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Release: July 12, 2016

$6.99

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Product Description One of the great lost masterpieces of Japanese animation, never before officially released in the U.S., BELLADONNA OF SADNESS is a mad, swirling, psychedelic light-show of medieval tarot-card imagery with horned demons, haunted forests and La Belle Dame Sans Merci with J.R.R. Tolkien influences. The last film in the Animerama trilogy produced by the godfather of Japanese anime & manga, Osamu Tezuka and directed by his longtime collaborator Eiichi Yamamoto (ASTRO BOY and KIMBA THE WHITE LION), BELLADONNA unfolds as a series of spectacular still watercolor paintings that bleed and twist together. A young woman, Jeanne (voiced by Aiko Nagayama) is assaulted by the local lord on her wedding night. To take revenge, she makes a pact with the Devil himself (voiced by Tatsuya Nakadai, from Akira Kurosawa's RAN) who appears as a sprite and transforms her into a black-robed vision of madness and desire. Extremely transgressive, BELLADONNA is fueled by a mind-blowing Japanese psych rock soundtrack by noted avant-garde jazz composer Masahiko Satoh. The film has been newly restored by Cinelicious Pics using the original 35 mm camera negative and sound elements and including over 8 minutes of surreal footage cut from the negative. On par with Rene Laloux's FANTASTIC PLANET and Ralph Bakshi's WIZARDS as an LSD-stoked 1970s head trip, BELLADONNA marks a major rediscovery for animation fans. If Led Zeppelin had a favorite film, this would be it. In other words, Stairway to Hell. Special Features: New Video Interviews with Director Eiichi Yamamoto, Art Director Kuni Fukai, and Composer Masahiko Satoh Red Band Trailer, Green Band Trailer, Original Trailer 16 page booklet Review A Bewitching Masterpiece. ---Glenn Kenny, The New York Times See Belladonna now or be damned to perdition! ---Robert Brenner, The Huffington Post Belladonna Of Sadness is a major re-discovery. ---Ignatiy Vishnevetsky, A.V. Club

Release: March 8, 2016

$7.99

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JANE B. PAR AGNES V.: “ I’ll look at you, but not at the camera. It could be a trap ”, whispers Jane Birkin shyly into Agnès Varda’s ear at the start of JANE B. PAR AGNES V. The director of CLEO FROM 5 TO 7 and VAGABOND once again paints a portrait of a woman, this time in a marvelously Expressionistic way. “ It’s like an imaginary bio-pic,” says Varda. Jane, of course, is the famed singer (“ Je t’aime … Moi non plus ”), actress (BLOW UP), fashion icon (the Hermes Birkin bag) and longtime muse to Serge Gainsbourg. As Varda implies, JANE B. PAR AGNÈS V. abandons the traditional bio-pic format, favoring instead a freewheeling mix of gorgeous and unexpected fantasy sequences. In each, Jane inhabits a new character, playing a cat & mouse game with Varda as they explore the role of the Muse and the Artist, all the while showcasing the multifaceted nature of Birkin’s talent. “ I’d like to be filmed as if I were transparent, anonymous, like everyone else, ” says Birkin. But her wish to be a “ famous nobody ” is impossible to achieve; Birkin is simply too magnificent, too mesmerizing. Here, Varda’s signature mix of aesthetic innovation and generosity of emotion results in a surreal and captivating essay on Art, Fame, Love, Children and Staircases. For its first-ever U.S. theatrical release the film has been newly-restored from the original 35mm camera negative, overseen by director Varda herself. KUNG FU MASTER!: A lovely, bittersweet companion to JANE B. PAR AGNÈS V. from director Agnes Varda and star/muse Jane Birkin, KUNG-FU MASTER has nothing to do with martial arts – the film’s title comes from an arcade video game played obsessively in the film by a teenaged boy, Julien. Birkin delivers one of her finest performances as a lonely 40-year old woman who finds herself shattering taboos by falling in love with the 14-year old Julien – but is it romance, or a desperate attempt to turn back time in the face of middle age? KUNG-FU MASTER! is truly a family affair: Varda’s son with the late director Jacques Demy, Mathieu Demy, plays Julien – and Birkin appears here with her two real-life daughters: Charlotte Gainsbourg (from Lars von Trier’s MELANCHOLIA) and Lou Doillon, her child with well-known filmmaker Jacques Doillon. Briefly released in the late 1980s in the U.S. and long unavailable here, KUNG-FU MASTER! has been beautifully restored from the original 35mm camera negative. “ It’s a film in which all the younger actors are the children of the director and lead actress ”, says Varda. “ It was like a picnic, you know? ” Special Features: New Interviews with Director Agnès Varda New Essay by Sandy Flitterman-Lewis New Interview with Agnès Varda by Miranda July Trailer Top About this item From the Brand Reviews Jane B. Par Agnès V. / Kung-Fu Master! [Blu-ray]

Release: November 8, 2016

$7.99

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Product Description Two homicidal drifters (played to creepy perfection by Warren Oates and Corey Allen) wander off the beach and into the seemingly-perfect Los Angeles home of unhappy housewife Kate Manx, in this long-lost California noir written & directed by THE OUTER LIMITS creator Leslie Stevens. Lensed in stunning B&W by master cameraman Ted McCord (THE TREASURE OF THE SIERRA MADRE), PRIVATE PROPERTY is both an eerie, Jim Thompson-esque thriller and a savage critique of the hollowness of the Playboy-era American Dream. Warren Oates delivers his first screen performance here, years before he emerged in THE WILD BUNCH and TWO-LANE BLACKTOP as one of the finest character actors of his generation; his bizarre Lennie-and-George relationship with the underrated Corey Allen (James Dean’s hot rod rival in REBEL WITHOUT A CAUSE) is fueled by a barely-suppressed homoerotic tension. Director Stevens (a protégé of Orson Welles) and lead actress Manx were married at the time, and the film was shot in their home; several years later, Manx tragically committed suicide and her fragile spirit seems to hang over the film. Review Private Property qualifies as a genuine rediscovery. - --Glenn Kenny, New York Times …this lost treasure has to rank as one of the richest and fearlessly gnarly of its kind. - --Steve Macfarlane, Slant ****[Four Stars] - --The Guardian