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Meet a dewy-eyed ingenue, a gee-whiz tenor, stuck-up stars, hard-up producers, brassy blondes and "shady ladies from the '80s." They're all denizens of 42nd Street, belting out ageless Harry Warren/Al Dubin songs and tapping out Busby Berkeley's sensational Depression-lifting production numbers. The put-on-a-show plot spins merrily, full of snappy banter and new faces Ruby Keeler (her movie debut), Dick Powell and Ginger Rogers. The showstopping numbers ("Shuffle Off to Buffalo," "You're Getting to Be a Habit with Me" and the title tune) still dazzle. 42nd Street shows that good times never go out of style.

Description

April 22, 1889. Tens of thousands of hopeful homesteaders are poised at the Oklahoma border, waiting for the gunshots that will send them on a feverish dash to claim a share of two million acres free for the taking. The spectacular Oklahoma Land Rush is just one of many pivotal moments in this rousing saga based on the novel by Edna Ferber (Giant) and filmed for a 1931 release to Academy Award -winning* effect as the recipient of Best Picture and two other Oscars . Anthony Mann (Winchester '73, The Naked Spur) directs, and Glenn Ford, Maria Schell and Anne Baxter play central figures in this epic tale set where towns spring up, black gold rains, greed vies with goodness, and settlers sink roots into a land big enough to hold their dreams.

Description

Boxing Wednesdays. Wrestling on Fridays. Stoker Thompson is on Paradise City's Wednesday card, fighting after the main event. He's been 20 years in the game and is sure he's just one punch away from big paydays. But there's one thing Stoker doesn't yet know: his manager wants him to take a dive tonight. The Set-Up comes out swinging as one of the great films about the so-called sweet science. Robert Wise directs, shaping real-time events into an acclaimed and unsparing film-noir look at the stale-air venues, bloodthirsty fans, ring savagery and delusional dreams of boxing's palooka world. Robert Ryan embraces perhaps his fi nest screen hour as Stoker. Audrey Totter, an icon of the noir genre like Ryan, plays Stoker's steadfast wife. In a sport that would take their last flicker of dignity, the Thompsons are reclaiming theirs.