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Release: September 20, 2016

$6.99

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Michelangelo, Donatello, Leonardo, and Raphael are back to battle bigger, badder villains, alongside April O’Neil (Megan Fox), Vern Fenwick (Will Arnett), and a newcomer: the hockey-masked vigilante Casey Jones (Stephen Amell). After supervillain Shredder escapes custody, he joins forces with mad scientist Baxter Stockman (Tyler Perry) and two dimwitted henchmen, Bebop (Gary Anthony Williams) and Rocksteady (WWE Superstar Stephen “Sheamus” Farrelly), to unleash a diabolical plan to take over the world. As the Turtles prepare to take on Shredder and his new crew, they find themselves facing an even greater evil with similar intentions: the notorious Krang.

Release: April 8, 2025

$6.99

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Eight years ago, Samantha Caine washed up on a beach, pregnant, with no memory. She's given up on uncovering her past, until her memories are awoken. From screenwriter Shane Black (Kiss Kiss Bang Bang, The Nice Guys) and director Renny Harlin (Die Hard 2, Cliffhanger) comes ass-kicking action thriller The Long Kiss Goodnight. Eight years ago, Samantha Caine (Geena Davis) washed up on a beach, pregnant, with no memory. Now she's a school teacher living an idyllic small town life with a daughter and boyfriend who love her. She's almost given up on ever finding out about the life she used to lead, until an accident awakens hidden memories and her past comes back with all guns blazing. With the help of low rent private eye Mitch Henessey (Samuel L. Jackson) Samantha must uncover who she was and why so many people want her dead before it kills them both. With unforgettable action sequences and dialogue to die for, The Long Kiss Goodnight ranks among the very best of 90s action thrillers. Geena Davis is a revelation as the wholesome school teacher struggling to reconcile with her deadly alter ego Charly, while Samuel L. Jackson brings his quintessential charm to a role that so enamored test audiences they refused to let him die. Strap yourselves in and hold on tight! Bonus Materials 2-DISC 4K ULTRA HD LIMITED EDITION CONTENTS Limited edition packaging with reversible sleeve featuring original and newly commissioned artwork by Sam Hadley Illustrated collector’s booklet featuring new writing on the film by Clem Bastow, Richard Kadrey, Maura McHugh, and Priscilla Page Seasonal postcard Thin Ice sticker DISC 1 (4K ULTRA HD) - FEATURE & EXTRAS Brand new 4K restoration by Arrow Films from the original 35mm negative approved by director Renny Harlin 4K Ultra HD (2160p) presentation in Dolby Vision (HDR10 compatible) Original DTS-HD MA 5.1, stereo 2.0. and new Dolby Atmos audio options Optional English subtitles for the deaf and hard of hearing Brand new audio commentary by film critic Walter Chaw Brand new audio commentary by film critics Drusilla Adeline and Joshua Conkel, co-hosts of the Bloodhaus podcast Theatrical trailer Image gallery DISC 2 (BLU-RAY) - BONUS FEATURES Symphony of Destruction, a new interview with stunt co-ordinator Steve Davidson Long Live the New Flesh, a new interview with make-up artist Gordon J. Smith Girl Interrupted, a new interview with actress Yvonne Zima Amnesia Chick, a new visual essay by film scholar Josh Nelson The Mirror Crack’d, a new visual essay by critic and filmmaker Howard S. Berger A Woman’s World, a new visual essay by film scholar Alexandra Heller-Nicholas Deleted scenes Archive promotional interviews with with director Renny Harlin and stars Geena Davis, Samuel L. Jackson and Craig Bierko Making Of, an archive promotional featurette Behind the Scenes, archive EPK footage from the filming of The Long Kiss Goodnight Cast & Crew Actors: Geena Davis Samuel L. Jackson Yvonne Zima Craig Bierko Tom Amandes Brian Cox David Morse Melina Kanakaredes Patrick Malahide Joseph McKenna Dan Warry-Smith G.D. Spradlin Sharon Washington Director: Renny Harlin Producer: Shane Black Producer: Stephanie Austin Producer: Michael De Luca Producers: Shane Black Producers: Stephanie Austin Producers: Michael De Luca

Release: July 5, 2016

$6.99

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Vince Vaughn and Hailee Steinfeld are hunted by a vengeful mob boss and dirty cops in this action packed crime thriller co-starring Bill Paxton. When the heist he planned goes horribly wrong and he's framed for a drug lord's son's murder, Nick Barrow (Vaughn) must expose the enemies who set him up before they track down and kill him. Taking out a million-dollar life insurance policy to help his estranged daughter Cate (Steinfeld), Nick is forced to take her on the run until the policy kicks in or he finds a way to clear his name. Also starring Terrence Howard and Taraji P. Henson (Empire). Bonus Content: Includes a digital copy of Term Life (Subject to expiration. Go to NBCUCodes.com for details.) A Family Affair: Making Term Life

Release: April 12, 2015

$6.99

Description

Attempting to resurrect their failing marriage, Peter (John Hargreaves, The Odd Angry Shot) and Marcia (Briony Behets) set out on a camping trip to a deserted stretch of the Australian coastline hoping a long weekend in the sunshine will help them patch their differences. They are a careless couple, littering the countryside with garbage, shooting guns and even driving away after wounding a kangaroo with their automobile. Their callous disregard for the environment soon becomes apparent when the animals start to seek vengeance Marcia and Peter have proven themselves to be destroyers of nature. Will the animals allow them to leave or will they too be destroyed? From the writer of Road Games and Razorback comes this 'spooky little gem' (Premiere Magazine), presented in a high-definition transfer from original vault materials with a re-mastered DTS-HD MA 5.1 surround soundtrack created by Synapse Films.

Release: February 18, 2020

$6.99

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There were several masters of animation during Hollywood's golden era. Of the top two geniuses, one created elaborate fairy tales and ornate feature-length fantasias -- the other guy was Tex Avery. He just wanted to make you laugh. Having already been integrally involved in the development of Porky Pig, Daffy Duck and Bugs Bunny for Warner Bros., Avery moved to MGM in 1941 to create a set of comedy masterpieces that defined a new slapstick style for animation, inspiring cartoonists, comedians and filmmakers for decades to come. Avery's unit at Metro Goldwyn Mayer was all about breaking the fourth wall, shattering expectations and making audiences fall down with laughter. His one-shot masterpieces, including Bad Luck Blackie, Red Hot Riding Hood and Symphony in Slang, have proven themselves pure gold. And continuing characters like Droopy, Screwball Squirrel and George & Junior -- not to mention Spike, Red and The Wolf -- remain unforgettable comic personas among the top rank of cartoondom. Avery's cartoons were ahead of their time -- and their time has come. Finally committed to Blu-ray , this first collection of restored Technicolor shorts feels fresh and new, and is funnier than ever. This set will delight young and old -- and will amaze a new generation ready to laugh again. -- JERRY BECK, Animation Historian

Release: June 7, 2016

$6.99

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Product Description The Classic Live-Action Feature Film! The imagination of a nine-year-old boy comes vividly to life in this fun-filled fantasy from Dr. Seuss. Young Bart Collins, lulled to sleep by the monotony of his piano lessons, dreams of a castle ruled by his piano teacher the eccentric Dr. Terwilliker. Dr. T is determined to prove that his Happy Fingers Method of teaching piano is the best method in the world. Having banished all other musical instruments to the dungeon, Dr. T lures 500 reluctant little boys to perform in a colossal concert on the grandest grand piano ever built. In his effort to escape, Bart comes in contact with some of the strangest characters imaginable. Siamese twins on roller skates, a human drum and the most memorable villain since the Grinch. Filled with surreal landscapes and tongue-twisting rhymes for which Dr. Seuss is famous, this is a movie children and their parents will love to watch again and again. The 5,000 Fingers Of Dr. T is family entertainment at its best. Filmed in Wonderama! Review The mad humor of Dr. Seuss has been captured on film… sometimes fascinating, more often fantastic. --Variety

$6.99

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A wisecracking baby narrates his mother's search for love and fatherhood.

Release: February 18, 2025

$7.99

Description

Set 183 years before the events chronicled in the original trilogy of films, “The Lord of the Rings: The War of the Rohirrim” tells the fate of the House of Helm Hammerhand, the legendary King of Rohan. A sudden attack by Wulf, a clever and ruthless Dunlending lord seeking vengeance for the death of his father, forces Helm and his people to make a daring last stand in the ancient stronghold of the Hornburg— a mighty fortress that will later come to be known as Helm’s Deep. Finding herself in an increasingly desperate situation, Héra, the daughter of Helm, must summon the will to lead the resistance against a deadly enemy intent on their total destruction.

Release: February 18, 2025

$7.99

Description

Set 183 years before the events chronicled in the original trilogy of films, “The Lord of the Rings: The War of the Rohirrim” tells the fate of the House of Helm Hammerhand, the legendary King of Rohan. A sudden attack by Wulf, a clever and ruthless Dunlending lord seeking vengeance for the death of his father, forces Helm and his people to make a daring last stand in the ancient stronghold of the Hornburg— a mighty fortress that will later come to be known as Helm’s Deep. Finding herself in an increasingly desperate situation, Héra, the daughter of Helm, must summon the will to lead the resistance against a deadly enemy intent on their total destruction.

Release: September 2, 2025

$7.99

Description

Based on the novel by Pat Conroy, this riveting tale of suspense set in 1964 concerns a young cadet at a Southern military academy who is tasked with protecting the school's first black recruit. As the members of "the Ten"-a secret society within the academy-attempt to intimidate them, the men prove that friendship and honor can overcome prejudice and hatred. David Keith, Mark Breland, Robert Prosky, Judge Reinhold, Bill Paxton star. 102 min. Widescreen (Enhanced); Soundtrack: English DTS Lossless stereo; Subtitles: English.

Release: September 2, 2025

$7.99

Description

Based on the novel by Pat Conroy, this riveting tale of suspense set in 1964 concerns a young cadet at a Southern military academy who is tasked with protecting the school's first black recruit. As the members of "the Ten"-a secret society within the academy-attempt to intimidate them, the men prove that friendship and honor can overcome prejudice and hatred. David Keith, Mark Breland, Robert Prosky, Judge Reinhold, Bill Paxton star. 102 min. Widescreen (Enhanced); Soundtrack: English; Subtitles: English. Two-disc set.

Release: May 28, 2013

$7.99

Description

Left to fend for themselves after their SS officer father and mother, staunch Nazi believers, are interred by the victorious Allies at the end of World War II, five German children undertake a harrowing journey that exposes them to the reality and consequences of their parents' actions. Led by the eldest sibling, 14-year old Lore (striking newcomer Saskia Rosendahl), they set out on a journey across a devastated country to reach their grandmother in the north. After meeting the charismatic Thomas, a mysterious young refugee, Lore soon finds her world shattered by feelings of both hatred and desire as she must learn to trust the one person she has always been taught to hate in order to survive. Lush cinematography and an evocative, haunting mood infuse this unconventional take on the Holocaust legacy with unforgettable impact.

Release: March 18, 2025

$7.99

Description

The already troubled marriage of philosophy professor Sara (Seret Scott) and artist Victor (Bill Gunn) doesn't seem to be improving much as they head off to a rented summer home-something he clearly wants more than she does. But Victor's attraction to one of his models (Maritza Rivera), and Sara's burgeoning friendship with the uncle (Duane Jones) of one of her students could make things go from bad to worse, in this acclaimed relationship dramedy. 86 min. Standard; Soundtrack: English DTS Lossless stereo; Subtitles: English; audio commentary; interviews; theatrical trailer; bonus film "The Cruz Brothers and Miss Malloy" (1980); bonus shorts "Transmagnifican Dambamuality" (1976) Top About this item Similar From the Brand Reviews Losing Ground

Release: March 18, 2025

$5.99

Description

The already troubled marriage of philosophy professor Sara (Seret Scott) and artist Victor (Bill Gunn) doesn't seem to be improving much as they head off to a rented summer home-something he clearly wants more than she does. But Victor's attraction to one of his models (Maritza Rivera), and Sara's burgeoning friendship with the uncle (Duane Jones) of one of her students could make things go from bad to worse, in this acclaimed relationship dramedy. 86 min. Standard; Soundtrack: English DTS Lossless stereo; Subtitles: English; audio commentary; interviews; theatrical trailer; bonus film "The Cruz Brothers and Miss Malloy" (1980); bonus shorts "Transmagnifican Dambamuality" (1976) Top About this item Similar From the Brand Reviews Losing Ground

Release: September 17, 2019

$6.99

Description

Following the end of WWII, war-monger Sir Eric Hazarias (Lionel Atwill) sets the wheel in motion for WWIII. His search for Meteorium 245, the only practical defense against the atomic bomb, leads him to mythical Pendrang. Obstructing his sinister plan to rule the world are Rod Stanton (Russell Hayden), United Peace Foundation investigator, Tal Shan (Keye Luke), Pendrang native, and Marjorie Elmore (Jane Adams), daughter of scientist Dr. Elmore (John Eldredge), unwilling assistant to Sir Eric.

Release: November 19, 2018

$6.99

Description

Following on from the enormous success of his breakthrough film Django, Franco Nero returned to the Wild West (Almería, Spain) to star in the same year s Texas Adios, which was released as Django 2 in some countries. Here he plays tough gunslinger Burt Sullivan, a sheriff who, along with his younger brother (Alberto Dell'Acqua, Endgame), journeys to Mexico to hunt down the sadistic bandit Cisco Delgado and avenge his father s murder. When Burt and his brother fall in with a group of Mexican revolutionaries, the stage is set for a violent climatic confrontation... Directed by veteran helmsman Ferdinado Baldi, best known for the cult Western Blindman (starring Beatles tub-thumper Ringo Starr) and the 3D extravaganza Comin' at Ya!, Texas Adios is a lesser-known Spaghetti Western gem, which boasts rapid-fire action scenes, stunning locations and stylish cinematography courtesy of Enzo Barboni (Django, Nightmare Castle). The film is presented here in an exclusive new restoration, with a wealth of extras which allow this film to be enjoyed as never before. SPECIAL EDITION CONTENTS New restoration from a 2K scan from the original camera negative by Arrow Films High Definition Blu-ray (1080p) presentation Uncompressed Mono 1.0 PCM audio Newly translated English subtitles for the Italian soundtrack Optional English subtitles for the deaf and hard of hearing for the English soundtrack Audio commentary for by spaghetti western experts C. Courtney Joyner and Henry C. Parke Newly filmed interview with star Franco Nero Newly filmed interview with co-star Alberto Dell'Acqua Newly filmed interview with co-writer Franco Rossetti Hello Texas!, newly filmed appreciation by Spaghetti Westerns scholar Austin Fisher Gallery of original promotional images from the Mike Siegel Archive Original trailer Reversible sleeve featuring original and newly commissioned artwork by Matt Griffin FIRST PRESSING ONLY: Fully illustrated collector's booklet featuring new writing by Howard Hughes, and original reviews

$6.99

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Leatherface, the Cook, Grandpa, and company are back, proving that "the family that slays together stays together," in Tobe Hooper's follow-up to his 1974 shock classic. Dennis Hopper plays a deranged ex-lawman who teams with a late-night DJ (Caroline Williams) to track down the cannibalistic brood, who are prowling the prairie for "fresh meat." With Jim Siedow, Bill Moseley, and Bill Johnson as Leatherface. 101 min. Widescreen; Soundtrack: English Dolby Digital stereo; Subtitles: English (SDH); audio commentary; featurettes; alternate opening; deleted scenes; image gallery; TV spots; theatrical trailers.

$6.99

Description

After a plane crash on a mysterious island, the survivors battle danger, secrets and the unknown in the first season of Lost.

Release: January 28, 2020

$6.99

Description

Decades after Sarah Connor (Linda Hamilton) prevented Judgment Day, a lethal new Terminator is sent to eliminate the future leader of the resistance. In a fight to save mankind, battle-hardened Sarah Connor teams up with an unexpected ally (Arnold Schwarzenegger) and an enhanced super soldier to stop the deadliest Terminator yet. Humanity's fate hangs in the balance in this action-packed thrill ride from Tim Miller, the Director of Deadpool, and Producer James Cameron.

Release: January 28, 2020

$6.99

Description

Decades after Sarah Connor (Linda Hamilton) prevented Judgment Day, a lethal New Terminator is sent to eliminate the future leader of the resistance.

Release: December 8, 2009

$6.99

Description

Amazon.com Lost: Season One Along with Desperate Housewives, Lost was one of the two breakout shows in the fall of 2004. Mixing suspense and action with a sci-fi twist, it began with a thrilling pilot episode in which a jetliner traveling from Australia to Los Angeles crashes, leaving 48 survivors on an unidentified island with no sign of civilization or hope of imminent rescue. That may sound like Gilligan's Island meets Survivor, but Lost kept viewers tuning in every Wednesday night--and spending the rest of the week speculating on Web sites--with some irresistible hooks (not to mention the beautiful women). First, there's a huge ensemble cast of no fewer than 14 regular characters, and each episode fills in some of the back story on one of them. There's a doctor; an Iraqi soldier; a has-been rock star; a fugitive from justice; a self-absorbed young woman and her brother; a lottery winner; a father and son; a Korean couple; a pregnant woman; and others. Second, there's a host of unanswered questions: What is the mysterious beast that lurks in the jungle? Why do polar bears and wild boars live there? Why has a woman been transmitting an SOS message in French from somewhere on the island for the last 16 years? Why do impossible wishes seem to come true? Are they really on a physical island, or somewhere else? What is the significance of the recurring set of numbers? And will Kate ever give up her bad-boy fixation and hook up with Jack? Lost did have some hiccups during the first season. Some plot threads were left dangling for weeks, and the "oh, it didn't really happen" card was played too often. But the strong writing and topnotch cast kept the show a cut above most network TV. The best-known actor at the time of the show's debut was Dominic Monaghan, fresh off his stint as Merry the Hobbit in Peter Jackson's Lord of the Rings films. The rest of the cast is either unknowns or "where I have I seen that face before" supporting players, including Matthew Fox and Evangeline Lilly, who are the closest thing to leads. Other standouts include Naveen Andrews, Terry O'Quinn (who's made a nice career out of conspiracy-themed TV shows), Josh Holloway, Jorge Garcia, Yunjin Kim, Maggie Grace, and Emilie de Ravin, but there's really not a weak link in the cast. Co-created by J.J. Abrams (Alias), Lost left enough unanswered questions after its first season to keep viewers riveted for a second season. --David Horiuchi Lost: Season Two What was in the Hatch? The cliffhanger from season one of Lost was answered in its opening sequences, only to launch into more questions as the season progressed. That's right: Just when you say "Ohhhhh," there comes another "What?" Thankfully, the show's producers sprinkle answers like tasty morsels throughout the season, ending with a whopper: What caused Oceanic Air Flight 815 to crash in the first place? As the show digs into more revelations about its inhabitant's pasts, it also devotes a good chunk to new characters (Hey, it's an island; you never know who you're going to run into.) First, there are the "Tailies," passengers from the back end of the plane who crashed on the other side of the island. Among them are the wise, God-fearing ex-drug lord Mr. Eko (standout Adewale Akinnuoye-Agbaje); devoted husband Bernard (Sam Anderson); psychiatrist Libby (Cynthia Watros, whose character has more than one hidden link to the other islanders); and ex-cop Ana Lucia (Michelle Rodriguez), by far the most infuriating character on the show, despite how much the writers tried to incur sympathy with her flashback. Then there are the Others, first introduced when they kidnapped Walt (Malcolm David Kelley) at the end of season one. Brutal and calculating, their agenda only became more complex when one of them (played creepily by Michael Emerson) was held hostage in the hatch and, quite handily, plays mind games on everyone's already frayed nerves. The original cast continues to battle their own skeletons, most notably Locke (Terry O'Quinn), Sun (Yunjin Kim) and Michael (Harold Perrineau), whose obsession with finding Walt takes a dangerous turn. The love triangle between Jack (Matthew Fox), Kate (Evangeline Lilly) and Sawyer (Josh Holloway), which had stalled with Sawyer's departure, heats up again in the second half. Despite the bloating cast size (knocked down by a few by season's end) Lost still does what it does best: explores the psyche of people, about whom "my life is an open book" never applies, and cracks into the social dynamics of strangers thrust into Lord of the Flies-esque situations. Is it all a science experiment? A dream? A supernatural pocket in the universe? Likely, any theory will wind up on shaky ground by the season's conclusion. But hey, that's the fun of it. This show was made for DVD, and you can pause and slow-frame to your heart's content. Just try and keep that.---Ellen Kim Lost: Season Three When it aired in 2006-07, Lost's third season was split into two, with a hefty break in between. This did nothing to help the already weirdly disparate direction the show was taking (Kate and Sawyer in zoo cages! Locke eating goop in a mud hut!), but when it finally righted its course halfway through--in particular that whopper of a finale--the drama series had left its irked fan base thrilled once again. This doesn't mean, however, that you should skip through the first half of the season to get there, because quite a few questions find answers: what the Others are up to, the impact of turning that fail-safe key, the identity of the eye-patched man from the hatch's video monitor. One of the series' biggest curiosities from the past--how Locke ended up in that wheelchair in the first place--also gets its satisfying due. (The episode, "The Man from Tallahassee," likely was a big contributor to Terry O'Quinn's surprising--but long-deserved--Emmy win that year.) Unfortunately, you do have to sit through a lot of aforementioned nuisances to get there. Season 3 kicks off with Jack (Matthew Fox), Kate (Evangeline Lilly), and Sawyer (Josh Holloway) held captive by the Others; Sayid (Naveen Andrews), Sun (Yunjin Kim), and Jin (Daniel Dae Kim) on a mission to rescue them; and Locke, Mr. Eko (Adewale Akinnuoye-Agbaje), and Desmond (Henry Ian Cusick) in the aftermath of the electromagnetic pulse that blew up the hatch. Spinning the storylines away from base camp alone wouldn't have felt so disjointed were it not for the new characters simultaneously being introduced. First there's Juliet, a mysterious member of the Others whose loyalty constantly comes into question as the season goes on. Played delicately by Elizabeth Mitchell (Gia, ER, Frequency), Juliet is in one turn a cold-blooded killer, by another turn a sympathetic friend; possibly both at once, possibly neither at all. (She's also a terrific, albeit unwitting, threat to the Kate-Sawyer-Jack love triangle, which plays out more definitively this season.) On the other hand, there's the now-infamous Nikki and Paulo (Kiele Sanchez and Rodrigo Santoro), a tagalong couple who were cleverly woven into the previous seasons' key moments but came to bear the brunt of fans' ire toward the show (Sawyer humorously echoed the sentiments by remarking, "Who the hell are you?"). By the end of the season, at least two major characters die, another is told he/she will die within months, major new threats are unveiled, and--as mentioned before--the two-part season finale restores your faith in the series. The extras are as well-stocked as a Dharma Initiative food pantry on this seven-disc set. Commentaries by producer Damon Lindelof, show writers, and numerous cast members reveal a whole lot of juicy trivia; plus, the DVDs even provide a subtitle track for the commentary (rarely seen other than on foreign-language director's commentaries) so you won't miss a thing. "Lost Book Club" goes through the parallels between what characters are reading and the show's storylines (The Wizard of Oz and Stephen King are heavily referenced). "Lost: On Location" gives a lot of insight to some of the biggest episodes, and "Lost in a Day" gives a 24-hour glimpse at the drama's arduous production. If you're a Lost fan who gave up during this season, the bonus features alone might lure you back for the next round. --Ellen A. Kim Lost: Season Four Season four of Lost was a fine return to form for the series, which polarized its audience the year before with its focus on The Others and not enough on our original crash victims. That season's finale introduced a new storytelling device--the flash-forward--that's employed to great effect this time around; by showing who actually got off the island (known as the Oceanic Six), the viewer is able to put to bed some longstanding loose ends. As the finale attests, we see that in the future Jack (Matthew Fox) is broken, bearded, and not sober, while Kate (Evangeline Lilly) is estranged from Jack and with another guy (the identity may surprise you). Four others do make it back to their homes, but as the flash-forwards show, it's definitely not the end of their connection to the island. Back in present day, however, the islanders are visited by the denizens of a so-called rescue ship, who have agendas of their own. While Jack works with the newcomers to try to get off the island, Locke (Terry O'Quinn), with a few followers of his own, forms an uneasy alliance with Ben (Michael Emerson) against the suspicious gang. Some episodes featuring the new characters feel like filler, but the evolution of such characters as Sun and Jin (Yunjin Kim and Daniel Dae Kim) is this season's strength; plus, the love story of Desmond (Henry Ian Cusick) and Penny (Sonya Walger) provides some of the show's emotional highlights. As is the custom with Lost, bullets fly and characters die (while others may or may not have). Moreover, the fate of Michael (Harold Perrineau), last seen traitorously sailing off to civilization in season two, as well as the flash-forwards of the Oceanic Six, shows you never quite leave the island once you've left. There's a force that pulls them in, and it's a hook that keeps you watching. Season four was a shorter 13 episodes instead of the usual 22 due to the 2008 writers' strike; nonetheless, the set comes with two discs of extras. One of the best features is "LOST in 8:15," which is a rapid-fire summation of the series thus far in eight minutes, 15 seconds. Narrated by a hilariously droll female, it includes lines such as "Jack meets Kate. Kate stitches up Jack. They bond." and "They see Jack play football with Mr. Friendly. Mr. Friendly throws like a girl." The featurette "The Right to Bear Arms" takes a fun look at the prop masters responsible for supplying the castaways with guns--and keeping track of who has one and who doesn't (best here is Sawyer's (Josh Holloway) assertion that characters often cock their guns just to look cool). Cast members Lilly, Garcia, Yunjin Kim, and Daniel Dae Kim provide a few of the commentaries, and the set even comes with an amusing safety guide for Oceanic Airlines. (Example: "if you notice black smoke emanating from the plane, please alert the captain. It is either a problem with the engines or a mysterious creature.") Finally, for those who bought the standard-def DVD, take a closer look at the front cover after you've removed the O-sleeve; you'll notice the entire cast has been blacked out save for a few: the Oceanic Six. --Ellen A. Kim Lost: Season Five Since Lost made its debut as a cult phenomenon in 2004, certain things seemed inconceivable. In its fourth year, some of those things, like a rescue, came to pass. The season ended with Locke (Terry O'Quinn) attempting to persuade the Oceanic Six to return, but he dies before that can happen--or so it appears--and where Jack (Matthew Fox) used to lead, Ben (Emmy nominee Michael Emerson) now takes the reins and convinces the survivors to fulfill Locke's wish. As producers Damon Lindelof and Carlton Cuse state in their commentary on the fifth-season premiere, "We're doing time travel this year," and the pile-up of flashbacks and flash-forwards will make even the most dedicated fan dizzy. Ben, Jack, Hurley (Jorge Garcia), Sayid (Naveen Andrews), Sun (Yunjin Kim), and Kate (Evangeline Lilly) arrive to find that Sawyer (Josh Holloway) and Juliet (Elizabeth Mitchell) have been part of the Dharma Initiative for three years. The writers also clarify the roles that Richard (Nestor Carbonell) and Daniel (Jeremy Davies) play in the island's master plan, setting the stage for the prophecies of Daniel's mother, Eloise Hawking (Fionnula Flanagan), to play a bigger part in the sixth and final season. Dozens of other players flit in and out, some never to return. A few, such as Jin (Daniel Dae Kim), live again in the past. Lost could've wrapped things up in five years, as The Wire did, but the show continues to excite and surprise. As Lindelof and Cuse admit in the commentary, there's a "fine line between confusion and mystery," adding, "it makes more sense if you're drunk." Other extras include deleted scenes, featurettes, a "lost" episode of Mysteries of the Universe, and commentary from writers Edward Kitsis and Adam Horowitz on "He's Our You," a reference to Sayid, who tries to change the future by changing the past. --Kathleen C. Fennessy

$6.99

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The castaways discover the hatch and unravel deeper mysteries of the island in the show's second season.

Release: December 8, 2009

$6.99

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Amazon.com Lost: Season One Along with Desperate Housewives, Lost was one of the two breakout shows in the fall of 2004. Mixing suspense and action with a sci-fi twist, it began with a thrilling pilot episode in which a jetliner traveling from Australia to Los Angeles crashes, leaving 48 survivors on an unidentified island with no sign of civilization or hope of imminent rescue. That may sound like Gilligan's Island meets Survivor, but Lost kept viewers tuning in every Wednesday night--and spending the rest of the week speculating on Web sites--with some irresistible hooks (not to mention the beautiful women). First, there's a huge ensemble cast of no fewer than 14 regular characters, and each episode fills in some of the back story on one of them. There's a doctor; an Iraqi soldier; a has-been rock star; a fugitive from justice; a self-absorbed young woman and her brother; a lottery winner; a father and son; a Korean couple; a pregnant woman; and others. Second, there's a host of unanswered questions: What is the mysterious beast that lurks in the jungle? Why do polar bears and wild boars live there? Why has a woman been transmitting an SOS message in French from somewhere on the island for the last 16 years? Why do impossible wishes seem to come true? Are they really on a physical island, or somewhere else? What is the significance of the recurring set of numbers? And will Kate ever give up her bad-boy fixation and hook up with Jack? Lost did have some hiccups during the first season. Some plot threads were left dangling for weeks, and the "oh, it didn't really happen" card was played too often. But the strong writing and topnotch cast kept the show a cut above most network TV. The best-known actor at the time of the show's debut was Dominic Monaghan, fresh off his stint as Merry the Hobbit in Peter Jackson's Lord of the Rings films. The rest of the cast is either unknowns or "where I have I seen that face before" supporting players, including Matthew Fox and Evangeline Lilly, who are the closest thing to leads. Other standouts include Naveen Andrews, Terry O'Quinn (who's made a nice career out of conspiracy-themed TV shows), Josh Holloway, Jorge Garcia, Yunjin Kim, Maggie Grace, and Emilie de Ravin, but there's really not a weak link in the cast. Co-created by J.J. Abrams (Alias), Lost left enough unanswered questions after its first season to keep viewers riveted for a second season. --David Horiuchi Lost: Season Two What was in the Hatch? The cliffhanger from season one of Lost was answered in its opening sequences, only to launch into more questions as the season progressed. That's right: Just when you say "Ohhhhh," there comes another "What?" Thankfully, the show's producers sprinkle answers like tasty morsels throughout the season, ending with a whopper: What caused Oceanic Air Flight 815 to crash in the first place? As the show digs into more revelations about its inhabitant's pasts, it also devotes a good chunk to new characters (Hey, it's an island; you never know who you're going to run into.) First, there are the "Tailies," passengers from the back end of the plane who crashed on the other side of the island. Among them are the wise, God-fearing ex-drug lord Mr. Eko (standout Adewale Akinnuoye-Agbaje); devoted husband Bernard (Sam Anderson); psychiatrist Libby (Cynthia Watros, whose character has more than one hidden link to the other islanders); and ex-cop Ana Lucia (Michelle Rodriguez), by far the most infuriating character on the show, despite how much the writers tried to incur sympathy with her flashback. Then there are the Others, first introduced when they kidnapped Walt (Malcolm David Kelley) at the end of season one. Brutal and calculating, their agenda only became more complex when one of them (played creepily by Michael Emerson) was held hostage in the hatch and, quite handily, plays mind games on everyone's already frayed nerves. The original cast continues to battle their own skeletons, most notably Locke (Terry O'Quinn), Sun (Yunjin Kim) and Michael (Harold Perrineau), whose obsession with finding Walt takes a dangerous turn. The love triangle between Jack (Matthew Fox), Kate (Evangeline Lilly) and Sawyer (Josh Holloway), which had stalled with Sawyer's departure, heats up again in the second half. Despite the bloating cast size (knocked down by a few by season's end) Lost still does what it does best: explores the psyche of people, about whom "my life is an open book" never applies, and cracks into the social dynamics of strangers thrust into Lord of the Flies-esque situations. Is it all a science experiment? A dream? A supernatural pocket in the universe? Likely, any theory will wind up on shaky ground by the season's conclusion. But hey, that's the fun of it. This show was made for DVD, and you can pause and slow-frame to your heart's content. Just try and keep that.---Ellen Kim Lost: Season Three When it aired in 2006-07, Lost's third season was split into two, with a hefty break in between. This did nothing to help the already weirdly disparate direction the show was taking (Kate and Sawyer in zoo cages! Locke eating goop in a mud hut!), but when it finally righted its course halfway through--in particular that whopper of a finale--the drama series had left its irked fan base thrilled once again. This doesn't mean, however, that you should skip through the first half of the season to get there, because quite a few questions find answers: what the Others are up to, the impact of turning that fail-safe key, the identity of the eye-patched man from the hatch's video monitor. One of the series' biggest curiosities from the past--how Locke ended up in that wheelchair in the first place--also gets its satisfying due. (The episode, "The Man from Tallahassee," likely was a big contributor to Terry O'Quinn's surprising--but long-deserved--Emmy win that year.) Unfortunately, you do have to sit through a lot of aforementioned nuisances to get there. Season 3 kicks off with Jack (Matthew Fox), Kate (Evangeline Lilly), and Sawyer (Josh Holloway) held captive by the Others; Sayid (Naveen Andrews), Sun (Yunjin Kim), and Jin (Daniel Dae Kim) on a mission to rescue them; and Locke, Mr. Eko (Adewale Akinnuoye-Agbaje), and Desmond (Henry Ian Cusick) in the aftermath of the electromagnetic pulse that blew up the hatch. Spinning the storylines away from base camp alone wouldn't have felt so disjointed were it not for the new characters simultaneously being introduced. First there's Juliet, a mysterious member of the Others whose loyalty constantly comes into question as the season goes on. Played delicately by Elizabeth Mitchell (Gia, ER, Frequency), Juliet is in one turn a cold-blooded killer, by another turn a sympathetic friend; possibly both at once, possibly neither at all. (She's also a terrific, albeit unwitting, threat to the Kate-Sawyer-Jack love triangle, which plays out more definitively this season.) On the other hand, there's the now-infamous Nikki and Paulo (Kiele Sanchez and Rodrigo Santoro), a tagalong couple who were cleverly woven into the previous seasons' key moments but came to bear the brunt of fans' ire toward the show (Sawyer humorously echoed the sentiments by remarking, "Who the hell are you?"). By the end of the season, at least two major characters die, another is told he/she will die within months, major new threats are unveiled, and--as mentioned before--the two-part season finale restores your faith in the series. The extras are as well-stocked as a Dharma Initiative food pantry on this seven-disc set. Commentaries by producer Damon Lindelof, show writers, and numerous cast members reveal a whole lot of juicy trivia; plus, the DVDs even provide a subtitle track for the commentary (rarely seen other than on foreign-language director's commentaries) so you won't miss a thing. "Lost Book Club" goes through the parallels between what characters are reading and the show's storylines (The Wizard of Oz and Stephen King are heavily referenced). "Lost: On Location" gives a lot of insight to some of the biggest episodes, and "Lost in a Day" gives a 24-hour glimpse at the drama's arduous production. If you're a Lost fan who gave up during this season, the bonus features alone might lure you back for the next round. --Ellen A. Kim Lost: Season Four Season four of Lost was a fine return to form for the series, which polarized its audience the year before with its focus on The Others and not enough on our original crash victims. That season's finale introduced a new storytelling device--the flash-forward--that's employed to great effect this time around; by showing who actually got off the island (known as the Oceanic Six), the viewer is able to put to bed some longstanding loose ends. As the finale attests, we see that in the future Jack (Matthew Fox) is broken, bearded, and not sober, while Kate (Evangeline Lilly) is estranged from Jack and with another guy (the identity may surprise you). Four others do make it back to their homes, but as the flash-forwards show, it's definitely not the end of their connection to the island. Back in present day, however, the islanders are visited by the denizens of a so-called rescue ship, who have agendas of their own. While Jack works with the newcomers to try to get off the island, Locke (Terry O'Quinn), with a few followers of his own, forms an uneasy alliance with Ben (Michael Emerson) against the suspicious gang. Some episodes featuring the new characters feel like filler, but the evolution of such characters as Sun and Jin (Yunjin Kim and Daniel Dae Kim) is this season's strength; plus, the love story of Desmond (Henry Ian Cusick) and Penny (Sonya Walger) provides some of the show's emotional highlights. As is the custom with Lost, bullets fly and characters die (while others may or may not have). Moreover, the fate of Michael (Harold Perrineau), last seen traitorously sailing off to civilization in season two, as well as the flash-forwards of the Oceanic Six, shows you never quite leave the island once you've left. There's a force that pulls them in, and it's a hook that keeps you watching. Season four was a shorter 13 episodes instead of the usual 22 due to the 2008 writers' strike; nonetheless, the set comes with two discs of extras. One of the best features is "LOST in 8:15," which is a rapid-fire summation of the series thus far in eight minutes, 15 seconds. Narrated by a hilariously droll female, it includes lines such as "Jack meets Kate. Kate stitches up Jack. They bond." and "They see Jack play football with Mr. Friendly. Mr. Friendly throws like a girl." The featurette "The Right to Bear Arms" takes a fun look at the prop masters responsible for supplying the castaways with guns--and keeping track of who has one and who doesn't (best here is Sawyer's (Josh Holloway) assertion that characters often cock their guns just to look cool). Cast members Lilly, Garcia, Yunjin Kim, and Daniel Dae Kim provide a few of the commentaries, and the set even comes with an amusing safety guide for Oceanic Airlines. (Example: "if you notice black smoke emanating from the plane, please alert the captain. It is either a problem with the engines or a mysterious creature.") Finally, for those who bought the standard-def DVD, take a closer look at the front cover after you've removed the O-sleeve; you'll notice the entire cast has been blacked out save for a few: the Oceanic Six. --Ellen A. Kim Lost: Season Five Since Lost made its debut as a cult phenomenon in 2004, certain things seemed inconceivable. In its fourth year, some of those things, like a rescue, came to pass. The season ended with Locke (Terry O'Quinn) attempting to persuade the Oceanic Six to return, but he dies before that can happen--or so it appears--and where Jack (Matthew Fox) used to lead, Ben (Emmy nominee Michael Emerson) now takes the reins and convinces the survivors to fulfill Locke's wish. As producers Damon Lindelof and Carlton Cuse state in their commentary on the fifth-season premiere, "We're doing time travel this year," and the pile-up of flashbacks and flash-forwards will make even the most dedicated fan dizzy. Ben, Jack, Hurley (Jorge Garcia), Sayid (Naveen Andrews), Sun (Yunjin Kim), and Kate (Evangeline Lilly) arrive to find that Sawyer (Josh Holloway) and Juliet (Elizabeth Mitchell) have been part of the Dharma Initiative for three years. The writers also clarify the roles that Richard (Nestor Carbonell) and Daniel (Jeremy Davies) play in the island's master plan, setting the stage for the prophecies of Daniel's mother, Eloise Hawking (Fionnula Flanagan), to play a bigger part in the sixth and final season. Dozens of other players flit in and out, some never to return. A few, such as Jin (Daniel Dae Kim), live again in the past. Lost could've wrapped things up in five years, as The Wire did, but the show continues to excite and surprise. As Lindelof and Cuse admit in the commentary, there's a "fine line between confusion and mystery," adding, "it makes more sense if you're drunk." Other extras include deleted scenes, featurettes, a "lost" episode of Mysteries of the Universe, and commentary from writers Edward Kitsis and Adam Horowitz on "He's Our You," a reference to Sayid, who tries to change the future by changing the past. --Kathleen C. Fennessy

Release: October 31, 2022

$6.99

Description

After more than thirty years of service as a top naval aviator, Pete “Maverick” Mitchell (Tom Cruise) is where he belongs, pushing the envelope as a courageous test pilot. Yet, Maverick must confront the ghosts of his past when he returns to TOPGUN to train a group of elite graduates and comes face to face with Lt. Bradshaw (Miles Teller), the son of his former wingman "Goose". Bitter rivalries ignite as the pilots prepare for a specialized mission which will require the ultimate sacrifice from those chosen to fly it. Top About this item Similar From the Brand Reviews Top Gun: Maverick [Blu-ray]

Release: October 31, 2022

$6.99

Description

After more than thirty years of service as a top naval aviator, Pete “Maverick” Mitchell (Tom Cruise) is where he belongs, pushing the envelope as a courageous test pilot. Yet, Maverick must confront the ghosts of his past when he returns to TOPGUN to train a group of elite graduates and comes face to face with Lt. Bradshaw (Miles Teller), the son of his former wingman "Goose". Bitter rivalries ignite as the pilots prepare for a specialized mission which will require the ultimate sacrifice from those chosen to fly it.

Release: December 8, 2009

$6.99

Description

Amazon.com Lost: Season One Along with Desperate Housewives, Lost was one of the two breakout shows in the fall of 2004. Mixing suspense and action with a sci-fi twist, it began with a thrilling pilot episode in which a jetliner traveling from Australia to Los Angeles crashes, leaving 48 survivors on an unidentified island with no sign of civilization or hope of imminent rescue. That may sound like Gilligan's Island meets Survivor, but Lost kept viewers tuning in every Wednesday night--and spending the rest of the week speculating on Web sites--with some irresistible hooks (not to mention the beautiful women). First, there's a huge ensemble cast of no fewer than 14 regular characters, and each episode fills in some of the back story on one of them. There's a doctor; an Iraqi soldier; a has-been rock star; a fugitive from justice; a self-absorbed young woman and her brother; a lottery winner; a father and son; a Korean couple; a pregnant woman; and others. Second, there's a host of unanswered questions: What is the mysterious beast that lurks in the jungle? Why do polar bears and wild boars live there? Why has a woman been transmitting an SOS message in French from somewhere on the island for the last 16 years? Why do impossible wishes seem to come true? Are they really on a physical island, or somewhere else? What is the significance of the recurring set of numbers? And will Kate ever give up her bad-boy fixation and hook up with Jack? Lost did have some hiccups during the first season. Some plot threads were left dangling for weeks, and the "oh, it didn't really happen" card was played too often. But the strong writing and topnotch cast kept the show a cut above most network TV. The best-known actor at the time of the show's debut was Dominic Monaghan, fresh off his stint as Merry the Hobbit in Peter Jackson's Lord of the Rings films. The rest of the cast is either unknowns or "where I have I seen that face before" supporting players, including Matthew Fox and Evangeline Lilly, who are the closest thing to leads. Other standouts include Naveen Andrews, Terry O'Quinn (who's made a nice career out of conspiracy-themed TV shows), Josh Holloway, Jorge Garcia, Yunjin Kim, Maggie Grace, and Emilie de Ravin, but there's really not a weak link in the cast. Co-created by J.J. Abrams (Alias), Lost left enough unanswered questions after its first season to keep viewers riveted for a second season. --David Horiuchi Lost: Season Two What was in the Hatch? The cliffhanger from season one of Lost was answered in its opening sequences, only to launch into more questions as the season progressed. That's right: Just when you say "Ohhhhh," there comes another "What?" Thankfully, the show's producers sprinkle answers like tasty morsels throughout the season, ending with a whopper: What caused Oceanic Air Flight 815 to crash in the first place? As the show digs into more revelations about its inhabitant's pasts, it also devotes a good chunk to new characters (Hey, it's an island; you never know who you're going to run into.) First, there are the "Tailies," passengers from the back end of the plane who crashed on the other side of the island. Among them are the wise, God-fearing ex-drug lord Mr. Eko (standout Adewale Akinnuoye-Agbaje); devoted husband Bernard (Sam Anderson); psychiatrist Libby (Cynthia Watros, whose character has more than one hidden link to the other islanders); and ex-cop Ana Lucia (Michelle Rodriguez), by far the most infuriating character on the show, despite how much the writers tried to incur sympathy with her flashback. Then there are the Others, first introduced when they kidnapped Walt (Malcolm David Kelley) at the end of season one. Brutal and calculating, their agenda only became more complex when one of them (played creepily by Michael Emerson) was held hostage in the hatch and, quite handily, plays mind games on everyone's already frayed nerves. The original cast continues to battle their own skeletons, most notably Locke (Terry O'Quinn), Sun (Yunjin Kim) and Michael (Harold Perrineau), whose obsession with finding Walt takes a dangerous turn. The love triangle between Jack (Matthew Fox), Kate (Evangeline Lilly) and Sawyer (Josh Holloway), which had stalled with Sawyer's departure, heats up again in the second half. Despite the bloating cast size (knocked down by a few by season's end) Lost still does what it does best: explores the psyche of people, about whom "my life is an open book" never applies, and cracks into the social dynamics of strangers thrust into Lord of the Flies-esque situations. Is it all a science experiment? A dream? A supernatural pocket in the universe? Likely, any theory will wind up on shaky ground by the season's conclusion. But hey, that's the fun of it. This show was made for DVD, and you can pause and slow-frame to your heart's content. Just try and keep that.---Ellen Kim Lost: Season Three When it aired in 2006-07, Lost's third season was split into two, with a hefty break in between. This did nothing to help the already weirdly disparate direction the show was taking (Kate and Sawyer in zoo cages! Locke eating goop in a mud hut!), but when it finally righted its course halfway through--in particular that whopper of a finale--the drama series had left its irked fan base thrilled once again. This doesn't mean, however, that you should skip through the first half of the season to get there, because quite a few questions find answers: what the Others are up to, the impact of turning that fail-safe key, the identity of the eye-patched man from the hatch's video monitor. One of the series' biggest curiosities from the past--how Locke ended up in that wheelchair in the first place--also gets its satisfying due. (The episode, "The Man from Tallahassee," likely was a big contributor to Terry O'Quinn's surprising--but long-deserved--Emmy win that year.) Unfortunately, you do have to sit through a lot of aforementioned nuisances to get there. Season 3 kicks off with Jack (Matthew Fox), Kate (Evangeline Lilly), and Sawyer (Josh Holloway) held captive by the Others; Sayid (Naveen Andrews), Sun (Yunjin Kim), and Jin (Daniel Dae Kim) on a mission to rescue them; and Locke, Mr. Eko (Adewale Akinnuoye-Agbaje), and Desmond (Henry Ian Cusick) in the aftermath of the electromagnetic pulse that blew up the hatch. Spinning the storylines away from base camp alone wouldn't have felt so disjointed were it not for the new characters simultaneously being introduced. First there's Juliet, a mysterious member of the Others whose loyalty constantly comes into question as the season goes on. Played delicately by Elizabeth Mitchell (Gia, ER, Frequency), Juliet is in one turn a cold-blooded killer, by another turn a sympathetic friend; possibly both at once, possibly neither at all. (She's also a terrific, albeit unwitting, threat to the Kate-Sawyer-Jack love triangle, which plays out more definitively this season.) On the other hand, there's the now-infamous Nikki and Paulo (Kiele Sanchez and Rodrigo Santoro), a tagalong couple who were cleverly woven into the previous seasons' key moments but came to bear the brunt of fans' ire toward the show (Sawyer humorously echoed the sentiments by remarking, "Who the hell are you?"). By the end of the season, at least two major characters die, another is told he/she will die within months, major new threats are unveiled, and--as mentioned before--the two-part season finale restores your faith in the series. The extras are as well-stocked as a Dharma Initiative food pantry on this seven-disc set. Commentaries by producer Damon Lindelof, show writers, and numerous cast members reveal a whole lot of juicy trivia; plus, the DVDs even provide a subtitle track for the commentary (rarely seen other than on foreign-language director's commentaries) so you won't miss a thing. "Lost Book Club" goes through the parallels between what characters are reading and the show's storylines (The Wizard of Oz and Stephen King are heavily referenced). "Lost: On Location" gives a lot of insight to some of the biggest episodes, and "Lost in a Day" gives a 24-hour glimpse at the drama's arduous production. If you're a Lost fan who gave up during this season, the bonus features alone might lure you back for the next round. --Ellen A. Kim Lost: Season Four Season four of Lost was a fine return to form for the series, which polarized its audience the year before with its focus on The Others and not enough on our original crash victims. That season's finale introduced a new storytelling device--the flash-forward--that's employed to great effect this time around; by showing who actually got off the island (known as the Oceanic Six), the viewer is able to put to bed some longstanding loose ends. As the finale attests, we see that in the future Jack (Matthew Fox) is broken, bearded, and not sober, while Kate (Evangeline Lilly) is estranged from Jack and with another guy (the identity may surprise you). Four others do make it back to their homes, but as the flash-forwards show, it's definitely not the end of their connection to the island. Back in present day, however, the islanders are visited by the denizens of a so-called rescue ship, who have agendas of their own. While Jack works with the newcomers to try to get off the island, Locke (Terry O'Quinn), with a few followers of his own, forms an uneasy alliance with Ben (Michael Emerson) against the suspicious gang. Some episodes featuring the new characters feel like filler, but the evolution of such characters as Sun and Jin (Yunjin Kim and Daniel Dae Kim) is this season's strength; plus, the love story of Desmond (Henry Ian Cusick) and Penny (Sonya Walger) provides some of the show's emotional highlights. As is the custom with Lost, bullets fly and characters die (while others may or may not have). Moreover, the fate of Michael (Harold Perrineau), last seen traitorously sailing off to civilization in season two, as well as the flash-forwards of the Oceanic Six, shows you never quite leave the island once you've left. There's a force that pulls them in, and it's a hook that keeps you watching. Season four was a shorter 13 episodes instead of the usual 22 due to the 2008 writers' strike; nonetheless, the set comes with two discs of extras. One of the best features is "LOST in 8:15," which is a rapid-fire summation of the series thus far in eight minutes, 15 seconds. Narrated by a hilariously droll female, it includes lines such as "Jack meets Kate. Kate stitches up Jack. They bond." and "They see Jack play football with Mr. Friendly. Mr. Friendly throws like a girl." The featurette "The Right to Bear Arms" takes a fun look at the prop masters responsible for supplying the castaways with guns--and keeping track of who has one and who doesn't (best here is Sawyer's (Josh Holloway) assertion that characters often cock their guns just to look cool). Cast members Lilly, Garcia, Yunjin Kim, and Daniel Dae Kim provide a few of the commentaries, and the set even comes with an amusing safety guide for Oceanic Airlines. (Example: "if you notice black smoke emanating from the plane, please alert the captain. It is either a problem with the engines or a mysterious creature.") Finally, for those who bought the standard-def DVD, take a closer look at the front cover after you've removed the O-sleeve; you'll notice the entire cast has been blacked out save for a few: the Oceanic Six. --Ellen A. Kim Lost: Season Five Since Lost made its debut as a cult phenomenon in 2004, certain things seemed inconceivable. In its fourth year, some of those things, like a rescue, came to pass. The season ended with Locke (Terry O'Quinn) attempting to persuade the Oceanic Six to return, but he dies before that can happen--or so it appears--and where Jack (Matthew Fox) used to lead, Ben (Emmy nominee Michael Emerson) now takes the reins and convinces the survivors to fulfill Locke's wish. As producers Damon Lindelof and Carlton Cuse state in their commentary on the fifth-season premiere, "We're doing time travel this year," and the pile-up of flashbacks and flash-forwards will make even the most dedicated fan dizzy. Ben, Jack, Hurley (Jorge Garcia), Sayid (Naveen Andrews), Sun (Yunjin Kim), and Kate (Evangeline Lilly) arrive to find that Sawyer (Josh Holloway) and Juliet (Elizabeth Mitchell) have been part of the Dharma Initiative for three years. The writers also clarify the roles that Richard (Nestor Carbonell) and Daniel (Jeremy Davies) play in the island's master plan, setting the stage for the prophecies of Daniel's mother, Eloise Hawking (Fionnula Flanagan), to play a bigger part in the sixth and final season. Dozens of other players flit in and out, some never to return. A few, such as Jin (Daniel Dae Kim), live again in the past. Lost could've wrapped things up in five years, as The Wire did, but the show continues to excite and surprise. As Lindelof and Cuse admit in the commentary, there's a "fine line between confusion and mystery," adding, "it makes more sense if you're drunk." Other extras include deleted scenes, featurettes, a "lost" episode of Mysteries of the Universe, and commentary from writers Edward Kitsis and Adam Horowitz on "He's Our You," a reference to Sayid, who tries to change the future by changing the past. --Kathleen C. Fennessy

Release: December 8, 2009

$6.99

Description

Amazon.com Lost: Season One Along with Desperate Housewives, Lost was one of the two breakout shows in the fall of 2004. Mixing suspense and action with a sci-fi twist, it began with a thrilling pilot episode in which a jetliner traveling from Australia to Los Angeles crashes, leaving 48 survivors on an unidentified island with no sign of civilization or hope of imminent rescue. That may sound like Gilligan's Island meets Survivor, but Lost kept viewers tuning in every Wednesday night--and spending the rest of the week speculating on Web sites--with some irresistible hooks (not to mention the beautiful women). First, there's a huge ensemble cast of no fewer than 14 regular characters, and each episode fills in some of the back story on one of them. There's a doctor; an Iraqi soldier; a has-been rock star; a fugitive from justice; a self-absorbed young woman and her brother; a lottery winner; a father and son; a Korean couple; a pregnant woman; and others. Second, there's a host of unanswered questions: What is the mysterious beast that lurks in the jungle? Why do polar bears and wild boars live there? Why has a woman been transmitting an SOS message in French from somewhere on the island for the last 16 years? Why do impossible wishes seem to come true? Are they really on a physical island, or somewhere else? What is the significance of the recurring set of numbers? And will Kate ever give up her bad-boy fixation and hook up with Jack? Lost did have some hiccups during the first season. Some plot threads were left dangling for weeks, and the "oh, it didn't really happen" card was played too often. But the strong writing and topnotch cast kept the show a cut above most network TV. The best-known actor at the time of the show's debut was Dominic Monaghan, fresh off his stint as Merry the Hobbit in Peter Jackson's Lord of the Rings films. The rest of the cast is either unknowns or "where I have I seen that face before" supporting players, including Matthew Fox and Evangeline Lilly, who are the closest thing to leads. Other standouts include Naveen Andrews, Terry O'Quinn (who's made a nice career out of conspiracy-themed TV shows), Josh Holloway, Jorge Garcia, Yunjin Kim, Maggie Grace, and Emilie de Ravin, but there's really not a weak link in the cast. Co-created by J.J. Abrams (Alias), Lost left enough unanswered questions after its first season to keep viewers riveted for a second season. --David Horiuchi Lost: Season Two What was in the Hatch? The cliffhanger from season one of Lost was answered in its opening sequences, only to launch into more questions as the season progressed. That's right: Just when you say "Ohhhhh," there comes another "What?" Thankfully, the show's producers sprinkle answers like tasty morsels throughout the season, ending with a whopper: What caused Oceanic Air Flight 815 to crash in the first place? As the show digs into more revelations about its inhabitant's pasts, it also devotes a good chunk to new characters (Hey, it's an island; you never know who you're going to run into.) First, there are the "Tailies," passengers from the back end of the plane who crashed on the other side of the island. Among them are the wise, God-fearing ex-drug lord Mr. Eko (standout Adewale Akinnuoye-Agbaje); devoted husband Bernard (Sam Anderson); psychiatrist Libby (Cynthia Watros, whose character has more than one hidden link to the other islanders); and ex-cop Ana Lucia (Michelle Rodriguez), by far the most infuriating character on the show, despite how much the writers tried to incur sympathy with her flashback. Then there are the Others, first introduced when they kidnapped Walt (Malcolm David Kelley) at the end of season one. Brutal and calculating, their agenda only became more complex when one of them (played creepily by Michael Emerson) was held hostage in the hatch and, quite handily, plays mind games on everyone's already frayed nerves. The original cast continues to battle their own skeletons, most notably Locke (Terry O'Quinn), Sun (Yunjin Kim) and Michael (Harold Perrineau), whose obsession with finding Walt takes a dangerous turn. The love triangle between Jack (Matthew Fox), Kate (Evangeline Lilly) and Sawyer (Josh Holloway), which had stalled with Sawyer's departure, heats up again in the second half. Despite the bloating cast size (knocked down by a few by season's end) Lost still does what it does best: explores the psyche of people, about whom "my life is an open book" never applies, and cracks into the social dynamics of strangers thrust into Lord of the Flies-esque situations. Is it all a science experiment? A dream? A supernatural pocket in the universe? Likely, any theory will wind up on shaky ground by the season's conclusion. But hey, that's the fun of it. This show was made for DVD, and you can pause and slow-frame to your heart's content. Just try and keep that.---Ellen Kim Lost: Season Three When it aired in 2006-07, Lost's third season was split into two, with a hefty break in between. This did nothing to help the already weirdly disparate direction the show was taking (Kate and Sawyer in zoo cages! Locke eating goop in a mud hut!), but when it finally righted its course halfway through--in particular that whopper of a finale--the drama series had left its irked fan base thrilled once again. This doesn't mean, however, that you should skip through the first half of the season to get there, because quite a few questions find answers: what the Others are up to, the impact of turning that fail-safe key, the identity of the eye-patched man from the hatch's video monitor. One of the series' biggest curiosities from the past--how Locke ended up in that wheelchair in the first place--also gets its satisfying due. (The episode, "The Man from Tallahassee," likely was a big contributor to Terry O'Quinn's surprising--but long-deserved--Emmy win that year.) Unfortunately, you do have to sit through a lot of aforementioned nuisances to get there. Season 3 kicks off with Jack (Matthew Fox), Kate (Evangeline Lilly), and Sawyer (Josh Holloway) held captive by the Others; Sayid (Naveen Andrews), Sun (Yunjin Kim), and Jin (Daniel Dae Kim) on a mission to rescue them; and Locke, Mr. Eko (Adewale Akinnuoye-Agbaje), and Desmond (Henry Ian Cusick) in the aftermath of the electromagnetic pulse that blew up the hatch. Spinning the storylines away from base camp alone wouldn't have felt so disjointed were it not for the new characters simultaneously being introduced. First there's Juliet, a mysterious member of the Others whose loyalty constantly comes into question as the season goes on. Played delicately by Elizabeth Mitchell (Gia, ER, Frequency), Juliet is in one turn a cold-blooded killer, by another turn a sympathetic friend; possibly both at once, possibly neither at all. (She's also a terrific, albeit unwitting, threat to the Kate-Sawyer-Jack love triangle, which plays out more definitively this season.) On the other hand, there's the now-infamous Nikki and Paulo (Kiele Sanchez and Rodrigo Santoro), a tagalong couple who were cleverly woven into the previous seasons' key moments but came to bear the brunt of fans' ire toward the show (Sawyer humorously echoed the sentiments by remarking, "Who the hell are you?"). By the end of the season, at least two major characters die, another is told he/she will die within months, major new threats are unveiled, and--as mentioned before--the two-part season finale restores your faith in the series. The extras are as well-stocked as a Dharma Initiative food pantry on this seven-disc set. Commentaries by producer Damon Lindelof, show writers, and numerous cast members reveal a whole lot of juicy trivia; plus, the DVDs even provide a subtitle track for the commentary (rarely seen other than on foreign-language director's commentaries) so you won't miss a thing. "Lost Book Club" goes through the parallels between what characters are reading and the show's storylines (The Wizard of Oz and Stephen King are heavily referenced). "Lost: On Location" gives a lot of insight to some of the biggest episodes, and "Lost in a Day" gives a 24-hour glimpse at the drama's arduous production. If you're a Lost fan who gave up during this season, the bonus features alone might lure you back for the next round. --Ellen A. Kim Lost: Season Four Season four of Lost was a fine return to form for the series, which polarized its audience the year before with its focus on The Others and not enough on our original crash victims. That season's finale introduced a new storytelling device--the flash-forward--that's employed to great effect this time around; by showing who actually got off the island (known as the Oceanic Six), the viewer is able to put to bed some longstanding loose ends. As the finale attests, we see that in the future Jack (Matthew Fox) is broken, bearded, and not sober, while Kate (Evangeline Lilly) is estranged from Jack and with another guy (the identity may surprise you). Four others do make it back to their homes, but as the flash-forwards show, it's definitely not the end of their connection to the island. Back in present day, however, the islanders are visited by the denizens of a so-called rescue ship, who have agendas of their own. While Jack works with the newcomers to try to get off the island, Locke (Terry O'Quinn), with a few followers of his own, forms an uneasy alliance with Ben (Michael Emerson) against the suspicious gang. Some episodes featuring the new characters feel like filler, but the evolution of such characters as Sun and Jin (Yunjin Kim and Daniel Dae Kim) is this season's strength; plus, the love story of Desmond (Henry Ian Cusick) and Penny (Sonya Walger) provides some of the show's emotional highlights. As is the custom with Lost, bullets fly and characters die (while others may or may not have). Moreover, the fate of Michael (Harold Perrineau), last seen traitorously sailing off to civilization in season two, as well as the flash-forwards of the Oceanic Six, shows you never quite leave the island once you've left. There's a force that pulls them in, and it's a hook that keeps you watching. Season four was a shorter 13 episodes instead of the usual 22 due to the 2008 writers' strike; nonetheless, the set comes with two discs of extras. One of the best features is "LOST in 8:15," which is a rapid-fire summation of the series thus far in eight minutes, 15 seconds. Narrated by a hilariously droll female, it includes lines such as "Jack meets Kate. Kate stitches up Jack. They bond." and "They see Jack play football with Mr. Friendly. Mr. Friendly throws like a girl." The featurette "The Right to Bear Arms" takes a fun look at the prop masters responsible for supplying the castaways with guns--and keeping track of who has one and who doesn't (best here is Sawyer's (Josh Holloway) assertion that characters often cock their guns just to look cool). Cast members Lilly, Garcia, Yunjin Kim, and Daniel Dae Kim provide a few of the commentaries, and the set even comes with an amusing safety guide for Oceanic Airlines. (Example: "if you notice black smoke emanating from the plane, please alert the captain. It is either a problem with the engines or a mysterious creature.") Finally, for those who bought the standard-def DVD, take a closer look at the front cover after you've removed the O-sleeve; you'll notice the entire cast has been blacked out save for a few: the Oceanic Six. --Ellen A. Kim Lost: Season Five Since Lost made its debut as a cult phenomenon in 2004, certain things seemed inconceivable. In its fourth year, some of those things, like a rescue, came to pass. The season ended with Locke (Terry O'Quinn) attempting to persuade the Oceanic Six to return, but he dies before that can happen--or so it appears--and where Jack (Matthew Fox) used to lead, Ben (Emmy nominee Michael Emerson) now takes the reins and convinces the survivors to fulfill Locke's wish. As producers Damon Lindelof and Carlton Cuse state in their commentary on the fifth-season premiere, "We're doing time travel this year," and the pile-up of flashbacks and flash-forwards will make even the most dedicated fan dizzy. Ben, Jack, Hurley (Jorge Garcia), Sayid (Naveen Andrews), Sun (Yunjin Kim), and Kate (Evangeline Lilly) arrive to find that Sawyer (Josh Holloway) and Juliet (Elizabeth Mitchell) have been part of the Dharma Initiative for three years. The writers also clarify the roles that Richard (Nestor Carbonell) and Daniel (Jeremy Davies) play in the island's master plan, setting the stage for the prophecies of Daniel's mother, Eloise Hawking (Fionnula Flanagan), to play a bigger part in the sixth and final season. Dozens of other players flit in and out, some never to return. A few, such as Jin (Daniel Dae Kim), live again in the past. Lost could've wrapped things up in five years, as The Wire did, but the show continues to excite and surprise. As Lindelof and Cuse admit in the commentary, there's a "fine line between confusion and mystery," adding, "it makes more sense if you're drunk." Other extras include deleted scenes, featurettes, a "lost" episode of Mysteries of the Universe, and commentary from writers Edward Kitsis and Adam Horowitz on "He's Our You," a reference to Sayid, who tries to change the future by changing the past. --Kathleen C. Fennessy

Release: December 8, 2009

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Amazon.com Lost: Season One Along with Desperate Housewives, Lost was one of the two breakout shows in the fall of 2004. Mixing suspense and action with a sci-fi twist, it began with a thrilling pilot episode in which a jetliner traveling from Australia to Los Angeles crashes, leaving 48 survivors on an unidentified island with no sign of civilization or hope of imminent rescue. That may sound like Gilligan's Island meets Survivor, but Lost kept viewers tuning in every Wednesday night--and spending the rest of the week speculating on Web sites--with some irresistible hooks (not to mention the beautiful women). First, there's a huge ensemble cast of no fewer than 14 regular characters, and each episode fills in some of the back story on one of them. There's a doctor; an Iraqi soldier; a has-been rock star; a fugitive from justice; a self-absorbed young woman and her brother; a lottery winner; a father and son; a Korean couple; a pregnant woman; and others. Second, there's a host of unanswered questions: What is the mysterious beast that lurks in the jungle? Why do polar bears and wild boars live there? Why has a woman been transmitting an SOS message in French from somewhere on the island for the last 16 years? Why do impossible wishes seem to come true? Are they really on a physical island, or somewhere else? What is the significance of the recurring set of numbers? And will Kate ever give up her bad-boy fixation and hook up with Jack? Lost did have some hiccups during the first season. Some plot threads were left dangling for weeks, and the "oh, it didn't really happen" card was played too often. But the strong writing and topnotch cast kept the show a cut above most network TV. The best-known actor at the time of the show's debut was Dominic Monaghan, fresh off his stint as Merry the Hobbit in Peter Jackson's Lord of the Rings films. The rest of the cast is either unknowns or "where I have I seen that face before" supporting players, including Matthew Fox and Evangeline Lilly, who are the closest thing to leads. Other standouts include Naveen Andrews, Terry O'Quinn (who's made a nice career out of conspiracy-themed TV shows), Josh Holloway, Jorge Garcia, Yunjin Kim, Maggie Grace, and Emilie de Ravin, but there's really not a weak link in the cast. Co-created by J.J. Abrams (Alias), Lost left enough unanswered questions after its first season to keep viewers riveted for a second season. --David Horiuchi Lost: Season Two What was in the Hatch? The cliffhanger from season one of Lost was answered in its opening sequences, only to launch into more questions as the season progressed. That's right: Just when you say "Ohhhhh," there comes another "What?" Thankfully, the show's producers sprinkle answers like tasty morsels throughout the season, ending with a whopper: What caused Oceanic Air Flight 815 to crash in the first place? As the show digs into more revelations about its inhabitant's pasts, it also devotes a good chunk to new characters (Hey, it's an island; you never know who you're going to run into.) First, there are the "Tailies," passengers from the back end of the plane who crashed on the other side of the island. Among them are the wise, God-fearing ex-drug lord Mr. Eko (standout Adewale Akinnuoye-Agbaje); devoted husband Bernard (Sam Anderson); psychiatrist Libby (Cynthia Watros, whose character has more than one hidden link to the other islanders); and ex-cop Ana Lucia (Michelle Rodriguez), by far the most infuriating character on the show, despite how much the writers tried to incur sympathy with her flashback. Then there are the Others, first introduced when they kidnapped Walt (Malcolm David Kelley) at the end of season one. Brutal and calculating, their agenda only became more complex when one of them (played creepily by Michael Emerson) was held hostage in the hatch and, quite handily, plays mind games on everyone's already frayed nerves. The original cast continues to battle their own skeletons, most notably Locke (Terry O'Quinn), Sun (Yunjin Kim) and Michael (Harold Perrineau), whose obsession with finding Walt takes a dangerous turn. The love triangle between Jack (Matthew Fox), Kate (Evangeline Lilly) and Sawyer (Josh Holloway), which had stalled with Sawyer's departure, heats up again in the second half. Despite the bloating cast size (knocked down by a few by season's end) Lost still does what it does best: explores the psyche of people, about whom "my life is an open book" never applies, and cracks into the social dynamics of strangers thrust into Lord of the Flies-esque situations. Is it all a science experiment? A dream? A supernatural pocket in the universe? Likely, any theory will wind up on shaky ground by the season's conclusion. But hey, that's the fun of it. This show was made for DVD, and you can pause and slow-frame to your heart's content. Just try and keep that.---Ellen Kim Lost: Season Three When it aired in 2006-07, Lost's third season was split into two, with a hefty break in between. This did nothing to help the already weirdly disparate direction the show was taking (Kate and Sawyer in zoo cages! Locke eating goop in a mud hut!), but when it finally righted its course halfway through--in particular that whopper of a finale--the drama series had left its irked fan base thrilled once again. This doesn't mean, however, that you should skip through the first half of the season to get there, because quite a few questions find answers: what the Others are up to, the impact of turning that fail-safe key, the identity of the eye-patched man from the hatch's video monitor. One of the series' biggest curiosities from the past--how Locke ended up in that wheelchair in the first place--also gets its satisfying due. (The episode, "The Man from Tallahassee," likely was a big contributor to Terry O'Quinn's surprising--but long-deserved--Emmy win that year.) Unfortunately, you do have to sit through a lot of aforementioned nuisances to get there. Season 3 kicks off with Jack (Matthew Fox), Kate (Evangeline Lilly), and Sawyer (Josh Holloway) held captive by the Others; Sayid (Naveen Andrews), Sun (Yunjin Kim), and Jin (Daniel Dae Kim) on a mission to rescue them; and Locke, Mr. Eko (Adewale Akinnuoye-Agbaje), and Desmond (Henry Ian Cusick) in the aftermath of the electromagnetic pulse that blew up the hatch. Spinning the storylines away from base camp alone wouldn't have felt so disjointed were it not for the new characters simultaneously being introduced. First there's Juliet, a mysterious member of the Others whose loyalty constantly comes into question as the season goes on. Played delicately by Elizabeth Mitchell (Gia, ER, Frequency), Juliet is in one turn a cold-blooded killer, by another turn a sympathetic friend; possibly both at once, possibly neither at all. (She's also a terrific, albeit unwitting, threat to the Kate-Sawyer-Jack love triangle, which plays out more definitively this season.) On the other hand, there's the now-infamous Nikki and Paulo (Kiele Sanchez and Rodrigo Santoro), a tagalong couple who were cleverly woven into the previous seasons' key moments but came to bear the brunt of fans' ire toward the show (Sawyer humorously echoed the sentiments by remarking, "Who the hell are you?"). By the end of the season, at least two major characters die, another is told he/she will die within months, major new threats are unveiled, and--as mentioned before--the two-part season finale restores your faith in the series. The extras are as well-stocked as a Dharma Initiative food pantry on this seven-disc set. Commentaries by producer Damon Lindelof, show writers, and numerous cast members reveal a whole lot of juicy trivia; plus, the DVDs even provide a subtitle track for the commentary (rarely seen other than on foreign-language director's commentaries) so you won't miss a thing. "Lost Book Club" goes through the parallels between what characters are reading and the show's storylines (The Wizard of Oz and Stephen King are heavily referenced). "Lost: On Location" gives a lot of insight to some of the biggest episodes, and "Lost in a Day" gives a 24-hour glimpse at the drama's arduous production. If you're a Lost fan who gave up during this season, the bonus features alone might lure you back for the next round. --Ellen A. Kim Lost: Season Four Season four of Lost was a fine return to form for the series, which polarized its audience the year before with its focus on The Others and not enough on our original crash victims. That season's finale introduced a new storytelling device--the flash-forward--that's employed to great effect this time around; by showing who actually got off the island (known as the Oceanic Six), the viewer is able to put to bed some longstanding loose ends. As the finale attests, we see that in the future Jack (Matthew Fox) is broken, bearded, and not sober, while Kate (Evangeline Lilly) is estranged from Jack and with another guy (the identity may surprise you). Four others do make it back to their homes, but as the flash-forwards show, it's definitely not the end of their connection to the island. Back in present day, however, the islanders are visited by the denizens of a so-called rescue ship, who have agendas of their own. While Jack works with the newcomers to try to get off the island, Locke (Terry O'Quinn), with a few followers of his own, forms an uneasy alliance with Ben (Michael Emerson) against the suspicious gang. Some episodes featuring the new characters feel like filler, but the evolution of such characters as Sun and Jin (Yunjin Kim and Daniel Dae Kim) is this season's strength; plus, the love story of Desmond (Henry Ian Cusick) and Penny (Sonya Walger) provides some of the show's emotional highlights. As is the custom with Lost, bullets fly and characters die (while others may or may not have). Moreover, the fate of Michael (Harold Perrineau), last seen traitorously sailing off to civilization in season two, as well as the flash-forwards of the Oceanic Six, shows you never quite leave the island once you've left. There's a force that pulls them in, and it's a hook that keeps you watching. Season four was a shorter 13 episodes instead of the usual 22 due to the 2008 writers' strike; nonetheless, the set comes with two discs of extras. One of the best features is "LOST in 8:15," which is a rapid-fire summation of the series thus far in eight minutes, 15 seconds. Narrated by a hilariously droll female, it includes lines such as "Jack meets Kate. Kate stitches up Jack. They bond." and "They see Jack play football with Mr. Friendly. Mr. Friendly throws like a girl." The featurette "The Right to Bear Arms" takes a fun look at the prop masters responsible for supplying the castaways with guns--and keeping track of who has one and who doesn't (best here is Sawyer's (Josh Holloway) assertion that characters often cock their guns just to look cool). Cast members Lilly, Garcia, Yunjin Kim, and Daniel Dae Kim provide a few of the commentaries, and the set even comes with an amusing safety guide for Oceanic Airlines. (Example: "if you notice black smoke emanating from the plane, please alert the captain. It is either a problem with the engines or a mysterious creature.") Finally, for those who bought the standard-def DVD, take a closer look at the front cover after you've removed the O-sleeve; you'll notice the entire cast has been blacked out save for a few: the Oceanic Six. --Ellen A. Kim Lost: Season Five Since Lost made its debut as a cult phenomenon in 2004, certain things seemed inconceivable. In its fourth year, some of those things, like a rescue, came to pass. The season ended with Locke (Terry O'Quinn) attempting to persuade the Oceanic Six to return, but he dies before that can happen--or so it appears--and where Jack (Matthew Fox) used to lead, Ben (Emmy nominee Michael Emerson) now takes the reins and convinces the survivors to fulfill Locke's wish. As producers Damon Lindelof and Carlton Cuse state in their commentary on the fifth-season premiere, "We're doing time travel this year," and the pile-up of flashbacks and flash-forwards will make even the most dedicated fan dizzy. Ben, Jack, Hurley (Jorge Garcia), Sayid (Naveen Andrews), Sun (Yunjin Kim), and Kate (Evangeline Lilly) arrive to find that Sawyer (Josh Holloway) and Juliet (Elizabeth Mitchell) have been part of the Dharma Initiative for three years. The writers also clarify the roles that Richard (Nestor Carbonell) and Daniel (Jeremy Davies) play in the island's master plan, setting the stage for the prophecies of Daniel's mother, Eloise Hawking (Fionnula Flanagan), to play a bigger part in the sixth and final season. Dozens of other players flit in and out, some never to return. A few, such as Jin (Daniel Dae Kim), live again in the past. Lost could've wrapped things up in five years, as The Wire did, but the show continues to excite and surprise. As Lindelof and Cuse admit in the commentary, there's a "fine line between confusion and mystery," adding, "it makes more sense if you're drunk." Other extras include deleted scenes, featurettes, a "lost" episode of Mysteries of the Universe, and commentary from writers Edward Kitsis and Adam Horowitz on "He's Our You," a reference to Sayid, who tries to change the future by changing the past. --Kathleen C. Fennessy

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The survivors face the Others, flashbacks deepen, and the mythology of the island expands dramatically.

Release: September 8, 2015

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A web of romantic stories unfolds across London during the weeks before Christmas, linking lovers, families, friends, and heartbreak in bittersweet ways.

Release: November 28, 2023

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A web of romantic stories unfolds across London during the weeks before Christmas, linking lovers, families, friends, and heartbreak in bittersweet ways.

Release: July 18, 2023

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Dealing with the loss of her fianc�, Mira sends a series of romantic texts to his old cell phone number?not realizing the number was reassigned to Rob?s new work phone. A journalist, Rob is captivated by the texts, and when he?s assigned to write a profile of Celine Dion (playing herself in her first film role), he enlists her help in figuring out how to meet Mira in person?and win her heart.

Release: April 21, 2020

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Brand New 2K Master! From George Cukor, the legendary director of A Bill of Divorcement, Dinner at Eight, Holiday, The Women, The Philadelphia Story, Adam’s Rib and My Fair Lady, comes this romantic comedy-drama starring screen legends Katharine Hepburn (The Lion in Winter, Bringing Up Baby) and Laurence Olivier (Rebecca, Sleuth). Made for television, Love Among the Ruins was a precious one-time-only collaboration between stars Hepburn and Olivier. The scene is Victorian London, where wealthy widow Hepburn is being sued for breach of promise by her much-younger ex-fiancé. Olivier is the highly respected barrister engaged to defend Hepburn in court. The usually reserved Olivier relishes the opportunity to see Hepburn, who 40 years earlier had been his lover. He is driven to hilarious distraction by Hepburn’s adamant insistence that she has never seen him before in her life. Winner of 6 Emmy Awards including Actor (Olivier), Actress (Hepb

Release: June 12, 2012

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An Italian bumpkin's gentle nature and love for a prostitute interfere with his mission to assassinate Mussolini.

Release: December 2, 2014

$8.99(Not Free for Subscribers)

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A down-on-his-luck driver discovers that his Volkswagen Beetle, Herbie, has a mind of its own.

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After marrying, an older gay couple is forced to live apart when one loses his job.

Release: March 26, 2012

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The debut feature of Italian filmmaker-novelist-poet-provocateur Pier Paolo Pasolini (Salo, or the 120 Days of Sodom; The Gospel According to Matthew; The Decameron), Accattone rocked the cinema world with its depictions, at once raw and elegant, of the underside of Roman street life and, in the process, seemed to announce a new direction for Italian films: a neo-neorealism. On the mean streets of Rome, Accattone's eponymous pimp (played by Franco Citti, one of a remarkable cast of local non-professionals) leads a hand-to-mouth existence on the very margins of society: prostituting, scrounging, exploiting. When his prize prostitute Maddalena is arrested and jailed, the pimp's fortunes dwindle, and he is forced to confront his own existence. The work of one of Italy's foremost auteurs, Accattone combines a fascination with poverty, sexual mores, and the entrapments of society, with a sense of humanity and sanctity rarely seen in cinema. The Masters of Cinema Series is proud to present Pasolini's debut alongside his feature-length documentary Comizi d'amore [Love Meetings] in a special Dual Format Blu-ray + DVD edition. SPECIAL DUAL FORMAT EDITION: New high-definition transfer of Accattone in the film s original aspect ratio Pasolini s 1965 feature-length documentary Comizi d amore [Love Meetings], on the complementary theme of Italian attitudes towards sex, presented in its original aspect ratio of 1.66:1 Original Italian theatrical trailers for both films Feature-length audio commentary on Accattone by critic Tony Rayns Newly translated optional English subtitles for both films 36-page booklet featuring a translation of Pasolini s 1958 poem To a Pope ; excerpts from a 1969 interview with Pasolini on Accattone and Comizi d amore by Oswald Stack; a 1975 essay on the film by Pasolini; Pasolini s original 1964 treatment for Comizi d amore; and rare archival imagery

Release: February 14, 2023

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Jane Birkin and Geraldine Chaplin star as theatre troupe members who are invited by a mysterious playwright/director to perform in a strange mansion. As the rehearsal progresses, secrets are revealed and the line between fiction and reality blurs. Special Features: -Audio commentary track by Director Emeritus, New York Film Festival & Professor of Film and Media Studies, Columbia University Richard Peña -Re-release Trailer

Release: June 23, 2026

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Piper is from Malibu High and Rick is from Coldwater Canyon High, and her muscle-bound brother is determined to do anything and everything to stop his sweet little sister from getting it on with some jerk from the Valley!

Release: January 5, 2021

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More than four decades after he took a razorblade to an eyeball and shocked the world with Un chien andalou, arch-iconoclast Luis Buñuel capped his astonishing career with three final provocations—The Discreet Charm of the Bourgeoisie, The Phantom of Liberty, and That Obscure Object of Desire—in which his renegade, free-associating surrealism reached its audacious, self-detonating endgame. Working with such key collaborators as screenwriter Jean-Claude Carrière and his own frequent on-screen alter ego Fernando Rey, Buñuel laced his scathing attacks on religion, class pretension, and moral hypocrisy with savage violence to create a trio of subversive, brutally funny masterpieces that explore the absurd randomness of existence. Among the director’s most radical works as well as some of his greatest international triumphs, these films cemented his legacy as cinema’s most incendiary revolutionary. BLU-RAY SPECIAL EDITION FEATURES • New high-definition digital restorations of all three films, with uncompressed monaural soundtracks • The Castaway of Providence Street, a 1971 homage to Luis Buñuel made by his longtime friends and fellow filmmakers Arturo Ripstein and Rafael Castanedo • Speaking of Buñuel, a documentary from 2000 on Buñuel’s life and work • Once Upon a Time: “The Discreet Charm of the Bourgeoisie,” a 2011 television program about the making of the film • Interviews from 2000 with screenwriter Jean-Claude Carrière on The Phantom of Liberty and That Obscure Object of Desire • Archival interviews on all three films featuring Carrière; actors Stéphane Audran, Muni, Michel Piccoli, and Fernando Rey; and other key collaborators • Documentary from 1985 about producer Serge Silberman, who worked with Buñuel on five of his final seven films • Analysis of The Phantom of Liberty from 2017 by film scholar Peter William Evans • Lady Doubles, a 2017 documentary featuring actors Carole Bouquet and Ángela Molina, who share the role of Conchita in That Obscure Object of Desire • Portrait of an Impatient Filmmaker, Luis Buñuel, a 2012 short documentary featuring director of photography Edmond Richard and assistant director Pierre Lary • Excerpts from Jacques de Baroncelli’s 1929 silent film La femme et le pantin, an adaptation of Pierre Louÿs’s 1898 novel of the same name, on which That Obscure Object of Desire is also based • Alternate English-dubbed soundtrack for That Obscure Object of Desire • Trailers • New English subtitle translations • PLUS: Essays by critic Adrian Martin and novelist and critic Gary Indiana, along with interviews with Buñuel by critics José de la Colina and Tomás Pérez Turrent THE DISCREET CHARM OF THE BOURGEOISIE In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to a dinner that is continually delayed, their attempts to eat thwarted by vaudevillian events both actual and imagined, including terrorist attacks, military maneuvers, and ghostly apparitions. Stringing together a discontinuous, digressive series of absurdist set pieces, Buñuel and his screenwriting partner Jean-Claude Carrière send a cast of European-film greats—including Fernando Rey, Stéphane Audran, Delphine Seyrig, and Jean-Pierre Cassel—through a maze of desire deferred, frustrated, and interrupted. The Oscar-winning pinnacle of Buñuel’s late-career ascent as a feted maestro of the international art house, The Discreet Charm of the Bourgeoisie is also one of his most gleefully radical assaults on the values of the ruling class. THE PHANTOM OF LIBERTY Luis Buñuel’s vision of the inherent absurdity of human social rituals reaches its taboo-annihilating extreme in what may be his most morally subversive and formally audacious work. Zigzagging across time and space, from the Napoleonic era to the present day, The Phantom of Liberty unfolds as a picaresque, its main character traveling between tableaux in a series of Dadaist non sequiturs. Unbound by the laws of narrative logic, Buñuel lets his surrealist’s id run riot in an exuberant revolt against bourgeois rationality that seems telegraphed directly from his unconscious to the screen. THAT OBSCURE OBJECT OF DESIRE Luis Buñuel’s final film brings full circle the director’s lifelong preoccupation with the darker side of desire. Buñuel regular Fernando Rey plays Mathieu, an urbane widower, tortured by his lust for the elusive Conchita. With subversive flair, Buñuel uses two different actors in the latter role—Carole Bouquet, a sophisticated French beauty, and Ángela Molina, a Spanish coquette. Drawn from the surrealist favorite Pierre Louÿs’s classic erotic novel La femme et le pantin (The Woman and the Puppet, 1898), That Obscure Object of Desire is a dizzying game of sexual politics punctuated by a terror that harks back to Buñuel’s avant-garde beginnings. Top About this item Similar From the Brand Reviews Three Films by Luis Buñuel (The Discreet Charm of the Bourgeoisie, The Phantom of Liberty, That Obscure Object of Desire) (The Criterion Collection) [Blu-ray]

Release: October 10, 2017

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This genre-defying horror-musical mash-up the bold debut of Polish director Agnieszka Smoczynska follows a pair of carnivorous mermaid sisters drawn ashore to explore life on land in an alternate 1980s Poland. Their tantalizing siren songs and otherworldly auras make them overnight sensations as nightclub singers in the half-glam, half-decrepit world of Smoczynska s imagining. The director gives fierce teeth to her viscerally sensual, darkly feminist twist on Hans Christian Andersen's 'The Little Mermaid,' in which the girls' bond is tested and their survival threatened after one sister falls for a human. A coming-of-age fairy tale with a catchy synth-fueled soundtrack, outrageous song-and-dance numbers, and lavishly grimy sets, The Lure explores its themes of emerging female sexuality, exploitation, and the compromises of adulthood with savage energy and originality. DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES - High-definition digital master, supervised by director of photography Kuba Kijowski, with 5.1 surround DTS-HD Master Audio soundtrack - New program about the making of the film, featuring interviews with director Agnieszka Smoczynska, actors Marta Mazurek and Michalina Olszanska, screenwriter Robert Bolesto, Kijowski, composers Barbara and Zuzanna Wronski, sound designer Marcin Lenarczyk, and choreographer Kaya Ko odziejczyk - Deleted scenes - Aria Diva (2007) and Viva Maria! (2010), two short films directed by Smoczynska - New English subtitle translation - PLUS: An essay by writer Angela Lovell

Release: July 28, 2026

$7.99

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*This listing is for the standard edition version and does NOT come with a limited edition slipcase!* During the 1960s, producer David F. Friedman’s ongoing quest to elevate the quality of sexploitation production led to numerous period pieces and costume comedies. Among his most lavish such efforts were THE LUSTFUL TURK (1968) and THE JOYS OF JEZEBEL (1969), each of which has been newly restored in 4K from their 35mm original camera negatives and come to Blu-ray for the very first time from Something Weird + Distribpix. In THE LUSTFUL TURK (1968), the English aristocrat Emily Barlow is en route to India along with her handmaiden, when pirates seize hold of their ship. Taking the ladies back to their harem, their captors force them to partake in the most unspeakably erotic torments, which Emily reports in detail to her friend Sylvia back home via regularly written letters. Amid the depravity and barbarism of the world in which she's now held captive, the debauched Emily slowly calculates how she might take her revenge. Directed by Byron Mabe (She Freak), this raucous and sensual costume saga was penned by Friedman himself, and features Linda Stiles (Lee Frost’s The Animal) and Harvey Shain (Fugitive Girls). Jezebel herself has just arrived in hell, but quickly strikes a deal with Lucifer in THE JOYS OF JEZEBEL (1969), so that she can return to earth provided she delivers to Lucifer the beautiful virgin Rachel. However, since the cunning Jezebel has scores to settle, she uses her powers to switch bodies with Rachel, sending the beautiful innocent back to hell in her place! While Lucifer searches for Rachel in hell, Jezebel is free to exact her revenge. An exquisitely beautiful and extraordinarily colorful sexy comedy, from director Peter Perry (Kiss Me Quick), THE JOYS OF JEZEBEL stars Luanne Roberts (101 Acts of Love) and Dixie Donovan (The Notorious Cleopatra). Bonus Features: 1. Region Free Blu-ray 2. THE LUSTFUL TURK (71 min) and THE JOYS OF JEZEBEL (76 min) are newly restored in 4K from the original 35mm camera negatives presented with their original mono soundtracks 3. Two feature length audio commentaries by The Sin Syndicate podcast: writer/researcher Gentry Austin and adult film historian Casey Scott 4. “Honest Dave” Still With The Show - 2003 archival documentary 5. Original theatrical trailers 6. Archival image gallery 7. Double-sided artwork 8. 11x17 replica Japanese one-sheet for The Lustful Turk 9. English SDH subtitles The Lustful Turk + The Joys of Jezebel [Blu-ray] The Lustful Turk + The Joys of Jezebel Similar From the Brand Questions Reviews

Release: January 28, 2011

$7.99

Description

Germany released, Blu-Ray/Region A/B/C : it WILL NOT play on regular DVD player. You need Blu-Ray DVD player to view this Blu-Ray DVD: LANGUAGES: English ( DTS-HD Master Audio ), German ( Dolby Digital 5.1 ), German ( Subtitles ), WIDESCREEN (1.78:1), SPECIAL FEATURES: Cast/Crew Interview(s), Commentary, Interactive Menu, Making Of, Scene Access, Trailer(s), SYNOPSIS: The life of one of the controversial figures in the history of modern religion is brought to the screen in this historical biography. Born in 1483, Martin Luther (Joseph Fiennes) was an intelligent and principled young man who was studying law in early 16th century Germany when a close brush with death led him to follow a spiritual path and join a Catholic monastery. Under the guidance of Johann von Staupitz (Bruno Ganz), Luther became a valued member of the monastery's hierarchy, and as a sign of his trust, von Staupitz asked Luther to join him for a voyage to Rome as part of church business. Luther was appalled by the c

Release: November 28, 2017

$6.99

Description

Francesca Eastwood gives a breakout performance as an art student who is sexually assaulted at a party. After struggling to receive any support from her college to find justice and cope with her trauma, she impulsively confronts her attacker - a decision that has deadly repercussions. As she tracks down fellow rape survivors, an unlikely vigilante is born.

Release: January 16, 2018

$6.99

Description

The drive-in cult classic comes to high definition! Louisiana, 1954: Brothers Chris & Wayne Dixon (Alan Vint and Jesse Vint) are joyriding through the South before enlisting in the Army. When the wife of a local Sheriff is brutally killed by a pair of psychotic drifters, Chris and Wayne are mistaken for the murderers. Far from home, on the run and out of time, they find themselves hunted by the crazed lawman in a tragedy of rage and revenge that explodes in a shocking climax … once they cross the Macon County Line. Best known for playing goofy Jethro Bodine on The Beverly Hillbillies, Max Baer forever changed his image by producing, co-writing and co-starring in this powerful movie. With a strong supporting cast that includes Joan Blackman, Geoffrey Lewis, Cheryl Waters, James Gammon, Doodles Weaver and Leif Garrett, Macon County Line became the hit of 1974 as well as one of the most acclaimed drive-in classics of all time. Bonus Content: Interview with Editor Tina Hirsch Audio Commentary with Director Richard Compton Vintage Featurette - "Macon County Line: 25 Years Down the Road" Theatrical Trailer

Release: October 19, 2021

$6.99

Description

In his American feature-film debut, Peter Lorre turns in one of his creepiest performances as a renowned plastic surgeon whose sadistic obsession with an actress drove him over the edge of sanity. Dr. Gogol (Lorre) is in love with his Yvonne Orlac (Frances Drake), an actress whose appearance in a Grand Guignol-like horror theater has mesmerized him. She quits the theater to travel with her concert-pianist husband. Stephen (Colin Clive), enraging Gogol. But when Stephen's hands are crushed in a train accident, Yvonne turns to Gogol as a last resort. Motivated by sadistic intentions, Gogol secretly replaces Stephen's hands with those of a guillotined murderer, hoping that the operation will send Yvonne rushing into his arms as the murderer's hands take on a life of their own. Mad Love is one of the most chilling horror stories every put on screen, lending a macabre twist on themes of requited love and jealously.

Release: October 10, 2017

$6.99

Description

Max joins Furiosa in a high-speed escape across the wasteland from a tyrannical warlord.

Release: September 20, 2016

$7.99

Description

Michelangelo, Donatello, Leonardo, and Raphael are back to battle bigger, badder villains, alongside April O’Neil (Megan Fox), Vern Fenwick (Will Arnett), and a newcomer: the hockey-masked vigilante Casey Jones (Stephen Amell). After supervillain Shredder escapes custody, he joins forces with mad scientist Baxter Stockman (Tyler Perry) and two dimwitted henchmen, Bebop (Gary Anthony Williams) and Rocksteady (WWE Superstar Stephen “Sheamus” Farrelly), to unleash a diabolical plan to take over the world. As the Turtles prepare to take on Shredder and his new crew, they find themselves facing an even greater evil with similar intentions: the notorious Krang.

Release: January 28, 2020

$6.99

Description

Decades after Sarah Connor (Linda Hamilton) prevented Judgment Day, a lethal new Terminator is sent to eliminate the future leader of the resistance. In a fight to save mankind, battle-hardened Sarah Connor teams up with an unexpected ally (Arnold Schwarzenegger) and an enhanced super soldier to stop the deadliest Terminator yet. Humanity's fate hangs in the balance in this action-packed thrill ride from Tim Miller, the Director of Deadpool, and Producer James Cameron.

Release: January 15, 2019

$7.99

Description

Madeline (newcomer Helena Howard) has become an integral part of a prestigious physical theater troupe. When the workshop's ambitious director (Molly Parker) pushes the teenager to weave her rich interior world and troubled history with her mother (Miranda July) into their collective art, the lines between performance and reality begin to blur. The resulting battle between imagination and appropriation rips out of the rehearsal space and through all three women's lives.