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Product Description This collection of the historically vital works of America's legendary first African-American filmmakers is the only one of its kind. Funded in part by a highly successful Kickstarter campaign, the packaged set includes no fewer than a dozen feature-length films and nearly twice as many shorts and rare fragments. Subject matter includes race issues that went unaddressed by Hollywood for decades. Films: Birthright (1938), The Blood of Jesus (1941), Body and Soul (1925), The Bronze Buckaroo (1939), By Right of Birth (fragment, 1921), Commandment Keeper Church, Beaufort, South Carolina (excerpt, 1940), The Darktown Revue (1931), Dirty Gertie from Harlem USA (1946), Eleven P.M. (1930), The Exile (1931), The Flying Ace (1926), God s Stepchildren (1938), Heaven-Bound Traveler (1933), Hellbound Train (1930), Hot Biskits (1931), Mercy the Mummy Mumbled (1918), Regeneration (fragment, 1923), The Scar of Shame (1929), S.S. Jones Home Movies (1924-26), The Symbol of the Unconquered: A Story of the KKK (1920), Ten Minutes to Live (1932), Ten Nights in a Bar Room (1926), Two Knights of Vaudeville (1918), Veiled Aristocrats (1932), Verdict Not Guilty (1934), We Work Again (1937), Within Our Gates (1920) Musical scores (for silent films) by Paul D. Miller (aka DJ Spooky), Max Roach, Samuel D. Waymon, the Mont Alto Motion Picture Orchestra, Donald Sosin, Makia Matsumura, Rob Gal, Andrew Simpson Bonus Features: Optional English Subtitles, 80-page booklet with essays and detailed film notes, Interviews with series curators Charles Musser and Jacqueline Stewart, Documentary on the restoration of the films, Documentary on the restoration efforts of the Library of Congress, Archival interview with actors Ethel and Lucia Moses (1978), Tyler Texas Black Film Collection promo film (with Ossie Davis, 1985) and more! Review "One of the year s most exciting and historically significant archival projects, Kino Lorber s Pioneers of African American Cinema collects nearly 20 hours of feature films and short subjects created by and starring entrepreneurial black entertainers between the 20s and 40s. These race films run the gamut from musicals to melodramas to westerns, and showcase the talents of American masters such as Oscar Micheaux, Spencer Williams, Paul Robeson and Zora Neale Hurston. Given that most of these pictures played well outside any kind of traditional distribution system, they ve always been in danger of getting lost, which makes the preservation efforts behind this set all the more heroic. These are important documents of a truly independent cinema, produced outside of a Hollywood that had little interest in what these artists had to offer." -Noel Murray --LATimes.com

Description

Product Description This collection of the historically vital works of America's legendary first African-American filmmakers is the only one of its kind. Funded in part by a highly successful Kickstarter campaign, the packaged set includes no fewer than a dozen feature-length films and nearly twice as many shorts and rare fragments. Subject matter includes race issues that went unaddressed by Hollywood for decades. Films: Birthright (1938), The Blood of Jesus (1941), Body and Soul (1925), The Bronze Buckaroo (1939), By Right of Birth (fragment, 1921), Commandment Keeper Church, Beaufort, South Carolina (excerpt, 1940), The Darktown Revue (1931), Dirty Gertie from Harlem USA (1946), Eleven P.M. (1930), The Exile (1931), The Flying Ace (1926), God s Stepchildren (1938), Heaven-Bound Traveler (1933), Hellbound Train (1930), Hot Biskits (1931), Mercy the Mummy Mumbled (1918), Regeneration (fragment, 1923), The Scar of Shame (1929), S.S. Jones Home Movies (1924-26), The Symbol of the Unconquered: A Story of the KKK (1920), Ten Minutes to Live (1932), Ten Nights in a Bar Room (1926), Two Knights of Vaudeville (1918), Veiled Aristocrats (1932), Verdict Not Guilty (1934), We Work Again (1937), Within Our Gates (1920) Musical scores (for silent films) by Paul D. Miller (aka DJ Spooky), Max Roach, Samuel D. Waymon, the Mont Alto Motion Picture Orchestra, Donald Sosin, Makia Matsumura, Rob Gal, Andrew Simpson Bonus Features: Optional English Subtitles, 80-page booklet with essays and detailed film notes, Interviews with series curators Charles Musser and Jacqueline Stewart, Documentary on the restoration of the films, Documentary on the restoration efforts of the Library of Congress, Archival interview with actors Ethel and Lucia Moses (1978), Tyler Texas Black Film Collection promo film (with Ossie Davis, 1985) and more! Review "One of the year s most exciting and historically significant archival projects, Kino Lorber s Pioneers of African American Cinema collects nearly 20 hours of feature films and short subjects created by and starring entrepreneurial black entertainers between the 20s and 40s. These race films run the gamut from musicals to melodramas to westerns, and showcase the talents of American masters such as Oscar Micheaux, Spencer Williams, Paul Robeson and Zora Neale Hurston. Given that most of these pictures played well outside any kind of traditional distribution system, they ve always been in danger of getting lost, which makes the preservation efforts behind this set all the more heroic. These are important documents of a truly independent cinema, produced outside of a Hollywood that had little interest in what these artists had to offer." -Noel Murray --LATimes.com

Description

Product Description This collection of the historically vital works of America's legendary first African-American filmmakers is the only one of its kind. Funded in part by a highly successful Kickstarter campaign, the packaged set includes no fewer than a dozen feature-length films and nearly twice as many shorts and rare fragments. Subject matter includes race issues that went unaddressed by Hollywood for decades. Films: Birthright (1938), The Blood of Jesus (1941), Body and Soul (1925), The Bronze Buckaroo (1939), By Right of Birth (fragment, 1921), Commandment Keeper Church, Beaufort, South Carolina (excerpt, 1940), The Darktown Revue (1931), Dirty Gertie from Harlem USA (1946), Eleven P.M. (1930), The Exile (1931), The Flying Ace (1926), God s Stepchildren (1938), Heaven-Bound Traveler (1933), Hellbound Train (1930), Hot Biskits (1931), Mercy the Mummy Mumbled (1918), Regeneration (fragment, 1923), The Scar of Shame (1929), S.S. Jones Home Movies (1924-26), The Symbol of the Unconquered: A Story of the KKK (1920), Ten Minutes to Live (1932), Ten Nights in a Bar Room (1926), Two Knights of Vaudeville (1918), Veiled Aristocrats (1932), Verdict Not Guilty (1934), We Work Again (1937), Within Our Gates (1920) Musical scores (for silent films) by Paul D. Miller (aka DJ Spooky), Max Roach, Samuel D. Waymon, the Mont Alto Motion Picture Orchestra, Donald Sosin, Makia Matsumura, Rob Gal, Andrew Simpson Bonus Features: Optional English Subtitles, 80-page booklet with essays and detailed film notes, Interviews with series curators Charles Musser and Jacqueline Stewart, Documentary on the restoration of the films, Documentary on the restoration efforts of the Library of Congress, Archival interview with actors Ethel and Lucia Moses (1978), Tyler Texas Black Film Collection promo film (with Ossie Davis, 1985) and more! Review "One of the year s most exciting and historically significant archival projects, Kino Lorber s Pioneers of African American Cinema collects nearly 20 hours of feature films and short subjects created by and starring entrepreneurial black entertainers between the 20s and 40s. These race films run the gamut from musicals to melodramas to westerns, and showcase the talents of American masters such as Oscar Micheaux, Spencer Williams, Paul Robeson and Zora Neale Hurston. Given that most of these pictures played well outside any kind of traditional distribution system, they ve always been in danger of getting lost, which makes the preservation efforts behind this set all the more heroic. These are important documents of a truly independent cinema, produced outside of a Hollywood that had little interest in what these artists had to offer." -Noel Murray --LATimes.com

Description

Product Description This collection of the historically vital works of America's legendary first African-American filmmakers is the only one of its kind. Funded in part by a highly successful Kickstarter campaign, the packaged set includes no fewer than a dozen feature-length films and nearly twice as many shorts and rare fragments. Subject matter includes race issues that went unaddressed by Hollywood for decades. Films: Birthright (1938), The Blood of Jesus (1941), Body and Soul (1925), The Bronze Buckaroo (1939), By Right of Birth (fragment, 1921), Commandment Keeper Church, Beaufort, South Carolina (excerpt, 1940), The Darktown Revue (1931), Dirty Gertie from Harlem USA (1946), Eleven P.M. (1930), The Exile (1931), The Flying Ace (1926), God s Stepchildren (1938), Heaven-Bound Traveler (1933), Hellbound Train (1930), Hot Biskits (1931), Mercy the Mummy Mumbled (1918), Regeneration (fragment, 1923), The Scar of Shame (1929), S.S. Jones Home Movies (1924-26), The Symbol of the Unconquered: A Story of the KKK (1920), Ten Minutes to Live (1932), Ten Nights in a Bar Room (1926), Two Knights of Vaudeville (1918), Veiled Aristocrats (1932), Verdict Not Guilty (1934), We Work Again (1937), Within Our Gates (1920) Musical scores (for silent films) by Paul D. Miller (aka DJ Spooky), Max Roach, Samuel D. Waymon, the Mont Alto Motion Picture Orchestra, Donald Sosin, Makia Matsumura, Rob Gal, Andrew Simpson Bonus Features: Optional English Subtitles, 80-page booklet with essays and detailed film notes, Interviews with series curators Charles Musser and Jacqueline Stewart, Documentary on the restoration of the films, Documentary on the restoration efforts of the Library of Congress, Archival interview with actors Ethel and Lucia Moses (1978), Tyler Texas Black Film Collection promo film (with Ossie Davis, 1985) and more! Review "One of the year s most exciting and historically significant archival projects, Kino Lorber s Pioneers of African American Cinema collects nearly 20 hours of feature films and short subjects created by and starring entrepreneurial black entertainers between the 20s and 40s. These race films run the gamut from musicals to melodramas to westerns, and showcase the talents of American masters such as Oscar Micheaux, Spencer Williams, Paul Robeson and Zora Neale Hurston. Given that most of these pictures played well outside any kind of traditional distribution system, they ve always been in danger of getting lost, which makes the preservation efforts behind this set all the more heroic. These are important documents of a truly independent cinema, produced outside of a Hollywood that had little interest in what these artists had to offer." -Noel Murray --LATimes.com

Description

Product Description This collection of the historically vital works of America's legendary first African-American filmmakers is the only one of its kind. Funded in part by a highly successful Kickstarter campaign, the packaged set includes no fewer than a dozen feature-length films and nearly twice as many shorts and rare fragments. Subject matter includes race issues that went unaddressed by Hollywood for decades. Films: Birthright (1938), The Blood of Jesus (1941), Body and Soul (1925), The Bronze Buckaroo (1939), By Right of Birth (fragment, 1921), Commandment Keeper Church, Beaufort, South Carolina (excerpt, 1940), The Darktown Revue (1931), Dirty Gertie from Harlem USA (1946), Eleven P.M. (1930), The Exile (1931), The Flying Ace (1926), God s Stepchildren (1938), Heaven-Bound Traveler (1933), Hellbound Train (1930), Hot Biskits (1931), Mercy the Mummy Mumbled (1918), Regeneration (fragment, 1923), The Scar of Shame (1929), S.S. Jones Home Movies (1924-26), The Symbol of the Unconquered: A Story of the KKK (1920), Ten Minutes to Live (1932), Ten Nights in a Bar Room (1926), Two Knights of Vaudeville (1918), Veiled Aristocrats (1932), Verdict Not Guilty (1934), We Work Again (1937), Within Our Gates (1920) Musical scores (for silent films) by Paul D. Miller (aka DJ Spooky), Max Roach, Samuel D. Waymon, the Mont Alto Motion Picture Orchestra, Donald Sosin, Makia Matsumura, Rob Gal, Andrew Simpson Bonus Features: Optional English Subtitles, 80-page booklet with essays and detailed film notes, Interviews with series curators Charles Musser and Jacqueline Stewart, Documentary on the restoration of the films, Documentary on the restoration efforts of the Library of Congress, Archival interview with actors Ethel and Lucia Moses (1978), Tyler Texas Black Film Collection promo film (with Ossie Davis, 1985) and more! Review "One of the year s most exciting and historically significant archival projects, Kino Lorber s Pioneers of African American Cinema collects nearly 20 hours of feature films and short subjects created by and starring entrepreneurial black entertainers between the 20s and 40s. These race films run the gamut from musicals to melodramas to westerns, and showcase the talents of American masters such as Oscar Micheaux, Spencer Williams, Paul Robeson and Zora Neale Hurston. Given that most of these pictures played well outside any kind of traditional distribution system, they ve always been in danger of getting lost, which makes the preservation efforts behind this set all the more heroic. These are important documents of a truly independent cinema, produced outside of a Hollywood that had little interest in what these artists had to offer." -Noel Murray --LATimes.com

Description

Jerome Kern and Oscar Hammerstein II’s immortal musical adaptation of Edna Ferber’s sprawling novel receives its most faithful and enduring cinematic adaptation under the elegant direction of James Whale. A rich portrait of changing American entertainment traditions and race relations, Show Boat spans four decades and three generations as it follows the fortunes of the stage-struck Magnolia (Irene Dunne), an aspiring actor whose journey takes her from her family’s humble floating playhouse in the 1880s South to the height of fame in the 1930s North. The cast of show-business legends includes Helen Morgan, Hattie McDaniel, Charles Winninger, and the great Paul Robeson, whose iconic, soul-shaking rendition of “Ol’ Man River” is one of the crowning glories of the American stage and screen. SPECIAL EDITION BLU-RAY FEATURES • New, restored 4K digital transfer, with uncompressed monaural soundtrack • Audio commentary from 1989 featuring American-musical historian Miles Kreuger • New interview with James Whale biographer James Curtis • Recognizing Race in “Show Boat,” a new interview program featuring professor and author Shana L. Redmond • Paul Robeson: Tribute to an Artist (1979), an Academy Award–winning short documentary by Saul J. Turell, newly restored • Two performances from the sound prologue of the 1929 film version of Show Boat, plus twenty minutes of silent excerpts from the film, with audio commentary by Kreuger • Two radio adaptations of Show Boat, featuring stage and screen cast members Allan Jones, Helen Morgan, and Charles Winninger; actor Orson Welles; and novelist Edna Ferber • PLUS: An essay by critic Gary Giddins