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Dr. Bennet Omalu discovers chronic traumatic encephalopathy in football players and challenges an institution determined to bury the truth.

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The earth of 2150 A.D. is a desolate and hostile ruin of a planet, crumbling at the edge of civilization, slowly disappearing into the darkness of space. For the future of planet Earth now belongs to the Daleks, a destructive army of alien invaders who have turned the human race into cowering slaves. Meanwhile deep within the London Underground a group of resistance freedom fighters are planning an attack. But there’s only one man who could possibly help them succeed in destroying their extraterrestrial enemies and take back control of planet Earth. A man of mystery, a man of time and space, a man known only as… The Doctor. Now fully restored, Daleks’ Invasion Earth 2150 A.D., directed by Gordon Flemyng (Dr. Who and the Daleks, The Split), stars screen legend Peter Cushing (The Hound of the Baskervilles, House of the Long Shadows) in his return to the big screen as British TV’s most iconic sci-fi hero. Screenplay by Milton Subotsky (The Skull), based on the original BBC TV serial by Terry Nation (The Avengers). Special Features: -2K RESTORATION -NEW Audio Commentary by Writer/Film Critic/Film Historian Kim Newman, Screenwriter/Author/Film Historian Robert Shearman and Actor/Writer/Filmmaker Mark Gatiss -Dalekmania: 57-Minute Documentary -Interview with Actor Bernard Cribbins -Interview with Author Gareth Owen -Restoring Daleks’ Invasion Earth 2150 A.D. -Theatrical Trailer.

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In Pete Walker’s The Flesh and Blood Show, a group of actors rehearsing for a play in an abandoned seaside theatre become unwitting participants in a deadly game of horror. As they uncover the theatre’s dark past, they must confront their own fears to survive a night of terror and madness. SPECIAL FEATURES: Restored HD Master 3D Sequence Presented in both Anaglyph 3D (2 Pairs of Glasses Included) and in 2D High Definition (1080p) Blu-ray™ presentation in 1.66:1 Aspect Ratio LPCM 2.0 Dual Mono Soundtrack Optional English SDH Subtitles Audio Commentary with Author Jonathan Rigby and Critic Kevin Lyons The Flesh Show - An Interview with Actor Stewart Bevin The Blood Show - An Interview with 3rd assistant Director Terry Madden Original Trailer Reversible cover with new art by Sean Longmore

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THE GREAT BUSTER celebrates the life and career of one of America's most influential and celebrated filmmakers and comedians, Buster Keaton, whose singular style and fertile output during the silent era created his legacy as a true cinematic visionary. Filled with stunningly restored archival Keaton films from the Cohen Film Classics library, THE GREAT BUSTER is directed by Peter Bogdanovich, a filmmaker and cinema historian whose landmark writings and films on such renowned directors as John Ford and Orson Welles have become the standard by which all other studies are measured. Keaton's beginnings on the vaudeville circuit are chronicled in THE GREAT BUSTER, as is the development of his trademark physical comedy and deadpan expression that earned him the lifelong moniker of The Great Stone Face , all of which led to his career-high years as the director, writer, producer and star of his own short films and features. Interspersed throughout are interviews with nearly two-dozen collaborators, filmmakers, performers and friends, including Mel Brooks, Quentin Tarantino, Werner Herzog, Dick van Dyke and Johnny Knoxville, who discuss Keaton's influence on modern comedy and, indeed, cinema itself. The loss of artistic independence and career decline that marked his later years are also covered by Bogdanovich, before he casts a close eye on Keaton's extraordinary output from 1923 to 1929, which yielded 10 remarkable feature films (including 1926's The General and 1928's Steamboat Bill, Jr.) that immortalized him as one of the greatest actor-filmmakers in the history of cinema.

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In the hands of the renowned experimental theater director Peter Brook, William Golding’s legendary novel on the primitivism lurking beneath civilization becomes a film as raw and ragged as the lost boys at its center. Taking an innovative documentary-like approach, Brook shot LORD OF THE FLIES with an off-the-cuff naturalism, seeming to record a spontaneous eruption of its characters’ ids. The result is a rattling masterpiece, as provocative as its source material.