Search

Description

For over thirty years, Fred Rogers, an unassuming minister, puppeteer, writer and producer was beamed daily into homes across America in his beloved television program, Mister Rogers' Neighborhood. From Academy Award-winning filmmaker Morgan Neville (20 Feet from Stardom), Won't You Be My Neighbor? takes an intimate look at Fred Rogers, a creative genius who inspired generations of children with compassion and limitless imagination. There hadn't been anything like Mister Rogers on television before and there hasn't been since.

Description

A charismatic English teacher and a fiercely talented art instructor wage a spirited battle over whether words or images matter more.

Description

Established by Martin Scorsese in 2007, the World Cinema Project expands the horizons of moviegoers everywhere. The mission of the WCP is to preserve and present marginalized and infrequently screened films from regions of the world ill equipped to provide funding for major restorations. This collector’s set brings together six superb films from various countries, including Bangladesh/India (A River Called Titas), Mexico (Redes), Morocco (Trances), Senegal (Touki bouki), South Korea (The Housemaid), and Turkey (Dry Summer); each is a cinematic revelation, depicting a culture not often seen by outsiders. TOUKI BOUKI With a stunning mix of the surreal and the naturalistic, Djibril Diop Mambéty paints a vivid, fractured portrait of Senegal in the early 1970s. In this French New Wave–influenced fantasy-drama, two young lovers long to leave Dakar for the glamour and comforts of Europe, but their escape plan is beset by complications both concrete and mystical. Marked by dazzling imagery and music, the alternately manic and meditative Touki bouki is widely admired as one of the most important African films ever made. 1973 89 minutes Color Monaural In Wolof with English subtitles 1.37:1 aspect ratio REDES Early in his career, the Austrian-born, future Oscar winner Fred Zinnemann (From Here to Eternity) codirected with Emilio Gómez Muriel the politically and emotionally searing Redes. In this vivid, documentary-like dramatization of the daily grind of men struggling to make a living by fishing on the Gulf of Mexico (mostly played by real-life fishermen), one worker’s terrible loss instigates a political awakening among him and his fellow laborers. A singular coming together of stunning talents, Redes, commissioned by a progressive Mexican government, was gorgeously shot and cowritten by the legendary photographer Paul Strand. 1936 59 minutes Black & White Monaural In Spanish with English subtitles 1.33:1 aspect ratio A RIVER CALLED TITAS The Bengali filmmaker Ritwik Ghatak’s stunningly beautiful, elegiac saga concerns the tumultuous lives of people in fishing villages along the banks of the Titas River in pre-Partition East Bengal. Focusing on the tragic intertwining fates of a series of fascinating characters, in particular the indomitable widow Basanti, Ghatak tells the poignant story of an entire community’s vanishing way of life. Made soon after Bangladesh became an independent nation, the elliptical, stylized, painterly A River Called Titas is a grand epic from a director who has had a devoted following for decades. 1973 156 minutes Black & White Monaural In Bengali with English subtitles 1.37:1 aspect ratio DRY SUMMER Winner of the prestigious Golden Bear at the 1964 Berlin International Film Festival, Metin Erksan’s wallop of a melodrama concerns the machinations of an unrepentantly selfish tobacco farmer who builds a dam to prevent water from flowing downhill to nourish his neighbors’ crops. Alongside this tale of soul-devouring competition is one of overheated desire, as a love triangle develops between the farmer, his more decent brother, and the beautiful villager the latter takes as his bride, resulting in a Cain and Abel–like struggle. A benchmark of Turkish cinema, this is a visceral, innovatively shot and vibrantly acted depiction of the horrors of greed. 1964 90 minutes Black & White Monaural In Turkish with English subtitles 1.33:1 aspect ratio TRANCES The beloved Moroccan band Nass El Ghiwane is the dynamic subject of this captivating musical documentary. Storytellers through song, some with a background in political theater, the band’s members became an international sensation (Western rock critics have often referred to them as “the Rolling Stones of North Africa”), thanks to their political lyrics and sublime, fully acoustic sound, which draws on the Moroccan trance music tradition. Both a concert movie and a free-form audiovisual experiment, Ahmed El Maânouni’s Trances is cinematic poetry. 1981 88 minutes Color Monaural In Arabic with English subtitles 1.66:1 aspect ratio THE HOUSEMAID A torrent of intimate obsession, revenge, and betrayal is unleashed under one roof in this venomous melodrama from South Korean master Kim Ki-young. Immensely popular in its home country when it was released, The Housemaid is the thrilling, at times jaw-dropping story of the devastating effect an unstable housemaid has on the domestic cocoon of a bourgeois, morally dubious music teacher, his devoted wife, and their precocious young children. Grim and taut yet perched on the border of the absurd, Kim’s film is an engrossing tale of class warfare and familial disintegration that has been hugely influential on the new generation of South Korean directors. 1960 108 minutes Black & White Monaural In Korean with English subtitles 1.66:1 aspect ratio Top About this item Similar From the Brand Reviews Martin Scorsese's World Cinema Project (Touki Bouki / Redes / A River Called Titas / Dry Summer / Trances / The Housemaid) (The Criterion Collection) [Blu-ray + DVD]

Description

Very few of the silent films of Laurel and Hardy's negatives survive, and the available elements scattered throughout the world are always mediocre or unwatchable. It took three years to gather all the surviving prints of these shorts, compare them shot by shot and give them the best digital restoration possible. Today, these invisible films look as young as they did 95 years ago. A world premiere for all the Laurel and Hardy fans.Stan Laurel and Oliver Hardy first appeared on film together in 1921, after an initial period in their careers spent apart. The two would formally team up in 1927 and found success by following a simple comic formula that displayed the hilariously ambitious and anarchic qualities of their joint personality. Laurel & Hardy: Year One, The Newly Restored 1927 Silents, as proudly presented by Flicker Alley and Blackhawk Films®, offers fans new and old the rare opportunity to observe the evolving partnership of the comedy team that would reach enormous popularity. Featuring all new restorations sourced from best available materials contributed by archives and collectors around the world restored by Blackhawk Films® and Lobster Films in Paris, this comprehensive deluxe Blu-ray 2-Disc collection features thirteen extant films produced in 1927 and two additional films from before they were officially a team. It includes new scores from some of the best silent film composers working today: Neil Brand, Antonio Coppola, Eric le Guen, and Donald Sosin. The films included are Lucky Dog (1921), 45 Minutes from Hollywood (1926), Duck Soup (1927), Slipping Wives (1927), Love 'em and Weep (1927), Why Girls Love Sailors (1927), With Love and Hisses (1927), Sugar Daddies (1927), Sailors, Beware! (1927), The Second 100 Years (1927), Call of the Cuckoo (1927), Do Detectives Think? (1927), Putting Pants on Phillip (1927), The Battle of the Century (1927), and Flying Elephants (1928). It is curated by film historians and Laurel and Hardy specialists; Randy Skretvedt, Dick Bann, Serge Bromberg, Eric Lange, and Ulrich Ruedel.Arthur Stanley Jefferson for a time understudied Chaplin in England and the US. Meanwhile Oliver Norvell Hardy was a serviceable role player in comedies and melodramas, yet neither had reached the status of movie star. It became clear upon their teaming up that their contradictory physiques and personalities complimented each other perfectly. The team would go on to do many films together reaching wide acclaim, and eventually becoming nearly unanimously considered by film critics, scholars, and movie fans alike, the funniest comedy duo in film history.

Description

Very few of the silent films of Laurel and Hardy's negatives survive, and the available elements scattered throughout the world are always mediocre or unwatchable. It took three years to gather all the surviving prints of these shorts, compare them shot by shot and give them the best digital restoration possible. Today, these invisible films look as young as they did 95 years ago. A world premiere for all the Laurel and Hardy fans.Stan Laurel and Oliver Hardy first appeared on film together in 1921, after an initial period in their careers spent apart. The two would formally team up in 1927 and found success by following a simple comic formula that displayed the hilariously ambitious and anarchic qualities of their joint personality. Laurel & Hardy: Year One, The Newly Restored 1927 Silents, as proudly presented by Flicker Alley and Blackhawk Films®, offers fans new and old the rare opportunity to observe the evolving partnership of the comedy team that would reach enormous popularity. Featuring all new restorations sourced from best available materials contributed by archives and collectors around the world restored by Blackhawk Films® and Lobster Films in Paris, this comprehensive deluxe Blu-ray 2-Disc collection features thirteen extant films produced in 1927 and two additional films from before they were officially a team. It includes new scores from some of the best silent film composers working today: Neil Brand, Antonio Coppola, Eric le Guen, and Donald Sosin. The films included are Lucky Dog (1921), 45 Minutes from Hollywood (1926), Duck Soup (1927), Slipping Wives (1927), Love 'em and Weep (1927), Why Girls Love Sailors (1927), With Love and Hisses (1927), Sugar Daddies (1927), Sailors, Beware! (1927), The Second 100 Years (1927), Call of the Cuckoo (1927), Do Detectives Think? (1927), Putting Pants on Phillip (1927), The Battle of the Century (1927), and Flying Elephants (1928). It is curated by film historians and Laurel and Hardy specialists; Randy Skretvedt, Dick Bann, Serge Bromberg, Eric Lange, and Ulrich Ruedel.Arthur Stanley Jefferson for a time understudied Chaplin in England and the US. Meanwhile Oliver Norvell Hardy was a serviceable role player in comedies and melodramas, yet neither had reached the status of movie star. It became clear upon their teaming up that their contradictory physiques and personalities complimented each other perfectly. The team would go on to do many films together reaching wide acclaim, and eventually becoming nearly unanimously considered by film critics, scholars, and movie fans alike, the funniest comedy duo in film history.

Description

This delightful musical comedy about a Broadway dance director who finds himself drafted into the Army stars Rita Hayworth and Fred Astaire and features songs by Cole Porter. The dance sequences between Astaire and Hayworth are marvelous and the score earned an Oscar nomination.

Description

Heaven's harps and wings are nice, but what showman extraordinaire Florenz Ziegfeld Jr. wants most now that he's no longer on Earth is to put on another extravaganza. It would have the brightest stars and creative talents. The most in glamour, gams and optimism. In short, it would be like Ziegfeld Follies. With a who's who of credited and uncredited Hollywood talents, this all-star revue is heaven to fans of musicals. Fred Astaire dazzles once, twice four numbers in all. Red Skelton reprises his funny Guzzler's Gin skit. Esther Williams swims, Lena Horne sings, and Judy Garland spoofs snobbery. There's Verdi opera and Fanny Brice vaudeville. Patter and pantomime. And The Babbitt and the Bromide, with Gene Kelly joining Astaire in their first-ever screen pairing. What a show! The man called Flo must be proud.