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The debut feature of Italian filmmaker-novelist-poet-provocateur Pier Paolo Pasolini (Salo, or the 120 Days of Sodom; The Gospel According to Matthew; The Decameron), Accattone rocked the cinema world with its depictions, at once raw and elegant, of the underside of Roman street life and, in the process, seemed to announce a new direction for Italian films: a neo-neorealism. On the mean streets of Rome, Accattone's eponymous pimp (played by Franco Citti, one of a remarkable cast of local non-professionals) leads a hand-to-mouth existence on the very margins of society: prostituting, scrounging, exploiting. When his prize prostitute Maddalena is arrested and jailed, the pimp's fortunes dwindle, and he is forced to confront his own existence. The work of one of Italy's foremost auteurs, Accattone combines a fascination with poverty, sexual mores, and the entrapments of society, with a sense of humanity and sanctity rarely seen in cinema. The Masters of Cinema Series is proud to present Pasolini's debut alongside his feature-length documentary Comizi d'amore [Love Meetings] in a special Dual Format Blu-ray + DVD edition. SPECIAL DUAL FORMAT EDITION: New high-definition transfer of Accattone in the film s original aspect ratio Pasolini s 1965 feature-length documentary Comizi d amore [Love Meetings], on the complementary theme of Italian attitudes towards sex, presented in its original aspect ratio of 1.66:1 Original Italian theatrical trailers for both films Feature-length audio commentary on Accattone by critic Tony Rayns Newly translated optional English subtitles for both films 36-page booklet featuring a translation of Pasolini s 1958 poem To a Pope ; excerpts from a 1969 interview with Pasolini on Accattone and Comizi d amore by Oswald Stack; a 1975 essay on the film by Pasolini; Pasolini s original 1964 treatment for Comizi d amore; and rare archival imagery

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More than four decades after he took a razorblade to an eyeball and shocked the world with Un chien andalou, arch-iconoclast Luis Buñuel capped his astonishing career with three final provocations—The Discreet Charm of the Bourgeoisie, The Phantom of Liberty, and That Obscure Object of Desire—in which his renegade, free-associating surrealism reached its audacious, self-detonating endgame. Working with such key collaborators as screenwriter Jean-Claude Carrière and his own frequent on-screen alter ego Fernando Rey, Buñuel laced his scathing attacks on religion, class pretension, and moral hypocrisy with savage violence to create a trio of subversive, brutally funny masterpieces that explore the absurd randomness of existence. Among the director’s most radical works as well as some of his greatest international triumphs, these films cemented his legacy as cinema’s most incendiary revolutionary. BLU-RAY SPECIAL EDITION FEATURES • New high-definition digital restorations of all three films, with uncompressed monaural soundtracks • The Castaway of Providence Street, a 1971 homage to Luis Buñuel made by his longtime friends and fellow filmmakers Arturo Ripstein and Rafael Castanedo • Speaking of Buñuel, a documentary from 2000 on Buñuel’s life and work • Once Upon a Time: “The Discreet Charm of the Bourgeoisie,” a 2011 television program about the making of the film • Interviews from 2000 with screenwriter Jean-Claude Carrière on The Phantom of Liberty and That Obscure Object of Desire • Archival interviews on all three films featuring Carrière; actors Stéphane Audran, Muni, Michel Piccoli, and Fernando Rey; and other key collaborators • Documentary from 1985 about producer Serge Silberman, who worked with Buñuel on five of his final seven films • Analysis of The Phantom of Liberty from 2017 by film scholar Peter William Evans • Lady Doubles, a 2017 documentary featuring actors Carole Bouquet and Ángela Molina, who share the role of Conchita in That Obscure Object of Desire • Portrait of an Impatient Filmmaker, Luis Buñuel, a 2012 short documentary featuring director of photography Edmond Richard and assistant director Pierre Lary • Excerpts from Jacques de Baroncelli’s 1929 silent film La femme et le pantin, an adaptation of Pierre Louÿs’s 1898 novel of the same name, on which That Obscure Object of Desire is also based • Alternate English-dubbed soundtrack for That Obscure Object of Desire • Trailers • New English subtitle translations • PLUS: Essays by critic Adrian Martin and novelist and critic Gary Indiana, along with interviews with Buñuel by critics José de la Colina and Tomás Pérez Turrent THE DISCREET CHARM OF THE BOURGEOISIE In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to a dinner that is continually delayed, their attempts to eat thwarted by vaudevillian events both actual and imagined, including terrorist attacks, military maneuvers, and ghostly apparitions. Stringing together a discontinuous, digressive series of absurdist set pieces, Buñuel and his screenwriting partner Jean-Claude Carrière send a cast of European-film greats—including Fernando Rey, Stéphane Audran, Delphine Seyrig, and Jean-Pierre Cassel—through a maze of desire deferred, frustrated, and interrupted. The Oscar-winning pinnacle of Buñuel’s late-career ascent as a feted maestro of the international art house, The Discreet Charm of the Bourgeoisie is also one of his most gleefully radical assaults on the values of the ruling class. THE PHANTOM OF LIBERTY Luis Buñuel’s vision of the inherent absurdity of human social rituals reaches its taboo-annihilating extreme in what may be his most morally subversive and formally audacious work. Zigzagging across time and space, from the Napoleonic era to the present day, The Phantom of Liberty unfolds as a picaresque, its main character traveling between tableaux in a series of Dadaist non sequiturs. Unbound by the laws of narrative logic, Buñuel lets his surrealist’s id run riot in an exuberant revolt against bourgeois rationality that seems telegraphed directly from his unconscious to the screen. THAT OBSCURE OBJECT OF DESIRE Luis Buñuel’s final film brings full circle the director’s lifelong preoccupation with the darker side of desire. Buñuel regular Fernando Rey plays Mathieu, an urbane widower, tortured by his lust for the elusive Conchita. With subversive flair, Buñuel uses two different actors in the latter role—Carole Bouquet, a sophisticated French beauty, and Ángela Molina, a Spanish coquette. Drawn from the surrealist favorite Pierre Louÿs’s classic erotic novel La femme et le pantin (The Woman and the Puppet, 1898), That Obscure Object of Desire is a dizzying game of sexual politics punctuated by a terror that harks back to Buñuel’s avant-garde beginnings.