Search

Description

A man enters a dreamlike sanatorium where time, grief and memory bend around the fading presence of his father.

Description

Product Description Following his delightful full-length ballet Alice's Adventures in Wonderland, Christopher Wheeldon continues his highly successful collaboration with designer Bob Crowley and composer Joby Talbot to create his first ballet based on a Shakespeare play, the late romance The Winter's Tale. The story follows the destruction of marriage through consuming jealousy, the abandonment of a child, and a seemingly hopeless love. Yet through remorse and regret-and after a statue comes miraculously to life-the ending is one of forgiveness and reconciliation. It is powerful material for ballet, with a story that allows for the portrayal of intense emotions between and within the characters, and the opportunity for the Company to create not just new central characters, but the whole world around them. Review "Steven McRae and Sarah Lamb lead the company in flurries of joyful movement in a buoyant Act II, as the plot turns into a hugely enjoyable caper. By the time they're in a chase across the high seas, you'll be hooked." --Evening Standard "Christopher Wheeldon rises to the challenge of translating Shakespeare into dance, creating one of most fully achieved story ballets to be staged at Covent Garden in years. Yet Christopher Wheeldon has turned these challenges into inspiration. Together with composer Joby Talbot and designer Bob Crowley (whose mix of video, light and set design vividly illuminates the story), Wheeldon has used this play to develop the most expressive and inventive dance language we've yet seen from him." --The Guardian "Christopher Wheeldon rises to the challenge of translating Shakespeare into dance, creating one of most fully achieved story ballets to be staged at Covent Garden in years. Yet Christopher Wheeldon has turned these challenges into inspiration. Together with composer Joby Talbot and designer Bob Crowley (whose mix of video, light and set design vividly illuminates the story), Wheeldon has used this play to develop the most expressive and inventive dance language we've yet seen from him." --The Guardian