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Release: July 28, 2026

$7.99

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Reformed ex-con Steve Lacey (Gene Nelson) has built an honest life with his devoted wife, Ellen (Phyllis Kirk). But that fragile American dream shatters one night when a wounded former cellmate crashes into his home after a deadly gas-station holdup. Lacey is terrorized by a pair of escaped San Quentin thugs who extort his help for a high-stakes bank heist. On their trail is the cynical Detective Lt. Sims (Sterling Hayden), who's more than willing to use the terrified newlyweds as bait. Crime Wave [Blu-ray] Crime Wave Similar From the Brand Questions Reviews

Release: August 27, 2019

$6.99

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Screen legend Robert Ryan (The Wild Bunch, The Professionals) stars alongside Burl Ives (The Big Country) and Tina Louise (TV’s Gilligan’s Island) in this bleak and wintry western from cult director André De Tooth (Pitfall, The Indian Fighter). Tough-as-nails Blaise Starlet (Ryan) is about to face a showdown with a fellow rancher—whose wife is the object of Starlet's love. But this small-town conflict is nothing compared to what’s on the horizon when outlaw Jack Bruhn (Ives) and his vicious gang ride into town. On the lam after a brutal robbery, the outlaws terrorize the townspeople and hold them captive, even as Bruhn lies dying from a bullet wound to his chest. When Starlet eventually leads the homesteaders on a trail out of harm’s way, the tension explodes to an unforgettable climax. Filled with action and suspense, this is one Day you’ll never forget! Top-notch screenplay by legendary writer Philip Jordan (The Man from Laramie), based on a novel by television veteran Lee E. Wells (Highway Patrol). Wonderfully shot by Russell Harlan (Witness for the Prosecution) and featuring Nehemiah Per off (Some Like It Hot), Lance Fuller (This Island Earth) and Elisha Cook Jr. (I Wake Up Screaming) in strong supporting roles. Special Features: -Audio Commentary by Film Historian Jeremy Arnold -Theatrical Trailer

Release: June 23, 2020

$6.99

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Warner Bros. proudly presents the most successful 3D movie of the 1950s and the first produced by a major Hollywood studio. Now, in Blu-ray 3D , screen legend Vincent Price is at his terrifying best as he takes murderous vengeance on those who've wronged him in this horror classic. SPECIAL FEATURE: 1933 Warner Bros. Feature Mystery of the Wax Museum

Release: May 9, 2017

$7.99

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Only one man has the power to stop the war! Screen Legends Kirk Douglas (The Devil s Disciple) and Walter Matthau (The Laughing Policeman) co-star in this exciting account about a man who made his name fighting Indians, but now must use his peacekeeping skills to keep wronged Sioux warriors from massacring a wagon train and a nearby fort. After the Civil War, Johnny Hawks (Douglas), the Indian Fighter, returns to the West and establishes a treaty with the Sioux Indians. But when renegade frontiersmen seeking a legendary Indian gold mine murder the brother of the Sioux chief, tensions escalate, endangering every man in the territory.

Release: November 24, 2015

$6.99

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An insurance man begins an affair with a criminal's girlfriend and spirals into blackmail, violence, and guilt.

Release: April 24, 2007

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Product description No Description Available. Genre: Feature Film-Action/Adventure Rating: PG Release Date: 24-APR-2007 Media Type: DVD Amazon.com There's no mistaking the 1968 mood of Play Dirty: this cynical war movie could only have been made during the disillusioned Vietnam era, despite its WWII subject. Michael Caine plays a British captain in North Africa, tapped to lead a suicidal mission across the desert to destroy a German fuel depot. He's got a scurvy band of mercenaries to help him (this was a year after The Dirty Dozen, so keep that in mind), although most of the time they seem indifferent to both the job and Caine's survival. Nigel Davenport plays Caine's black-hearted yet lethally competent assistant, possibly the most nihilistic character on the side of the good guys in any war movie. Large patches of the film play without dialogue, including a grueling sequence in which vehicles are winched up the side of a hill, but somehow this adds to the grim, fatalistic atmosphere. The hard edge suits the style of director Andre De Toth, veteran maker of many a B-picture (this was his next-to-last effort). Caine plays it repressed and close to the vest, the better to contrast with Davenport's Mephistophelian soldier of fortune. Oh, and the ending--well, you'll want to stick around for the ending. It was 1968, after all. --Robert Horton

Release: April 29, 2025

$7.99

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Academy Award winner Gary Cooper stars as a Union officer in the United States' Civil War who goes undercover--pretending to be court-martialed--to uncover who is stealing army horses and selling them to the South before they can hijack a delivery of the new Springfield Rifle. While delivering a shipment of horses desperately needed to mount a big offensive in the United States' Civil War, Union Major Lex Kearny (Cooper) is overwhelmed by a band of Confederate raiders. Rather than risk the lives of his men, he sounds retreat, leaving the precious cargo behind--for which he faces a court-martial. But this is only a ploy to send Kearny underground to find who has been stealing horses from the Union Army. Kearny's mission remains so secret that even his wife (Phyllis Thaxter) believes he has gone renegade, and she surrenders evidence that implicates him as a Southern spy. Now, can Kearny stop the gang of traitorous horse thieves before he is sentenced to death for espionage?

Release: September 27, 2022

$7.99

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Established by Martin Scorsese in 2007, The Film Foundation’s World Cinema Project has maintained a fierce commitment to preserving and presenting masterpieces from around the globe, with a growing roster of dozens of restorations that have introduced moviegoers to often overlooked areas of cinema history. This collector’s set gathers six important works, from Angola (Sambizanga), Argentina (Prisioneros de la tierra), Iran (Chess of the Wind), Cameroon (Muna moto), Hungary (Two Girls on the Street), and India (Kalpana). Each title is an essential contribution to the art form and a window onto a filmmaking tradition that international audiences previously had limited opportunities to experience. DUAL-FORMAT BLU-RAY AND DVD SPECIAL EDITION FEATURES New 4K digital restorations of Sambizanga, Prisioneros de la tierra, Chess of the Wind, and Muna moto, and 2K digital restorations of Two Girls on the Street and Kalpana, all overseen by The Film Foundation’s World Cinema Project in collaboration with the Cineteca di Bologna, with uncompressed monaural soundtracks on the Blu-rays New introductions to the films by World Cinema Project founder Martin Scorsese New and archival interviews featuring Indian film historian Suresh Chabria and filmmaker Kumar Shahani (on Kalpana); Argentine film historians Paula Félix-Didier and Andrés Levinson (on Prisioneros de la tierra); Two Girls on the Street director André de Toth; and Sambizanga director Sarah Maldoror and Annouchka de Andrade, Maldoror’s daughter New program by filmmaker Mohamed Challouf featuring interviews with Muna moto director Dikongué-Pipa and African film historian Férid Boughedir The Majnoun and the Wind (2022), a documentary by Gita Aslani Shahrestani, daughter of Chess of the Wind director Mohammad Reza Aslani, featuring Aslani, members of the film’s cast and crew, and others New and updated English subtitle translations PLUS: A foreword and essays on the films by critics and scholars Yasmina Price, Matthew Karush, Ehsan Khoshbakht, Aboubakar Sanogo, Chris Fujiwara, and Shai Heredia SAMBIZANGA A bombshell by the first woman to direct a film in Africa, Sarah Maldoror’s chronicle of the awakening of Angola’s independence movement is a stirring hymn to those who risk everything in the fight for freedom. Based on a true story, Sambizanga follows a young woman (Elisa Andrade) as she makes her way from the outskirts of Luanda toward the city’s center looking for her husband (Domingos Oliveira) after his arrest by the Portuguese authorities—an incident that ultimately helps to ignite an uprising. Scored by the language of revolution and the spiritual songs of the colonized Angolan people, and featuring a cast of nonprofessional actors—many of whom were themselves involved in anticolonial resistance—this landmark work of political cinema honors the essential roles of women, as well as the hardships they endure, in the global struggle for liberation. PRISIONEROS DE LA TIERRA The most acclaimed film by one of classic Argentine cinema’s foremost directors, Mario Soffici’s gut-punching work of social realism, shot on location in the dense, sweltering jungle of the Misiones region, simmers with rage against the oppression of workers. A group of desperate men are conscripted into indentured labor on a treacherous, disease-ridden yerba maté plantation under the control of the brutal foreman Köhner (Francisco Petrone)—a situation that boils over in an explosive act of rebellion led by the defiant Podeley (Ángel Magaña), and made all the more tense by the fact that Köhner and Podeley love the same woman: Andrea (Elisa Galvé), the sweet-spirited daughter of the camp’s doctor. The expressionistic, shadow-sculpted cinematography of Pablo Tabernero evokes the feverish dread of a place where suffocating heat, economic exploitation, and unremitting cruelty lead inexorably to madness and violence. CHESS OF THE WIND Lost for decades after screening at the 1976 Tehran International Film Festival, this rediscovered jewel of Iranian cinema reemerges to take its place as one of the most singular and astonishing works of the country’s prerevolutionary New Wave. A hypnotically stylized murder mystery awash in shivery period atmosphere, Chess of the Wind unfolds inside an ornate, candlelit mansion where a web of greed, violence, and betrayal ensnares the potential heirs to a family fortune as they vie for control of their recently deceased matriarch’s estate. Melding the influences of European modernism, gothic horror, and classical Persian art, director Mohammad Reza Aslani crafts an exquisitely restrained mood piece that erupts into a subversive final act in which class conventions, gender roles, and even time itself are upended with shocking ferocity. MUNA MOTO Director Dikongué-Pipa forged a new African cinematic language with Muna moto, a delicate love story with profound emotional resonance. In a close-knit village in Cameroon, the rigid customs governing courtship and marriage mean that a deeply in love betrothed couple (David Endéné and Arlette Din Belle) can be torn apart by the lack of a dowry and by another man’s claiming of the young woman as his own wife—a rupture that sets the stage for a clash between a patriarchal society and a modern generation’s determination to chart its own course. Luminous black-and-white cinematography and stylistic flourishes yield images of haunting power in this potent depiction, told via flashback, of the challenges of postcolonialism and the devastating consequences of a community’s refusal to deviate from tradition. TWO GIRLS ON THE STREET The maverick Hollywood stylist André de Toth sharpened his craft in his native Hungary, where he directed five films, including this chic, dynamically paced melodrama studded with deco decor and jazzy musical interludes. Mária Tasnádi Fekete and Bella Bordy sparkle as upwardly mobile working women—one a musician in an all-girl band, the other a bricklayer—who join forces as they both try to make it in Budapest, supporting each other through changing economic fortunes, the advances of lecherous men, and the highs and heartbreaks of love. Kinetic camera work, brisk editing, and avant-garde imagery abound in Two Girls on the Street, an often strikingly modern ode to the power of working-class female solidarity. KALPANA A riot of ecstatic imagery, performance, and set design, the only film by the visionary dancer and choreographer Uday Shankar is a revolutionary celebration of Indian dance in its myriad varieties and a utopian vision of cultural renewal. Unfolding as an epic film within a film, Kalpana tells the story of an ambitious dancer (Shankar) determined to open a cultural center devoted to breathing new life into India’s traditional artistic forms; meanwhile, the obvious adoration between him and his lead dancer (Shankar’s wife and collaborator, Amala Uday Shankar) arouses the jealousy of his enterprising companion (Lakshmi Kanta). Swirling surrealist dance spectacles—featuring dance masters and young performers, many of whom would become stars in their own right—are interwoven with anticolonial, anticapitalist commentary for a radical, proto-Bollywood milestone that is one of the most influential works in Indian cinema.