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Release: July 3, 2018

$7.99

Description

Tasked by studio executives with finding the next great screen siren, visionary Hollywood director Josef von Sternberg joined forces with rising German actor Marlene Dietrich, kicking off what would become one of the most legendary partnerships in cinema history. Over the course of six films produced by Paramount in the 1930s, the pair refined their shared fantasy of pleasure, beauty, and excess. Dietrich’s coolly transgressive mystique was a perfect match for the provocative roles von Sternberg cast her in—including a sultry chanteuse, a cunning spy, and the hedonistic Catherine the Great—and the filmmaker captured her allure with chiaroscuro lighting and opulent design, conjuring fever-dream visions of exotic settings from Morocco to Shanghai. Suffused with frank sexuality and worldly irony, these deliriously entertaining masterpieces are landmarks of cinematic artifice. Morocco With this romantic reverie, Marlene Dietrich made her triumphant debut before American audiences and unveiled the enthralling, insouciant persona that would define her Hollywood collaboration with director Josef von Sternberg. Set on the far side of the world but shot outside Los Angeles, Morocco navigates a labyrinth of melancholy and desire as the cabaret singer Amy Jolly (Dietrich), fleeing her former life, takes her act to the shores of North Africa, where she entertains the overtures of a wealthy man of the world while finding herself increasingly drawn to a strapping legionnaire with a shadowy past of his own (Gary Cooper). Fueled by the smoldering chemistry between its two stars, and shot in dazzling light and seductive shadow, the Oscar-nominated Morocco is a transfixing exploration of elemental passions. Dishonored In Josef von Sternberg’s atmospheric spin on the espionage thriller, Marlene Dietrich further develops her shrewd star persona in the role of a widow turned streetwalker who is recruited to spy for Austria during World War I. Adopting the codename X-27, Dietrich’s wily heroine devotes her gifts for seduction and duplicity—as well as her musical talents—to the patriotic cause, until she finds a worthy adversary in a roguish Russian colonel (Victor McLaglen), who draws her into a fatal game of cat and mouse and tests the strength of her loyalties. Reimagining his native Vienna with customary extravagance, von Sternberg stages this story of spycraft as a captivating masquerade in which no one is who they seem and death is only a wrong note away. Shanghai Express An intoxicating mix of adventure, romance, and pre-Code salaciousness, Shanghai Express marks the commercial peak of an iconic collaboration. Marlene Dietrich is at her wicked best as Shanghai Lily, a courtesan whose reputation brings a hint of scandal to a three-day train ride through war-torn China. On board, she is surrounded by a motley crew of foreigners and lowlifes, including a fellow fallen woman (Anna May Wong), an old flame (Clive Brook), and a rebel leader wanted by the authorities (Warner Oland). As tensions come to a boil, director Josef von Sternberg delivers one breathtaking image after another, enveloping his star in a decadent profusion of feathers, furs, and cigarette smoke. The result is a triumph of studio filmmaking and a testament to the mythic power of Hollywood glamour. Blonde Venus Josef von Sternberg returned Marlene Dietrich to the stage in Blonde Venus, both a glittering spectacle and a sweeping melodrama about motherly devotion. Unfolding episodically, the film tells the story of Helen (Dietrich), once a German chanteuse, now an American housewife, who resurrects her stage career after her husband (Herbert Marshall) falls ill; she then becomes the mistress of a millionaire (Cary Grant), in a slide from loving martyr to dishonored woman. Despite production difficulties courtesy of the Hays Office, the director’s baroque visual style shines, as do one of the most memorable musical numbers in all of cinema and a parade of visionary costumes by von Sternberg and Dietrich’s longtime collaborator Travis Banton. The Scarlet Empress Marlene Dietrich stars in Josef von Sternberg’s feverishly debauched biopic as the spoiled princess Sophia Frederica, who grows up being groomed for greatness and yearning for a handsome husband. Sent to Russia to marry the Grand Duke Peter, she is horrified to discover that her betrothed is a half-wit and her new home a macabre palace where depravity rules. Before long, however, she is initiated into the sadistic power politics that govern the court, paving the way for her transformation into the imperious libertine Catherine the Great. A lavish spectacle in which von Sternberg’s domineering visual genius reaches new heights of florid extravagance, The Scarlet Empress is a perversely erotic portrait of a woman—and a movie star—capable of bringing legions to heel. The Devil Is a Woman Josef von Sternberg and Marlene Dietrich went out with a bang in their final film together, The Devil Is a Woman, a surreal tale of erotic passion and danger set amid the tumult of carnival in turn-of-the-twentieth-century Spain. Through a series of flashbacks, Captain Costelar (Lionel Atwill) recounts to the young Antonio Galvan (Cesar Romero) the story of his harrowing affair with the notorious seductress Concha Perez (Dietrich), warning his listener to gird himself against her charms. Despite his counsel, Galvan falls under Concha’s spell, leading to a violent denouement. Ever the ornate visual stylist, von Sternberg evokes Spanish culture with a touch of the luridly fantastic, further elevated by Travis Banton’s opulent costume design and award-winning cinematography by von Sternberg himself.

Release: July 3, 2018

$7.99

Description

Tasked by studio executives with finding the next great screen siren, visionary Hollywood director Josef von Sternberg joined forces with rising German actor Marlene Dietrich, kicking off what would become one of the most legendary partnerships in cinema history. Over the course of six films produced by Paramount in the 1930s, the pair refined their shared fantasy of pleasure, beauty, and excess. Dietrich’s coolly transgressive mystique was a perfect match for the provocative roles von Sternberg cast her in—including a sultry chanteuse, a cunning spy, and the hedonistic Catherine the Great—and the filmmaker captured her allure with chiaroscuro lighting and opulent design, conjuring fever-dream visions of exotic settings from Morocco to Shanghai. Suffused with frank sexuality and worldly irony, these deliriously entertaining masterpieces are landmarks of cinematic artifice. Morocco With this romantic reverie, Marlene Dietrich made her triumphant debut before American audiences and unveiled the enthralling, insouciant persona that would define her Hollywood collaboration with director Josef von Sternberg. Set on the far side of the world but shot outside Los Angeles, Morocco navigates a labyrinth of melancholy and desire as the cabaret singer Amy Jolly (Dietrich), fleeing her former life, takes her act to the shores of North Africa, where she entertains the overtures of a wealthy man of the world while finding herself increasingly drawn to a strapping legionnaire with a shadowy past of his own (Gary Cooper). Fueled by the smoldering chemistry between its two stars, and shot in dazzling light and seductive shadow, the Oscar-nominated Morocco is a transfixing exploration of elemental passions. Dishonored In Josef von Sternberg’s atmospheric spin on the espionage thriller, Marlene Dietrich further develops her shrewd star persona in the role of a widow turned streetwalker who is recruited to spy for Austria during World War I. Adopting the codename X-27, Dietrich’s wily heroine devotes her gifts for seduction and duplicity—as well as her musical talents—to the patriotic cause, until she finds a worthy adversary in a roguish Russian colonel (Victor McLaglen), who draws her into a fatal game of cat and mouse and tests the strength of her loyalties. Reimagining his native Vienna with customary extravagance, von Sternberg stages this story of spycraft as a captivating masquerade in which no one is who they seem and death is only a wrong note away. Shanghai Express An intoxicating mix of adventure, romance, and pre-Code salaciousness, Shanghai Express marks the commercial peak of an iconic collaboration. Marlene Dietrich is at her wicked best as Shanghai Lily, a courtesan whose reputation brings a hint of scandal to a three-day train ride through war-torn China. On board, she is surrounded by a motley crew of foreigners and lowlifes, including a fellow fallen woman (Anna May Wong), an old flame (Clive Brook), and a rebel leader wanted by the authorities (Warner Oland). As tensions come to a boil, director Josef von Sternberg delivers one breathtaking image after another, enveloping his star in a decadent profusion of feathers, furs, and cigarette smoke. The result is a triumph of studio filmmaking and a testament to the mythic power of Hollywood glamour. Blonde Venus Josef von Sternberg returned Marlene Dietrich to the stage in Blonde Venus, both a glittering spectacle and a sweeping melodrama about motherly devotion. Unfolding episodically, the film tells the story of Helen (Dietrich), once a German chanteuse, now an American housewife, who resurrects her stage career after her husband (Herbert Marshall) falls ill; she then becomes the mistress of a millionaire (Cary Grant), in a slide from loving martyr to dishonored woman. Despite production difficulties courtesy of the Hays Office, the director’s baroque visual style shines, as do one of the most memorable musical numbers in all of cinema and a parade of visionary costumes by von Sternberg and Dietrich’s longtime collaborator Travis Banton. The Scarlet Empress Marlene Dietrich stars in Josef von Sternberg’s feverishly debauched biopic as the spoiled princess Sophia Frederica, who grows up being groomed for greatness and yearning for a handsome husband. Sent to Russia to marry the Grand Duke Peter, she is horrified to discover that her betrothed is a half-wit and her new home a macabre palace where depravity rules. Before long, however, she is initiated into the sadistic power politics that govern the court, paving the way for her transformation into the imperious libertine Catherine the Great. A lavish spectacle in which von Sternberg’s domineering visual genius reaches new heights of florid extravagance, The Scarlet Empress is a perversely erotic portrait of a woman—and a movie star—capable of bringing legions to heel. The Devil Is a Woman Josef von Sternberg and Marlene Dietrich went out with a bang in their final film together, The Devil Is a Woman, a surreal tale of erotic passion and danger set amid the tumult of carnival in turn-of-the-twentieth-century Spain. Through a series of flashbacks, Captain Costelar (Lionel Atwill) recounts to the young Antonio Galvan (Cesar Romero) the story of his harrowing affair with the notorious seductress Concha Perez (Dietrich), warning his listener to gird himself against her charms. Despite his counsel, Galvan falls under Concha’s spell, leading to a violent denouement. Ever the ornate visual stylist, von Sternberg evokes Spanish culture with a touch of the luridly fantastic, further elevated by Travis Banton’s opulent costume design and award-winning cinematography by von Sternberg himself.

Release: July 3, 2018

$7.99

Description

Tasked by studio executives with finding the next great screen siren, visionary Hollywood director Josef von Sternberg joined forces with rising German actor Marlene Dietrich, kicking off what would become one of the most legendary partnerships in cinema history. Over the course of six films produced by Paramount in the 1930s, the pair refined their shared fantasy of pleasure, beauty, and excess. Dietrich’s coolly transgressive mystique was a perfect match for the provocative roles von Sternberg cast her in—including a sultry chanteuse, a cunning spy, and the hedonistic Catherine the Great—and the filmmaker captured her allure with chiaroscuro lighting and opulent design, conjuring fever-dream visions of exotic settings from Morocco to Shanghai. Suffused with frank sexuality and worldly irony, these deliriously entertaining masterpieces are landmarks of cinematic artifice. Morocco With this romantic reverie, Marlene Dietrich made her triumphant debut before American audiences and unveiled the enthralling, insouciant persona that would define her Hollywood collaboration with director Josef von Sternberg. Set on the far side of the world but shot outside Los Angeles, Morocco navigates a labyrinth of melancholy and desire as the cabaret singer Amy Jolly (Dietrich), fleeing her former life, takes her act to the shores of North Africa, where she entertains the overtures of a wealthy man of the world while finding herself increasingly drawn to a strapping legionnaire with a shadowy past of his own (Gary Cooper). Fueled by the smoldering chemistry between its two stars, and shot in dazzling light and seductive shadow, the Oscar-nominated Morocco is a transfixing exploration of elemental passions. Dishonored In Josef von Sternberg’s atmospheric spin on the espionage thriller, Marlene Dietrich further develops her shrewd star persona in the role of a widow turned streetwalker who is recruited to spy for Austria during World War I. Adopting the codename X-27, Dietrich’s wily heroine devotes her gifts for seduction and duplicity—as well as her musical talents—to the patriotic cause, until she finds a worthy adversary in a roguish Russian colonel (Victor McLaglen), who draws her into a fatal game of cat and mouse and tests the strength of her loyalties. Reimagining his native Vienna with customary extravagance, von Sternberg stages this story of spycraft as a captivating masquerade in which no one is who they seem and death is only a wrong note away. Shanghai Express An intoxicating mix of adventure, romance, and pre-Code salaciousness, Shanghai Express marks the commercial peak of an iconic collaboration. Marlene Dietrich is at her wicked best as Shanghai Lily, a courtesan whose reputation brings a hint of scandal to a three-day train ride through war-torn China. On board, she is surrounded by a motley crew of foreigners and lowlifes, including a fellow fallen woman (Anna May Wong), an old flame (Clive Brook), and a rebel leader wanted by the authorities (Warner Oland). As tensions come to a boil, director Josef von Sternberg delivers one breathtaking image after another, enveloping his star in a decadent profusion of feathers, furs, and cigarette smoke. The result is a triumph of studio filmmaking and a testament to the mythic power of Hollywood glamour. Blonde Venus Josef von Sternberg returned Marlene Dietrich to the stage in Blonde Venus, both a glittering spectacle and a sweeping melodrama about motherly devotion. Unfolding episodically, the film tells the story of Helen (Dietrich), once a German chanteuse, now an American housewife, who resurrects her stage career after her husband (Herbert Marshall) falls ill; she then becomes the mistress of a millionaire (Cary Grant), in a slide from loving martyr to dishonored woman. Despite production difficulties courtesy of the Hays Office, the director’s baroque visual style shines, as do one of the most memorable musical numbers in all of cinema and a parade of visionary costumes by von Sternberg and Dietrich’s longtime collaborator Travis Banton. The Scarlet Empress Marlene Dietrich stars in Josef von Sternberg’s feverishly debauched biopic as the spoiled princess Sophia Frederica, who grows up being groomed for greatness and yearning for a handsome husband. Sent to Russia to marry the Grand Duke Peter, she is horrified to discover that her betrothed is a half-wit and her new home a macabre palace where depravity rules. Before long, however, she is initiated into the sadistic power politics that govern the court, paving the way for her transformation into the imperious libertine Catherine the Great. A lavish spectacle in which von Sternberg’s domineering visual genius reaches new heights of florid extravagance, The Scarlet Empress is a perversely erotic portrait of a woman—and a movie star—capable of bringing legions to heel. The Devil Is a Woman Josef von Sternberg and Marlene Dietrich went out with a bang in their final film together, The Devil Is a Woman, a surreal tale of erotic passion and danger set amid the tumult of carnival in turn-of-the-twentieth-century Spain. Through a series of flashbacks, Captain Costelar (Lionel Atwill) recounts to the young Antonio Galvan (Cesar Romero) the story of his harrowing affair with the notorious seductress Concha Perez (Dietrich), warning his listener to gird himself against her charms. Despite his counsel, Galvan falls under Concha’s spell, leading to a violent denouement. Ever the ornate visual stylist, von Sternberg evokes Spanish culture with a touch of the luridly fantastic, further elevated by Travis Banton’s opulent costume design and award-winning cinematography by von Sternberg himself.

Release: July 3, 2018

$7.99

Description

Tasked by studio executives with finding the next great screen siren, visionary Hollywood director Josef von Sternberg joined forces with rising German actor Marlene Dietrich, kicking off what would become one of the most legendary partnerships in cinema history. Over the course of six films produced by Paramount in the 1930s, the pair refined their shared fantasy of pleasure, beauty, and excess. Dietrich’s coolly transgressive mystique was a perfect match for the provocative roles von Sternberg cast her in—including a sultry chanteuse, a cunning spy, and the hedonistic Catherine the Great—and the filmmaker captured her allure with chiaroscuro lighting and opulent design, conjuring fever-dream visions of exotic settings from Morocco to Shanghai. Suffused with frank sexuality and worldly irony, these deliriously entertaining masterpieces are landmarks of cinematic artifice. Morocco With this romantic reverie, Marlene Dietrich made her triumphant debut before American audiences and unveiled the enthralling, insouciant persona that would define her Hollywood collaboration with director Josef von Sternberg. Set on the far side of the world but shot outside Los Angeles, Morocco navigates a labyrinth of melancholy and desire as the cabaret singer Amy Jolly (Dietrich), fleeing her former life, takes her act to the shores of North Africa, where she entertains the overtures of a wealthy man of the world while finding herself increasingly drawn to a strapping legionnaire with a shadowy past of his own (Gary Cooper). Fueled by the smoldering chemistry between its two stars, and shot in dazzling light and seductive shadow, the Oscar-nominated Morocco is a transfixing exploration of elemental passions. Dishonored In Josef von Sternberg’s atmospheric spin on the espionage thriller, Marlene Dietrich further develops her shrewd star persona in the role of a widow turned streetwalker who is recruited to spy for Austria during World War I. Adopting the codename X-27, Dietrich’s wily heroine devotes her gifts for seduction and duplicity—as well as her musical talents—to the patriotic cause, until she finds a worthy adversary in a roguish Russian colonel (Victor McLaglen), who draws her into a fatal game of cat and mouse and tests the strength of her loyalties. Reimagining his native Vienna with customary extravagance, von Sternberg stages this story of spycraft as a captivating masquerade in which no one is who they seem and death is only a wrong note away. Shanghai Express An intoxicating mix of adventure, romance, and pre-Code salaciousness, Shanghai Express marks the commercial peak of an iconic collaboration. Marlene Dietrich is at her wicked best as Shanghai Lily, a courtesan whose reputation brings a hint of scandal to a three-day train ride through war-torn China. On board, she is surrounded by a motley crew of foreigners and lowlifes, including a fellow fallen woman (Anna May Wong), an old flame (Clive Brook), and a rebel leader wanted by the authorities (Warner Oland). As tensions come to a boil, director Josef von Sternberg delivers one breathtaking image after another, enveloping his star in a decadent profusion of feathers, furs, and cigarette smoke. The result is a triumph of studio filmmaking and a testament to the mythic power of Hollywood glamour. Blonde Venus Josef von Sternberg returned Marlene Dietrich to the stage in Blonde Venus, both a glittering spectacle and a sweeping melodrama about motherly devotion. Unfolding episodically, the film tells the story of Helen (Dietrich), once a German chanteuse, now an American housewife, who resurrects her stage career after her husband (Herbert Marshall) falls ill; she then becomes the mistress of a millionaire (Cary Grant), in a slide from loving martyr to dishonored woman. Despite production difficulties courtesy of the Hays Office, the director’s baroque visual style shines, as do one of the most memorable musical numbers in all of cinema and a parade of visionary costumes by von Sternberg and Dietrich’s longtime collaborator Travis Banton. The Scarlet Empress Marlene Dietrich stars in Josef von Sternberg’s feverishly debauched biopic as the spoiled princess Sophia Frederica, who grows up being groomed for greatness and yearning for a handsome husband. Sent to Russia to marry the Grand Duke Peter, she is horrified to discover that her betrothed is a half-wit and her new home a macabre palace where depravity rules. Before long, however, she is initiated into the sadistic power politics that govern the court, paving the way for her transformation into the imperious libertine Catherine the Great. A lavish spectacle in which von Sternberg’s domineering visual genius reaches new heights of florid extravagance, The Scarlet Empress is a perversely erotic portrait of a woman—and a movie star—capable of bringing legions to heel. The Devil Is a Woman Josef von Sternberg and Marlene Dietrich went out with a bang in their final film together, The Devil Is a Woman, a surreal tale of erotic passion and danger set amid the tumult of carnival in turn-of-the-twentieth-century Spain. Through a series of flashbacks, Captain Costelar (Lionel Atwill) recounts to the young Antonio Galvan (Cesar Romero) the story of his harrowing affair with the notorious seductress Concha Perez (Dietrich), warning his listener to gird himself against her charms. Despite his counsel, Galvan falls under Concha’s spell, leading to a violent denouement. Ever the ornate visual stylist, von Sternberg evokes Spanish culture with a touch of the luridly fantastic, further elevated by Travis Banton’s opulent costume design and award-winning cinematography by von Sternberg himself.

Release: July 3, 2018

$7.99

Description

Tasked by studio executives with finding the next great screen siren, visionary Hollywood director Josef von Sternberg joined forces with rising German actor Marlene Dietrich, kicking off what would become one of the most legendary partnerships in cinema history. Over the course of six films produced by Paramount in the 1930s, the pair refined their shared fantasy of pleasure, beauty, and excess. Dietrich’s coolly transgressive mystique was a perfect match for the provocative roles von Sternberg cast her in—including a sultry chanteuse, a cunning spy, and the hedonistic Catherine the Great—and the filmmaker captured her allure with chiaroscuro lighting and opulent design, conjuring fever-dream visions of exotic settings from Morocco to Shanghai. Suffused with frank sexuality and worldly irony, these deliriously entertaining masterpieces are landmarks of cinematic artifice. Morocco With this romantic reverie, Marlene Dietrich made her triumphant debut before American audiences and unveiled the enthralling, insouciant persona that would define her Hollywood collaboration with director Josef von Sternberg. Set on the far side of the world but shot outside Los Angeles, Morocco navigates a labyrinth of melancholy and desire as the cabaret singer Amy Jolly (Dietrich), fleeing her former life, takes her act to the shores of North Africa, where she entertains the overtures of a wealthy man of the world while finding herself increasingly drawn to a strapping legionnaire with a shadowy past of his own (Gary Cooper). Fueled by the smoldering chemistry between its two stars, and shot in dazzling light and seductive shadow, the Oscar-nominated Morocco is a transfixing exploration of elemental passions. Dishonored In Josef von Sternberg’s atmospheric spin on the espionage thriller, Marlene Dietrich further develops her shrewd star persona in the role of a widow turned streetwalker who is recruited to spy for Austria during World War I. Adopting the codename X-27, Dietrich’s wily heroine devotes her gifts for seduction and duplicity—as well as her musical talents—to the patriotic cause, until she finds a worthy adversary in a roguish Russian colonel (Victor McLaglen), who draws her into a fatal game of cat and mouse and tests the strength of her loyalties. Reimagining his native Vienna with customary extravagance, von Sternberg stages this story of spycraft as a captivating masquerade in which no one is who they seem and death is only a wrong note away. Shanghai Express An intoxicating mix of adventure, romance, and pre-Code salaciousness, Shanghai Express marks the commercial peak of an iconic collaboration. Marlene Dietrich is at her wicked best as Shanghai Lily, a courtesan whose reputation brings a hint of scandal to a three-day train ride through war-torn China. On board, she is surrounded by a motley crew of foreigners and lowlifes, including a fellow fallen woman (Anna May Wong), an old flame (Clive Brook), and a rebel leader wanted by the authorities (Warner Oland). As tensions come to a boil, director Josef von Sternberg delivers one breathtaking image after another, enveloping his star in a decadent profusion of feathers, furs, and cigarette smoke. The result is a triumph of studio filmmaking and a testament to the mythic power of Hollywood glamour. Blonde Venus Josef von Sternberg returned Marlene Dietrich to the stage in Blonde Venus, both a glittering spectacle and a sweeping melodrama about motherly devotion. Unfolding episodically, the film tells the story of Helen (Dietrich), once a German chanteuse, now an American housewife, who resurrects her stage career after her husband (Herbert Marshall) falls ill; she then becomes the mistress of a millionaire (Cary Grant), in a slide from loving martyr to dishonored woman. Despite production difficulties courtesy of the Hays Office, the director’s baroque visual style shines, as do one of the most memorable musical numbers in all of cinema and a parade of visionary costumes by von Sternberg and Dietrich’s longtime collaborator Travis Banton. The Scarlet Empress Marlene Dietrich stars in Josef von Sternberg’s feverishly debauched biopic as the spoiled princess Sophia Frederica, who grows up being groomed for greatness and yearning for a handsome husband. Sent to Russia to marry the Grand Duke Peter, she is horrified to discover that her betrothed is a half-wit and her new home a macabre palace where depravity rules. Before long, however, she is initiated into the sadistic power politics that govern the court, paving the way for her transformation into the imperious libertine Catherine the Great. A lavish spectacle in which von Sternberg’s domineering visual genius reaches new heights of florid extravagance, The Scarlet Empress is a perversely erotic portrait of a woman—and a movie star—capable of bringing legions to heel. The Devil Is a Woman Josef von Sternberg and Marlene Dietrich went out with a bang in their final film together, The Devil Is a Woman, a surreal tale of erotic passion and danger set amid the tumult of carnival in turn-of-the-twentieth-century Spain. Through a series of flashbacks, Captain Costelar (Lionel Atwill) recounts to the young Antonio Galvan (Cesar Romero) the story of his harrowing affair with the notorious seductress Concha Perez (Dietrich), warning his listener to gird himself against her charms. Despite his counsel, Galvan falls under Concha’s spell, leading to a violent denouement. Ever the ornate visual stylist, von Sternberg evokes Spanish culture with a touch of the luridly fantastic, further elevated by Travis Banton’s opulent costume design and award-winning cinematography by von Sternberg himself.

Release: August 23, 2022

$7.99

Description

While vacationing at a Catskills resort, sheltered teenager Baby falls for charismatic dance instructor Johnny and discovers a new sense of freedom and purpose.

$6.99

Description

A sheltered teen falls for a charismatic dance instructor during a summer vacation that changes her life.

$6.99

Description

Told from differing emotional perspectives, the film examines a marriage unraveling after devastating personal loss.

Release: July 17, 2018

$6.99

Description

Academy-Award® winner Rachel Weisz (Denial) and Rachel McAdams (Spotlight) star in this spellbinding drama about a woman as she returns to the community that shunned her decades earlier for an attraction to a childhood friend. Once back, their passions reignite as they explore the boundaries of faith and sexuality in this film that critics call "romantic and gripping" (Parade ). Bonus Content: Includes a digital copy of Disobedience (Subject to expiration. Go to NBCUCodes.com for details.)

Release: December 31, 2013

$6.99

Description

Jon Martello objectifies everything in his life: his apartment, his car, his family, his church, and, of course, women.

Release: August 16, 2022

$7.99

Description

Steve Guttenberg (Police Academy, Three Men and a Baby) teams with Jami Gertz (The Lost Boys, Less Than Zero) and Shelley Long (The Money Pit, TV’s Cheers) in this funny story about true love and false identity! Painfully boring Gus (Guttenberg) isn’t exactly ladies’ man material—at least not until his meddling romance-writer sister (Long) gets hold of him. Going from geek to chic in a few easy steps, he becomes “Lobo”—a long-haired, leather-clad hunk ripped from the erotic fantasies of his dream girl, Emily (Gertz)! But can true love be truly true…if it’s based on fiction? Co-starring Kyle MacLachlan (Blue Velvet, The Hidden) and Mädchen Amick (TV’s Twin Peaks and I’m Dangerous Tonight), Don’t Tell Her It’s Me (also known as The Boyfriend School) is a sparkling romantic comedy chock-full of charm! Special Features: -Brand New 2K Master -THE BOYFRIEND SCHOOL Alternate Opening Title -Theatrical Trailer -Optional English Subtitles

Release: April 15, 2025

$7.99

Description

"Guns" Donovan (John Wayne), "Boats" Gilhooley (Lee Marvin), and "Doc" Dedham (Jack Warden) are former Navy men who live a leisurely life on an idyllic Pacific island where they had fought during World War II. But Donovan finds his boozing and brawling ways could be coming to an end when he falls for Doc's estranged daughter (Elizabeth Allen), who arrives on the island to determine if her father is worthy of collecting a sizable family inheritance. Cesar Romero and Dorothy Lamour co-star; directed by John Ford. 109 min. Widescreen (Enhanced); Soundtrack: English DTS Lossless stereo; Subtitles: English.

Release: April 15, 2025

$7.99

Description

Legendary filmmaker John Ford (Stagecoach, The Quiet Man) and star John Wayne (Fort Apache, The Searchers ) team up for what would be their final collaboration in this boisterous, uproarious South Seas escapade! Life on a South Pacific island for two ex-Navy buddies (The Duke and Lee Marvin, The Man Who Shot Liberty Valance) is just about perfect—they spend most of their time in Donovan's Reef, the local saloon where they brawl and feud and somehow manage to stave off the sameness of tropical living. Then, into this mayhem arrives a straitlaced Bostonian (Elizabeth Allen, Cheyenne Autumn) in search of her father. Jack Warden, Cesar Romero, Dick Foran and Dorothy Lamour add to the laughs—and pandemonium—in this tropical Technicolor treat! Special Features: DISC 1 (4KUHD): • Brand New HDR/Dolby Vision Master – From a 4K Scan of the 35mm Original Camera Negative • NEW Audio Commentary...

Release: June 30, 2015

$8.99(Not Free for Subscribers)

Description

Based on Alice Hoffman's novel, this miniseries follows four women whose lives intersect during the Roman siege of Masada.

$6.99

Description

Down to You is a feature film presented on Blu-ray, following the central characters through dramatic events and conflicts that drive the story forward.

$6.99

Description

The Crawley family faces love, loss, scandal and change as Downton enters the turbulent 1920s in the third season.

$6.99

Description

The Crawley family faces love, loss, scandal and change as Downton enters the turbulent 1920s in the third season.

$6.99

Description

The Crawley family faces love, loss, scandal and change as Downton enters the turbulent 1920s in the third season.

Release: January 26, 2016

$6.99

Description

The Crawley family and their servants face social change, uncertain futures, and emotional farewells in the final season.

Release: January 26, 2016

$6.99

Description

The Crawley family and their servants face social change, uncertain futures, and emotional farewells in the final season.

Release: November 11, 2025

$6.99

Description

The cinematic return of the global phenomenon follows the Crawley family and their staff as they enter the 1930s. When Mary finds herself at the centre of a public scandal and the family faces financial trouble, the entire household grapples with the threat of social disgrace. The Crawleys must embrace change as the staff prepares for a new chapter with the next generation leading Downton Abbey into the future. Bonus Content: Includes a digital copy of Downton Abbey: The Grand Finale (Subject to expiration. Go to NBCUCodes.com for details.) Changing Times Society Season Authentic to the Core A Farewell to Fans Downton Abbey Celebrates The Grand Finale Feature Commentary with Director Simon Curtis and Actress Elizabeth McGovern

Release: November 11, 2025

$7.99

Description

The cinematic return of the global phenomenon follows the Crawley family and their staff as they enter the 1930s. When Mary finds herself at the centre of a public scandal and the family faces financial trouble, the entire household grapples with the threat of social disgrace. The Crawleys must embrace change as the staff prepares for a new chapter with the next generation leading Downton Abbey into the future. Bonus Content: Includes 4K UHD, Blu-ray and a digital copy of Downton Abbey: The Grand Finale? (Subject to expiration. Go to NBCUCodes.com for details.) Features Dolby Vision and HDR10 for Brighter, Deeper, More Lifelike Color Changing Times Society Season Authentic to the Core A Farewell to Fans Downton Abbey Celebrates The Grand Finale Feature Commentary with Director Simon Curtis and Actress Elizabeth McGovern

Release: May 5, 2026

$7.99

Description

When a 15th-century prince’s wife is brutally murdered, he renounces God and damns heaven itself. Cursed with eternal life, he is reborn as Dracula–an immortal warlord who defies fate in a blood-soaked crusade to wrench his lost love back from death.

$6.99

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A stylish reimagining of Bram Stokers story in which the seductive vampire Count Dracula arrives in Victorian England.

Release: July 7, 2026

$7.99

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A happily engaged couple is put to the test when an unexpected turn sends their wedding week off the rails.

Release: July 7, 2026

$7.99

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A happily engaged couple is put to the test when an unexpected turn sends their wedding week off the rails.

Release: December 3, 2013

$6.99

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Luke and Kate are co-workers at a Chicago brewery, where they spend their days drinking and flirting.

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A high-school senior tries to reinvent herself after learning she has been labeled the designated ugly fat friend.

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An awkward fast-food worker begins a strange romance with a lonely gamer obsessed with settling an old score.

Release: November 16, 2010

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A pair of earrings passed from owner to owner expose a web of deception, desire, and social appearances in 19th-century France.

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A song-and-dance star turns a chorus girl into his new partner while discovering that love may matter more than showbiz success.

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A widowed master chef and his three daughters confront love, tradition and change through their weekly family dinners.

Release: November 23, 2010

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Product Description At a crossroads in her life, Liz Gilbert (Julia Roberts) travels to Italy, India and Bali to discover meaning and happiness in this inspiring true story, based on the best-selling book. Amazon.com Elizabeth Gilbert's memoir of enlightenment gets the deluxe treatment at the hands of Glee creator Ryan Murphy, who bathes every scene in a golden glow. Unaccustomed to being alone, Liz (Julia Roberts) exits her marriage to Stephen (Billy Crudup, quite good) only to enter into an affair with an actor (James Franco, curiously uncomfortable), who introduces her to meditation. Just as her editor, Delia (Doubt's Viola Davis, making the most of a small role), longed to have a baby, Liz has longed to see the world. Delia persuades her to seize the day (plus, money presents no obstacle). First, she travels to Italy, where she noshes from Rome to Naples, making new friends along the way. Then, she heads to an ashram in India, where she meets a bride-to-be and a remorseful man (Richard Jenkins, heartbreaking), who nurture her altruistic side. Her sojourn ends in Bali, where she reunites with Ketut (Hadi Subiyanto, hilarious), the healer who first encouraged her to reassess her situation. While there, she befriends a single mother and a single father (No Country for Old Men's Javier Bardem) who falls for her charms. In an improvement over his version of Running with Scissors, Murphy combines two Oscar winners, two Oscar nominees, and four countries to follow one woman's path to fulfillment. Like Julie and Julia and How Stella Got Her Groove Back, Liz's story becomes more involving as she lets go of the superficial, but Murphy's movie still represents a triumph of escapism over spirituality. --Kathleen C. Fennessy

Release: February 17, 2026

$7.99

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Renowned as a silent-film pioneer and the man who refined Hollywood comedy with such masterpieces as Trouble in Paradise, The Shop Around the Corner, and To Be or Not to Be, Ernst Lubitsch also had another claim to fame: he helped invent the modern movie musical. With the advent of sound, and with audiences clamoring for “talkies,” Lubitsch combined his love of European operettas and his mastery of cinema to develop this entirely new genre. These elegant, bawdy films, made before strict enforcement of the moralizing Production Code, feature some of the greatest stars of early Hollywood (Maurice Chevalier, Jeanette MacDonald, Claudette Colbert, Miriam Hopkins), as well as that elusive style of comedy that would thereafter be known as “the Lubitsch touch.” SPECIAL FEATURES An essay by author and film critic Michael Koresky THE LOVE PARADE Ernst Lubitsch’s first full talkie was also Hollywood’s first movie musical to integrate songs with narrative. Additionally, The Love Parade made stars out of toast-of-Paris Maurice Chevalier and girl-from-Philly Jeanette MacDonald, cast as a womanizing military attaché and the man-hungry queen of “Sylvania,” respectively. With its naughty innuendo and satiric romance, The Love Parade opened the door for a decade of witty screen battles of the sexes. MONTE CARLO Jeanette MacDonald’s independent-minded countess leaves her foppish prince fiancé at the altar, and whisks herself away to the Riviera. There, she strikes the fancy of the sly Count Rudolph (theater veteran Jack Buchanan), who poses as a hairdresser to get into her boudoir. Ernst Lubitsch’s follow-up to The Love Parade shows even more musical invention, and presents MacDonald at her haughtily sexy best. THE SMILING LIEUTENANT Maurice Chevalier’s randy Viennese lieutenant is enamored of Claudette Colbert’s freethinking, all-girl-orchestra-leading cutie. Yet complications ensue when the sexually repressed princess (newcomer Miriam Hopkins) of the fictional kingdom of Flausenthurm sets her sights on him. Ernst Lubitsch’s The Smiling Lieutenant is a delightful showcase for its rising female stars, who are never more charming than when Colbert tunefully instructs Hopkins, “Jazz Up Your Lingerie.” ONE HOUR WITH YOU Ernst Lubitsch reunites Maurice Chevalier and Jeanette MacDonald, this time as a seemingly blissful couple whose marriage hits the skids when her flirtatious school chum comes on to her husband a bit too strong. Necking in the park at nighttime, husbands and wives having casual dalliances, and a butler telling his master, “I did so want to see you in tights!”: Lubitsch’s final pre-Code musical is one of his sauciest escapades.

Release: February 17, 2026

$7.99

Description

Renowned as a silent-film pioneer and the man who refined Hollywood comedy with such masterpieces as Trouble in Paradise, The Shop Around the Corner, and To Be or Not to Be, Ernst Lubitsch also had another claim to fame: he helped invent the modern movie musical. With the advent of sound, and with audiences clamoring for “talkies,” Lubitsch combined his love of European operettas and his mastery of cinema to develop this entirely new genre. These elegant, bawdy films, made before strict enforcement of the moralizing Production Code, feature some of the greatest stars of early Hollywood (Maurice Chevalier, Jeanette MacDonald, Claudette Colbert, Miriam Hopkins), as well as that elusive style of comedy that would thereafter be known as “the Lubitsch touch.” SPECIAL FEATURES An essay by author and film critic Michael Koresky THE LOVE PARADE Ernst Lubitsch’s first full talkie was also Hollywood’s first movie musical to integrate songs with narrative. Additionally, The Love Parade made stars out of toast-of-Paris Maurice Chevalier and girl-from-Philly Jeanette MacDonald, cast as a womanizing military attaché and the man-hungry queen of “Sylvania,” respectively. With its naughty innuendo and satiric romance, The Love Parade opened the door for a decade of witty screen battles of the sexes. MONTE CARLO Jeanette MacDonald’s independent-minded countess leaves her foppish prince fiancé at the altar, and whisks herself away to the Riviera. There, she strikes the fancy of the sly Count Rudolph (theater veteran Jack Buchanan), who poses as a hairdresser to get into her boudoir. Ernst Lubitsch’s follow-up to The Love Parade shows even more musical invention, and presents MacDonald at her haughtily sexy best. THE SMILING LIEUTENANT Maurice Chevalier’s randy Viennese lieutenant is enamored of Claudette Colbert’s freethinking, all-girl-orchestra-leading cutie. Yet complications ensue when the sexually repressed princess (newcomer Miriam Hopkins) of the fictional kingdom of Flausenthurm sets her sights on him. Ernst Lubitsch’s The Smiling Lieutenant is a delightful showcase for its rising female stars, who are never more charming than when Colbert tunefully instructs Hopkins, “Jazz Up Your Lingerie.” ONE HOUR WITH YOU Ernst Lubitsch reunites Maurice Chevalier and Jeanette MacDonald, this time as a seemingly blissful couple whose marriage hits the skids when her flirtatious school chum comes on to her husband a bit too strong. Necking in the park at nighttime, husbands and wives having casual dalliances, and a butler telling his master, “I did so want to see you in tights!”: Lubitsch’s final pre-Code musical is one of his sauciest escapades.

$7.99

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This glossy biopic follows pianist Eddy Duchin through stardom, romance, and personal tragedy.

$6.99

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A mysterious young man with amnesia and a cellphone loaded with billions becomes the center of a high-stakes political game.

Release: February 2, 2016

$6.99

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In 1980s Ohio, a teenager comes to terms with his identity, family pressures and first love.

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An unfinished artificial man with scissors for hands is welcomed into suburbia, where innocence collides with fear and cruelty.

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A young priest becomes entangled in corruption, desire and scandal within a deeply compromised church hierarchy.

Release: November 18, 2025

$7.99

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Spanish surrealist master Luis Buñuel’s fiendish tale of love gone wrong is among the most perverse and unsettling films he made during his two decades of exile in Mexico. Folding his own neuroses into an adaptation of Mercedes Pinto’s autobiographical novel, Buñuel crafts an expressionistically stylized nightmare in which a young woman (Delia Garcés) discovers that the outward sophistication of her new husband (Arturo de Córdova) masks disturbing depths of jealousy and paranoia. A characteristically raw indictment of religious and social hypocrisy, Él stands as the director’s greatest excursion into melodrama, a vivid portrayal of society’s inability to restrain the irrational urges of the human id. BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, supervised by photographer Gabriel Figueroa Flores, director of photography Gabriel Figueroa’s son, with uncompressed monaural soundtrack New video essay on director Luis Buñuel by scholar Jordi Xifra Appreciation by filmmaker Guillermo del Toro Interview with Buñuel from 1981 by writer Jean-Claude Carrière, a longtime collaborator of the director's Panel discussion from 2009, moderated by filmmaker José Luis Garci Trailer New English subtitle translation PLUS: An essay by critic Fernanda Solórzano and an interview with Buñuel by critics José de la Colina and Tomás Pérez Turrent

Release: November 18, 2025

$7.99

Description

Spanish surrealist master Luis Buñuel’s fiendish tale of love gone wrong is among the most perverse and unsettling films he made during his two decades of exile in Mexico. Folding his own neuroses into an adaptation of Mercedes Pinto’s autobiographical novel, Buñuel crafts an expressionistically stylized nightmare in which a young woman (Delia Garcés) discovers that the outward sophistication of her new husband (Arturo de Córdova) masks disturbing depths of jealousy and paranoia. A characteristically raw indictment of religious and social hypocrisy, Él stands as the director’s greatest excursion into melodrama, a vivid portrayal of society’s inability to restrain the irrational urges of the human id. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, supervised by photographer Gabriel Figueroa Flores, director of photography Gabriel Figueroa’s son, with uncompressed monaural soundtrack One 4K UHD disc of the film and one Blu-ray with the film and special features New video essay on director Luis Buñuel by scholar Jordi Xifra Appreciation by filmmaker Guillermo del Toro Interview with Buñuel from 1981 by writer Jean-Claude Carrière, a longtime collaborator of the director's Panel discussion from 2009, moderated by filmmaker José Luis Garci Trailer New English subtitle translation PLUS: An essay by critic Fernanda Solórzano and an interview with Buñuel by critics José de la Colina and Tomás Pérez Turrent

Release: September 1, 2016

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Set in belle epoque Paris, a Polish princess becomes entangled with a dashing general and a politician in Jean Renoir’s elegant romantic farce.

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A fairy-tale princess is thrust into modern New York and discovers real-world love, sarcasm and adulthood.

Release: June 24, 2025

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Can two damaged, lonely people find happiness together? Can the love and inner beauty they nurture t

Release: February 25, 2020

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In his alluring debut feature, Lucio Castro offers both a sun-soaked European travelogue and an epic, decades-spanning romance. When Ocho (Juan Barberini), a 30-something Argentine poet on vacation in Barcelona, spots Javi (Ramón Pujol), a Spaniard from Berlin, from the balcony of his Airbnb, the attraction is subtle but persistent. After a missed connection on the beach, a third chance encounter escalates to a seemingly random hookup. But are these two merely beautiful strangers in a foreign city or are they part of each other s histories and maybe even their destinies? Castro deliberately parses out mystery after mystery, leading the audience on a journey of discovery as the two leading men discover themselves and each other. With sumptuous lensing of a Barcelona summertime and tangible chemistry between the actors, END OF THE CENTURY is a love story that echoes across time. Bonus features include: Audio Commentary with director Lucio Castro and composer Robert Lombardo Two short films by Lucio Castro Q&A with Cast and Crew from the New Directors/New Films premiere at Film at Lincoln Center Theatrical Trailer Booklet featuring an essay by film critic Michael Koresky

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A privileged girl and a charismatic young man begin an intense romance that faces fierce opposition from her protective father.

Release: February 23, 2021

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In a ruined Italian monastery-turned-Allied hospital in World War II, an amnesiac, severely burned plane crash victim is cared for by a devoted young nurse. Through flashbacks of the man's past, a tale of wartime intrigue and forbidden love in the sands of North Africa unfolds. Ralph Fiennes, Juliette Binoche, Kristin Scott Thomas, and Willem Dafoe star in director/scripter Anthony Minghella's lush drama; winner of seven Academy Awards, including Best Picture, Director, and Supporting Actress. 162 min. Widescreen; Soundtrack: English. Top About this item Similar From the Brand Reviews The English Patient (Blu-ray + Digital)

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A divorced masseuse falls for a charming man, then discovers he is the ex-husband of her new friend.

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A bank clerk becomes addicted to gambling after meeting a glamorous woman on the Riviera.