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This collection features three film noir classics: CITY OF SHADOWS (1955) – Their Business Was “Legitimate” — Because the Law Couldn’t Touch Them! Iconic screen tough Victor McLaglen (The Informer, Klondike Annie) is Big Tim Channing, a small-time racketeer who makes a living supplying old, out-of-date slot machines to businesses. He strikes up a prosperous partnership with newsboy Dan Mason when the precocious kid shows him how to corner the slot-machine racket and, at the same time, put his crooked competitors out of the running. But when Dan grows up and graduates from law school, it thrusts old Tim into a compromising position. From William Witney, director of the legendary serials Daredevils of the Red Circle and Adventures of Captain Marvel, and co-starring John Baer (We’re No Angels), Kathleen Crowley (Curse of the Undead) and Anthony Caruso (Never Steal Anything Small). CRASHOUT (1955) – It Blasts the Screen with Violence! Six ruthless convicts break out of prison and frantically try to avoid an extensive manhunt. Arthur Kennedy (Bright Victory) co-stars with a legendary lineup of Hollywood heavies: William Bendix (The Web), Luther Adler (D.O.A.), William Talman (Big House, U.S.A.), Gene Evans (Fixed Bayonets!) and Marshall Thompson (It! The Terror from Beyond Space). Once the coast is clear, they set out on a long and dangerous journey by foot, train and car to retrieve bank loot. After barely surviving two deadly incidents, the gang seeks refuge in a farmhouse as the action reaches a fever pitch. Ironically, the men start to realize that it’s not the law that they need to worry about. A hardboiled, edge-of-your-seat noir produced by Ida Lupino’s Filmakers Releasing Organization for director Lewis R. Foster (Those Redheads from Seattle). Cinematography by the masterly Russell Metty (Touch of Evil). FINGER MAN (1956) – I Put the Finger on Public Enemy Number One! Frank Lovejoy (The Hitch-Hiker, House of Wax) stars as ex-con Casey Martin, who is caught red-handed while heisting a truck shipment. When he discovers that his sister has now become a desperate drug addict after working for gruff bootlegger Dutch Becker (Forrest Tucker, Sands of Iwo Jima), Martin accepts the deal that the T-men offer him and goes to work undercover to nail Dutch and his gang. Peggy Castle (99 River Street) plays Gladys Baker, the gangster’s associate who falls for the finger man. Timothy Carey (The Killing) plays Lou Terpe, the finger man’s former cellmate and a particularly sadistic member of Dutch’s crew. A crime-busting noir yarn spun by director Harold D. Schuster (Loophole). Special Features: • NEW HD Masters by Paramount Pictures • NEW Audio Commentary for CITY OF SHADOWS by Film Historian/Screenwriter Gary Gerani • NEW Audio Commentary for CRASHOUT by Author/Film Historian Alan K. Rode • NEW Audio Commentary for FINGER MAN by Professor and Film Scholar Jason A. Ney • Optional English Subtitles

Description

This collection features three film noir classics: CITY OF SHADOWS (1955) – Their Business Was “Legitimate” — Because the Law Couldn’t Touch Them! Iconic screen tough Victor McLaglen (The Informer, Klondike Annie) is Big Tim Channing, a small-time racketeer who makes a living supplying old, out-of-date slot machines to businesses. He strikes up a prosperous partnership with newsboy Dan Mason when the precocious kid shows him how to corner the slot-machine racket and, at the same time, put his crooked competitors out of the running. But when Dan grows up and graduates from law school, it thrusts old Tim into a compromising position. From William Witney, director of the legendary serials Daredevils of the Red Circle and Adventures of Captain Marvel, and co-starring John Baer (We’re No Angels), Kathleen Crowley (Curse of the Undead) and Anthony Caruso (Never Steal Anything Small). CRASHOUT (1955) – It Blasts the Screen with Violence! Six ruthless convicts break out of prison and frantically try to avoid an extensive manhunt. Arthur Kennedy (Bright Victory) co-stars with a legendary lineup of Hollywood heavies: William Bendix (The Web), Luther Adler (D.O.A.), William Talman (Big House, U.S.A.), Gene Evans (Fixed Bayonets!) and Marshall Thompson (It! The Terror from Beyond Space). Once the coast is clear, they set out on a long and dangerous journey by foot, train and car to retrieve bank loot. After barely surviving two deadly incidents, the gang seeks refuge in a farmhouse as the action reaches a fever pitch. Ironically, the men start to realize that it’s not the law that they need to worry about. A hardboiled, edge-of-your-seat noir produced by Ida Lupino’s Filmakers Releasing Organization for director Lewis R. Foster (Those Redheads from Seattle). Cinematography by the masterly Russell Metty (Touch of Evil). FINGER MAN (1956) – I Put the Finger on Public Enemy Number One! Frank Lovejoy (The Hitch-Hiker, House of Wax) stars as ex-con Casey Martin, who is caught red-handed while heisting a truck shipment. When he discovers that his sister has now become a desperate drug addict after working for gruff bootlegger Dutch Becker (Forrest Tucker, Sands of Iwo Jima), Martin accepts the deal that the T-men offer him and goes to work undercover to nail Dutch and his gang. Peggy Castle (99 River Street) plays Gladys Baker, the gangster’s associate who falls for the finger man. Timothy Carey (The Killing) plays Lou Terpe, the finger man’s former cellmate and a particularly sadistic member of Dutch’s crew. A crime-busting noir yarn spun by director Harold D. Schuster (Loophole). Special Features: • NEW HD Masters by Paramount Pictures • NEW Audio Commentary for CITY OF SHADOWS by Film Historian/Screenwriter Gary Gerani • NEW Audio Commentary for CRASHOUT by Author/Film Historian Alan K. Rode • NEW Audio Commentary for FINGER MAN by Professor and Film Scholar Jason A. Ney • Optional English Subtitles

Description

This collection features three film noir classics: CITY OF SHADOWS (1955) – Their Business Was “Legitimate” — Because the Law Couldn’t Touch Them! Iconic screen tough Victor McLaglen (The Informer, Klondike Annie) is Big Tim Channing, a small-time racketeer who makes a living supplying old, out-of-date slot machines to businesses. He strikes up a prosperous partnership with newsboy Dan Mason when the precocious kid shows him how to corner the slot-machine racket and, at the same time, put his crooked competitors out of the running. But when Dan grows up and graduates from law school, it thrusts old Tim into a compromising position. From William Witney, director of the legendary serials Daredevils of the Red Circle and Adventures of Captain Marvel, and co-starring John Baer (We’re No Angels), Kathleen Crowley (Curse of the Undead) and Anthony Caruso (Never Steal Anything Small). CRASHOUT (1955) – It Blasts the Screen with Violence! Six ruthless convicts break out of prison and frantically try to avoid an extensive manhunt. Arthur Kennedy (Bright Victory) co-stars with a legendary lineup of Hollywood heavies: William Bendix (The Web), Luther Adler (D.O.A.), William Talman (Big House, U.S.A.), Gene Evans (Fixed Bayonets!) and Marshall Thompson (It! The Terror from Beyond Space). Once the coast is clear, they set out on a long and dangerous journey by foot, train and car to retrieve bank loot. After barely surviving two deadly incidents, the gang seeks refuge in a farmhouse as the action reaches a fever pitch. Ironically, the men start to realize that it’s not the law that they need to worry about. A hardboiled, edge-of-your-seat noir produced by Ida Lupino’s Filmakers Releasing Organization for director Lewis R. Foster (Those Redheads from Seattle). Cinematography by the masterly Russell Metty (Touch of Evil). FINGER MAN (1956) – I Put the Finger on Public Enemy Number One! Frank Lovejoy (The Hitch-Hiker, House of Wax) stars as ex-con Casey Martin, who is caught red-handed while heisting a truck shipment. When he discovers that his sister has now become a desperate drug addict after working for gruff bootlegger Dutch Becker (Forrest Tucker, Sands of Iwo Jima), Martin accepts the deal that the T-men offer him and goes to work undercover to nail Dutch and his gang. Peggy Castle (99 River Street) plays Gladys Baker, the gangster’s associate who falls for the finger man. Timothy Carey (The Killing) plays Lou Terpe, the finger man’s former cellmate and a particularly sadistic member of Dutch’s crew. A crime-busting noir yarn spun by director Harold D. Schuster (Loophole). Special Features: • NEW HD Masters by Paramount Pictures • NEW Audio Commentary for CITY OF SHADOWS by Film Historian/Screenwriter Gary Gerani • NEW Audio Commentary for CRASHOUT by Author/Film Historian Alan K. Rode • NEW Audio Commentary for FINGER MAN by Professor and Film Scholar Jason A. Ney • Optional English Subtitles

Description

After killing her lover in self-defense, Barbary Coast madam Rose Carlton (Mae West) hops an Alaska-bound freighter and soon winds up impersonating an evangelist, Sister Annie, in order to elude the law. Offbeat West entry, based on her own 1921 unproduced play, mixes comedy, drama, and music; songs include "It's Better to Give Than to Receive" and "I'm an Occidental Woman in an Oriental Mood for Love." With Victor McLaglen, Phillip Reed; directed by Raoul Walsh. 80 min. Standard; Soundtrack: English; Subtitles: English; audio commentary; theatrical trailers.

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OLIVE SIGNATURE FEATURES Mastered from 4K scan of original camera negative Audio commentary with John Ford biographer Joseph McBride ribute to Maureen O'Hara with Ally Sheedy, Hayley Mills, and Juliet Mills

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Crooked Parisian financier Paul Reynard is arrested for bank fraud and sentenced to a penal colony off the coast of South America. After escaping, he seeks revenge on the man he believes stole his wife.

Description

A masterpiece of mood and heroics, this second film in director John Ford's renowned cavalry trilogy (Fort Apache and Rio Grande are the others) features one of John Wayne's most moving performances, as a cavalry officer in his final week of service on the frontier. Under makeup aging him some 20 years, he inhabits the role of a wily veteran who knows the sting of war and vows to make his last mission one of peace. The ritual of outpost life, the sweep of battle, the advance of the patrol beneath ominous skies: She Wore a Yellow Ribbon, an Academy Award"' winner* for its color cinematography, paints a memorable portrait of the honor, duty and courage in the finest tradition of the cavalry. And of Ford filmmaking.