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A new digital restoration of this Merchant Ivory classic. In the early 1980's Merchant first set in motion a project of which he had long dreamed, and that he was to do outside of his usual collaboration with Jhabvala and Ivory, the making of The Deceivers. The Deceiversis adapted from the John Masters novel, set in India in 1825, which depicts the exploits of William Savage (based on William Sleeman of the Indian Political Service), who disguises himself as an Indian in order to expose and destroy a secret cult whose members, the infamous Thugees, ritually murdered and robbed travelers in the name of the goddess Kali.

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A terrorist aspiring to rule over India needs vital information about Indian armed forces. He recruits an Indian army officer for this purpose, who goes to great evil lengths to get the treasured information.

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Based on a Rudyard Kipling story and packed with spectacle, humor, excitement and bold twists of fate, John Huston's film of The Man Who Would Be King earns its crown as "an epic like no other. One of the screen's great adventure yarns" (Danny Peary, Guide for the Film Fanatic). Sean Connery and Michael Caine -- chins out, shoulders squared and with a sly wink -- star as British sergeants Danny Dravot and Peachy Carnehan. The Empire was built by men like these two. Now they're out to build their own empire, venturing into remote Kafiristan to become rich as kings.

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Product Description Stephen Frears (The Hit) was at the forefront of the British cinematic revival of the mid-1980s, and the delightfully transgressive My Beautiful Laundrette is his greatest triumph of the period. Working from a richly layered script by writer Hanif Kureishi (Intimacy), soon to be internationally renowned, Frears tells an uncommon love story that takes place between a young South London Pakistani man (Gordon Warnecke), who decides to open an upscale laundromat to make his family proud, and his childhood friend, a skinhead (Daniel Day-Lewis, in a breakthrough role), who volunteers to help make his dream a reality. This culture-clash comedy is also a subversive work of social realism, which dares to address racism, homophobia, and sociopolitical marginalization in Margaret Thatcher's England. Review Stephen Frears (The Hit) was at the forefront of the British cinematic revival of the mid-1980s, and the delightfully transgressive My Beautiful Laundrette is his greatest triumph of the period. Working from a richly layered script by writer Hanif Kureishi (Intimacy), soon to be internationally renowned, Frears tells an uncommon love story that takes place between a young South London Pakistani man (Gordon Warnecke), who decides to open an upscale laundromat to make his family proud, and his childhood friend, a skinhead (Daniel Day-Lewis, in a breakthrough role), who volunteers to help make his dream a reality. This culture-clash comedy is also a subversive work of social realism, which dares to address racism, homophobia, and sociopolitical marginalization in Margaret Thatcher’s England.