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Release: May 26, 2020

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Atlantic City is revitalized as a resort when gambling is legalized. But the new industry also brings unsettling changes. For Lou (Burt Lancaster), 40 years a bodyguard-boyfriend to aging beauty queen Grace (Kate Reid), his number-running sideline escalates to mob involvement.

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At a Catholic boarding school in Nazi-occupied France, a sheltered boy befriends a mysterious classmate hiding a dangerous secret.

Release: February 6, 2018

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For his feature debut, twenty-four-year-old Louis Malle brought together a mesmerizing performance by Jeanne Moreau, evocative cinematography by Henri Decaë, and a now legendary jazz score by Miles Davis. Taking place over the course of one restless Paris night, Malle s richly atmospheric crime thriller stars Moreau and Maurice Ronet as star-crossed lovers whose plan to murder her husband (his boss) goes awry, setting off a chain of events that seals their fate. A career touchstone for its director and female star, Elevator to the Gallows was an astonishing beginning to Malle's eclectic body of work, and it established Moreau as one of the most captivating actors to ever grace the screen. BLU-RAY SPECIAL EDITION FEATURES - New 2K digital restoration, with uncompressed monaural soundtrack - Interview from 2005 with actor Jeanne Moreau - Archival interviews with Moreau, director Louis Malle, actor Maurice Ronet, and original soundtrack session pianist Rene Urtreger - Footage of Miles Davis and Malle from the soundtrack recording session - Program from 2005 about the score featuring jazz trumpeter Jon Faddis and critic Gary Giddins - Malle's student film Crazeologie, featuring Charlie Parker's song 'Crazeology' - Trailers - PLUS: A booklet featuring an essay by critic Terrence Rafferty, an interview with Malle, and a tribute by film producer Vincent Malle

Release: August 22, 2023

$6.99

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Internationally acclaimed director Louis Malle (Elevator to the Gallows, Au Revoir les Enfants, Damage) has taken a taboo subject — child prostitution — and created in Pretty Baby a film of humanity and beauty. Keith Carradine (The Long Riders) is E.J. Bellocq, a photographer in 1917 obsessed with the prostitutes in New Orleans’ red-light district. Brooke Shields (The Blue Lagoon) — whose “subtlety and depth are astonishing” (Roger Ebert) — is Violet, a 12-year-old girl who bewitches Bellocq with her curiosity and naïve coquettishness. Malle’s level-headed treatment of this controversial theme, sumptuous cinematography by Sven Nykvist (Persona) and exceptional performances by the entire cast — especially Susan Sarandon (Atlantic City) as Violet’s mother — make Pretty Baby a must-see for all serious film fans. Pretty Baby was co-produced and co-written by Polly Platt (Broadcast News, Say Anything, Bottle Rocket), the iconic producer who helped launch the film careers of legendary filmmakers James L. Brooks, Cameron Crowe and Wes Anderson. Special Features: • Brand New HD Master by Paramount Pictures – From a 4K Scan of the 35mm Original Camera Negative • Audio Commentary by Film Historian Kat Ellinger • The Experience of Innocence: Brooke Shields on PRETTY BABY • Filmmaker Focus: Film Historian Leonard Maltin on PRETTY BABY • La Vie en Gris: Video Essay by Filmmaker/Historian Daniel Kremer • Theatrical Trailer • Optional English Subtitles

Release: February 28, 2012

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In the nineties, André Gregory mounted a series of spare, private performances of Anton Chekhov’s Uncle Vanya in a crumbling Manhattan playhouse. These treasures of pure theater would have been lost to time had they not been captured on film, with subtle cinematic brilliance, by Louis Malle (My Dinner with André). In Vanya On 42nd Street, a stellar cast of actors—including Wallace Shawn, Julianne Moore, Brooke Smith, and George Gaynes—embark on a full read-through of Uncle Vanya (adapted into English by David Mamet); the result is as memorable and emotional a screen version of Chekhov’s masterpiece as one could ever hope to see. This film, which turned out to be Malle’s last, is a tribute to the playwright’s devastating work as well as to the creative process itself.