one night, before the print was lost forever, in this presentation from Telelaguna and SRS Cinema in this first ever crossover Retro / Nightmare Fuel Release! Bonus Materials Trailer Behind the Scenes Slideshow SRS Trailers Cast & Crew Actors: Paolo Salvadeo Enrico Luly Amira Lucrezia Lamour Director: Paolo Del Fiol Devil Times Two Devil Times Two About this item Similar From the Brand Reviews

Release: January 31, 2023

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One of the best trans films you’ve likely never heard of, Antonio Giménez-Rico’s landmark 1983 documentary Dressed in Blue (Vestida de Azul) explores the lives and loves of a group of six transgender women living in Madrid in the years following Spain’s transition to democracy. But more than that, it’s a loving portrait of a culture finally emerging from the shadows after being hidden for far too long. Antonio's portrait of these women gave them the freedom to portray their own stories with their own friends & family, but in a stylized scripted narrative framework with gorgeous cinematography by Teo Escamilla. The stories of Eva, Nacha, Loren, Josette, Reneé, & Tamara were never properly released outside of Spain and never available on home video, but finally Altered Innocence and Anus Films is proud to present this vital testament to just how far we’ve come—and how far there’s still left to go. Cast & Crew Actors: Lorenzo Arana Orellano Rene Amor Fernandez Jose Antonio Sanchez Sanchez Francisco Perez de los Cobos Avila Juan Muñoz Santiago Jose Ruiz Orejon Casado Director: Antonio Giménez Rico Producers: Monica Del Bosco-Loew Producers: Bernardo Fernández Producers: Baltasar Sanrigoberto

Release: March 19, 2024

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A seemingly simple taxi ride across Paris evolves into a profound meditation on the realities of the driver and his fare, a 92-year-old woman whose warmth belies her shocking past. Charles (Dany Boon) is a taxi driver in Paris, and he is having a very bad day. Enter Madeleine (Line Renaud), an immaculately groomed nonagenarian, who informs Charles that the trip today will not be a direct one. She is moving into a nursing home and would like to make some stops along the way predicting that this might be her last car ride through the city. Their ride takes them through the momentous locations of her life and their brief friendship deepens as Madeleine listens to Charles confess his own worries. Boon, an actor best known for his comedic work, creates a dramatic portrait of a frustrated man facing a personal crisis of epic proportions. His darker, sharper edges allow Renaud (renowned for decades in France as a singer) to shine as the pure shimmering light that is Madeleine, reminding us that inside every seemingly benign elderly woman we might pass on the street is a warrior, a nurturer, and a spirited adventurer. Special Features: • Interview with Director Christian Carion • Theatrical Trailer

Release: August 25, 2026

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Lisa, a sports photographer, vanishes off into the greener pastures of the Georgian countryside, traces of her passing embedded in the landscape like clues. Her father, Irakli (David Koberidze), picks up her scent in the ochre foliage and communal soccer fields she documented for her last assignment. His search-and-rescue trip defies her wishes not to be followed. With a disembodied voice in his passenger seat, he embarks on a winding pastoral picaresque, marked by the recurring gaggles of adolescents, wild dogs, and oral histories he encounters along the way. Undulating between impressionistic reverie and subversive detective story, Irakli’s near-fruitless search invites us to see—with renewed eyes—the quotidian elements which constitute both cinema and life. Shot with a pixelated W595 Sony Ericsson phone camera, Dry Leaf stands as a palpable salvo on cinematic degrowth. While director Alexandre Koberidze teeters on the edge of a formal gimmick to challenge technological tyranny, his characters swim against the false currents of modern life. Taking an audacious leap of faith after his breakthrough What Do We See When We Look At The Sky?, and harkening back to his low-res debut Let the Summer Never Come Again, Koberidze reignites the threadbare wonders of cinematic language in spectacular, big-screen fashion.