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Ash, the sole survivor of The Evil Dead, returns to the same cabin in the woods and again unleashes the forces of the dead. With his girlfriend possessed by demons and his body parts runnning amok, Ash is forced to single-handedly battle the legions of the damned as the most lethal — and groovy — hero in horror movie history!

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Writer/Director SAM RAIMI’s relentless, gore-spattered debut is a landmark in horror cinema, a no-holds-barred onslaught of gruesome terror and nightmarish effects which has earned its rightful status as a legendary cult classic. Five college students travel to a remote cabin in the woods and unwittingly unleash a monstrous evil force hellbent on their total destruction. Now with newly restored state-of-the-art digitally remastered picture and loaded with incredible extras, THE EVIL DEAD is truly the ultimate experience in grueling horror.

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Activist Guy Fawkes and a group of disgruntled, persecuted provincial Catholics conspire to work together to blow up the House of Lords and kill King James I in the early 17th century.

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Confused by the foundations of our economy, stocks, derivatives, cost of energy and taxes? You are not alone. Untangle the complicated realities of our global financial system and its profound relationship to government, politics, and climate change with the help of international experts and all the humor of a New Yorker cartoon, as we "out" the whole charade that could lead to societal collapse.

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WWII hero Lt. Royal Stratton leads a mission to save the lives of nine downed airmen. Gripping action mixed with firsthand accounts showcase the valor of his courageous squadron who face overwhelming odds to bring their brothers home.

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Burning with stylistic freedom, the first three features by Leos Carax are cinema at its most ecstatically sensorial and deliriously romantic. Built around virtuosic, intensely physical performances from Denis Lavant as three different characters named Alex, these tales of outsiders, criminals, and doomed lovers living on the edge blaze with the whirlwind abandon of youth and the thrilling highs and torturous lows of all-consuming passion. Love letters to the city of Paris, with its streets transformed by cinematographer Jean-Yves Escoffier into expressive dreamscapes, these three films erupt in moments of anarchic euphoria that fuse sound and image to heart-stopping effect. DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restorations, with uncompressed monaural (Boy Meets Girl and Mauvais sang) and 5.1 surround DTS-HD Master Audio (The Lovers on the Bridge) soundtracks Three 4K UHD discs of the films (with The Lovers on the Bridge presented in Dolby Vision HDR) and three Blu-rays with the films and special features It’s Not Me (2024), a self-portrait film by director Leos Carax New interviews with actor Denis Lavant and editor Nelly Quettier New video essay on the cinematography of Jean-Yves Escoffier Meet the Filmmakers: Leos Carax, a Criterion Channel original interview Mr. X: A Vision of Leos Carax (2014), a documentary on Carax’s work Le Pont-Neuf des amants (1991), a documentary on the making of the main set for The Lovers on the Bridge Deleted scene, rushes, screen tests, behind-the-scenes footage, and trailers New English subtitle translation PLUS: An essay by author Amina Cain BOY MEETS GIRL Made when he was just twenty-three years old, Leos Carax’s rapturous debut feature returns French cinema to the unfettered experimentation of the New Wave while updating it for the punk 1980s. In velvety black and white, Boy Meets Girl evokes a surreal nocturnal Paris populated by lost souls and wandering misfits, including Alex (Denis Lavant), a disaffected would-be filmmaker whose girlfriend has just left him for his best friend, and Mireille (Mireille Perrier), an aspiring actress nursing her own heartbreak. Drawn together by fate, they share a moment of intense, fleeting connection as bright-burning and ephemeral as youth itself. MAUVAIS SANG With his exhilarating second feature, Leos Carax infuses a neonoir scenario with a delirious strain of doomed romanticism for a tour de force of avant-pop invention. Amid the spread of STBO—a sexually transmitted disease acquired by having sex without emotion—a young ex-con (Denis Lavant) is recruited by a veteran criminal (Michel Piccoli) to steal the antidote, only to find himself entangled in a dangerous affair with his new associate’s lover (Juliette Binoche). Constructed with the kinetic verve of a musical, Mauvais sang explodes in moments of pure cinematic adrenaline, from a dizzying skydive to Lavant’s heart-pounding nighttime sprint set to David Bowie’s “Modern Love.” THE LOVERS ON THE BRIDGE With this feverish saga of amour fou, Leos Carax pushed his ambitions to glorious new heights. Michèle (Juliette Binoche), an artist who is losing her sight, meets Alex (Denis Lavant), a homeless street performer, while sleeping rough on Paris’s centuries-old Pont-Neuf, beginning an obsessive affair that soon collides with crushing reality. The result of an infamously lengthy, arduous production, The Lovers on the Bridge is a bracing plunge into life on the city’s turbulent margins—a visually arresting, musically intoxicating film that is never more dazzling than when the lovers water-ski madly across the Seine amid a shower of fireworks. Top About this item Similar From the Brand Questions Reviews Three Films by Leos Carax (The Criterion Collection) Three Films by Leos Carax (The Criterion Collection)

Description

Burning with stylistic freedom, the first three features by Leos Carax are cinema at its most ecstatically sensorial and deliriously romantic. Built around virtuosic, intensely physical performances from Denis Lavant as three different characters named Alex, these tales of outsiders, criminals, and doomed lovers living on the edge blaze with the whirlwind abandon of youth and the thrilling highs and torturous lows of all-consuming passion. Love letters to the city of Paris, with its streets transformed by cinematographer Jean-Yves Escoffier into expressive dreamscapes, these three films erupt in moments of anarchic euphoria that fuse sound and image to heart-stopping effect. DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restorations, with uncompressed monaural (Boy Meets Girl and Mauvais sang) and 5.1 surround DTS-HD Master Audio (The Lovers on the Bridge) soundtracks Three 4K UHD discs of the films (with The Lovers on the Bridge presented in Dolby Vision HDR) and three Blu-rays with the films and special features It’s Not Me (2024), a self-portrait film by director Leos Carax New interviews with actor Denis Lavant and editor Nelly Quettier New video essay on the cinematography of Jean-Yves Escoffier Meet the Filmmakers: Leos Carax, a Criterion Channel original interview Mr. X: A Vision of Leos Carax (2014), a documentary on Carax’s work Le Pont-Neuf des amants (1991), a documentary on the making of the main set for The Lovers on the Bridge Deleted scene, rushes, screen tests, behind-the-scenes footage, and trailers New English subtitle translation PLUS: An essay by author Amina Cain BOY MEETS GIRL Made when he was just twenty-three years old, Leos Carax’s rapturous debut feature returns French cinema to the unfettered experimentation of the New Wave while updating it for the punk 1980s. In velvety black and white, Boy Meets Girl evokes a surreal nocturnal Paris populated by lost souls and wandering misfits, including Alex (Denis Lavant), a disaffected would-be filmmaker whose girlfriend has just left him for his best friend, and Mireille (Mireille Perrier), an aspiring actress nursing her own heartbreak. Drawn together by fate, they share a moment of intense, fleeting connection as bright-burning and ephemeral as youth itself. MAUVAIS SANG With his exhilarating second feature, Leos Carax infuses a neonoir scenario with a delirious strain of doomed romanticism for a tour de force of avant-pop invention. Amid the spread of STBO—a sexually transmitted disease acquired by having sex without emotion—a young ex-con (Denis Lavant) is recruited by a veteran criminal (Michel Piccoli) to steal the antidote, only to find himself entangled in a dangerous affair with his new associate’s lover (Juliette Binoche). Constructed with the kinetic verve of a musical, Mauvais sang explodes in moments of pure cinematic adrenaline, from a dizzying skydive to Lavant’s heart-pounding nighttime sprint set to David Bowie’s “Modern Love.” THE LOVERS ON THE BRIDGE With this feverish saga of amour fou, Leos Carax pushed his ambitions to glorious new heights. Michèle (Juliette Binoche), an artist who is losing her sight, meets Alex (Denis Lavant), a homeless street performer, while sleeping rough on Paris’s centuries-old Pont-Neuf, beginning an obsessive affair that soon collides with crushing reality. The result of an infamously lengthy, arduous production, The Lovers on the Bridge is a bracing plunge into life on the city’s turbulent margins—a visually arresting, musically intoxicating film that is never more dazzling than when the lovers water-ski madly across the Seine amid a shower of fireworks. Top About this item Similar From the Brand Questions Reviews Three Films by Leos Carax (The Criterion Collection) Three Films by Leos Carax (The Criterion Collection)

Description

Burning with stylistic freedom, the first three features by Leos Carax are cinema at its most ecstatically sensorial and deliriously romantic. Built around virtuosic, intensely physical performances from Denis Lavant as three different characters named Alex, these tales of outsiders, criminals, and doomed lovers living on the edge blaze with the whirlwind abandon of youth and the thrilling highs and torturous lows of all-consuming passion. Love letters to the city of Paris, with its streets transformed by cinematographer Jean-Yves Escoffier into expressive dreamscapes, these three films erupt in moments of anarchic euphoria that fuse sound and image to heart-stopping effect. DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restorations, with uncompressed monaural (Boy Meets Girl and Mauvais sang) and 5.1 surround DTS-HD Master Audio (The Lovers on the Bridge) soundtracks Three 4K UHD discs of the films (with The Lovers on the Bridge presented in Dolby Vision HDR) and three Blu-rays with the films and special features It’s Not Me (2024), a self-portrait film by director Leos Carax New interviews with actor Denis Lavant and editor Nelly Quettier New video essay on the cinematography of Jean-Yves Escoffier Meet the Filmmakers: Leos Carax, a Criterion Channel original interview Mr. X: A Vision of Leos Carax (2014), a documentary on Carax’s work Le Pont-Neuf des amants (1991), a documentary on the making of the main set for The Lovers on the Bridge Deleted scene, rushes, screen tests, behind-the-scenes footage, and trailers New English subtitle translation PLUS: An essay by author Amina Cain BOY MEETS GIRL Made when he was just twenty-three years old, Leos Carax’s rapturous debut feature returns French cinema to the unfettered experimentation of the New Wave while updating it for the punk 1980s. In velvety black and white, Boy Meets Girl evokes a surreal nocturnal Paris populated by lost souls and wandering misfits, including Alex (Denis Lavant), a disaffected would-be filmmaker whose girlfriend has just left him for his best friend, and Mireille (Mireille Perrier), an aspiring actress nursing her own heartbreak. Drawn together by fate, they share a moment of intense, fleeting connection as bright-burning and ephemeral as youth itself. MAUVAIS SANG With his exhilarating second feature, Leos Carax infuses a neonoir scenario with a delirious strain of doomed romanticism for a tour de force of avant-pop invention. Amid the spread of STBO—a sexually transmitted disease acquired by having sex without emotion—a young ex-con (Denis Lavant) is recruited by a veteran criminal (Michel Piccoli) to steal the antidote, only to find himself entangled in a dangerous affair with his new associate’s lover (Juliette Binoche). Constructed with the kinetic verve of a musical, Mauvais sang explodes in moments of pure cinematic adrenaline, from a dizzying skydive to Lavant’s heart-pounding nighttime sprint set to David Bowie’s “Modern Love.” THE LOVERS ON THE BRIDGE With this feverish saga of amour fou, Leos Carax pushed his ambitions to glorious new heights. Michèle (Juliette Binoche), an artist who is losing her sight, meets Alex (Denis Lavant), a homeless street performer, while sleeping rough on Paris’s centuries-old Pont-Neuf, beginning an obsessive affair that soon collides with crushing reality. The result of an infamously lengthy, arduous production, The Lovers on the Bridge is a bracing plunge into life on the city’s turbulent margins—a visually arresting, musically intoxicating film that is never more dazzling than when the lovers water-ski madly across the Seine amid a shower of fireworks. Top About this item Similar From the Brand Questions Reviews Three Films by Leos Carax (The Criterion Collection) Three Films by Leos Carax (The Criterion Collection)

Description

Burning with stylistic freedom, the first three features by Leos Carax are cinema at its most ecstatically sensorial and deliriously romantic. Built around virtuosic, intensely physical performances from Denis Lavant as three different characters named Alex, these tales of outsiders, criminals, and doomed lovers living on the edge blaze with the whirlwind abandon of youth and the thrilling highs and torturous lows of all-consuming passion. Love letters to the city of Paris, with its streets transformed by cinematographer Jean-Yves Escoffier into expressive dreamscapes, these three films erupt in moments of anarchic euphoria that fuse sound and image to heart-stopping effect. DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restorations, with uncompressed monaural (Boy Meets Girl and Mauvais sang) and 5.1 surround DTS-HD Master Audio (The Lovers on the Bridge) soundtracks Three 4K UHD discs of the films (with The Lovers on the Bridge presented in Dolby Vision HDR) and three Blu-rays with the films and special features It’s Not Me (2024), a self-portrait film by director Leos Carax New interviews with actor Denis Lavant and editor Nelly Quettier New video essay on the cinematography of Jean-Yves Escoffier Meet the Filmmakers: Leos Carax, a Criterion Channel original interview Mr. X: A Vision of Leos Carax (2014), a documentary on Carax’s work Le Pont-Neuf des amants (1991), a documentary on the making of the main set for The Lovers on the Bridge Deleted scene, rushes, screen tests, behind-the-scenes footage, and trailers New English subtitle translation PLUS: An essay by author Amina Cain BOY MEETS GIRL Made when he was just twenty-three years old, Leos Carax’s rapturous debut feature returns French cinema to the unfettered experimentation of the New Wave while updating it for the punk 1980s. In velvety black and white, Boy Meets Girl evokes a surreal nocturnal Paris populated by lost souls and wandering misfits, including Alex (Denis Lavant), a disaffected would-be filmmaker whose girlfriend has just left him for his best friend, and Mireille (Mireille Perrier), an aspiring actress nursing her own heartbreak. Drawn together by fate, they share a moment of intense, fleeting connection as bright-burning and ephemeral as youth itself. MAUVAIS SANG With his exhilarating second feature, Leos Carax infuses a neonoir scenario with a delirious strain of doomed romanticism for a tour de force of avant-pop invention. Amid the spread of STBO—a sexually transmitted disease acquired by having sex without emotion—a young ex-con (Denis Lavant) is recruited by a veteran criminal (Michel Piccoli) to steal the antidote, only to find himself entangled in a dangerous affair with his new associate’s lover (Juliette Binoche). Constructed with the kinetic verve of a musical, Mauvais sang explodes in moments of pure cinematic adrenaline, from a dizzying skydive to Lavant’s heart-pounding nighttime sprint set to David Bowie’s “Modern Love.” THE LOVERS ON THE BRIDGE With this feverish saga of amour fou, Leos Carax pushed his ambitions to glorious new heights. Michèle (Juliette Binoche), an artist who is losing her sight, meets Alex (Denis Lavant), a homeless street performer, while sleeping rough on Paris’s centuries-old Pont-Neuf, beginning an obsessive affair that soon collides with crushing reality. The result of an infamously lengthy, arduous production, The Lovers on the Bridge is a bracing plunge into life on the city’s turbulent margins—a visually arresting, musically intoxicating film that is never more dazzling than when the lovers water-ski madly across the Seine amid a shower of fireworks. Top About this item Similar From the Brand Questions Reviews Three Films by Leos Carax (The Criterion Collection) Three Films by Leos Carax (The Criterion Collection)

Description

Burning with stylistic freedom, the first three features by Leos Carax are cinema at its most ecstatically sensorial and deliriously romantic. Built around virtuosic, intensely physical performances from Denis Lavant as three different characters named Alex, these tales of outsiders, criminals, and doomed lovers living on the edge blaze with the whirlwind abandon of youth and the thrilling highs and torturous lows of all-consuming passion. Love letters to the city of Paris, with its streets transformed by cinematographer Jean-Yves Escoffier into expressive dreamscapes, these three films erupt in moments of anarchic euphoria that fuse sound and image to heart-stopping effect. DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restorations, with uncompressed monaural (Boy Meets Girl and Mauvais sang) and 5.1 surround DTS-HD Master Audio (The Lovers on the Bridge) soundtracks Three 4K UHD discs of the films (with The Lovers on the Bridge presented in Dolby Vision HDR) and three Blu-rays with the films and special features It’s Not Me (2024), a self-portrait film by director Leos Carax New interviews with actor Denis Lavant and editor Nelly Quettier New video essay on the cinematography of Jean-Yves Escoffier Meet the Filmmakers: Leos Carax, a Criterion Channel original interview Mr. X: A Vision of Leos Carax (2014), a documentary on Carax’s work Le Pont-Neuf des amants (1991), a documentary on the making of the main set for The Lovers on the Bridge Deleted scene, rushes, screen tests, behind-the-scenes footage, and trailers New English subtitle translation PLUS: An essay by author Amina Cain BOY MEETS GIRL Made when he was just twenty-three years old, Leos Carax’s rapturous debut feature returns French cinema to the unfettered experimentation of the New Wave while updating it for the punk 1980s. In velvety black and white, Boy Meets Girl evokes a surreal nocturnal Paris populated by lost souls and wandering misfits, including Alex (Denis Lavant), a disaffected would-be filmmaker whose girlfriend has just left him for his best friend, and Mireille (Mireille Perrier), an aspiring actress nursing her own heartbreak. Drawn together by fate, they share a moment of intense, fleeting connection as bright-burning and ephemeral as youth itself. MAUVAIS SANG With his exhilarating second feature, Leos Carax infuses a neonoir scenario with a delirious strain of doomed romanticism for a tour de force of avant-pop invention. Amid the spread of STBO—a sexually transmitted disease acquired by having sex without emotion—a young ex-con (Denis Lavant) is recruited by a veteran criminal (Michel Piccoli) to steal the antidote, only to find himself entangled in a dangerous affair with his new associate’s lover (Juliette Binoche). Constructed with the kinetic verve of a musical, Mauvais sang explodes in moments of pure cinematic adrenaline, from a dizzying skydive to Lavant’s heart-pounding nighttime sprint set to David Bowie’s “Modern Love.” THE LOVERS ON THE BRIDGE With this feverish saga of amour fou, Leos Carax pushed his ambitions to glorious new heights. Michèle (Juliette Binoche), an artist who is losing her sight, meets Alex (Denis Lavant), a homeless street performer, while sleeping rough on Paris’s centuries-old Pont-Neuf, beginning an obsessive affair that soon collides with crushing reality. The result of an infamously lengthy, arduous production, The Lovers on the Bridge is a bracing plunge into life on the city’s turbulent margins—a visually arresting, musically intoxicating film that is never more dazzling than when the lovers water-ski madly across the Seine amid a shower of fireworks. Top About this item Similar From the Brand Questions Reviews Three Films by Leos Carax (The Criterion Collection) Three Films by Leos Carax (The Criterion Collection)

Description

Burning with stylistic freedom, the first three features by Leos Carax are cinema at its most ecstatically sensorial and deliriously romantic. Built around virtuosic, intensely physical performances from Denis Lavant as three different characters named Alex, these tales of outsiders, criminals, and doomed lovers living on the edge blaze with the whirlwind abandon of youth and the thrilling highs and torturous lows of all-consuming passion. Love letters to the city of Paris, with its streets transformed by cinematographer Jean-Yves Escoffier into expressive dreamscapes, these three films erupt in moments of anarchic euphoria that fuse sound and image to heart-stopping effect. DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restorations, with uncompressed monaural (Boy Meets Girl and Mauvais sang) and 5.1 surround DTS-HD Master Audio (The Lovers on the Bridge) soundtracks Three 4K UHD discs of the films (with The Lovers on the Bridge presented in Dolby Vision HDR) and three Blu-rays with the films and special features It’s Not Me (2024), a self-portrait film by director Leos Carax New interviews with actor Denis Lavant and editor Nelly Quettier New video essay on the cinematography of Jean-Yves Escoffier Meet the Filmmakers: Leos Carax, a Criterion Channel original interview Mr. X: A Vision of Leos Carax (2014), a documentary on Carax’s work Le Pont-Neuf des amants (1991), a documentary on the making of the main set for The Lovers on the Bridge Deleted scene, rushes, screen tests, behind-the-scenes footage, and trailers New English subtitle translation PLUS: An essay by author Amina Cain BOY MEETS GIRL Made when he was just twenty-three years old, Leos Carax’s rapturous debut feature returns French cinema to the unfettered experimentation of the New Wave while updating it for the punk 1980s. In velvety black and white, Boy Meets Girl evokes a surreal nocturnal Paris populated by lost souls and wandering misfits, including Alex (Denis Lavant), a disaffected would-be filmmaker whose girlfriend has just left him for his best friend, and Mireille (Mireille Perrier), an aspiring actress nursing her own heartbreak. Drawn together by fate, they share a moment of intense, fleeting connection as bright-burning and ephemeral as youth itself. MAUVAIS SANG With his exhilarating second feature, Leos Carax infuses a neonoir scenario with a delirious strain of doomed romanticism for a tour de force of avant-pop invention. Amid the spread of STBO—a sexually transmitted disease acquired by having sex without emotion—a young ex-con (Denis Lavant) is recruited by a veteran criminal (Michel Piccoli) to steal the antidote, only to find himself entangled in a dangerous affair with his new associate’s lover (Juliette Binoche). Constructed with the kinetic verve of a musical, Mauvais sang explodes in moments of pure cinematic adrenaline, from a dizzying skydive to Lavant’s heart-pounding nighttime sprint set to David Bowie’s “Modern Love.” THE LOVERS ON THE BRIDGE With this feverish saga of amour fou, Leos Carax pushed his ambitions to glorious new heights. Michèle (Juliette Binoche), an artist who is losing her sight, meets Alex (Denis Lavant), a homeless street performer, while sleeping rough on Paris’s centuries-old Pont-Neuf, beginning an obsessive affair that soon collides with crushing reality. The result of an infamously lengthy, arduous production, The Lovers on the Bridge is a bracing plunge into life on the city’s turbulent margins—a visually arresting, musically intoxicating film that is never more dazzling than when the lovers water-ski madly across the Seine amid a shower of fireworks. Top About this item Similar From the Brand Questions Reviews Three Films by Leos Carax (The Criterion Collection) Three Films by Leos Carax (The Criterion Collection)