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Release: September 27, 2016

$6.99

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Central Intelligence (4K Ultra HD + Blu-ray) The story follows a one-time bullied geek who grew up to be a lethal CIA agent (Dwayne Johnson), coming home for his high school reunion. Claiming to be on a top-secret case, he enlists the help of the former “big man on campus” (Kevin Hart), now an accountant who misses his glory days. But before the staid numberscruncher realizes what he’s getting into, it’s too late to get out, as his increasingly unpredictable new friend drags him through a world of shootouts, double-crosses and espionage that could get them both killed in more ways than he can count.

Release: September 19, 2017

$7.99

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The expanses of the American Northwest take center stage in this intimately observed triptych from Kelly Reichardt. Adapted from three short stories by Maile Meloy and unfolding in self-contained but interlocking episodes, Certain Women navigates the subtle shifts in personal desire and social expectation that unsettle the circumscribed lives of its characters: a lawyer (Laura Dern) forced to subdue a troubled client; a woman (Michelle Williams) whose plans to construct her dream home reveal fissures in her marriage; and a night-school teacher (Kristen Stewart) who forms a tenuous bond with a lonely ranch hand (Lily Gladstone), whose unguardedness and deep attachment to the land deliver an unexpected jolt of emotional immediacy. With unassuming craft, Reichardt captures the rhythms of daily life in small-town Montana through these fine-grained portraits of women trapped within the landscape s wide-open spaces.

Release: May 22, 2012

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The great Iranian director Abbas Kiarostami (Close-up) travels to Tuscany for a luminous and provocative romance in which nothing is as it appears. What seems at first to be a straightforward tale of two people played by Oscar-winning actress Juliette Binoche (Blue) and opera singer William Shimell getting to know each other over the course of an afternoon gradually reveals itself as something richer, stranger, and trickier: a mind-bending reflection on authenticity, in art as well as in relationships. Both cerebrally and emotionally engaging, Certified Copy (Copie conforme) reminds us that love itself is an enigma.

Release: September 22, 2015

$6.99

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After finding his brother murdered after returning from duty, Webster searches for the perpetrators, but discovers a conspiracy that cuts deep inside the U.S. government.

Release: September 3, 2024

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Chains of Gold is a hard-hitting story of a teen who has made a big mistake, and the one man willing to risk everything to keep that mistake from being fatal. Social worker Scott Barnes (John Travolta, Pulp Fiction) befriends 13-year-old Tommy Burke (Joey Lawrence, TV's Blossom), who's involved with a crack-dealing gang. He is desperate to quit, but the gang has other ideas...they kill anyone who tries to leave. When the police offer no help, Scott launches a desperate attempt to rescue the boy. With the help of his ex-girlfriend (Marilu Henner, Perfect), he infiltrates the inner circle of the gang, putting his life on the line to get Tommy out.

Release: February 16, 2016

$6.99

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He has trained every thought… every muscle… every nerve… for this moment of truth! The Challenge was co-written by John Sayles (Lone Star) and stars Scott Glenn (Man on Fire) as an American boxer thrust into a Japanese family feud involving the ownership of an ancient sword. Screen legend Toshiro Mifune (Yojimbo), plays a master samurai who trains the American in the ways of Japanese martial arts and culture so that he can assist him in foiling his rich industrialist brother (Atsuo Nakamura). Boasting a muscular Jerry Goldsmith (The Satan Bug) action score and handsome visuals, The Challenge entertains and should please fans of pictures like The Yakuza, Big Trouble in Little China and Remo Williams as well as The Seven Samurai, a fairly obvious cinematic forebear. Directed by the great John Frankenheimer (The Manchurian Candidate) and beautifully shot by veteran Japanese cinematographer Kôzô Okazaki (Goyokin, The Yakuza).

Release: July 9, 2024

$6.99

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From visionary filmmaker Luca Guadagnino, Challengers stars Zendaya as Tashi Duncan, a former tennis prodigy turned coach and a force of nature who makes no apologies for her game on and off the court. Married to a champion on a losing streak (Mike Faist – West Side Story), Tashi’s strategy for her husband’s redemption takes a surprising turn when he must face off against the washed-up Patrick (Josh O’Connor – The Crown) – his former best friend and Tashi’s former boyfriend. As their pasts and presents collide, and tensions run high, Tashi must ask herself, what will it cost to win.

Release: April 22, 2014

$6.99

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In CHANCES ARE, the irresistible romantic comedy of two lifetimes, Cybill Shepherd stars as Corinne Jeffries, a beautiful young woman whose picture-perfect marriage comes to a shattering halt when her husband Louie dies unexpectedly. Fortunately, Louie gets a second shot at life when he agrees to be "recycled" back to earth as the newborn Alex Finch (Robert Downey, Jr.) But fate crosses Alex's path twenty-three years later when he meets Corinne's daughter Miranda (Mary Stuart Masterson), and is suddenly flooded with a wealth of memories that all belong to Louie! Now, as Alex's former existence slowly comes to life, he must confront a wife who thinks he's dead, a daughter who could be his girlfriend and best friend (Ryan O'Neal) who's in love with Corinne. From Dirty Dancing director Emile Ardolino comes this heartwarming comedy that gives romance an unforgettable second chance.

Release: June 20, 2017

$6.99

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This first color screen take on the Agatha Christie suspense staple may shift the locale to a remote hotel in the Iranian desert, but everything else remains the same: The 10 strangers lured there by pretext, named by an unseen accuser (the voice of Orson Welles) as having gotten away with murder... and then made to pay for it in ghastly ways, one by one. Oliver Reed, Elke Sommer, Richard Attenborough, Herbert Lom, Stéphane Audran, Charles Aznavour, Gert Frobe star. AKA: "And Then There Were None." 98 min. Widescreen; Soundtrack: English; theatrical trailers.

Release: November 8, 2011

$6.99

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Ryan Reynolds and Jason Bateman star in the outrageous comedy from the director of Wedding Crashers and the writers of The Hangover. One drunken night, two friends admit that they wish they had the other's life. Mitch (Reynolds) thinks Dave has it all: a beautiful, loving family and a high-paying job at a prestigious law firm. But Dave (Bateman) thinks Mitch's stress-free life without obligation or consequence is the real dream come true. The next morning they wake up, hungover, in each other's bodies, and proceed to freak out! With time not on their side, Mitch and Dave comically struggle to avoid completely destroying each other's lives before they can find a way to get their old ones back. Bonus Content: Fist Fight Deleted Scene Gag Reel Time for a Change Family Matter Feature Commentary with Director David Dobkin (Theatrical and Unrated Versions) My Scenes D-BOX BD-Live pocket BLU App

Release: February 17, 2009

$6.99

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Clint Eastwood directs Oscar® winner Angelina Jolie and Oscar® nominee John Malkovich in a riveting and unforgettable true story. Los Angeles, 1928. When single mother Christine Collins (Jolie) leaves for work, her son vanishes without a trace. Five months later, the police reunite mother and son; but he isn’t her boy. Driven by one woman’s relentless quest for the truth, the case exposes a world of corruption, captivates the public and changes Los Angeles forever. This emotionally gripping story illustrates the profound power of a mother’s love in “a mesmerizing film that burns in the memory” (Peter Travers, Rolling Stone).

Release: July 7, 2018

$7.99

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The Changeling [BLU-RAY ]

Release: October 25, 2022

$6.99

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Product Description

Release: October 25, 2022

$8.99(Not Free for Subscribers)

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Product Description THREE-DISC COLLECTION INCLUDES NEW 4K ULTRA HD + BLU-RAY WITH NEW SPECIAL FEATURES AND SOUNDTRACK CD! It has been called "remarkable" (Paste Magazine), "utterly terrifying" (Mondo Digital) and "a ghost story guaranteed to freeze the blood" (Gannett). Now this "masterpiece of terror" (Reel Reviews) from director Peter Medak (THE RULING CLASS) comes to UHD like you've never seen, heard or experienced it before: Academy Award® winner George C. Scott gives "one of his greatest performances ever" (Bloody Good Horror) as a grieving music professor tormented by a paranormal horror that includes "the best séance in horror movie history" (Newsweek). Trish Van Devere (THE HEARSE), two-time Oscar® winner Melvyn Douglas (THE TENANT) and Jean Marsh (FRENZY) co-star in "one of the most terrifying horror films of all time" (DVD Beaver), now scanned in 4K from the internegative with 4½ hours of Special Features - including revealing new interviews with Medak - plus a soundtrack CD and more. SPECIAL FEATURES: Audio Commentary With Director Peter Medak And Producer Joel B. Michaels Moderated By Severin Films' David Gregory Interview With Peter Medak By Filmmaker Adrián García Bogliano At Mórbido Fest 2018 Exile On Curzon St. - Peter Medak On His Early Years In Swinging London The House On Cheesman Park - The Haunting True Story Of THE CHANGELING The Music Of THE CHANGELING - Interview With Music Arranger Kenneth Wannberg Building The House Of Horror - Interview With Art Director Reuben Freed The Psychotronic Tourist - THE CHANGELING Master Of Horror Mick Garris On THE CHANGELING Still Gallery Trailer + TV Spot Soundtrack CD Review A bone-chilling classic... Medak takes all the elements of a haunted house story and molds them into a beautifully scary story about loss, love and retribution. --Dread Central It will give you goosebumps... A must-buy for anyone who loves a good old-fashioned yarn or has grown tired of CGI-plagued spook shows, which should mean just about everyone. --Rue Morgue One of the greatest haunted house movies ever made... It delivers on many different levels with iconic horror moments throughout. --The Digital Bits

Release: February 13, 2024

$6.99

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Witness the birth of Tenacious D, the greatest—and craziest—rock band ever "in a movie destined to become the most hilarious musical epic since This Is Spinal Tap" (Pete Hammond, Maxim). Featuring many A-list movie and rock star cameos, this laugh-a-minute riot is sure to have you begging for an encore. On a fateful day in Venice Beach, JB (Jack Black) and KG (Kyle Gass) meet and realize they are destined to make history by combining their musical genius. But when overnight success eludes them, they set out to find the legendary "Pick of Destiny"—a special guitar pick believed to possess magical powers that can make any open mic wannabe a rock legend. Their epic quest, which includes run-ins with the law, sorority hotties, and Sasquatch, will make you "laugh till it hurts and then you'll laugh some more" (Guy Farriss, KXTV-TV, ABC). Bonus Content: Audio Commentary with Stars Jack Black and Kyle Gass Audio Commentary with Director Liam Lynch Deleted/Extended Scenes Archival Featurettes Home Movies "Hell O'clock News" Internet Shorts Music Video Theatrical Trailer

Release: January 23, 2024

$7.99

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In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

Release: January 23, 2024

$7.99

Description

In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

Release: January 23, 2024

$7.99

Description

In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

Release: September 22, 2026

$7.99

Release: June 16, 2020

$6.99

Description

Product Description Two teenage girls on a mission to find drugs at a rave get more than they bargained for. One is sexually assaulted and they are both tortured in horrific ways. The attackers seek refuge in the parents' of one of the victims' homes. Review There are two scenes so gruesome I cannot describe them in a newspaper no matter what words I use. Having seen it, I cannot ignore it, nor can I deny that it affected me strongly. --Roger Ebert, Chicago Sun Times

Release: February 15, 2011

$6.99

Description

Robert Downey, Jr. captures the essence of comic genius Charlie Chaplin in a compelling, nuanced performance that earned him Oscar® and Golden Globe® nominations for Best Actor. Director Richard Attenborough’s well-crafted portrait traces Chaplin’s impoverished London upbringing, extraordinary success as an actor and director, his troubled marriages, scandalous affairs, shocking exile to Switzerland and his triumphant return to Hollywood. The huge star-studded cast includes Kevin Kline, Dan Aykroyd, Milla Jovovich, Diane Lane and Geraldine Chaplin (as her own grandmother), and Downey’s astonishing mimicry of Chaplin’s gait, gestures and accents complete a dazzlingly authentic portrait of one of cinema’s first pop culture icons.

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Description

A restored collection of Charlie Chaplin's 1915 Essanay shorts, capturing the rapid evolution of the Little Tramp persona through slapstick and invention.

Release: March 30, 2021

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Description

Cecil B. DeMille's final film was this grand-scale religious epic starring Charlton Heston as Moses, an adopted Egyptian prince chosen by God to abandon a life of luxury and lead his fellow Israelites out of slavery. The flight from Egypt, the parting of the Red Sea, and Moses' receiving of the Commandments are among this classic film's many highlights. With Edward G. Robinson, Yul Brynner, Anne Baxter, Yvonne de Carlo, and a cast of thousands. 3 3/4 hrs. Widescreen; Soundtracks: English DTS HD 5.1 Master Audio, Dolby Digital stereo Surround, Dolby Digital stereo, French Dolby Digital mono, Portuguese Dolby Digital stereo Surround, Dolby Digital stereo, Spanish Dolby Digital mono; Subtitles: English (SDH), French, Portuguese, Spanish; audio commentary; theatrical trailers; more. Three-disc set.

Release: February 25, 2020

$7.99

Description

Cecil B. DeMille's final film was this grand-scale religious epic starring Charlton Heston as Moses, an adopted Egyptian prince chosen by God to abandon a life of luxury and lead his fellow Israelites out of slavery. The flight from Egypt, the parting of the Red Sea, and Moses' receiving of the Commandments are among this classic film's many highlights. With Edward G. Robinson, Yul Brynner, Anne Baxter, Yvonne de Carlo, and a cast of thousands. 3 3/4 hrs. Also includes the bonus feature "The Ten Commandments" (1923). Widescreen (Enhanced); Soundtracks: English DTS HD 5.1 Master Audio, French, Spanish, Portuguese; Subtitles: English (SDH), French, Spanish, Portuguese. Three-disc set.

$7.99

Description

This restored set gathers Chaplin's celebrated Mutual shorts, including many of the comic masterpieces that defined his mature silent style.

Release: June 16, 2015

$6.99

Description

Chappie tells the story of a robot imbued with artificial intelligence who is stolen by two local gangsters who want to use him for their own nefarious purposes.

Release: June 2, 2026

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Description

In this comedic thriller, a trio of crooks relentlessly pursue a young American, played by Audrey Hepburn in gorgeous Givenchy, through Paris in an attempt to recover the fortune her dead husband stole from them. The only person she can trust is Cary Grant’s suave, mysterious stranger. Director Stanley Donen goes deliciously dark for Charade, a glittering emblem of 1960s style and macabre wit. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack One 4K UHD disc of the film and one Blu-ray with the film and special features Audio commentary from 1999 featuring director Stanley Donen and screenwriter Peter Stone Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by film historian Bruce Eder

Release: October 10, 2017

$7.99

Description

A young widow is pursued in Paris by men searching for stolen war loot and must decide whether a charming stranger can be trusted.

Release: April 24, 2018

$6.99

Description

Two-disc set includes: The Valachi Papers (1972)Based on the Peter Maas bestseller, this controversial crime drama stars Charles Bronson as real-life mob soldier Joseph Valachi. While detailing his illicit activities from 1929 to 1961 to an FBI agent, Valachi becomes the first wiseguy to violate the Mafia's code of silence, and betrays his associates and "Capo of Capos" Vito Genovese. With Lino Ventura, Jill Ireland, Walter Chiari. 125 min. C/Rtg: PG The Stone Killer (1973)Charles Bronson is a cop on the trail of crime kingpin Martin Balsam and his vicious assassination bureau. Think Harry Callahan plays dirty? Wait until you see how Bronson (just one year away from "Death Wish") gets the job done, racing against time to uncover a mob plot involving Vietnam veterans. It's cross-country mayhem and nonstop action! Jack Colvin, Norman Fell, and Stuart Margolin co-star. 115 min. C/Rtg: R Hard Times (1975)A drifter (Charles Bronson) blows into Depression-era New Orleans, and impresses a sleazy promoter (James Coburn) into backing him in the underground bare-knuckle fight circuit. He demolishes the local competition, but can he deal with the big money's imported talent? Gritty and bruising directorial bow for Walter Hill co-stars Jill Ireland, Strother Martin. 94 min. C/Rtg: PG Breakout (1975)Charles Bronson is at his daring best in this lighthearted actioner, portraying Nick Colton, a reckless Texas bush pilot hired by a woman (Jill Ireland) to land a chopper in a South American prison complex to rescue her wrongfully imprisoned husband (Robert Duvall). Loosely based on an actual 1971 incident, the film co-stars John Huston, Randy Quaid, Sheree North, Alejandro Rey; directed by Tom Gries ("Helter Skelter"). 97 min. C/Rtg: PG Widescreen; Soundtrack: English.

Release: September 26, 2023

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Description

Take an unforgettable, uniquely magical, musical journey through the deliciously delightful, whimsically wonderful world of Willy Wonka And The Chocolate Factory. Take an unforgettable, uniquely magical journey through director Tim Burton's deliciously delightful, whimsically wonderful world of Charlie And The Chocolate Factory.

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Description

A drifting American travels to Bucharest and falls for a woman whose violent ex-husband draws him into danger.

Release: September 15, 2026

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Release: January 6, 2015

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Description

Academy Award® winners Tom Hanks, Julia Roberts and Philip Seymour Hoffman star in this compelling and witty film from Oscar®-winning director Mike Nichols and Primetime Emmy®-winning writer Aaron Sorkin (The West Wing). Based on the outrageous true story, Charlie Wilson's War shows how one congressman who loved a good time, one Houston socialite who loved a good cause and one renegade CIA agent who loved a good fight, conspired to bring about the largest covert operation in history. Bonus Content: The Making of Charlie Wilson's War Who is Charlie Wilson?

Release: September 15, 2026

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Release: March 10, 2020

$7.99

Description

The next generation of fearless angels takes flight! Starring Kristen Stewart, Naomi Scott, Ella Balinska and Elizabeth Banks.

Release: March 10, 2020

$6.99

Description

The next generation of fearless angels takes flight! Starring Kristen Stewart, Naomi Scott, Ella Balinska and Elizabeth Banks.

Release: October 22, 2019

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Description

Two-disc set includes: Charlie's Angels (2000)'70s TV's sexiest female sleuths (sorry, Snoop Sisters) get a high-octane updating in this hit actioner. Dylan (Drew Barrymore), Natalie (Cameron Diaz), and Alex (Lucy Liu) are the lovely, lethal detectives whose unseen boss, Charlie (again voiced by John Forsythe), sends them and aide-de-camp Bosley (Bill Murray) after a kidnapped computer genius whose new invention could disrupt global communications. With Tim Curry, Sam Rockwell, Crispin Glover. 99 min. C/Rtg: PG-13 Charlie's Angels: Full Throttle (2003)Angels Dylan (Drew Barrymore), Natalie (Cameron Diaz), and Alex (Lucy Liu) return for another slam-bang action opus that finds the gals charged with locating a special decoder ring that has the ability to reveal the identities of everyone in the government's Witness Protection Program. But has the trio met it's match when the ring falls into the hands of an evil ex-Angel (Demi Moore). Co-stars Robert Patrick, Bernie Mac, John Cleese. 105 min. C/Rtg: PG-13

Release: July 5, 2016

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Description

Based on the bestselling memoir by Stephen Elliott, The Adderall Diaries is the gripping and complex story of how an author's fascination with a high-profile murder case leads him to come to terms with his troubled past while embarking on a potentially life-changing romance in the present.

Release: April 16, 2019

$6.99

Description

After learning they're descended from a long line of witches, Halliwell sisters Prue (Shannen Doherty), Piper (Holly Marie Combs), and Phoebe (Alyssa Milano) are each granted unique magical abilities that they combine to do battle with the forces of evil. The girls are later joined by long-lost half-sister Paige (Rose McGowan, who replaced Doherty in 2001) in this sexy and supernatural WB series.22 episodes on 5 discs. 16 1/4 hrs. Standard; Soundtrack: English.

Release: April 16, 2019

$6.99

Description

After learning they're descended from a long line of witches, Halliwell sisters Prue (Shannen Doherty), Piper (Holly Marie Combs), and Phoebe (Alyssa Milano) are each granted unique magical abilities that they combine to do battle with the forces of evil. The girls are later joined by long-lost half-sister Paige (Rose McGowan, who replaced Doherty in 2001) in this sexy and supernatural WB series.22 episodes on 5 discs. 16 1/4 hrs. Standard; Soundtrack: English.

Release: April 16, 2019

$6.99

Description

After learning they're descended from a long line of witches, Halliwell sisters Prue (Shannen Doherty), Piper (Holly Marie Combs), and Phoebe (Alyssa Milano) are each granted unique magical abilities that they combine to do battle with the forces of evil. The girls are later joined by long-lost half-sister Paige (Rose McGowan, who replaced Doherty in 2001) in this sexy and supernatural WB series.22 episodes on 5 discs. 16 1/4 hrs. Standard; Soundtrack: English.

Release: April 16, 2019

$6.99

Description

After learning they're descended from a long line of witches, Halliwell sisters Prue (Shannen Doherty), Piper (Holly Marie Combs), and Phoebe (Alyssa Milano) are each granted unique magical abilities that they combine to do battle with the forces of evil. The girls are later joined by long-lost half-sister Paige (Rose McGowan, who replaced Doherty in 2001) in this sexy and supernatural WB series.22 episodes on 5 discs. 16 1/4 hrs. Standard; Soundtrack: English.

Release: April 16, 2019

$6.99

Description

After learning they're descended from a long line of witches, Halliwell sisters Prue (Shannen Doherty), Piper (Holly Marie Combs), and Phoebe (Alyssa Milano) are each granted unique magical abilities that they combine to do battle with the forces of evil. The girls are later joined by long-lost half-sister Paige (Rose McGowan, who replaced Doherty in 2001) in this sexy and supernatural WB series.22 episodes on 5 discs. 16 1/4 hrs. Standard; Soundtrack: English.

Release: May 24, 2016

$6.99

Description

When scuffling WWII returnee Chuck Scott (Robert Cummings) fell into a chauffeur's job with sadistic Miami gangster Eddie Roman (Steve Cochrane), he became the shoulder to cry on for the thug's abused wife Lorna (Michèle Morgan). Scott made the dangerous move of fleeing with her to Havana... but their attempt at escape would meet with a series of truly unexpected twists. Distinctive film noir, adapted from a Cornell Woolrich novel by Philip Yordan, also stars Peter Lorre, Lloyd Corrigan, Jack Holt. 86 min.

Release: February 23, 2021

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Description

Writer/director Kevin Smith's sharp and emotional look at a most unconventional romance, as comic-book writer Holden McNeil (Ben Affleck) tries to pursue a relationship with fellow comic artist and avowed lesbian Alyssa Jones (Joey Lauren Adams), much to the displeasure of Holden's creative partner and best friend, Banky (Jason Lee). With Dwight Ewell, and Jason Mewes and Smith as Jay and Silent Bob. 113 min. Widescreen; Soundtrack: English. Top About this item Similar From the Brand Reviews Chasing Amy (Blu-ray + Digital)

Release: November 17, 2017

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Description

Respected filmmaker John Scheinfeld’s acclaimed feature documentary film, Chasing Trane: The John Coltrane Documentary, is available on BluRay with exclusive bonus features. Set against the social, political & cultural landscape of the time, Chasing Trane brings saxophone great John Coltrane to life, as a man & an artist. The film is the definitive look at the boundary-shattering musician & composer whose influence continues to resonate around the world. Original soundtrack also available.

Release: January 27, 2026

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Description

A scheming couple put a struggling family man and his old friend through a series of twisted dares over the course of an evening at a bar. A razor-sharp blend of thriller and the blackest of comedies, Cheap Thrills takes an ordinary night out among friends and turns it into a cruel, twisted game of survival. Fired from his job and facing eviction, this might be the worst night of Craig's life. While drowning his sorrows in a bar, he runs into Vince, a childhood friend he hasn't seen in years. Their reunion takes an unexpected turn when they're approached by Colin and Violet, an eccentric and wealthy couple with a strange but simple offer: complete a few dares for cash. Sounds like an easy payday... at first. As the stakes rise and the dares become ever more twisted, Craig and Vince are pushed to their physical and moral limits in a warped contest where only one can come out on top. Starring Pat Healy and Sara Paxton from The Innkeepers alongside Ethan Embry (Vacancy) and David Koechner (Krampus), and marking the audacious debut of director E.L. Katz, Cheap Thrills is a tense and darkly hilarious look at the road from desperation, to recklessness, to savagery. Bonus Materials LIMITED EDITION BLU-RAY CONTENTS High Definition (1080p) Blu-ray presentation Original DTS-HD MA 5.1 surround audio Optional English subtitles for the deaf and hard of hearing Brand new audio commentary by film critic and author Alexandra Heller-Nicholas Audio commentary with director E.L. Katz and actor Pat Healy With Friends Like These, a newly filmed interview with director E.L. Katz and producer Travis Stevens Money Talks, a newly filmed interview with actors Pat Healy, Ethan Embry, David Koechner, and Sara Paxton Double Down, a newly filmed interview with writers Trent Haaga and David Chirchirillo Ketchup, Cheese, and (Fake) Blood, a newly filmed interview with special effects/make up artist Hugo Villaseñor Vital Heat: The Making of Cheap Thrills, an archive featurette Cheap Thrills at Fantastic Film Festival 2013, an archive featurette Theatrical trailer Cheap Shots, a gallery of photos taken by Sara Paxton’s character, Violet, as seen in the film On-set production photos Reversible sleeve featuring original and newly commissioned artwork by Sister Hyde Double-sided foldout poster featuring original and newly commissioned artwork by Sister Hyde Collectors' booklet featuring new writing on the film by Heather Wixson and Matt Donato Cast & Crew Actors: Pat Healy Ethan Embry David Koechner Sara Paxton Amanda Fuller Laura Covelli Todd Farmer Elissa Dowling Director: E.L. Katz

Release: November 4, 2025

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Description

Cheech & Chong’s Last Movie defies documentary expectations, offering a wildly imaginative take on genre convention; a true-life tale told through a mix of animation and archival madness, all underscored by a classic cinematic road trip comedy. Tracing the enduring legacy of pioneering comics Cheech Marin and Tommy Chong, the film features interviews, sketches, and never-before-seen footage spanning the duo’s five-decade career. The result is an unlikely story of friendship and fame, turmoil and defiance, rebellion and ultimately - redemption.

Release: September 1, 2020

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Description

The zany twosome is back for some smoke-enhanced misadventures in this riotous comedy. This time, Cheech must deal with an angry neighbor and losing his job, all while trying to score with a sexy young lady. Meanwhile, Chong meets Cheech's cousin, Red (Cheech Marin in a dual role), and the two buds have a wild time buzzing around Hollyweird in a bad Ferrari. Along the way, the dynamic duo find time for some mishaps at a movie set, the welfare office, a hotel, a brothel, a music store, a rich girl's house, a comedy club, the ultimate weed field and a UFO-all before the second reel! This outrageous comedy features early film appearances by Paul "Pee-wee Herman" Reubens, Edie McClurg, Cassandra "Elvira" Petersen, John "Jambi" Paragon and Phil Hartman.

Release: December 15, 2020

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Description

Armed with only one word—Tenet—and fighting for the survival of the entire world, the Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real time. Bonus Content: - LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET - LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: I. THE PRINCIPLE OF BELIEF - LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: II. MOBILIZING THE TROUPE - LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: III. THE APPROACH - LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: IV. THE PROVING WINDOW - LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: V. THE ROADMAP - LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: VI. ENTROPY IN ACTION - LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: VII. TRAVERSING THE GLOBE - LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: VIII. HOW BIG A PLANE? - LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: IX. THE DRESS CODE - LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: X. CONSTRUCTING THE TWILIGHT WORLD - LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: XI. THE FINAL BATTLE - LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: XII. COHESION - LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: XIII. DOESN'T US BEING HERE NOW MEAN IT NEVER HAPPENED? - Teaser - Trailer 2 - Trailer 3 - Trailer 4