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Product Description HE COULDN’T LIVE WITHOUT A VIRGIN’S BLOOD… SO A VIRGIN HAD TO DIE! Immediately after completing FLESH FOR FRANKENSTEIN, writer/director Paul Morrissey and star Udo Kier created what remains sumptuously depraved Euroshocker, cunning political allegory and "wickedly funny horror that obliterates the line between art and bad taste" (Pop Culture Beast): Desperate for virgin blood, Count Dracula - Kier in the performance Flavorwire calls "one of cinema's Top 5 Best Draculas" - journeys to an Italian villa only to discover the family's three young daughters are also coveted by the estate's Marxist stud (Joe Dallesandro of Morrissey's FLESH, TRASH and HEAT). Stefania Casini (SUSPIRIA) and BICYCLE THIEVES director Vittorio De Sica co-star - with an unforgettable cameo by Roman Polanski - in "one of the most unique vampire films in history" (Oh! The Horror), now scanned uncut in 4K from the original negative for the first time ever. SPECIAL FEATURES: Trans-Human Flesh and Blood – Interview with Director Paul Morrissey Rubinia's Homecoming – Interview & Location Visit with Actress Stefania Casini Blood For Udo – Interview with Actor Udo Kier Little Big Joe – Interview with Actor Joe Dallesandro Conversation with a Vampire – Audio Interview with Actress Milena Vukotic Bloodthirsty – Interview with Assistant Director Paolo Pietrangeli Black Cherry – Interview with Art Director Gianni Giovagnoni The Blood of These Whores... – Interview with 'Murderous Passions' Author Stephen Thrower Sad, Romantic Dracula – Interview with Soundtrack Composer Claudio Gizzi The Roman Connection – Interview with Producer Andrew Braunsberg Trailers Review ★★★★ With its gorgeous transfer and bounty of worthwhile extras, Severin's presentation is a release you can really sink your teeth into. --Slant Magazine One of the best vampire movies of all time. --Esquire One of cinema's Top 5 Best Draculas. --Flavorwire Top Similar From the Brand Reviews Andy Warhol Presents: Blood For Dracula

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Autobigraphical film follows the director as he tries to recover blacked-out memories of his experiences fighting in the 1982 Israel-Lebanon war. The movie's title comes from a key moment when a soldier in Folman's platoon enters a kind of trance state, firing his gun while dancing in the street in front of a billboard of former Lebanese prime minister Bashir Gemayel.