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Mondo Macabro presents ASWANG - The first horror film ever screened at the Sundance Film Festival - it will haunt your nightmares for years! This amazing gorefest was the first horror film ever screened at the Sundance Film Festival, where it caused a sensation in 1994. ASWANG was immediately picked up for US distribution, retitled THE UNEARTHING and cut for an 'R' rating. After a brief theatrical release, nervous video chains refused to carry the film, and the shocker all but disappeared. A pregnant girl enters into a strange pact, agreeing to play the part of someone else's wife. She is taken to a huge, isolated estate to give birth. What happens next will haunt your nightmares for years! Specs: Full Screen 1.33:1. Dolby Digital 5.1. Region code: All. Special Features: New 4K restoration of the original 16mm negative. Audio commentary by co-directors Wrye Martin and Barry Poltermann, moderated by Pete Tombs. Audio commentary by executive producer David Dahlman and actors Norman Moses and Tina Ona Paukstelis. Documentary: Different Than Hollywood: Making of Aswang. Trailer 1 - Fundraising. Trailer 2 - Theatrical. Trailer 3 - Prism VHS. Lost Scene narration (6 mins). Audition Tape - Norman Moses (3 mins). Audition Tape - John Garekis (3 mins) 5.1 sound mix. Top About this item Similar From the Brand Questions Reviews Aswang Aswang

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Product Description This collection of the historically vital works of America's legendary first African-American filmmakers is the only one of its kind. Funded in part by a highly successful Kickstarter campaign, the packaged set includes no fewer than a dozen feature-length films and nearly twice as many shorts and rare fragments. Subject matter includes race issues that went unaddressed by Hollywood for decades. Films: Birthright (1938), The Blood of Jesus (1941), Body and Soul (1925), The Bronze Buckaroo (1939), By Right of Birth (fragment, 1921), Commandment Keeper Church, Beaufort, South Carolina (excerpt, 1940), The Darktown Revue (1931), Dirty Gertie from Harlem USA (1946), Eleven P.M. (1930), The Exile (1931), The Flying Ace (1926), God s Stepchildren (1938), Heaven-Bound Traveler (1933), Hellbound Train (1930), Hot Biskits (1931), Mercy the Mummy Mumbled (1918), Regeneration (fragment, 1923), The Scar of Shame (1929), S.S. Jones Home Movies (1924-26), The Symbol of the Unconquered: A Story of the KKK (1920), Ten Minutes to Live (1932), Ten Nights in a Bar Room (1926), Two Knights of Vaudeville (1918), Veiled Aristocrats (1932), Verdict Not Guilty (1934), We Work Again (1937), Within Our Gates (1920) Musical scores (for silent films) by Paul D. Miller (aka DJ Spooky), Max Roach, Samuel D. Waymon, the Mont Alto Motion Picture Orchestra, Donald Sosin, Makia Matsumura, Rob Gal, Andrew Simpson Bonus Features: Optional English Subtitles, 80-page booklet with essays and detailed film notes, Interviews with series curators Charles Musser and Jacqueline Stewart, Documentary on the restoration of the films, Documentary on the restoration efforts of the Library of Congress, Archival interview with actors Ethel and Lucia Moses (1978), Tyler Texas Black Film Collection promo film (with Ossie Davis, 1985) and more! Review "One of the year s most exciting and historically significant archival projects, Kino Lorber s Pioneers of African American Cinema collects nearly 20 hours of feature films and short subjects created by and starring entrepreneurial black entertainers between the 20s and 40s. These race films run the gamut from musicals to melodramas to westerns, and showcase the talents of American masters such as Oscar Micheaux, Spencer Williams, Paul Robeson and Zora Neale Hurston. Given that most of these pictures played well outside any kind of traditional distribution system, they ve always been in danger of getting lost, which makes the preservation efforts behind this set all the more heroic. These are important documents of a truly independent cinema, produced outside of a Hollywood that had little interest in what these artists had to offer." -Noel Murray --LATimes.com

Description

Product Description This collection of the historically vital works of America's legendary first African-American filmmakers is the only one of its kind. Funded in part by a highly successful Kickstarter campaign, the packaged set includes no fewer than a dozen feature-length films and nearly twice as many shorts and rare fragments. Subject matter includes race issues that went unaddressed by Hollywood for decades. Films: Birthright (1938), The Blood of Jesus (1941), Body and Soul (1925), The Bronze Buckaroo (1939), By Right of Birth (fragment, 1921), Commandment Keeper Church, Beaufort, South Carolina (excerpt, 1940), The Darktown Revue (1931), Dirty Gertie from Harlem USA (1946), Eleven P.M. (1930), The Exile (1931), The Flying Ace (1926), God s Stepchildren (1938), Heaven-Bound Traveler (1933), Hellbound Train (1930), Hot Biskits (1931), Mercy the Mummy Mumbled (1918), Regeneration (fragment, 1923), The Scar of Shame (1929), S.S. Jones Home Movies (1924-26), The Symbol of the Unconquered: A Story of the KKK (1920), Ten Minutes to Live (1932), Ten Nights in a Bar Room (1926), Two Knights of Vaudeville (1918), Veiled Aristocrats (1932), Verdict Not Guilty (1934), We Work Again (1937), Within Our Gates (1920) Musical scores (for silent films) by Paul D. Miller (aka DJ Spooky), Max Roach, Samuel D. Waymon, the Mont Alto Motion Picture Orchestra, Donald Sosin, Makia Matsumura, Rob Gal, Andrew Simpson Bonus Features: Optional English Subtitles, 80-page booklet with essays and detailed film notes, Interviews with series curators Charles Musser and Jacqueline Stewart, Documentary on the restoration of the films, Documentary on the restoration efforts of the Library of Congress, Archival interview with actors Ethel and Lucia Moses (1978), Tyler Texas Black Film Collection promo film (with Ossie Davis, 1985) and more! Review "One of the year s most exciting and historically significant archival projects, Kino Lorber s Pioneers of African American Cinema collects nearly 20 hours of feature films and short subjects created by and starring entrepreneurial black entertainers between the 20s and 40s. These race films run the gamut from musicals to melodramas to westerns, and showcase the talents of American masters such as Oscar Micheaux, Spencer Williams, Paul Robeson and Zora Neale Hurston. Given that most of these pictures played well outside any kind of traditional distribution system, they ve always been in danger of getting lost, which makes the preservation efforts behind this set all the more heroic. These are important documents of a truly independent cinema, produced outside of a Hollywood that had little interest in what these artists had to offer." -Noel Murray --LATimes.com

Description

Product Description This collection of the historically vital works of America's legendary first African-American filmmakers is the only one of its kind. Funded in part by a highly successful Kickstarter campaign, the packaged set includes no fewer than a dozen feature-length films and nearly twice as many shorts and rare fragments. Subject matter includes race issues that went unaddressed by Hollywood for decades. Films: Birthright (1938), The Blood of Jesus (1941), Body and Soul (1925), The Bronze Buckaroo (1939), By Right of Birth (fragment, 1921), Commandment Keeper Church, Beaufort, South Carolina (excerpt, 1940), The Darktown Revue (1931), Dirty Gertie from Harlem USA (1946), Eleven P.M. (1930), The Exile (1931), The Flying Ace (1926), God s Stepchildren (1938), Heaven-Bound Traveler (1933), Hellbound Train (1930), Hot Biskits (1931), Mercy the Mummy Mumbled (1918), Regeneration (fragment, 1923), The Scar of Shame (1929), S.S. Jones Home Movies (1924-26), The Symbol of the Unconquered: A Story of the KKK (1920), Ten Minutes to Live (1932), Ten Nights in a Bar Room (1926), Two Knights of Vaudeville (1918), Veiled Aristocrats (1932), Verdict Not Guilty (1934), We Work Again (1937), Within Our Gates (1920) Musical scores (for silent films) by Paul D. Miller (aka DJ Spooky), Max Roach, Samuel D. Waymon, the Mont Alto Motion Picture Orchestra, Donald Sosin, Makia Matsumura, Rob Gal, Andrew Simpson Bonus Features: Optional English Subtitles, 80-page booklet with essays and detailed film notes, Interviews with series curators Charles Musser and Jacqueline Stewart, Documentary on the restoration of the films, Documentary on the restoration efforts of the Library of Congress, Archival interview with actors Ethel and Lucia Moses (1978), Tyler Texas Black Film Collection promo film (with Ossie Davis, 1985) and more! Review "One of the year s most exciting and historically significant archival projects, Kino Lorber s Pioneers of African American Cinema collects nearly 20 hours of feature films and short subjects created by and starring entrepreneurial black entertainers between the 20s and 40s. These race films run the gamut from musicals to melodramas to westerns, and showcase the talents of American masters such as Oscar Micheaux, Spencer Williams, Paul Robeson and Zora Neale Hurston. Given that most of these pictures played well outside any kind of traditional distribution system, they ve always been in danger of getting lost, which makes the preservation efforts behind this set all the more heroic. These are important documents of a truly independent cinema, produced outside of a Hollywood that had little interest in what these artists had to offer." -Noel Murray --LATimes.com

Description

Product Description This collection of the historically vital works of America's legendary first African-American filmmakers is the only one of its kind. Funded in part by a highly successful Kickstarter campaign, the packaged set includes no fewer than a dozen feature-length films and nearly twice as many shorts and rare fragments. Subject matter includes race issues that went unaddressed by Hollywood for decades. Films: Birthright (1938), The Blood of Jesus (1941), Body and Soul (1925), The Bronze Buckaroo (1939), By Right of Birth (fragment, 1921), Commandment Keeper Church, Beaufort, South Carolina (excerpt, 1940), The Darktown Revue (1931), Dirty Gertie from Harlem USA (1946), Eleven P.M. (1930), The Exile (1931), The Flying Ace (1926), God s Stepchildren (1938), Heaven-Bound Traveler (1933), Hellbound Train (1930), Hot Biskits (1931), Mercy the Mummy Mumbled (1918), Regeneration (fragment, 1923), The Scar of Shame (1929), S.S. Jones Home Movies (1924-26), The Symbol of the Unconquered: A Story of the KKK (1920), Ten Minutes to Live (1932), Ten Nights in a Bar Room (1926), Two Knights of Vaudeville (1918), Veiled Aristocrats (1932), Verdict Not Guilty (1934), We Work Again (1937), Within Our Gates (1920) Musical scores (for silent films) by Paul D. Miller (aka DJ Spooky), Max Roach, Samuel D. Waymon, the Mont Alto Motion Picture Orchestra, Donald Sosin, Makia Matsumura, Rob Gal, Andrew Simpson Bonus Features: Optional English Subtitles, 80-page booklet with essays and detailed film notes, Interviews with series curators Charles Musser and Jacqueline Stewart, Documentary on the restoration of the films, Documentary on the restoration efforts of the Library of Congress, Archival interview with actors Ethel and Lucia Moses (1978), Tyler Texas Black Film Collection promo film (with Ossie Davis, 1985) and more! Review "One of the year s most exciting and historically significant archival projects, Kino Lorber s Pioneers of African American Cinema collects nearly 20 hours of feature films and short subjects created by and starring entrepreneurial black entertainers between the 20s and 40s. These race films run the gamut from musicals to melodramas to westerns, and showcase the talents of American masters such as Oscar Micheaux, Spencer Williams, Paul Robeson and Zora Neale Hurston. Given that most of these pictures played well outside any kind of traditional distribution system, they ve always been in danger of getting lost, which makes the preservation efforts behind this set all the more heroic. These are important documents of a truly independent cinema, produced outside of a Hollywood that had little interest in what these artists had to offer." -Noel Murray --LATimes.com

Description

Product Description This collection of the historically vital works of America's legendary first African-American filmmakers is the only one of its kind. Funded in part by a highly successful Kickstarter campaign, the packaged set includes no fewer than a dozen feature-length films and nearly twice as many shorts and rare fragments. Subject matter includes race issues that went unaddressed by Hollywood for decades. Films: Birthright (1938), The Blood of Jesus (1941), Body and Soul (1925), The Bronze Buckaroo (1939), By Right of Birth (fragment, 1921), Commandment Keeper Church, Beaufort, South Carolina (excerpt, 1940), The Darktown Revue (1931), Dirty Gertie from Harlem USA (1946), Eleven P.M. (1930), The Exile (1931), The Flying Ace (1926), God s Stepchildren (1938), Heaven-Bound Traveler (1933), Hellbound Train (1930), Hot Biskits (1931), Mercy the Mummy Mumbled (1918), Regeneration (fragment, 1923), The Scar of Shame (1929), S.S. Jones Home Movies (1924-26), The Symbol of the Unconquered: A Story of the KKK (1920), Ten Minutes to Live (1932), Ten Nights in a Bar Room (1926), Two Knights of Vaudeville (1918), Veiled Aristocrats (1932), Verdict Not Guilty (1934), We Work Again (1937), Within Our Gates (1920) Musical scores (for silent films) by Paul D. Miller (aka DJ Spooky), Max Roach, Samuel D. Waymon, the Mont Alto Motion Picture Orchestra, Donald Sosin, Makia Matsumura, Rob Gal, Andrew Simpson Bonus Features: Optional English Subtitles, 80-page booklet with essays and detailed film notes, Interviews with series curators Charles Musser and Jacqueline Stewart, Documentary on the restoration of the films, Documentary on the restoration efforts of the Library of Congress, Archival interview with actors Ethel and Lucia Moses (1978), Tyler Texas Black Film Collection promo film (with Ossie Davis, 1985) and more! Review "One of the year s most exciting and historically significant archival projects, Kino Lorber s Pioneers of African American Cinema collects nearly 20 hours of feature films and short subjects created by and starring entrepreneurial black entertainers between the 20s and 40s. These race films run the gamut from musicals to melodramas to westerns, and showcase the talents of American masters such as Oscar Micheaux, Spencer Williams, Paul Robeson and Zora Neale Hurston. Given that most of these pictures played well outside any kind of traditional distribution system, they ve always been in danger of getting lost, which makes the preservation efforts behind this set all the more heroic. These are important documents of a truly independent cinema, produced outside of a Hollywood that had little interest in what these artists had to offer." -Noel Murray --LATimes.com

Description

In the future, there are no wars. There is no crime. There is only…the Game. In a world where ruthless corporations reign supreme, this vicious and barbaric "sport" is the only outlet for the pent-up anger and frustrations of the masses. Tuned to their televisions, the people watch "Rollerball": a brutal mutation of football, motocross, and hockey. Jonathan E. (the great James Caan, The Godfather, Thief) is the champion player—a man too talented for his own good. The Corporation has taken away the woman, Ella (Maud Adams, Octopussy) Jonathon loves, but they can't take away his soul—even if the diabolical corporate head (John Houseman, The Fog) tells him he better retire…or suffer the old-fashioned way. With its surrealistic imagery and tense action sequences, Rollerball grips you by the heart—and never lets you go. Bonus Content: 2022 Restoration and Color Grade Using an Existing 4K Scan of the Original Camera Negative Done by MGM In Dolby Vision (HDR 10 Compatible) Audio Commentary with Director Norman Jewison Audio Commentary with Writer William Harrison From Rome to Rollerball: The Full Circle (Vintage Featurette) Blood Sports: An Interview with Actor James Caan The Bike Work: Craig R. Baxley on the Motorcycle Stunts The Fourth City: Shooting Rollerball in Munich Theatrical Trailers TV Spots