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Release: July 14, 2020

$6.99

Description

Screen legends Joan Fontaine (Rebecca, Suspicion, The Bigamist) and Burt Lancaster (Desert Fury, I Walk Alone, The Train) star in Kiss the Blood off My Hands, a classic film noir about fate and love amongst the most unlikely individuals. Former POW Bill Saunders (Lancaster), now living in England, is scarred with unstable and violent tendencies. After killing a man in a bar fight, he flees the scene and manages to find cover in the home of Nurse Jane Wharton (Fontaine), who agrees to take him in and believes his story that the killing was an accident. Now in love, Nurse Wharton tries to secure Saunders a job delivering medical supplies when he’s released from prison after serving time for fighting with a police officer. Things take a turn, however, when a racketeer (Robert Newton, Odd Man Out) who witnessed Saunders’ murder threatens to turn him into the police unless he agrees to assist in a crime. Beautifully shot in glorious black-and-white by the great Russell Metty (Touch of Evil, The Lady Gambles) and stylishly directed by Norman Foster (Journey into Fear, Woman on the Run). Special Features: -NEW Audio Commentary by Film Historian Jeremy Arnold -Brand New 2K Master -Optional English Subtitles -Dual-Layered BD50 Disc -Theatrical Trailer

Release: October 24, 2017

$14.99(Not Free for Subscribers)

Description

Product Description It s Halloween 1989 and best friends Sam and Josh are just trying to enjoy their last Devil s Night before graduating high school. Trouble soon arises when the two pals and a group of friends take a detour on their way to a rock concert, finding an old abandoned barn and awakening the evil inside. Now it s up to Sam and Josh to find a way to protect their friends and defeat the creatures that lurk within The Barn... The film stars Mitchell Musolino, Will Stout, Lexi Dripps, Cortland Woodard, Nikki Darling, Nickolaus Joshua with Linnea Quigley (Night of the Demons and Return of the Living Dead) and Ari Lehman (the first Jason Voorhees from Friday the 13th ). Featuring an original score by Rocky Gray the former member of Grammy award-winning goth/rock group 'Evanescence'. Feature Film: (UNRATED) Bonus Content Info- Over 90 minutes of Extras: Audio Commentary The Making of a Nightmare Documentary Gag Reel Deleted and Extended Scenes Alternate Ending Harvest Music Video by Rebel Flesh All Hallow s Eve short film World Wide Weird London premiere reactions Trailers Commercials Original storybook Reversible cover artwork by Marc Schoenbach and Graham Humphreys Number of Discs: 1 Single Layer Blu-ray Disc (25GB) Region Free Unrated/Color/16:9 Widescreen/80 Mins Subtitles: Spanish Review My favorite time of the year is the haunting season and every September I begin to get antsy while looking at the calendar and counting down the days to October 1st. Like most of you I've been sweating the end of summer heat and begging for something to take me away to the cherished burning leaf smell of October. Thank the dark lords for Justin Seaman's The Barn. Set on Halloween in 1989, The Barn is a love letter to everything that there is to love and fear on Halloween night. The movie opens with a flashback sequence to Halloween 1959 and the community of Wheary Falls is in full on Halloween celebratory mode. The kids gather at the local church for a word from the pastor and are then off to the local harvest hootenanny. Of course, two kids can t follow the All Hallows Eve rules which include staying away from a certain barn. Flash forward thirty years and we re thrown full force into the world of Sam and Josh, two seventeen year old s who live for Halloween and all the joys it brings. Sam (Mitchell Musolino) is the embodiment of everyone who builds haunts in their parent s garages and basks in the offerings of the holiday. Josh (Will Stout) is his lifelong best friend who since the loss of his father earlier in the year hasn t really been the same. After one of their pranks on Ms. Barnhart played by scream queen Linnea Quigley goes too far the boys are faced with the realization that this is the last year of unabashed Halloween fun that they will ever get to have. When their favorite metal band announces on the local rock show hosted by Dr. Rock that they are performing a special Halloween night concert, Sam and Josh decide that they have no choice but to go to the concert and cement themselves as local Halloween legends.They gather up some friends and hit the road bound for the concert. After taking a shortcut they end up in Wheary Falls and smack dab in front of the titular Barn that holds legendary evils. Being a horror movie set on Halloween you know the demons will be unleashed on this group of teenagers as well as the unsuspecting townsfolk. The aftermath of which will never be forgotten by those that live to tell the tale. There are countless horror films set on Halloween, very few actually capture and imbue the spirit the way The Barn does. Justin Seaman brilliantly captures every minute detail from the brilliant script and set design to the amazing soundtrack of the film that really transports you into proceedings. The cast are all brilliant and play the parts to the tilt. Lexi Dripps portrayal of Michelle is one of the best girl next door type performances that I've seen in the genre in quite a while and ranks up there with Phoebe Cates in Gremlins. The demons that terrorize our protagonists are a perfect mesh of 80's kitsch and old school monster magazine masks. I can easily see these villains becoming popular Halloween costumes for years to come. The cast and crew of The Barn put everything they had into creating a film that will bring the Halloween spirit into your heart at any time of the year and honestly that s all that we as horror fans can ask for. The Barn comes with my highest recommendation. --Tom Holland's Terror Time The Barn is a love letter to monster movies and the campy decade where they reigned supreme, that s as fun as it is bloody! The idea of everything old being new again is hardly a recent development. That being said, the last year in particular has seen throwbacks to the 80's and retro pastiches becoming a rabid obsession of audiences. Material like Stranger Things and The Final Girls have recently connected with people to unbelievable degrees due to their nostalgic love for the era. It s not difficult to see why this portion of the past is experiencing such a resurgence. The 80's are a time where the monster reigned supreme and horror films carried a surprising amount of power over the rest of cinema. So in spite of such a retro love letter hardly being unfamiliar territory, The Barn pulls this off so effortlessly and authentically. It is definitely the strongest example of achieving this throwback horror since Rodriguez and Tarantino's Grindhouse. In fact, The Barn is some of the most fun that I've had at a horror film in a long time. The story that The Barn frames itself around involves a cursed barn that has largely been forgotten about for thirty years. The dangerous legend associated with this relic sees three monsters, The Boogeyman, Hollow Jack, and the Candy Corn Scarecrow, being components of a Halloween curse that surrounds all of this. Cut to 1989, where Sam and Josh, two precocious teens that are a little too gung ho for the holiday, come face-to-face with this deadly curse and the horrors that come along with it. The Barn spends a good deal of time on its characters, with both Sam and Josh being well defined, albeit simple, protagonists. Everyone comes across as a caricature, but in the comforting, intentional way that is fundamental to the 80's. They re given a large posse of friends to play with, which allows for the film to have a rather expendable death count, which is the right direction for this sort of film. You need to see those silly, over the top death sequences. As their friends begin dying around them, The Barn continues to bank on Sam and Josh s friendship. There is actually believable, compelling chemistry between the two leads that gives this film a healthy, necessary energy to drive it forward. One of the aspects that makes all of this work so well is Sam s deep love for Halloween. He pushes across an infectious obsession with the holiday that frequently had me thinking about Matthew Lillard in Scream. He s frequently bringing up these rules for Halloween that he s created and each one of them is a real delight. Sam treats Halloween like a religion and this approach ends up being really beautiful. Add to that the fact that Sam and Josh are about to graduate high school with this being their last opportunity to trick or treat and paint the town blood red. A nice touch that director, Justin M. Seaman, utilizes with the film s supporting cast, like Sam s Dad or Ms. Barnhart, is that these people are giving performances right out of the Tim and Eric School of Acting. These characters pause at the wrong moments in sentences and make bizarre enunciation choices as if they re completely out of their element. Again, all of this is done to play into the campiness and hammy nature of horror performances circa the 80's but the film nails this aspect especially well. This is something that s really hard to do effectively without it going too far in either direction. These performances are wonderfully wrong in the right sort of way, if that makes sense. You re absolutely laughing with the film rather than at it. It s in on this treat. --Bloody-Disgusting If you were one of the multitudes of horror aficionados that cut their teeth on the abundance of VHS chillers back in the mid-80's, then you've got to be overjoyed with the plethora of throwback flicks that have been unleashed over the course of the last few years. To remember such plastic-cased classics is a thing of beauty, and to revisit them is even more special, but the notion of a tribute to those films that entertained us is a whole other beast, entirely. Allow me to introduce the latest barbarian into the fray: The Barn from director Justin M. Seaman, and suffice it to say, it s beginning to feel a lot like 1989. The opener of this one takes us back to Halloween 1959, and the setting is Wheary Falls, a small town with a large backing from the local church, and the annual hootenanny is underway, and all that s asked of the party goers from the pastor is that they BY ALL MEANS, stay clear of the abandoned barn on the other side of town. Now you honestly didn't think that everyone was going to take the holy man s words to heart, did you? Here s where things get interesting (without giving any spoilers away)- what happens at the front door to the barn to a young kid is masterful, and this is not by any means me cementing myself as a sadistic bastard, but to pull off what Seaman does within the first 4 minutes is not only ballsy and unapologetic, but it sets a tone for the rest of the film. Flash-forward to good old 1989, and the town s biggest Halloween celebrators, Sam and Josh are doing what they enjoy every Autumn: scaring the cheez-whiz out of the locals and making every Debbie downer in town angry. Their friendship has stood the test of Josh s father s passing, and together they compliment each other s twisted sense of humor. When a seemingly harmless prank goes terribly wrong, the two have it broken down to them that their days of jerking around MUST come to an abrupt end. As the impending thoughts of a stagnant existence overwhelm the two, their hopes are somewhat realigned with the news that their favorite heavy metal band will be playing a one-night only show on you guessed it, Halloween. So with a group of pals in tow, the gathering decides that a shortcut to the show is the best route (which it never is), and damned to all hell, wouldn't you know where the shortcut drops our collection of misguided adolescents? yep, right at the doors of the barn itself. Seems the legends of the barn s inhabitants, The Boogeyman, Hallowed Jack and The Candycorn Scarecrow aren't just tall tales after all these creepy suckers are violent, unrepentant, and just not in the Halloween mood. Supported by a couple of entertaining cameos from Linnea Quigley and Ari Lehman, the cast does an admirable job in pulling off performances that are effectually cheesy and fitting for a movie such as this. Oh, and fans of gore? I sincerely hope you brought the biggest damn plastic pumpkin you could find to this film s doorstep, cause it s going to get filled to the brim with enough blood and guts to keep you fed for weeks after screw the candy, viscera s where it s at! There s even a few decent-sized laughs sprayed around in this one to keep things a little bit light from time to time. Overall, I can without a doubt recommend The Barn to everyone looking for a fun, retro trip back to the days of grainy, low-budgeted horror yanked directly off the racks of your local video rental shop this one will sit firmly entrenched in my top 5 of the best horror films for 2016. Available NOW on both DVD and VHS from the barn merch. com hell, there s all sorts of goodies available for your last minute X-Mas shopping, so get on over and pick up a little something for the demented ones in your life! --Dread Central Top About this item Similar From the Brand Reviews The Barn - Special Edition [Blu-ray]

Release: December 13, 2016

$6.99

Description

The world generates about a billion tons of garbage a year. Those who live with--and from--it are the poor, like the people of Cateura, Paraguay, who are transforming trash into beauty. This documentary follows the Recycled Orchestra of Cateura as it takes its inspiring spectacle of trash-into-music around the world. Follow the lives of a garbage picker, a music teacher and a group of children from a Paraguayan slum who, out of necessity, created their instruments entirely out of garbage. This film is a beautiful story about the transformative power of music, which also highlights two vital issues of our times: poverty and waste pollution. This Blu-ray features surround sound, the official "Landfill Harmonic" trailer and extras: "From Cateura to Oslo: Like Taking a Rocket to the Moon," "From the Landfill to Congress: Paraguayan Congress Honors Favio Chavez with National Award", and "A Legacy Secured: The Recycled Orchestra on Display at the Musical Instrument Museum," along with English subtitles.

Release: July 13, 2021

$6.99

Description

While unscrupulous con artist Rick Maxon (John Payne) was talking war widow Deborah Owens Clark (Joan Caulfield) into raising money to construct a memorial in her husband's honor, he, of course, intended to bilk her for every penny. That was until he fell in love with her. But Maxon's problems are just beginning, as he's still beholden to Silky (Dan Duryea)-the crook who planned the scam-and having an affair with Silky's gal (Shelley Winters). Offbeat film noir co-stars Dorothy Hart. 89 min. Standard; Soundtrack: English; Subtitles: English; audio commentary; theatrical trailers. Top About this item Similar From the Brand Reviews Larceny

Release: February 19, 2013

$6.99

Description

Jean Valjean tries to rebuild his life after prison, but relentless inspector Javert keeps closing in in this sweeping French adaptation of Victor Hugo's classic novel.

Release: April 26, 2011

$6.99

Description

In one of his first-ever roles, a young Jack Nicholson stars as Lt. Andre Duvalier, a soldier in Napoleon's army in 19th century France, separated from his regiment. He awakens on a beach to the sight of a strange woman who leads him to the gothic, towering castle that serves as home to eerie Baron Von Leppe (Boris Karloff). But, as Duvalier soon discovers, nothing is what it seems in this ghastly, haunted mansion of death! This underground favorite was made in classic Roger Cormanfashion, making the most of his resources to bring yet another film to life on a minimal budget for his producers at American International Pictures. Short on time himself (there were more movies to be made!), Corman left it to a few of the aspiring directors within his crew (among them, Jack Hill, a young Francis Coppola, and even Jack Nicholson taking a turn behind the camera for a few scenes) to help see the film to completion. The Terror would go on to become a drive-in favorite and late-night TV staple, also appearing under the titles the Terror, Lady of the Shadows and the Castle of Terror.

$7.99

Description

A behind-the-scenes documentary chronicles the spectacular collapse of Richard Stanley's troubled Island of Dr. Moreau production.

Release: January 28, 2020

$6.99

Description

Making Apes tells the emotional and thrilling story of how 50 years ago, a group of ambitious make-up artists led by John Chambers and Tom Burman ushered in a new era of cinema with their groundbreaking work on Planet of the Apes.

Release: February 7, 2023

$7.99

Description

NANCY DANCER DIED ON FEBRUARY 13, 1978. THAT WAS ONLY THE BEGINNING. With only five films, New Orleans-based writer/producer/director Jack Weis became one of the most enigmatic figures in '70s exploitation. And for his final trashterpiece, Weis delivered a filth-fueled, disco-drenched and gore-soaked epic of butchered hookers, hard-boiled homicide cops and a prissy psycho with an Aztec sacrifice fetish that remains a once-in-a-lifetime sleaze experience. Curt Dawson (BLOOD BATH), Ronald Tanet (CRYPT OF DARK SECRETS) and February '75 Playboy Playmate Laura Misch star in this "shocking-yet-hysterical fever dream of regional filmmaking" (Bleeding Skull) with a soundtrack by Dennis Coffey & Mike Theodore (BLACK BELT JONES) and still banned in the UK as one of the original DPP 39 Video Nasties, now featuring a 2K master compiled from the best surviving post-Katrina elements and a revealing new interview with Weis himself. SPECIAL FEATURES I'm Not Into Hollywood - Interview With Director Jack Weis The Mardi Gras Killer - Interview With Actor William Metzo The First Victim -- Interview With Actress Laura Misch Trailer

Release: October 24, 2017

$6.99

Description

Product Description It s Halloween 1989 and best friends Sam and Josh are just trying to enjoy their last Devil s Night before graduating high school. Trouble soon arises when the two pals and a group of friends take a detour on their way to a rock concert, finding an old abandoned barn and awakening the evil inside. Now it s up to Sam and Josh to find a way to protect their friends and defeat the creatures that lurk within The Barn... The film stars Mitchell Musolino, Will Stout, Lexi Dripps, Cortland Woodard, Nikki Darling, Nickolaus Joshua with Linnea Quigley (Night of the Demons and Return of the Living Dead) and Ari Lehman (the first Jason Voorhees from Friday the 13th ). Featuring an original score by Rocky Gray the former member of Grammy award-winning goth/rock group 'Evanescence'. Feature Film: (UNRATED) Bonus Content Info- Over 90 minutes of Extras: Audio Commentary The Making of a Nightmare Documentary Gag Reel Deleted and Extended Scenes Alternate Ending Harvest Music Video by Rebel Flesh All Hallow s Eve short film World Wide Weird London premiere reactions Trailers Commercials Original storybook Reversible cover artwork by Marc Schoenbach and Graham Humphreys Number of Discs: 1 Single Layer Blu-ray Disc (25GB) Region Free Unrated/Color/16:9 Widescreen/80 Mins Subtitles: Spanish Review My favorite time of the year is the haunting season and every September I begin to get antsy while looking at the calendar and counting down the days to October 1st. Like most of you I've been sweating the end of summer heat and begging for something to take me away to the cherished burning leaf smell of October. Thank the dark lords for Justin Seaman's The Barn. Set on Halloween in 1989, The Barn is a love letter to everything that there is to love and fear on Halloween night. The movie opens with a flashback sequence to Halloween 1959 and the community of Wheary Falls is in full on Halloween celebratory mode. The kids gather at the local church for a word from the pastor and are then off to the local harvest hootenanny. Of course, two kids can t follow the All Hallows Eve rules which include staying away from a certain barn. Flash forward thirty years and we re thrown full force into the world of Sam and Josh, two seventeen year old s who live for Halloween and all the joys it brings. Sam (Mitchell Musolino) is the embodiment of everyone who builds haunts in their parent s garages and basks in the offerings of the holiday. Josh (Will Stout) is his lifelong best friend who since the loss of his father earlier in the year hasn t really been the same. After one of their pranks on Ms. Barnhart played by scream queen Linnea Quigley goes too far the boys are faced with the realization that this is the last year of unabashed Halloween fun that they will ever get to have. When their favorite metal band announces on the local rock show hosted by Dr. Rock that they are performing a special Halloween night concert, Sam and Josh decide that they have no choice but to go to the concert and cement themselves as local Halloween legends.They gather up some friends and hit the road bound for the concert. After taking a shortcut they end up in Wheary Falls and smack dab in front of the titular Barn that holds legendary evils. Being a horror movie set on Halloween you know the demons will be unleashed on this group of teenagers as well as the unsuspecting townsfolk. The aftermath of which will never be forgotten by those that live to tell the tale. There are countless horror films set on Halloween, very few actually capture and imbue the spirit the way The Barn does. Justin Seaman brilliantly captures every minute detail from the brilliant script and set design to the amazing soundtrack of the film that really transports you into proceedings. The cast are all brilliant and play the parts to the tilt. Lexi Dripps portrayal of Michelle is one of the best girl next door type performances that I've seen in the genre in quite a while and ranks up there with Phoebe Cates in Gremlins. The demons that terrorize our protagonists are a perfect mesh of 80's kitsch and old school monster magazine masks. I can easily see these villains becoming popular Halloween costumes for years to come. The cast and crew of The Barn put everything they had into creating a film that will bring the Halloween spirit into your heart at any time of the year and honestly that s all that we as horror fans can ask for. The Barn comes with my highest recommendation. --Tom Holland's Terror Time The Barn is a love letter to monster movies and the campy decade where they reigned supreme, that s as fun as it is bloody! The idea of everything old being new again is hardly a recent development. That being said, the last year in particular has seen throwbacks to the 80's and retro pastiches becoming a rabid obsession of audiences. Material like Stranger Things and The Final Girls have recently connected with people to unbelievable degrees due to their nostalgic love for the era. It s not difficult to see why this portion of the past is experiencing such a resurgence. The 80's are a time where the monster reigned supreme and horror films carried a surprising amount of power over the rest of cinema. So in spite of such a retro love letter hardly being unfamiliar territory, The Barn pulls this off so effortlessly and authentically. It is definitely the strongest example of achieving this throwback horror since Rodriguez and Tarantino's Grindhouse. In fact, The Barn is some of the most fun that I've had at a horror film in a long time. The story that The Barn frames itself around involves a cursed barn that has largely been forgotten about for thirty years. The dangerous legend associated with this relic sees three monsters, The Boogeyman, Hollow Jack, and the Candy Corn Scarecrow, being components of a Halloween curse that surrounds all of this. Cut to 1989, where Sam and Josh, two precocious teens that are a little too gung ho for the holiday, come face-to-face with this deadly curse and the horrors that come along with it. The Barn spends a good deal of time on its characters, with both Sam and Josh being well defined, albeit simple, protagonists. Everyone comes across as a caricature, but in the comforting, intentional way that is fundamental to the 80's. They re given a large posse of friends to play with, which allows for the film to have a rather expendable death count, which is the right direction for this sort of film. You need to see those silly, over the top death sequences. As their friends begin dying around them, The Barn continues to bank on Sam and Josh s friendship. There is actually believable, compelling chemistry between the two leads that gives this film a healthy, necessary energy to drive it forward. One of the aspects that makes all of this work so well is Sam s deep love for Halloween. He pushes across an infectious obsession with the holiday that frequently had me thinking about Matthew Lillard in Scream. He s frequently bringing up these rules for Halloween that he s created and each one of them is a real delight. Sam treats Halloween like a religion and this approach ends up being really beautiful. Add to that the fact that Sam and Josh are about to graduate high school with this being their last opportunity to trick or treat and paint the town blood red. A nice touch that director, Justin M. Seaman, utilizes with the film s supporting cast, like Sam s Dad or Ms. Barnhart, is that these people are giving performances right out of the Tim and Eric School of Acting. These characters pause at the wrong moments in sentences and make bizarre enunciation choices as if they re completely out of their element. Again, all of this is done to play into the campiness and hammy nature of horror performances circa the 80's but the film nails this aspect especially well. This is something that s really hard to do effectively without it going too far in either direction. These performances are wonderfully wrong in the right sort of way, if that makes sense. You re absolutely laughing with the film rather than at it. It s in on this treat. --Bloody-Disgusting If you were one of the multitudes of horror aficionados that cut their teeth on the abundance of VHS chillers back in the mid-80's, then you've got to be overjoyed with the plethora of throwback flicks that have been unleashed over the course of the last few years. To remember such plastic-cased classics is a thing of beauty, and to revisit them is even more special, but the notion of a tribute to those films that entertained us is a whole other beast, entirely. Allow me to introduce the latest barbarian into the fray: The Barn from director Justin M. Seaman, and suffice it to say, it s beginning to feel a lot like 1989. The opener of this one takes us back to Halloween 1959, and the setting is Wheary Falls, a small town with a large backing from the local church, and the annual hootenanny is underway, and all that s asked of the party goers from the pastor is that they BY ALL MEANS, stay clear of the abandoned barn on the other side of town. Now you honestly didn't think that everyone was going to take the holy man s words to heart, did you? Here s where things get interesting (without giving any spoilers away)- what happens at the front door to the barn to a young kid is masterful, and this is not by any means me cementing myself as a sadistic bastard, but to pull off what Seaman does within the first 4 minutes is not only ballsy and unapologetic, but it sets a tone for the rest of the film. Flash-forward to good old 1989, and the town s biggest Halloween celebrators, Sam and Josh are doing what they enjoy every Autumn: scaring the cheez-whiz out of the locals and making every Debbie downer in town angry. Their friendship has stood the test of Josh s father s passing, and together they compliment each other s twisted sense of humor. When a seemingly harmless prank goes terribly wrong, the two have it broken down to them that their days of jerking around MUST come to an abrupt end. As the impending thoughts of a stagnant existence overwhelm the two, their hopes are somewhat realigned with the news that their favorite heavy metal band will be playing a one-night only show on you guessed it, Halloween. So with a group of pals in tow, the gathering decides that a shortcut to the show is the best route (which it never is), and damned to all hell, wouldn't you know where the shortcut drops our collection of misguided adolescents? yep, right at the doors of the barn itself. Seems the legends of the barn s inhabitants, The Boogeyman, Hallowed Jack and The Candycorn Scarecrow aren't just tall tales after all these creepy suckers are violent, unrepentant, and just not in the Halloween mood. Supported by a couple of entertaining cameos from Linnea Quigley and Ari Lehman, the cast does an admirable job in pulling off performances that are effectually cheesy and fitting for a movie such as this. Oh, and fans of gore? I sincerely hope you brought the biggest damn plastic pumpkin you could find to this film s doorstep, cause it s going to get filled to the brim with enough blood and guts to keep you fed for weeks after screw the candy, viscera s where it s at! There s even a few decent-sized laughs sprayed around in this one to keep things a little bit light from time to time. Overall, I can without a doubt recommend The Barn to everyone looking for a fun, retro trip back to the days of grainy, low-budgeted horror yanked directly off the racks of your local video rental shop this one will sit firmly entrenched in my top 5 of the best horror films for 2016. Available NOW on both DVD and VHS from the barn merch. com hell, there s all sorts of goodies available for your last minute X-Mas shopping, so get on over and pick up a little something for the demented ones in your life! --Dread Central Top About this item Similar From the Brand Reviews The Barn - Special Edition [Blu-ray]

Release: September 13, 2016

$6.99

Description

American mystery author Peter Neal (Anthony Franciosa) comes to Italy to promote his newest novel, TENEBRAE. Unfortunately, a razor-wielding serial killer is on the loose, taunting Neal and murdering those around him in gruesome fashion just like the character in his novel. As the mystery surrounding the killings spirals out of control, Neal investigates the crimes on his own, leading to a mind-bending, genre-twisting conclusion that will leave you breathless! Featuring an amazing synth-music score from Claudio Simonetti, Fabio Pignatelli and Massimo Morante (formerly of Italian progressive-rock band, Goblin), this all-new TENEBRAE release was created from the original uncut camera negative. Also stars John Saxon (A NIGHTMARE ON ELM STREET), Daria Nicolodi (Dario Argento’s PHENOMENA) and John Steiner (CALIGULA). Special Features: All-new Synapse Films supervised color correction and restoration of a 1080p scan from the original camera negative, presented in the original aspect ratio of 1.85:1 Dual English and Italian language options with newly-translated English subtitle tracks for both Audio commentary track featuring film critic and Argento scholar, Maitland McDonagh Rare high-definition 1080p English sequence insert shots, playable within the film via Seamless Branching Feature-length documentary, YELLOW FEVER: THE RISE AND FALL OF THE GIALLO by Rising Productions, chronicling the Giallo film genre from its beginnings as early 20th century crime fiction, to its later influences on the modern slasher film genre Original UNSANE (U.S. version of TENEBRAE) end credits sequence Alternate opening credits sequence Theatrical trailers

Release: April 26, 2011

$6.99

Description

In one of his first-ever roles, a young Jack Nicholson stars as Lt. Andre Duvalier, a soldier in Napoleon's army in 19th century France, separated from his regiment. He awakens on a beach to the sight of a strange woman who leads him to the gothic, towering castle that serves as home to eerie Baron Von Leppe (Boris Karloff). But, as Duvalier soon discovers, nothing is what it seems in this ghastly, haunted mansion of death! This underground favorite was made in classic Roger Cormanfashion, making the most of his resources to bring yet another film to life on a minimal budget for his producers at American International Pictures. Short on time himself (there were more movies to be made!), Corman left it to a few of the aspiring directors within his crew (among them, Jack Hill, a young Francis Coppola, and even Jack Nicholson taking a turn behind the camera for a few scenes) to help see the film to completion. The Terror would go on to become a drive-in favorite and late-night TV staple, also appearing under the titles the Terror, Lady of the Shadows and the Castle of Terror.

$7.99

Description

A wealthy plantation owner marries by correspondence, only to discover that the woman who arrives is not who she claimed to be.

Release: October 24, 2017

$6.99

Description

Product Description It s Halloween 1989 and best friends Sam and Josh are just trying to enjoy their last Devil s Night before graduating high school. Trouble soon arises when the two pals and a group of friends take a detour on their way to a rock concert, finding an old abandoned barn and awakening the evil inside. Now it s up to Sam and Josh to find a way to protect their friends and defeat the creatures that lurk within The Barn... The film stars Mitchell Musolino, Will Stout, Lexi Dripps, Cortland Woodard, Nikki Darling, Nickolaus Joshua with Linnea Quigley (Night of the Demons and Return of the Living Dead) and Ari Lehman (the first Jason Voorhees from Friday the 13th ). Featuring an original score by Rocky Gray the former member of Grammy award-winning goth/rock group 'Evanescence'. Feature Film: (UNRATED) Bonus Content Info- Over 90 minutes of Extras: Audio Commentary The Making of a Nightmare Documentary Gag Reel Deleted and Extended Scenes Alternate Ending Harvest Music Video by Rebel Flesh All Hallow s Eve short film World Wide Weird London premiere reactions Trailers Commercials Original storybook Reversible cover artwork by Marc Schoenbach and Graham Humphreys Number of Discs: 1 Single Layer Blu-ray Disc (25GB) Region Free Unrated/Color/16:9 Widescreen/80 Mins Subtitles: Spanish Review My favorite time of the year is the haunting season and every September I begin to get antsy while looking at the calendar and counting down the days to October 1st. Like most of you I've been sweating the end of summer heat and begging for something to take me away to the cherished burning leaf smell of October. Thank the dark lords for Justin Seaman's The Barn. Set on Halloween in 1989, The Barn is a love letter to everything that there is to love and fear on Halloween night. The movie opens with a flashback sequence to Halloween 1959 and the community of Wheary Falls is in full on Halloween celebratory mode. The kids gather at the local church for a word from the pastor and are then off to the local harvest hootenanny. Of course, two kids can t follow the All Hallows Eve rules which include staying away from a certain barn. Flash forward thirty years and we re thrown full force into the world of Sam and Josh, two seventeen year old s who live for Halloween and all the joys it brings. Sam (Mitchell Musolino) is the embodiment of everyone who builds haunts in their parent s garages and basks in the offerings of the holiday. Josh (Will Stout) is his lifelong best friend who since the loss of his father earlier in the year hasn t really been the same. After one of their pranks on Ms. Barnhart played by scream queen Linnea Quigley goes too far the boys are faced with the realization that this is the last year of unabashed Halloween fun that they will ever get to have. When their favorite metal band announces on the local rock show hosted by Dr. Rock that they are performing a special Halloween night concert, Sam and Josh decide that they have no choice but to go to the concert and cement themselves as local Halloween legends.They gather up some friends and hit the road bound for the concert. After taking a shortcut they end up in Wheary Falls and smack dab in front of the titular Barn that holds legendary evils. Being a horror movie set on Halloween you know the demons will be unleashed on this group of teenagers as well as the unsuspecting townsfolk. The aftermath of which will never be forgotten by those that live to tell the tale. There are countless horror films set on Halloween, very few actually capture and imbue the spirit the way The Barn does. Justin Seaman brilliantly captures every minute detail from the brilliant script and set design to the amazing soundtrack of the film that really transports you into proceedings. The cast are all brilliant and play the parts to the tilt. Lexi Dripps portrayal of Michelle is one of the best girl next door type performances that I've seen in the genre in quite a while and ranks up there with Phoebe Cates in Gremlins. The demons that terrorize our protagonists are a perfect mesh of 80's kitsch and old school monster magazine masks. I can easily see these villains becoming popular Halloween costumes for years to come. The cast and crew of The Barn put everything they had into creating a film that will bring the Halloween spirit into your heart at any time of the year and honestly that s all that we as horror fans can ask for. The Barn comes with my highest recommendation. --Tom Holland's Terror Time The Barn is a love letter to monster movies and the campy decade where they reigned supreme, that s as fun as it is bloody! The idea of everything old being new again is hardly a recent development. That being said, the last year in particular has seen throwbacks to the 80's and retro pastiches becoming a rabid obsession of audiences. Material like Stranger Things and The Final Girls have recently connected with people to unbelievable degrees due to their nostalgic love for the era. It s not difficult to see why this portion of the past is experiencing such a resurgence. The 80's are a time where the monster reigned supreme and horror films carried a surprising amount of power over the rest of cinema. So in spite of such a retro love letter hardly being unfamiliar territory, The Barn pulls this off so effortlessly and authentically. It is definitely the strongest example of achieving this throwback horror since Rodriguez and Tarantino's Grindhouse. In fact, The Barn is some of the most fun that I've had at a horror film in a long time. The story that The Barn frames itself around involves a cursed barn that has largely been forgotten about for thirty years. The dangerous legend associated with this relic sees three monsters, The Boogeyman, Hollow Jack, and the Candy Corn Scarecrow, being components of a Halloween curse that surrounds all of this. Cut to 1989, where Sam and Josh, two precocious teens that are a little too gung ho for the holiday, come face-to-face with this deadly curse and the horrors that come along with it. The Barn spends a good deal of time on its characters, with both Sam and Josh being well defined, albeit simple, protagonists. Everyone comes across as a caricature, but in the comforting, intentional way that is fundamental to the 80's. They re given a large posse of friends to play with, which allows for the film to have a rather expendable death count, which is the right direction for this sort of film. You need to see those silly, over the top death sequences. As their friends begin dying around them, The Barn continues to bank on Sam and Josh s friendship. There is actually believable, compelling chemistry between the two leads that gives this film a healthy, necessary energy to drive it forward. One of the aspects that makes all of this work so well is Sam s deep love for Halloween. He pushes across an infectious obsession with the holiday that frequently had me thinking about Matthew Lillard in Scream. He s frequently bringing up these rules for Halloween that he s created and each one of them is a real delight. Sam treats Halloween like a religion and this approach ends up being really beautiful. Add to that the fact that Sam and Josh are about to graduate high school with this being their last opportunity to trick or treat and paint the town blood red. A nice touch that director, Justin M. Seaman, utilizes with the film s supporting cast, like Sam s Dad or Ms. Barnhart, is that these people are giving performances right out of the Tim and Eric School of Acting. These characters pause at the wrong moments in sentences and make bizarre enunciation choices as if they re completely out of their element. Again, all of this is done to play into the campiness and hammy nature of horror performances circa the 80's but the film nails this aspect especially well. This is something that s really hard to do effectively without it going too far in either direction. These performances are wonderfully wrong in the right sort of way, if that makes sense. You re absolutely laughing with the film rather than at it. It s in on this treat. --Bloody-Disgusting If you were one of the multitudes of horror aficionados that cut their teeth on the abundance of VHS chillers back in the mid-80's, then you've got to be overjoyed with the plethora of throwback flicks that have been unleashed over the course of the last few years. To remember such plastic-cased classics is a thing of beauty, and to revisit them is even more special, but the notion of a tribute to those films that entertained us is a whole other beast, entirely. Allow me to introduce the latest barbarian into the fray: The Barn from director Justin M. Seaman, and suffice it to say, it s beginning to feel a lot like 1989. The opener of this one takes us back to Halloween 1959, and the setting is Wheary Falls, a small town with a large backing from the local church, and the annual hootenanny is underway, and all that s asked of the party goers from the pastor is that they BY ALL MEANS, stay clear of the abandoned barn on the other side of town. Now you honestly didn't think that everyone was going to take the holy man s words to heart, did you? Here s where things get interesting (without giving any spoilers away)- what happens at the front door to the barn to a young kid is masterful, and this is not by any means me cementing myself as a sadistic bastard, but to pull off what Seaman does within the first 4 minutes is not only ballsy and unapologetic, but it sets a tone for the rest of the film. Flash-forward to good old 1989, and the town s biggest Halloween celebrators, Sam and Josh are doing what they enjoy every Autumn: scaring the cheez-whiz out of the locals and making every Debbie downer in town angry. Their friendship has stood the test of Josh s father s passing, and together they compliment each other s twisted sense of humor. When a seemingly harmless prank goes terribly wrong, the two have it broken down to them that their days of jerking around MUST come to an abrupt end. As the impending thoughts of a stagnant existence overwhelm the two, their hopes are somewhat realigned with the news that their favorite heavy metal band will be playing a one-night only show on you guessed it, Halloween. So with a group of pals in tow, the gathering decides that a shortcut to the show is the best route (which it never is), and damned to all hell, wouldn't you know where the shortcut drops our collection of misguided adolescents? yep, right at the doors of the barn itself. Seems the legends of the barn s inhabitants, The Boogeyman, Hallowed Jack and The Candycorn Scarecrow aren't just tall tales after all these creepy suckers are violent, unrepentant, and just not in the Halloween mood. Supported by a couple of entertaining cameos from Linnea Quigley and Ari Lehman, the cast does an admirable job in pulling off performances that are effectually cheesy and fitting for a movie such as this. Oh, and fans of gore? I sincerely hope you brought the biggest damn plastic pumpkin you could find to this film s doorstep, cause it s going to get filled to the brim with enough blood and guts to keep you fed for weeks after screw the candy, viscera s where it s at! There s even a few decent-sized laughs sprayed around in this one to keep things a little bit light from time to time. Overall, I can without a doubt recommend The Barn to everyone looking for a fun, retro trip back to the days of grainy, low-budgeted horror yanked directly off the racks of your local video rental shop this one will sit firmly entrenched in my top 5 of the best horror films for 2016. Available NOW on both DVD and VHS from the barn merch. com hell, there s all sorts of goodies available for your last minute X-Mas shopping, so get on over and pick up a little something for the demented ones in your life! --Dread Central Top About this item Similar From the Brand Reviews The Barn - Special Edition [Blu-ray]

Release: December 17, 2024

$6.99

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Monk comes out of retirement when a personal loss pulls him into one final investigation that puts his obsessive brilliance back to the test.

Release: August 9, 2022

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Best pals Joan and Michael host an elaborate dinner party for their closest friends on the anniversary of the death of Joan's husband. But as each guest arrives they find their very lives are on the menu to protect a secret that links them all.

Release: September 15, 2015

$6.99

Description

Dick Powell stars as Raymond Chandler's hard-bitten, world-weary private detective, Philip Marlowe, in this classic film noir adaptation of Chandler's novel "Farewell, My Lovely". Marlowe takes a job looking for Moose Malloy's (Mike Mazurki) girlfriend Velma. Malloy's a petty criminal just released after a seven-year prison sentence, and Velma has not been seen for six years. But a simple missing-person case becomes much more twisted than Marlowe ever anticipated as initially promising clues lead to a complex web of deceit, bribery, perjury and theft, in which no one's motivation is clear ... least of all Marlowe's.

Release: August 20, 2013

$6.99

Description

A burlesque comic who happens to resemble an international spy is recruited by the government and sent to Tangier to retrieve sensitive microfilm before it falls into enemy hands.

Release: April 6, 2020

$6.99

Description

Hotel night clerk Bart Bromley (Tye Sheridan - READY PLAYER ONE), a highly intelligent young man on the Autism spectrum, uses covert surveillance cameras to record guests in efforts to improve his social interaction skills. When a woman is murdered during his shift, Bart becomes the prime suspect, but he can't reveal his secret cameras have captured evidence to prove his innocence. As Detective Esapda's (John Leguizamo - CARLITO'S WAY) investigation leads him to Bart and his mother (Helen Hunt - AS GOOD AS IT GETS), Bart makes a personal connection with a beautiful new guest named Andrea (Ana de Armas - NO TIME TO DIE / BLADE RUNNER 2049), but he soon realizes he must try and stop the real murderer before he Andrea becomes the next victim.

Release: December 17, 2024

$6.99

Description

A respected doctor (Kent Smith) fakes his death, deserts his family, throws away his career and drive himself to the edge of madness -- all for the love of saloon singer Nora Prentiss (Ann Sheridan). From the opening shot of a media circus engulfing a handcuffed mystery man to the final scene of a scarred face peering from a cell window, Nora Prentiss ensnares viewers in its atmospheric world of sex, violence, shady motives, seedy nightclubs, and claustrophobic lensing by master cinematographer James Wong Howe (Hud, Body and Soul) that makes the camera a vital character in the drama. A harrowing twist ending adds another layer of shadow to this smoky, moody, totally absorbing film noir.

$6.99

Description

German climbers attempt the deadly north face of the Eiger while journalists and politics turn the ascent into spectacle.

Release: April 26, 2011

$6.99

Description

In one of his first-ever roles, a young Jack Nicholson stars as Lt. Andre Duvalier, a soldier in Napoleon's army in 19th century France, separated from his regiment. He awakens on a beach to the sight of a strange woman who leads him to the gothic, towering castle that serves as home to eerie Baron Von Leppe (Boris Karloff). But, as Duvalier soon discovers, nothing is what it seems in this ghastly, haunted mansion of death! This underground favorite was made in classic Roger Cormanfashion, making the most of his resources to bring yet another film to life on a minimal budget for his producers at American International Pictures. Short on time himself (there were more movies to be made!), Corman left it to a few of the aspiring directors within his crew (among them, Jack Hill, a young Francis Coppola, and even Jack Nicholson taking a turn behind the camera for a few scenes) to help see the film to completion. The Terror would go on to become a drive-in favorite and late-night TV staple, also appearing under the titles the Terror, Lady of the Shadows and the Castle of Terror.

Release: April 28, 2026

$7.99

Description

*This listing is for the standard edition version and does NOT come with a limited edition slipcase!* An obsessive college freshman joins her university's rowing team and undertakes an extreme physical and psychological journey to make it to the top varsity boat, no matter the cost. Bonus Features: 1. Commentary with Director Lauren Hadaway and Actress Isabelle Fuhrman 2. Interview with Director Lauren Hadaway 3. Interview with Actress Isabelle Fuhrman 4. Two Deleted Scenes 5. Booklet with new writing by Fiona Underhill Top Similar From the Brand Questions Reviews The Novice [Blu-ray] The Novice

Release: February 27, 2018

$7.99

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WINNER OF THE ACADEMY AWARD FOR BEST FOREIGN-LANGUAGE FILM A love story spanning two continents, NOWHERE IN AFRICA is the extraordinary true tale of a Jewish family who flees the Nazi regime in 1938 for a remote farm in Kenya. Abandoning their once-comfortable existence in Germany, Walter Redlich, his wife Jettel (Juliane Köhler, of AIMÉE & JAGUAR) and their five-year-old daughter Regina each deal with the harsh realities of their new life in different ways. Attorney Walter is resigned to working the farm as a caretaker; pampered Jettel resists adjustment at every turn; while the shy yet curious Regina immediately embraces the country— learning the local language and customs, and finding a friend in Owuor, the farm’s cook. As the war rages on the other side of the world, the trio’s relationships to their strange environment become increasingly complicated as Jettel grows more self-assured and Walter more haunted by the life they left behind. As they eventually learn to cherish their life in Africa, they also endeavor to find a way back to each other. Winner of the 2002 Best Foreign Language Film Oscar, as well as five 2002 German Film Awards (Golden Lolas), including best film, director and cinematography, NOWHERE IN AFRICA was written and directed by Caroline Link and is based on the best-selling autobiographical novel by Stefanie Zweig.

Release: October 24, 2017

$6.99

Description

Product Description It s Halloween 1989 and best friends Sam and Josh are just trying to enjoy their last Devil s Night before graduating high school. Trouble soon arises when the two pals and a group of friends take a detour on their way to a rock concert, finding an old abandoned barn and awakening the evil inside. Now it s up to Sam and Josh to find a way to protect their friends and defeat the creatures that lurk within The Barn... The film stars Mitchell Musolino, Will Stout, Lexi Dripps, Cortland Woodard, Nikki Darling, Nickolaus Joshua with Linnea Quigley (Night of the Demons and Return of the Living Dead) and Ari Lehman (the first Jason Voorhees from Friday the 13th ). Featuring an original score by Rocky Gray the former member of Grammy award-winning goth/rock group 'Evanescence'. Feature Film: (UNRATED) Bonus Content Info- Over 90 minutes of Extras: Audio Commentary The Making of a Nightmare Documentary Gag Reel Deleted and Extended Scenes Alternate Ending Harvest Music Video by Rebel Flesh All Hallow s Eve short film World Wide Weird London premiere reactions Trailers Commercials Original storybook Reversible cover artwork by Marc Schoenbach and Graham Humphreys Number of Discs: 1 Single Layer Blu-ray Disc (25GB) Region Free Unrated/Color/16:9 Widescreen/80 Mins Subtitles: Spanish Review My favorite time of the year is the haunting season and every September I begin to get antsy while looking at the calendar and counting down the days to October 1st. Like most of you I've been sweating the end of summer heat and begging for something to take me away to the cherished burning leaf smell of October. Thank the dark lords for Justin Seaman's The Barn. Set on Halloween in 1989, The Barn is a love letter to everything that there is to love and fear on Halloween night. The movie opens with a flashback sequence to Halloween 1959 and the community of Wheary Falls is in full on Halloween celebratory mode. The kids gather at the local church for a word from the pastor and are then off to the local harvest hootenanny. Of course, two kids can t follow the All Hallows Eve rules which include staying away from a certain barn. Flash forward thirty years and we re thrown full force into the world of Sam and Josh, two seventeen year old s who live for Halloween and all the joys it brings. Sam (Mitchell Musolino) is the embodiment of everyone who builds haunts in their parent s garages and basks in the offerings of the holiday. Josh (Will Stout) is his lifelong best friend who since the loss of his father earlier in the year hasn t really been the same. After one of their pranks on Ms. Barnhart played by scream queen Linnea Quigley goes too far the boys are faced with the realization that this is the last year of unabashed Halloween fun that they will ever get to have. When their favorite metal band announces on the local rock show hosted by Dr. Rock that they are performing a special Halloween night concert, Sam and Josh decide that they have no choice but to go to the concert and cement themselves as local Halloween legends.They gather up some friends and hit the road bound for the concert. After taking a shortcut they end up in Wheary Falls and smack dab in front of the titular Barn that holds legendary evils. Being a horror movie set on Halloween you know the demons will be unleashed on this group of teenagers as well as the unsuspecting townsfolk. The aftermath of which will never be forgotten by those that live to tell the tale. There are countless horror films set on Halloween, very few actually capture and imbue the spirit the way The Barn does. Justin Seaman brilliantly captures every minute detail from the brilliant script and set design to the amazing soundtrack of the film that really transports you into proceedings. The cast are all brilliant and play the parts to the tilt. Lexi Dripps portrayal of Michelle is one of the best girl next door type performances that I've seen in the genre in quite a while and ranks up there with Phoebe Cates in Gremlins. The demons that terrorize our protagonists are a perfect mesh of 80's kitsch and old school monster magazine masks. I can easily see these villains becoming popular Halloween costumes for years to come. The cast and crew of The Barn put everything they had into creating a film that will bring the Halloween spirit into your heart at any time of the year and honestly that s all that we as horror fans can ask for. The Barn comes with my highest recommendation. --Tom Holland's Terror Time The Barn is a love letter to monster movies and the campy decade where they reigned supreme, that s as fun as it is bloody! The idea of everything old being new again is hardly a recent development. That being said, the last year in particular has seen throwbacks to the 80's and retro pastiches becoming a rabid obsession of audiences. Material like Stranger Things and The Final Girls have recently connected with people to unbelievable degrees due to their nostalgic love for the era. It s not difficult to see why this portion of the past is experiencing such a resurgence. The 80's are a time where the monster reigned supreme and horror films carried a surprising amount of power over the rest of cinema. So in spite of such a retro love letter hardly being unfamiliar territory, The Barn pulls this off so effortlessly and authentically. It is definitely the strongest example of achieving this throwback horror since Rodriguez and Tarantino's Grindhouse. In fact, The Barn is some of the most fun that I've had at a horror film in a long time. The story that The Barn frames itself around involves a cursed barn that has largely been forgotten about for thirty years. The dangerous legend associated with this relic sees three monsters, The Boogeyman, Hollow Jack, and the Candy Corn Scarecrow, being components of a Halloween curse that surrounds all of this. Cut to 1989, where Sam and Josh, two precocious teens that are a little too gung ho for the holiday, come face-to-face with this deadly curse and the horrors that come along with it. The Barn spends a good deal of time on its characters, with both Sam and Josh being well defined, albeit simple, protagonists. Everyone comes across as a caricature, but in the comforting, intentional way that is fundamental to the 80's. They re given a large posse of friends to play with, which allows for the film to have a rather expendable death count, which is the right direction for this sort of film. You need to see those silly, over the top death sequences. As their friends begin dying around them, The Barn continues to bank on Sam and Josh s friendship. There is actually believable, compelling chemistry between the two leads that gives this film a healthy, necessary energy to drive it forward. One of the aspects that makes all of this work so well is Sam s deep love for Halloween. He pushes across an infectious obsession with the holiday that frequently had me thinking about Matthew Lillard in Scream. He s frequently bringing up these rules for Halloween that he s created and each one of them is a real delight. Sam treats Halloween like a religion and this approach ends up being really beautiful. Add to that the fact that Sam and Josh are about to graduate high school with this being their last opportunity to trick or treat and paint the town blood red. A nice touch that director, Justin M. Seaman, utilizes with the film s supporting cast, like Sam s Dad or Ms. Barnhart, is that these people are giving performances right out of the Tim and Eric School of Acting. These characters pause at the wrong moments in sentences and make bizarre enunciation choices as if they re completely out of their element. Again, all of this is done to play into the campiness and hammy nature of horror performances circa the 80's but the film nails this aspect especially well. This is something that s really hard to do effectively without it going too far in either direction. These performances are wonderfully wrong in the right sort of way, if that makes sense. You re absolutely laughing with the film rather than at it. It s in on this treat. --Bloody-Disgusting If you were one of the multitudes of horror aficionados that cut their teeth on the abundance of VHS chillers back in the mid-80's, then you've got to be overjoyed with the plethora of throwback flicks that have been unleashed over the course of the last few years. To remember such plastic-cased classics is a thing of beauty, and to revisit them is even more special, but the notion of a tribute to those films that entertained us is a whole other beast, entirely. Allow me to introduce the latest barbarian into the fray: The Barn from director Justin M. Seaman, and suffice it to say, it s beginning to feel a lot like 1989. The opener of this one takes us back to Halloween 1959, and the setting is Wheary Falls, a small town with a large backing from the local church, and the annual hootenanny is underway, and all that s asked of the party goers from the pastor is that they BY ALL MEANS, stay clear of the abandoned barn on the other side of town. Now you honestly didn't think that everyone was going to take the holy man s words to heart, did you? Here s where things get interesting (without giving any spoilers away)- what happens at the front door to the barn to a young kid is masterful, and this is not by any means me cementing myself as a sadistic bastard, but to pull off what Seaman does within the first 4 minutes is not only ballsy and unapologetic, but it sets a tone for the rest of the film. Flash-forward to good old 1989, and the town s biggest Halloween celebrators, Sam and Josh are doing what they enjoy every Autumn: scaring the cheez-whiz out of the locals and making every Debbie downer in town angry. Their friendship has stood the test of Josh s father s passing, and together they compliment each other s twisted sense of humor. When a seemingly harmless prank goes terribly wrong, the two have it broken down to them that their days of jerking around MUST come to an abrupt end. As the impending thoughts of a stagnant existence overwhelm the two, their hopes are somewhat realigned with the news that their favorite heavy metal band will be playing a one-night only show on you guessed it, Halloween. So with a group of pals in tow, the gathering decides that a shortcut to the show is the best route (which it never is), and damned to all hell, wouldn't you know where the shortcut drops our collection of misguided adolescents? yep, right at the doors of the barn itself. Seems the legends of the barn s inhabitants, The Boogeyman, Hallowed Jack and The Candycorn Scarecrow aren't just tall tales after all these creepy suckers are violent, unrepentant, and just not in the Halloween mood. Supported by a couple of entertaining cameos from Linnea Quigley and Ari Lehman, the cast does an admirable job in pulling off performances that are effectually cheesy and fitting for a movie such as this. Oh, and fans of gore? I sincerely hope you brought the biggest damn plastic pumpkin you could find to this film s doorstep, cause it s going to get filled to the brim with enough blood and guts to keep you fed for weeks after screw the candy, viscera s where it s at! There s even a few decent-sized laughs sprayed around in this one to keep things a little bit light from time to time. Overall, I can without a doubt recommend The Barn to everyone looking for a fun, retro trip back to the days of grainy, low-budgeted horror yanked directly off the racks of your local video rental shop this one will sit firmly entrenched in my top 5 of the best horror films for 2016. Available NOW on both DVD and VHS from the barn merch. com hell, there s all sorts of goodies available for your last minute X-Mas shopping, so get on over and pick up a little something for the demented ones in your life! --Dread Central Top About this item Similar From the Brand Reviews The Barn - Special Edition [Blu-ray]

$6.99

Description

Across nearly thirteen hours, two theater groups and a gallery of wanderers drift through post-1968 Paris in Rivette’s sprawling puzzle-box epic.

Release: November 8, 2016

$6.99

Description

New York is in trouble and only one boy can save it in this heart-thumping animated adventure from the Academy Award®-nominated directors of A Cat in Paris. When Leo discovers he has the power to leave his body and float about New York as a ghost, the 11-year-old superhero befriends Alex, a cop who was injured while trying to capture The Face, a mysterious new villain. When the gangster threatens to unleash a virus that will plunge the city into chaos, Leo and Alex have 24 hours to stop the evil plot before New York is brought to its knees! Bonus Content: Includes a digital copy of Phantom Boy (Subject to expiration. Go to NBCUCodes.com for details.) Interview with Alain Gagnol & Jean-Loup Felicioli One Heck of a Plan The Making of Phantom Boy Theatrical Trailer More from GKIDS The Making of Phantom Boy

Release: July 26, 2016

$6.99

Description

Product Description This collection of the historically vital works of America's legendary first African-American filmmakers is the only one of its kind. Funded in part by a highly successful Kickstarter campaign, the packaged set includes no fewer than a dozen feature-length films and nearly twice as many shorts and rare fragments. Subject matter includes race issues that went unaddressed by Hollywood for decades. Films: Birthright (1938), The Blood of Jesus (1941), Body and Soul (1925), The Bronze Buckaroo (1939), By Right of Birth (fragment, 1921), Commandment Keeper Church, Beaufort, South Carolina (excerpt, 1940), The Darktown Revue (1931), Dirty Gertie from Harlem USA (1946), Eleven P.M. (1930), The Exile (1931), The Flying Ace (1926), God s Stepchildren (1938), Heaven-Bound Traveler (1933), Hellbound Train (1930), Hot Biskits (1931), Mercy the Mummy Mumbled (1918), Regeneration (fragment, 1923), The Scar of Shame (1929), S.S. Jones Home Movies (1924-26), The Symbol of the Unconquered: A Story of the KKK (1920), Ten Minutes to Live (1932), Ten Nights in a Bar Room (1926), Two Knights of Vaudeville (1918), Veiled Aristocrats (1932), Verdict Not Guilty (1934), We Work Again (1937), Within Our Gates (1920) Musical scores (for silent films) by Paul D. Miller (aka DJ Spooky), Max Roach, Samuel D. Waymon, the Mont Alto Motion Picture Orchestra, Donald Sosin, Makia Matsumura, Rob Gal, Andrew Simpson Bonus Features: Optional English Subtitles, 80-page booklet with essays and detailed film notes, Interviews with series curators Charles Musser and Jacqueline Stewart, Documentary on the restoration of the films, Documentary on the restoration efforts of the Library of Congress, Archival interview with actors Ethel and Lucia Moses (1978), Tyler Texas Black Film Collection promo film (with Ossie Davis, 1985) and more! Review "One of the year s most exciting and historically significant archival projects, Kino Lorber s Pioneers of African American Cinema collects nearly 20 hours of feature films and short subjects created by and starring entrepreneurial black entertainers between the 20s and 40s. These race films run the gamut from musicals to melodramas to westerns, and showcase the talents of American masters such as Oscar Micheaux, Spencer Williams, Paul Robeson and Zora Neale Hurston. Given that most of these pictures played well outside any kind of traditional distribution system, they ve always been in danger of getting lost, which makes the preservation efforts behind this set all the more heroic. These are important documents of a truly independent cinema, produced outside of a Hollywood that had little interest in what these artists had to offer." -Noel Murray --LATimes.com

Release: July 26, 2016

$6.99

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Product Description This collection of the historically vital works of America's legendary first African-American filmmakers is the only one of its kind. Funded in part by a highly successful Kickstarter campaign, the packaged set includes no fewer than a dozen feature-length films and nearly twice as many shorts and rare fragments. Subject matter includes race issues that went unaddressed by Hollywood for decades. Films: Birthright (1938), The Blood of Jesus (1941), Body and Soul (1925), The Bronze Buckaroo (1939), By Right of Birth (fragment, 1921), Commandment Keeper Church, Beaufort, South Carolina (excerpt, 1940), The Darktown Revue (1931), Dirty Gertie from Harlem USA (1946), Eleven P.M. (1930), The Exile (1931), The Flying Ace (1926), God s Stepchildren (1938), Heaven-Bound Traveler (1933), Hellbound Train (1930), Hot Biskits (1931), Mercy the Mummy Mumbled (1918), Regeneration (fragment, 1923), The Scar of Shame (1929), S.S. Jones Home Movies (1924-26), The Symbol of the Unconquered: A Story of the KKK (1920), Ten Minutes to Live (1932), Ten Nights in a Bar Room (1926), Two Knights of Vaudeville (1918), Veiled Aristocrats (1932), Verdict Not Guilty (1934), We Work Again (1937), Within Our Gates (1920) Musical scores (for silent films) by Paul D. Miller (aka DJ Spooky), Max Roach, Samuel D. Waymon, the Mont Alto Motion Picture Orchestra, Donald Sosin, Makia Matsumura, Rob Gal, Andrew Simpson Bonus Features: Optional English Subtitles, 80-page booklet with essays and detailed film notes, Interviews with series curators Charles Musser and Jacqueline Stewart, Documentary on the restoration of the films, Documentary on the restoration efforts of the Library of Congress, Archival interview with actors Ethel and Lucia Moses (1978), Tyler Texas Black Film Collection promo film (with Ossie Davis, 1985) and more! Review "One of the year s most exciting and historically significant archival projects, Kino Lorber s Pioneers of African American Cinema collects nearly 20 hours of feature films and short subjects created by and starring entrepreneurial black entertainers between the 20s and 40s. These race films run the gamut from musicals to melodramas to westerns, and showcase the talents of American masters such as Oscar Micheaux, Spencer Williams, Paul Robeson and Zora Neale Hurston. Given that most of these pictures played well outside any kind of traditional distribution system, they ve always been in danger of getting lost, which makes the preservation efforts behind this set all the more heroic. These are important documents of a truly independent cinema, produced outside of a Hollywood that had little interest in what these artists had to offer." -Noel Murray --LATimes.com

Release: July 26, 2016

$6.99

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Product Description This collection of the historically vital works of America's legendary first African-American filmmakers is the only one of its kind. Funded in part by a highly successful Kickstarter campaign, the packaged set includes no fewer than a dozen feature-length films and nearly twice as many shorts and rare fragments. Subject matter includes race issues that went unaddressed by Hollywood for decades. Films: Birthright (1938), The Blood of Jesus (1941), Body and Soul (1925), The Bronze Buckaroo (1939), By Right of Birth (fragment, 1921), Commandment Keeper Church, Beaufort, South Carolina (excerpt, 1940), The Darktown Revue (1931), Dirty Gertie from Harlem USA (1946), Eleven P.M. (1930), The Exile (1931), The Flying Ace (1926), God s Stepchildren (1938), Heaven-Bound Traveler (1933), Hellbound Train (1930), Hot Biskits (1931), Mercy the Mummy Mumbled (1918), Regeneration (fragment, 1923), The Scar of Shame (1929), S.S. Jones Home Movies (1924-26), The Symbol of the Unconquered: A Story of the KKK (1920), Ten Minutes to Live (1932), Ten Nights in a Bar Room (1926), Two Knights of Vaudeville (1918), Veiled Aristocrats (1932), Verdict Not Guilty (1934), We Work Again (1937), Within Our Gates (1920) Musical scores (for silent films) by Paul D. Miller (aka DJ Spooky), Max Roach, Samuel D. Waymon, the Mont Alto Motion Picture Orchestra, Donald Sosin, Makia Matsumura, Rob Gal, Andrew Simpson Bonus Features: Optional English Subtitles, 80-page booklet with essays and detailed film notes, Interviews with series curators Charles Musser and Jacqueline Stewart, Documentary on the restoration of the films, Documentary on the restoration efforts of the Library of Congress, Archival interview with actors Ethel and Lucia Moses (1978), Tyler Texas Black Film Collection promo film (with Ossie Davis, 1985) and more! Review "One of the year s most exciting and historically significant archival projects, Kino Lorber s Pioneers of African American Cinema collects nearly 20 hours of feature films and short subjects created by and starring entrepreneurial black entertainers between the 20s and 40s. These race films run the gamut from musicals to melodramas to westerns, and showcase the talents of American masters such as Oscar Micheaux, Spencer Williams, Paul Robeson and Zora Neale Hurston. Given that most of these pictures played well outside any kind of traditional distribution system, they ve always been in danger of getting lost, which makes the preservation efforts behind this set all the more heroic. These are important documents of a truly independent cinema, produced outside of a Hollywood that had little interest in what these artists had to offer." -Noel Murray --LATimes.com

Release: July 26, 2016

$6.99

Description

Product Description This collection of the historically vital works of America's legendary first African-American filmmakers is the only one of its kind. Funded in part by a highly successful Kickstarter campaign, the packaged set includes no fewer than a dozen feature-length films and nearly twice as many shorts and rare fragments. Subject matter includes race issues that went unaddressed by Hollywood for decades. Films: Birthright (1938), The Blood of Jesus (1941), Body and Soul (1925), The Bronze Buckaroo (1939), By Right of Birth (fragment, 1921), Commandment Keeper Church, Beaufort, South Carolina (excerpt, 1940), The Darktown Revue (1931), Dirty Gertie from Harlem USA (1946), Eleven P.M. (1930), The Exile (1931), The Flying Ace (1926), God s Stepchildren (1938), Heaven-Bound Traveler (1933), Hellbound Train (1930), Hot Biskits (1931), Mercy the Mummy Mumbled (1918), Regeneration (fragment, 1923), The Scar of Shame (1929), S.S. Jones Home Movies (1924-26), The Symbol of the Unconquered: A Story of the KKK (1920), Ten Minutes to Live (1932), Ten Nights in a Bar Room (1926), Two Knights of Vaudeville (1918), Veiled Aristocrats (1932), Verdict Not Guilty (1934), We Work Again (1937), Within Our Gates (1920) Musical scores (for silent films) by Paul D. Miller (aka DJ Spooky), Max Roach, Samuel D. Waymon, the Mont Alto Motion Picture Orchestra, Donald Sosin, Makia Matsumura, Rob Gal, Andrew Simpson Bonus Features: Optional English Subtitles, 80-page booklet with essays and detailed film notes, Interviews with series curators Charles Musser and Jacqueline Stewart, Documentary on the restoration of the films, Documentary on the restoration efforts of the Library of Congress, Archival interview with actors Ethel and Lucia Moses (1978), Tyler Texas Black Film Collection promo film (with Ossie Davis, 1985) and more! Review "One of the year s most exciting and historically significant archival projects, Kino Lorber s Pioneers of African American Cinema collects nearly 20 hours of feature films and short subjects created by and starring entrepreneurial black entertainers between the 20s and 40s. These race films run the gamut from musicals to melodramas to westerns, and showcase the talents of American masters such as Oscar Micheaux, Spencer Williams, Paul Robeson and Zora Neale Hurston. Given that most of these pictures played well outside any kind of traditional distribution system, they ve always been in danger of getting lost, which makes the preservation efforts behind this set all the more heroic. These are important documents of a truly independent cinema, produced outside of a Hollywood that had little interest in what these artists had to offer." -Noel Murray --LATimes.com

Release: July 26, 2016

$6.99

Description

Product Description This collection of the historically vital works of America's legendary first African-American filmmakers is the only one of its kind. Funded in part by a highly successful Kickstarter campaign, the packaged set includes no fewer than a dozen feature-length films and nearly twice as many shorts and rare fragments. Subject matter includes race issues that went unaddressed by Hollywood for decades. Films: Birthright (1938), The Blood of Jesus (1941), Body and Soul (1925), The Bronze Buckaroo (1939), By Right of Birth (fragment, 1921), Commandment Keeper Church, Beaufort, South Carolina (excerpt, 1940), The Darktown Revue (1931), Dirty Gertie from Harlem USA (1946), Eleven P.M. (1930), The Exile (1931), The Flying Ace (1926), God s Stepchildren (1938), Heaven-Bound Traveler (1933), Hellbound Train (1930), Hot Biskits (1931), Mercy the Mummy Mumbled (1918), Regeneration (fragment, 1923), The Scar of Shame (1929), S.S. Jones Home Movies (1924-26), The Symbol of the Unconquered: A Story of the KKK (1920), Ten Minutes to Live (1932), Ten Nights in a Bar Room (1926), Two Knights of Vaudeville (1918), Veiled Aristocrats (1932), Verdict Not Guilty (1934), We Work Again (1937), Within Our Gates (1920) Musical scores (for silent films) by Paul D. Miller (aka DJ Spooky), Max Roach, Samuel D. Waymon, the Mont Alto Motion Picture Orchestra, Donald Sosin, Makia Matsumura, Rob Gal, Andrew Simpson Bonus Features: Optional English Subtitles, 80-page booklet with essays and detailed film notes, Interviews with series curators Charles Musser and Jacqueline Stewart, Documentary on the restoration of the films, Documentary on the restoration efforts of the Library of Congress, Archival interview with actors Ethel and Lucia Moses (1978), Tyler Texas Black Film Collection promo film (with Ossie Davis, 1985) and more! Review "One of the year s most exciting and historically significant archival projects, Kino Lorber s Pioneers of African American Cinema collects nearly 20 hours of feature films and short subjects created by and starring entrepreneurial black entertainers between the 20s and 40s. These race films run the gamut from musicals to melodramas to westerns, and showcase the talents of American masters such as Oscar Micheaux, Spencer Williams, Paul Robeson and Zora Neale Hurston. Given that most of these pictures played well outside any kind of traditional distribution system, they ve always been in danger of getting lost, which makes the preservation efforts behind this set all the more heroic. These are important documents of a truly independent cinema, produced outside of a Hollywood that had little interest in what these artists had to offer." -Noel Murray --LATimes.com

Release: April 26, 2011

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In one of his first-ever roles, a young Jack Nicholson stars as Lt. Andre Duvalier, a soldier in Napoleon's army in 19th century France, separated from his regiment. He awakens on a beach to the sight of a strange woman who leads him to the gothic, towering castle that serves as home to eerie Baron Von Leppe (Boris Karloff). But, as Duvalier soon discovers, nothing is what it seems in this ghastly, haunted mansion of death! This underground favorite was made in classic Roger Cormanfashion, making the most of his resources to bring yet another film to life on a minimal budget for his producers at American International Pictures. Short on time himself (there were more movies to be made!), Corman left it to a few of the aspiring directors within his crew (among them, Jack Hill, a young Francis Coppola, and even Jack Nicholson taking a turn behind the camera for a few scenes) to help see the film to completion. The Terror would go on to become a drive-in favorite and late-night TV staple, also appearing under the titles the Terror, Lady of the Shadows and the Castle of Terror.

Release: October 24, 2017

$7.99

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Product Description It s Halloween 1989 and best friends Sam and Josh are just trying to enjoy their last Devil s Night before graduating high school. Trouble soon arises when the two pals and a group of friends take a detour on their way to a rock concert, finding an old abandoned barn and awakening the evil inside. Now it s up to Sam and Josh to find a way to protect their friends and defeat the creatures that lurk within The Barn... The film stars Mitchell Musolino, Will Stout, Lexi Dripps, Cortland Woodard, Nikki Darling, Nickolaus Joshua with Linnea Quigley (Night of the Demons and Return of the Living Dead) and Ari Lehman (the first Jason Voorhees from Friday the 13th ). Featuring an original score by Rocky Gray the former member of Grammy award-winning goth/rock group 'Evanescence'. Feature Film: (UNRATED) Bonus Content Info- Over 90 minutes of Extras: Audio Commentary The Making of a Nightmare Documentary Gag Reel Deleted and Extended Scenes Alternate Ending Harvest Music Video by Rebel Flesh All Hallow s Eve short film World Wide Weird London premiere reactions Trailers Commercials Original storybook Reversible cover artwork by Marc Schoenbach and Graham Humphreys Number of Discs: 1 Single Layer Blu-ray Disc (25GB) Region Free Unrated/Color/16:9 Widescreen/80 Mins Subtitles: Spanish Review My favorite time of the year is the haunting season and every September I begin to get antsy while looking at the calendar and counting down the days to October 1st. Like most of you I've been sweating the end of summer heat and begging for something to take me away to the cherished burning leaf smell of October. Thank the dark lords for Justin Seaman's The Barn. Set on Halloween in 1989, The Barn is a love letter to everything that there is to love and fear on Halloween night. The movie opens with a flashback sequence to Halloween 1959 and the community of Wheary Falls is in full on Halloween celebratory mode. The kids gather at the local church for a word from the pastor and are then off to the local harvest hootenanny. Of course, two kids can t follow the All Hallows Eve rules which include staying away from a certain barn. Flash forward thirty years and we re thrown full force into the world of Sam and Josh, two seventeen year old s who live for Halloween and all the joys it brings. Sam (Mitchell Musolino) is the embodiment of everyone who builds haunts in their parent s garages and basks in the offerings of the holiday. Josh (Will Stout) is his lifelong best friend who since the loss of his father earlier in the year hasn t really been the same. After one of their pranks on Ms. Barnhart played by scream queen Linnea Quigley goes too far the boys are faced with the realization that this is the last year of unabashed Halloween fun that they will ever get to have. When their favorite metal band announces on the local rock show hosted by Dr. Rock that they are performing a special Halloween night concert, Sam and Josh decide that they have no choice but to go to the concert and cement themselves as local Halloween legends.They gather up some friends and hit the road bound for the concert. After taking a shortcut they end up in Wheary Falls and smack dab in front of the titular Barn that holds legendary evils. Being a horror movie set on Halloween you know the demons will be unleashed on this group of teenagers as well as the unsuspecting townsfolk. The aftermath of which will never be forgotten by those that live to tell the tale. There are countless horror films set on Halloween, very few actually capture and imbue the spirit the way The Barn does. Justin Seaman brilliantly captures every minute detail from the brilliant script and set design to the amazing soundtrack of the film that really transports you into proceedings. The cast are all brilliant and play the parts to the tilt. Lexi Dripps portrayal of Michelle is one of the best girl next door type performances that I've seen in the genre in quite a while and ranks up there with Phoebe Cates in Gremlins. The demons that terrorize our protagonists are a perfect mesh of 80's kitsch and old school monster magazine masks. I can easily see these villains becoming popular Halloween costumes for years to come. The cast and crew of The Barn put everything they had into creating a film that will bring the Halloween spirit into your heart at any time of the year and honestly that s all that we as horror fans can ask for. The Barn comes with my highest recommendation. --Tom Holland's Terror Time The Barn is a love letter to monster movies and the campy decade where they reigned supreme, that s as fun as it is bloody! The idea of everything old being new again is hardly a recent development. That being said, the last year in particular has seen throwbacks to the 80's and retro pastiches becoming a rabid obsession of audiences. Material like Stranger Things and The Final Girls have recently connected with people to unbelievable degrees due to their nostalgic love for the era. It s not difficult to see why this portion of the past is experiencing such a resurgence. The 80's are a time where the monster reigned supreme and horror films carried a surprising amount of power over the rest of cinema. So in spite of such a retro love letter hardly being unfamiliar territory, The Barn pulls this off so effortlessly and authentically. It is definitely the strongest example of achieving this throwback horror since Rodriguez and Tarantino's Grindhouse. In fact, The Barn is some of the most fun that I've had at a horror film in a long time. The story that The Barn frames itself around involves a cursed barn that has largely been forgotten about for thirty years. The dangerous legend associated with this relic sees three monsters, The Boogeyman, Hollow Jack, and the Candy Corn Scarecrow, being components of a Halloween curse that surrounds all of this. Cut to 1989, where Sam and Josh, two precocious teens that are a little too gung ho for the holiday, come face-to-face with this deadly curse and the horrors that come along with it. The Barn spends a good deal of time on its characters, with both Sam and Josh being well defined, albeit simple, protagonists. Everyone comes across as a caricature, but in the comforting, intentional way that is fundamental to the 80's. They re given a large posse of friends to play with, which allows for the film to have a rather expendable death count, which is the right direction for this sort of film. You need to see those silly, over the top death sequences. As their friends begin dying around them, The Barn continues to bank on Sam and Josh s friendship. There is actually believable, compelling chemistry between the two leads that gives this film a healthy, necessary energy to drive it forward. One of the aspects that makes all of this work so well is Sam s deep love for Halloween. He pushes across an infectious obsession with the holiday that frequently had me thinking about Matthew Lillard in Scream. He s frequently bringing up these rules for Halloween that he s created and each one of them is a real delight. Sam treats Halloween like a religion and this approach ends up being really beautiful. Add to that the fact that Sam and Josh are about to graduate high school with this being their last opportunity to trick or treat and paint the town blood red. A nice touch that director, Justin M. Seaman, utilizes with the film s supporting cast, like Sam s Dad or Ms. Barnhart, is that these people are giving performances right out of the Tim and Eric School of Acting. These characters pause at the wrong moments in sentences and make bizarre enunciation choices as if they re completely out of their element. Again, all of this is done to play into the campiness and hammy nature of horror performances circa the 80's but the film nails this aspect especially well. This is something that s really hard to do effectively without it going too far in either direction. These performances are wonderfully wrong in the right sort of way, if that makes sense. You re absolutely laughing with the film rather than at it. It s in on this treat. --Bloody-Disgusting If you were one of the multitudes of horror aficionados that cut their teeth on the abundance of VHS chillers back in the mid-80's, then you've got to be overjoyed with the plethora of throwback flicks that have been unleashed over the course of the last few years. To remember such plastic-cased classics is a thing of beauty, and to revisit them is even more special, but the notion of a tribute to those films that entertained us is a whole other beast, entirely. Allow me to introduce the latest barbarian into the fray: The Barn from director Justin M. Seaman, and suffice it to say, it s beginning to feel a lot like 1989. The opener of this one takes us back to Halloween 1959, and the setting is Wheary Falls, a small town with a large backing from the local church, and the annual hootenanny is underway, and all that s asked of the party goers from the pastor is that they BY ALL MEANS, stay clear of the abandoned barn on the other side of town. Now you honestly didn't think that everyone was going to take the holy man s words to heart, did you? Here s where things get interesting (without giving any spoilers away)- what happens at the front door to the barn to a young kid is masterful, and this is not by any means me cementing myself as a sadistic bastard, but to pull off what Seaman does within the first 4 minutes is not only ballsy and unapologetic, but it sets a tone for the rest of the film. Flash-forward to good old 1989, and the town s biggest Halloween celebrators, Sam and Josh are doing what they enjoy every Autumn: scaring the cheez-whiz out of the locals and making every Debbie downer in town angry. Their friendship has stood the test of Josh s father s passing, and together they compliment each other s twisted sense of humor. When a seemingly harmless prank goes terribly wrong, the two have it broken down to them that their days of jerking around MUST come to an abrupt end. As the impending thoughts of a stagnant existence overwhelm the two, their hopes are somewhat realigned with the news that their favorite heavy metal band will be playing a one-night only show on you guessed it, Halloween. So with a group of pals in tow, the gathering decides that a shortcut to the show is the best route (which it never is), and damned to all hell, wouldn't you know where the shortcut drops our collection of misguided adolescents? yep, right at the doors of the barn itself. Seems the legends of the barn s inhabitants, The Boogeyman, Hallowed Jack and The Candycorn Scarecrow aren't just tall tales after all these creepy suckers are violent, unrepentant, and just not in the Halloween mood. Supported by a couple of entertaining cameos from Linnea Quigley and Ari Lehman, the cast does an admirable job in pulling off performances that are effectually cheesy and fitting for a movie such as this. Oh, and fans of gore? I sincerely hope you brought the biggest damn plastic pumpkin you could find to this film s doorstep, cause it s going to get filled to the brim with enough blood and guts to keep you fed for weeks after screw the candy, viscera s where it s at! There s even a few decent-sized laughs sprayed around in this one to keep things a little bit light from time to time. Overall, I can without a doubt recommend The Barn to everyone looking for a fun, retro trip back to the days of grainy, low-budgeted horror yanked directly off the racks of your local video rental shop this one will sit firmly entrenched in my top 5 of the best horror films for 2016. Available NOW on both DVD and VHS from the barn merch. com hell, there s all sorts of goodies available for your last minute X-Mas shopping, so get on over and pick up a little something for the demented ones in your life! --Dread Central Top About this item Similar From the Brand Reviews The Barn - Special Edition [Blu-ray]

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Pulp Fiction is a feature film presented on Blu-ray, following the central characters through dramatic events and conflicts that drive the story forward.

Release: April 26, 2022

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A paroled ex-con and a desperate woman are swept into murder, betrayal, and waterfront corruption in this hard-boiled film noir

Release: August 16, 2016

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The true, decades-spanning tale of the greatest fan film ever made. After Steven Spielberg's classic Raiders of the Lost Ark was released 35 years ago, three 11-year-old boys from Mississippi set out on what would become a 7-year-long labor of love and tribute to their favorite film: a faithful, shot-for-shot adaptation of the action adventure film. They finished every scene... except one; the film's explosive airplane set piece. Over two decades later, the trio reunited with the original cast members from their childhood in order to complete their masterpiece. Featuring interviews with John Rhys Davies, Eli Roth and more, Raiders! Is the story of the project's culmination, chronicling the friends' dedication to their artistic vision-mixed in with some movie magic-to create the greatest fan film ever made.

Release: September 13, 2016

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American mystery author Peter Neal (Anthony Franciosa) comes to Italy to promote his newest novel, TENEBRAE. Unfortunately, a razor-wielding serial killer is on the loose, taunting Neal and murdering those around him in gruesome fashion just like the character in his novel. As the mystery surrounding the killings spirals out of control, Neal investigates the crimes on his own, leading to a mind-bending, genre-twisting conclusion that will leave you breathless! Featuring an amazing synth-music score from Claudio Simonetti, Fabio Pignatelli and Massimo Morante (formerly of Italian progressive-rock band, Goblin), this all-new TENEBRAE release was created from the original uncut camera negative. Also stars John Saxon (A NIGHTMARE ON ELM STREET), Daria Nicolodi (Dario Argento’s PHENOMENA) and John Steiner (CALIGULA). Special Features: All-new Synapse Films supervised color correction and restoration of a 1080p scan from the original camera negative, presented in the original aspect ratio of 1.85:1 Dual English and Italian language options with newly-translated English subtitle tracks for both Audio commentary track featuring film critic and Argento scholar, Maitland McDonagh Rare high-definition 1080p English sequence insert shots, playable within the film via Seamless Branching Feature-length documentary, YELLOW FEVER: THE RISE AND FALL OF THE GIALLO by Rising Productions, chronicling the Giallo film genre from its beginnings as early 20th century crime fiction, to its later influences on the modern slasher film genre Original UNSANE (U.S. version of TENEBRAE) end credits sequence Alternate opening credits sequence Theatrical trailers

Release: March 10, 2020

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Marion Stokes was secretly recording American television twenty-four hours a day for thirty years. It started in 1979 with the Iranian Hostage Crisis at the dawn of the twenty-four-hour news cycle. It ended on December 14, 2012 while the Sandy Hook massacre played on television as Marion passed away. In between, Marion recorded on 70,000 VHS tapes, capturing revolutions, lies, wars, triumphs, catastrophes, bloopers, talk shows, and commercials that told us who we were, and show how television shaped the world of today. A mystery in the form of a time capsule, Recorder: The Marion Stokes Project delves into the strange life of a radical Communist activist who became a fabulously wealthy and reclusive archivist. Marion’s work was crazy but it was also genius, and she would pay a profound price for dedicating her life to this visionary and maddening project. Special Features: -Audio commentary by director Matt Wolf -Episodes of Marion Stokes's TV Show "INPUT" -Theatrical Trailer Top About this item Similar From the Brand Reviews Recorder: The Marion Stokes Project [Blu-ray]

Release: June 20, 2023

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THE CLASSIC 1970 GERMAN FILM DIRECTED BY RUDOLF THOME MAKES ITS HD DEBUT Thomas (Marquard Bohm, Kings of the Road) gets a ride to Munich where he finds his ex-girlfriend Peggy (counter culture activist and model Uschi Obermaier) who takes him in. In her flat he finds Peggy and her roommates have a commune-like lifestyle where they kill the men in their lives after five days, but will Thomas realize in time? LIMITED EDITION SPECIAL FEATURES: High-definition digital transfer overseen by director Rudolf Thome Select scene commentary with Thome and Rainer Langhans, Obermaier's boyfriend and Kommune 1 member who served as inspiration for the film and was on set for the shoot Rote Sonne between Pop Sensibility and Social Critique - A newly produced visual essay by scholar Johannes von Moltke on Red Sun, which looks at the social and cultural influences on the film and provides context for the era in which it was made (2022, 21 mins) From Oberhausen to the Fall of the Wall: A visual essay by academic and programmer Margaret Deriaz tracing the development of the New German Cinema from the Oberhausen Manifesto to the fall of the Berlin wall (2023, 50 mins approx.) Reversible sleeve featuring designs based on original posters Limited edition 52-page booklet featuring new writing on the film by Samm Deighan, newly translated archival letters by Wim Wenders, critic Enno Patalas and the German Film Evaluation Office on the film's official submission, newly translated archival interview with Rudolf Thome and an overview reviews Limited edition of 2000 copies, presented in full-height Scanavo packaging with removable OBI strip leaving packaging free of logos and markings

Release: December 2, 2025

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The swirling surrealist dreams of Man Ray are high-water marks of 1920s avant-garde cinema, a nexus of cryptic themes, dark eroticism, and playful abstraction. Seemingly plucked from an unconscious realm, these four shorts—Le retour à la raison, Emak bakia, L’étoile de mer, and Les mystères du château du dé—find the visionary artist experimenting with the limitless possibilities of montage, superimposition, distortion, and even the application of objects directly onto celluloid. Set here to an ethereal score by the Jim Jarmusch–Carter Logan collaboration SQÜRL, these cine-poems are optical carnival rides that surprise, delight, and unsettle with each tantalizing frame. BLU-RAY SPECIAL EDITION FEATURES New 4K digital restorations of all four films, featuring a score by SQÜRL presented in 5.1 surround DTS-HD Master Audio Interview with Jim Jarmusch and Carter Logan, who form the avant-rock band SQÜRL Concert from 2023 featuring SQÜRL performing its semi-improvised score to Man Ray’s films Trailer PLUS: An essay by author Mark Polizzotti

Release: November 17, 2020

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Rio Grande, the third and final installment in John Ford’s loosely-conceived Cavalry Trilogy (preceded by Fort Apache and She Wore A Yellow Ribbon) stars John Wayne as Lt. Col. John Kirby Yorke (the role he inhabited in Fort Apache) alongside Maureen O’Hara (in the first of five films she’d co-star in alongside Wayne) as his estranged wife, Kathleen, a woman set on keeping their son, Jefferson (Claude Jarman Jr., The Yearling), now under Yorke’s command, out of harm’s way. Filmed throughout Moab, Utah and the majestic Professor Valley – photographed in exquisite gradations of black and white by Stagecoach cinematographer Bert Glennon – Rio Grande offers nuanced observations on love, family, and honor, while firmly adhering to the western genre, showing Ford at his most measured and mature as a storyteller. Written by James Kevin McGuinness (Men of Boys Town) based on the Saturday Evening Post story by James Warner Bellah, Rio Grande features J. Carrol Naish and a supporting cast of familiar faces, many of them from the Ford stock company of actors including Harry Carey, Jr., Ben Johnson, Victor McLaglen, Chill Wills, and Grant Withers." "OLIVE SIGNATURE FEATURES - New High-Definition digital restoration - Audio commentary by Nancy Schoenberger - ""Telling Real Histories"" – Raoul Trujillo on representations of Indigenous Americans in film - ""Songs of the Rio Grande"" – Marc Wanamaker on the Sons of the Pioneers - ""Strength and Courage"" – Patrick Wayne on his father - ""Bigger Than Life"" – with Claude Jarman, Jr. - Visual essay by Tag Gallagher - ""The Making of Rio Grande"" – with Leonard Maltin - Essay by Paul Andrew Hutton - Theatrical trailer RIO GRANDE (OLIVE SIGNATURE)

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A battle-hardened cavalry officer faces Apaches, military duty and a strained reunion with his estranged wife at a Texas outpost.

Release: April 26, 2011

$6.99

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In one of his first-ever roles, a young Jack Nicholson stars as Lt. Andre Duvalier, a soldier in Napoleon's army in 19th century France, separated from his regiment. He awakens on a beach to the sight of a strange woman who leads him to the gothic, towering castle that serves as home to eerie Baron Von Leppe (Boris Karloff). But, as Duvalier soon discovers, nothing is what it seems in this ghastly, haunted mansion of death! This underground favorite was made in classic Roger Cormanfashion, making the most of his resources to bring yet another film to life on a minimal budget for his producers at American International Pictures. Short on time himself (there were more movies to be made!), Corman left it to a few of the aspiring directors within his crew (among them, Jack Hill, a young Francis Coppola, and even Jack Nicholson taking a turn behind the camera for a few scenes) to help see the film to completion. The Terror would go on to become a drive-in favorite and late-night TV staple, also appearing under the titles the Terror, Lady of the Shadows and the Castle of Terror.

Release: June 16, 2020

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Obsession and fate collide in one of the most controversial, provocative films ever made. The arrival of rugged American sailor Jim (Kris Kristofferson, Pat Garrett & Billy the Kid, Vigilante Force) brings joy and sensual fulfillment to English widow Anne Osborne (Sarah Miles, Ryan’s Daughter, Steaming), but her young son is disturbed by this new intruder and joins a perverse group of fellow students. With its disturbing ending and frank love scenes, this stylish adaptation of the novel by legendary writer Yukio Mishima has become a timeless classic. Screenplay and direction by Lewis John Carlino (The Great Santini), cinematography by Douglas Slocombe (Raiders of the Lost Ark) and music score by Johnny Mandel (M*A*S*H). Special Features: -Brand New 2019 HD Scan of the Original Camera Negative -NEW Interview with Star Sarah Miles -NEW Interview with Writer/Director Lewis John Carlino -NEW Interviews with Crew Members Anthony Wayne, Robin Vidgeon, Graham Attwood and Hugh Harlow -Optional English Subtitles -Dual-Layered BD50 Disc -Trailers

Release: October 25, 2022

$7.99

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Product Description YOU’LL LAUGH ‘TIL YOU DIE! Nine-year-old Douglas Whooly (Alexander Brickel, PALINDROMES) is obsessed with the handheld video game "Satan's Little Helper," and annoyed that the attention of his big sister Jenna (Katheryn Winnick, TV's VIKINGS and BIG SKY) is being distracted by her new boyfriend Alex (Stephen Graham). These two concerns collide on Halloween, when Douglas witnesses a serial killer in a devil mask (Joshua Annex) posing his victims like outdoor All Hallow's Eve displays. Not comprehending how real the carnage is, Douglas becomes this Satan's little helper--and that's very bad news for Alex, for Douglas and Jenna's mom Merrill (Amanda Plummer, PULP FICTION, Netflix's RATCHED), and ultimately for their entire town. A different kind of Halloween horror film, SATAN'S LITTLE HELPER combines grisly killings with a mile-wide streak of savage humor. Written and directed by cult favorite Jeff Lieberman (SQUIRM, BLUE SUNSHINE, JUST BEFORE DAWN), it satirizes the way video games can seize hold of young minds, and is driven by the inability of Douglas (and others) to distinguish the Satan Man's nasty crimes from All Hallow's prankery. Featuring one of Plummer's most eccentric performances, SATAN'S LITTLE HELPER has built a cult following on video and now makes its UNCUT high-definition Blu-ray debut, carrying a bagful of supplementary treats! SPECIAL FEATURES: Audio Commentary from Director Jeff Lieberman Vintage Behind-the-Scenes Featurette The Devil in the Details: Making SATAN'S LITTLE HELPER Mr. Satan's Neighborhood: A Tour of the Filming Locations with Director Jeff Lieberman Newly Translated English Subtitles for the Hearing Impaired (English SDH) Promotional Trailer Region A Locked Review A horror sleeper that contains as much wit as gore. --Frank Scheck, The Hollywood Reporter Horror buffs will delight in ingenious twists, perverse satire and gleefully off-kilter Amanda Plummer/Katheryn Winnick mother-daughter team. --Ronnie Scheib, Variety

Release: September 8, 2026

$7.99

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Set at the highest levels of imperial China, Sex and the Emperor is full of palace intrigue and lots - lots - of sex. (And a bit of torture.) The title tells you all you need to know - set at the highest levels of imperial China, Sex and the Emperor is full of palace intrigue and lots & lots - of sex. It's told through the eyes of Li, a servant who isn't quite the eunuch he's meant to be. Nonetheless, he does the emperor's bidding - whether helping him perv over women, rescue his favorite concubine from a whorehouse or deal with his enemies. A full-on Category III shag-a-thon (with a bit of torture), Sex and the Emperor is a degenerate delight of Asian softcore and a perfect example of Hong Kong cinema at its absolute wildest. Bonus Materials O-RING SLIP CASE WITH NEW ARTWORK BY SEAN LONGMORE 2K RESTORATION FROM THE ORIGINAL NEGATIVE REMASTERED ORIGINAL CANTONESE MONOAURAL SOUNDTRACK NEWLY TRANSLATED ENGLISH SUBTITLES English Dub Soundtrack Audio Commentary with Asian Cinema David West If This Castle A-Rocking - James Mudge on Sex and the Emperor English Title Sequence Image Gallery Original Hong Kong Trailer Reversible Sleeve Cast & Crew Actors: Yvonne Hung Yung Pounh Chong Soong See-Ho Leung Director: Sherman Wong

Release: October 21, 2025

$6.99

Description

In a crude parody of William Shakespeare's 'The Tempest', Prospero lures a boatload of pharmaceutical executives to Tromaville, New Jersey. Mad scientist Prospero runs away with his blind daughter Miranda to Tromaville, hiding from evil pharmaceutical execs, including his own sister Antoinette, who ruined his career after he found the cure against opioid addiction. With the help of a handicapped crack-whore, he releases a massive amount of laxative to whales, while his enemies are on a cruise ship to North Korea. A humongous shitstorm washes the boat away and brings them to Tromaville. Prospero can now fully realize his ultimate vengeance. Bonus Materials Introduction by Lloyd Kaufman Producers and Cast Commentaries A Heaping Serving Of Troma! Theatrical Trailers Radiation March I've Been Tromatized! Troma In Times Square! Full Length Behind The Scenes Documentary Tromalbania Original Songs From The Movie Cast & Crew Actors: Lloyd Kaufman as Prospero / Antoinette Duke Catherine Corcoran as Miranda's Mom Debbie Rochon as Senator Sebastian Director: Lloyd Kaufman Producer: James N. Boylan Producer: John Patrick Brennan Producer: Flavio de Castro Barboza Producer: Thom DeMicco Producer: Thomas Burr Dodd Producer: Kenneth Filmer Producer: Michael Herz Top About this item Similar From the Brand Reviews #shakespearesshitstorm [4K Ultra HD + Special Edition Blu-ray] [4K UHD]

Release: October 21, 2025

$7.99

Description

In a crude parody of William Shakespeare's 'The Tempest', Prospero lures a boatload of pharmaceutical executives to Tromaville, New Jersey. Mad scientist Prospero runs away with his blind daughter Miranda to Tromaville, hiding from evil pharmaceutical execs, including his own sister Antoinette, who ruined his career after he found the cure against opioid addiction. With the help of a handicapped crack-whore, he releases a massive amount of laxative to whales, while his enemies are on a cruise ship to North Korea. A humongous shitstorm washes the boat away and brings them to Tromaville. Prospero can now fully realize his ultimate vengeance. Bonus Materials Introduction by Lloyd Kaufman Producers and Cast Commentaries A Heaping Serving Of Troma! Theatrical Trailers Radiation March I've Been Tromatized! Troma In Times Square! Full Length Behind The Scenes Documentary Tromalbania Original Songs From The Movie Cast & Crew Actors: Lloyd Kaufman as Prospero / Antoinette Duke Catherine Corcoran as Miranda's Mom Debbie Rochon as Senator Sebastian Director: Lloyd Kaufman Producer: James N. Boylan Producer: John Patrick Brennan Producer: Flavio de Castro Barboza Producer: Thom DeMicco Producer: Thomas Burr Dodd Producer: Kenneth Filmer Producer: Michael Herz Top About this item Similar From the Brand Reviews #shakespearesshitstorm [4K Ultra HD + Special Edition Blu-ray] [4K UHD]

Release: October 21, 2025

$6.99

Description

In a crude parody of William Shakespeare's 'The Tempest', Prospero lures a boatload of pharmaceutical executives to Tromaville, New Jersey. Mad scientist Prospero runs away with his blind daughter Miranda to Tromaville, hiding from evil pharmaceutical execs, including his own sister Antoinette, who ruined his career after he found the cure against opioid addiction. With the help of a handicapped crack-whore, he releases a massive amount of laxative to whales, while his enemies are on a cruise ship to North Korea. A humongous shitstorm washes the boat away and brings them to Tromaville. Prospero can now fully realize his ultimate vengeance. Bonus Materials Introduction by Lloyd Kaufman Producers and Cast Commentaries A Heaping Serving Of Troma! Theatrical Trailers Radiation March I've Been Tromatized! Troma In Times Square! Full Length Behind The Scenes Documentary Tromalbania Original Songs From The Movie Cast & Crew Actors: Lloyd Kaufman as Prospero / Antoinette Duke Catherine Corcoran as Miranda's Mom Debbie Rochon as Senator Sebastian Director: Lloyd Kaufman Producer: James N. Boylan Producer: John Patrick Brennan Producer: Flavio de Castro Barboza Producer: Thom DeMicco Producer: Thomas Burr Dodd Producer: Kenneth Filmer Producer: Michael Herz Top About this item Similar From the Brand Reviews #shakespearesshitstorm [4K Ultra HD + Special Edition Blu-ray] [4K UHD]