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One of contemporary cinema’s most original, provocative, and uncompromising filmmakers, Austrian auteur Michael Haneke dares viewers to stare into the void of modern existence. With his first three theatrical features, The Seventh Continent, Benny’s Video, and 71 Fragments of a Chronology of Chance—a trilogy depicting a coldly bureaucratic society in which genuine human relationships have been supplanted by a deep-seated collective malaise—Haneke established the rigorous visual style and unsettling themes that would recur throughout his work. Exploring the relationships among consumerism, violence, mass media, and contemporary alienation, these brilliant, relentlessly probing films open up profound questions about the world in which we live while refusing the false comfort of easy answers. DIRECTOR-APPROVED THREE-BLU-RAY SPECIAL EDITION FEATURES High-definition digital masters, supervised by director Michael Haneke, with uncompressed monaural soundtracks New interview with actor Arno Frisch New interview with film historian Alexander Horwath Interviews from 2005 with Haneke Documentary about Haneke’s career featuring interviews with the director and actors Juliette Binoche, Isabelle Huppert, and Jean-Louis Trintignant Deleted scenes from Benny’s Video Trailers New English subtitle translations PLUS: An essay by novelist John Wray THE SEVENTH CONTINENT The day-to-day routines of a seemingly ordinary Austrian family (Birgit Doll, Dieter Berner, and Leni Tanzer) begin to take on a sinister complexion in Michael Haneke’s chilling portrait of bourgeois anomie giving way to shocking self-destruction. Inspired by a true story, the director’s first theatrical feature finds him fully in command of his style, observing with rigorous, clinical detachment the spiritual emptiness at the heart of consumer culture—and the horror that lurks beneath its placid surfaces. The Seventh Continent builds to an annihilating encounter with the televisual void that powerfully synthesizes Haneke’s ideas about the link between violence and our culture of manufactured emotion. BENNY’S VIDEO Michael Haneke turns the unflinching gaze of the camera back on itself in this provocative, profoundly disturbing study of emotional disconnection in the age of mass-media saturation. Benny (a frighteningly affectless Arno Frisch), the teenage son of wealthy, disengaged parents (Angela Winkler and Ulrich Mühe), finds release in the world of violent

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Michael Haneke's most notorious provocation, Funny Games spares no detail in it's depiction of the agony of a bourgeois family held captive at their vacation home by a pair of young men. In a series of escalating games, the sadistic duo subject their victims to unspeakable physical and psychological torture.