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A Few Good Men follows two U.S. Marines on trial for murdering a fellow soldier at Guantanamo Bay. Their defense falls to a lazy Navy lawyer, who uncovers a harrowing military hazing cover-up orchestrated by the base commander, leading to a dramatic courtroom showdown.

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During World War II, a hard-drinking beachcomber reluctantly becomes an Allied coast watcher on a remote island and finds himself protecting a French schoolteacher and her young students as romance and danger collide.

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Product Description A slick, young Navy lawyer is assigned to investigate a murder case in which two Marines killed a fellow enlisted man, and no one's talking. Tom Cruise, Jack Nicholson and Demi Moore star. Amazon.com A U.S. soldier is dead, and military lawyers Lieutenant Daniel Kaffee and Lieutenant Commander JoAnne Galloway want to know who killed him. "You want the truth?" snaps Colonel Jessup (Jack Nicholson). "You can't handle the truth!" Astonishingly, Jack Nicholson's legendary performance as a military tough guy in A Few Good Men really amounts to a glorified cameo: he's only in a few scenes. But they're killer scenes, and the film has much more to offer. Tom Cruise (Kaffee) shines as a lazy lawyer who rises to the occasion, and Demi Moore (Galloway) gives a command performance. Kevin Bacon, Kiefer Sutherland, J.T. Walsh, and Cuba Gooding Jr. (of Jerry Maguire fame) round out the superb cast. Director Rob Reiner poses important questions about the rights of the powerful and the responsibilities of those just following orders in this classic courtroom drama. --Alan Smithee

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Starring Academy Award®-winner Hilary Swank, the film follows a journalist grieving the murder of her son who forms an unlikely alliance with his pregnant girlfriend (Olivia Cooke) to track down the killers in the seedy world of drugs and corruption.

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In this delightfully daffy comedy romp, Jack plays a very married ad man who poses as the husband of a sexy single girl to help her land a big inheritance.

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Following the death of his mother and the departure of his father overseas, 12-year-old Arizonan Mark Evans (Elijah Wood) is left in the care of his aunt and uncle in Maine for the winter. There, Mark meets his cousin Henry (Macauley Culkin), a death-obsessed "bad seed" with dark secrets and a frightening sadistic streak, who seems to know a bit too much about the mysterious death of his younger brother, Richard. Wendy Crewson, David Morse, Quinn Culkin, and Daniel Hugh Kelly co-star.

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Mere months after delivering one of the definitive examples of film noir with Kiss Me Deadly, Robert Aldrich brought a noir flavour to Hollywood with his classic adaptation of Clifford Odets stage play, The Big Knife. Charles Castle, one of Hollywood s biggest stars, looks like he has it all. But his marriage is falling apart and his wife is threatening to leave him if he renews his contract. Studio boss Stanley Shriner Hoff isn t taking the news too well, and he ll do anything he can to get his man to sign on the dotted line even if means exposing dark secrets... Winner of the Silver Lion at the 1955 Venice Film Festival, The Big Knife also boasts a remarkable cast list including Jack Palance (Shane) as Castle and Rod Steiger (On the Waterfront) as Hoff, plus Shelley Winters (The Night of the Hunter), Ida Lupino (On Dangerous Ground), Jean Hagen (Singin in the Rain) and Everett Sloane (Citizen Kane). SPECIAL EDITION CONTENTS Brand-new 2K restoration from original film elements produced by Arrow Films exclusively for this release High Definition Blu-ray (1080p) Original English mono audio uncompressed LPCM Optional English subtitles for the deaf and hard-of-hearing Commentary by film critics Glenn Kenny and Nick Pinkerton, recorded exclusively for this release Bass on Titles Saul Bass, responsible for The Big Knife s credit sequence, discusses some of his classic work in this self-directed documentary from 1972 Theatrical trailer Reversible sleeve featuring original and newly commissioned artwork by Sean Phillips FIRST PRESSING ONLY: Illustrated collector s booklet featuring new writing on the film by Nathalie Morris