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Release: January 24, 2017

$7.99

Description

Ousmane Sembène (Xala, Faat Kiné) was one of the greatest and most groundbreaking filmmakers who ever lived, as well as the most internationally renowned African director of the twentieth century but his name deserves to be better known in the rest of the world. He made his feature debut in 1966 with the brilliant and stirring Black Girl. Sembène, who was also an acclaimed novelist in his native Senegal, transforms a deceptively simple plot about a young Senegalese woman who moves to France to work for a wealthy white couple and finds that life in their small apartment becomes a prison, both figuratively and literally into a complexly layered critique of the lingering colonialist mind-set of a supposedly postcolonial world. Featuring a moving central performance by M'Bissine Thérèse Diop, Black Girl is a harrowing human drama as well as a radical political statement and one of the essential films of the 1960s. BLU-RAY SPECIAL EDITION FEATURES - New 4K digital restoration, undertaken by The Film Foundation s World Cinema Project in collaboration with the Cineteca di Bologna, with uncompressed monaural soundtrack - 4K restoration of the short film Borom sarret, director Ousmane Sembène s acclaimed 1963 debut - New interviews with scholars Manthia Diawara and Samba Gadjigo - Excerpt from a 1966 broadcast of JT 20h, featuring Sembène accepting the Prix Jean Vigo for Black Girl - New interview with actor M Bissine Thérèse Diop - Trailer - New English subtitle translation - PLUS: An essay by critic Ashley Clark - More!

Release: May 21, 2024

$7.99

Description

Having blazed a trail for African filmmakers to tell their own stories on-screen, Senegalese auteur Ousmane Sembène took his career-long project—to unlock cinema’s potential as a vehicle for social change—in increasingly urgent and provocative directions in the 1970s. Searing critiques of colonialism, political corruption, patriarchal arrogance, and religious indoctrination, his three features from this decade—the radical call to resistance Emitaï, the wickedly subversive satire Xala, and the controversial historical epic Ceddo—confirmed his standing as a fearless truth-teller for whom the camera was the ultimate weapon in the fight against oppression in all its forms. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restorations of all three films, with uncompressed monaural soundtracks New conversation between Mahen Bonetti, founder and executive director of the African Film Festival, and writer Amy Sall The Making of “Ceddo,” a 1981 documentary by Paulin Soumanou Vieyra New English subtitle translations PLUS: An essay by film scholar Yasmina Price EMITAÏ With revolutionary outrage, Ousmane Sembène chronicles a period during World War II when French colonial forces in Senegal conscripted young men of the Diola people and attempted to seize rice stores for soldiers back in Europe. As the tribe’s patriarchal leaders pray and make sacrifices to their gods, the women in the community refuse to yield their harvests, incurring the French army’s wrath. With a deep understanding of the oppressive forces that have shaped Senegalese history, Emitaï explores the strains that colonialism places upon cultural traditions and, in the process, discovers a people’s hidden reserves of rebellion and dignity. XALA An adaptation of Ousmane Sembène’s own 1973 novel, Xala is a hilarious, caustic satire of political corruption under an inept patriarchy. On the night of his wedding to his third bride, government official El Hadji (Thierno Leye) is rendered impotent and begins to suspect that one of his other wives has placed a curse on him. After seeking a cure from a local marabout, El Hadji must face the possibility that he deserves the infliction for his part in embezzling public funds and for helping to keep Senegal under French control. Adeptly combining elements of African folklore and popular cinema, Sembène indicts the hubris, entitlement, and opportunism of male authority figures. CEDDO In precolonial Senegal, members of the Ceddo (or “outsiders”) kidnap Princess Dior Yacine (Tabata Ndiaye) after her father, the king, pledges loyalty to an ascendant Islamic faction that plans to convert the entire clan to its faith. Attempts to recapture her fail, provoking further division and eventual war between the animistic Ceddo and the fundamentalist Muslims, with Christian missionaries and slave traders from Europe also playing a role in the conflict. Banned in Senegal upon its release, Ceddo is an ambitious, multilayered epic that explores the combustible tensions among ancient tradition, religious colonization, political expediency, and individual freedom.

Release: May 21, 2024

$7.99

Description

Having blazed a trail for African filmmakers to tell their own stories on-screen, Senegalese auteur Ousmane Sembène took his career-long project—to unlock cinema’s potential as a vehicle for social change—in increasingly urgent and provocative directions in the 1970s. Searing critiques of colonialism, political corruption, patriarchal arrogance, and religious indoctrination, his three features from this decade—the radical call to resistance Emitaï, the wickedly subversive satire Xala, and the controversial historical epic Ceddo—confirmed his standing as a fearless truth-teller for whom the camera was the ultimate weapon in the fight against oppression in all its forms. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restorations of all three films, with uncompressed monaural soundtracks New conversation between Mahen Bonetti, founder and executive director of the African Film Festival, and writer Amy Sall The Making of “Ceddo,” a 1981 documentary by Paulin Soumanou Vieyra New English subtitle translations PLUS: An essay by film scholar Yasmina Price EMITAÏ With revolutionary outrage, Ousmane Sembène chronicles a period during World War II when French colonial forces in Senegal conscripted young men of the Diola people and attempted to seize rice stores for soldiers back in Europe. As the tribe’s patriarchal leaders pray and make sacrifices to their gods, the women in the community refuse to yield their harvests, incurring the French army’s wrath. With a deep understanding of the oppressive forces that have shaped Senegalese history, Emitaï explores the strains that colonialism places upon cultural traditions and, in the process, discovers a people’s hidden reserves of rebellion and dignity. XALA An adaptation of Ousmane Sembène’s own 1973 novel, Xala is a hilarious, caustic satire of political corruption under an inept patriarchy. On the night of his wedding to his third bride, government official El Hadji (Thierno Leye) is rendered impotent and begins to suspect that one of his other wives has placed a curse on him. After seeking a cure from a local marabout, El Hadji must face the possibility that he deserves the infliction for his part in embezzling public funds and for helping to keep Senegal under French control. Adeptly combining elements of African folklore and popular cinema, Sembène indicts the hubris, entitlement, and opportunism of male authority figures. CEDDO In precolonial Senegal, members of the Ceddo (or “outsiders”) kidnap Princess Dior Yacine (Tabata Ndiaye) after her father, the king, pledges loyalty to an ascendant Islamic faction that plans to convert the entire clan to its faith. Attempts to recapture her fail, provoking further division and eventual war between the animistic Ceddo and the fundamentalist Muslims, with Christian missionaries and slave traders from Europe also playing a role in the conflict. Banned in Senegal upon its release, Ceddo is an ambitious, multilayered epic that explores the combustible tensions among ancient tradition, religious colonization, political expediency, and individual freedom.

Release: May 21, 2024

$7.99

Description

Having blazed a trail for African filmmakers to tell their own stories on-screen, Senegalese auteur Ousmane Sembène took his career-long project—to unlock cinema’s potential as a vehicle for social change—in increasingly urgent and provocative directions in the 1970s. Searing critiques of colonialism, political corruption, patriarchal arrogance, and religious indoctrination, his three features from this decade—the radical call to resistance Emitaï, the wickedly subversive satire Xala, and the controversial historical epic Ceddo—confirmed his standing as a fearless truth-teller for whom the camera was the ultimate weapon in the fight against oppression in all its forms. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restorations of all three films, with uncompressed monaural soundtracks New conversation between Mahen Bonetti, founder and executive director of the African Film Festival, and writer Amy Sall The Making of “Ceddo,” a 1981 documentary by Paulin Soumanou Vieyra New English subtitle translations PLUS: An essay by film scholar Yasmina Price EMITAÏ With revolutionary outrage, Ousmane Sembène chronicles a period during World War II when French colonial forces in Senegal conscripted young men of the Diola people and attempted to seize rice stores for soldiers back in Europe. As the tribe’s patriarchal leaders pray and make sacrifices to their gods, the women in the community refuse to yield their harvests, incurring the French army’s wrath. With a deep understanding of the oppressive forces that have shaped Senegalese history, Emitaï explores the strains that colonialism places upon cultural traditions and, in the process, discovers a people’s hidden reserves of rebellion and dignity. XALA An adaptation of Ousmane Sembène’s own 1973 novel, Xala is a hilarious, caustic satire of political corruption under an inept patriarchy. On the night of his wedding to his third bride, government official El Hadji (Thierno Leye) is rendered impotent and begins to suspect that one of his other wives has placed a curse on him. After seeking a cure from a local marabout, El Hadji must face the possibility that he deserves the infliction for his part in embezzling public funds and for helping to keep Senegal under French control. Adeptly combining elements of African folklore and popular cinema, Sembène indicts the hubris, entitlement, and opportunism of male authority figures. CEDDO In precolonial Senegal, members of the Ceddo (or “outsiders”) kidnap Princess Dior Yacine (Tabata Ndiaye) after her father, the king, pledges loyalty to an ascendant Islamic faction that plans to convert the entire clan to its faith. Attempts to recapture her fail, provoking further division and eventual war between the animistic Ceddo and the fundamentalist Muslims, with Christian missionaries and slave traders from Europe also playing a role in the conflict. Banned in Senegal upon its release, Ceddo is an ambitious, multilayered epic that explores the combustible tensions among ancient tradition, religious colonization, political expediency, and individual freedom.