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Release: February 12, 2019

$6.99

Description

Rainer Werner Fassbinder's fifteen-hour Berlin Alexanderplatz, based on Alfred Doblin's great modernist novel, was the crowning achievement of a prolific director who, at age thirty-four, had already made over thirty films. Fassbinder's immersive epic follows the hulking, childlike ex-convict Franz Biberkopf (Gunter Lamprecht) as he attempts to become an honest soul amid the corrosive urban landscape of Weimar-era Germany. With equal parts cynicism and humanity, Fassbinder details a mammoth portrait of a common man struggling to survive in a viciously uncommon time.

Release: February 12, 2019

$6.99

Description

Rainer Werner Fassbinder's fifteen-hour Berlin Alexanderplatz, based on Alfred Doblin's great modernist novel, was the crowning achievement of a prolific director who, at age thirty-four, had already made over thirty films. Fassbinder's immersive epic follows the hulking, childlike ex-convict Franz Biberkopf (Gunter Lamprecht) as he attempts to become an honest soul amid the corrosive urban landscape of Weimar-era Germany. With equal parts cynicism and humanity, Fassbinder details a mammoth portrait of a common man struggling to survive in a viciously uncommon time.

Release: February 12, 2019

$6.99

Description

Rainer Werner Fassbinder's fifteen-hour Berlin Alexanderplatz, based on Alfred Doblin's great modernist novel, was the crowning achievement of a prolific director who, at age thirty-four, had already made over thirty films. Fassbinder's immersive epic follows the hulking, childlike ex-convict Franz Biberkopf (Gunter Lamprecht) as he attempts to become an honest soul amid the corrosive urban landscape of Weimar-era Germany. With equal parts cynicism and humanity, Fassbinder details a mammoth portrait of a common man struggling to survive in a viciously uncommon time.

Release: February 12, 2019

$6.99

Description

Rainer Werner Fassbinder's fifteen-hour Berlin Alexanderplatz, based on Alfred Doblin's great modernist novel, was the crowning achievement of a prolific director who, at age thirty-four, had already made over thirty films. Fassbinder's immersive epic follows the hulking, childlike ex-convict Franz Biberkopf (Gunter Lamprecht) as he attempts to become an honest soul amid the corrosive urban landscape of Weimar-era Germany. With equal parts cynicism and humanity, Fassbinder details a mammoth portrait of a common man struggling to survive in a viciously uncommon time.

Release: October 5, 2021

$6.99

Description

Oscar nominee Kenneth Branagh (Henry V) and Oscar winner Emma Thompson (Howards End) give dazzling dual-role performances in this supernatural-tinged romantic murder mystery. Mike Church (Branagh) is a L.A. gumshoe with a knack for tossing off wisecracks and tracking down missing persons. But Church doesn't have a clue when he's hired to help a beautiful amnesia victim (Thompson) tormented by blood-curdling nightmares. Then an eccentric antiques dealer and hypnotist (Derek Jacobi) leads Church to a startling discovery: The source of the nightmares may lie in a past-life connection to Margaret Strauss, a world-famous pianist allegedly murdered by her composer husband... in 1948. In the classic tradition of Spellbound and Rebecca, Dead Again "brings an entertaining genre back to life" (Tom Jacobs, Los Angeles Daily News). Costarring Andy Garcia.

Release: October 9, 2018

$7.99

Description

Commissioned to make a working-class family drama for public television, up-and-coming director Rainer Werner Fassbinder took the assignment and ran, dodging expectations by depicting social realities in West Germany from a critical-yet far from cynical-perspective. Over the course of several hours, the sprawling story tracks the everyday triumphs and travails of the young toolmaker Jochen (Gottfried John) and many of the people populating his world, including the woman he loves (Hanna Schygulla), his eccentric nuclear family, and his fellow workers, with whom he bands together to improve conditions on the factory floor. Rarely screened since its popular but controversial initial broadcast, Eight Hours Don't Make a Day rates as a true discovery, one of Fassbinder's earliest and most tender experiments with the possibilities of melodrama.

Release: July 9, 2019

$6.99

Description

In 1977, German director Rainer Werner Fassbinder was thirty-two years old and had already directed more than twenty-five feature films. That summer, he embarked on a project to trace the postwar history of West Germany in a series of films told from the perspectives of three remarkable women. Fassbinder’s The Marriage of Maria Braun, Veronika Voss, and Lola—The BRD Trilogy—would garner him his greatest commercial success, both at home and abroad, and cement his position as one of the foremost figures of the New German Cinema. BLU-RAY SPECIAL EDITION FEATURES • New 4K digital restorations of The Marriage of Maria Braun and Lola, with uncompressed monaural soundtracks • High-definition digital restoration of Veronika Voss, with uncompressed monaural soundtrack • Audio commentaries from 2003 featuring filmmaker Wim Wenders and cinematographer Michael Ballhaus (The Marriage of Maria Braun), film critic and author Tony Rayns (Veronika Voss), and film scholar Christian Braad Thomsen (Lola) • Interviews with actors Hanna Schygulla, Rosel Zech, and Barbara Sukowa • Interviews with cinematographer Xaver Schwarzenberger, screenwriter Peter Märthesheimer, and film scholar Eric Rentschler • Life Stories: A Conversation with R. W. Fassbinder, an interview filmed for German television in 1978 • I Don’t Just Want You to Love Me, a feature-length 1992 documentary on director Rainer Werner Fassbinder’s life and career • Dance with Death, a program from 2000 about Ufa studios star Sybille Schmitz, Fassbinder’s inspiration for the character Veronika Voss • Conversation between author and curator Laurence Kardish and film editor Juliane Lorenz • Trailers • PLUS: An essay by film critic Kent Jones and production histories by author Michael Töteberg (Rainer Werner Fassbinder) The Marriage of Maria Braun Maria (Hanna Schygulla) marries Hermann Braun in the last days of World War II, only for him to go missing in the war. Alone, Maria puts to use her beauty and ambition in order to find prosperity during Germany’s “economic miracle” of the 1950s. Rainer Werner Fassbinder’s biggest international box-office success, The Marriage of Maria Braun is a heartbreaking study of a woman picking herself up from the ruins of her own life, as well as a pointed metaphorical attack on a society determined to forget its past. Veronika Voss A once-beloved Third Reich–era starlet, Veronika Voss (Rosel Zech) lives in obscurity in postwar Munich. Struggling for survival and haunted by past glories, she encounters sportswriter Robert Krohn (Hilmar Thate) in a rain-swept park and intrigues him with her mysterious beauty. As their unlikely relationship develops, Robert comes to discover the dark secrets that brought about the decline of Veronika’s career. Based on the true story of a World War II Ufa star, Rainer Werner Fassbinder’s Veronika Voss is wicked satire disguised as 1950s melodrama. Lola Germany in the autumn of 1957: Lola (Barbara Sukowa), a seductive cabaret singer–prostitute, exults in her power as a tempter of men, but she wants more—money, property, and love. Pitting a corrupt building contractor (Mario Adorf) against the new straight-arrow building commissioner (Armin Mueller-Stahl), Lola launches an outrageous plan to elevate herself in a world where everything—and everyone—is for sale. Shot in childlike candy colors, Rainer Werner Fassbinder’s Lola, an homage to Josef von Sternberg’s classic The Blue Angel, is a wonderfully satirical tribute to capitalism.

Release: July 9, 2019

$6.99

Description

In 1977, German director Rainer Werner Fassbinder was thirty-two years old and had already directed more than twenty-five feature films. That summer, he embarked on a project to trace the postwar history of West Germany in a series of films told from the perspectives of three remarkable women. Fassbinder’s The Marriage of Maria Braun, Veronika Voss, and Lola—The BRD Trilogy—would garner him his greatest commercial success, both at home and abroad, and cement his position as one of the foremost figures of the New German Cinema. BLU-RAY SPECIAL EDITION FEATURES • New 4K digital restorations of The Marriage of Maria Braun and Lola, with uncompressed monaural soundtracks • High-definition digital restoration of Veronika Voss, with uncompressed monaural soundtrack • Audio commentaries from 2003 featuring filmmaker Wim Wenders and cinematographer Michael Ballhaus (The Marriage of Maria Braun), film critic and author Tony Rayns (Veronika Voss), and film scholar Christian Braad Thomsen (Lola) • Interviews with actors Hanna Schygulla, Rosel Zech, and Barbara Sukowa • Interviews with cinematographer Xaver Schwarzenberger, screenwriter Peter Märthesheimer, and film scholar Eric Rentschler • Life Stories: A Conversation with R. W. Fassbinder, an interview filmed for German television in 1978 • I Don’t Just Want You to Love Me, a feature-length 1992 documentary on director Rainer Werner Fassbinder’s life and career • Dance with Death, a program from 2000 about Ufa studios star Sybille Schmitz, Fassbinder’s inspiration for the character Veronika Voss • Conversation between author and curator Laurence Kardish and film editor Juliane Lorenz • Trailers • PLUS: An essay by film critic Kent Jones and production histories by author Michael Töteberg (Rainer Werner Fassbinder) The Marriage of Maria Braun Maria (Hanna Schygulla) marries Hermann Braun in the last days of World War II, only for him to go missing in the war. Alone, Maria puts to use her beauty and ambition in order to find prosperity during Germany’s “economic miracle” of the 1950s. Rainer Werner Fassbinder’s biggest international box-office success, The Marriage of Maria Braun is a heartbreaking study of a woman picking herself up from the ruins of her own life, as well as a pointed metaphorical attack on a society determined to forget its past. Veronika Voss A once-beloved Third Reich–era starlet, Veronika Voss (Rosel Zech) lives in obscurity in postwar Munich. Struggling for survival and haunted by past glories, she encounters sportswriter Robert Krohn (Hilmar Thate) in a rain-swept park and intrigues him with her mysterious beauty. As their unlikely relationship develops, Robert comes to discover the dark secrets that brought about the decline of Veronika’s career. Based on the true story of a World War II Ufa star, Rainer Werner Fassbinder’s Veronika Voss is wicked satire disguised as 1950s melodrama. Lola Germany in the autumn of 1957: Lola (Barbara Sukowa), a seductive cabaret singer–prostitute, exults in her power as a tempter of men, but she wants more—money, property, and love. Pitting a corrupt building contractor (Mario Adorf) against the new straight-arrow building commissioner (Armin Mueller-Stahl), Lola launches an outrageous plan to elevate herself in a world where everything—and everyone—is for sale. Shot in childlike candy colors, Rainer Werner Fassbinder’s Lola, an homage to Josef von Sternberg’s classic The Blue Angel, is a wonderfully satirical tribute to capitalism.

Release: May 26, 2015

$7.99

Description

Product Description New German Cinema icon Rainer Werner Fassbinder (World on a Wire) kicked off a new phase of his young career when he made the startling The Merchant of Four Seasons. In this despairing yet mordantly funny film, Fassbinder charts the decline of a self-destructive former policeman and war veteran struggling to make ends meet for his family by working as a fruit vendor. Fassbinder had skyrocketed to renown on the acclaim of a series of trenchant, quickly made early films, but for this one he took more time and forged a new style - featuring a more complexly woven script and narrative structure and more sophisticated use of the camera, and influenced by the work of his recently discovered idol, Douglas Sirk. The result is a meticulously made, unforgiving social satire. Review New German Cinema icon Rainer Werner Fassbinder (World on a Wire) kicked off a new phase of his young career when he made the startling The Merchant of Four Seasons. In this despairing yet mordantly funny film, Fassbinder charts the decline of a self-destructive former policeman and war veteran struggling to make ends meet for his family by working as a fruit vendor. Fassbinder had skyrocketed to renown on the acclaim of a series of trenchant, quickly made early films, but for this one he took more time and forged a new style—featuring a more complexly woven script and narrative structure and more sophisticated use of the camera, and influenced by the work of his recently discovered idol, Douglas Sirk. The result is a meticulously made, unforgiving social satire.

Release: July 9, 2019

$6.99

Description

In 1977, German director Rainer Werner Fassbinder was thirty-two years old and had already directed more than twenty-five feature films. That summer, he embarked on a project to trace the postwar history of West Germany in a series of films told from the perspectives of three remarkable women. Fassbinder’s The Marriage of Maria Braun, Veronika Voss, and Lola—The BRD Trilogy—would garner him his greatest commercial success, both at home and abroad, and cement his position as one of the foremost figures of the New German Cinema. BLU-RAY SPECIAL EDITION FEATURES • New 4K digital restorations of The Marriage of Maria Braun and Lola, with uncompressed monaural soundtracks • High-definition digital restoration of Veronika Voss, with uncompressed monaural soundtrack • Audio commentaries from 2003 featuring filmmaker Wim Wenders and cinematographer Michael Ballhaus (The Marriage of Maria Braun), film critic and author Tony Rayns (Veronika Voss), and film scholar Christian Braad Thomsen (Lola) • Interviews with actors Hanna Schygulla, Rosel Zech, and Barbara Sukowa • Interviews with cinematographer Xaver Schwarzenberger, screenwriter Peter Märthesheimer, and film scholar Eric Rentschler • Life Stories: A Conversation with R. W. Fassbinder, an interview filmed for German television in 1978 • I Don’t Just Want You to Love Me, a feature-length 1992 documentary on director Rainer Werner Fassbinder’s life and career • Dance with Death, a program from 2000 about Ufa studios star Sybille Schmitz, Fassbinder’s inspiration for the character Veronika Voss • Conversation between author and curator Laurence Kardish and film editor Juliane Lorenz • Trailers • PLUS: An essay by film critic Kent Jones and production histories by author Michael Töteberg (Rainer Werner Fassbinder) The Marriage of Maria Braun Maria (Hanna Schygulla) marries Hermann Braun in the last days of World War II, only for him to go missing in the war. Alone, Maria puts to use her beauty and ambition in order to find prosperity during Germany’s “economic miracle” of the 1950s. Rainer Werner Fassbinder’s biggest international box-office success, The Marriage of Maria Braun is a heartbreaking study of a woman picking herself up from the ruins of her own life, as well as a pointed metaphorical attack on a society determined to forget its past. Veronika Voss A once-beloved Third Reich–era starlet, Veronika Voss (Rosel Zech) lives in obscurity in postwar Munich. Struggling for survival and haunted by past glories, she encounters sportswriter Robert Krohn (Hilmar Thate) in a rain-swept park and intrigues him with her mysterious beauty. As their unlikely relationship develops, Robert comes to discover the dark secrets that brought about the decline of Veronika’s career. Based on the true story of a World War II Ufa star, Rainer Werner Fassbinder’s Veronika Voss is wicked satire disguised as 1950s melodrama. Lola Germany in the autumn of 1957: Lola (Barbara Sukowa), a seductive cabaret singer–prostitute, exults in her power as a tempter of men, but she wants more—money, property, and love. Pitting a corrupt building contractor (Mario Adorf) against the new straight-arrow building commissioner (Armin Mueller-Stahl), Lola launches an outrageous plan to elevate herself in a world where everything—and everyone—is for sale. Shot in childlike candy colors, Rainer Werner Fassbinder’s Lola, an homage to Josef von Sternberg’s classic The Blue Angel, is a wonderfully satirical tribute to capitalism.

Release: May 31, 2016

$7.99

Description

In the 1970s, Wim Wenders was among the first true international breakthrough artists of the revolutionary New German Cinema, a filmmaker whose fascination with the physical landscapes and emotional contours of the open road proved to be universal. In the middle of that decade, Wenders embarked on a three-film journey that took him from the wide roads of Germany to the endless highways of the United States and back again. Starring Rüdiger Vogler as the director s alter ego, Alice in the Cities, Wrong Move, and Kings of the Road are dramas of emotional transformation that follow their characters searches for themselves, all rendered with uncommon soulfulness and visual poetry. ALICE IN THE CITIES The first of the road films that would come to define the career of Wim Wenders, the magnificent Alice in the Cities is an emotionally generous and luminously shot journey. A German journalist (Rüdiger Vogler) is driving across the United States to research an article; it s a disappointing trip, in which he is unable to truly connect with what he sees. Things change, however, when he is forced to take a young girl named Alice (Yella Rottländer) with him on his return trip to Germany, after her mother (Lisa Kreuzer) whom he has just met leaves the child in his care. Though they initially find themselves at odds, the pair begin to form an unlikely friendship. WRONG MOVE Wim Wenders updates a late-eighteenth-century novel by Goethe with depth and style, transposing it to 1970s West Germany and giving us the story of an aimless writer (Rüdiger Vogler) who leaves his hometown to find himself and befriends a group of other travelers. Seeking inspiration to help him escape his creative funk, he instead discovers the limits of attempts to refashion one s identity. One of the director s least seen but earthiest and most devastating soul searches, Wrong Move features standout supporting performances from New German Cinema regulars Hanna Schygulla and Peter Kern and, in her first film appearance, Nastassja Kinski. KINGS OF THE ROAD A roving film projector repairman (Rüdiger Vogler) saves the life of a depressed psychologist (Hanns Zisschler) who has driven his Volkswagen into a river, and they end up on the road together, traveling from one rural German movie theater to another. Along the way, the two men, each running from his past, bond over their shared loneliness. Kings of the Road, captured in gorgeous com-positions by cinematographer Robby Müller and dedicated to Fritz Lang, is a love letter to the cinema, a moving and funny tale of male friendship, and a portrait of a country still haunted by war. DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES - New, restored 4K digital transfers of all three films, commissioned by the Wim Wenders Foundation and supervised by director Wim Wenders - Audio commentaries for all three films, featuring Wenders and actors Rüdiger Vogler, and Yella Rottländer on Alice in the Cities, and featuring Wenders on Wrong Move and Kings of the Road - New interview with Wenders, directed and conducted by filmmaker Michael Almereyda - New interviews with Vogler, Kreuzer, Rottländer, and actors Hanna Schygulla and Hanns Zischler - Outtakes and Super 8 home movies - Restoring Time, a 2015 short about the restoration work done by the Wim Wenders Foundation - Same Player Shoots Again (1967) and Silver City Revisited (1968), two newly restored early short films by Wenders - New English subtitle translations - PLUS: A book featuring essays on the films by filmmaker Allison Anders, author James Robison, and critic Nick Roddick

Release: May 31, 2016

$7.99

Description

In the 1970s, Wim Wenders was among the first true international breakthrough artists of the revolutionary New German Cinema, a filmmaker whose fascination with the physical landscapes and emotional contours of the open road proved to be universal. In the middle of that decade, Wenders embarked on a three-film journey that took him from the wide roads of Germany to the endless highways of the United States and back again. Starring Rüdiger Vogler as the director s alter ego, Alice in the Cities, Wrong Move, and Kings of the Road are dramas of emotional transformation that follow their characters searches for themselves, all rendered with uncommon soulfulness and visual poetry. ALICE IN THE CITIES The first of the road films that would come to define the career of Wim Wenders, the magnificent Alice in the Cities is an emotionally generous and luminously shot journey. A German journalist (Rüdiger Vogler) is driving across the United States to research an article; it s a disappointing trip, in which he is unable to truly connect with what he sees. Things change, however, when he is forced to take a young girl named Alice (Yella Rottländer) with him on his return trip to Germany, after her mother (Lisa Kreuzer) whom he has just met leaves the child in his care. Though they initially find themselves at odds, the pair begin to form an unlikely friendship. WRONG MOVE Wim Wenders updates a late-eighteenth-century novel by Goethe with depth and style, transposing it to 1970s West Germany and giving us the story of an aimless writer (Rüdiger Vogler) who leaves his hometown to find himself and befriends a group of other travelers. Seeking inspiration to help him escape his creative funk, he instead discovers the limits of attempts to refashion one s identity. One of the director s least seen but earthiest and most devastating soul searches, Wrong Move features standout supporting performances from New German Cinema regulars Hanna Schygulla and Peter Kern and, in her first film appearance, Nastassja Kinski. KINGS OF THE ROAD A roving film projector repairman (Rüdiger Vogler) saves the life of a depressed psychologist (Hanns Zisschler) who has driven his Volkswagen into a river, and they end up on the road together, traveling from one rural German movie theater to another. Along the way, the two men, each running from his past, bond over their shared loneliness. Kings of the Road, captured in gorgeous com-positions by cinematographer Robby Müller and dedicated to Fritz Lang, is a love letter to the cinema, a moving and funny tale of male friendship, and a portrait of a country still haunted by war. DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES - New, restored 4K digital transfers of all three films, commissioned by the Wim Wenders Foundation and supervised by director Wim Wenders - Audio commentaries for all three films, featuring Wenders and actors Rüdiger Vogler, and Yella Rottländer on Alice in the Cities, and featuring Wenders on Wrong Move and Kings of the Road - New interview with Wenders, directed and conducted by filmmaker Michael Almereyda - New interviews with Vogler, Kreuzer, Rottländer, and actors Hanna Schygulla and Hanns Zischler - Outtakes and Super 8 home movies - Restoring Time, a 2015 short about the restoration work done by the Wim Wenders Foundation - Same Player Shoots Again (1967) and Silver City Revisited (1968), two newly restored early short films by Wenders - New English subtitle translations - PLUS: A book featuring essays on the films by filmmaker Allison Anders, author James Robison, and critic Nick Roddick

Release: May 31, 2016

$7.99

Description

In the 1970s, Wim Wenders was among the first true international breakthrough artists of the revolutionary New German Cinema, a filmmaker whose fascination with the physical landscapes and emotional contours of the open road proved to be universal. In the middle of that decade, Wenders embarked on a three-film journey that took him from the wide roads of Germany to the endless highways of the United States and back again. Starring Rüdiger Vogler as the director s alter ego, Alice in the Cities, Wrong Move, and Kings of the Road are dramas of emotional transformation that follow their characters searches for themselves, all rendered with uncommon soulfulness and visual poetry. ALICE IN THE CITIES The first of the road films that would come to define the career of Wim Wenders, the magnificent Alice in the Cities is an emotionally generous and luminously shot journey. A German journalist (Rüdiger Vogler) is driving across the United States to research an article; it s a disappointing trip, in which he is unable to truly connect with what he sees. Things change, however, when he is forced to take a young girl named Alice (Yella Rottländer) with him on his return trip to Germany, after her mother (Lisa Kreuzer) whom he has just met leaves the child in his care. Though they initially find themselves at odds, the pair begin to form an unlikely friendship. WRONG MOVE Wim Wenders updates a late-eighteenth-century novel by Goethe with depth and style, transposing it to 1970s West Germany and giving us the story of an aimless writer (Rüdiger Vogler) who leaves his hometown to find himself and befriends a group of other travelers. Seeking inspiration to help him escape his creative funk, he instead discovers the limits of attempts to refashion one s identity. One of the director s least seen but earthiest and most devastating soul searches, Wrong Move features standout supporting performances from New German Cinema regulars Hanna Schygulla and Peter Kern and, in her first film appearance, Nastassja Kinski. KINGS OF THE ROAD A roving film projector repairman (Rüdiger Vogler) saves the life of a depressed psychologist (Hanns Zisschler) who has driven his Volkswagen into a river, and they end up on the road together, traveling from one rural German movie theater to another. Along the way, the two men, each running from his past, bond over their shared loneliness. Kings of the Road, captured in gorgeous com-positions by cinematographer Robby Müller and dedicated to Fritz Lang, is a love letter to the cinema, a moving and funny tale of male friendship, and a portrait of a country still haunted by war. DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES - New, restored 4K digital transfers of all three films, commissioned by the Wim Wenders Foundation and supervised by director Wim Wenders - Audio commentaries for all three films, featuring Wenders and actors Rüdiger Vogler, and Yella Rottländer on Alice in the Cities, and featuring Wenders on Wrong Move and Kings of the Road - New interview with Wenders, directed and conducted by filmmaker Michael Almereyda - New interviews with Vogler, Kreuzer, Rottländer, and actors Hanna Schygulla and Hanns Zischler - Outtakes and Super 8 home movies - Restoring Time, a 2015 short about the restoration work done by the Wim Wenders Foundation - Same Player Shoots Again (1967) and Silver City Revisited (1968), two newly restored early short films by Wenders - New English subtitle translations - PLUS: A book featuring essays on the films by filmmaker Allison Anders, author James Robison, and critic Nick Roddick