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Release: June 21, 2022

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While the Black Power movement was reshaping America, trailblazing director Gordon Parks made this groundbreaking blockbuster, which helped launch the blaxploitation era and gave the screen a new kind of badder-than-bad action hero in John Shaft (Richard Roundtree, in a career-defining role), a streetwise New York City private eye who is as tough with criminals as he is tender with his lovers. After Shaft is recruited to rescue the kidnapped daughter of a Harlem mob boss (Moses Gunn) from Italian gangsters, he finds himself in the middle of a rapidly escalating uptown vs. downtown turf war. A vivid time capsule of seventies Manhattan in all its gritty glory that has inspired sequels and multimedia reboots galore, the original Shaft is studded with indelible elements—from Roundtree’s sleek leather fashions to the iconic funk and soul score by Isaac Hayes. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack Alternate uncompressed stereo soundtrack remastered with creative input from Isaac Hayes III One 4K UHD disc of the film presented in Dolby Vision HDR and two Blu-rays with the film and special features Shaft’s Big Score!, the 1972 follow-up to Shaft by director Gordon Parks New documentary on the making of Shaft featuring curator Rhea L. Combs, film scholar Racquel J. Gates, filmmaker Nelson George, and music scholar Shana L. Redmond Behind-the-scenes program featuring Parks, actor Richard Roundtree, and musician Isaac Hayes Archival interviews with Hayes, Parks, and Roundtree New interview with costume designer Joseph G. Aulisi New program on the Black detective and the legacy of John Shaft, featuring scholar Kinohi Nishikawa and novelist Walter Mosley A Complicated Man: The “Shaft” Legacy (2019) Behind-the-scenes footage from Shaft’s Big Score! Trailers English subtitles for the deaf and hard of hearing PLUS: An essay by film scholar Amy Abugo Ongiri

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Three flatmates discover their new roommate dead with a suitcase full of cash and descend into greed and paranoia.

Release: February 5, 2019

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Ingmar Bergman's Shame is at once an examination of the violent legacy of World War II and a scathing response to the escalation of the conflict in Vietnam. Max von Sydow and LIV Ullmann star as musicians living in quiet retreat on a remote island farm, until the civil war that drove them from the city catches up with them there. Amid the chaos of the military struggle, vividly evoked by pyrotechnics and by Sven Nykvist's handheld camera work, the two are faced with impossible moral choices that tear at the fabric of their relationship. This film, which contains some of the most devastating scenes in Bergman's oeuvre, shows the impact of war on individual lives.

Release: October 16, 2018

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Shampoo gives us a day in the life of George, a Beverly Hills hairdresser and Lothario who runs around town on the eve of the 1968 presidential election trying to make heads or tails of his financial and romantic entanglements. His attempts to scrape together the money to open his own salon are continually sidetracked by the distractions presented by his lovers-played brilliantly by Goldie Hawn, Julie Christie, and Lee Grant (in an Oscar-winning performance). Star Warren Beatty dreamed up the project, cowrote the script with Robert Towne, and enlisted Hal Ashby as director, and the resulting carousel of doomed relationships is an essential seventies farce, a sharp look back at the sexual politics and self-absorption of the preceding decade.

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A reporter commits himself to a mental hospital to solve a murder, only to become consumed by the institution's madness.

Release: August 19, 2025

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An international breakthrough for neorealism, Vittorio De Sica’s Academy Award–winning film is an indelible fable of innocence lost amid the hardscrabble reality of 1940s Italy. On the streets of Rome, two boys—best friends Giuseppe (Rinaldo Smordoni) and Pasquale (Franco Interlenghi)—set out to raise the money to buy a horse by shining shoes. When they are inadvertently caught up in a robbery and sent to a brutal juvenile detention center, their loyalty to each other is severely tested. A devastating portrait of economic struggle made all the more haunting by its child’s-eye perspective, Shoeshine stands as one of the defining achievements of postwar Italian filmmaking. BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, undertaken by The Film Foundation and the Cineteca di Bologna, with uncompressed monaural soundtrack Sciuscià 70 (2016), a documentary by Mimmo Verdesca, made to mark the film’s seventieth anniversary New program on Shoeshine and Italian neorealism featuring film scholars Paola Bonifazio and Catherine O’Rawe Radio broadcast from 1946 featuring

Release: August 19, 2025

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An international breakthrough for neorealism, Vittorio De Sica’s Academy Award–winning film is an indelible fable of innocence lost amid the hardscrabble reality of 1940s Italy. On the streets of Rome, two boys—best friends Giuseppe (Rinaldo Smordoni) and Pasquale (Franco Interlenghi)—set out to raise the money to buy a horse by shining shoes. When they are inadvertently caught up in a robbery and sent to a brutal juvenile detention center, their loyalty to each other is severely tested. A devastating portrait of economic struggle made all the more haunting by its child’s-eye perspective, Shoeshine stands as one of the defining achievements of postwar Italian filmmaking. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, undertaken by The Film Foundation and the Cineteca di Bologna, with uncompressed monaural soundtrack One 4K UHD disc of the film and one Blu-ray with the film and special features Sciuscià 70 (2016), a documentary by Mimmo Verdesca, made to mark the film’s seventieth anniversary New program on Shoeshine and Italian neorealism featuring film scholars Paola Bonifazio and Catherine O’Rawe Radio broadcast from 1946 featuring director Vittorio De Sica Trailer New English subtitle translation PLUS: An essay by film scholar David Forgacs and “Shoeshine, Joe?,” a 1945 photo-documentary by De Sica Top About this item Similar From the Brand Reviews Shoeshine (The Criterion Collection) [4K UHD]

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This paired presentation of two Monte Hellman westerns explores violence, paranoia, and fatalism through stripped-down frontier storytelling.

Release: October 18, 2016

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The work of two great American artists merges in Short Cuts, a kaleidoscopic adaptation of the stories of renowned author Raymond Carver by maverick

Release: March 31, 2020

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Jerome Kern and Oscar Hammerstein II’s immortal musical adaptation of Edna Ferber’s sprawling novel receives its most faithful and enduring cinematic adaptation under the elegant direction of James Whale. A rich portrait of changing American entertainment traditions and race relations, Show Boat spans four decades and three generations as it follows the fortunes of the stage-struck Magnolia (Irene Dunne), an aspiring actor whose journey takes her from her family’s humble floating playhouse in the 1880s South to the height of fame in the 1930s North. The cast of show-business legends includes Helen Morgan, Hattie McDaniel, Charles Winninger, and the great Paul Robeson, whose iconic, soul-shaking rendition of “Ol’ Man River” is one of the crowning glories of the American stage and screen. SPECIAL EDITION BLU-RAY FEATURES • New, restored 4K digital transfer, with uncompressed monaural soundtrack • Audio commentary from 1989 featuring American-musical historian Miles Kreuger • New interview with James Whale biographer James Curtis • Recognizing Race in “Show Boat,” a new interview program featuring professor and author Shana L. Redmond • Paul Robeson: Tribute to an Artist (1979), an Academy Award–winning short documentary by Saul J. Turell, newly restored • Two performances from the sound prologue of the 1929 film version of Show Boat, plus twenty minutes of silent excerpts from the film, with audio commentary by Kreuger • Two radio adaptations of Show Boat, featuring stage and screen cast members Allan Jones, Helen Morgan, and Charles Winninger; actor Orson Welles; and novelist Edna Ferber • PLUS: An essay by critic Gary Giddins

Release: October 29, 2019

$6.99

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In 1954, an enormous beast clawed its way out of the sea, destroying everything in its path—and changing movies forever. The arresting original Godzilla soon gave rise to an entire monster-movie genre (kaiju eiga), but the King of the Monsters continued to reign supreme: in fourteen fiercely entertaining sequels over the next two decades, Godzilla defended its throne against a host of other formidable creatures, transforming from a terrifying symbol of nuclear annihilation into a benevolent (if still belligerent) Earth protector. Collected here for the first time are all fifteen Godzilla films of Japan’s Showa era, in a landmark set showcasing the technical wizardry, fantastical storytelling, and indomitable international appeal that established the most iconic giant monster the cinema has ever seen. EIGHT-BLU-RAY SPECIAL EDITION COLLECTOR’S SET FEATURES High-definition digital transfers of all fifteen Godzilla films made between 1954 and 1975, released together for the first time, with uncompressed monaural soundtracks High-definition digital transfers of Godzilla, King of the Monsters, the 1956 U.S.-release version of Godzilla; and the 1962 Japanese-release version of King Kong vs. Godzilla, presented with its original 4.0 surround soundtrack. Audio commentaries from 2011 on Godzilla and Godzilla, King of the Monsters featuring film historian David Kalat International English-language dub tracks for Invasion of Astro-Monster, Son of Godzilla, Destroy All Monsters, Godzilla vs. Megalon, Godzilla vs. Mechagodzilla, and Terror of Mechagodzilla Directors Guild of Japan interview with director Ishiro Honda, conducted by director Yoshimitsu Banno in 1990 Featurette detailing Godzilla’s photographic effects Toho Unused Special Effects Complete Collection, a 1986 documentary featuring archival making-of footage; scenes deleted from films including Destroy All Monsters, King Kong vs. Godzilla, and Mothra vs. Godzilla; and interviews with Honda, producer Tomoyuki Tanaka, special-effects director Teruyoshi Nakano, and others New interview with filmmaker Alex Cox about his admiration for the Showa-era Godzilla films New and archival interviews with cast and crew members, including actors Bin Furuya, Tsugutoshi Komada, Haruo Nakajima, and Akira Takarada; composer Akira Ifukube; and effects technicians Yoshio Irie and Eizo Kaimai Interview with critic Tadao Sato from 2011 Illustrated audio essay from 2011 about the real-life tragedy that inspired Godzilla New English subtitle translations Trailers PLUS: A lavishly illustrated deluxe hardcover book featuring an essay by cinema historian Steve Ryfle, notes on the films by cinema historian Ed Godziszewski, and new illustrations by Arthur Adams, Sophie Campbell, Becky Cloonan, Jorge Coelho, Geof Darrow, Simon Gane, Robert Goodin, Benjamin Marra, Monarobot, Takashi Okazaki, Angela Rizza, Yuko Shimizu, Bill Sienkiewicz, Katsuya Terada, Ronald Wimberly, and Chris Wisnia

Release: October 21, 2025

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Long fascinated by the ways technology is transforming our bodies and minds, David Cronenberg returns with one of his most personal films, an audacious, elegiac exploration of grief, mortality, and love wrapped in the guise of a corporate-espionage thriller. Karsh (Vincent Cassel) is the enigmatic entrepreneur behind a new tech package that allows bereaved relatives to view their loved ones’ decomposing remains. When his futuristic cemetery is vandalized, he begins to suspect a conspiracy is at work, forcing him to confront the trauma of—and mystery surrounding—the death of his beloved Becca (Diane Kruger). Conceived in the wake of his own wife’s death, The Shrouds finds Cronenberg exploring heady ideas around sex, surveillance, and the ultimate body horror: the physical decay that awaits us all. SPECIAL FEATURES Meet the Filmmakers: David Cronenberg, a Criterion Channel original interview Trailer English subtitles for the deaf and hard of hearing Notes by critic Beatrice Loayza

Release: August 22, 2017

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With the lacerating love story Sid & Nancy, Alex Cox reimagines the crash-and-burn affair between punk s most notorious self-destructive poster children: Sex Pistols bassist Sid Vicious and his girlfriend, Nancy Spungen brought to visceral life by brilliant performances from Gary Oldman and Chloe Webb. Cox turns his anarchic filmmaking style on the explosive energy of the London punk scene and the degenerate streets of seventies New York, making for an eviscerating depiction of excess and addiction. Through the lens of cinematographer Roger Deakins, the imagery goes from swooning to grimy, and the film s bleakness is balanced with surreal humor and genuine tenderness, making for an affecting, music-fueled vision of doomed love. DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES - New 4K digital restoration, with uncompressed stereo soundtrack - Alternate 5.1 surround soundtrack, presente

Release: June 22, 2021

$6.99

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There has never been a filmmaker like Marlon Riggs (1957–1994): an unapologetic gay Black man who defied a culture of silence and shame to speak his truth with resounding joy and conviction. An early adopter of video technology who had a profound understanding of the power of words and images to effect change, Riggs employed a bold mix of documentary, performance, poetry, music, and experimental techniques in order to confront issues that most of Reagan-era America refused to acknowledge, from the devastating legacy of racist stereotypes to the impact of the AIDS crisis on his own queer African American community to the very definition of what it is to be Black. Bringing together Riggs’s complete works—including his controversy-inciting queer landmark Tongues Untied and Black Is . . . Black Ain’t, his deeply personal career summation—The Signifyin’ Works of Marlon Riggs traces the artistic and political evolution of a transformative filmmaker whose work is both an electrifying call for liberation and an invaluable historical document. TWO-BLU-RAY SPECIAL EDITION FEATURES • New high-definition digital masters of all seven films, with uncompressed stereo soundtracks • Four new programs featuring editor Christiane Badgley; performers Brian Freeman, Reginald T. Jackson, and Bill T. Jones; filmmakers Cheryl Dunye and Rodney Evans; poet Jericho Brown; film and media scholar Racquel Gates; and sociologist Herman Gray • Long Train Running: The Story of the Oakland Blues (1981), Riggs’s graduate thesis film • Introduction to Riggs, recorded in 2020 and featuring filmmakers Vivian Kleiman and Shikeith, and Ashley Clark, curatorial director of the Criterion Collection • I Shall Not Be Removed: The Life of Marlon Riggs (1996), a documentary by Karen Everett that features interviews with Riggs; Kleiman; filmmaker Isaac Julien; African American studies scholar Barbara Christian; several of Riggs’s longtime friends and collaborators; and members of his family • English subtitles for the deaf and hard of hearing • PLUS: An essay by film critic K. Austin Collins ETHNIC NOTIONS Marlon Riggs brings viewers face-to-face with the insidious images that have shaped America’s racial mythologies, in his first major work, a brilliant and disturbing deconstruction of the ways in which anti-Black stereotypes have permeated nearly every aspect of popular culture. Through razor-sharp historical analysis including interviews with historians and folklore scholars, powerfully deployed imagery, and narration by actor Esther Rolle, Ethnic Notions illuminates, with devastating clarity, how dehumanizing caricatures of Black people—seen everywhere from children’s books to films to household products—have been used to uphold white supremacy and to justify slavery, segregation, and the continuing oppression of African Americans. In its refusal to look away from racism’s ugliest manifestations, this Emmy-winning documentary has become an essential text for understanding the origins of American racial violence. TONGUES UNTIED Made, in Marlon Riggs’s own words, to “shatter the nation’s brutalizing silence on matters of sexual and racial difference,” this radical blend of documentary and performance defies the stigmas surrounding Black gay sexuality in the belief that, as long as shame prevails, liberation will never be possible. Through music and dance, words and poetry by such pathbreaking writers as Essex Hemphill and Joseph Beam—and by turns candid, humorous, and heartbreaking interviews with queer African American men—Tongues Untied gives voice to what it means to live as an outsider in both a Black community rife with homophobia and a largely white gay subculture poisoned by racism. A lightning rod in the conservative culture wars of the 1980s that incited a right-wing furor over public funding for the arts, the film has lost none of its resonance in its unapologetic, life-affirming declaration that “Black men loving Black men is the revolutionary act.” AFFIRMATIONS Marlon Riggs expresses the hopes, dreams, and desires of gay Black men in this ode to queer African American empowerment. Built around outtakes of interview and protest footage from Tongues Untied, Affirmations begins as a candid, sex-positive confessional about first-time penetration and evolves into a rousing chorus of calls for freedom, recognition, and inclusion. ANTHEM “Pervert the language.” Made at a time when Marlon Riggs was three years into living with HIV and the motto “Silence=Death” was the queer community’s defiant response to the antigay policies of the Reagan era, this experimental music video employs a mix of poetry, African beats, and provocative imagery—sexual, political, and religious—in order to challenge and redefine prevailing images of Black masculinity. Led by the liberated dancing of the filmmaker himself, Anthem is a bold vision of queer revolution, proclaiming “Every time we kiss we confirm the new world coming.” COLOR ADJUSTMENT What does the American dream look like? Where do Black Americans fit into it? And what is television’s role in shaping our views of racial progress and the idealized American family? Picking up where the groundbreaking Ethnic Notions left off, this pioneering work of media studies by Marlon Riggs presents a complicated, challenging, and nuanced view of evolving racial attitudes as reflected in popular programs such as Amos ’n’ Andy, Julia, All in the Family, Good Times, Roots, and The Cosby Show. Narrated by Ruby Dee and featuring interviews with actors Diahann Carroll, Tim Reid, and Esther Rolle, African American historian Henry Louis Gates Jr., and producer Norman Lear, among others, Color Adjustment looks beyond the whitewashed, middle-class mythologies peddled by prime-time entertainment to track the ways in which Black Americans have been assimilated into a new but no less harmful racial narrative. NON, JE NE REGRETTE RIEN (NO REGRET) Through music, poetry, and courageous self-disclosure, five HIV-positive gay Black men (among them poet and performance artist Assotto Saint) discuss their individual confrontations with AIDS, illuminating their journeys through the fear, shame, and stigma that accompanied the disease at the height of the epidemic toward healing, acceptance, and truth. In Non, Je Ne Regrette Rien (No Regret), director Marlon Riggs tells stories of self-transformation in which a once unmentionable “affliction” is forged into a tool of personal and communal empowerment. BLACK IS . . . BLACK AIN’T Made with an urgency imparted by the knowledge that he was nearing the end of his life, Marlon Riggs’s final film—completed after his death of AIDS by a group of his devoted collaborators—is a wide-ranging consideration of a question that had long been central to his work: What does it mean to be Black? Using his mother’s gumbo recipe as a metaphor for the diversity of the African American experience, Riggs travels the country, seeking insights from leading thinkers like Angela Davis, Henry Louis Gates Jr., bell hooks, and Barbara Smith as well as ordinary people—young and old, rich and poor, rural and urban, gay and straight—all grappling with the numerous, often contested definitions of Blackness that have shaped their lives. Punctuated by footage of a dying Riggs directing his crew and delivering parting wisdom from his hospital bed, Black Is . . . Black Ain’t breaks down the divides of class, colorism, patriarchy, and homophobia as it issues a stirring appeal for unity. Top About this item Similar From the Brand Reviews The Signifyin' Works of Marlon Riggs (The Criterion Collection) (Ethnic Notions/Tongues Untied/Affirmations/Anthem/Color Adjustment/Non, Je Ne Regrette Rien (No Regret)/Black Is . . . Black Ain’t)

Release: June 22, 2021

$6.99

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There has never been a filmmaker like Marlon Riggs (1957–1994): an unapologetic gay Black man who defied a culture of silence and shame to speak his truth with resounding joy and conviction. An early adopter of video technology who had a profound understanding of the power of words and images to effect change, Riggs employed a bold mix of documentary, performance, poetry, music, and experimental techniques in order to confront issues that most of Reagan-era America refused to acknowledge, from the devastating legacy of racist stereotypes to the impact of the AIDS crisis on his own queer African American community to the very definition of what it is to be Black. Bringing together Riggs’s complete works—including his controversy-inciting queer landmark Tongues Untied and Black Is . . . Black Ain’t, his deeply personal career summation—The Signifyin’ Works of Marlon Riggs traces the artistic and political evolution of a transformative filmmaker whose work is both an electrifying call for liberation and an invaluable historical document. TWO-BLU-RAY SPECIAL EDITION FEATURES • New high-definition digital masters of all seven films, with uncompressed stereo soundtracks • Four new programs featuring editor Christiane Badgley; performers Brian Freeman, Reginald T. Jackson, and Bill T. Jones; filmmakers Cheryl Dunye and Rodney Evans; poet Jericho Brown; film and media scholar Racquel Gates; and sociologist Herman Gray • Long Train Running: The Story of the Oakland Blues (1981), Riggs’s graduate thesis film • Introduction to Riggs, recorded in 2020 and featuring filmmakers Vivian Kleiman and Shikeith, and Ashley Clark, curatorial director of the Criterion Collection • I Shall Not Be Removed: The Life of Marlon Riggs (1996), a documentary by Karen Everett that features interviews with Riggs; Kleiman; filmmaker Isaac Julien; African American studies scholar Barbara Christian; several of Riggs’s longtime friends and collaborators; and members of his family • English subtitles for the deaf and hard of hearing • PLUS: An essay by film critic K. Austin Collins ETHNIC NOTIONS Marlon Riggs brings viewers face-to-face with the insidious images that have shaped America’s racial mythologies, in his first major work, a brilliant and disturbing deconstruction of the ways in which anti-Black stereotypes have permeated nearly every aspect of popular culture. Through razor-sharp historical analysis including interviews with historians and folklore scholars, powerfully deployed imagery, and narration by actor Esther Rolle, Ethnic Notions illuminates, with devastating clarity, how dehumanizing caricatures of Black people—seen everywhere from children’s books to films to household products—have been used to uphold white supremacy and to justify slavery, segregation, and the continuing oppression of African Americans. In its refusal to look away from racism’s ugliest manifestations, this Emmy-winning documentary has become an essential text for understanding the origins of American racial violence. TONGUES UNTIED Made, in Marlon Riggs’s own words, to “shatter the nation’s brutalizing silence on matters of sexual and racial difference,” this radical blend of documentary and performance defies the stigmas surrounding Black gay sexuality in the belief that, as long as shame prevails, liberation will never be possible. Through music and dance, words and poetry by such pathbreaking writers as Essex Hemphill and Joseph Beam—and by turns candid, humorous, and heartbreaking interviews with queer African American men—Tongues Untied gives voice to what it means to live as an outsider in both a Black community rife with homophobia and a largely white gay subculture poisoned by racism. A lightning rod in the conservative culture wars of the 1980s that incited a right-wing furor over public funding for the arts, the film has lost none of its resonance in its unapologetic, life-affirming declaration that “Black men loving Black men is the revolutionary act.” AFFIRMATIONS Marlon Riggs expresses the hopes, dreams, and desires of gay Black men in this ode to queer African American empowerment. Built around outtakes of interview and protest footage from Tongues Untied, Affirmations begins as a candid, sex-positive confessional about first-time penetration and evolves into a rousing chorus of calls for freedom, recognition, and inclusion. ANTHEM “Pervert the language.” Made at a time when Marlon Riggs was three years into living with HIV and the motto “Silence=Death” was the queer community’s defiant response to the antigay policies of the Reagan era, this experimental music video employs a mix of poetry, African beats, and provocative imagery—sexual, political, and religious—in order to challenge and redefine prevailing images of Black masculinity. Led by the liberated dancing of the filmmaker himself, Anthem is a bold vision of queer revolution, proclaiming “Every time we kiss we confirm the new world coming.” COLOR ADJUSTMENT What does the American dream look like? Where do Black Americans fit into it? And what is television’s role in shaping our views of racial progress and the idealized American family? Picking up where the groundbreaking Ethnic Notions left off, this pioneering work of media studies by Marlon Riggs presents a complicated, challenging, and nuanced view of evolving racial attitudes as reflected in popular programs such as Amos ’n’ Andy, Julia, All in the Family, Good Times, Roots, and The Cosby Show. Narrated by Ruby Dee and featuring interviews with actors Diahann Carroll, Tim Reid, and Esther Rolle, African American historian Henry Louis Gates Jr., and producer Norman Lear, among others, Color Adjustment looks beyond the whitewashed, middle-class mythologies peddled by prime-time entertainment to track the ways in which Black Americans have been assimilated into a new but no less harmful racial narrative. NON, JE NE REGRETTE RIEN (NO REGRET) Through music, poetry, and courageous self-disclosure, five HIV-positive gay Black men (among them poet and performance artist Assotto Saint) discuss their individual confrontations with AIDS, illuminating their journeys through the fear, shame, and stigma that accompanied the disease at the height of the epidemic toward healing, acceptance, and truth. In Non, Je Ne Regrette Rien (No Regret), director Marlon Riggs tells stories of self-transformation in which a once unmentionable “affliction” is forged into a tool of personal and communal empowerment. BLACK IS . . . BLACK AIN’T Made with an urgency imparted by the knowledge that he was nearing the end of his life, Marlon Riggs’s final film—completed after his death of AIDS by a group of his devoted collaborators—is a wide-ranging consideration of a question that had long been central to his work: What does it mean to be Black? Using his mother’s gumbo recipe as a metaphor for the diversity of the African American experience, Riggs travels the country, seeking insights from leading thinkers like Angela Davis, Henry Louis Gates Jr., bell hooks, and Barbara Smith as well as ordinary people—young and old, rich and poor, rural and urban, gay and straight—all grappling with the numerous, often contested definitions of Blackness that have shaped their lives. Punctuated by footage of a dying Riggs directing his crew and delivering parting wisdom from his hospital bed, Black Is . . . Black Ain’t breaks down the divides of class, colorism, patriarchy, and homophobia as it issues a stirring appeal for unity. Top About this item Similar From the Brand Reviews The Signifyin' Works of Marlon Riggs (The Criterion Collection) (Ethnic Notions/Tongues Untied/Affirmations/Anthem/Color Adjustment/Non, Je Ne Regrette Rien (No Regret)/Black Is . . . Black Ain’t)

Release: February 13, 2018

$7.99

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In this chilling adaptation of the best selling novel by Thomas Harris, the astonishingly versatile director Jonathan Demme crafted a taut psychological thriller about an American obsession: serial murder. As Clarice Starling, an FBI trainee who enlists the help of the infamous Hannibal 'the Cannibal' Lecter to gain insight into the mind of another killer, Jodie Foster subverts classic gender dynamics and gives one of the most memorable performances of her career. As her foil, Anthony Hopkins is the archetypal antihero cultured, quick witted, and savagely murderous delivering a harrowing portrait of humanity gone terribly wrong. A gripping police procedural and a disquieting immersion into a twisted psyche, The silence of the lambs swept the Academy Awards (best picture, director, screenplay, actress, actor) and remains a cultural touchstone. BLU RAY SPECIAL EDITION FEATURES New 4K digital restoration, approved by director of photography Tak Fujimoto, with 2.0 surround DTS HD Master Audio soundtrack Alternate 5.1 surround DTS HD Master Audio soundtrack Audio commentary from 1994 featuring director Jonathan Demme, actors Jodie Foster and Anthony Hopkins, screenwriter Ted Tally, and former FBI agent John Douglas New interview with critic Maitland McDonagh Thirty eight minutes of deleted scenes Four documentaries featuring hours of interviews with cast and crew Behind the scenes featurette Storyboards Trailer Plus: A book featuring an introduction by Foster, an essay by critic Amy Taubin, pieces from 2000 and 2013 by author Thomas Harris on the origins of the character Hannibal Lecter, and a 1991 interview with Demme.

Release: October 23, 2018

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Margot Kidder is Danielle, a beautiful model separated from her Siamese twin, Dominique. When a hotshot reporter (Jennifer Salt) suspects Dominique of a brutal murder, she becomes dangerously ensnared in the sisters' insidious sibling bond. A scary and stylish paean to female destructiveness, Brian De Palma's first foray into horror voyeurism is a stunning amalgam of split-screen effects, bloody birthday cakes, and a chilling score by frequent Hitchcock collaborator Bernard Herrmann.

Release: May 5, 2020

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The multifaceted, deeply personal work of Eric Rohmer has had an effect on cinema unlike any other. One of the founding critics of the history-making Cahiers du cinéma, Rohmer began translating his written manifestos to film in the 1960s, standing apart from his New Wave contemporaries with his patented brand of gently existential, hyperarticulate character studies set against vivid seasonal landscapes. This near genre unto itself was established with the audacious and wildly influential series Six Moral Tales. A succession of encounters between fragile men and the women who tempt them, Six Moral Tales unleashed on the film world a new voice, one that was at once sexy, philosophical, modern, daring, nonjudgmental, and liberating. THREE-BLU-RAY SPECIAL EDITION FEATURES • New 2K digital restorations, with uncompressed monaural soundtracks • Conversation between director Eric Rohmer and filmmaker Barbet Schroeder from 2006 • Four short films by Rohmer—Presentation, or Charlotte and Her Steak (shot in 1951 and completed in 1961); Véronique and Her Dunce (1958); Nadja in Paris (1964); A Modern Coed (1966)—and one on which he advised, The Curve (1999) • “On Pascal,” a 1965 episode of the educational TV series En profil dans le texte directed by Rohmer, on the French philosopher Blaise Pascal, the subject of debate in My Night at Maud’s • Archival interviews with Rohmer; actors Jean-Claude Brialy, Béatrice Romand, Laurence de Monaghan, and Jean--Louis Trintignant; film critic Jean Douchet; and producer Pierre Cottrell • Video afterword from 2006 by filmmaker and writer Neil LaBute • Trailers • PLUS: A booklet featuring essays by critics Geoff Andrew, Ginette Vincendeau, Phillip Lopate, Kent Jones, Molly Haskell, and Armond White; excerpts from cinematographer Nestor Almendros’s 1980 autobiography; and Rohmer’s landmark 1948 essay “For a Talking Cinema”; along with an English translation of Six Moral Tales, the book of stories by Rohmer on which the films are based THE BAKERY GIRL OF MONCEAU Delicate and jazzy, The Bakery Girl of Monceau, the first entry in the Six Moral Tales series, evinces stirrings of what would become the Eric Rohmer style: unfussy naturalistic shooting, ironic first-person voice-over, and an “unknowable” woman. A law student (played by producer and future director Barbet Schroeder) with a roving eye and a large appetite stuffs himself with sugary pastries daily in order to gain the affection of a pretty brunette who works in a quaint Paris bakery. But is he truly interested, or is she just a sweet diversion? SUZANNE’S CAREER Bertrand bides his time in a casually hostile and envious friendship with Guillaume. But when Guillaume seems to be making a play for the spirited, independent Suzanne, Bertrand watches dis-approvingly. With its ragged black-and-white 16 mm photography and strong sense of 1960s Paris, Suzanne’s Career, the second of Eric Rohmer’s Six Moral Tales, is a wonderfully evocative portrait of youthful naivete and the complicated bonds of friendship and romance. MY NIGHT AT MAUD’S In My Night at Maud’s, the brilliantly accomplished centerpiece of the Six Moral Tales series, Jean-Louis Trintignant plays Jean-Louis, one of the great conflicted figures of 1960s cinema. A Catholic engineer in his early thirties, he lives by a strict moral code and immerses himself in mathematics and the philosophy of Blaise Pascal. After spotting the delicate Françoise at Mass, he vows to make her his wife, although when he spends an unplanned night at the apartment of the bold divorcée Maud, his rigid standards are challenged. LA COLLECTIONNEUSE A bombastic, womanizing art dealer and his painter friend go to a seventeenth-century villa on the Riviera for a relaxing summer getaway. But their idyll is disturbed by the presence of the bohemian Haydée, accused of being a “collector” of men. Eric Rohmer’s first color film, La collectionneuse pushes Six Moral Tales into new, darker realms while showcasing the clever, delectably ironic battle-of-the-sexes repartee (in a script written by Rohmer and the three main actors) and effortlessly luscious Nestor Almendros photography that would define the remainder of the series. CLAIRE’S KNEE “Why would I tie myself to one woman?” asks Jerôme in Claire’s Knee, though he plans to marry a diplomat’s daughter by summer’s end. He spends his July at a lakeside boardinghouse, nursing crushes on the sixteen-year-old Laura and, more tantalizingly, her long-legged, blonde, older half sister, Claire. Baring her knee on a ladder under a blooming cherry tree, Claire unwittingly incites a moral crisis for Jerôme while creating an image that is both the iconic emblem of Eric Rohmer’s Six Moral Tales and one of French cinema’s most enduring moments. LOVE IN THE AFTERNOON Though happily married to the adoring Hélène and expecting a second child with her, the thoroughly bourgeois executive Frédéric cannot banish from his mind the attractive Paris women he sees every day. His flirtations and fantasies remain harmless until the appearance at his office of Chloé, an audacious, unencumbered old flame played by the mesmerizing Zouzou. Love in the Afternoon, the luminous final chapter in Eric Rohmer’s Six Moral Tales, is a tender, sobering, and wholly adult affair that leads to perhaps the most overwhelmingly emotional moment in the entire series. Top About this item Similar From the Brand Reviews Six Moral Tales (The Bakery Girl of Monceau / Suzanne’s Career / My Night at Maud’s / La collectionneuse / Claire’s Knee / Love in the Afternoon) (The Criterion Collection) [Blu-ray]

Release: May 5, 2020

$7.99

Description

The multifaceted, deeply personal work of Eric Rohmer has had an effect on cinema unlike any other. One of the founding critics of the history-making Cahiers du cinéma, Rohmer began translating his written manifestos to film in the 1960s, standing apart from his New Wave contemporaries with his patented brand of gently existential, hyperarticulate character studies set against vivid seasonal landscapes. This near genre unto itself was established with the audacious and wildly influential series Six Moral Tales. A succession of encounters between fragile men and the women who tempt them, Six Moral Tales unleashed on the film world a new voice, one that was at once sexy, philosophical, modern, daring, nonjudgmental, and liberating. THREE-BLU-RAY SPECIAL EDITION FEATURES • New 2K digital restorations, with uncompressed monaural soundtracks • Conversation between director Eric Rohmer and filmmaker Barbet Schroeder from 2006 • Four short films by Rohmer—Presentation, or Charlotte and Her Steak (shot in 1951 and completed in 1961); Véronique and Her Dunce (1958); Nadja in Paris (1964); A Modern Coed (1966)—and one on which he advised, The Curve (1999) • “On Pascal,” a 1965 episode of the educational TV series En profil dans le texte directed by Rohmer, on the French philosopher Blaise Pascal, the subject of debate in My Night at Maud’s • Archival interviews with Rohmer; actors Jean-Claude Brialy, Béatrice Romand, Laurence de Monaghan, and Jean--Louis Trintignant; film critic Jean Douchet; and producer Pierre Cottrell • Video afterword from 2006 by filmmaker and writer Neil LaBute • Trailers • PLUS: A booklet featuring essays by critics Geoff Andrew, Ginette Vincendeau, Phillip Lopate, Kent Jones, Molly Haskell, and Armond White; excerpts from cinematographer Nestor Almendros’s 1980 autobiography; and Rohmer’s landmark 1948 essay “For a Talking Cinema”; along with an English translation of Six Moral Tales, the book of stories by Rohmer on which the films are based THE BAKERY GIRL OF MONCEAU Delicate and jazzy, The Bakery Girl of Monceau, the first entry in the Six Moral Tales series, evinces stirrings of what would become the Eric Rohmer style: unfussy naturalistic shooting, ironic first-person voice-over, and an “unknowable” woman. A law student (played by producer and future director Barbet Schroeder) with a roving eye and a large appetite stuffs himself with sugary pastries daily in order to gain the affection of a pretty brunette who works in a quaint Paris bakery. But is he truly interested, or is she just a sweet diversion? SUZANNE’S CAREER Bertrand bides his time in a casually hostile and envious friendship with Guillaume. But when Guillaume seems to be making a play for the spirited, independent Suzanne, Bertrand watches dis-approvingly. With its ragged black-and-white 16 mm photography and strong sense of 1960s Paris, Suzanne’s Career, the second of Eric Rohmer’s Six Moral Tales, is a wonderfully evocative portrait of youthful naivete and the complicated bonds of friendship and romance. MY NIGHT AT MAUD’S In My Night at Maud’s, the brilliantly accomplished centerpiece of the Six Moral Tales series, Jean-Louis Trintignant plays Jean-Louis, one of the great conflicted figures of 1960s cinema. A Catholic engineer in his early thirties, he lives by a strict moral code and immerses himself in mathematics and the philosophy of Blaise Pascal. After spotting the delicate Françoise at Mass, he vows to make her his wife, although when he spends an unplanned night at the apartment of the bold divorcée Maud, his rigid standards are challenged. LA COLLECTIONNEUSE A bombastic, womanizing art dealer and his painter friend go to a seventeenth-century villa on the Riviera for a relaxing summer getaway. But their idyll is disturbed by the presence of the bohemian Haydée, accused of being a “collector” of men. Eric Rohmer’s first color film, La collectionneuse pushes Six Moral Tales into new, darker realms while showcasing the clever, delectably ironic battle-of-the-sexes repartee (in a script written by Rohmer and the three main actors) and effortlessly luscious Nestor Almendros photography that would define the remainder of the series. CLAIRE’S KNEE “Why would I tie myself to one woman?” asks Jerôme in Claire’s Knee, though he plans to marry a diplomat’s daughter by summer’s end. He spends his July at a lakeside boardinghouse, nursing crushes on the sixteen-year-old Laura and, more tantalizingly, her long-legged, blonde, older half sister, Claire. Baring her knee on a ladder under a blooming cherry tree, Claire unwittingly incites a moral crisis for Jerôme while creating an image that is both the iconic emblem of Eric Rohmer’s Six Moral Tales and one of French cinema’s most enduring moments. LOVE IN THE AFTERNOON Though happily married to the adoring Hélène and expecting a second child with her, the thoroughly bourgeois executive Frédéric cannot banish from his mind the attractive Paris women he sees every day. His flirtations and fantasies remain harmless until the appearance at his office of Chloé, an audacious, unencumbered old flame played by the mesmerizing Zouzou. Love in the Afternoon, the luminous final chapter in Eric Rohmer’s Six Moral Tales, is a tender, sobering, and wholly adult affair that leads to perhaps the most overwhelmingly emotional moment in the entire series. Top About this item Similar From the Brand Reviews Six Moral Tales (The Bakery Girl of Monceau / Suzanne’s Career / My Night at Maud’s / La collectionneuse / Claire’s Knee / Love in the Afternoon) (The Criterion Collection) [Blu-ray]

Release: May 5, 2020

$7.99

Description

The multifaceted, deeply personal work of Eric Rohmer has had an effect on cinema unlike any other. One of the founding critics of the history-making Cahiers du cinéma, Rohmer began translating his written manifestos to film in the 1960s, standing apart from his New Wave contemporaries with his patented brand of gently existential, hyperarticulate character studies set against vivid seasonal landscapes. This near genre unto itself was established with the audacious and wildly influential series Six Moral Tales. A succession of encounters between fragile men and the women who tempt them, Six Moral Tales unleashed on the film world a new voice, one that was at once sexy, philosophical, modern, daring, nonjudgmental, and liberating. THREE-BLU-RAY SPECIAL EDITION FEATURES • New 2K digital restorations, with uncompressed monaural soundtracks • Conversation between director Eric Rohmer and filmmaker Barbet Schroeder from 2006 • Four short films by Rohmer—Presentation, or Charlotte and Her Steak (shot in 1951 and completed in 1961); Véronique and Her Dunce (1958); Nadja in Paris (1964); A Modern Coed (1966)—and one on which he advised, The Curve (1999) • “On Pascal,” a 1965 episode of the educational TV series En profil dans le texte directed by Rohmer, on the French philosopher Blaise Pascal, the subject of debate in My Night at Maud’s • Archival interviews with Rohmer; actors Jean-Claude Brialy, Béatrice Romand, Laurence de Monaghan, and Jean--Louis Trintignant; film critic Jean Douchet; and producer Pierre Cottrell • Video afterword from 2006 by filmmaker and writer Neil LaBute • Trailers • PLUS: A booklet featuring essays by critics Geoff Andrew, Ginette Vincendeau, Phillip Lopate, Kent Jones, Molly Haskell, and Armond White; excerpts from cinematographer Nestor Almendros’s 1980 autobiography; and Rohmer’s landmark 1948 essay “For a Talking Cinema”; along with an English translation of Six Moral Tales, the book of stories by Rohmer on which the films are based THE BAKERY GIRL OF MONCEAU Delicate and jazzy, The Bakery Girl of Monceau, the first entry in the Six Moral Tales series, evinces stirrings of what would become the Eric Rohmer style: unfussy naturalistic shooting, ironic first-person voice-over, and an “unknowable” woman. A law student (played by producer and future director Barbet Schroeder) with a roving eye and a large appetite stuffs himself with sugary pastries daily in order to gain the affection of a pretty brunette who works in a quaint Paris bakery. But is he truly interested, or is she just a sweet diversion? SUZANNE’S CAREER Bertrand bides his time in a casually hostile and envious friendship with Guillaume. But when Guillaume seems to be making a play for the spirited, independent Suzanne, Bertrand watches dis-approvingly. With its ragged black-and-white 16 mm photography and strong sense of 1960s Paris, Suzanne’s Career, the second of Eric Rohmer’s Six Moral Tales, is a wonderfully evocative portrait of youthful naivete and the complicated bonds of friendship and romance. MY NIGHT AT MAUD’S In My Night at Maud’s, the brilliantly accomplished centerpiece of the Six Moral Tales series, Jean-Louis Trintignant plays Jean-Louis, one of the great conflicted figures of 1960s cinema. A Catholic engineer in his early thirties, he lives by a strict moral code and immerses himself in mathematics and the philosophy of Blaise Pascal. After spotting the delicate Françoise at Mass, he vows to make her his wife, although when he spends an unplanned night at the apartment of the bold divorcée Maud, his rigid standards are challenged. LA COLLECTIONNEUSE A bombastic, womanizing art dealer and his painter friend go to a seventeenth-century villa on the Riviera for a relaxing summer getaway. But their idyll is disturbed by the presence of the bohemian Haydée, accused of being a “collector” of men. Eric Rohmer’s first color film, La collectionneuse pushes Six Moral Tales into new, darker realms while showcasing the clever, delectably ironic battle-of-the-sexes repartee (in a script written by Rohmer and the three main actors) and effortlessly luscious Nestor Almendros photography that would define the remainder of the series. CLAIRE’S KNEE “Why would I tie myself to one woman?” asks Jerôme in Claire’s Knee, though he plans to marry a diplomat’s daughter by summer’s end. He spends his July at a lakeside boardinghouse, nursing crushes on the sixteen-year-old Laura and, more tantalizingly, her long-legged, blonde, older half sister, Claire. Baring her knee on a ladder under a blooming cherry tree, Claire unwittingly incites a moral crisis for Jerôme while creating an image that is both the iconic emblem of Eric Rohmer’s Six Moral Tales and one of French cinema’s most enduring moments. LOVE IN THE AFTERNOON Though happily married to the adoring Hélène and expecting a second child with her, the thoroughly bourgeois executive Frédéric cannot banish from his mind the attractive Paris women he sees every day. His flirtations and fantasies remain harmless until the appearance at his office of Chloé, an audacious, unencumbered old flame played by the mesmerizing Zouzou. Love in the Afternoon, the luminous final chapter in Eric Rohmer’s Six Moral Tales, is a tender, sobering, and wholly adult affair that leads to perhaps the most overwhelmingly emotional moment in the entire series. Top About this item Similar From the Brand Reviews Six Moral Tales (The Bakery Girl of Monceau / Suzanne’s Career / My Night at Maud’s / La collectionneuse / Claire’s Knee / Love in the Afternoon) (The Criterion Collection) [Blu-ray]

Release: September 17, 2013

$7.99

Description

Slacker, directed by Richard Linklater (Dazed and Confused), presents a day in the life of a loose-knit Austin, Texas, subculture populated by eccentric and overeducated young people. Shooting on 16 mm for a mere $3,000, writer-producer-director Linklater and his crew of friends threw out any idea of a traditional plot, choosing instead to create a tapestry of over a hundred characters, each as compelling as the last. Slacker is a prescient look at an emerging generation of aggressive nonparticipants, and one of the key films of the American independent film movement of the 1990s.

Release: April 25, 2023

$7.99

Description

With the five films that make up his Small Axe anthology (Mangrove; Lovers Rock; Red, White and Blue; Alex Wheatle; and Education), director Steve McQueen offers a richly evocative panorama of West Indian life in London from the 1960s through the ’80s—a time defined for the community by the terror of police violence, the empowering awakening of political consciousness, and the ecstatic escape of a vibrant reggae scene. Ranging in tone from the tenderly impressionistic to the devastatingly clear-eyed, these powerfully performed portraits of Black resistance, joy, creativity, and collective action—all sumptuously shot by Shabier Kirchner—form a revolutionary counterhistory of mid-twentieth-century Britain at a transformational moment. DIRECTOR-APPROVED THREE-BLU-RAY SPECIAL EDITION FEATURES New 2K masters of all five films, approved by director Steve McQueen, with 5.1 surround DTS-HD Master Audio soundtracks New conversation between McQueen and writer and professor Paul Gilroy Behind-the-scenes featurettes including interviews with McQueen, executive producer Tracey Scoffield, writing consultant Alex Wheatle, and members of the Small Axe cast Uprising (2021), a three-part documentary codirected by McQueen and James Rogan about the tragic 1981 New Cross house fire Audio conversation among McQueen, music producer Dennis Bovell, and Beastie Boys member Mike D Trailers English subtitles for the deaf and hard of hearing PLUS: An essay by film programmer and critic Ashley Clark

Release: April 25, 2023

$7.99

Description

With the five films that make up his Small Axe anthology (Mangrove; Lovers Rock; Red, White and Blue; Alex Wheatle; and Education), director Steve McQueen offers a richly evocative panorama of West Indian life in London from the 1960s through the ’80s—a time defined for the community by the terror of police violence, the empowering awakening of political consciousness, and the ecstatic escape of a vibrant reggae scene. Ranging in tone from the tenderly impressionistic to the devastatingly clear-eyed, these powerfully performed portraits of Black resistance, joy, creativity, and collective action—all sumptuously shot by Shabier Kirchner—form a revolutionary counterhistory of mid-twentieth-century Britain at a transformational moment. DIRECTOR-APPROVED THREE-BLU-RAY SPECIAL EDITION FEATURES New 2K masters of all five films, approved by director Steve McQueen, with 5.1 surround DTS-HD Master Audio soundtracks New conversation between McQueen and writer and professor Paul Gilroy Behind-the-scenes featurettes including interviews with McQueen, executive producer Tracey Scoffield, writing consultant Alex Wheatle, and members of the Small Axe cast Uprising (2021), a three-part documentary codirected by McQueen and James Rogan about the tragic 1981 New Cross house fire Audio conversation among McQueen, music producer Dennis Bovell, and Beastie Boys member Mike D Trailers English subtitles for the deaf and hard of hearing PLUS: An essay by film programmer and critic Ashley Clark

Release: April 25, 2023

$7.99

Description

With the five films that make up his Small Axe anthology (Mangrove; Lovers Rock; Red, White and Blue; Alex Wheatle; and Education), director Steve McQueen offers a richly evocative panorama of West Indian life in London from the 1960s through the ’80s—a time defined for the community by the terror of police violence, the empowering awakening of political consciousness, and the ecstatic escape of a vibrant reggae scene. Ranging in tone from the tenderly impressionistic to the devastatingly clear-eyed, these powerfully performed portraits of Black resistance, joy, creativity, and collective action—all sumptuously shot by Shabier Kirchner—form a revolutionary counterhistory of mid-twentieth-century Britain at a transformational moment. DIRECTOR-APPROVED THREE-BLU-RAY SPECIAL EDITION FEATURES New 2K masters of all five films, approved by director Steve McQueen, with 5.1 surround DTS-HD Master Audio soundtracks New conversation between McQueen and writer and professor Paul Gilroy Behind-the-scenes featurettes including interviews with McQueen, executive producer Tracey Scoffield, writing consultant Alex Wheatle, and members of the Small Axe cast Uprising (2021), a three-part documentary codirected by McQueen and James Rogan about the tragic 1981 New Cross house fire Audio conversation among McQueen, music producer Dennis Bovell, and Beastie Boys member Mike D Trailers English subtitles for the deaf and hard of hearing PLUS: An essay by film programmer and critic Ashley Clark

$7.99

Description

Bergman's elegant romantic comedy intertwines mismatched lovers, jealous spouses and comic intrigue over the course of a midsummer weekend.

Release: August 21, 2018

$7.99

Description

Susan Seidelman established her distinctive vision of 1980s New York with this debut feature, the lo-fi original for her vibrant portraits of women reinventing themselves. After escaping New Jersey, the quintessentially punk Wren (Susan Berman)—a sparkplug in fishnets who lives dangerously downtown—moves to the city with the mission of becoming famous. When not pasting up flyers for herself or hanging at the Peppermint Lounge, she’s getting involved with Paul (Brad Rijn), the nicest guy to ever live in a van next to the highway, and Eric (Richard Hell), an aloof rocker. Shot on 16 mm film that captures the grit and glam of the setting, with an alternately moody and frenetic soundtrack by the Feelies and others, Smithereens—the first independent American film to compete for the Palme d’Or—is an unfaded snapshot of a bygone era. DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES • New 2K digital restoration, approved by director Susan Seidelman, with uncompressed monaural soundtrack • Audio commentary from 2004 featuring Seidelman • New interviews with Seidelman and actor Susan Berman • And You Act Like One Too (1976) and Yours Truly, Andrea G. Stern (1979), two early shorts by Seidelman, with new introductions by the director • PLUS: An essay by critic Rebecca Bengal Top About this item Similar From the Brand Reviews Smithereens (The Criterion Collection) [Blu-ray]

Release: February 23, 2021

$7.99

Description

Suspended between carefree youth and the harsh realities of the adult world, a teenage girl experiences an unsettling awakening in this haunting vision of innocence lost. Based on the celebrated short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, the narrative debut from Joyce Chopra features a revelatory breakout performance by Laura Dern as Connie, the fifteen-year-old black sheep of her family whose summertime idyll of beach trips, mall hangouts, and innocent flirtations is shattered by an encounter with a mysterious stranger (a memorably menacing Treat Williams). Winner of the Grand Jury Prize at Sundance, Smooth Talk captures the thrill and terror of adolescent sexual exploration as it transforms the conventions of a coming-of-age story into something altogether more troubling and profound. DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES • New, restored 4K digital transfer, supervised by director Joyce Chopra, with uncompressed monaural soundtrack • Conversation among Chopra, author Joyce Carol Oates, and actor Laura Dern from the 2020 New York Film Festival, moderated by TCM host Alicia Malone • New interview with Chopra • New interview with production designer David Wasco • KPFK Pacifica Radio interview with Chopra from 1985 • Joyce at 34 (1972), Girls at 12 (1975), and Clorae and Albie (1976), three short films by Chopra • Audio reading of the 1966 Life magazine article “The Pied Piper of Tucson,” which inspired the short story by Oates • Trailers • English subtitles for the deaf and hard of hearing • More! • PLUS: An essay by poet Honor Moore, a 1986 New York Times article by Oates about the adaptation, and Oates’s 1966 short story “Where Are You Going, Where Have You Been?”

$7.99

Description

A respected married writer begins a passionate affair that gradually spirals into jealousy, deception, and tragedy.

$7.99

Description

A psychologist sent to a space station orbiting a mysterious planet encounters physical manifestations of memory, grief and desire.

$6.99

Description

<p class="MsoNormal"><font color="#1155cc"><u>Criterion | 1959 | 121 min | Not rated <br /></u></font><span style="color: rgb(51, 51, 51); font-family: verdana, arial, sans-serif; font-size: 12px;">Two down on their luck jazz musicians find themselves on the run after the police raid the speakeasy they perform in. With nowhere to hide, a gig with Sweet Sue and her Society Syncopators</span><a href="https://amzn.to/2DFiqST"><br /><br />Click for More Details & Customer Reviews</a><o:p></o:p> </p> <br />

Release: July 14, 2015

$6.99

Description

Product Description This remarkable adaptation of Walter Farley's classic children's novel by Carroll Ballard (Fly Away Home), in which an American boy is rescued after a shipwreck off the coast of North Africa by a seemingly untamable wild horse - is a cinematic tour de force. From the crystalline shores of a deserted island in the Arabian Sea to the green grass and dusty roads of 1930s suburban New York, Ballard and director of photography Caleb Deschanel (The Right Stuff) create a film of consistent visual invention and purity, also featuring a winning supporting performance by Mickey Rooney (National Velvet) as a retired jockey and a gorgeous score by Carmine Coppola (The Godfather Part II). Review This remarkable adaptation of Walter Farley’s classic children’s novel by Carroll Ballard (Fly Away Home)—in which an American boy is rescued after a shipwreck off the coast of North Africa by a seemingly untamable wild horse—is a cinematic tour de force. From the crystalline shores of a deserted island in the Arabian Sea to the green grass and dusty roads of 1930s suburban New York, Ballard and director of photography Caleb Deschanel (The Right Stuff) create a film of consistent visual invention and purity, also featuring a winning supporting performance by Mickey Rooney (National Velvet) as a retired jockey and a gorgeous score by Carmine Coppola (The Godfather Part II).

Release: August 9, 2011

$6.99

Description

Re-creates the 1954-62 Algerian fight for independence from the French. Directed by Gillo Pontecorvo.

$6.99

Description

<p class="MsoNormal"><font color="#1155cc"><u>Criterion | 2019 | 120 min | Rated R <br /></u></font><span style="color: rgb(51, 51, 51); font-family: verdana, arial, sans-serif; font-size: 12px; background-color: rgb(255, 255, 255);">A heavy-metal drummer's life is thrown into freefall when he begins to lose his hearing.</span><a href="https://amzn.to/3B18eAU"><br /><br />Click for More Details & Customer Reviews</a><o:p></o:p> </p> <br />

$7.99

Description

<p class="MsoNormal"><font color="#1155cc"><u>Criterion | 2019 | 120 min | Rated R <br /></u></font><span style="color: rgb(51, 51, 51); font-family: verdana, arial, sans-serif; font-size: 12px; background-color: rgb(255, 255, 255);">A heavy-metal drummer's life is thrown into freefall when he begins to lose his hearing.</span><a href="https://amzn.to/3B18eAU"><br /><br />Click for More Details & Customer Reviews</a><o:p></o:p> </p> <br />

$6.99

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On the day of Hitler's visit to Rome, two lonely neighbors form an intimate bond while fascist pageantry fills the city outside.

$6.99

Description

Bonus-disc material from the Jacques Tati collection spotlighting the filmmaker’s visual comedy, production history, and legacy.

$8.99(Not Free for Subscribers)

Description

A psychiatrist tries to help an amnesiac man accused of murder, leading to a dangerous search through memory, guilt and obsession.

$7.99

Description

A weary British agent agrees to one final mission in East Germany, only to discover a ruthless web of deception where loyalty is expendable.

Release: November 22, 2016

$7.99

Description

With excruciating honesty, The Squid and the Whale chronicles the experiences of two young brothers growing up in 1980s Park Slope, Brooklyn, as they navigate the jagged contours of the divorce of their parents, both writers. The acclaimed third feature by Noah Baumbach (Kicking and Screaming, Frances Ha) marked a critical development for the filmmaker as he turned toward an increasingly personal style a move that garnered him an Academy Award nomination for best original screenplay. Shot in Super 16 mm and featuring a quartet of nuanced, understated performances from Jeff Daniels (Something Wild), Laura Linney (Mystic River), Jesse Eisenberg (The Social Network), and Owen Kline, this comic and poignant drama, peppered with autobiographical elements, deftly captures the heartache and confusion of a fracturing family. DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES - New, restored 4K digital transfer, supervised by cinematographer Robert Yeoman and director Noah Baumbach, with 5.1 surround DTS-HD Master Audio soundtrack - New interviews with Baumbach and actors Jeff Daniels, Jesse Eisenberg, Owen Kline, and Laura Linney - New conversation about the score and other music in the film between Baumbach and composers Dean Wareham and Britta Phillips - Behind The Squid and the Whale, a 2004 documentary featuring on-set footage and cast interviews - Audition footage - Trailers

Release: July 18, 2017

$7.99

Description

Andrei Tarkovsky s final Soviet feature is a metaphysical journey through an enigmatic postapocalyptic landscape, and a rarefied cinematic experience like no other. A hired guide the Stalker leads a writer and a scientist into the heart of the Zone, the restricted site of a long-ago disaster, where the three men eventually zero in on the Room, a place rumored to fulfill one s most deeply held desires. Adapting a science-fiction novel by Arkady and Boris Strugatsky, Tarkovsky created an immersive world with a wealth of material detail and a sense of organic atmosphere. A religious allegory, a reflection of contemporaneous political anxieties, a meditation on film itself Stalker envelops the viewer by opening up a multitude of possible meanings. BLU-RAY SPECIAL EDITION FEATURES - New 2K digital restoration, with uncompressed monaural soundtrack - New interview with Geoff Dyer, author of Zona: A Book About a Film About a Journey to a Room - Interview from 2002 with cinematographer Alexander Knyazhinsky - Interview from 2002 with set designer Rashit Safiullin - Interview from 2002 with composer Eduard Artemyev - New English subtitle translation - More! - PLUS: An essay by critic Mark Le Fanu

Release: February 8, 2011

$7.99

Description

The lyrical, profoundly moving STILL WALKING is the most personal work to date from contemporary Japanese master Hirokazu Kore-eda (Maborosi, After Life, Nobody Knows). Fashioned as a tribute to his parents, the film depicts one day in the life of the Yokoyamas, gathered together for a celebratory ritual that only gradually makes itself clear. Rather than focus on big dramatic moments, Kore-eda relies on simple gestures and domestic routines (especially cooking) to evoke a family�s entire life, its deep regrets and its daily joys. Featuring vivid, heartrending performances and a gentle naturalism that harks back to the director�s earlier, documentary work, STILL WALKING is an extraordinary portrayal of the ties that bind us.

Release: July 15, 2025

$7.99

Description

The release of François Truffaut’s The 400 Blows in 1959 shook world cinema to its foundations. The now-classic portrait of troubled adolescence introduced a major new director in the cinematic landscape and was an inaugural gesture of the revolutionary French New Wave. But The 400 Blows not only introduced the world to Truffaut—it also unveiled his most indelible creation, Antoine Doinel. Initially patterned closely after Truffaut himself, the Doinel character (played by the irrepressible and iconic Jean-Pierre Léaud) reappeared in four subsequent films that knowingly portrayed his myriad frustrations and romantic entanglements, from his stormy teens through marriage, children, divorce, and adulthood. This box set presents Truffaut’s celebrated saga in its entirety: the feature films The 400 Blows, Stolen Kisses, Bed and Board, and Love on the Run, and the short subject Antoine and Colette. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES 4K digital restorations of all five films, with uncompressed monaural soundtracks Four 4K UHD discs of the films presented in Dolby Vision HDR and four Blu-rays with the films and special features New 4K restoration of Les mistons, Truffaut’s 1957 short film, with commentary by Claude de Givray, Truffaut’s then assistant director Two audio commentaries for The 400 Blows, one featuring film scholar Brian Stonehill and the other Truffaut’s lifelong friend Robert Lachenay Archival interviews with Truffaut and his collaborators, including actors Jean-Pierre Léaud, Claude Jade, and Marie-France Pisier and cowriters de Givray and Bernard Revon Video essays by film historian Serge Toubiana for Stolen Kisses and Les mistons Introducing My Father, François Truffaut, a 2019 interview with Laura Truffaut by filmmaker Daniel Raim Trailers PLUS: Essays by Annette Insdorf, Kent Jones, Andrew Sarris, Noah Baumbach, and Chris Fujiwara, and a 1971 piece by Truffaut THE 400 BLOWS with ANTOINE AND COLETTE François Truffaut’s first feature is also his most personal. Told through the eyes of Truffaut’s cinematic counterpart, Antoine Doinel (Jean-Pierre Léaud), The 400 Blows sensitively recreates the trials of Truffaut’s own difficult childhood. The film established Truffaut as a trailblazing auteur of the French New Wave. Also included is Truffaut’s Antoine and Colette, from the 1962 omnibus feature Love at Twenty. STOLEN KISSES Jean-Pierre Léaud returns in the delightful Stolen Kisses, the third installment in the Antoine Doinel series. It is now 1968, and the mischievous and perpetually lovestruck Doinel has been dishonorably discharged from the army and released onto the streets of Paris, where he stumbles into the unlikely profession of private detective and embarks on a series of misadventures. Whimsical, nostalgic, and irrepressibly romantic, Stolen Kisses is François Truffaut’s timeless ode to the passion and impetuosity of youth. BED AND BOARD The fourth installment in François Truffaut’s chronicle of the ardent, anachronistic Antoine Doinel, Bed and Board, finds our hapless hero once again in crisis. Expecting his first child and still struggling to find steady employment, Doinel (Jean-Pierre Léaud) involves himself in a relationship with a beautiful Japanese woman that threatens to destroy his marriage. Lightly comic, with a touch of the burlesque, Bed and Board is a bittersweet look at the travails of young married life and the fine line between adolescence and adulthood. LOVE ON THE RUN Antoine Doinel strikes again! In the final chapter of François Truffaut’s saga, we find Doinel (Jean-Pierre Léaud), now in his thirties, convivially concluding his marriage, enjoying moderate success as a novelist, and clinging to his romantic fantasies. The newly single Doinel finds an object of his affections in Sabine, a record-store salesgirl whom he pursues with the fervid belief that without love, one is nothing. Along the way, he renews his acquaintance with previous loves and confronts his own chaotic past. In Love on the Run, Antoine Doinel is still in love, and because he’s still in love, he’s still alive. Top About this item Similar From the Brand Reviews The Adventures of Antoine Doinel (The Criterion Collection) (The 400 Blows / Antoine and Colette / Stolen Kisses / Bed and Board / Love on the Run) [4K UHD]

Release: July 15, 2025

$7.99

Description

The release of François Truffaut’s The 400 Blows in 1959 shook world cinema to its foundations. The now-classic portrait of troubled adolescence introduced a major new director in the cinematic landscape and was an inaugural gesture of the revolutionary French New Wave. But The 400 Blows not only introduced the world to Truffaut—it also unveiled his most indelible creation, Antoine Doinel. Initially patterned closely after Truffaut himself, the Doinel character (played by the irrepressible and iconic Jean-Pierre Léaud) reappeared in four subsequent films that knowingly portrayed his myriad frustrations and romantic entanglements, from his stormy teens through marriage, children, divorce, and adulthood. This box set presents Truffaut’s celebrated saga in its entirety: the feature films The 400 Blows, Stolen Kisses, Bed and Board, and Love on the Run, and the short subject Antoine and Colette. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES 4K digital restorations of all five films, with uncompressed monaural soundtracks Four 4K UHD discs of the films presented in Dolby Vision HDR and four Blu-rays with the films and special features New 4K restoration of Les mistons, Truffaut’s 1957 short film, with commentary by Claude de Givray, Truffaut’s then assistant director Two audio commentaries for The 400 Blows, one featuring film scholar Brian Stonehill and the other Truffaut’s lifelong friend Robert Lachenay Archival interviews with Truffaut and his collaborators, including actors Jean-Pierre Léaud, Claude Jade, and Marie-France Pisier and cowriters de Givray and Bernard Revon Video essays by film historian Serge Toubiana for Stolen Kisses and Les mistons Introducing My Father, François Truffaut, a 2019 interview with Laura Truffaut by filmmaker Daniel Raim Trailers PLUS: Essays by Annette Insdorf, Kent Jones, Andrew Sarris, Noah Baumbach, and Chris Fujiwara, and a 1971 piece by Truffaut THE 400 BLOWS with ANTOINE AND COLETTE François Truffaut’s first feature is also his most personal. Told through the eyes of Truffaut’s cinematic counterpart, Antoine Doinel (Jean-Pierre Léaud), The 400 Blows sensitively recreates the trials of Truffaut’s own difficult childhood. The film established Truffaut as a trailblazing auteur of the French New Wave. Also included is Truffaut’s Antoine and Colette, from the 1962 omnibus feature Love at Twenty. STOLEN KISSES Jean-Pierre Léaud returns in the delightful Stolen Kisses, the third installment in the Antoine Doinel series. It is now 1968, and the mischievous and perpetually lovestruck Doinel has been dishonorably discharged from the army and released onto the streets of Paris, where he stumbles into the unlikely profession of private detective and embarks on a series of misadventures. Whimsical, nostalgic, and irrepressibly romantic, Stolen Kisses is François Truffaut’s timeless ode to the passion and impetuosity of youth. BED AND BOARD The fourth installment in François Truffaut’s chronicle of the ardent, anachronistic Antoine Doinel, Bed and Board, finds our hapless hero once again in crisis. Expecting his first child and still struggling to find steady employment, Doinel (Jean-Pierre Léaud) involves himself in a relationship with a beautiful Japanese woman that threatens to destroy his marriage. Lightly comic, with a touch of the burlesque, Bed and Board is a bittersweet look at the travails of young married life and the fine line between adolescence and adulthood. LOVE ON THE RUN Antoine Doinel strikes again! In the final chapter of François Truffaut’s saga, we find Doinel (Jean-Pierre Léaud), now in his thirties, convivially concluding his marriage, enjoying moderate success as a novelist, and clinging to his romantic fantasies. The newly single Doinel finds an object of his affections in Sabine, a record-store salesgirl whom he pursues with the fervid belief that without love, one is nothing. Along the way, he renews his acquaintance with previous loves and confronts his own chaotic past. In Love on the Run, Antoine Doinel is still in love, and because he’s still in love, he’s still alive. Top About this item Similar From the Brand Reviews The Adventures of Antoine Doinel (The Criterion Collection) (The 400 Blows / Antoine and Colette / Stolen Kisses / Bed and Board / Love on the Run) [4K UHD]

Release: November 13, 2018

$6.99

Description

One of a string of late-career masterworks made by Kenji Mizoguchi in the early 1950s, A Story from Chikamatsu (a.k.a. The Crucified Lovers) is an exquisitely moving tale of forbidden love struggling to survive in the face of persecution. Based on a classic of eighteenth-century Japanese drama, the film traces the injustices that befall a Kyoto scroll maker's wife and his apprentice after each is unfairly accused of wrongdoing. Bound by fate in an illicit, star-crossed romance, they go on the run in search of refuge from the punishment prescribed them: death. Shot in gorgeous, painterly style by master cinematographer Kazuo Miyagawa, this subtly sensuous indictment of societal oppression was heralded by Akira Kurosawa as a great masterpiece that could only have been made by Mizoguchi.

Release: December 3, 2019

$7.99

Description

Loosely adapted from William Faulkner’s controversial novel Sanctuary, this notorious pre Code melodrama stars Miriam Hopkins as Temple Drake, the coquettish granddaughter of a respected small town judge. When a boozehound date strands her at a bootleggers’ hideout, Temple is subjected to an act of nightmarish sexual violence and plunged into a criminal underworld that threatens to swallow her up completely. Steeped in southern gothic shadows by influential cinematographer Karl Struss and shot through with moral ambiguity, The Story of Temple Drake is a harrowing vision of sin and salvation that boasts an astonishing lead performance from the fiery Hopkins, whose passage through the stations of terror, trauma, and redemption is a true tour de force of screen acting. BLU RAY SPECIAL EDITION FEATURES • High definition digital restoration, with uncompressed monaural soundtrack • New program featuring a conversation between cinematographer John Bailey and Matt Severson, director of the Margaret Herrick Library at the Academy of Motion Picture Arts and Sciences, about the film’s visual style, along with archival materials relating to its production • New program with critic Imogen Sara Smith about the complexity of the film and its central performance by Miriam Hopkins • New interview with critic Mick LaSalle about the film, censorship, and the Production Code • PLUS: An essay by critic Geoffrey O’Brien

Release: September 13, 2016

$6.99

Description

This heartrending masterpiece by Kenji Mizoguchi (Ugetsu) about the give-and-take between life and art marked the director s first use of the hypnotic long takes and eloquent camera movements that would come to define his films. The adopted son of legendary kabuki actor Kikunosuke (Shotaro Hanayagi), who is striving to achieve stardom by mastering female roles, turns to his infant brother s wet nurse (Kakuko Mori) for support and affection and she soon gives up everything for her beloved s creative glory. Featuring fascinating glimpses behind the scenes of kabuki theater in the late nineteenth century, The Story of the Last Chrysanthemum is a critique of the oppression of women and the sacrifices required of them, and the pinnacle of Mizoguchi s early career. BLU-RAY SPECIAL EDITION FEATURES - New, restored 4K digital transfer, with uncompressed monaural soundtrack - New interview with critic Phillip Lopate about the evolution of director Kenji Mizoguchi s style - New English subtitle translation - PLUS: An essay by film scholar Dudley Andrew

Release: December 12, 2023

$7.99

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Everyday life becomes an adventure in the wide-eyed fables and fantasies of Albert Lamorisse. Balancing imaginative whimsy with documentary-like authenticity, his beloved short films Bim, the Little Donkey; White Mane; and the Academy Award–winning The Red Balloon find unforgettable emotional, spiritual, and moral resonance in the realms of children and animals, while his captivating but now rarely seen features Stowaway in the Sky and Circus Angel exult in the glories of two of his greatest loves: nature and flight. With their astonishing cinematography and purity of spirit, these five enchanting works invite viewers of all ages to experience the wonder, mystery, and poignancy of the world anew. TWO-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restorations of The Red Balloon and White Mane and new 2K digital restorations of Bim, the Little Donkey; Stowaway in the Sky; and Circus Angel, with uncompressed monaural soundtrack U.S. English-language version of Bim, the Little Donkey New interview with actor Pascal Lamorisse, director Albert Lamorisse’s son My Father Was a Red Balloon, a 2008 documentary featuring Pascal Lamorisse and his daughter Lysa French television interviews with Albert Lamorisse from 1957 and 1959 English narrations for White Mane, by Peter Strauss, and Stowaway in the Sky, by Jack Lemmon English-dubbed track for Circus Angel New English subtitle translation and English subtitles for the deaf and hard of hearing PLUS: An essay by critic David Cairns THE RED BALLOON Rarely has the spirit of childhood been evoked as exquisitely as in this Academy Award–winning cinematic fable, a fantasy with the texture of reality. On the streets of 1950s Paris, a young boy (played by director Albert Lamorisse’s son, Pascal) is launched on a miraculous adventure when he’s playfully pursued by a shiny red balloon that seems to have a mind of its own—until the harsh realities of the world interfere, setting the stage for a deeply moving finale. Shot in beautifully muted Technicolor, this beguiling allegory of innocence and transcendence has inspired generations of viewers to let their imaginations take flight. WHITE MANE Possessed of the timeless perfection of a fable, this tale about the unique bond between children and animals is Albert Lamorisse’s ode to the awe-inspiring majesty of nature. Amid the vast flatlands of the Camargue in the South of France lives White Mane, a magnificent wild stallion who refuses to be broken by men and instead forms a connection with a young boy, with whom he embarks on a daring quest for freedom. Fully capturing the rugged beauty of its marsh setting, this extraordinarily photographed treasure of children’s cinema—which won the Grand Prix for Best Short Film at the Cannes Film Festival—speaks to the hearts of all creatures yearning to live untamed. BIM, THE LITTLE DONKEY Featuring narration by celebrated poetic-realist writer Jacques Prévert, Albert Lamorisse’s first fiction film established his stylistic and thematic signatures: elegant simplicity, storybook-like voice-over, and empathetic concern for children and animals. Filmed on the Tunisian island of Djerba, this spirited adventure follows two boys—one poor and good-hearted, the other wealthy and spoiled—who go from rivals to friends as they set out to save a donkey from thieves. From the start, Lamorisse’s gift for bringing forth the inner lives of his nonhuman characters suffuses his art with an otherworldly magic. STOWAWAY IN THE SKY Following the international triumph of The Red Balloon, Albert Lamorisse turned to feature filmmaking with another delightful tale of a boy and a balloon. Making spectacular use of Helivision—an innovative aerial photography technique he developed—Lamorisse takes us on the breathtaking odyssey of a young boy (played by his son, Pascal) who sneaks aboard his inventor grandfather’s experimental new hot-air balloon for a voyage across France. Soaring above cathedrals and castles, the Mediterranean and the Alps, Stowaway in the Sky celebrates the natural world and ponders, with surprising existential insight, the place of human beings within it. CIRCUS ANGEL Albert Lamorisse’s second and final foray into narrative feature filmmaking is also a whimsical visual enchantment and an elegant and eccentric comedy. In it, a daring young thief (Philippe Avron)—having been affixed with a pair of wings in order to become a flying circus attraction—finds himself mistaken for an angel, spreading both mischief and goodwill as he travels across the countryside. Lamorisse’s love of flight and his gentle humanism shine through in this work of impish charm and exuberant inspiration. Top About this item Similar From the Brand Reviews The Red Balloon and Other Stories: Five Films by Albert Lamorisse (The Criterion Collection) [The Red Balloon/White Mane/Bim, the Little Donkey/Stowaway in the Sky/Circus Angel]

Release: April 9, 2019

$7.99

Description

With this breakout film, Jim Jarmusch established himself as one of the most exciting voices in the independent-film scene, a road-movie poet with an affinity for offbeat Americana. Structured as a series of black and white vignettes, Stranger Than Paradise is a masterpiece of deadpan comedy and perfectly calibrated minimalism.

Release: June 27, 2017

$7.99

Description

In this thriller, arguably Sam Peckinpah s most controversial film, David (Dustin Hoffman), a young American mathematician, moves with his English wife, Amy (Susan George), to the village where she grew up. Their sense of safety unravels as the local men David has hired to repair their house prove more interested in leering at Amy and intimidating David, beginning an agonizing initiation into the iron laws of violent masculinity that govern Peckinpah s world. Working outside the U.S. for the first time, the filmmaker airlifts the ruthlessness of the western frontier into Cornwall in Straw Dogs, pushing his characters to their breaking points as the men brutalize Amy and David discovers how far he ll go to protect his home culminating in a harrowing climax that lays out this cinematic mastermind s eloquent and bloody vision of humanity. BLU-RAY SPECIAL EDITION FEATURES -New, restored 4K digital transfer, with uncompressed monaural soundtrack -Audio commentary from 2003 by Stephen Prince, author of Savage Cinema: Sam Peckinpah and the Rise of Ultraviolent Movies -Mantrap: Straw Dogs The Final Cut, a 2003 documentary about the making of the film, featuring cast and crew -Sam Peckinpah: Man of Iron, a 1993 documentary about the director featuring actors Kris Kristofferson, Jason Robards, Ali MacGraw, and many others -New conversation between film critic Michael Sragow and filmmaker Roger Spottiswoode, who worked as one of the editors on the film -New interview with film scholar Linda Williams about the controversies surrounding the film -Archival interviews with actor Susan George, producer Daniel Melnick, and Peckinpah biographer Garner Simmons -Behind-the-scenes footage -TV spots and trailers -PLUS: An essay by scholar and critic Joshua Clover

Release: May 5, 2026

$7.99

Description

A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop’s and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side. Starring Toshiro Mifune as the rookie cop and Takashi Shimura as the seasoned detective who keeps him on the right side of the law, Stray Dog goes beyond crime thriller, probing the squalid world of postwar Japan and the nature of the criminal mind. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack One 4K UHD disc of the film and one Blu-ray with the film and special features Audio commentary by Stephen Prince, author of The Warrior’s Camera: The Cinema of Akira Kurosawa Short documentary on Stray Dog, from the series Akira Kurosawa: It Is Wonderful to Create, featuring interviews with director Akira Kurosawa, production designer Yoshiro Muraki, actor Keiko Awaji, and others Plus: An essay by film critic Terrence Rafferty and an excerpt from Kurosawa’s book Something Like an Autobiography