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Release: September 29, 2026

$7.99

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*This listing is for the standard edition version and does NOT come with a limited edition slipcase!* On the brink of the First World War, fifteen-year-old Anka is sent from her Slovakian village to work as a maid in a wealthy Prague household. Once there, the insecure newcomer is charged with looking after Resi, the family’s difficult daughter, enduring episode after episode of cruelty and humiliation at her hand. Soon, Anka begins to see cracks in Resi’s tough surface, uncovering hidden family secrets. As war shatters the Austro-Hungarian Empire, the two women find solace in each other amid a world ruled by patriarchy and conflict, forging an intimate bond simmering with love and desire which transcends the two women’s class divide. Bonus Features: 1. Making of featurette 2. Booklet with essay by film critic Nadine Whitney Top Similar From the Brand Questions Reviews Chambermaid [Blu-ray] Chambermaid

Release: May 12, 2026

$7.99

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Imagine someone or something takes your identity, along with your memories and emotions. That's what happens to a nurse, Cathy Myers. Imagine someone or something takes your identity, along with your memories and emotions. That's what happens to a nurse, Cathy Myers (Deborah Thomas). While making her rounds, Cathy is attacked by a patient. Soon she finds herself driven by a hunger she cannot control. Absorbing the very souls of those unfortunate enough to cross her path. Bonus Materials -Subtitles -Interview -Trailer -5 Short Films -SRS Trailers Cast & Crew Actors: DEBORAH THOMAS JENNIFER SHUMAKER Director: Chris Woods Top About this item Similar From the Brand Questions Reviews Chameleon Chameleon

Release: July 9, 2019

$6.99

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From Claude Charlo, the legendary director of Les Bones Femmes, Les Birches, Betty and Lender. This stylish psychological thriller has such labyrinthine plotting that many critics, upon the film’s original release, found it too confusing. Christine Belling (Yvonne Fornax, La Dolce Vita) tries to convince her husband’s friend Paul Wagner (Maurice Rennet, The Unfaithful Wife) to sell his venerable champagne business to an American company and asks her husband Chris (Anthony Perkins, Psycho) to persuade the stubborn Paul. While on a trip to Hamburg, Paul picks up a girl in a restaurant—the next morning, the girl turns up dead, and Paul can’t remember what happened. Chris, who becomes aware of the incident, promptly tells his wife, and she tries to blackmail Paul into signing a deal with the Americans. But when another woman turns up dead, and again Paul is the last person to see her alive, Paul begins questioning his own sanity. Legendary actress Stephaney Audrain (Babette’s Feast) and great character actor Henry Jones (Support Your Local Sheriff! ) co-star in this Hitchcock Ian thriller beautifully shot in Scope by Jean Rapier (Cold Sweat, Madame Bovary). Special Features: -Audio Commentary by Film Historians Howard S. Berger and Nathaniel Thompson -Trailers From Hell with Tim Hunter -Theatrical Trailer Top About this item Similar From the Brand Reviews The Champagne Murders [Blu-ray]

Release: April 23, 2013

$7.99

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An unscrupulous boxer fights his way to the top, but eventually alienates all of the people who helped him on the way up. Unlike Charlie (John Garfield) in Body and Soul, Midge (Kirk Douglas) is not the basic good guy corrupted by the sweet science and led astray by evil managers and promoters, his arrogance and stubbornness make him at once a villain and a hero. Considered by most as one of the greatest boxing films ever made - nominated for six Academy Awards including Best Actor (Douglas) and winner of the Best Film Editing Oscar. The stellar cast includes Arthur Kennedy in his Oscar nominated performance, Marilyn Maxwell, Paul Stewart and Ruth Roman. Two of the film's best features are the terrific black-and-white Oscar nominated cinematography by Franz Planer and the Oscar nominated score by the legendary Dimitri Tiomkin. Written by the great Carl Forman (High Noon) and directed by Mark Robson (The Harder They Fall).

Release: April 22, 2014

$6.99

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In CHANCES ARE, the irresistible romantic comedy of two lifetimes, Cybill Shepherd stars as Corinne Jeffries, a beautiful young woman whose picture-perfect marriage comes to a shattering halt when her husband Louie dies unexpectedly. Fortunately, Louie gets a second shot at life when he agrees to be "recycled" back to earth as the newborn Alex Finch (Robert Downey, Jr.) But fate crosses Alex's path twenty-three years later when he meets Corinne's daughter Miranda (Mary Stuart Masterson), and is suddenly flooded with a wealth of memories that all belong to Louie! Now, as Alex's former existence slowly comes to life, he must confront a wife who thinks he's dead, a daughter who could be his girlfriend and best friend (Ryan O'Neal) who's in love with Corinne. From Dirty Dancing director Emile Ardolino comes this heartwarming comedy that gives romance an unforgettable second chance.

Release: June 20, 2017

$6.99

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This first color screen take on the Agatha Christie suspense staple may shift the locale to a remote hotel in the Iranian desert, but everything else remains the same: The 10 strangers lured there by pretext, named by an unseen accuser (the voice of Orson Welles) as having gotten away with murder... and then made to pay for it in ghastly ways, one by one. Oliver Reed, Elke Sommer, Richard Attenborough, Herbert Lom, Stéphane Audran, Charles Aznavour, Gert Frobe star. AKA: "And Then There Were None." 98 min. Widescreen; Soundtrack: English; theatrical trailers.

Release: October 19, 2021

$6.99

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After starring in a string of classic films like Jailhouse Rock, King Creole, Viva Las Vegas and Clambake, the iconic Elvis Presley changed his acting habit and made this unconventional late-’60s romance his Hollywood swan song. The King takes on a rare dramatic role as the young and handsome Dr. John Carpenter, who is assigned three female medical social workers to assist him at his inner-city clinic—but he doesn’t know that they are really nuns! Mary Tyler Moore (Thoroughly Modern Millie, What’s So Bad About Feeling Good?) is Sister Michelle, one of the nuns who takes off her habit—and takes off with Elvis’ heart! When love blossoms between the sweet, singing and swinging doctor and the demure, devoted nun, Michelle must decide whether to follow her heart or stay true to her vows. In this touching story that addresses social issues still relevant today, Elvis woos his love as only he can with unforgettable musical numbers like “Rubberneckin’,” “Let Us Pray” and “Change of Habit.” The wonderful supporting cast includes Barbara McNair (Stiletto), Ed Asner (The Satan Bug), Ruth McDevitt (TV’s Kolchak: The Night Stalker) and Richard Carlson (The Maze). Special Features: -NEW Audio Commentary by Film Historians Howard S. Berger and Nathaniel Thompson -Theatrical Trailer -Optional English Subtitles

Release: November 8, 2011

$6.99

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Ryan Reynolds and Jason Bateman star in the outrageous comedy from the director of Wedding Crashers and the writers of The Hangover. One drunken night, two friends admit that they wish they had the other's life. Mitch (Reynolds) thinks Dave has it all: a beautiful, loving family and a high-paying job at a prestigious law firm. But Dave (Bateman) thinks Mitch's stress-free life without obligation or consequence is the real dream come true. The next morning they wake up, hungover, in each other's bodies, and proceed to freak out! With time not on their side, Mitch and Dave comically struggle to avoid completely destroying each other's lives before they can find a way to get their old ones back. Bonus Content: Fist Fight Deleted Scene Gag Reel Time for a Change Family Matter Feature Commentary with Director David Dobkin (Theatrical and Unrated Versions) My Scenes D-BOX BD-Live pocket BLU App

Release: February 17, 2009

$6.99

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Clint Eastwood directs Oscar® winner Angelina Jolie and Oscar® nominee John Malkovich in a riveting and unforgettable true story. Los Angeles, 1928. When single mother Christine Collins (Jolie) leaves for work, her son vanishes without a trace. Five months later, the police reunite mother and son; but he isn’t her boy. Driven by one woman’s relentless quest for the truth, the case exposes a world of corruption, captivates the public and changes Los Angeles forever. This emotionally gripping story illustrates the profound power of a mother’s love in “a mesmerizing film that burns in the memory” (Peter Travers, Rolling Stone).

Release: July 7, 2018

$7.99

Description

The Changeling [BLU-RAY ]

Release: March 19, 2024

$7.99

Description

Modern society draws lines between right and wrong, good and evil, rage and redemption. A moment of self-absorption and a spark of anger will cause two men to cross them. As the battle of wills escalates, both lives are changed forever. Samuel L. Jackson (Pulp Fiction) and Ben Affleck (Gone Girl) deliver gripping performances in this provocative “thinking person’s thriller” (New York Post) that exposes the best and worst in all of us. Written by Chap Taylor and Michael Tolkin (The Player), directed by Roger Michell (Notting Hill) and featuring Toni Collette (The Sixth Sense), Sydney Pollack (Eyes Wide Shut), Richard Jenkins (Step Brothers), Amanda Peet (Identity) and William Hurt (Gorky Park).

Release: January 23, 2024

$7.99

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In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

Release: January 23, 2024

$7.99

Description

In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

Release: January 23, 2024

$7.99

Description

In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

Release: September 22, 2026

$7.99

Release: July 28, 2020

$6.99

Description

"***1/2! Reworking many of the themes from his previous works Repulsion and Rosemary's Baby … The Tenant proves to be another first-class effort from genre director Polanski. A must-see" – The Terror Trap An apartment with an unhappy past sets the stage for filmmaker Roman Polanski's riveting psychological suspense thriller, The Tenant. Polanski stars as Trelkovsky, a quiet, timid file clerk increasingly overshadowed with dread and fear after he moves into his new apartment. Adding to his paranoia are the building's other occupants, who do nothing to alleviate his growing obsession with the untimely, tragic fate of the apartment's previous tenant. Is Trelkovsky's dread truly justified – or is it simply the result of his seemingly disintegrating mental state? A brilliant international cast – Isabelle Adjani, Melvyn Douglas, Jo Van Fleet, Bernard Fresson and Shelley Winters – and Polanski's own penchant for delivering unprecedented suspense (Repulsion, Rosemary's Baby, Chinatown) make The Tenant a haunting, riveting film classic!

Release: June 16, 2020

$6.99

Description

Product Description Two teenage girls on a mission to find drugs at a rave get more than they bargained for. One is sexually assaulted and they are both tortured in horrific ways. The attackers seek refuge in the parents' of one of the victims' homes. Review There are two scenes so gruesome I cannot describe them in a newspaper no matter what words I use. Having seen it, I cannot ignore it, nor can I deny that it affected me strongly. --Roger Ebert, Chicago Sun Times

Release: May 12, 2026

$7.99

Description

On Halloween night, an abusive group is kidnapped to a filthy lair by a group of vicious psychopaths intent on torturing and killing them. On Halloween night, an abused housewife (Ashley Lynn Caputo) with a deadly secret, a sleazy politician (David A. Jackson), and a brother and sister (Lisa Marie Kart and Eric Danger Dionne) with an abusive father are all kidnapped or lured into a filthy scummy lair by a group of vicious psychopaths, mostly made up of women, hell bent on torturing and killing them. Led by the malicious Bytch (Cayt Feinics) and her twisted girl-toy Vixen (Amanda Welch), along with the savaged Uncle Lester (Bob Glazier), the cannibalistic Lilith (Paula Tsurara) and the giantess Misery (Saharra Huxly), this murderous gang cages, degrades, tortures and kills everything in their path. Bonus Materials -Subtitles -Behind the Scenes -Interview -Photo Gallery -Deleted Scenes -Trailer -SRS Trailers Cast & Crew Actors: LISA MARIE KART ASHLEY LYNN CAPUTO CAYT FEINICS JOEL D. WYNKOOP Director: CHRIS WOODS Top About this item Similar From the Brand Questions Reviews Chaos A.D. Chaos A.D.

Release: May 25, 2021

$6.99

Description

From Carnegie Award-winning author Patrick Ness comes a bold cinematic experience beyond imagination. Todd Hewitt lives on the distant planet of New World--a new hope for humanity until struck by 'The Noise,' a virus which inflicts immersive visions of ones' every thought. The cacophony drives many mad until Todd makes a hidden, silent discovery: there is a girl named Viola, who may be the key to unlocking New World's many layered secrets. Together, the two unlikely companions are forced on a white-knuckle adventure into an unexplored planet -- trying to escape and hide in an environment where all thought is heard, all movement seen --as they both discover the truth about the lives they left behind and the spectacular world they've learned to call home.

Release: May 25, 2021

$7.99

Description

From Carnegie Award-winning author Patrick Ness comes a bold cinematic experience beyond imagination. Todd Hewitt lives on the distant planet of New World--a new hope for humanity until struck by 'The Noise,' a virus which inflicts immersive visions of ones' every thought. The cacophony drives many mad until Todd makes a hidden, silent discovery: there is a girl named Viola, who may be the key to unlocking New World's many layered secrets. Together, the two unlikely companions are forced on a white-knuckle adventure into an unexplored planet -- trying to escape and hide in an environment where all thought is heard, all movement seen --as they both discover the truth about the lives they left behind and the spectacular world they've learned to call home.

Release: March 30, 2021

$6.99

Description

Cecil B. DeMille's final film was this grand-scale religious epic starring Charlton Heston as Moses, an adopted Egyptian prince chosen by God to abandon a life of luxury and lead his fellow Israelites out of slavery. The flight from Egypt, the parting of the Red Sea, and Moses' receiving of the Commandments are among this classic film's many highlights. With Edward G. Robinson, Yul Brynner, Anne Baxter, Yvonne de Carlo, and a cast of thousands. 3 3/4 hrs. Widescreen; Soundtracks: English DTS HD 5.1 Master Audio, Dolby Digital stereo Surround, Dolby Digital stereo, French Dolby Digital mono, Portuguese Dolby Digital stereo Surround, Dolby Digital stereo, Spanish Dolby Digital mono; Subtitles: English (SDH), French, Portuguese, Spanish; audio commentary; theatrical trailers; more. Three-disc set.

Release: February 25, 2020

$7.99

Description

Cecil B. DeMille's final film was this grand-scale religious epic starring Charlton Heston as Moses, an adopted Egyptian prince chosen by God to abandon a life of luxury and lead his fellow Israelites out of slavery. The flight from Egypt, the parting of the Red Sea, and Moses' receiving of the Commandments are among this classic film's many highlights. With Edward G. Robinson, Yul Brynner, Anne Baxter, Yvonne de Carlo, and a cast of thousands. 3 3/4 hrs. Also includes the bonus feature "The Ten Commandments" (1923). Widescreen (Enhanced); Soundtracks: English DTS HD 5.1 Master Audio, French, Spanish, Portuguese; Subtitles: English (SDH), French, Spanish, Portuguese. Three-disc set.

$7.99

Description

This restored set gathers Chaplin's celebrated Mutual shorts, including many of the comic masterpieces that defined his mature silent style.

Release: July 10, 2018

$7.99

Description

Ted Kennedy's life and political career become derailed in the aftermath of a fatal car accident in 1969 that claims the life of a young campaign strategist, Mary Jo Kopechne.

Release: November 3, 2015

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Description

Product Description Fritz Haarmann, aka the Butcher of Hanover and the Vampire of Hanover, was a German serial killer responsible for the murders of two dozen boys and young men during the so-called ‘years of crisis’ between the wars. His case would partly inspire Fritz Lang’s M, and its central character portrayed by Peter Lorre, as well as this forgotten gem from 1973. Tenderness of the Wolves treats the viewer to a few weeks in the company of a killer. Baby-faced and shaven-headed, in a manner that recalls both M and F.W. Murnau’s Nosferatu, Haarmann is a fascinating, repulsive figure. Using his status as a police informant to procure his victims, he dismembers their bodies after death and sells the flesh to restaurants, dumping the remainder out of sight. This isn’t an easy film to watch, but it certainly gets under the skin… Produced by Rainer Werner Fassbinder (who also supplies a shifty cameo), Tenderness of the Wolves provided two of his regular actors with a means of expanding their careers. Ulli Lommel – later responsible for the infamous video nasty The Boogeyman – made his directorial debut, while Kurt Raab wrote the screenplay as well as delivering an astonishing performance as Haarmann. Special Edition Contents: New high definition digital transfer prepared by the Rainer Werner Fassbinder Foundation High Definition Blu-ray (1080p) and Standard Definition DVD presentations Uncompressed Mono 1.0 PCM Audio New translated English subtitles The Tender Wolf - a brand-new in-depth interview with director Ulli Lommel Brand-new interview with director of photography Jürgen Jürges Newly-filmed appreciation by film historian and expert on European horror cinema Stephen Thrower Theatrical trailer Reversible sleeve featuring original and newly commissioned artwork by the Twins of Evil Illustrated booklet featuring new writing on the film by Tony Rayns Review Demands that Ulle Lommel be regarded one of the great artists of horror cinema --Weird Wild Realm Beautifully and enthusiastically performed --The New York Times Lommel's film remains as disturbing a look at a serial killer as you're likely to see --Film4

Release: October 10, 2017

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Description

A young widow is pursued in Paris by men searching for stolen war loot and must decide whether a charming stranger can be trusted.

Release: July 10, 2012

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Description

Winner of four Academy Awards including Best Picture! The inspiring true story of British athletes competing in the 1924 Olympics. Ben Cross and Ian Charleson head a sterling cast of newcomers and veterans. The story, told in flashback, of two young British sprinters competing for fame in the 1924 Olympics. Eric, a devout Scottish missionary runs because he knows it must please God. Harold, the son of a newly rich Jew runs to prove his place in Cambridge society.

Release: April 24, 2018

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Description

Two-disc set includes: The Valachi Papers (1972)Based on the Peter Maas bestseller, this controversial crime drama stars Charles Bronson as real-life mob soldier Joseph Valachi. While detailing his illicit activities from 1929 to 1961 to an FBI agent, Valachi becomes the first wiseguy to violate the Mafia's code of silence, and betrays his associates and "Capo of Capos" Vito Genovese. With Lino Ventura, Jill Ireland, Walter Chiari. 125 min. C/Rtg: PG The Stone Killer (1973)Charles Bronson is a cop on the trail of crime kingpin Martin Balsam and his vicious assassination bureau. Think Harry Callahan plays dirty? Wait until you see how Bronson (just one year away from "Death Wish") gets the job done, racing against time to uncover a mob plot involving Vietnam veterans. It's cross-country mayhem and nonstop action! Jack Colvin, Norman Fell, and Stuart Margolin co-star. 115 min. C/Rtg: R Hard Times (1975)A drifter (Charles Bronson) blows into Depression-era New Orleans, and impresses a sleazy promoter (James Coburn) into backing him in the underground bare-knuckle fight circuit. He demolishes the local competition, but can he deal with the big money's imported talent? Gritty and bruising directorial bow for Walter Hill co-stars Jill Ireland, Strother Martin. 94 min. C/Rtg: PG Breakout (1975)Charles Bronson is at his daring best in this lighthearted actioner, portraying Nick Colton, a reckless Texas bush pilot hired by a woman (Jill Ireland) to land a chopper in a South American prison complex to rescue her wrongfully imprisoned husband (Robert Duvall). Loosely based on an actual 1971 incident, the film co-stars John Huston, Randy Quaid, Sheree North, Alejandro Rey; directed by Tom Gries ("Helter Skelter"). 97 min. C/Rtg: PG Widescreen; Soundtrack: English.

Release: April 3, 2018

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Description

This two-film set pairs The Valachi Papers, a Mafia crime drama based on Joseph Valachi’s testimony, with The Stone Killer, in which a hard-driving cop uncovers a mob assassination plot involving Vietnam veterans.

Release: November 12, 2019

$7.99

Description

Brand New 4K Master! From Don Siegel, the legendary director of The Shootist, Coogan’s Bluff, The Black Windmill and Two Mules for Sister Sara comes this tough-as-nails action classic about a small-time crook who outfoxes the mob and the law. Screen great Walter Matthau (The Taking of Pelham One Two Three, The Laughing Policeman) stars as the titular career criminal, with the powerful Joe Don Baker (Walking Tall, Framed) as the tough Mafia hitman on his tail. Charley robs small banks with small payrolls. That keeps him out of trouble until he stumbles onto the mob’s secret stash. The chase is on as the Big Boys go after the “Last of the Independents.” It’s a heart-pounding ride that builds to a fiery airborne climax as Charley makes his last desperate run for the Mexican border and safety. The stellar cast includes Felicia Farr (3:10 to Yuma), Andy Robinson (Dirty Harry), John Vernon (Point Blank), Sheree North (Madigan), Norman Fell (Bullitt), Benson Fong (Our Man Flint), Woodrow Parfrey (Papillon) and William Schallert (In the Heat of the Night). Two of the film’s best features are the terrific photography by Michael C. Butler (The Missouri Breaks) and original music score by Lalo Schifrin (Prime Cut). Special Features: -Refracted Personae: An examination of Don Siegel’s signature directorial style and key thematic elements in his later masterpiece, CHARLEY VARRICK by Film Historian Howard S. Berger -Last of the Independents: The Making of Charley Varrick – 72-Minute doc featuring interviews with Kristoffer Tabori (Siegel’s son), actors Andy Robinson and Jacqueline Scott, stunt driver and actor Craig R. Baxley, composer Lalo Schifrin, and Howard A. Rodman (son of screenwriter, Howard Rodman) -Audio Commentary by Film Historian Toby Roan -"Trailers From Hell" with Josh Olson and Howard Rodman -Theatrical Trailer

Release: October 6, 2009

$6.99

Description

A Charlie Brown Christmas (Blu-Ray)

Release: September 7, 2010

$6.99

Description

A Charlie Brown Thanksgiving (Blu-Ray)

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A drifting American travels to Bucharest and falls for a woman whose violent ex-husband draws him into danger.

Release: November 9, 2010

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Description

Zac Efron stars as Charlie St. Cloud, a small-town hero and an accomplished sailor who has it all: the adoration of his mother and younger brother, and a Stanford scholarship. His bright future is cut short when tragedy strikes, taking his dreams with it. Now Charlie is torn between honoring a promise he made years ago and pursuing his newfound love with a former high-school classmate. Based on the acclaimed bestseller, comes a story of hope, second chances and the transformative power of love, also starring Ray Liotta and Academy Award® winner Kim Basinger.

Release: January 6, 2015

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Description

Academy Award® winners Tom Hanks, Julia Roberts and Philip Seymour Hoffman star in this compelling and witty film from Oscar®-winning director Mike Nichols and Primetime Emmy®-winning writer Aaron Sorkin (The West Wing). Based on the outrageous true story, Charlie Wilson's War shows how one congressman who loved a good time, one Houston socialite who loved a good cause and one renegade CIA agent who loved a good fight, conspired to bring about the largest covert operation in history. Bonus Content: The Making of Charlie Wilson's War Who is Charlie Wilson?

Release: September 15, 2026

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Release: October 22, 2019

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Description

Two-disc set includes: Charlie's Angels (2000)'70s TV's sexiest female sleuths (sorry, Snoop Sisters) get a high-octane updating in this hit actioner. Dylan (Drew Barrymore), Natalie (Cameron Diaz), and Alex (Lucy Liu) are the lovely, lethal detectives whose unseen boss, Charlie (again voiced by John Forsythe), sends them and aide-de-camp Bosley (Bill Murray) after a kidnapped computer genius whose new invention could disrupt global communications. With Tim Curry, Sam Rockwell, Crispin Glover. 99 min. C/Rtg: PG-13 Charlie's Angels: Full Throttle (2003)Angels Dylan (Drew Barrymore), Natalie (Cameron Diaz), and Alex (Lucy Liu) return for another slam-bang action opus that finds the gals charged with locating a special decoder ring that has the ability to reveal the identities of everyone in the government's Witness Protection Program. But has the trio met it's match when the ring falls into the hands of an evil ex-Angel (Demi Moore). Co-stars Robert Patrick, Bernie Mac, John Cleese. 105 min. C/Rtg: PG-13

Release: July 5, 2016

$6.99

Description

Based on the bestselling memoir by Stephen Elliott, The Adderall Diaries is the gripping and complex story of how an author's fascination with a high-profile murder case leads him to come to terms with his troubled past while embarking on a potentially life-changing romance in the present.

Release: February 5, 2019

$7.99

Description

BRAND NEW 2K MASTER! They freed his mind… she captured his heart! From the classic Daniel Keyes novel Flowers for Algernon comes this moving and unforgettable adaptation by director Ralph Nelson (Lilies of the Field) and screenwriter Stirling Silliphant (In the Heat of the Night). This timeless tearjerker features an Academy Award-winning leading performance by Cliff Robertson (The Devil’s Brigade) and a rousing score by the legendary Ravi Shankar (Gandhi). When a mentally challenged man named Charly (Robertson) undergoes experimental brain surgery, he is miraculously freed from the prison of his own mind. As his IQ soars to genius proportions, Charly's eyes are opened to a world he's never truly seen. But when the effects of his operation inexplicably begin to fade, Charly must find a way to halt his regression... before his own mind destroys his life, his newfound romance and the man he's become. Arthur J. Ornitz (The Boys in the Band) shot this classic drama co-starring Claire Bloom (The Haunting) and Dick Van Patten (Zachariah). Special Features: -NEW Audio Commentary by Film Historians Howard S. Berger and Nathaniel Thompson -KLSC Trailers

Release: April 16, 2019

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Description

After learning they're descended from a long line of witches, Halliwell sisters Prue (Shannen Doherty), Piper (Holly Marie Combs), and Phoebe (Alyssa Milano) are each granted unique magical abilities that they combine to do battle with the forces of evil. The girls are later joined by long-lost half-sister Paige (Rose McGowan, who replaced Doherty in 2001) in this sexy and supernatural WB series.22 episodes on 5 discs. 16 1/4 hrs. Standard; Soundtrack: English.

Release: April 16, 2019

$6.99

Description

After learning they're descended from a long line of witches, Halliwell sisters Prue (Shannen Doherty), Piper (Holly Marie Combs), and Phoebe (Alyssa Milano) are each granted unique magical abilities that they combine to do battle with the forces of evil. The girls are later joined by long-lost half-sister Paige (Rose McGowan, who replaced Doherty in 2001) in this sexy and supernatural WB series.22 episodes on 5 discs. 16 1/4 hrs. Standard; Soundtrack: English.

Release: April 16, 2019

$6.99

Description

After learning they're descended from a long line of witches, Halliwell sisters Prue (Shannen Doherty), Piper (Holly Marie Combs), and Phoebe (Alyssa Milano) are each granted unique magical abilities that they combine to do battle with the forces of evil. The girls are later joined by long-lost half-sister Paige (Rose McGowan, who replaced Doherty in 2001) in this sexy and supernatural WB series.22 episodes on 5 discs. 16 1/4 hrs. Standard; Soundtrack: English.

Release: April 16, 2019

$6.99

Description

After learning they're descended from a long line of witches, Halliwell sisters Prue (Shannen Doherty), Piper (Holly Marie Combs), and Phoebe (Alyssa Milano) are each granted unique magical abilities that they combine to do battle with the forces of evil. The girls are later joined by long-lost half-sister Paige (Rose McGowan, who replaced Doherty in 2001) in this sexy and supernatural WB series.22 episodes on 5 discs. 16 1/4 hrs. Standard; Soundtrack: English.

Release: April 16, 2019

$6.99

Description

After learning they're descended from a long line of witches, Halliwell sisters Prue (Shannen Doherty), Piper (Holly Marie Combs), and Phoebe (Alyssa Milano) are each granted unique magical abilities that they combine to do battle with the forces of evil. The girls are later joined by long-lost half-sister Paige (Rose McGowan, who replaced Doherty in 2001) in this sexy and supernatural WB series.22 episodes on 5 discs. 16 1/4 hrs. Standard; Soundtrack: English.

Release: March 10, 2026

$7.99

Description

Bubber Reeves (Robert Redford) escapes prison and sets his sights on returning to his small hometown in Texas. The local sheriff (Marlon Brando), who believes Reeves is innocent, struggles to maintain order amidst rising panic.

Release: March 10, 2026

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Description

Bubber Reeves (Robert Redford) escapes prison and sets his sights on returning to his small hometown in Texas. The local sheriff (Marlon Brando), who believes Reeves is innocent, struggles to maintain order amidst rising panic.

Release: February 23, 2021

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Description

Writer/director Kevin Smith's sharp and emotional look at a most unconventional romance, as comic-book writer Holden McNeil (Ben Affleck) tries to pursue a relationship with fellow comic artist and avowed lesbian Alyssa Jones (Joey Lauren Adams), much to the displeasure of Holden's creative partner and best friend, Banky (Jason Lee). With Dwight Ewell, and Jason Mewes and Smith as Jay and Silent Bob. 113 min. Widescreen; Soundtrack: English. Top About this item Similar From the Brand Reviews Chasing Amy (Blu-ray + Digital)

Release: October 26, 2021

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Description

The creative team behind the Emmy® Award-winning Batman: The Animated Series chronicles the adventures of Superman, the legendary Super Hero. As the planet Krypton is destroyed, its leader, Jor-El, secures his infant son, Kal-El, in a rocket that will transport him to Earth. There, a young Clark Kent (voiced by TIM DALY) discovers the truth about his interplanetary heritage. Upon reaching adulthood, he assumes the identity of Superman, the Man of Steel, in the city of Metropolis, battling the forces of villainy and continuing his quest for "Truth, Justice and the American way." Fly with Superman in this complete collection of adventures.

Release: April 3, 2012

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Chasing Madoff is the compelling story of Harry Markopolos and his team of investigator's ten-year struggle to expose the harrowing truth behind the infamous Madoff scandal. Throughout the decade long investigation, Markopolos pieced together a chain of white-collar predators consisting of bankers, lieutenants, and henchmen, all linked to the devastating Ponzi scheme. With risk and danger apparent, Markopolos and his loyal team relentlessly continued to pursue the frightening truth. Finding himself trapped in a web of epic deceit, the once unassuming Boston securities analyst turned vigilante investigator now feared for his life and the safety of his family, as he discovered no one would listen.

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The inspirational true story of real life surfing phenomenon Jay Moriarity. When 15 year old Jay discovers that the mythic Mavericks surf break, one of the biggest waves on Earth, is not only real, but exists just miles from his Santa Cruz home, he enlists the help of local legend Frosty Hesson to train him to survive it. As Jay and Frosty embark on their quest to accomplish the impossible, they form a unique friendship that transforms both their lives, and their quest to tame Mavericks becomes about far more than surfing.