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Release: November 17, 2015

$7.99

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Product Description Two decades after its original negatives were burned in a fire, Satyajit Ray’s breathtaking milestone of world cinema rises from the ashes in a meticulously reconstructed new restoration. The Apu Trilogy brought India into the golden age of international art-house film, following one indelible character, a free-spirited child in rural Bengal who matures into an adolescent urban student and finally a sensitive man of the world. These delicate masterworks—Pather Panchali (Song of the Little Road), Aparajito (The Unvanquished), and Apur Sansar (The World of Apu)—based on two books by Bibhutibhusan Banerjee, were shot over the course of five years, and each stands on its own as a tender, visually radiant journey. They are among the most achingly beautiful, richly humane movies ever made—essential works for any film lover. Pather Panchali The release in 1955 of Satyajit Ray’s debut, Pather Panchali, introduced to the world an eloquent and important new cinematic voice. A depiction of rural Bengali life in a style inspired by Italian neorealism, this naturalistic but poetic evocation of a number of years in the life of a family introduces us to both little Apu and, just as essentially, the women who will help shape him: his independent older sister, Durga; his harried mother, Sarbajaya, who, with her husband away, must hold the family together; and his kindly and mischievous elderly “auntie,” Indir—vivid, multifaceted characters all. With resplendent photography informed by its young protagonist’s perpetual sense of discovery, the Cannes-awarded Pather Panchali is an immersive cinematic experience and a film of elemental power. Aparajito Satyajit Ray had not planned to make a sequel to Pather Panchali, but after the film’s international success, he decided to continue Apu’s narrative. Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Apur Sansar By the time Apur Sansar was released, Satyajit Ray had directed not only the first two Apu films but also the masterpiece The Music Room, and was well on his way to becoming a legend. This extraordinary final chapter brings our protagonist’s journey full circle. Apu is now in his early twenties, out of college, and hoping to live as a writer. Alongside his professional ambitions, the film charts his romantic awakening, which occurs as the result of a most unlikely turn of events, and his eventual, fraught fatherhood. Featuring soon to be Ray regulars Soumitra Chatterjee and Sharmila Tagore in star-making performances, and demonstrating Ray’s ever more impressive skills as a crafter of pure cinematic imagery, Apur Sansar is a moving conclusion to this monumental trilogy. BLU-RAY SPECIAL EDITION COLLECTOR’S SET FEATURES • New 4K digital restorations of all three films, undertaken in collaboration with the Academy Film Archive at the Academy of Motion Picture Arts and Sciences and L’Immagine Ritrovata, with uncompressed monaural soundtracks • Audio recordings from 1958 of director Satyajit Ray reading his essay “A Long Time on the Little Road” and in conversation with film historian Gideon Bachmann • New interviews with actors Soumitra Chatterjee, Shampa Srivastava, and Sharmila Tagore; camera assistant Soumendu Roy; and film writer Ujjal Chakraborty • New video essay by Ray biographer Andrew Robinson on the trilogy’s evolution and production • “The Apu Trilogy”: A Closer Look, a new program featuring filmmaker, producer, and teacher Mamoun Hassan • Excerpts from the 2003 documentary The Song of the Little Road, featuring composer Ravi Shankar • The Creative Person: Satyajit Ray, a 1967 half-hour documentary by James Beveridge, featuring interviews with Ray, several of his actors, members of his creative team, and film critic Chidananda Das Gupta • Footage of Ray receiving an honorary Oscar in 1992 • New program on the restorations by filmmaker :: kogonada • New English subtitle translations • PLUS: A booklet featuring essays by critics Terrence Rafferty and Girish Shambu Review Two decades after its original negatives were burned in a fire, Satyajit Ray’s breathtaking milestone of world cinema rises from the ashes in a meticulously reconstructed new restoration. The Apu Trilogy brought India into the golden age of international art-house film, following one indelible character, a free-spirited child in rural Bengal who matures into an adolescent urban student and finally a sensitive man of the world. These delicate masterworks—Pather Panchali (Song of the Little Road), Aparajito (The Unvanquished), and Apur Sansar (The World of Apu)—based on two books by Bibhutibhusan Banerjee, were shot over the course of five years, and each stands on its own as a tender, visually radiant journey. They are among the most achingly beautiful, richly humane movies ever made—essential works for any film lover.

Release: January 2, 2024

$7.99

Description

A breathtaking milestone that brought India into the golden age of international art-house film, Satyajit Ray’s The Apu Trilogy follows one indelible character, a free-spirited child in rural Bengal who matures into an adolescent urban student and, finally, a sensitive man of the world. Ray’s delicate masterworks—Pather Panchali (Song of the Little Road), Aparajito (The Unvanquished), and Apur Sansar (The World of Apu)—based on two books by Bibhutibhusan Banerjee, were shot over the course of five years, and each stands on its own as a tender, visually radiant journey. These films—which have risen from the ashes in meticulously reconstructed restorations, after the original negatives were burned in a fire—are among the most achingly beautiful, richly humane movies ever made. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES 4K digital restorations of all three films, undertaken in collaboration with the Academy Film Archive at the Academy of Motion Picture Arts and Sciences and L’Immagine Ritrovata, with uncompressed monaural soundtracks Three 4K UHD discs of the films and three Blu-rays with the films and special features Audio recordings from 1958 of director Satyajit Ray reading his essay “A Long Time on the Little Road” and in conversation with film historian Gideon Bachmann Interviews with actors Soumitra Chatterjee, Shampa Srivastava, and Sharmila Tagore; camera assistant Soumendu Roy; and film writer Ujjal Chakraborty Making “The Apu Trilogy”: Satyajit Ray’s Epic Debut, a video essay by Ray biographer Andrew Robinson “The Apu Trilogy”: A Closer Look, a program featuring filmmaker, producer, and teacher Mamoun Hassan Excerpts from the 2003 documentary The Song of the Little Road, featuring composer Ravi Shankar The Creative Person: “Satyajit Ray,” a 1967 documentary short by James Beveridge, featuring interviews with Ray, several of his actors, members of his creative team, and film critic Chidananda Das Gupta Footage of Ray receiving an honorary Oscar in 1992 Programs on the restorations by filmmaker Kogonada PLUS: Essays by critics Terrence Rafferty and Girish Shambu, as well as a selection of Ray’s storyboards for Pather Panchali PATHER PANCHALI With the release in 1955 of Satyajit Ray’s debut, Pather Panchali, an eloquent and important new cinematic voice made itself heard all over the world. A depiction of rural Bengali life in a style inspired by Italian neorealism, this naturalistic but poetic evocation of a number of years in the life of a family introduces us to both little Apu and, just as essentially, the women who will help shape him: his independent older sister, Durga; his harried mother, Sarbajaya, who, with her husband away, must hold the family together; and his kindly and mischievous elderly “auntie,” Indir—vivid, multifaceted characters all. With resplendent photography informed by its young protagonist’s perpetual sense of discovery, Pather Panchali, which won an award for Best Human Document at the Cannes Film Festival, is an immersive cinematic experience and a film of elemental power. APARAJITO Satyajit Ray had not planned to make a sequel to Pather Panchali, but after the film’s international success, he decided to continue Apu’s narrative. Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. APUR SANSAR By the time Apur Sansar was released, Satyajit Ray had directed not only the first two Apu films but also the masterpiece The Music Room, and was well on his way to becoming a legend. This extraordinary final chapter brings our protagonist’s journey full circle. Apu is now in his early twenties, out of college, and hoping to live as a writer. Alongside his professional ambitions, the film charts his romantic awakening, which occurs as the result of a most unlikely turn of events, and his eventual, fraught fatherhood. Featuring soon-to-be Ray regulars Soumitra Chatterjee and Sharmila Tagore in star-making performances, and demonstrating Ray’s ever more impressive skills as a crafter of pure cinematic imagery, Apur Sansar is a moving conclusion to this monumental trilogy.

Release: November 17, 2015

$7.99

Description

Product Description Two decades after its original negatives were burned in a fire, Satyajit Ray’s breathtaking milestone of world cinema rises from the ashes in a meticulously reconstructed new restoration. The Apu Trilogy brought India into the golden age of international art-house film, following one indelible character, a free-spirited child in rural Bengal who matures into an adolescent urban student and finally a sensitive man of the world. These delicate masterworks—Pather Panchali (Song of the Little Road), Aparajito (The Unvanquished), and Apur Sansar (The World of Apu)—based on two books by Bibhutibhusan Banerjee, were shot over the course of five years, and each stands on its own as a tender, visually radiant journey. They are among the most achingly beautiful, richly humane movies ever made—essential works for any film lover. Pather Panchali The release in 1955 of Satyajit Ray’s debut, Pather Panchali, introduced to the world an eloquent and important new cinematic voice. A depiction of rural Bengali life in a style inspired by Italian neorealism, this naturalistic but poetic evocation of a number of years in the life of a family introduces us to both little Apu and, just as essentially, the women who will help shape him: his independent older sister, Durga; his harried mother, Sarbajaya, who, with her husband away, must hold the family together; and his kindly and mischievous elderly “auntie,” Indir—vivid, multifaceted characters all. With resplendent photography informed by its young protagonist’s perpetual sense of discovery, the Cannes-awarded Pather Panchali is an immersive cinematic experience and a film of elemental power. Aparajito Satyajit Ray had not planned to make a sequel to Pather Panchali, but after the film’s international success, he decided to continue Apu’s narrative. Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Apur Sansar By the time Apur Sansar was released, Satyajit Ray had directed not only the first two Apu films but also the masterpiece The Music Room, and was well on his way to becoming a legend. This extraordinary final chapter brings our protagonist’s journey full circle. Apu is now in his early twenties, out of college, and hoping to live as a writer. Alongside his professional ambitions, the film charts his romantic awakening, which occurs as the result of a most unlikely turn of events, and his eventual, fraught fatherhood. Featuring soon to be Ray regulars Soumitra Chatterjee and Sharmila Tagore in star-making performances, and demonstrating Ray’s ever more impressive skills as a crafter of pure cinematic imagery, Apur Sansar is a moving conclusion to this monumental trilogy. BLU-RAY SPECIAL EDITION COLLECTOR’S SET FEATURES • New 4K digital restorations of all three films, undertaken in collaboration with the Academy Film Archive at the Academy of Motion Picture Arts and Sciences and L’Immagine Ritrovata, with uncompressed monaural soundtracks • Audio recordings from 1958 of director Satyajit Ray reading his essay “A Long Time on the Little Road” and in conversation with film historian Gideon Bachmann • New interviews with actors Soumitra Chatterjee, Shampa Srivastava, and Sharmila Tagore; camera assistant Soumendu Roy; and film writer Ujjal Chakraborty • New video essay by Ray biographer Andrew Robinson on the trilogy’s evolution and production • “The Apu Trilogy”: A Closer Look, a new program featuring filmmaker, producer, and teacher Mamoun Hassan • Excerpts from the 2003 documentary The Song of the Little Road, featuring composer Ravi Shankar • The Creative Person: Satyajit Ray, a 1967 half-hour documentary by James Beveridge, featuring interviews with Ray, several of his actors, members of his creative team, and film critic Chidananda Das Gupta • Footage of Ray receiving an honorary Oscar in 1992 • New program on the restorations by filmmaker :: kogonada • New English subtitle translations • PLUS: A booklet featuring essays by critics Terrence Rafferty and Girish Shambu Review Two decades after its original negatives were burned in a fire, Satyajit Ray’s breathtaking milestone of world cinema rises from the ashes in a meticulously reconstructed new restoration. The Apu Trilogy brought India into the golden age of international art-house film, following one indelible character, a free-spirited child in rural Bengal who matures into an adolescent urban student and finally a sensitive man of the world. These delicate masterworks—Pather Panchali (Song of the Little Road), Aparajito (The Unvanquished), and Apur Sansar (The World of Apu)—based on two books by Bibhutibhusan Banerjee, were shot over the course of five years, and each stands on its own as a tender, visually radiant journey. They are among the most achingly beautiful, richly humane movies ever made—essential works for any film lover.

Release: September 29, 2026

$7.99

Description

One of director Satyajit Ray’s greatest achievements begins with the deceptively easy grace of a buddy comedy—only to give way to darker moral shading. Seeking a weekend escape from the city, four friends from Kolkata embark on a driving trip to the countryside, where their urban entitlement and prejudices are gradually exposed. Among these young bachelors is the overconfident Ashim (Soumitra Chatterjee), who finds his self-assurance shaken by Aparna (the radiant Sharmila Tagore), an enigmatic young woman whose cool intellect conceals turbulent emotional depths. Filmed luminously amid the sound-dappled splendor of the woodlands of India’s Palamu region, Days and Nights in the Forest deconstructs the masculine ego and India’s fraught class divisions with elegant complexity. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration—undertaken by The Film Foundation’s World Cinema Project at L’Immagine Ritrovata in collaboration with Film Heritage Foundation, Janus Films, and the Criterion Collection—with uncompressed monaural soundtrack One 4K UHD disc of the film and one Blu-ray with the film and special features Introduction by filmmaker Wes Anderson Making-of program featuring new and archival interviews with director Satyajit Ray, actors Sharmila Tagore and Rabi Ghosh, and cinematographer Soumendu Roy Conversation about Ray and the film’s restoration featuring Anderson, Tagore, and Film Heritage Foundation founder Shivendra Singh Dungarpur Trailer New English subtitle translation PLUS: An essay by film critic Devika Girish Top About this item Similar From the Brand Questions Reviews Days and Nights in the Forest (The Criterion Collection) Days and Nights in the Forest (The Criterion Collection)

Release: September 29, 2026

$7.99

Description

One of director Satyajit Ray’s greatest achievements begins with the deceptively easy grace of a buddy comedy—only to give way to darker moral shading. Seeking a weekend escape from the city, four friends from Kolkata embark on a driving trip to the countryside, where their urban entitlement and prejudices are gradually exposed. Among these young bachelors is the overconfident Ashim (Soumitra Chatterjee), who finds his self-assurance shaken by Aparna (the radiant Sharmila Tagore), an enigmatic young woman whose cool intellect conceals turbulent emotional depths. Filmed luminously amid the sound-dappled splendor of the woodlands of India’s Palamu region, Days and Nights in the Forest deconstructs the masculine ego and India’s fraught class divisions with elegant complexity. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration—undertaken by The Film Foundation’s World Cinema Project at L’Immagine Ritrovata in collaboration with Film Heritage Foundation, Janus Films, and the Criterion Collection—with uncompressed monaural soundtrack One 4K UHD disc of the film and one Blu-ray with the film and special features Introduction by filmmaker Wes Anderson Making-of program featuring new and archival interviews with director Satyajit Ray, actors Sharmila Tagore and Rabi Ghosh, and cinematographer Soumendu Roy Conversation about Ray and the film’s restoration featuring Anderson, Tagore, and Film Heritage Foundation founder Shivendra Singh Dungarpur Trailer New English subtitle translation PLUS: An essay by film critic Devika Girish Top About this item Similar From the Brand Questions Reviews Days and Nights in the Forest (The Criterion Collection) Days and Nights in the Forest (The Criterion Collection)

Release: October 26, 2021

$6.99

Description

Master filmmaker Satyajit Ray explores the conflict between fanaticism and free will in Devi (The Goddess), issuing a subversively modern challenge to religious orthodoxy and patriarchal power structures. In the waning days of mid-nineteenth-century India’s feudal system, after his son (Soumitra Chatterjee) leaves for Kolkata to complete his studies, a wealthy rural landowner (Chhabi Biswas) is seized by the notion that his beloved daughter-in-law (a hauntingly sad-eyed Sharmila Tagore) is the reincarnation of the goddess Kali—a delusion that proves devastating to the young woman and those around her. The opulently stylized compositions and the chiaroscuro lighting by cinematographer Subrata Mitra heighten the entrancing expressionistic intensity of this domestic tragedy, making for an experience that is both sublime and shattering. BLU-RAY SPECIAL EDITION FEATURES • New 4K digital restoration, with uncompressed monaural soundtrack • New program featuring interviews with actors Sharmila Tagore and Soumitra Chatterjee, recorded in 2013 • New video essay by film scholar Meheli Sen • New English subtitle translation • PLUS: An essay by film critic Devika Girish

Release: February 20, 2018

$7.99

Description

In this psychologically rich character study, written and directed by Satyajit Ray, Bengali film star Uttam Kumar draws on his real-world celebrity to play Arindam Mukherjee, a matinee idol on the brink of his first flop. When Mukherjee boards an overnight train to Delhi to accept an award, a journalist (Sharmila Tagore) approaches him seeking an exclusive interview, which initiates a conversation that sends the actor reeling down a path of self-examination. Seamlessly integrating rueful flashbacks and surreal dream sequences with the quietly revelatory stories of the train s other passengers, The Hero is a graceful meditation on art, fame, and regret from one of world cinema s most keenly perceptive filmmakers. BLU-RAY SPECIAL EDITION FEATURES - New, restored 2K digital transfer, with uncompressed monaural soundtrack - Interview from 2008 with actor Sharmila Tagore - New program featuring film scholar Meheli Sen - New English subtitle translation - PLUS: An essay by author Pico Iyer and a 1980 tribute to Kumar by Ray