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Woody Allen returns to the romantic fields of previous hits Vicky Cristina Barcelona and Midnight in Paris, assembling an all-star cast also including Timothée Chalamet, Elle Fanning, Selena Gomez, Jude Law, Diego Luna and Liev Schreiber, for a charming, sizzling and comedic tale set amidst the fast-paced dizzying streets of The Big Apple. A RAINY DAY IN NEW YORK tells the story of college sweethearts, Gatsby (Chalamet) and Ashleigh (Fanning), whose plans for a romantic weekend together in New York City are dashed as quickly as the sunlight turns into showers. The two are soon parted, and through a series of chance meetings and comical adventures they will discover that, while you only live once, once is enough if you find the right person.

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Freddie Highmore (Charlie and the Chocolate Factory) returns as Arthur, joined by the voice talents of Snoop Dogg, Will.i.am, Fergie and Selena Gomez (Ramona and Beezus). Join swords with Arthur and enter the underground world of the Invisibles with TWO FULL-LENGTH MOVIE ADVENTURES where danger lurks, giant insects invade, and the evil wizard, Maltazard, must be defeated. But will that be enough for him to win the war of the two worlds and save his beloved Princess Selenia and the Minimoys before it's too late?

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All regions. Mexico City attorney Rita Mora Castro was ill at ease when she was approached by cartel lord Juan Del Monte and stunned when he sought her aid in faking his death, creating a new identity... and transitioning, as he'd long wished, into a woman. While all three bids were successful, fate wasn't done with the lawyer, her client “Emilia Pérez,” or Juan's in-the-dark wife Jessi.

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Brent Magna is a burned out race car driver who is thrust into a do-or-die mission behind the wheel when his wife is kidnapped. With Brent’s only ally being a young hacker, his one hope of saving his wife is to follow the orders of the mysterious voice (Jon Voight) who’s watching his every move through cameras mounted on the car Brent’s driving.

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Following on from the enormous success of his breakthrough film Django, Franco Nero returned to the Wild West (Almería, Spain) to star in the same year s Texas Adios, which was released as Django 2 in some countries. Here he plays tough gunslinger Burt Sullivan, a sheriff who, along with his younger brother (Alberto Dell'Acqua, Endgame), journeys to Mexico to hunt down the sadistic bandit Cisco Delgado and avenge his father s murder. When Burt and his brother fall in with a group of Mexican revolutionaries, the stage is set for a violent climatic confrontation... Directed by veteran helmsman Ferdinado Baldi, best known for the cult Western Blindman (starring Beatles tub-thumper Ringo Starr) and the 3D extravaganza Comin' at Ya!, Texas Adios is a lesser-known Spaghetti Western gem, which boasts rapid-fire action scenes, stunning locations and stylish cinematography courtesy of Enzo Barboni (Django, Nightmare Castle). The film is presented here in an exclusive new restoration, with a wealth of extras which allow this film to be enjoyed as never before. SPECIAL EDITION CONTENTS New restoration from a 2K scan from the original camera negative by Arrow Films High Definition Blu-ray (1080p) presentation Uncompressed Mono 1.0 PCM audio Newly translated English subtitles for the Italian soundtrack Optional English subtitles for the deaf and hard of hearing for the English soundtrack Audio commentary for by spaghetti western experts C. Courtney Joyner and Henry C. Parke Newly filmed interview with star Franco Nero Newly filmed interview with co-star Alberto Dell'Acqua Newly filmed interview with co-writer Franco Rossetti Hello Texas!, newly filmed appreciation by Spaghetti Westerns scholar Austin Fisher Gallery of original promotional images from the Mike Siegel Archive Original trailer Reversible sleeve featuring original and newly commissioned artwork by Matt Griffin FIRST PRESSING ONLY: Fully illustrated collector's booklet featuring new writing by Howard Hughes, and original reviews

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Dracula and the monster gang take a cruise vacation, but romance and danger await on the high seas.

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Hotel Transylvania When monsters want to get away from it all, they go to Count Dracula's (Adam Sandler) Hotel Transylvania, a lavish resort where they can be themselves without humans around to bother them. On one special weekend, Dracula invites creatures like the Invisible Man, the Mummy and others to celebrate the 118th birthday of his daughter, Mavis (Selena Gomez). However, an unforeseen complication unfolds when an ordinary human unwittingly crashes the party and falls in love with Mavis.

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When Van Helsing?s mysterious invention, the 'Monsterfication Ray," goes haywire, Drac and his monster pals are all transformed into humans, and Johnny becomes a monster! In their new mismatched bodies, Drac, stripped of his powers, and an exuberant Johnny, loving life as a monster, must team up and race across the globe to find a cure before it?s too late, and before they drive each other crazy.

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Set in California apple country in the 1930s, nine hundred migratory workers rise up and join forces to protest unfair wages and working conditions. As the labor strike wears on and conflict grows between the apple pickers and the local growers' association, what begins as a fight for their rights turns into an all-out battle for survival in this star-studded re-telling of John Steinbeck's beloved novel.

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Product Description Four college girls who land in jail after robbing a restaurant in order to fund their spring break vacation find themselves bailed out by a drug and arms dealer who wants them to do some dirty work. Amazon.com Word on Spring Breakers has been loud enough for everyone to know that this is not a typical teen romp about college kids blowing off steam and getting their party on along the golden shores of Florida's Gulf Coast. It is that for sure, but writer-director Harmony Korine's vision of the masses of toned hardbodies' drink- and drug-fueled days and day-glo nights goes far deeper than playful exploitation. His intention is to peel away the trappings of a genre to uncover realms much more disturbing. Though wildly uneven, Spring Breakers is always entertaining, from the early gaudy scenes of girls and guys gone wild, to the unsettling apparitions of a hallucinatory thug life that come later. The camera gawks at all of this with slightly detached dread, whether it's brightly lit bikinis bouncing on the beach in slow motion or the automatic weapons, heavy-duty drugs, and unsavory characters who inhabit the place when all the spring breakers are gone. Much has been made of the fact that Spring Breakers is a breakout from good-girl status for stars Selena Gomez (as Faith) and Vanessa Hudgens (as Candy). Along with Brit (Ashley Benson) and Cotty (Rachel Korine, the director's wife), this quartet is itching to play bad as they first get the money to travel to Florida by pulling a heist, then letting loose once they get there with the thousands of other mostly undressed youths (we almost never see the four leads in anything other than op-art bikinis). Being a little too bad, they end up in a jail cell, but they find themselves bailed out by a loony local named Alien. By all movie logic, this should go down as one of James Franco's defining performances. He is truly sensational. The movie soars when he enters the story as a cornrowed, be-grilled, heavily tattooed gangsta whose ear-to-ear smile and poetic rap patter enrapture the girls into the kind of danger they've only been playing at so far. Alien proves a little too creepy for one, who soon escapes home; another heads back north after an incident of gunplay brings the reality too close. But Candy and Brit stick around as Alien's soulmates, all sharing his guns, his bed, his money, and his inflated sense of self as one. A nominal plot pits Alien against a rival drug kingpin, and the movie devolves into farce in the final reel, but not before Korine has a chance to elevate the hypnotic imagery and obscenely elegiac dialogue into something much higher than the sum of its parts. For some, Spring Breakers may seem a transgressive nightmare of debauchery in its depiction of a social reality that Hollywood would dare not touch. But it's also a fever dream of color, humor, horror, wit, and craziness that has something to say. If for no other reason, see Spring Breakers simply for the image of James Franco losing himself with a glee even one such as the great and powerful Oz could never imagine. --Ted Fry