Search

Release: November 29, 2022

$7.99

Description

Bruno Ganz gives a tour-de-force performance as Hoffman, an innocent bystander who survives a gunshot to the head by the police during a raid on a group of revolutionaries. In order to justify the shooting, the police claim he is a dangerous radical who attacked a policeman. The leftist revolutionaries in turn claim him as a hero and victim of police brutality. As Hoffman struggles to recover from the trauma to his brain and memory loss, he must try to piece together what really happened that fateful night. Featuring a stunning first solo score by Irmin Schmidt, co-founder of the legendary krautrock band CAN. Special Features: • Interview with director Reinhard Hauff • Interview with executive producer Eberhard Junkersdorff • Trailers

Release: February 20, 2024

$7.99

Description

While vacationing by the Baltic Sea, writer Leon (Thomas Schubert) and photographer Felix (Langston Uibel) are surprised to encounter Nadja (Paula Beer), a mysterious young woman staying as a guest at the holiday home of Felix’s family. Nadja soon distracts Leon from finishing his latest novel, not only because of her passionate liaison with lifeguard Devid (Enno Trebs) but also because her brutal honesty forces Leon to confront his artistic inadequacies. As Nadja and Leon grow closer, an encroaching forest fire threatens the group and pushes the writer to discover whether he can truly care for anything beyond himself. Christian Petzold’s acclaimed latest film was the winner of the Silver Bear Grand Jury Prize at the 2023 Berlin International Film Festival. INCLUDES Meet the Filmmakers, a new interview with director Christian Petzold Trailer

Release: August 27, 2024

$7.99

Description

From Jean-Luc Godard, the influential filmmaker behind the French New Wave classics, Breathless, Contempt, Band of Outsiders and Pierrot Le Fou, comes this futuristic noir masterpiece. American secret agent Lemmy Caution (Eddie Constantine, Attack of the Robots) is sent to the distant space city of Alphaville where he must find a missing person and kill the inventor of fascist computer Alpha 60. Anna Karina (The Nun) and Akim Tamiroff (Touch of Evil) co-star in this cockeyed fusion of science-fiction with pulp characters and surrealist poetry. Godard’s irreverent journey to the mysterious Alphaville remains one of the least conventional films of all time. Beautifully shot in glorious black-and-white by Raoul Coutard (Jules and Jim, First Name: Carmen). Special Features: • 2023 HDR/Dolby Vision Master by StudioCanal – From 4K Scan of the Original Camera Negative • Audio Commentary by Novelist and Critic Tim Lucas • Anna Karina Interview (4:31) • Colin McCabe Introduction (5:26) • Includes Both Original French and English Audio with Optional English Subtitles • Theatrical Trailer

Release: January 2, 2024

$7.99

Description

A breathtaking milestone that brought India into the golden age of international art-house film, Satyajit Ray’s The Apu Trilogy follows one indelible character, a free-spirited child in rural Bengal who matures into an adolescent urban student and, finally, a sensitive man of the world. Ray’s delicate masterworks—Pather Panchali (Song of the Little Road), Aparajito (The Unvanquished), and Apur Sansar (The World of Apu)—based on two books by Bibhutibhusan Banerjee, were shot over the course of five years, and each stands on its own as a tender, visually radiant journey. These films—which have risen from the ashes in meticulously reconstructed restorations, after the original negatives were burned in a fire—are among the most achingly beautiful, richly humane movies ever made. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES 4K digital restorations of all three films, undertaken in collaboration with the Academy Film Archive at the Academy of Motion Picture Arts and Sciences and L’Immagine Ritrovata, with uncompressed monaural soundtracks Three 4K UHD discs of the films and three Blu-rays with the films and special features Audio recordings from 1958 of director Satyajit Ray reading his essay “A Long Time on the Little Road” and in conversation with film historian Gideon Bachmann Interviews with actors Soumitra Chatterjee, Shampa Srivastava, and Sharmila Tagore; camera assistant Soumendu Roy; and film writer Ujjal Chakraborty Making “The Apu Trilogy”: Satyajit Ray’s Epic Debut, a video essay by Ray biographer Andrew Robinson “The Apu Trilogy”: A Closer Look, a program featuring filmmaker, producer, and teacher Mamoun Hassan Excerpts from the 2003 documentary The Song of the Little Road, featuring composer Ravi Shankar The Creative Person: “Satyajit Ray,” a 1967 documentary short by James Beveridge, featuring interviews with Ray, several of his actors, members of his creative team, and film critic Chidananda Das Gupta Footage of Ray receiving an honorary Oscar in 1992 Programs on the restorations by filmmaker Kogonada PLUS: Essays by critics Terrence Rafferty and Girish Shambu, as well as a selection of Ray’s storyboards for Pather Panchali PATHER PANCHALI With the release in 1955 of Satyajit Ray’s debut, Pather Panchali, an eloquent and important new cinematic voice made itself heard all over the world. A depiction of rural Bengali life in a style inspired by Italian neorealism, this naturalistic but poetic evocation of a number of years in the life of a family introduces us to both little Apu and, just as essentially, the women who will help shape him: his independent older sister, Durga; his harried mother, Sarbajaya, who, with her husband away, must hold the family together; and his kindly and mischievous elderly “auntie,” Indir—vivid, multifaceted characters all. With resplendent photography informed by its young protagonist’s perpetual sense of discovery, Pather Panchali, which won an award for Best Human Document at the Cannes Film Festival, is an immersive cinematic experience and a film of elemental power. APARAJITO Satyajit Ray had not planned to make a sequel to Pather Panchali, but after the film’s international success, he decided to continue Apu’s narrative. Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. APUR SANSAR By the time Apur Sansar was released, Satyajit Ray had directed not only the first two Apu films but also the masterpiece The Music Room, and was well on his way to becoming a legend. This extraordinary final chapter brings our protagonist’s journey full circle. Apu is now in his early twenties, out of college, and hoping to live as a writer. Alongside his professional ambitions, the film charts his romantic awakening, which occurs as the result of a most unlikely turn of events, and his eventual, fraught fatherhood. Featuring soon-to-be Ray regulars Soumitra Chatterjee and Sharmila Tagore in star-making performances, and demonstrating Ray’s ever more impressive skills as a crafter of pure cinematic imagery, Apur Sansar is a moving conclusion to this monumental trilogy.

Release: January 2, 2024

$7.99

Description

A breathtaking milestone that brought India into the golden age of international art-house film, Satyajit Ray’s The Apu Trilogy follows one indelible character, a free-spirited child in rural Bengal who matures into an adolescent urban student and, finally, a sensitive man of the world. Ray’s delicate masterworks—Pather Panchali (Song of the Little Road), Aparajito (The Unvanquished), and Apur Sansar (The World of Apu)—based on two books by Bibhutibhusan Banerjee, were shot over the course of five years, and each stands on its own as a tender, visually radiant journey. These films—which have risen from the ashes in meticulously reconstructed restorations, after the original negatives were burned in a fire—are among the most achingly beautiful, richly humane movies ever made. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES 4K digital restorations of all three films, undertaken in collaboration with the Academy Film Archive at the Academy of Motion Picture Arts and Sciences and L’Immagine Ritrovata, with uncompressed monaural soundtracks Three 4K UHD discs of the films and three Blu-rays with the films and special features Audio recordings from 1958 of director Satyajit Ray reading his essay “A Long Time on the Little Road” and in conversation with film historian Gideon Bachmann Interviews with actors Soumitra Chatterjee, Shampa Srivastava, and Sharmila Tagore; camera assistant Soumendu Roy; and film writer Ujjal Chakraborty Making “The Apu Trilogy”: Satyajit Ray’s Epic Debut, a video essay by Ray biographer Andrew Robinson “The Apu Trilogy”: A Closer Look, a program featuring filmmaker, producer, and teacher Mamoun Hassan Excerpts from the 2003 documentary The Song of the Little Road, featuring composer Ravi Shankar The Creative Person: “Satyajit Ray,” a 1967 documentary short by James Beveridge, featuring interviews with Ray, several of his actors, members of his creative team, and film critic Chidananda Das Gupta Footage of Ray receiving an honorary Oscar in 1992 Programs on the restorations by filmmaker Kogonada PLUS: Essays by critics Terrence Rafferty and Girish Shambu, as well as a selection of Ray’s storyboards for Pather Panchali PATHER PANCHALI With the release in 1955 of Satyajit Ray’s debut, Pather Panchali, an eloquent and important new cinematic voice made itself heard all over the world. A depiction of rural Bengali life in a style inspired by Italian neorealism, this naturalistic but poetic evocation of a number of years in the life of a family introduces us to both little Apu and, just as essentially, the women who will help shape him: his independent older sister, Durga; his harried mother, Sarbajaya, who, with her husband away, must hold the family together; and his kindly and mischievous elderly “auntie,” Indir—vivid, multifaceted characters all. With resplendent photography informed by its young protagonist’s perpetual sense of discovery, Pather Panchali, which won an award for Best Human Document at the Cannes Film Festival, is an immersive cinematic experience and a film of elemental power. APARAJITO Satyajit Ray had not planned to make a sequel to Pather Panchali, but after the film’s international success, he decided to continue Apu’s narrative. Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. APUR SANSAR By the time Apur Sansar was released, Satyajit Ray had directed not only the first two Apu films but also the masterpiece The Music Room, and was well on his way to becoming a legend. This extraordinary final chapter brings our protagonist’s journey full circle. Apu is now in his early twenties, out of college, and hoping to live as a writer. Alongside his professional ambitions, the film charts his romantic awakening, which occurs as the result of a most unlikely turn of events, and his eventual, fraught fatherhood. Featuring soon-to-be Ray regulars Soumitra Chatterjee and Sharmila Tagore in star-making performances, and demonstrating Ray’s ever more impressive skills as a crafter of pure cinematic imagery, Apur Sansar is a moving conclusion to this monumental trilogy.

Release: January 2, 2024

$7.99

Description

A breathtaking milestone that brought India into the golden age of international art-house film, Satyajit Ray’s The Apu Trilogy follows one indelible character, a free-spirited child in rural Bengal who matures into an adolescent urban student and, finally, a sensitive man of the world. Ray’s delicate masterworks—Pather Panchali (Song of the Little Road), Aparajito (The Unvanquished), and Apur Sansar (The World of Apu)—based on two books by Bibhutibhusan Banerjee, were shot over the course of five years, and each stands on its own as a tender, visually radiant journey. These films—which have risen from the ashes in meticulously reconstructed restorations, after the original negatives were burned in a fire—are among the most achingly beautiful, richly humane movies ever made. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES 4K digital restorations of all three films, undertaken in collaboration with the Academy Film Archive at the Academy of Motion Picture Arts and Sciences and L’Immagine Ritrovata, with uncompressed monaural soundtracks Three 4K UHD discs of the films and three Blu-rays with the films and special features Audio recordings from 1958 of director Satyajit Ray reading his essay “A Long Time on the Little Road” and in conversation with film historian Gideon Bachmann Interviews with actors Soumitra Chatterjee, Shampa Srivastava, and Sharmila Tagore; camera assistant Soumendu Roy; and film writer Ujjal Chakraborty Making “The Apu Trilogy”: Satyajit Ray’s Epic Debut, a video essay by Ray biographer Andrew Robinson “The Apu Trilogy”: A Closer Look, a program featuring filmmaker, producer, and teacher Mamoun Hassan Excerpts from the 2003 documentary The Song of the Little Road, featuring composer Ravi Shankar The Creative Person: “Satyajit Ray,” a 1967 documentary short by James Beveridge, featuring interviews with Ray, several of his actors, members of his creative team, and film critic Chidananda Das Gupta Footage of Ray receiving an honorary Oscar in 1992 Programs on the restorations by filmmaker Kogonada PLUS: Essays by critics Terrence Rafferty and Girish Shambu, as well as a selection of Ray’s storyboards for Pather Panchali PATHER PANCHALI With the release in 1955 of Satyajit Ray’s debut, Pather Panchali, an eloquent and important new cinematic voice made itself heard all over the world. A depiction of rural Bengali life in a style inspired by Italian neorealism, this naturalistic but poetic evocation of a number of years in the life of a family introduces us to both little Apu and, just as essentially, the women who will help shape him: his independent older sister, Durga; his harried mother, Sarbajaya, who, with her husband away, must hold the family together; and his kindly and mischievous elderly “auntie,” Indir—vivid, multifaceted characters all. With resplendent photography informed by its young protagonist’s perpetual sense of discovery, Pather Panchali, which won an award for Best Human Document at the Cannes Film Festival, is an immersive cinematic experience and a film of elemental power. APARAJITO Satyajit Ray had not planned to make a sequel to Pather Panchali, but after the film’s international success, he decided to continue Apu’s narrative. Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. APUR SANSAR By the time Apur Sansar was released, Satyajit Ray had directed not only the first two Apu films but also the masterpiece The Music Room, and was well on his way to becoming a legend. This extraordinary final chapter brings our protagonist’s journey full circle. Apu is now in his early twenties, out of college, and hoping to live as a writer. Alongside his professional ambitions, the film charts his romantic awakening, which occurs as the result of a most unlikely turn of events, and his eventual, fraught fatherhood. Featuring soon-to-be Ray regulars Soumitra Chatterjee and Sharmila Tagore in star-making performances, and demonstrating Ray’s ever more impressive skills as a crafter of pure cinematic imagery, Apur Sansar is a moving conclusion to this monumental trilogy.

Release: June 16, 2019

$7.99

Description

Qiao is in love with Bin, a local mobster. During a fight between rival gangs, she fires a gun to protect him. Qiao gets five years in prison for this act of loyalty.\r\nUpon her release, she goes looking for Bin to pick up where they left off.

Release: November 14, 2023

$7.99

Description

The inaugural film of Eric Rohmer’s sparkling “Comedies and Proverbs” cycle, The Aviator’s Wife is a fleecy farce of romantic overanalysis that finds the director exploring the possibilities of handheld camerawork as he seeks a narrative expression of the opening epigraph: “It is impossible to think of nothing.” A young man sees his girlfriend’s ex leaving her apartment one early morning, and his imagination is off to the races, as stars Philippe Marlaud and Marie Rivière (The Green Ray) introduce a younger, less perfectly articulate type of Rohmer character than those of the “Moral Tales.” Special Features: • Audio commentary by film historian Adrian Martin • Trailer Top About this item Similar From the Brand Reviews The Aviator's Wife [Blu-ray]

Release: August 6, 2024

$7.99

Description

Banel and Adama are fiercely in love. The young couple lives in a remote village in northern Senegal. For them, nothing else exists except each other. But for the rest of their tight-knit village, duty dictates that Adama soon accept the role of chief. The two lovers have other plans… until something in the air changes. The rains do not come; the cattle begin to die; the men leave. A rare debut feature that premiered in competition at the Cannes Film Festival, and Senegal’s official submission to the Academy Awards®, Ramata-Toulaye Sy’s Banel & Adama is a lush and lyrical fable that soars to the heights of longing and descends deep into the realm of myth, sending its protagonists’ idyllic love on a collision course with their community’s customs. Because in this world, there is no room for passion, let alone chaos. Special Features: • Q&A with director Ramata-Toulaye Sy (courtesy of Film at Lincoln Center) • Theatrical Trailer

Release: January 9, 2024

$7.99

Description

Joel and Ethan Coen’s career-long darkly comic road trip through misfit America began with this razor-sharp, hard-boiled neonoir set somewhere in Texas, where a sleazy bar owner releases a torrent of violence with one murderous thought. Actor M. Emmet Walsh looms over the proceedings as a slippery private eye with a yellow suit, a cowboy hat, and no moral compass, and Frances McDormand’s cunning debut performance set her on the road to stardom. The tight scripting and inventive style that have marked the Coens’ work for decades are all here in their first film, in which cinematographer Barry Sonnenfeld abandons black-and-white chiaroscuro for neon signs and jukebox colors that combine with Carter Burwell’s haunting score to lurid and thrilling effect. Blending elements from pulp fiction and low-budget horror flicks, Blood Simple reinvented the film noir for a new generation, marking the arrival of a filmmaking ensemble that would transform the American independent cinema scene. DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES Restored 4K digital transfer, approved by cinematographer Barry Sonnenfeld and filmmakers Joel and Ethan Coen, with 5.1 surround DTS-HD Master Audio soundtrack One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features Conversation between Sonnenfeld and the Coens about the film’s look, featuring Telestrator video illustrations Conversation between author Dave Eggers and the Coens about the film’s production, from inception to release Interviews with composer Carter Burwell, sound editor Skip Lievsay, and actors Frances McDormand and M. Emmet Walsh Trailers English subtitles for the deaf and hard of hearing PLUS: An essay by novelist and critic Nathaniel Rich

Release: August 13, 2024

$7.99

Description

From Jean-Pierre Melville, the legendary director of Le Doulos, Le Samouraï, Army of Shadows and Un Flic, comes this classic heist film noir, in the tradition of Rififi. Suffused with wry humor, Bob Le Flambeur melds the toughness of American gangster films with Gallic sophistication to lay the roadmap for the French New Wave. As the neon is extinguished for another dawn, an aging gambler (Roger Duchesne) navigates the treacherous world of pimps, moneymen and naïve associates while plotting one last score—the heist of the Deauville casino. This underworld comedy of manners possesses all the formal beauty, finesse and treacherous allure of green baize. Boasting a beautifully written screenplay by Melville and Auguste Le Breton (Razzia Sur la Chnouf) and stunning black-and-white cinematography by Henri Decaë (The 400 Blows, Purple Noon). Special Features: • UHD SDR Master by StudioCanal – From a 4K Scan of the 35mm Original Camera Negative • Audio Commentary by Film Critic Nick Pinkerton • Diary of a Villain: Documentary by Dominique Maillet (25:45) • Theatrical Trailer • In French with Optional English Subtitles

Release: November 28, 2023

$7.99

Description

In Boyfriends and Girlfriends (aka My Girlfriend’s Boyfriend) Rohmer uses the amorous misadventures of two girlfriends in the Paris suburbs to test the old proverb “les amis de mes amis sont mes amis” (“the friends of my friends are my friends”) in the final episode of his “Comedies and Proverbs” series. Taking an identifiable stab at a yuppie(ish) set, Rohmer’s witty Shakespearean roundelay involves the buttoned-up Blanche (Emmanuelle Chaulet, in a superb debut) and the free-spirited Lea (Sophie Renoir), and their current amours. The pair are tempted by each other’s love interests, testing both their friendship and their understanding of matters of the heart. Special Features: • Audio commentary by film historian Adrian Martin • Trailer

Release: January 23, 2024

$7.99

Description

In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

Release: January 23, 2024

$7.99

Description

In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

Release: January 23, 2024

$7.99

Description

In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

Release: June 27, 2023

$7.99

Description

Directed by Italian genre-film stalwart Enzo G Castellari (Inglorious Bastards), Cold Eyes of Fear (Gli occhi freddi della paura) is a tense and brutal thriller which features an all-star line-up, including Gianni Garko (If You Meet Sartana Pray for Your Death), Fernando Rey (The French Connection), Giovanna Ralli (What Have They Done to Your Daughters?), and Frank Wolff (Once Upon a Time in the West).

Release: March 19, 2024

$7.99

Description

A seemingly simple taxi ride across Paris evolves into a profound meditation on the realities of the driver and his fare, a 92-year-old woman whose warmth belies her shocking past. Charles (Dany Boon) is a taxi driver in Paris, and he is having a very bad day. Enter Madeleine (Line Renaud), an immaculately groomed nonagenarian, who informs Charles that the trip today will not be a direct one. She is moving into a nursing home and would like to make some stops along the way predicting that this might be her last car ride through the city. Their ride takes them through the momentous locations of her life and their brief friendship deepens as Madeleine listens to Charles confess his own worries. Boon, an actor best known for his comedic work, creates a dramatic portrait of a frustrated man facing a personal crisis of epic proportions. His darker, sharper edges allow Renaud (renowned for decades in France as a singer) to shine as the pure shimmering light that is Madeleine, reminding us that inside every seemingly benign elderly woman we might pass on the street is a warrior, a nurturer, and a spirited adventurer. Special Features: • Interview with Director Christian Carion • Theatrical Trailer

Release: May 16, 2023

$6.99

Description

From François Ozon (8 Women, Swimming Pool) comes a powerful family drama in which a daughter is forced to reconcile with her father and their shared past after he contacts her with a devastating final wish. When André (André Dussollier) suffers a debilitating stroke and calls on his daughter Emmanuèle (Sophie Marceau) to help him die with dignity, she finds herself faced with a painful decision. Based on Emmanuèle Bernheim’s memoir and an Official Selection of the Cannes Film Festival, Everything Went Fine’s matter-of-factness elicits moments of humor that renders an otherwise weighty topic accessible. Steering clear of the moral arguments such issues often raise, the film instead focuses on the reckoning Emmanuéle has with her stubborn and unrelenting father and how to help him, with Ozon tackling a difficult subject with exceptional intelligence and sensitivity. Featuring stunning central performances by Marceau and Dussollier as well as a scene-stealing cameo by Charlotte Rampling as André’s ex-wife.

Release: September 12, 2023

$7.99

Description

An opening night selection at the Cannes Film Festival, this wacky horror comedy from Oscar winner Michel Hazanavicius (The Artist), is a remake of Shin’ichirô Ueda’s cult hit One Cut of the Dead. It follows a director (Romain Duris, L’Auberge Espagnole) making a live, single-take, low-budget zombie flick in which the cast and crew, one by one, actually turn into zombies. Hazanavicius milks the film’s hilarious and meta-to-the-max premise for all it’s worth, while also crafting a sly love letter to the art of filmmaking. What’s on screen unfolds in typical cheesy B-movie fashion, while the off-screen hijinks offer a celebration of the unpredictable and collaborative nature of film sets. Featuring a hysterically unhinged turn by Oscar nominee Berenice Bejo (The Artist) and serving up blood-soaked high farce par excellence, Final Cut revels in its affectionate embrace of goofy genre fun. Special Features: • Making-of Documentary • Theatrical Trailer

Release: November 21, 2023

$7.99

Description

Shot quickly in and around Paris during a production break on Rohmer’s The Green Ray (Le Rayon Vert), Four Adventures of Reinette and Mirabelle is a breezy, witty film that traces the exploits of two young women—one an ethnology student from the city, the other an unsophisticated aspiring artist from the country. Reinette and Mirabelle (played by Joëlle Miquel and Jessica Forde) become instant friends upon meeting in the first of four vignettes that make up the film (“The Blue Hour”), and in their first two days together, they decide to become roommates in Paris. Throughout the three remaining stories, they encounter many of the inevitable characters of a modern city: the impossible waiter (“The Waiter”), the Metro-station hustler (“The Beggar, the Kleptomaniac and the Hustler”), and the snooty gallery owner (“Selling the Painting”). Special Features: • Audio Commentary by writer Kristen Yoonsoo Kim • Trailer

Release: July 2, 2019

$7.99

Description

A married couple’s unconventional attempt to cure the wife’s depression leads to an unusually tangled love triangle

Release: August 6, 2019

$6.99

Description

Somewhere in Kurdistan, Bahar, commander of the “Girls of the Sun” battalion, is preparing to liberate her hometown from the hands of extremists, hoping to find her son who is held hostage.

Release: February 13, 2024

$7.99

Description

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era’s progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time. At the time of his death in September 2022, Jean-Luc Godard had been in the midst of planning another feature, an adaptation of Belgian author Charles Plisnier’s 1937 novel Faux Passports. Though it was never produced, Godard put together the intricate and beautiful Trailer Of A Film That Will Never Exist: Phony Wars, which now stands as his final work, a complex collage of history, politics, and cinema constructed of paper and glue, paintings and photographs, sound and silence. He accompanied it with the following text: “Rejecting the billions of alphabetic diktats to liberate the incessant metamorphoses and metaphors of a necessary and true language by returning to the locations of past film shoots, while keeping track of modern times.” Special Features: • TRAILER OF A FILM THAT WILL NEVER EXIST: PHONY WARS (directed by Jean-Luc Godard, 2023) • LILA: Inside Godard’s cutting room with his Assistant Editor, Lila Lakshmanan (2023) • GODARD CINEMA Theatrical Trailer

Release: February 27, 2024

$6.99

Description

François Truffaut described The Golden Coach as “the noblest and most refined film ever made”. Set to the music of Antonio Vivaldi and with the vivacious Anna Magnani (Rome, Open City), Jean Renoir’s ravishing, sumptuous tribute to theatre involves a viceroy who receives an exquisite golden coach and gives it to the tempestuous star of a touring commedia dell’arte company. Set in Peru in the eighteenth century, The Golden Coach follows Camilla (Magnani), the star of a theater company, who hesitates to choose between the advances of three men. The Viceroy gives her his magnificent golden coach. A young Spanish officer suggests the two of them settle down together. Ramon, a torero, offers her a share of his glory. Special Features: • Alternate French audio track • Audio commentary by film critic Adam Nayman

Release: December 12, 2023

$7.99

Description

Like the Royal Theater in The Last Picture Show and the title movie house in Cinema Paradiso, the Fu-Ho is shutting down for good. The Fu-Ho’s valedictory screening is King Hu’s 1967 wuxia epic Dragon Inn, playing to a motley smattering of spectators. The standard grievances persist: patrons snack noisily and remove their shoes, treating this temple of cinema like their living room. The sense that moviegoing as a communal experience is slipping away takes on a powerful and painful resonance. Yet Tsai Ming-liang’s Goodbye, Dragon Inn is too multifaceted to collapse into a simple valentine to the age of pre-VOD cinephilia. A minimalist where King Hu was a maximalist, preferring long, static shots and sparse use of dialogue, Tsai rises to the narrative challenges he sets for himself and offers the slyest, most delicate of character arcs (the manager, a woman with an iron brace on her leg, embarks on a torturous odyssey to deliver food to the projectionist, played by Lee Kang-sheng). By the time the possibility arises that the theater is haunted, we’ve already identified it as a space outside of time—indeed, two stars of Hu’s original opus, Miao Tien and Shih Chun, watch their younger selves with tears in their eyes, past and present commingling harmoniously and poignantly. 4K Restoration by CINEMATEK, the Royal Film Archive of Belgium. Special Features: • Audio commentary by film critic Phoebe Chen • Introduction by film critic Nick Pinkerton • Light (2019, a short film by Tsai Ming-liang) • Re-Release Trailer

Release: August 20, 2024

$6.99

Description

Winner of the Special Jury Prize at the 2023 Venice Film Festival, Green Border immediately drew controversy from the Polish government for its depiction of the European migrant crisis on the Poland-Belarus border. Shot in stark black-and-white, this riveting thriller explores the intractable conflict from multiple perspectives: a Syrian family fleeing ISIS caught between cruel border guards in both countries; young guards instructed to brutally reject the migrants; and activists who, at great risk, aid the refugees. Director Agnieszka Holland (Europa Europa) brings an unflinching eye and deep compassion to this blistering critique of a humanitarian calamity that continues to unfold. Special Features: • Q&A with director Agnieszka Holland, DP Tomasz Naumiuk, and stars Behi Djanati Atai & Joely Mbundu (courtesy of Film at Lincoln Center and NYFF) • Theatrical Trailer

Release: March 10, 2025

$7.99

Description

Mondo Macabro THE HUNGRY SNAKE WOMAN - The world Blu-ray premier of a wild Asian horror movie! Burhan, desperate for wealth and glory, decides to visit the Snake Woman, a mysterious and powerful deity who can confer instant riches on those who obey her commands. She tells Burhan he must kill three women, feast on their blood and eat their breasts. Transformed into Dracula, with cloak and fangs, he sets off on his mission. One killing is all he can take before abandoning the task. He encounters Nyi Lajang, the Snake Woman's enemy, a half human/half snake creature. Nyi Lajang offers Burhan a way out of his contract with the Snake Woman. She gives him a silver pin that he must stab Snake Woman with during sex while she is in human form. This will turn her back into a snake and neutralise all her magical powers. This is what Burhan does. But his problems are far from over… One of the wildest and craziest Indonesian horror films ever made, HUNGRY SNAKE WOMAN is a phantasmagorical ride through a world of cannibal slave maidens, chainsaw wielding heroes, a possessed go-go dancer, exploding rib cages, bizarre black magic spells, a dash of kung fu fighting, buckets of gore, and even a little bit of sex, featuring the legendary Suzzanna, Indonesia's "queen of horror." This is a US video premiere and a world premiere on Blu-ray, digitally restored from the original negative. The disc includes the rare English language version of the film. HUNGRY SNAKE WOMAN is directed by Sisworo Gautama Putra, who also gave us the films PRIMITIVES and THE WARRIOR, both starring Indonesian super star Barry Prima. Specs: Ana morphic Widescreen 2.35:1. Dolby Digital 2.0 Stereo. Region code: All Special Features: Brand new 2k transfer from film negative, digitally restored. English and Indonesian audio options. Exclusive new cover art from Justin Coffee. Optional subtitles.

Release: April 16, 2024

$7.99

Description

USSR-China border, 1973: Young soldier Rafael is on guard duty when the border falls under attack from flying Chinese kung fu warriors, leaving him as the sole survivor. Utterly fascinated by the long-haired martial artists who easily dispatched his fellow guards, all while blasting forbidden Black Sabbath music from their portable radio, Rafael is struck by a revelation: he too wants to become a kung fu warrior. Looking for mentorship but with limited options, faith leads Rafael to seek martial arts teachers at the most unlikely of places: the local Eastern Orthodox monastery, where the black-clad monks begin his training. With a skeptical mother, a rival monk, and a budding love interest pulling him in different directions, Rafael finds that his journey to unlock the greatest martial art of all – the almighty power of humility – is long, winding, and full of kick-ass adventures.

Release: May 28, 2024

$7.99

Description

Nominated for Best International Feature at the Academy Awards®, and from the acclaimed director of Gomorrah and Dogman, Io Capitano narrates the epic journey of a teenage boy and his cousin as they decide to leave Senegal for the promise of Europe. Throughout this compelling odyssey, the young man confronts a myriad of challenges, from the harsh realities of the desert to the harrowing experiences in Libyan detention centers and the risks of the open sea. Filmed over a span of 13 weeks in Senegal, Italy, and Morocco, with a cast of non-professional actors, this uplifting film ventures into the intricacies and contradictions of the human experience. Within the narrative, the aspirations, dreams, and ambitions of the main characters evolve into a gripping struggle for survival, reflecting the indomitable spirit of those who dare to seek a better life. Io Capitano stands as a powerful exploration of human resilience, navigating the delicate balance between hope and the unforgiving realities of the world. Special Features: • Q&As with Seydou Sarr, Moustapha Fall, Mamadou Kouassi and Matteo Garrone • Theatrical Trailer

Release: December 3, 2019

$6.99

Description

Cohen Film Collection presents the new 4K restoration of Jaques Rivette's ambitious two-part historical epic starring Sandrine Bonnaire. For Joan the Maid: The Battles, the first installment of his ambitious yet restrained two-part study, director and co-screenwriter Rivette surveys the revelatory period where Joan met with royalty, joined the army, and led the French into battle against the English. As Joan, Sandrine Bonnaire gets at the reality behind the legend, showing the matter-of-fact courage of a teenage girl. Joan the Maid: The Prisons, the second part of Rivette's diptych, brought leading lady Bonnaire a César Award nomination for her powerful performance, as she plays out windows in the final two years of Joan's life, from the battlefield victory, to prison life, to the stake. Bonus Content Disc 1 - Joan the Maid: Part 1 - The Battles Original Trailer Restoration Trailer Disc 2 - Joan the Maid: Part 2 - The Prisons Original Trailer

$7.99

Description

A troubled British couple’s trip to Naples becomes a profound reckoning with love, alienation, and mortality.

Release: July 2, 2024

$7.99

Description

From one of Italy’s most revered directors, Marco Bellocchio (The Traitor), comes Kidnapped, the true story of Edgardo Mortara. Mortara was a young Jewish boy living in Bologna, Italy, when in 1858, after being secretly baptized, was forcibly taken from his family by the Pope, to be raised Catholic. His parents’ struggle to free their son became part of a larger political battle that pitted the papacy against forces of democracy and Italian unification. Special Features: • Introduction by director Marco Bellocchio • Interview with director Marco Bellocchio • Theatrical Trailer

Release: March 10, 2025

$6.99

Description

Mondo Macabro THE KILLER IS NOT ALONE - The world Blu-ray premier of a rare Spanish psycho thriller! Julio, the only son of a wealthy businessman, living in the coastal city of Avilés in the north of Spain, is a young man with many problems, including a pathological fear of women due to a psychological trauma he suffered during his childhood. One night, as he prowls the sleazier quarters of the city, he picks up a prostitute and follows her to a seedy hotel room. As she tries to arouse him to action, he responds violently, garrotting her with a length of piano wire, leaving her dead on the bed, covered with blood. Julio takes the train to Madrid and checks into a boarding house in the city. He is much younger than the rest of the residents and soon Monica, the boarding house owner's teenage daughter, finds herself attracted to the new arrival. More murders by the sinister "wire killer" are reported in the newspapers and it seems the police have no clue as to who it might be. As Monica gets ever closer to the troubled Julio her mother tries to warn her off the young man. But it's too late; and soon it seems likely that Monica herself will fall victim to the dreaded "wire killer". This was director García de Dueñas's only feature film. He worked mostly for TV and was a noted film critic in Spain. This is the film's world premiere on Blu-ray and its first appearance, in any form, in the US. Cinematography of this rare Spanish "giallo" is by the masterly Fernando Arribas (THE BLOOD SPATTERED BRIDE, BLOOD CEREMONY). Specs: Anamorphic Widescreen 1.85:1. Dolby Digital 2.0 Stereo. Region code: All. Special Features: Brand new 4k restoration from original negative. New interview with Angel Sala, director of the Sitges Film Festival. Audio commentary by Troy Howarth and Rod Barnett. Original trailer. Newly created English subtitles .

$7.99

Description

Over the course of one emotionally charged day and night, a disillusioned couple drifts through Milan confronting the emptiness of their marriage.

Release: August 27, 2024

$7.99

Description

Winner of the Golden Lion at the 1961 Venice Film Festival, Last Year at Marienbad is a hypnotically beautiful puzzle box of a film, and one of the most influential in history. Alain Resnais’s sensuous tracking shots and Delphine Seyrig’s iconic Chanel gowns have become part of the cinematic lexicon, and can now be seen in a gorgeous 4K restoration from StudioCanal. In a large international hotel in the European resort town of Marienbad, with a sumptuous but austere décor—a marble universe with gold paneling, statues, and stiff servants—the rich, anonymous clientele circulates. A man (Giorgio Albertazzi) is convinced he met an enigmatic woman (Seyrig, Jeanne Dielman) the previous year at the same location, and perhaps had a flirtation. A second man (Sacha Pitoëff, Inferno), possibly the woman’s lover or husband, repeatedly intimidates the first man. Their relations unfold through flashback shards that never quite fit into place, their lives a hall of mirrors that never reflect a true self. Special Features: DISC 1 (4KUHD): • Audio commentary by film historian Tim Lucas DISC 2 (BLU-RAY): • Audio commentary by film historian Tim Lucas • Interview with filmmaker Volker Schlöndorff • Last Year at Marienbad A to Z, a visual essay by film historian James Quandt • Memories of Last Year at Marienbad • Toute la mémoire du monde (1957, short film by Alain Resnais)

Release: August 13, 2024

$7.99

Description

From Jean-Pierre Melville, the legendary director of Bob Le Flambeur, Le Deuxième Souffle, Le Cercle Rouge and Un Flic, comes this highly influential film noir classic. The backstabbing criminals in the shadowy underworld of Le Doulos have only one guiding principle: “Lie or die.” A stone-faced Jean-Paul Belmondo (Classe Tous Risques) stars as enigmatic gangster Silien, who may or may not be responsible for squealing on Faugel (Serge Reggiani, Army of Shadows), just released from the slammer and already involved in what should have been a simple heist. By the end of this brutal, twisty, and multilayered policier, who will be left to trust? Shot and edited with Melville’s trademark cool and featuring masterfully stylized dialogue and performances, Le Doulos (slang for an informant) is one of the filmmaker’s most gripping crime films. Co-starring Jean Desailly (Un Flic) and Michel Piccoli (Max and the Junkmen), written by Melville, from the best-selling novel by Pierre Lesou (The Cop) and beautifully shot in glorious black-and-white by Nicolas Hayer (Le Corbeau). Special Features: • UHD SDR Master by StudioCanal – From a 4K Scan of the 35mm Original Camera Negative • Audio Commentary by Film Historian Samm Deighan • Melville - The Demon Within Him: Interview with First Assistant Director Volker Schlöndorff (29:34) • Birth of the Detective Story Melville Style: Documentary (32:46) • Theatrical Trailer • In French with Optional English Subtitles

Release: March 7, 2023

$7.99

Description

Israel's official submission for Best International Feature Film at the 94th Academy Awards and an official selection at the 2021 Cannes Film Festival Sami lives in Jerusalem with his wife and child, and an invitation to his brother's wedding forces him to return to the Arab village where he grew up. After the wedding, with no warning or explanation, the village is put under military lockdown by Israeli soldiers and cut off from the outside world. Chaos rises overnight amongst those stuck within the walls.

Release: January 16, 2024

$7.99

Description

A keen observer of America’s social fabric, writer-director John Sayles uncovers the haunted past buried beneath a small Texas border town in this sprawling neowestern mystery. When a skeleton is discovered in the desert, lawman Sam Deeds (Chris Cooper), son of a legendary local sheriff, begins an investigation that will have profound implications both for him personally and for all of Rio County, a place still reckoning with its history of racial violence. Sayles’s masterful film—novelistic in its intricacy and featuring a brilliant ensemble cast, including Joe Morton, Elizabeth Peña, and Kris Kristofferson—quietly subverts national mythmaking and lays bare the fault lines of life at the border. DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, supervised by director John Sayles and director of photography Stuart Dryburgh, with 2.0 surround DTS-HD Master Audio soundtrack New conversation between Sayles and

Release: January 16, 2024

$7.99

Description

A keen observer of America’s social fabric, writer-director John Sayles uncovers the haunted past buried beneath a small Texas border town in this sprawling neowestern mystery. When a skeleton is discovered in the desert, lawman Sam Deeds (Chris Cooper), son of a legendary local sheriff, begins an investigation that will have profound implications both for him personally and for all of Rio County, a place still reckoning with its history of racial violence. Sayles’s masterful film—novelistic in its intricacy and featuring a brilliant ensemble cast, including Joe Morton, Elizabeth Peña, and Kris Kristofferson—quietly subverts national mythmaking and lays bare the fault lines of life at the border. DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, supervised by director John Sayles and director of photography Stuart Dryburgh, with 2.0 surround DTS-HD Master Audio soundtrack One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features New conversation between Sayles and filmmaker Gregory Nava New interview with Dryburgh Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by scholar Domino Renee Perez

Release: December 17, 2019

$7.99

Description

Long Day’s Journey Into Night is a noirish stunner about a lost soul (Huang Jue) on a quest to find a missing woman from his past (Tang Wei, Lust, Caution). Following leads across Guizhou province, the man crosses paths with a series of colorful characters, among them a prickly hairdresser played by Taiwanese superstar Sylvia Chang. When the search leads him to a dingy movie theater, the film launches into an hour-long, gravity-defying 3D sequence shot that plunges its protagonist—and us—into a dreamlike, labyrinthine cityscape. A monumental accomplishment from director Bi Gan (Kaili Blues), it is China’s biggest arthouse hit of all time, and has already become a modern cinematic landmark. Special Features: Disc 1: -2D Feature -Interview with director Bi Gan -Interview with star Huang Jue -Making-of documentary -Trailers Disc 2: -3D Feature Also includes booklet interview with Bi Gan by writer Aaron Stewart-Ahn

Release: February 14, 2023

$6.99

Description

Jane Birkin and Geraldine Chaplin star as theatre troupe members who are invited by a mysterious playwright/director to perform in a strange mansion. As the rehearsal progresses, secrets are revealed and the line between fiction and reality blurs. Special Features: -Audio commentary track by Director Emeritus, New York Film Festival & Professor of Film and Media Studies, Columbia University Richard Peña -Re-release Trailer

Release: December 19, 2023

$7.99

Description

The first independent film released in post-Handover Hong Kong, director Fruit Chan’s atmospheric shoestring-budget character study is a rough-and-ready piece of work shot on grainy leftover 35mm short ends in the city’s overcrowded subsidized housing projects. The result is a tough, pessimistic film, a portrait of a city on the brink that follows the drifting of high school dropout and wannabe Triad tough Autumn Moon (Sam Lee, in a star-making role, opposite a largely nonprofessional cast), who sees little hope for his future or that of his home as a newly created Special Administrative Region within China. A raw, groundbreaking drama and portrait of nihilistic youth in the same vein as Rebel Without a Cause (Nicholas Ray, 1955), My Own Private Idaho (Gus Van Sant, 1991), and The Doom Generation (Gregg Araki, 1995), the film poses questions that remain burningly relevant as tumult engulfs Hong Kong. The 4K restoration was carried out in the Hong Kong and Bologna headquarters of L’Immagine Ritrovata, made from the original camera negative with the supervision of director Fruit Chan and cinematographer O Sing-Pui. Special Features: • Audio Commentary by Film Critics Sean Gilman and Ryan Swen • Re-Release Trailer • Interviews with Director Fruit Chan, Producer Doris Yang, and Producer Daniel Yu

Release: May 24, 2016

$6.99

Description

Product Description Legendary French New Wave auteur Jean-Luc Godard reverses the standard love triangle and challenges the influence of consumer culture in one of his most provocative dissections of modern life. Charlotte (Macha Méril) aimlessly drifts between morning affairs with the artistic Robert (Bernard Noël) and mundane evenings with her paternalistic husband Pierre (Philippe Leroy). Unsure of whether she loves either man, Charlotte discovers she is pregnant and must come to terms with her emotional infidelities. Review Extraordinary...Godard's most interesting film since BREATHLESS. --New York Times

Release: January 30, 2024

$7.99

Description

In the Mississippi Delta of the 1940s, two farming families—one of white landholders, one of Black tenant farmers—are bound by the unforgiving soil they share as they struggle to survive amid the upheavals of World War II and the poisonous hatred of the Jim Crow South. Each family sends a young man off to battle; when they return home, scarred, and find a common bond, the community is ripped apart. Writer-director Dee Rees, with cowriter Virgil Williams, crafts a uniquely American tragedy, imbuing bitter historical realities with a timeless weight. Featuring bone-deep performances from Rees’s ensemble cast—including Carey Mulligan, Mary J. Blige, Jason Mitchell, Rob Morgan, Garrett Hedlund, Jason Clarke, and Jonathan Banks—and backed by Rachel Morrison’s darkly burnished cinematography, Mudbound is a searing humanist study of inheritance, based upon Hillary Jordan’s novel. DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES New 2K digital master, supervised by director Dee Rees and director of photography Rachel Morrison, with Dolby Atmos soundtrack New audio commentary featuring Rees New documentary featuring Rees, composer Tamar-kali, editor Mako Kamitsuna, and makeup artist Angie Wells New documentary made on set, featuring members of the cast and crew Interview with Morrison New interview with production designer David J. Bomba Trailer and teaser English subtitles for the deaf and hard of hearing and English descriptive audio PLUS: An essay by critic Danielle Amir Jackson

Release: July 19, 2022

$7.99

Description

Fanny Ardant, Emmanuelle Béart, and Gérard Depardieu star in this story of an unusual love triangle. When Catherine’s husband is unfaithful, she doesn’t want revenge - she’s curious. She wants to share the experience, but in secret, so hires an elite prostitute to seduce her husband and report back to Catherine. Her desire to remain in control of the situation is soon tested by other desires.

Release: February 12, 2019

$6.99

Description

In the vein of such classic coming of age films as Francois Truffaut’s The 400 Blows, Diane Kurys’s Peppermint Soda captures a particular moment in the tumultuous life and development of young people. Anne (Eléonore Klarwein) and Frederique (Odile Michel) are sisters entering their teen years in 1963 France, torn between divorced parents and struggling with the confines of their strict school. Along the way, they undergo an awakening both political and romantic. Kurys’s celebrated film revels in the comedy and tragedy of the seemingly mundane, weaving a complex tapestry of everyday existence that also touches on the universal. Cohen Film Collection is proud to present a new 2K restoration of this world cinema classic.

Release: July 18, 2023

$6.99

Description

Occupied France, 1942. Gilles (Nahuel Pérez Biscayart) is arrested by SS soldiers alongside other Jews and sent to a camp in Germany. He narrowly avoids sudden execution by swearing to the guards that he is not Jewish, but Persian. This lie temporarily saves him, but Gilles gets assigned a life-or-death mission: to teach Farsi to Head of Camp Koch (Lars Eidinger), who dreams of opening a restaurant in Iran once the war is over. Through an ingenious trick, Gilles manages to survive by inventing words of “Farsi” every day and teaching them to Koch. The particular relationship between the two men sparks the jealousy of other prisoners and SS guards towards Gilles. And while the suspicions of Koch grow every day, Gilles understands that he will not be able to keep his secret very long...

$7.99

Description

This Criterion set gathers the whimsical shorts and features of French comedian-director Pierre Étaix, blending visual invention, romance, and slapstick.

$6.99

Description

A charming drifter murders a wealthy friend and assumes his identity in this elegant adaptation of Patricia Highsmith’s Ripley novel.

Release: August 26, 2014

$6.99

Description

She is beautiful. She is Catholic. She is the King’s sister. She is Marguerite de Valois. Her brothers call her Margot. He is Protestant. They say that he is rude, that he never shaves, that he smells of garlic and sweat. He is Henri de Navarre. They are forced to marry in a political move to reconcile France, ripped apart by the Wars of Religion. Triumphant winner of 5 Cesar Awards and the prestigious Cannes Film Festival Jury Prize.