Search

Release: June 22, 2021

$6.99

Description

Product Description 8 BLU-RAY COLLECTION FEATURING 5 CLASSIC EUROPEAN FILMS, A TV ANTHOLOGY, DISC OF RARE INTERVIEWS + BOOK & SOUNDTRACK CD He remains one of the most beloved horror/fantasy icons in US/UK pop culture history, but Christopher Lee delivered several of the most compelling, acclaimed and bizarre performances of his entire career in 1960s Europe. THE EUROCRYPT OF CHRISTOPHER LEE brings together five of these Lee classics - the 1964 gothic shocker CRYPT OF THE VAMPIRE; the 1964 cult hit CASTLE OF THE LIVING DEAD co-starring an unknown Donald Sutherland; 1962's celebrated SHERLOCK HOLMES AND THE DEADLY NECKLACE; 1967's lurid favorite THE TORTURE CHAMBER OF DR. SADISM and the rarely-seen 1963 oddity CHALLENGE THE DEVIL - with the 24 surviving episodes of the 1971 Film Polski anthology series THEATRE MACABRE hosted by Lee, all remastered from original negative materials with over 10 hours of trailers, rare promos, audio commentaries & vintage interviews, plus the CASTLE OF THE LIVING DEAD soundtrack and an all-new 88-page book by Lee biographer Jonathan Rigby. DISC 1: Audio Commentary with Mondo Digital's Nathaniel Thompson & Film Writer Troy Howarth; Audio Commentary with Film Writer Kat Ellinger; From The Castle To The Academy – Interview with Master Producer Paul Maslansky DISC 1 Continued: The Castle Of The Mystery Man – Roberto Curti, Author of 'Mavericks of Italian Cinema,' on Writer / Director Warren Kiefer + CD Soundtrack DISC 2: Dance With The Devil – Interview with Roberto Curti, Author of 'Mavericks of Italian Cinema'; The Importance Of Being Giorgio – Interview with Giorgio Ardisson Over Two Decades; Trailer DISC 3: Trailer DISC 4: Audio Commentary with Film Writers Kim Newman & Barry Forshaw DISC 5: Promo with Christopher Lee DISC 7: Audio Commentary by Mondo Digital's Nathaniel Thompson and Film Writer Troy Howarth; Audio Interview with Actress Karin Dor (German with English subs); Location Featurette; Theatrical Trailer (German); Teaser Trailer DISC 7 Continued: Die Schlangengrube - Die Burg des Grauens – German Super 8 Digest Short; Die Schlangengrube des Grafen Dracula – German Super 8 Digest Short; Poster Gallery; Behind the Scenes Still Gallery; Restoration Slideshow DISC 8: HORROR!!! 1964 Swiss Documentary Short by Pierre Koralnik Featuring Interviews; Behind The Mask – Christopher Lee Remembers Boris Karloff; Colin Grimshaw Interviews Christopher Lee in 1975 DISC 8 Continued: 1985 Audio Interview with Christopher Lee, Accompanied by stills from The Del Valle Archive & Video Introduction with David Del Valle; Monsters & Vampires – Interview with Pioneering Horror Movie Historian Alan Frank DISC 8 Continued: The Crypt Keepers – Making of CRYPT OF THE VAMPIRE with Screenwriter Ernesto Gastaldi, Assistant Director Tonino Valerii and Film Historian Fabio Melelli; 'It's Now Or Never' & 'She'll Fall For Me' Christopher Lee & Gary Curtis DISC 8 Continued: Outtakes from TO THE DEVIL... A DAUGHTER / THEATRE OF DEATH 2001 DVD interview session covering the most frightening films ever, BLACK MASSES, POLICE ACADEMY 7 & More (15 mins) DISC 8 Continued: University College Dublin 2011 Q&A with Sir Christopher Lee This Box Set includes an all-new 88-page book by Lee biographer Jonathan Rigby. Each Blu-Ray disc is packaged separately along with a brand new book, all housed inside a sturdy chipboard splitcase box. DISC 9: Original Soundtrack CD The Castle of the Living Dead DISC 8 Continued: featuring interviews with Lee, Boris Karloff, Vincent Price, Roy Ashton, Roger Corman and behind-the-scenes footage of THE GORGON and MASQUE OF THE RED DEATH. DISC 1: The Castle of the Living Dead, Directors: Warren Kiefer, Luciano Ricci, Year: 1964, Runtime: 90 mins, Rating: 16+, Audio: English Mono, Aspect Ratio: 16x9 Widescreen, Country of Origin: Italy, France DISC 2: Challenge the Devil, Director: Vegezzi, Year: 1963, Runtime: 79 mins, Rating: 16+, Audio: Italian Mono/ English subtitles, Aspect Ratio: 16x9 Widescreen, Country of Origin: Italy DISC 3: Crypt of the Vampire, Director: Camillo Mastrocinque, Year: 1964, Runtime: 85 mins, Rating: 16+, Audio: English & Italian Mono, Aspect Ratio: 16x9 Widescreen, Country of Origin: Italy, Spain DISC 4: Sherlock Holmes and the Deadly Necklace, Director: Terence Fisher, Year: 1962, Runtime: 86 mins, Rating: 16+, Audio: English & German Mono, Aspect Ratio: 16x9 Widescreen, Country of Origin: West Germany, France, Italy DISC 5: Theatre Macabre, Directors: various, Year: 1971-1972, Runtime: 305 mins, Rating: 16+, Audio: English Mono, Aspect Ratio: 4x3, Country of Origin: Poland DISC 6: Theatre Macabre, Directors: various, Year: 1971-1972, Runtime: 305 mins, Rating: 16+, Audio: English Mono, Aspect Ratio: 4x3, Country of Origin: Poland DISC 7: The Torture Chamber of Dr. Sadism, Year: 1967, Runtime: 84 mins, Rating: 16+, Audio: English & German Mono, Aspect Ratio: 16x9 Widescreen, Country of Origin: West Germany DISC 8: Relics from the Crypt - a collection of interviews with Christopher Lee over the years and other related horror featurettes, including the first ever release of the recently unearthed 20 minute 1964 Swiss TV documentary 'HORROR!!!' Review From Dracula to Jedi master, Bond villain to a Metal god, Christopher Lee's 70-year career was rich, varied and often, pretty weird. --The Guardian

Release: February 16, 2016

$6.99

Description

He has trained every thought… every muscle… every nerve… for this moment of truth! The Challenge was co-written by John Sayles (Lone Star) and stars Scott Glenn (Man on Fire) as an American boxer thrust into a Japanese family feud involving the ownership of an ancient sword. Screen legend Toshiro Mifune (Yojimbo), plays a master samurai who trains the American in the ways of Japanese martial arts and culture so that he can assist him in foiling his rich industrialist brother (Atsuo Nakamura). Boasting a muscular Jerry Goldsmith (The Satan Bug) action score and handsome visuals, The Challenge entertains and should please fans of pictures like The Yakuza, Big Trouble in Little China and Remo Williams as well as The Seven Samurai, a fairly obvious cinematic forebear. Directed by the great John Frankenheimer (The Manchurian Candidate) and beautifully shot by veteran Japanese cinematographer Kôzô Okazaki (Goyokin, The Yakuza).

Release: July 9, 2024

$6.99

Description

From visionary filmmaker Luca Guadagnino, Challengers stars Zendaya as Tashi Duncan, a former tennis prodigy turned coach and a force of nature who makes no apologies for her game on and off the court. Married to a champion on a losing streak (Mike Faist – West Side Story), Tashi’s strategy for her husband’s redemption takes a surprising turn when he must face off against the washed-up Patrick (Josh O’Connor – The Crown) – his former best friend and Tashi’s former boyfriend. As their pasts and presents collide, and tensions run high, Tashi must ask herself, what will it cost to win.

Release: July 27, 2021

$7.99

Description

Prepare yourself for a chilling tale of terror and unspeakable vengeance inside the Chamber of Horrors. The condemned maniac Jason Cravatte (Patrick O'Neal) escapes capture from the authorities at a bloody cost—by chopping off his manacled hand! Free to kill once more, he outfits his gruesome stump with tools designed to chop, rip, and skewer a new batch of victims as he embarks on a bloody spree of death! Employing not one, but two infamous gimmicks—"The Fear Flasher" and "The Horror Horn"—to warn audiences in advance of its most shocking moments, Chamber of Horrors is a Grand Guignol cult favorite that's every bit as twisted as its villain's tortured soul!

Release: November 13, 2018

$6.99

Description

Chris O’Donnell (TV’s NCIS: Los Angeles) and screen legends Gene Hackman (Mississippi Burning) and Faye Dunaway (The Thomas Crown Affair) star in this gripping suspense thriller based on an explosive John Grisham (The Gingerbread Man) novel. O'Donnell stars as idealistic young attorney Adam Hall who takes on the death row clemency case of his onetime Klansman grandfather (Hackman). With just 28 days before the execution, Adam sets out to retrace the events leading to the crime for which his grandfather was convicted. As the impending death sentence looms closer, Adam works quickly to uncover the family's history for any hidden clues. In a white-knuckle series of twists and turns, Adam discovers deceptions and dark secrets that ultimately lead him to the startling truth. Directed by James Foley (Glengarry Glen Ross) with a screenplay by William Goldman (All the President’s Men) and Phil Alden Robinson (Sneakers). The top-notch cast includes Robert Prosky (Thief), Raymond J. Barry (Year of the Dragon), Harve Presnell (Fargo), Richard Bradford (The Untouchables), Josef Sommer (Witness), Jane Kaczmarek (D.O.A.), Millie Perkins (The Diary of Anne Frank) and sports legend Bo Jackson.

Release: May 12, 2026

$7.99

Description

Imagine someone or something takes your identity, along with your memories and emotions. That's what happens to a nurse, Cathy Myers. Imagine someone or something takes your identity, along with your memories and emotions. That's what happens to a nurse, Cathy Myers (Deborah Thomas). While making her rounds, Cathy is attacked by a patient. Soon she finds herself driven by a hunger she cannot control. Absorbing the very souls of those unfortunate enough to cross her path. Bonus Materials -Subtitles -Interview -Trailer -5 Short Films -SRS Trailers Cast & Crew Actors: DEBORAH THOMAS JENNIFER SHUMAKER Director: Chris Woods Top About this item Similar From the Brand Questions Reviews Chameleon Chameleon

Release: August 7, 2023

$7.99

Description

Product Description Arbelos Films presents CHAMELEON STREET - "One of the greatest independent films of the twentieth century." - The New Yorker Winner of the Grand Jury Prize at the 1990 Sundance Film Festival, yet criminally underseen for over three decades, CHAMELEON STREET recounts the improbable but true story of Michigan con man William Douglas Street Jr., the titular "chameleon" who successfully impersonated his way up the socioeconomic ladder by posing as a magazine reporter, an Ivy League student, a respected surgeon, and a corporate lawyer. Elevated by a dexterous performance and daring direction from multi-hyphenate actor-writer-director Wendell B. Harris Jr., the film pins a lens on race, class and performance in American identity which has lost none of its relevance. At once piercingly funny and aesthetically mischievous, CHAMELEON STREET is a lost masterpiece finally securing its rightful place in the independent film canon. Specs: Anamorphic Widescreen 1.85:1. DTS-HD MA 2.0 Mono. Region code: A. Special Features: New 4K restoration from the original 35mm camera negative . New audio commentary featuring Wendell B. Harris Jr. and Ashley Clark. New audio commentary featuring cast and crew . Marriage Counseling - The evolution of a scene . Being Independent is Glorious - An archival conversation featuring Harris and Mike Plante. Archival video interview with William Douglas Street Jr. The Process - Archival documentary on the making of CHAMELEON STREET. So, You Say You Know Leadbelly… - Archival footage from CHAMELEON STREET pre-production character explorations. Original theatrical trailer. 2021 U.S theatrical trailer. Review A triple-threat filmmaker of orginal and eccentric talent. --New York Times Chameleon Street is a gloriously strange one-off that deserves to be appreciated by a new generation…a lost masterpiece of black American cinema. --Bfi The film addresses issues of race, economics, sex, anger and pride in ways that are both savagely funny and poignant. --Rolling Stone

Release: July 9, 2019

$6.99

Description

From Claude Charlo, the legendary director of Les Bones Femmes, Les Birches, Betty and Lender. This stylish psychological thriller has such labyrinthine plotting that many critics, upon the film’s original release, found it too confusing. Christine Belling (Yvonne Fornax, La Dolce Vita) tries to convince her husband’s friend Paul Wagner (Maurice Rennet, The Unfaithful Wife) to sell his venerable champagne business to an American company and asks her husband Chris (Anthony Perkins, Psycho) to persuade the stubborn Paul. While on a trip to Hamburg, Paul picks up a girl in a restaurant—the next morning, the girl turns up dead, and Paul can’t remember what happened. Chris, who becomes aware of the incident, promptly tells his wife, and she tries to blackmail Paul into signing a deal with the Americans. But when another woman turns up dead, and again Paul is the last person to see her alive, Paul begins questioning his own sanity. Legendary actress Stephaney Audrain (Babette’s Feast) and great character actor Henry Jones (Support Your Local Sheriff! ) co-star in this Hitchcock Ian thriller beautifully shot in Scope by Jean Rapier (Cold Sweat, Madame Bovary). Special Features: -Audio Commentary by Film Historians Howard S. Berger and Nathaniel Thompson -Trailers From Hell with Tim Hunter -Theatrical Trailer Top About this item Similar From the Brand Reviews The Champagne Murders [Blu-ray]

Release: April 23, 2013

$7.99

Description

An unscrupulous boxer fights his way to the top, but eventually alienates all of the people who helped him on the way up. Unlike Charlie (John Garfield) in Body and Soul, Midge (Kirk Douglas) is not the basic good guy corrupted by the sweet science and led astray by evil managers and promoters, his arrogance and stubbornness make him at once a villain and a hero. Considered by most as one of the greatest boxing films ever made - nominated for six Academy Awards including Best Actor (Douglas) and winner of the Best Film Editing Oscar. The stellar cast includes Arthur Kennedy in his Oscar nominated performance, Marilyn Maxwell, Paul Stewart and Ruth Roman. Two of the film's best features are the terrific black-and-white Oscar nominated cinematography by Franz Planer and the Oscar nominated score by the legendary Dimitri Tiomkin. Written by the great Carl Forman (High Noon) and directed by Mark Robson (The Harder They Fall).

Release: January 11, 2022

$6.99

Description

Life in the corporate world can be murder. At Mrs. Appleby's, some people would kill to get ahead. Peter Derns (Timothy Hutton), a junior exec at Mrs. Appleby's cookie company, is afraid his future prospects are crumbling faster that the product he markets. Hope appears in the curvaceous form of Kris Bolin (Lara Flynn Boyle), his new temp. Gorgeous, bright and efficient, Kris helps Peter develop a deliciously successful marketing campaign. But after two executives meet mysterious deaths, Peter fears his job security may end permanently due to the one person he needs to trust-his temp. Bonus Content: Head Office – An Interview with Director Tom Holland Office Gossip – An Interview with Actress Lin Shaye Temp Effects – An Interview with Special Effects Artist Steve Johnson Office Politics – An Interview with Editor Scott Conrad Theatrical Trailer

Release: April 22, 2014

$6.99

Description

In CHANCES ARE, the irresistible romantic comedy of two lifetimes, Cybill Shepherd stars as Corinne Jeffries, a beautiful young woman whose picture-perfect marriage comes to a shattering halt when her husband Louie dies unexpectedly. Fortunately, Louie gets a second shot at life when he agrees to be "recycled" back to earth as the newborn Alex Finch (Robert Downey, Jr.) But fate crosses Alex's path twenty-three years later when he meets Corinne's daughter Miranda (Mary Stuart Masterson), and is suddenly flooded with a wealth of memories that all belong to Louie! Now, as Alex's former existence slowly comes to life, he must confront a wife who thinks he's dead, a daughter who could be his girlfriend and best friend (Ryan O'Neal) who's in love with Corinne. From Dirty Dancing director Emile Ardolino comes this heartwarming comedy that gives romance an unforgettable second chance.

$6.99

Description

Mystic hero Chandu battles the evil Roxor and his supernatural schemes in this early studio serial-style fantasy adventure.

Release: October 19, 2021

$6.99

Description

After starring in a string of classic films like Jailhouse Rock, King Creole, Viva Las Vegas and Clambake, the iconic Elvis Presley changed his acting habit and made this unconventional late-’60s romance his Hollywood swan song. The King takes on a rare dramatic role as the young and handsome Dr. John Carpenter, who is assigned three female medical social workers to assist him at his inner-city clinic—but he doesn’t know that they are really nuns! Mary Tyler Moore (Thoroughly Modern Millie, What’s So Bad About Feeling Good?) is Sister Michelle, one of the nuns who takes off her habit—and takes off with Elvis’ heart! When love blossoms between the sweet, singing and swinging doctor and the demure, devoted nun, Michelle must decide whether to follow her heart or stay true to her vows. In this touching story that addresses social issues still relevant today, Elvis woos his love as only he can with unforgettable musical numbers like “Rubberneckin’,” “Let Us Pray” and “Change of Habit.” The wonderful supporting cast includes Barbara McNair (Stiletto), Ed Asner (The Satan Bug), Ruth McDevitt (TV’s Kolchak: The Night Stalker) and Richard Carlson (The Maze). Special Features: -NEW Audio Commentary by Film Historians Howard S. Berger and Nathaniel Thompson -Theatrical Trailer -Optional English Subtitles

Release: November 8, 2011

$6.99

Description

Ryan Reynolds and Jason Bateman star in the outrageous comedy from the director of Wedding Crashers and the writers of The Hangover. One drunken night, two friends admit that they wish they had the other's life. Mitch (Reynolds) thinks Dave has it all: a beautiful, loving family and a high-paying job at a prestigious law firm. But Dave (Bateman) thinks Mitch's stress-free life without obligation or consequence is the real dream come true. The next morning they wake up, hungover, in each other's bodies, and proceed to freak out! With time not on their side, Mitch and Dave comically struggle to avoid completely destroying each other's lives before they can find a way to get their old ones back. Bonus Content: Fist Fight Deleted Scene Gag Reel Time for a Change Family Matter Feature Commentary with Director David Dobkin (Theatrical and Unrated Versions) My Scenes D-BOX BD-Live pocket BLU App

Release: February 17, 2009

$6.99

Description

Clint Eastwood directs Oscar® winner Angelina Jolie and Oscar® nominee John Malkovich in a riveting and unforgettable true story. Los Angeles, 1928. When single mother Christine Collins (Jolie) leaves for work, her son vanishes without a trace. Five months later, the police reunite mother and son; but he isn’t her boy. Driven by one woman’s relentless quest for the truth, the case exposes a world of corruption, captivates the public and changes Los Angeles forever. This emotionally gripping story illustrates the profound power of a mother’s love in “a mesmerizing film that burns in the memory” (Peter Travers, Rolling Stone).

Release: July 7, 2018

$7.99

Description

The Changeling [BLU-RAY ]

Release: October 25, 2022

$6.99

Description

Product Description

Release: October 25, 2022

$8.99(Not Free for Subscribers)

Description

Product Description THREE-DISC COLLECTION INCLUDES NEW 4K ULTRA HD + BLU-RAY WITH NEW SPECIAL FEATURES AND SOUNDTRACK CD! It has been called "remarkable" (Paste Magazine), "utterly terrifying" (Mondo Digital) and "a ghost story guaranteed to freeze the blood" (Gannett). Now this "masterpiece of terror" (Reel Reviews) from director Peter Medak (THE RULING CLASS) comes to UHD like you've never seen, heard or experienced it before: Academy Award® winner George C. Scott gives "one of his greatest performances ever" (Bloody Good Horror) as a grieving music professor tormented by a paranormal horror that includes "the best séance in horror movie history" (Newsweek). Trish Van Devere (THE HEARSE), two-time Oscar® winner Melvyn Douglas (THE TENANT) and Jean Marsh (FRENZY) co-star in "one of the most terrifying horror films of all time" (DVD Beaver), now scanned in 4K from the internegative with 4½ hours of Special Features - including revealing new interviews with Medak - plus a soundtrack CD and more. SPECIAL FEATURES: Audio Commentary With Director Peter Medak And Producer Joel B. Michaels Moderated By Severin Films' David Gregory Interview With Peter Medak By Filmmaker Adrián García Bogliano At Mórbido Fest 2018 Exile On Curzon St. - Peter Medak On His Early Years In Swinging London The House On Cheesman Park - The Haunting True Story Of THE CHANGELING The Music Of THE CHANGELING - Interview With Music Arranger Kenneth Wannberg Building The House Of Horror - Interview With Art Director Reuben Freed The Psychotronic Tourist - THE CHANGELING Master Of Horror Mick Garris On THE CHANGELING Still Gallery Trailer + TV Spot Soundtrack CD Review A bone-chilling classic... Medak takes all the elements of a haunted house story and molds them into a beautifully scary story about loss, love and retribution. --Dread Central It will give you goosebumps... A must-buy for anyone who loves a good old-fashioned yarn or has grown tired of CGI-plagued spook shows, which should mean just about everyone. --Rue Morgue One of the greatest haunted house movies ever made... It delivers on many different levels with iconic horror moments throughout. --The Digital Bits

$6.99

Description

After a traffic accident and an act of petty vengeance, a lawyer and an insurance salesman spiral into a destructive battle that exposes their moral failings.

Release: March 19, 2024

$7.99

Description

Modern society draws lines between right and wrong, good and evil, rage and redemption. A moment of self-absorption and a spark of anger will cause two men to cross them. As the battle of wills escalates, both lives are changed forever. Samuel L. Jackson (Pulp Fiction) and Ben Affleck (Gone Girl) deliver gripping performances in this provocative “thinking person’s thriller” (New York Post) that exposes the best and worst in all of us. Written by Chap Taylor and Michael Tolkin (The Player), directed by Roger Michell (Notting Hill) and featuring Toni Collette (The Sixth Sense), Sydney Pollack (Eyes Wide Shut), Richard Jenkins (Step Brothers), Amanda Peet (Identity) and William Hurt (Gorky Park).

Release: January 23, 2024

$7.99

Description

In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

Release: January 23, 2024

$7.99

Description

In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

Release: January 23, 2024

$7.99

Description

In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

$6.99

Description

A veteran cop and his younger partner become entangled in a string of elaborate bank heists masterminded by a criminal who always seems one step ahead.

Release: June 16, 2020

$6.99

Description

Product Description Two teenage girls on a mission to find drugs at a rave get more than they bargained for. One is sexually assaulted and they are both tortured in horrific ways. The attackers seek refuge in the parents' of one of the victims' homes. Review There are two scenes so gruesome I cannot describe them in a newspaper no matter what words I use. Having seen it, I cannot ignore it, nor can I deny that it affected me strongly. --Roger Ebert, Chicago Sun Times

Release: May 12, 2026

$7.99

Description

On Halloween night, an abusive group is kidnapped to a filthy lair by a group of vicious psychopaths intent on torturing and killing them. On Halloween night, an abused housewife (Ashley Lynn Caputo) with a deadly secret, a sleazy politician (David A. Jackson), and a brother and sister (Lisa Marie Kart and Eric Danger Dionne) with an abusive father are all kidnapped or lured into a filthy scummy lair by a group of vicious psychopaths, mostly made up of women, hell bent on torturing and killing them. Led by the malicious Bytch (Cayt Feinics) and her twisted girl-toy Vixen (Amanda Welch), along with the savaged Uncle Lester (Bob Glazier), the cannibalistic Lilith (Paula Tsurara) and the giantess Misery (Saharra Huxly), this murderous gang cages, degrades, tortures and kills everything in their path. Bonus Materials -Subtitles -Behind the Scenes -Interview -Photo Gallery -Deleted Scenes -Trailer -SRS Trailers Cast & Crew Actors: LISA MARIE KART ASHLEY LYNN CAPUTO CAYT FEINICS JOEL D. WYNKOOP Director: CHRIS WOODS Top About this item Similar From the Brand Questions Reviews Chaos A.D. Chaos A.D.

Release: May 25, 2021

$6.99

Description

From Carnegie Award-winning author Patrick Ness comes a bold cinematic experience beyond imagination. Todd Hewitt lives on the distant planet of New World--a new hope for humanity until struck by 'The Noise,' a virus which inflicts immersive visions of ones' every thought. The cacophony drives many mad until Todd makes a hidden, silent discovery: there is a girl named Viola, who may be the key to unlocking New World's many layered secrets. Together, the two unlikely companions are forced on a white-knuckle adventure into an unexplored planet -- trying to escape and hide in an environment where all thought is heard, all movement seen --as they both discover the truth about the lives they left behind and the spectacular world they've learned to call home.

Release: May 25, 2021

$7.99

Description

From Carnegie Award-winning author Patrick Ness comes a bold cinematic experience beyond imagination. Todd Hewitt lives on the distant planet of New World--a new hope for humanity until struck by 'The Noise,' a virus which inflicts immersive visions of ones' every thought. The cacophony drives many mad until Todd makes a hidden, silent discovery: there is a girl named Viola, who may be the key to unlocking New World's many layered secrets. Together, the two unlikely companions are forced on a white-knuckle adventure into an unexplored planet -- trying to escape and hide in an environment where all thought is heard, all movement seen --as they both discover the truth about the lives they left behind and the spectacular world they've learned to call home.

Release: February 15, 2011

$6.99

Description

Robert Downey, Jr. captures the essence of comic genius Charlie Chaplin in a compelling, nuanced performance that earned him Oscar® and Golden Globe® nominations for Best Actor. Director Richard Attenborough’s well-crafted portrait traces Chaplin’s impoverished London upbringing, extraordinary success as an actor and director, his troubled marriages, scandalous affairs, shocking exile to Switzerland and his triumphant return to Hollywood. The huge star-studded cast includes Kevin Kline, Dan Aykroyd, Milla Jovovich, Diane Lane and Geraldine Chaplin (as her own grandmother), and Downey’s astonishing mimicry of Chaplin’s gait, gestures and accents complete a dazzlingly authentic portrait of one of cinema’s first pop culture icons.

$6.99

Description

A restored collection of Charlie Chaplin's 1915 Essanay shorts, capturing the rapid evolution of the Little Tramp persona through slapstick and invention.

$6.99

Description

A restored collection of Charlie Chaplin's 1915 Essanay shorts, capturing the rapid evolution of the Little Tramp persona through slapstick and invention.

$7.99

Description

This restored set gathers Chaplin's celebrated Mutual shorts, including many of the comic masterpieces that defined his mature silent style.

$7.99

Description

This restored set gathers Chaplin's celebrated Mutual shorts, including many of the comic masterpieces that defined his mature silent style.

Release: July 10, 2018

$7.99

Description

Ted Kennedy's life and political career become derailed in the aftermath of a fatal car accident in 1969 that claims the life of a young campaign strategist, Mary Jo Kopechne.

$6.99

Description

After a police robot is given the ability to think and feel for itself, competing human agendas turn its childlike innocence into a battleground.

$6.99

Description

After a police robot is given the ability to think and feel for itself, competing human agendas turn its childlike innocence into a battleground.

Release: June 2, 2026

$7.99

Description

In this comedic thriller, a trio of crooks relentlessly pursue a young American, played by Audrey Hepburn in gorgeous Givenchy, through Paris in an attempt to recover the fortune her dead husband stole from them. The only person she can trust is Cary Grant’s suave, mysterious stranger. Director Stanley Donen goes deliciously dark for Charade, a glittering emblem of 1960s style and macabre wit. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack One 4K UHD disc of the film and one Blu-ray with the film and special features Audio commentary from 1999 featuring director Stanley Donen and screenwriter Peter Stone Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by film historian Bruce Eder

$7.99

Description

A young widow is pursued in Paris by men searching for stolen war loot and must decide whether a charming stranger can be trusted.

$7.99

Description

Two British runners with vastly different backgrounds and motivations chase Olympic glory in the years leading up to the 1924 Paris Games.

Release: April 24, 2018

$6.99

Description

Two-disc set includes: The Valachi Papers (1972)Based on the Peter Maas bestseller, this controversial crime drama stars Charles Bronson as real-life mob soldier Joseph Valachi. While detailing his illicit activities from 1929 to 1961 to an FBI agent, Valachi becomes the first wiseguy to violate the Mafia's code of silence, and betrays his associates and "Capo of Capos" Vito Genovese. With Lino Ventura, Jill Ireland, Walter Chiari. 125 min. C/Rtg: PG The Stone Killer (1973)Charles Bronson is a cop on the trail of crime kingpin Martin Balsam and his vicious assassination bureau. Think Harry Callahan plays dirty? Wait until you see how Bronson (just one year away from "Death Wish") gets the job done, racing against time to uncover a mob plot involving Vietnam veterans. It's cross-country mayhem and nonstop action! Jack Colvin, Norman Fell, and Stuart Margolin co-star. 115 min. C/Rtg: R Hard Times (1975)A drifter (Charles Bronson) blows into Depression-era New Orleans, and impresses a sleazy promoter (James Coburn) into backing him in the underground bare-knuckle fight circuit. He demolishes the local competition, but can he deal with the big money's imported talent? Gritty and bruising directorial bow for Walter Hill co-stars Jill Ireland, Strother Martin. 94 min. C/Rtg: PG Breakout (1975)Charles Bronson is at his daring best in this lighthearted actioner, portraying Nick Colton, a reckless Texas bush pilot hired by a woman (Jill Ireland) to land a chopper in a South American prison complex to rescue her wrongfully imprisoned husband (Robert Duvall). Loosely based on an actual 1971 incident, the film co-stars John Huston, Randy Quaid, Sheree North, Alejandro Rey; directed by Tom Gries ("Helter Skelter"). 97 min. C/Rtg: PG Widescreen; Soundtrack: English.

Release: April 3, 2018

$6.99

Description

This two-film set pairs The Valachi Papers, a Mafia crime drama based on Joseph Valachi’s testimony, with The Stone Killer, in which a hard-driving cop uncovers a mob assassination plot involving Vietnam veterans.

Release: November 12, 2019

$7.99

Description

Brand New 4K Master! From Don Siegel, the legendary director of The Shootist, Coogan’s Bluff, The Black Windmill and Two Mules for Sister Sara comes this tough-as-nails action classic about a small-time crook who outfoxes the mob and the law. Screen great Walter Matthau (The Taking of Pelham One Two Three, The Laughing Policeman) stars as the titular career criminal, with the powerful Joe Don Baker (Walking Tall, Framed) as the tough Mafia hitman on his tail. Charley robs small banks with small payrolls. That keeps him out of trouble until he stumbles onto the mob’s secret stash. The chase is on as the Big Boys go after the “Last of the Independents.” It’s a heart-pounding ride that builds to a fiery airborne climax as Charley makes his last desperate run for the Mexican border and safety. The stellar cast includes Felicia Farr (3:10 to Yuma), Andy Robinson (Dirty Harry), John Vernon (Point Blank), Sheree North (Madigan), Norman Fell (Bullitt), Benson Fong (Our Man Flint), Woodrow Parfrey (Papillon) and William Schallert (In the Heat of the Night). Two of the film’s best features are the terrific photography by Michael C. Butler (The Missouri Breaks) and original music score by Lalo Schifrin (Prime Cut). Special Features: -Refracted Personae: An examination of Don Siegel’s signature directorial style and key thematic elements in his later masterpiece, CHARLEY VARRICK by Film Historian Howard S. Berger -Last of the Independents: The Making of Charley Varrick – 72-Minute doc featuring interviews with Kristoffer Tabori (Siegel’s son), actors Andy Robinson and Jacqueline Scott, stunt driver and actor Craig R. Baxley, composer Lalo Schifrin, and Howard A. Rodman (son of screenwriter, Howard Rodman) -Audio Commentary by Film Historian Toby Roan -"Trailers From Hell" with Josh Olson and Howard Rodman -Theatrical Trailer

Release: May 5, 2026

$7.99

Description

Charli XCX was riding high after an electric headlining global tour in 2019. However, everything changed when the COVID-19 pandemic turned the world upside down. Lost in the early days of quarantine, Charli turns to music and announces she will make an album at home in 40 days by enlisting the help of her fans online. This takes Charli on a unique creative and emotional journey as she confronts mental health issues, rekindles her relationship with her boyfriend, connects with her fans, and ultimately produces the music for how I'm feeling now. Run time : 1 hour and 7 minutes NR

$6.99

Description

A kindhearted boy wins a tour of Willy Wonka's mysterious candy factory and discovers its wonders, dangers, and the lonely secret at its center.

$6.99

Description

Charlie Brown tries to rediscover the true meaning of Christmas in the timeless Peanuts holiday special.

$6.99

Description

The Peanuts gang gathers for a holiday feast in this warm-hearted Thanksgiving special centered on friendship and simple traditions.

$6.99

Description

A drifting American travels to Bucharest and falls for a woman whose violent ex-husband draws him into danger.

Release: November 9, 2010

$6.99

Description

Zac Efron stars as Charlie St. Cloud, a small-town hero and an accomplished sailor who has it all: the adoration of his mother and younger brother, and a Stanford scholarship. His bright future is cut short when tragedy strikes, taking his dreams with it. Now Charlie is torn between honoring a promise he made years ago and pursuing his newfound love with a former high-school classmate. Based on the acclaimed bestseller, comes a story of hope, second chances and the transformative power of love, also starring Ray Liotta and Academy Award® winner Kim Basinger.

$6.99

Description

A swaggering congressman, a wealthy supporter, and a hard-drinking CIA operative engineer a covert effort to arm Afghan resistance fighters during the Cold War.

Release: August 3, 2010

$6.99

Description

In this sexy, high-octane update of the popular show, Natalie (Diaz), Dylan (Barrymore) and Alex (Liu), alongside faithful lieutenant Bosley (Murray), must foil a revenge plot that could not only destroy individual privacy, but spell the end of Charlie and his Angels.