I Spit on Your Grave III: Vengeance Is Mine Blu-ray (Rental)
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The cornerstone of director Richard Linklater’s career‑long exploration of cinematic time, this celebrated three-part romance captures a relationship as it begins, begins again, deepens, and strains over the course of almost two decades. Chronicling the love of Celine (Julie Delpy) and Jesse (Ethan Hawke), from their first meeting as idealistic twentysomethings to the disillusionment they face together in middle age, The Before Trilogy also serves as a document of a boundary-pushing and extraordinarily intimate collaboration between director and actors, as Delpy and Hawke imbue their characters with a sense of lived-in experience, and age on-screen along with them. Attuned to the sweeping grandeur of time’s passage as well as the evanescence of individual moments, the Before films chart the progress of romantic destiny as it navigates the vicissitudes of ordinary life. DIRECTOR-APPROVED THREE-BLU-RAY SPECIAL EDITION FEATURES New, restored 2K digital transfers of Before Sunrise and Before Sunset and a 2K digital master of Before Midnight, approved by director Richard Linklater, with 2.0 surround DTS-HD Master Audio soundtrack on Before Sunrise and 5.1 surround DTS-HD Master Audio soundtracks on Before Sunset and Before Midnight New discussion featuring Linklater and actors Julie Delpy and Ethan Hawke, moderated by critic Kent Jones Behind-the-scenes footage and interviews from the productions of Before Sunrise and Before Sunset Audio commentary on Before Midnight by Delpy, Linklater, and Hawke Richard Linklater: Dream Is Destiny, a feature-length 2016 documentary by Louis Black and Karen Bernstein After Before, a new documentary by Athina Rachel Tsangari about the making of Before Midnight in Greece New conversation between scholars Dave Johnson and Rob Stone about Linklater’s work Episode of the radio program Fresh Air featuring host Terry Gross, Linklater, Delpy, and Hawke Linklater // On Cinema & Time, a 2016 video essay by filmmaker :: kogonada English subtitles for the deaf and hard of hearing PLUS: An essay on the trilogy by critic Dennis Lim BEFORE SUNRISE An exquisitely understated ode to the thrill of romantic possibility, the inaugural installment of The Before Trilogy opens with a chance encounter between two solitary young strangers. After they hit it off on a train bound for Vienna, the Paris university student Celine and the scrappy American tourist Jesse impulsively decide to spend a day together before he returns to the U.S. the next morning. As the pair roam the streets of the stately city, Richard Linklater’s tenderly observant gaze captures the uncertainty and intoxication of young love, from the first awkward stirrings of attraction to the hopeful promise that Celine and Jesse make upon their inevitable parting. BEFORE SUNSET In the breathtaking follow-up to Before Sunrise, Celine tracks down Jesse, now an author, at the tail end of his book tour in Paris, with only a few hours left before he is to board a flight back home to the States. Meeting almost a decade after their short-lived romance in Vienna, the pair find their chemistry rekindled by increasingly candid exchanges about professional setbacks, marital disappointments, and the compromises of adulthood. Impelled by an urgent sense of the transience of human connection, Before Sunset remains Richard Linklater’s most seductive experiment with time’s inexorable passage and the way love can seem to stop it in its tracks. BEFORE MIDNIGHT The conclusion of The Before Trilogy finds Celine and Jesse several years into a relationship and in the midst of a sun-dappled Greek retreat with their twin daughters and a group of friends. The couple soon find their vacation upended, however, by long-simmering problems that come to a boil. Marked by the emotional depth, piercing wit, and conversational exuberance that Linklater and his actors honed over two decades of abiding with these characters, Before Midnight grapples with the complexities of long-term intimacy, and asks what becomes of love when it has no recourse to its past illusions.
