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With this stunningly visceral portrait of self-destructive machismo, Martin Scorsese created one of the truly great and visionary works of modern cinema. Robert De Niro pours his blood, sweat, and brute physicality into the Oscar-winning role of Jake La Motta, the rising middleweight boxer from the Bronx whose furious ambition propels him to success within the ring but whose unbridled paranoia and jealousy tatter his relationships with everyone in his orbit, including his brother and manager (Joe Pesci) and gorgeous, streetwise wife (Cathy Moriarty). Thelma Schoonmaker’s Oscar-winning editing, Michael Chapman’s extraordinarily tactile black-and-white cinematography, and Frank Warner’s ingenious sound design combine to make Raging Bull a uniquely powerful exploration of violence on multiple levels—physical, emotional, psychic, and spiritual. DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES New 4K digital master, approved by director Martin Scorsese, with 2.0 surround DTS-HD Master Audio soundtrack New video essays by film critics Geoffrey O’Brien and Sheila O’Malley on Scorsese’s mastery of formal techniques and the film’s triumvirate of characters Three audio commentaries, featuring Scorsese and editor Thelma Schoonmaker; director of photography Michael Chapman, producers Robert Chartoff and Irwin Winkler, casting director Cis Corman, music consultant Robbie Robertson, actors Theresa Saldana and John Turturro, and sound-effects supervising editor Frank Warner; and boxer Jake La Motta and screenwriters Mardik Martin and Paul Schrader Fight Night, a making-of program featuring Scorsese and key members of the cast and crew Three short programs highlighting the longtime collaboration between Scorsese and actor Robert De Niro Television interview from 1981 with actor Cathy Moriarty and the real Vikki La Motta Interview with Jake La Motta from 1990 Program from 2004 featuring veteran boxers reminiscing about La Motta Trailer English subtitles for the deaf and hard of hearing PLUS: Essays by poet Robin Robertson and film critic Glenn Kenny