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Release: October 24, 2017

$6.99

Description

Product Description It s Halloween 1989 and best friends Sam and Josh are just trying to enjoy their last Devil s Night before graduating high school. Trouble soon arises when the two pals and a group of friends take a detour on their way to a rock concert, finding an old abandoned barn and awakening the evil inside. Now it s up to Sam and Josh to find a way to protect their friends and defeat the creatures that lurk within The Barn... The film stars Mitchell Musolino, Will Stout, Lexi Dripps, Cortland Woodard, Nikki Darling, Nickolaus Joshua with Linnea Quigley (Night of the Demons and Return of the Living Dead) and Ari Lehman (the first Jason Voorhees from Friday the 13th ). Featuring an original score by Rocky Gray the former member of Grammy award-winning goth/rock group 'Evanescence'. Feature Film: (UNRATED) Bonus Content Info- Over 90 minutes of Extras: Audio Commentary The Making of a Nightmare Documentary Gag Reel Deleted and Extended Scenes Alternate Ending Harvest Music Video by Rebel Flesh All Hallow s Eve short film World Wide Weird London premiere reactions Trailers Commercials Original storybook Reversible cover artwork by Marc Schoenbach and Graham Humphreys Number of Discs: 1 Single Layer Blu-ray Disc (25GB) Region Free Unrated/Color/16:9 Widescreen/80 Mins Subtitles: Spanish Review My favorite time of the year is the haunting season and every September I begin to get antsy while looking at the calendar and counting down the days to October 1st. Like most of you I've been sweating the end of summer heat and begging for something to take me away to the cherished burning leaf smell of October. Thank the dark lords for Justin Seaman's The Barn. Set on Halloween in 1989, The Barn is a love letter to everything that there is to love and fear on Halloween night. The movie opens with a flashback sequence to Halloween 1959 and the community of Wheary Falls is in full on Halloween celebratory mode. The kids gather at the local church for a word from the pastor and are then off to the local harvest hootenanny. Of course, two kids can t follow the All Hallows Eve rules which include staying away from a certain barn. Flash forward thirty years and we re thrown full force into the world of Sam and Josh, two seventeen year old s who live for Halloween and all the joys it brings. Sam (Mitchell Musolino) is the embodiment of everyone who builds haunts in their parent s garages and basks in the offerings of the holiday. Josh (Will Stout) is his lifelong best friend who since the loss of his father earlier in the year hasn t really been the same. After one of their pranks on Ms. Barnhart played by scream queen Linnea Quigley goes too far the boys are faced with the realization that this is the last year of unabashed Halloween fun that they will ever get to have. When their favorite metal band announces on the local rock show hosted by Dr. Rock that they are performing a special Halloween night concert, Sam and Josh decide that they have no choice but to go to the concert and cement themselves as local Halloween legends.They gather up some friends and hit the road bound for the concert. After taking a shortcut they end up in Wheary Falls and smack dab in front of the titular Barn that holds legendary evils. Being a horror movie set on Halloween you know the demons will be unleashed on this group of teenagers as well as the unsuspecting townsfolk. The aftermath of which will never be forgotten by those that live to tell the tale. There are countless horror films set on Halloween, very few actually capture and imbue the spirit the way The Barn does. Justin Seaman brilliantly captures every minute detail from the brilliant script and set design to the amazing soundtrack of the film that really transports you into proceedings. The cast are all brilliant and play the parts to the tilt. Lexi Dripps portrayal of Michelle is one of the best girl next door type performances that I've seen in the genre in quite a while and ranks up there with Phoebe Cates in Gremlins. The demons that terrorize our protagonists are a perfect mesh of 80's kitsch and old school monster magazine masks. I can easily see these villains becoming popular Halloween costumes for years to come. The cast and crew of The Barn put everything they had into creating a film that will bring the Halloween spirit into your heart at any time of the year and honestly that s all that we as horror fans can ask for. The Barn comes with my highest recommendation. --Tom Holland's Terror Time The Barn is a love letter to monster movies and the campy decade where they reigned supreme, that s as fun as it is bloody! The idea of everything old being new again is hardly a recent development. That being said, the last year in particular has seen throwbacks to the 80's and retro pastiches becoming a rabid obsession of audiences. Material like Stranger Things and The Final Girls have recently connected with people to unbelievable degrees due to their nostalgic love for the era. It s not difficult to see why this portion of the past is experiencing such a resurgence. The 80's are a time where the monster reigned supreme and horror films carried a surprising amount of power over the rest of cinema. So in spite of such a retro love letter hardly being unfamiliar territory, The Barn pulls this off so effortlessly and authentically. It is definitely the strongest example of achieving this throwback horror since Rodriguez and Tarantino's Grindhouse. In fact, The Barn is some of the most fun that I've had at a horror film in a long time. The story that The Barn frames itself around involves a cursed barn that has largely been forgotten about for thirty years. The dangerous legend associated with this relic sees three monsters, The Boogeyman, Hollow Jack, and the Candy Corn Scarecrow, being components of a Halloween curse that surrounds all of this. Cut to 1989, where Sam and Josh, two precocious teens that are a little too gung ho for the holiday, come face-to-face with this deadly curse and the horrors that come along with it. The Barn spends a good deal of time on its characters, with both Sam and Josh being well defined, albeit simple, protagonists. Everyone comes across as a caricature, but in the comforting, intentional way that is fundamental to the 80's. They re given a large posse of friends to play with, which allows for the film to have a rather expendable death count, which is the right direction for this sort of film. You need to see those silly, over the top death sequences. As their friends begin dying around them, The Barn continues to bank on Sam and Josh s friendship. There is actually believable, compelling chemistry between the two leads that gives this film a healthy, necessary energy to drive it forward. One of the aspects that makes all of this work so well is Sam s deep love for Halloween. He pushes across an infectious obsession with the holiday that frequently had me thinking about Matthew Lillard in Scream. He s frequently bringing up these rules for Halloween that he s created and each one of them is a real delight. Sam treats Halloween like a religion and this approach ends up being really beautiful. Add to that the fact that Sam and Josh are about to graduate high school with this being their last opportunity to trick or treat and paint the town blood red. A nice touch that director, Justin M. Seaman, utilizes with the film s supporting cast, like Sam s Dad or Ms. Barnhart, is that these people are giving performances right out of the Tim and Eric School of Acting. These characters pause at the wrong moments in sentences and make bizarre enunciation choices as if they re completely out of their element. Again, all of this is done to play into the campiness and hammy nature of horror performances circa the 80's but the film nails this aspect especially well. This is something that s really hard to do effectively without it going too far in either direction. These performances are wonderfully wrong in the right sort of way, if that makes sense. You re absolutely laughing with the film rather than at it. It s in on this treat. --Bloody-Disgusting If you were one of the multitudes of horror aficionados that cut their teeth on the abundance of VHS chillers back in the mid-80's, then you've got to be overjoyed with the plethora of throwback flicks that have been unleashed over the course of the last few years. To remember such plastic-cased classics is a thing of beauty, and to revisit them is even more special, but the notion of a tribute to those films that entertained us is a whole other beast, entirely. Allow me to introduce the latest barbarian into the fray: The Barn from director Justin M. Seaman, and suffice it to say, it s beginning to feel a lot like 1989. The opener of this one takes us back to Halloween 1959, and the setting is Wheary Falls, a small town with a large backing from the local church, and the annual hootenanny is underway, and all that s asked of the party goers from the pastor is that they BY ALL MEANS, stay clear of the abandoned barn on the other side of town. Now you honestly didn't think that everyone was going to take the holy man s words to heart, did you? Here s where things get interesting (without giving any spoilers away)- what happens at the front door to the barn to a young kid is masterful, and this is not by any means me cementing myself as a sadistic bastard, but to pull off what Seaman does within the first 4 minutes is not only ballsy and unapologetic, but it sets a tone for the rest of the film. Flash-forward to good old 1989, and the town s biggest Halloween celebrators, Sam and Josh are doing what they enjoy every Autumn: scaring the cheez-whiz out of the locals and making every Debbie downer in town angry. Their friendship has stood the test of Josh s father s passing, and together they compliment each other s twisted sense of humor. When a seemingly harmless prank goes terribly wrong, the two have it broken down to them that their days of jerking around MUST come to an abrupt end. As the impending thoughts of a stagnant existence overwhelm the two, their hopes are somewhat realigned with the news that their favorite heavy metal band will be playing a one-night only show on you guessed it, Halloween. So with a group of pals in tow, the gathering decides that a shortcut to the show is the best route (which it never is), and damned to all hell, wouldn't you know where the shortcut drops our collection of misguided adolescents? yep, right at the doors of the barn itself. Seems the legends of the barn s inhabitants, The Boogeyman, Hallowed Jack and The Candycorn Scarecrow aren't just tall tales after all these creepy suckers are violent, unrepentant, and just not in the Halloween mood. Supported by a couple of entertaining cameos from Linnea Quigley and Ari Lehman, the cast does an admirable job in pulling off performances that are effectually cheesy and fitting for a movie such as this. Oh, and fans of gore? I sincerely hope you brought the biggest damn plastic pumpkin you could find to this film s doorstep, cause it s going to get filled to the brim with enough blood and guts to keep you fed for weeks after screw the candy, viscera s where it s at! There s even a few decent-sized laughs sprayed around in this one to keep things a little bit light from time to time. Overall, I can without a doubt recommend The Barn to everyone looking for a fun, retro trip back to the days of grainy, low-budgeted horror yanked directly off the racks of your local video rental shop this one will sit firmly entrenched in my top 5 of the best horror films for 2016. Available NOW on both DVD and VHS from the barn merch. com hell, there s all sorts of goodies available for your last minute X-Mas shopping, so get on over and pick up a little something for the demented ones in your life! --Dread Central Top About this item Similar From the Brand Reviews The Barn - Special Edition [Blu-ray]

Release: May 29, 2018

$7.99

Description

A major tobacco company thought it would be great PR to offer a $25 million prize to any American community that could stop smoking for 30 days... and they were sure they'd never have to make good on it. When it looks like the town of Eagle Rock, Iowa, is powering through it's cravings to the deadline, the panicked execs go all out to sabotage the effort! Norman Lear's slapstick salute to "kicking the habit" stars Dick Van Dyke, Bob Newhart, Vincent Gardenia, Barnard Hughes, Jean Stapleton, and Bob and Ray. 99 min. Widescreen; Soundtrack: English.

Release: October 24, 2017

$6.99

Description

Product Description It s Halloween 1989 and best friends Sam and Josh are just trying to enjoy their last Devil s Night before graduating high school. Trouble soon arises when the two pals and a group of friends take a detour on their way to a rock concert, finding an old abandoned barn and awakening the evil inside. Now it s up to Sam and Josh to find a way to protect their friends and defeat the creatures that lurk within The Barn... The film stars Mitchell Musolino, Will Stout, Lexi Dripps, Cortland Woodard, Nikki Darling, Nickolaus Joshua with Linnea Quigley (Night of the Demons and Return of the Living Dead) and Ari Lehman (the first Jason Voorhees from Friday the 13th ). Featuring an original score by Rocky Gray the former member of Grammy award-winning goth/rock group 'Evanescence'. Feature Film: (UNRATED) Bonus Content Info- Over 90 minutes of Extras: Audio Commentary The Making of a Nightmare Documentary Gag Reel Deleted and Extended Scenes Alternate Ending Harvest Music Video by Rebel Flesh All Hallow s Eve short film World Wide Weird London premiere reactions Trailers Commercials Original storybook Reversible cover artwork by Marc Schoenbach and Graham Humphreys Number of Discs: 1 Single Layer Blu-ray Disc (25GB) Region Free Unrated/Color/16:9 Widescreen/80 Mins Subtitles: Spanish Review My favorite time of the year is the haunting season and every September I begin to get antsy while looking at the calendar and counting down the days to October 1st. Like most of you I've been sweating the end of summer heat and begging for something to take me away to the cherished burning leaf smell of October. Thank the dark lords for Justin Seaman's The Barn. Set on Halloween in 1989, The Barn is a love letter to everything that there is to love and fear on Halloween night. The movie opens with a flashback sequence to Halloween 1959 and the community of Wheary Falls is in full on Halloween celebratory mode. The kids gather at the local church for a word from the pastor and are then off to the local harvest hootenanny. Of course, two kids can t follow the All Hallows Eve rules which include staying away from a certain barn. Flash forward thirty years and we re thrown full force into the world of Sam and Josh, two seventeen year old s who live for Halloween and all the joys it brings. Sam (Mitchell Musolino) is the embodiment of everyone who builds haunts in their parent s garages and basks in the offerings of the holiday. Josh (Will Stout) is his lifelong best friend who since the loss of his father earlier in the year hasn t really been the same. After one of their pranks on Ms. Barnhart played by scream queen Linnea Quigley goes too far the boys are faced with the realization that this is the last year of unabashed Halloween fun that they will ever get to have. When their favorite metal band announces on the local rock show hosted by Dr. Rock that they are performing a special Halloween night concert, Sam and Josh decide that they have no choice but to go to the concert and cement themselves as local Halloween legends.They gather up some friends and hit the road bound for the concert. After taking a shortcut they end up in Wheary Falls and smack dab in front of the titular Barn that holds legendary evils. Being a horror movie set on Halloween you know the demons will be unleashed on this group of teenagers as well as the unsuspecting townsfolk. The aftermath of which will never be forgotten by those that live to tell the tale. There are countless horror films set on Halloween, very few actually capture and imbue the spirit the way The Barn does. Justin Seaman brilliantly captures every minute detail from the brilliant script and set design to the amazing soundtrack of the film that really transports you into proceedings. The cast are all brilliant and play the parts to the tilt. Lexi Dripps portrayal of Michelle is one of the best girl next door type performances that I've seen in the genre in quite a while and ranks up there with Phoebe Cates in Gremlins. The demons that terrorize our protagonists are a perfect mesh of 80's kitsch and old school monster magazine masks. I can easily see these villains becoming popular Halloween costumes for years to come. The cast and crew of The Barn put everything they had into creating a film that will bring the Halloween spirit into your heart at any time of the year and honestly that s all that we as horror fans can ask for. The Barn comes with my highest recommendation. --Tom Holland's Terror Time The Barn is a love letter to monster movies and the campy decade where they reigned supreme, that s as fun as it is bloody! The idea of everything old being new again is hardly a recent development. That being said, the last year in particular has seen throwbacks to the 80's and retro pastiches becoming a rabid obsession of audiences. Material like Stranger Things and The Final Girls have recently connected with people to unbelievable degrees due to their nostalgic love for the era. It s not difficult to see why this portion of the past is experiencing such a resurgence. The 80's are a time where the monster reigned supreme and horror films carried a surprising amount of power over the rest of cinema. So in spite of such a retro love letter hardly being unfamiliar territory, The Barn pulls this off so effortlessly and authentically. It is definitely the strongest example of achieving this throwback horror since Rodriguez and Tarantino's Grindhouse. In fact, The Barn is some of the most fun that I've had at a horror film in a long time. The story that The Barn frames itself around involves a cursed barn that has largely been forgotten about for thirty years. The dangerous legend associated with this relic sees three monsters, The Boogeyman, Hollow Jack, and the Candy Corn Scarecrow, being components of a Halloween curse that surrounds all of this. Cut to 1989, where Sam and Josh, two precocious teens that are a little too gung ho for the holiday, come face-to-face with this deadly curse and the horrors that come along with it. The Barn spends a good deal of time on its characters, with both Sam and Josh being well defined, albeit simple, protagonists. Everyone comes across as a caricature, but in the comforting, intentional way that is fundamental to the 80's. They re given a large posse of friends to play with, which allows for the film to have a rather expendable death count, which is the right direction for this sort of film. You need to see those silly, over the top death sequences. As their friends begin dying around them, The Barn continues to bank on Sam and Josh s friendship. There is actually believable, compelling chemistry between the two leads that gives this film a healthy, necessary energy to drive it forward. One of the aspects that makes all of this work so well is Sam s deep love for Halloween. He pushes across an infectious obsession with the holiday that frequently had me thinking about Matthew Lillard in Scream. He s frequently bringing up these rules for Halloween that he s created and each one of them is a real delight. Sam treats Halloween like a religion and this approach ends up being really beautiful. Add to that the fact that Sam and Josh are about to graduate high school with this being their last opportunity to trick or treat and paint the town blood red. A nice touch that director, Justin M. Seaman, utilizes with the film s supporting cast, like Sam s Dad or Ms. Barnhart, is that these people are giving performances right out of the Tim and Eric School of Acting. These characters pause at the wrong moments in sentences and make bizarre enunciation choices as if they re completely out of their element. Again, all of this is done to play into the campiness and hammy nature of horror performances circa the 80's but the film nails this aspect especially well. This is something that s really hard to do effectively without it going too far in either direction. These performances are wonderfully wrong in the right sort of way, if that makes sense. You re absolutely laughing with the film rather than at it. It s in on this treat. --Bloody-Disgusting If you were one of the multitudes of horror aficionados that cut their teeth on the abundance of VHS chillers back in the mid-80's, then you've got to be overjoyed with the plethora of throwback flicks that have been unleashed over the course of the last few years. To remember such plastic-cased classics is a thing of beauty, and to revisit them is even more special, but the notion of a tribute to those films that entertained us is a whole other beast, entirely. Allow me to introduce the latest barbarian into the fray: The Barn from director Justin M. Seaman, and suffice it to say, it s beginning to feel a lot like 1989. The opener of this one takes us back to Halloween 1959, and the setting is Wheary Falls, a small town with a large backing from the local church, and the annual hootenanny is underway, and all that s asked of the party goers from the pastor is that they BY ALL MEANS, stay clear of the abandoned barn on the other side of town. Now you honestly didn't think that everyone was going to take the holy man s words to heart, did you? Here s where things get interesting (without giving any spoilers away)- what happens at the front door to the barn to a young kid is masterful, and this is not by any means me cementing myself as a sadistic bastard, but to pull off what Seaman does within the first 4 minutes is not only ballsy and unapologetic, but it sets a tone for the rest of the film. Flash-forward to good old 1989, and the town s biggest Halloween celebrators, Sam and Josh are doing what they enjoy every Autumn: scaring the cheez-whiz out of the locals and making every Debbie downer in town angry. Their friendship has stood the test of Josh s father s passing, and together they compliment each other s twisted sense of humor. When a seemingly harmless prank goes terribly wrong, the two have it broken down to them that their days of jerking around MUST come to an abrupt end. As the impending thoughts of a stagnant existence overwhelm the two, their hopes are somewhat realigned with the news that their favorite heavy metal band will be playing a one-night only show on you guessed it, Halloween. So with a group of pals in tow, the gathering decides that a shortcut to the show is the best route (which it never is), and damned to all hell, wouldn't you know where the shortcut drops our collection of misguided adolescents? yep, right at the doors of the barn itself. Seems the legends of the barn s inhabitants, The Boogeyman, Hallowed Jack and The Candycorn Scarecrow aren't just tall tales after all these creepy suckers are violent, unrepentant, and just not in the Halloween mood. Supported by a couple of entertaining cameos from Linnea Quigley and Ari Lehman, the cast does an admirable job in pulling off performances that are effectually cheesy and fitting for a movie such as this. Oh, and fans of gore? I sincerely hope you brought the biggest damn plastic pumpkin you could find to this film s doorstep, cause it s going to get filled to the brim with enough blood and guts to keep you fed for weeks after screw the candy, viscera s where it s at! There s even a few decent-sized laughs sprayed around in this one to keep things a little bit light from time to time. Overall, I can without a doubt recommend The Barn to everyone looking for a fun, retro trip back to the days of grainy, low-budgeted horror yanked directly off the racks of your local video rental shop this one will sit firmly entrenched in my top 5 of the best horror films for 2016. Available NOW on both DVD and VHS from the barn merch. com hell, there s all sorts of goodies available for your last minute X-Mas shopping, so get on over and pick up a little something for the demented ones in your life! --Dread Central Top About this item Similar From the Brand Reviews The Barn - Special Edition [Blu-ray]

Release: April 26, 2011

$6.99

Description

In one of his first-ever roles, a young Jack Nicholson stars as Lt. Andre Duvalier, a soldier in Napoleon's army in 19th century France, separated from his regiment. He awakens on a beach to the sight of a strange woman who leads him to the gothic, towering castle that serves as home to eerie Baron Von Leppe (Boris Karloff). But, as Duvalier soon discovers, nothing is what it seems in this ghastly, haunted mansion of death! This underground favorite was made in classic Roger Cormanfashion, making the most of his resources to bring yet another film to life on a minimal budget for his producers at American International Pictures. Short on time himself (there were more movies to be made!), Corman left it to a few of the aspiring directors within his crew (among them, Jack Hill, a young Francis Coppola, and even Jack Nicholson taking a turn behind the camera for a few scenes) to help see the film to completion. The Terror would go on to become a drive-in favorite and late-night TV staple, also appearing under the titles the Terror, Lady of the Shadows and the Castle of Terror.

Release: September 30, 2025

$7.99

Description

Italian Gothic takes some unexpected turns down cobwebbed corridors with this all-new quartet of classics, restored in UHD for the first time ever. THE WORLDWIDE UHD PREMIERES OF 4 ITALIAN GOTHIC CLASSICS ON 11 DISCS Italian Gothic takes some very unexpected turns down cobwebbed corridors with this all-new quartet of classics, now restored in UHD for the first time ever: Queen of Italian Horror Barbara Steele stars in Massimo Pupillo's grisly TERROR-CREATURES FROM THE GRAVE, presented in both its U.S. and Italian versions on 3 discs. Director Filippo Walter Ratti melds classic gothic tropes with explicit '70s sexuality in NIGHT OF THE DAMNED. Mark Damon and Rosalba Neri consummate the ultimate Satanic mayhem in THE DEVIL'S WEDDING NIGHT from director Luigi Batzella and cinematographer/2nd unit director Joe D'Amato. And Hollywood legend Carroll Baker stars in Corrado Farina's pop art erotic shocker BABA YAGA, a 4-disc set that includes the first-ever release of a Piero Umiliani soundtrack compilation. All four films have been scanned in 4K from their original camera negatives with more than 12 hours of new and archival Special Features curated exclusively for this collection. RESTORED UNCUT & UNCENSORED WITH 12+ COMBINED HOURS OF SPECIAL FEATURES, ALTERNATE VERSIONS, SOUNDTRACK CD & MORE Bonus Materials Audio Commentary For TERROR-CREATURES FROM THE GRAVE With Rod Barnett Of NaschyCast And The Bloody Pit, And Dr. Adrian Smith, Co-Author Of Norman J. Warren: Gentleman Of Terror (Italian Cut Only) Grave Secrets - Featurette With Director Massimo Pupillo, Actor Riccardo Garrone And Film Historian Fabio Melelli Selected Scene Commentary With Actress Barbara Steele And Barbara Steele Archivist Russ Lanier Grave Influence - Video Essay By Matt Rogerson, Author Of The Vatican Versus Horror Movies The Original Boutique Video Label - Film Critic Alan Jones On Vampix TERROR-CREATURES FROM THE GRAVE Italian Trailer TERROR-CREATURES FROM THE GRAVE U.S. Trailer Audio Commentary For NIGHT OF THE DAMNED With Rod Barnett And Troy Guinn, Film Historians/Co-Hosts Of NaschyCast In The Castle Of Saint Lambert - Interview With Film Historian Fabio Melelli The Desired And The Damned - Video Essay By Matt Rogerson, Author Of The Vatican Versus Horror Movies Satanic Orgy Outtakes NIGHT OF THE DAMNED Trailer Audio Commentary For THE DEVIL'S WEDDING NIGHT With Martyn Conterio, Author Of Black Sunday, And Kat Ellinger, Author Of Daughters Of Darkness Countess Rosalba - Interview With Star Rosalba Neri The Wedding Guest – Interview With Cinematographer Aristide Massaccesi (aka Joe D'Amato) The Wedding Tale - Interview With Producer Franco Gaudenzi An Open Letter To Rosalba Neri's T*ts - Video Essay By Dr. Alexandra Heller-Nicholas, Author Of 1000 Women In Horror, 1895-2018 THE DEVIL'S WEDDING NIGHT Italian Trailer THE DEVIL'S WEDDING NIGHT U.S. Trailer Audio Commentary For BABA YAGA With Emma Westwood, Editor Of Bride Of Frankenstein, And Film Scholar Sally Christie Farina And Valentina - Interview With Director Corrado Farina Valentina, BABA YAGA And Dad - Interview With Film Critic Alberto Farina, Son Of Corrado Farina The Milan Witch Project - Interview With Actor Luigi Montefiori A Filmmaking Friendship - Interview With Editor/Co-Screenwriter Giulio Berruti The Gaze Bewitched - Video Essay By Dr. Alexandra Heller-Nicholas, Author Of The Cinema Coven: Witches, Witchcraft And Women's Filmmaking Short Village Magazine Interview With Corrado Farina And Alberto Farina Alternate/Extended Scenes Photo Gallery Comic Book Comparisons BABA YAGA Trailer Corrado Farina Short Film: FREUD IN COLOR (1970) Corrado Farina Short Film: SCIENCE FICTION IS US (1970) Corrado Farina Short Film: IT WAS CALLED EARTH (1963) Quattro Di Umiliani Soundtrack CD Cast & Crew Actors: Carroll Baker as Baba Yaga George Eastman as Arno Treves Isabelle De Funès as Valentina Rosselli Ely Galleani as Annette Daniela Balzaretti as Romina Mario Mattia Giorgetti as Carlo, Hippie in the Demonstration Sergio Masieri as Sandro Angela Covello as Toni Cesarina Amendola as Baba Yaga's Neighbour Carla Mancini Guido Crepax as Guido, White Car Driver Barbara Steele as Cleo Hauff Walter Brandi as Albert Kovac Mirella Maravidi as Corinne Hauff Alfredo Rizzo as Dr. Nemek Riccardo Garrone as Joseph Morgan Luciano Pigozzi as Kurt - the Gardener Ennio Balbo as Oscar Stinnel Renato Lupi as Archivist of the town hall Tilde Dall'Aglio as Louise - the Maid Ignazio Dolce as Policeman Lucio Zarini Piero Sartori Armando Guarnieri as Ivert / Ivatch Peter Martell as Morgan - Assistant Antonio Pierfederici as Inspector Umberto Raho as Dr. Hauff Mark Damon as Franz Schiller / Karl Schiller Rosalba Neri as La Contessa Dolingen de Vries Esmeralda Barros as Lara - Zombie Enza Sbordone as Tanya - Innkeeper's Daughter Xiro Papas as The Vampire Monster Gengher Gatti as The Mysterious Man Carlo Gentili as The Innkeeper Giorgio Dolfin as First Villager at Inn Stefano Oppedisano as Second Villager at Inn Pierre Brice as Jean Duprey Patrizia Viotti as Danielle Duprey Angela De Leo as Rita Lernod Antonio Pavan as Inspector Gérard Alessandro Tedeschi as Prof. Berry Mario Carra as Guillaume de Saint Lambert Daniela D'Agostino as The Maid Irio Fantini Director: Corrado Farina Director: Massimo Pupillo Director: Luigi Batzella Director: Joe D'Amato Director: Filippo Walter Ratti Producer: Simone Allouche Producer: Francesco Merli Producer: Massimo Pupillo Producer: Ralph Zucker Producer: Nicola Addario Producer: Lucio Carnemolla Producer: Gianni Solitro Top About this item Similar From the Brand Reviews Danza Macabra Volume Four: The Italian Gothic Collection

$7.99

Description

A young horse-loving girl uncovers the truth about her late mother while chasing her own rodeo dreams.

Release: April 26, 2011

$6.99

Description

In one of his first-ever roles, a young Jack Nicholson stars as Lt. Andre Duvalier, a soldier in Napoleon's army in 19th century France, separated from his regiment. He awakens on a beach to the sight of a strange woman who leads him to the gothic, towering castle that serves as home to eerie Baron Von Leppe (Boris Karloff). But, as Duvalier soon discovers, nothing is what it seems in this ghastly, haunted mansion of death! This underground favorite was made in classic Roger Cormanfashion, making the most of his resources to bring yet another film to life on a minimal budget for his producers at American International Pictures. Short on time himself (there were more movies to be made!), Corman left it to a few of the aspiring directors within his crew (among them, Jack Hill, a young Francis Coppola, and even Jack Nicholson taking a turn behind the camera for a few scenes) to help see the film to completion. The Terror would go on to become a drive-in favorite and late-night TV staple, also appearing under the titles the Terror, Lady of the Shadows and the Castle of Terror.

Release: April 26, 2011

$6.99

Description

In one of his first-ever roles, a young Jack Nicholson stars as Lt. Andre Duvalier, a soldier in Napoleon's army in 19th century France, separated from his regiment. He awakens on a beach to the sight of a strange woman who leads him to the gothic, towering castle that serves as home to eerie Baron Von Leppe (Boris Karloff). But, as Duvalier soon discovers, nothing is what it seems in this ghastly, haunted mansion of death! This underground favorite was made in classic Roger Cormanfashion, making the most of his resources to bring yet another film to life on a minimal budget for his producers at American International Pictures. Short on time himself (there were more movies to be made!), Corman left it to a few of the aspiring directors within his crew (among them, Jack Hill, a young Francis Coppola, and even Jack Nicholson taking a turn behind the camera for a few scenes) to help see the film to completion. The Terror would go on to become a drive-in favorite and late-night TV staple, also appearing under the titles the Terror, Lady of the Shadows and the Castle of Terror.

Release: October 24, 2017

$6.99

Description

Product Description It s Halloween 1989 and best friends Sam and Josh are just trying to enjoy their last Devil s Night before graduating high school. Trouble soon arises when the two pals and a group of friends take a detour on their way to a rock concert, finding an old abandoned barn and awakening the evil inside. Now it s up to Sam and Josh to find a way to protect their friends and defeat the creatures that lurk within The Barn... The film stars Mitchell Musolino, Will Stout, Lexi Dripps, Cortland Woodard, Nikki Darling, Nickolaus Joshua with Linnea Quigley (Night of the Demons and Return of the Living Dead) and Ari Lehman (the first Jason Voorhees from Friday the 13th ). Featuring an original score by Rocky Gray the former member of Grammy award-winning goth/rock group 'Evanescence'. Feature Film: (UNRATED) Bonus Content Info- Over 90 minutes of Extras: Audio Commentary The Making of a Nightmare Documentary Gag Reel Deleted and Extended Scenes Alternate Ending Harvest Music Video by Rebel Flesh All Hallow s Eve short film World Wide Weird London premiere reactions Trailers Commercials Original storybook Reversible cover artwork by Marc Schoenbach and Graham Humphreys Number of Discs: 1 Single Layer Blu-ray Disc (25GB) Region Free Unrated/Color/16:9 Widescreen/80 Mins Subtitles: Spanish Review My favorite time of the year is the haunting season and every September I begin to get antsy while looking at the calendar and counting down the days to October 1st. Like most of you I've been sweating the end of summer heat and begging for something to take me away to the cherished burning leaf smell of October. Thank the dark lords for Justin Seaman's The Barn. Set on Halloween in 1989, The Barn is a love letter to everything that there is to love and fear on Halloween night. The movie opens with a flashback sequence to Halloween 1959 and the community of Wheary Falls is in full on Halloween celebratory mode. The kids gather at the local church for a word from the pastor and are then off to the local harvest hootenanny. Of course, two kids can t follow the All Hallows Eve rules which include staying away from a certain barn. Flash forward thirty years and we re thrown full force into the world of Sam and Josh, two seventeen year old s who live for Halloween and all the joys it brings. Sam (Mitchell Musolino) is the embodiment of everyone who builds haunts in their parent s garages and basks in the offerings of the holiday. Josh (Will Stout) is his lifelong best friend who since the loss of his father earlier in the year hasn t really been the same. After one of their pranks on Ms. Barnhart played by scream queen Linnea Quigley goes too far the boys are faced with the realization that this is the last year of unabashed Halloween fun that they will ever get to have. When their favorite metal band announces on the local rock show hosted by Dr. Rock that they are performing a special Halloween night concert, Sam and Josh decide that they have no choice but to go to the concert and cement themselves as local Halloween legends.They gather up some friends and hit the road bound for the concert. After taking a shortcut they end up in Wheary Falls and smack dab in front of the titular Barn that holds legendary evils. Being a horror movie set on Halloween you know the demons will be unleashed on this group of teenagers as well as the unsuspecting townsfolk. The aftermath of which will never be forgotten by those that live to tell the tale. There are countless horror films set on Halloween, very few actually capture and imbue the spirit the way The Barn does. Justin Seaman brilliantly captures every minute detail from the brilliant script and set design to the amazing soundtrack of the film that really transports you into proceedings. The cast are all brilliant and play the parts to the tilt. Lexi Dripps portrayal of Michelle is one of the best girl next door type performances that I've seen in the genre in quite a while and ranks up there with Phoebe Cates in Gremlins. The demons that terrorize our protagonists are a perfect mesh of 80's kitsch and old school monster magazine masks. I can easily see these villains becoming popular Halloween costumes for years to come. The cast and crew of The Barn put everything they had into creating a film that will bring the Halloween spirit into your heart at any time of the year and honestly that s all that we as horror fans can ask for. The Barn comes with my highest recommendation. --Tom Holland's Terror Time The Barn is a love letter to monster movies and the campy decade where they reigned supreme, that s as fun as it is bloody! The idea of everything old being new again is hardly a recent development. That being said, the last year in particular has seen throwbacks to the 80's and retro pastiches becoming a rabid obsession of audiences. Material like Stranger Things and The Final Girls have recently connected with people to unbelievable degrees due to their nostalgic love for the era. It s not difficult to see why this portion of the past is experiencing such a resurgence. The 80's are a time where the monster reigned supreme and horror films carried a surprising amount of power over the rest of cinema. So in spite of such a retro love letter hardly being unfamiliar territory, The Barn pulls this off so effortlessly and authentically. It is definitely the strongest example of achieving this throwback horror since Rodriguez and Tarantino's Grindhouse. In fact, The Barn is some of the most fun that I've had at a horror film in a long time. The story that The Barn frames itself around involves a cursed barn that has largely been forgotten about for thirty years. The dangerous legend associated with this relic sees three monsters, The Boogeyman, Hollow Jack, and the Candy Corn Scarecrow, being components of a Halloween curse that surrounds all of this. Cut to 1989, where Sam and Josh, two precocious teens that are a little too gung ho for the holiday, come face-to-face with this deadly curse and the horrors that come along with it. The Barn spends a good deal of time on its characters, with both Sam and Josh being well defined, albeit simple, protagonists. Everyone comes across as a caricature, but in the comforting, intentional way that is fundamental to the 80's. They re given a large posse of friends to play with, which allows for the film to have a rather expendable death count, which is the right direction for this sort of film. You need to see those silly, over the top death sequences. As their friends begin dying around them, The Barn continues to bank on Sam and Josh s friendship. There is actually believable, compelling chemistry between the two leads that gives this film a healthy, necessary energy to drive it forward. One of the aspects that makes all of this work so well is Sam s deep love for Halloween. He pushes across an infectious obsession with the holiday that frequently had me thinking about Matthew Lillard in Scream. He s frequently bringing up these rules for Halloween that he s created and each one of them is a real delight. Sam treats Halloween like a religion and this approach ends up being really beautiful. Add to that the fact that Sam and Josh are about to graduate high school with this being their last opportunity to trick or treat and paint the town blood red. A nice touch that director, Justin M. Seaman, utilizes with the film s supporting cast, like Sam s Dad or Ms. Barnhart, is that these people are giving performances right out of the Tim and Eric School of Acting. These characters pause at the wrong moments in sentences and make bizarre enunciation choices as if they re completely out of their element. Again, all of this is done to play into the campiness and hammy nature of horror performances circa the 80's but the film nails this aspect especially well. This is something that s really hard to do effectively without it going too far in either direction. These performances are wonderfully wrong in the right sort of way, if that makes sense. You re absolutely laughing with the film rather than at it. It s in on this treat. --Bloody-Disgusting If you were one of the multitudes of horror aficionados that cut their teeth on the abundance of VHS chillers back in the mid-80's, then you've got to be overjoyed with the plethora of throwback flicks that have been unleashed over the course of the last few years. To remember such plastic-cased classics is a thing of beauty, and to revisit them is even more special, but the notion of a tribute to those films that entertained us is a whole other beast, entirely. Allow me to introduce the latest barbarian into the fray: The Barn from director Justin M. Seaman, and suffice it to say, it s beginning to feel a lot like 1989. The opener of this one takes us back to Halloween 1959, and the setting is Wheary Falls, a small town with a large backing from the local church, and the annual hootenanny is underway, and all that s asked of the party goers from the pastor is that they BY ALL MEANS, stay clear of the abandoned barn on the other side of town. Now you honestly didn't think that everyone was going to take the holy man s words to heart, did you? Here s where things get interesting (without giving any spoilers away)- what happens at the front door to the barn to a young kid is masterful, and this is not by any means me cementing myself as a sadistic bastard, but to pull off what Seaman does within the first 4 minutes is not only ballsy and unapologetic, but it sets a tone for the rest of the film. Flash-forward to good old 1989, and the town s biggest Halloween celebrators, Sam and Josh are doing what they enjoy every Autumn: scaring the cheez-whiz out of the locals and making every Debbie downer in town angry. Their friendship has stood the test of Josh s father s passing, and together they compliment each other s twisted sense of humor. When a seemingly harmless prank goes terribly wrong, the two have it broken down to them that their days of jerking around MUST come to an abrupt end. As the impending thoughts of a stagnant existence overwhelm the two, their hopes are somewhat realigned with the news that their favorite heavy metal band will be playing a one-night only show on you guessed it, Halloween. So with a group of pals in tow, the gathering decides that a shortcut to the show is the best route (which it never is), and damned to all hell, wouldn't you know where the shortcut drops our collection of misguided adolescents? yep, right at the doors of the barn itself. Seems the legends of the barn s inhabitants, The Boogeyman, Hallowed Jack and The Candycorn Scarecrow aren't just tall tales after all these creepy suckers are violent, unrepentant, and just not in the Halloween mood. Supported by a couple of entertaining cameos from Linnea Quigley and Ari Lehman, the cast does an admirable job in pulling off performances that are effectually cheesy and fitting for a movie such as this. Oh, and fans of gore? I sincerely hope you brought the biggest damn plastic pumpkin you could find to this film s doorstep, cause it s going to get filled to the brim with enough blood and guts to keep you fed for weeks after screw the candy, viscera s where it s at! There s even a few decent-sized laughs sprayed around in this one to keep things a little bit light from time to time. Overall, I can without a doubt recommend The Barn to everyone looking for a fun, retro trip back to the days of grainy, low-budgeted horror yanked directly off the racks of your local video rental shop this one will sit firmly entrenched in my top 5 of the best horror films for 2016. Available NOW on both DVD and VHS from the barn merch. com hell, there s all sorts of goodies available for your last minute X-Mas shopping, so get on over and pick up a little something for the demented ones in your life! --Dread Central

Release: May 25, 2021

$7.99

Description

The future is no mystery to Julie Gillis. She has her life mapped out in details that fall just shy of where the wedding portrait will hang and the number of goldfish swimming in the bowl. Julie even knows she will be married next March 12. She just does not know to whom. But it is a cinch he will have blue eyes. Frank Sinatra headlines this ring\-a\-ding\-ding delight with the title tune that became a Sinatra standard. Debbie Reynolds plays Julie, who sets her marital sights on a Manhattan talent agent (Sinatra) dedicated to life, liberty and the happiness of pursuit. Love is indeed The Tender Trap. And with Sinatra, Reynolds and comedy experts Celeste Holm, David Wayne and Carolyn Jones on call, its an entertainment gotcha!

Release: January 27, 2015

$6.99

Description

Set in 1924, the fifth season follows the Crawley family and their staff through scandals, love affairs and social change threatening the old order at Downton.

Release: January 25, 2016

$6.99

Description

For the first time available in the UK on Blu-Ray. The dastardly Dr. Goldfoot (Vincent Price) and his sidekick, Igor (Jack Mullaney), build a machine that mass-produces an army of bikini-clad beauties. Goldfoot programs the vixens to seduce the wealthiest men alive and convince them to sign their fortunes over to him so that he may take over the world! Before long, the manufactured women begin to succeed and one robot (Susan Hart) is sent to coax multimillionaire Todd Armstrong (Dwayne Hickman) into handing over his wealth. Hot on her tail is government spy Craig Gamble (Frankie Avalon), as he attempts to take down her and the other femme fatales and bring Goldfoots plan to a screeching halt. But is the spy immune to her charms?

Release: September 13, 2016

$7.99

Description

A truly legendary silent film, Dr. Mabuse, the Gambler had a major impact on the development of the crime thriller, building upon the work of the pioneering French film serialist Louis Feuillade (Les Vampires) and firmly establishing it as a significant film genre. This epic two-part tale was originally released as two separate films, respectively subtitled The Great Gambler and Inferno, and that format is reproduced here. The plot revolves around the pursuit of arch fiend Dr. Mabuse, a gambler, hypnotist, master of disguises and all-around criminal mastermind. Mabuse was the prototype for the sort of evil genius super-villains that would later become common in movies, whether it be in the James Bond pictures or in comic book adaptations like Superman and Batman. The film is dominated by the presence of Rudolf Klein-Rogge as Mabuse. A top German actor of the silent era, he is best known today for his performance as the mad scientist Rotwang in Lang's Metropolis. Dr. Mabuse, the Gambler contains many of the elements that were expected from the crime genre at the time, including characters who slip in and out of disguise, mind control, gambling clubs, exotic women, brutal henchmen and unexpected plot twists. Lang's directorial ability to handle such pulp material in a masterful fashion, while also using it as a way to examine the decadence of Germany in the 1920s, reaffirms his status as one of the true greats of the silent era. Bonus Features: German intertitles with optional English subtitles, The Story Behind Dr. Mabuse, a three-part (52-minute) documentary by Hans Günther Pflaum on the making and restoration of the film

Release: October 14, 2014

$6.99

Description

In 1950, as the Korean peninsula is drawn closer to war, a stern Air Force Major (John Hodiak), is assigned to train a squadron of South Korean pilots, making them combat-ready in half the usual time. At the air base at Kongju, Brady comes face to face with a former flame (Barbara Britton), the wife of an army medical officer (Bruce Bennett). When enemy forces invade, most of the American personnel are evacuated, but Brady remains behind with the barely-trained South Korean troops, and bravely diverts the Russian-backed North Korean army.

Release: February 24, 2026

$7.99

Description

Every ten years, a duel is held between the finest Japanese and Chinese martial artists to determine whose Swordmanship is superior. Every ten years, a duel is held between the finest Japanese and Chinese martial artists to determine whose Swordmanship is superior. During the Ming Dynasty, as the next duel approaches, the chosen candidates are caught in the middle of a battle between Ninjas and Shaolin monks. Only a Duel to the Death will settle the countries' conflicts and stop the bloodshed. Known for his classic film, A Chinese Ghost Story, as well as for directing Tsui Hark's the Swordsman saga, this debut feature from director Ching Siu-tung is filled with dazzling visuals and astonishing martial arts choreography (also by Ching Siu-tung, who would later choreograph the action sequences for Zhang Yimou's acclaimed wuxia triptych; Hero, House of Flying Daggers, and Curse of the Golden Flower), Duel to the Death comes to Blu-Ray for the first time in the USA from a brand new 2K restoration. Bonus Materials O-RING SLIP CASE WITH NEW ARTWORK BY KUNG FU BOB 2K RESTORATION FROM THE ORIGINAL NEGATIVE REMASTERED ORIGINAL CANTONESE MONOAURAL SOUNDTRACK 5.1 DTS-HD MA Cantonese Re-Mix NEWLY TRANSLATED ENGLISH SUBTITLES English Dub Option Audio Commentary with Asian Cinema Expert Frank Djeng Duel Identity – Archival interview with actor Norman Chui Siu-keung Flora Cheung on Duel to the Death – Archival interview with actress Flora Cheung Alternate English credits Image Gallery Original Hong Kong Trailer Reconstructed Tai Seng Trailer Reversible Sleeve Cast & Crew Actors: Norman Chu Damian Lau Flora Chong-Leen Director: Siu-Tung Ching

Release: May 26, 2017

$7.99

Description

Six Blu-ray set. More women worked in film during it's first two decades than at any time since. Unfortunately, many early women filmmakers have been largely written out of film history, their contributions undervalued. This necessary and timely collection highlights the work of 14 of early cinema's most innovative and influential women directors, rewriting and celebrating their rightful place in film history. International in scope, this groundbreaking collection features over 10 hours of material, comprised of 25 films spanning 1902-1943, including many rare titles not widely available until now, from shorts to feature films, live action to animation, commercial narratives to experimental works. Directors include Alice Guy Blaché, Lois Weber, Mabel Normand, Madeline Brandeis, Germaine Dulac, Olga Preobrazhenskaia, MarieLouise Iribe, Lotte Reiniger, Claire Parker, Mrs. Wallace Reid (Dorothy Davenport), Leni Riefenstahl, Mary Ellen Bute, Dorothy Arzner, and Maya Deren. These women were technically and stylistically innovative, pushing the boundaries of narrative, aesthetics, and genre. Going back to the beginning of cinema, this collection makes visible the tremendous directorial contributions women made all around the world

Release: May 26, 2017

$7.99

Description

Six Blu-ray set. More women worked in film during it's first two decades than at any time since. Unfortunately, many early women filmmakers have been largely written out of film history, their contributions undervalued. This necessary and timely collection highlights the work of 14 of early cinema's most innovative and influential women directors, rewriting and celebrating their rightful place in film history. International in scope, this groundbreaking collection features over 10 hours of material, comprised of 25 films spanning 1902-1943, including many rare titles not widely available until now, from shorts to feature films, live action to animation, commercial narratives to experimental works. Directors include Alice Guy Blaché, Lois Weber, Mabel Normand, Madeline Brandeis, Germaine Dulac, Olga Preobrazhenskaia, MarieLouise Iribe, Lotte Reiniger, Claire Parker, Mrs. Wallace Reid (Dorothy Davenport), Leni Riefenstahl, Mary Ellen Bute, Dorothy Arzner, and Maya Deren. These women were technically and stylistically innovative, pushing the boundaries of narrative, aesthetics, and genre. Going back to the beginning of cinema, this collection makes visible the tremendous directorial contributions women made all around the world

Release: May 26, 2017

$7.99

Description

Six Blu-ray set. More women worked in film during it's first two decades than at any time since. Unfortunately, many early women filmmakers have been largely written out of film history, their contributions undervalued. This necessary and timely collection highlights the work of 14 of early cinema's most innovative and influential women directors, rewriting and celebrating their rightful place in film history. International in scope, this groundbreaking collection features over 10 hours of material, comprised of 25 films spanning 1902-1943, including many rare titles not widely available until now, from shorts to feature films, live action to animation, commercial narratives to experimental works. Directors include Alice Guy Blaché, Lois Weber, Mabel Normand, Madeline Brandeis, Germaine Dulac, Olga Preobrazhenskaia, MarieLouise Iribe, Lotte Reiniger, Claire Parker, Mrs. Wallace Reid (Dorothy Davenport), Leni Riefenstahl, Mary Ellen Bute, Dorothy Arzner, and Maya Deren. These women were technically and stylistically innovative, pushing the boundaries of narrative, aesthetics, and genre. Going back to the beginning of cinema, this collection makes visible the tremendous directorial contributions women made all around the world

Release: June 24, 2025

$7.99

Description

A desperate rescue mission to the jungles of New Guinea will uncover a maniacal cult leader and an all-you-can-eat buffet of flesh-chomping carnage. THE WORLDWIDE UHD PREMIERE After launching the genre with MAN FROM DEEP RIVER, writer/director Umberto Lenzi "ups the ante and then some" (Dread Central) with "the most entertaining cannibal adventure of them all" (Daily Dead), now in UHD for the first time ever: A desperate rescue expedition to the jungles of New Guinea will unleash bizarre primitive rituals, over-the-top violence, gratuitous nudity, recycled footage, a maniacal cult leader and an all-you-can-eat buffet of flesh-chomping carnage. Robert Kerman (CANNIBAL HOLOCAUST), Janet Agren (CITY OF THE LIVING DEAD), Ivan Rassimov (ALL THE COLORS OF THE DARK), Paola Senatore (EMANUELLE IN AMERICA), Me Me Lai (LAST CANNIBAL WORLD) and Mel Ferrer (THE GREAT ALLIGATOR) star in this "grisly greatest hits package" (Mondo Digital) scanned in 4K from the CRI with over 4 hours of Special Features that include a newly discovered discussion of cannibal films between Umberto Lenzi and Ruggero Deodato. Special Features Audio Commentary With Mondo Digital's Nathaniel Thompson And Troy Howarth, Author Of Make Them Die Slowly: The Kinetic Cinema Of Umberto Lenzi Welcome To The Jungle - Interview With Director Umberto Lenzi Deodato Meats Lenzi - An Exclusive Discussion Of Their Cannibal Films Me Me Lai Bites Back - Feature Documentary On The Queen Of Cannibal Movies The Sect Of The Purification - Interview With Production Designer Antonello Geleng Archival Interviews With Actors Ivan Rassimov And Robert Kerman 2013 Q&A With Umberto Lenzi From The Festival Of Fantastic Films Newly Discovered Alternate Footage Trailer Bonus Materials Audio Commentary With Mondo Digital's Nathaniel Thompson And Troy Howarth, Author Of Make Them Die Slowly: The Kinetic Cinema Of Umberto Lenzi Welcome To The Jungle - Interview With Director Umberto Lenzi Deodato Meats Lenzi - An Exclusive Discussion Of Their Cannibal Films Me Me Lai Bites Back - Feature Documentary On The Queen Of Cannibal Movies The Sect Of The Purification - Interview With Production Designer Antonello Geleng Archival Interviews With Actors Ivan Rassimov And Robert Kerman 2013 Q&A With Umberto Lenzi From The Festival Of Fantastic Films Newly Discovered Alternate Footage Trailer Cast & Crew Actors: Robert Kerman as Mark Butler Janet Agren as Sheila Morris Ivan Rassimov as Jonas Melvin Mel Ferrer as Professor Carter Paola Senatore as Diana Morris Me Me Lai as Mowara Fiamma Maglione as Alma Franco Fantasia as Reeves Franco Coduti as Karan Alfred Joseph Berry Michele Schmiegelm as Native Girl Director: Umberto Lenzi Producer: Luciano Martino Producer: Mino Loy Top About this item Similar From the Brand Reviews Eaten Alive [4K UHD]

Release: October 24, 2017

$6.99

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Product Description It s Halloween 1989 and best friends Sam and Josh are just trying to enjoy their last Devil s Night before graduating high school. Trouble soon arises when the two pals and a group of friends take a detour on their way to a rock concert, finding an old abandoned barn and awakening the evil inside. Now it s up to Sam and Josh to find a way to protect their friends and defeat the creatures that lurk within The Barn... The film stars Mitchell Musolino, Will Stout, Lexi Dripps, Cortland Woodard, Nikki Darling, Nickolaus Joshua with Linnea Quigley (Night of the Demons and Return of the Living Dead) and Ari Lehman (the first Jason Voorhees from Friday the 13th ). Featuring an original score by Rocky Gray the former member of Grammy award-winning goth/rock group 'Evanescence'. Feature Film: (UNRATED) Bonus Content Info- Over 90 minutes of Extras: Audio Commentary The Making of a Nightmare Documentary Gag Reel Deleted and Extended Scenes Alternate Ending Harvest Music Video by Rebel Flesh All Hallow s Eve short film World Wide Weird London premiere reactions Trailers Commercials Original storybook Reversible cover artwork by Marc Schoenbach and Graham Humphreys Number of Discs: 1 Single Layer Blu-ray Disc (25GB) Region Free Unrated/Color/16:9 Widescreen/80 Mins Subtitles: Spanish Review My favorite time of the year is the haunting season and every September I begin to get antsy while looking at the calendar and counting down the days to October 1st. Like most of you I've been sweating the end of summer heat and begging for something to take me away to the cherished burning leaf smell of October. Thank the dark lords for Justin Seaman's The Barn. Set on Halloween in 1989, The Barn is a love letter to everything that there is to love and fear on Halloween night. The movie opens with a flashback sequence to Halloween 1959 and the community of Wheary Falls is in full on Halloween celebratory mode. The kids gather at the local church for a word from the pastor and are then off to the local harvest hootenanny. Of course, two kids can t follow the All Hallows Eve rules which include staying away from a certain barn. Flash forward thirty years and we re thrown full force into the world of Sam and Josh, two seventeen year old s who live for Halloween and all the joys it brings. Sam (Mitchell Musolino) is the embodiment of everyone who builds haunts in their parent s garages and basks in the offerings of the holiday. Josh (Will Stout) is his lifelong best friend who since the loss of his father earlier in the year hasn t really been the same. After one of their pranks on Ms. Barnhart played by scream queen Linnea Quigley goes too far the boys are faced with the realization that this is the last year of unabashed Halloween fun that they will ever get to have. When their favorite metal band announces on the local rock show hosted by Dr. Rock that they are performing a special Halloween night concert, Sam and Josh decide that they have no choice but to go to the concert and cement themselves as local Halloween legends.They gather up some friends and hit the road bound for the concert. After taking a shortcut they end up in Wheary Falls and smack dab in front of the titular Barn that holds legendary evils. Being a horror movie set on Halloween you know the demons will be unleashed on this group of teenagers as well as the unsuspecting townsfolk. The aftermath of which will never be forgotten by those that live to tell the tale. There are countless horror films set on Halloween, very few actually capture and imbue the spirit the way The Barn does. Justin Seaman brilliantly captures every minute detail from the brilliant script and set design to the amazing soundtrack of the film that really transports you into proceedings. The cast are all brilliant and play the parts to the tilt. Lexi Dripps portrayal of Michelle is one of the best girl next door type performances that I've seen in the genre in quite a while and ranks up there with Phoebe Cates in Gremlins. The demons that terrorize our protagonists are a perfect mesh of 80's kitsch and old school monster magazine masks. I can easily see these villains becoming popular Halloween costumes for years to come. The cast and crew of The Barn put everything they had into creating a film that will bring the Halloween spirit into your heart at any time of the year and honestly that s all that we as horror fans can ask for. The Barn comes with my highest recommendation. --Tom Holland's Terror Time The Barn is a love letter to monster movies and the campy decade where they reigned supreme, that s as fun as it is bloody! The idea of everything old being new again is hardly a recent development. That being said, the last year in particular has seen throwbacks to the 80's and retro pastiches becoming a rabid obsession of audiences. Material like Stranger Things and The Final Girls have recently connected with people to unbelievable degrees due to their nostalgic love for the era. It s not difficult to see why this portion of the past is experiencing such a resurgence. The 80's are a time where the monster reigned supreme and horror films carried a surprising amount of power over the rest of cinema. So in spite of such a retro love letter hardly being unfamiliar territory, The Barn pulls this off so effortlessly and authentically. It is definitely the strongest example of achieving this throwback horror since Rodriguez and Tarantino's Grindhouse. In fact, The Barn is some of the most fun that I've had at a horror film in a long time. The story that The Barn frames itself around involves a cursed barn that has largely been forgotten about for thirty years. The dangerous legend associated with this relic sees three monsters, The Boogeyman, Hollow Jack, and the Candy Corn Scarecrow, being components of a Halloween curse that surrounds all of this. Cut to 1989, where Sam and Josh, two precocious teens that are a little too gung ho for the holiday, come face-to-face with this deadly curse and the horrors that come along with it. The Barn spends a good deal of time on its characters, with both Sam and Josh being well defined, albeit simple, protagonists. Everyone comes across as a caricature, but in the comforting, intentional way that is fundamental to the 80's. They re given a large posse of friends to play with, which allows for the film to have a rather expendable death count, which is the right direction for this sort of film. You need to see those silly, over the top death sequences. As their friends begin dying around them, The Barn continues to bank on Sam and Josh s friendship. There is actually believable, compelling chemistry between the two leads that gives this film a healthy, necessary energy to drive it forward. One of the aspects that makes all of this work so well is Sam s deep love for Halloween. He pushes across an infectious obsession with the holiday that frequently had me thinking about Matthew Lillard in Scream. He s frequently bringing up these rules for Halloween that he s created and each one of them is a real delight. Sam treats Halloween like a religion and this approach ends up being really beautiful. Add to that the fact that Sam and Josh are about to graduate high school with this being their last opportunity to trick or treat and paint the town blood red. A nice touch that director, Justin M. Seaman, utilizes with the film s supporting cast, like Sam s Dad or Ms. Barnhart, is that these people are giving performances right out of the Tim and Eric School of Acting. These characters pause at the wrong moments in sentences and make bizarre enunciation choices as if they re completely out of their element. Again, all of this is done to play into the campiness and hammy nature of horror performances circa the 80's but the film nails this aspect especially well. This is something that s really hard to do effectively without it going too far in either direction. These performances are wonderfully wrong in the right sort of way, if that makes sense. You re absolutely laughing with the film rather than at it. It s in on this treat. --Bloody-Disgusting If you were one of the multitudes of horror aficionados that cut their teeth on the abundance of VHS chillers back in the mid-80's, then you've got to be overjoyed with the plethora of throwback flicks that have been unleashed over the course of the last few years. To remember such plastic-cased classics is a thing of beauty, and to revisit them is even more special, but the notion of a tribute to those films that entertained us is a whole other beast, entirely. Allow me to introduce the latest barbarian into the fray: The Barn from director Justin M. Seaman, and suffice it to say, it s beginning to feel a lot like 1989. The opener of this one takes us back to Halloween 1959, and the setting is Wheary Falls, a small town with a large backing from the local church, and the annual hootenanny is underway, and all that s asked of the party goers from the pastor is that they BY ALL MEANS, stay clear of the abandoned barn on the other side of town. Now you honestly didn't think that everyone was going to take the holy man s words to heart, did you? Here s where things get interesting (without giving any spoilers away)- what happens at the front door to the barn to a young kid is masterful, and this is not by any means me cementing myself as a sadistic bastard, but to pull off what Seaman does within the first 4 minutes is not only ballsy and unapologetic, but it sets a tone for the rest of the film. Flash-forward to good old 1989, and the town s biggest Halloween celebrators, Sam and Josh are doing what they enjoy every Autumn: scaring the cheez-whiz out of the locals and making every Debbie downer in town angry. Their friendship has stood the test of Josh s father s passing, and together they compliment each other s twisted sense of humor. When a seemingly harmless prank goes terribly wrong, the two have it broken down to them that their days of jerking around MUST come to an abrupt end. As the impending thoughts of a stagnant existence overwhelm the two, their hopes are somewhat realigned with the news that their favorite heavy metal band will be playing a one-night only show on you guessed it, Halloween. So with a group of pals in tow, the gathering decides that a shortcut to the show is the best route (which it never is), and damned to all hell, wouldn't you know where the shortcut drops our collection of misguided adolescents? yep, right at the doors of the barn itself. Seems the legends of the barn s inhabitants, The Boogeyman, Hallowed Jack and The Candycorn Scarecrow aren't just tall tales after all these creepy suckers are violent, unrepentant, and just not in the Halloween mood. Supported by a couple of entertaining cameos from Linnea Quigley and Ari Lehman, the cast does an admirable job in pulling off performances that are effectually cheesy and fitting for a movie such as this. Oh, and fans of gore? I sincerely hope you brought the biggest damn plastic pumpkin you could find to this film s doorstep, cause it s going to get filled to the brim with enough blood and guts to keep you fed for weeks after screw the candy, viscera s where it s at! There s even a few decent-sized laughs sprayed around in this one to keep things a little bit light from time to time. Overall, I can without a doubt recommend The Barn to everyone looking for a fun, retro trip back to the days of grainy, low-budgeted horror yanked directly off the racks of your local video rental shop this one will sit firmly entrenched in my top 5 of the best horror films for 2016. Available NOW on both DVD and VHS from the barn merch. com hell, there s all sorts of goodies available for your last minute X-Mas shopping, so get on over and pick up a little something for the demented ones in your life! --Dread Central Top About this item Similar From the Brand Reviews The Barn - Special Edition [Blu-ray]

Release: July 7, 2020

$6.99

Description

A grieving Irish father and his estranged American son embark on a road trip to scatter ashes, confronting the pain that has divided them.

Release: October 24, 2017

$6.99

Description

Product Description It s Halloween 1989 and best friends Sam and Josh are just trying to enjoy their last Devil s Night before graduating high school. Trouble soon arises when the two pals and a group of friends take a detour on their way to a rock concert, finding an old abandoned barn and awakening the evil inside. Now it s up to Sam and Josh to find a way to protect their friends and defeat the creatures that lurk within The Barn... The film stars Mitchell Musolino, Will Stout, Lexi Dripps, Cortland Woodard, Nikki Darling, Nickolaus Joshua with Linnea Quigley (Night of the Demons and Return of the Living Dead) and Ari Lehman (the first Jason Voorhees from Friday the 13th ). Featuring an original score by Rocky Gray the former member of Grammy award-winning goth/rock group 'Evanescence'. Feature Film: (UNRATED) Bonus Content Info- Over 90 minutes of Extras: Audio Commentary The Making of a Nightmare Documentary Gag Reel Deleted and Extended Scenes Alternate Ending Harvest Music Video by Rebel Flesh All Hallow s Eve short film World Wide Weird London premiere reactions Trailers Commercials Original storybook Reversible cover artwork by Marc Schoenbach and Graham Humphreys Number of Discs: 1 Single Layer Blu-ray Disc (25GB) Region Free Unrated/Color/16:9 Widescreen/80 Mins Subtitles: Spanish Review My favorite time of the year is the haunting season and every September I begin to get antsy while looking at the calendar and counting down the days to October 1st. Like most of you I've been sweating the end of summer heat and begging for something to take me away to the cherished burning leaf smell of October. Thank the dark lords for Justin Seaman's The Barn. Set on Halloween in 1989, The Barn is a love letter to everything that there is to love and fear on Halloween night. The movie opens with a flashback sequence to Halloween 1959 and the community of Wheary Falls is in full on Halloween celebratory mode. The kids gather at the local church for a word from the pastor and are then off to the local harvest hootenanny. Of course, two kids can t follow the All Hallows Eve rules which include staying away from a certain barn. Flash forward thirty years and we re thrown full force into the world of Sam and Josh, two seventeen year old s who live for Halloween and all the joys it brings. Sam (Mitchell Musolino) is the embodiment of everyone who builds haunts in their parent s garages and basks in the offerings of the holiday. Josh (Will Stout) is his lifelong best friend who since the loss of his father earlier in the year hasn t really been the same. After one of their pranks on Ms. Barnhart played by scream queen Linnea Quigley goes too far the boys are faced with the realization that this is the last year of unabashed Halloween fun that they will ever get to have. When their favorite metal band announces on the local rock show hosted by Dr. Rock that they are performing a special Halloween night concert, Sam and Josh decide that they have no choice but to go to the concert and cement themselves as local Halloween legends.They gather up some friends and hit the road bound for the concert. After taking a shortcut they end up in Wheary Falls and smack dab in front of the titular Barn that holds legendary evils. Being a horror movie set on Halloween you know the demons will be unleashed on this group of teenagers as well as the unsuspecting townsfolk. The aftermath of which will never be forgotten by those that live to tell the tale. There are countless horror films set on Halloween, very few actually capture and imbue the spirit the way The Barn does. Justin Seaman brilliantly captures every minute detail from the brilliant script and set design to the amazing soundtrack of the film that really transports you into proceedings. The cast are all brilliant and play the parts to the tilt. Lexi Dripps portrayal of Michelle is one of the best girl next door type performances that I've seen in the genre in quite a while and ranks up there with Phoebe Cates in Gremlins. The demons that terrorize our protagonists are a perfect mesh of 80's kitsch and old school monster magazine masks. I can easily see these villains becoming popular Halloween costumes for years to come. The cast and crew of The Barn put everything they had into creating a film that will bring the Halloween spirit into your heart at any time of the year and honestly that s all that we as horror fans can ask for. The Barn comes with my highest recommendation. --Tom Holland's Terror Time The Barn is a love letter to monster movies and the campy decade where they reigned supreme, that s as fun as it is bloody! The idea of everything old being new again is hardly a recent development. That being said, the last year in particular has seen throwbacks to the 80's and retro pastiches becoming a rabid obsession of audiences. Material like Stranger Things and The Final Girls have recently connected with people to unbelievable degrees due to their nostalgic love for the era. It s not difficult to see why this portion of the past is experiencing such a resurgence. The 80's are a time where the monster reigned supreme and horror films carried a surprising amount of power over the rest of cinema. So in spite of such a retro love letter hardly being unfamiliar territory, The Barn pulls this off so effortlessly and authentically. It is definitely the strongest example of achieving this throwback horror since Rodriguez and Tarantino's Grindhouse. In fact, The Barn is some of the most fun that I've had at a horror film in a long time. The story that The Barn frames itself around involves a cursed barn that has largely been forgotten about for thirty years. The dangerous legend associated with this relic sees three monsters, The Boogeyman, Hollow Jack, and the Candy Corn Scarecrow, being components of a Halloween curse that surrounds all of this. Cut to 1989, where Sam and Josh, two precocious teens that are a little too gung ho for the holiday, come face-to-face with this deadly curse and the horrors that come along with it. The Barn spends a good deal of time on its characters, with both Sam and Josh being well defined, albeit simple, protagonists. Everyone comes across as a caricature, but in the comforting, intentional way that is fundamental to the 80's. They re given a large posse of friends to play with, which allows for the film to have a rather expendable death count, which is the right direction for this sort of film. You need to see those silly, over the top death sequences. As their friends begin dying around them, The Barn continues to bank on Sam and Josh s friendship. There is actually believable, compelling chemistry between the two leads that gives this film a healthy, necessary energy to drive it forward. One of the aspects that makes all of this work so well is Sam s deep love for Halloween. He pushes across an infectious obsession with the holiday that frequently had me thinking about Matthew Lillard in Scream. He s frequently bringing up these rules for Halloween that he s created and each one of them is a real delight. Sam treats Halloween like a religion and this approach ends up being really beautiful. Add to that the fact that Sam and Josh are about to graduate high school with this being their last opportunity to trick or treat and paint the town blood red. A nice touch that director, Justin M. Seaman, utilizes with the film s supporting cast, like Sam s Dad or Ms. Barnhart, is that these people are giving performances right out of the Tim and Eric School of Acting. These characters pause at the wrong moments in sentences and make bizarre enunciation choices as if they re completely out of their element. Again, all of this is done to play into the campiness and hammy nature of horror performances circa the 80's but the film nails this aspect especially well. This is something that s really hard to do effectively without it going too far in either direction. These performances are wonderfully wrong in the right sort of way, if that makes sense. You re absolutely laughing with the film rather than at it. It s in on this treat. --Bloody-Disgusting If you were one of the multitudes of horror aficionados that cut their teeth on the abundance of VHS chillers back in the mid-80's, then you've got to be overjoyed with the plethora of throwback flicks that have been unleashed over the course of the last few years. To remember such plastic-cased classics is a thing of beauty, and to revisit them is even more special, but the notion of a tribute to those films that entertained us is a whole other beast, entirely. Allow me to introduce the latest barbarian into the fray: The Barn from director Justin M. Seaman, and suffice it to say, it s beginning to feel a lot like 1989. The opener of this one takes us back to Halloween 1959, and the setting is Wheary Falls, a small town with a large backing from the local church, and the annual hootenanny is underway, and all that s asked of the party goers from the pastor is that they BY ALL MEANS, stay clear of the abandoned barn on the other side of town. Now you honestly didn't think that everyone was going to take the holy man s words to heart, did you? Here s where things get interesting (without giving any spoilers away)- what happens at the front door to the barn to a young kid is masterful, and this is not by any means me cementing myself as a sadistic bastard, but to pull off what Seaman does within the first 4 minutes is not only ballsy and unapologetic, but it sets a tone for the rest of the film. Flash-forward to good old 1989, and the town s biggest Halloween celebrators, Sam and Josh are doing what they enjoy every Autumn: scaring the cheez-whiz out of the locals and making every Debbie downer in town angry. Their friendship has stood the test of Josh s father s passing, and together they compliment each other s twisted sense of humor. When a seemingly harmless prank goes terribly wrong, the two have it broken down to them that their days of jerking around MUST come to an abrupt end. As the impending thoughts of a stagnant existence overwhelm the two, their hopes are somewhat realigned with the news that their favorite heavy metal band will be playing a one-night only show on you guessed it, Halloween. So with a group of pals in tow, the gathering decides that a shortcut to the show is the best route (which it never is), and damned to all hell, wouldn't you know where the shortcut drops our collection of misguided adolescents? yep, right at the doors of the barn itself. Seems the legends of the barn s inhabitants, The Boogeyman, Hallowed Jack and The Candycorn Scarecrow aren't just tall tales after all these creepy suckers are violent, unrepentant, and just not in the Halloween mood. Supported by a couple of entertaining cameos from Linnea Quigley and Ari Lehman, the cast does an admirable job in pulling off performances that are effectually cheesy and fitting for a movie such as this. Oh, and fans of gore? I sincerely hope you brought the biggest damn plastic pumpkin you could find to this film s doorstep, cause it s going to get filled to the brim with enough blood and guts to keep you fed for weeks after screw the candy, viscera s where it s at! There s even a few decent-sized laughs sprayed around in this one to keep things a little bit light from time to time. Overall, I can without a doubt recommend The Barn to everyone looking for a fun, retro trip back to the days of grainy, low-budgeted horror yanked directly off the racks of your local video rental shop this one will sit firmly entrenched in my top 5 of the best horror films for 2016. Available NOW on both DVD and VHS from the barn merch. com hell, there s all sorts of goodies available for your last minute X-Mas shopping, so get on over and pick up a little something for the demented ones in your life! --Dread Central Top About this item Similar From the Brand Reviews The Barn - Special Edition [Blu-ray]

Release: May 31, 2022

$6.99

Description

In a post-apocalyptic wasteland, scavengers and raiders clash over scarce resources in this cult Italian action oddity.

Release: April 7, 2026

$10.99(Not Free for Subscribers)

Description

A tough threesome of Go-Go dancers (Tura Satana, Haji, Lori Williams) embark on a wild, crazy, and deadly journey of violence in Russ Meyer's Classic! Russ Meyer's iconic 1966 film, Faster Pussycat, Kill! Kill! has been digitally restored by the Russ Meyer Trust and is being offered in a trade-wide, high definition Blu-ray. Featuring masterful photography in the unique, one-and-only style of the often-imitated King of the Drive-In, a tough threesome of Go-Go dancers (Tura Satana, Haji, and Lori Williams) embark on a wild, crazy, and deadly journey of violence. It's the timeless story of a new breed of buxom superwomen - belted, buckled, and booted - as only Russ Meyer could bring you!! Presented in an aspect ratio of 1.67:1 and granted a 1080p transfer, Russ Meyer's Faster, Pussycat! Kill! Kill! arrives in mass-market, Region-Free Blu-ray courtesy of RM Films International. Bonus Materia

Release: July 26, 2022

$6.99

Description

The fall of 2021 marked the 50th anniversary of Fiddler on the Roof, the film Pauline Kael (The New Yorker) called “the most powerful movie musical ever made.” Narrated by Jeff Goldblum, FIDDLER’S JOURNEY TO THE BIG SCREEN captures the humor and drama of director Norman Jewison’s quest to recreate the lost world of Jewish life in Tsarist Russia and re-envision the beloved stage hit as a wide-screen epic. Oscar®-nominated filmmaker Daniel Raim puts us in the director’s chair and in Jewison’s heart and mind, drawing on behind-the-scenes footage and never-before-seen stills as well as original interviews with Jewison, Topol (Tevye), composer John Williams, production designer Robert F. Boyle, film critic Kenneth Turan, lyricist Sheldon Harnick, and actresses Rosalind Harris, Michele Marsh, and Neva Small (Tevye’s daughters). This inspiring film explores how the experience of making Fiddler deepened Jewison as an artist and revived his soul. Special Features: -The Man on Lincoln’s Nose: Daniel Raim’s Oscar-nominated short about production designer Robert F. Boyle, featuring Norman Jewison -Additional interviews with John Williams, Topol, Rosalind Harris, Neva Small, and Sheldon Harnick -Film researcher Lillian Michelson on the undergarments used in Fiddler (excerpt from Harold and Lillian: A Hollywood Love Story)

Release: June 7, 2022

$6.99

Release: July 11, 2023

$6.99

Description

This collection features three film noir classics: MAN AFRAID (1957) – Noir greats George Nader (Six Bridges to Cross, Appointment with a Shadow) and director Harry Keller (The Unguarded Moment, The Female Animal) come together for Man Afraid, a heart-stopping CinemaScope noir about a preacher ensnared in fear. When Reverend David Collins (Nader) and his wife Lisa (Phyllis Thaxter, Act of Violence) catch a burglar in their son’s room, the ensuing struggle ends with an injury to Lisa’s eyes and David unintentionally killing the thief. The Collins struggle with the resulting publicity, David’s own conscience, Lisa’s temporary blindness...and the burglar’s vengeful father (Eduard Franz, Cyborg 2087) who begins to stalk their son Michael (Tim Hovey, Queen Bee). The tense revenge-noir Man Afraid features a score by the great Henry Mancini (Touch of Evil). THE GIRL IN THE KREMLIN (1957) – Moscow, 1953. Four terrified women prisoners are brought before Soviet dictator Joseph Stalin, who picks the beautiful Dasha and proceeds to punish her by shaving off her long, black hair. Moments later, a plastic surgeon leads Stalin into an operating room and transforms his face into something new. So begins the story of the world’s greatest conspiracy: The Girl in the Kremlin, a harrowing Cold War noir starring Lex Barker (The Price of Fear, The Girl in Black Stockings) and Zsa Zsa Gabor (Touch of Evil, Picture Mommy Dead). When Stalin alters his appearance, fakes his own death and vanishes, ex-O.S.S. agent Steve Anderson (Barker) and Lithuanian refugee Lili Grisenko (Gabor) lead the manhunt across Europe. Directed by Russell Birdwell (The Come On) and featuring Maurice Manson (The Creature Walks Among Us) in a chilling performance. THE TATTERED DRESS (1957) – In this CinemaScope film noir from director Jack Arnold (The Incredible Shrinking Man, Man in the Shadow), top lawyer James Blane (Jeff Chandler, Red Ball Express, Female on the Beach) is a man known to do anything it takes to win a case. But when Blane defends a socialite on trial for the murder of a bartender who made a pass at his wife, a scheming sheriff (Jack Carson, The Tarnished Angels) frames Blane for bribing a juror (Gail Russell, Calcutta, Night Has a Thousand Eyes) and exposes the hidden evil simmering beneath the surface of their quiet desert town. The Tattered Dress boasts powerful performances by its never-better cast, which includes Jeanne Crain (Man Without a Star), Elaine Stewart (Night Passage), George Tobias (Rawhide), Edward Andrews (The Unguarded Moment) and Phillip Reed (Klondike Annie). Special Features: • Brand New HD Masters – From a 2K Scan of the 35mm Fine Grains • NEW Audio Commentary for MAN AFRAID by Film Historian David Del Valle and Filmmaker David DeCoteau • NEW Audio Commentary for THE GIRL IN THE KREMLIN by Film Historians Emma Westwood and Paul Anthony Nelson • NEW Audio Commentary for THE TATTERED DRESS by Professor and Film Scholar Jason A. Ney • Theatrical Trailers for MAN AFRAID and THE TATTERED DRESS (Newly Mastered in 2K) • 3 TV Spots for THE GIRL IN THE KREMLIN (Newly Mastered in 2K) • Optional English Subtitles

Release: June 9, 2020

$6.99

Description

An undercover detective investigates a string of hospital murders while navigating corruption inside a major city medical center.

Release: June 7, 2016

$6.99

Description

Product Description Swedish master Ingmar Bergman penned this loving tribute to his parent's epic romance. In 1909, poor, idealistic theology student Henrik Bergman falls in love with Anna Åkerbloom, the intelligent, educated daughter of a rich family in Uppsala. After their wedding Henrik becomes a priest in the north of Sweden. Urbane Anna can't stand living in the rural county and grows increasingly restless. She returns to Uppsala and the couple's love and commitment are put to the test. Review WINNER - Palme d'Or - Cannes Film Festival WINNER - Best Actress - Cannes Film Festival WINNER - Best Screenplay - Guldbagge Awards WINNER - Best Actress - Guldbagge Awards WINNER - Best Actress - National Society of Film Critics Awards WINNER - Best Foreign Language Film - National Society of Film Critics Awards - --- Mr. Bergman's straightforward screenplay is a reminder of how much of what he has expressed as a director goes beyond words. --Janet Maslin, The New York Times In her role, [Pernilla] August displays an emotional range that is Himalayan. Appealing as she is accomplished, the actress charms the audience as easily as Anna seduces Henrik. --Rita Kempley, The Washington Post

Release: December 15, 2020

$6.99

Description

The fishermen of Cornwall are signed to Universal Records and achieve a top ten hit with their debut album of Sea Shanties.

$7.99

Description

This Formula One documentary charts the sport's perilous golden age and the push to make Grand Prix racing safer.

Release: October 24, 2017

$7.99

Description

Product Description It s Halloween 1989 and best friends Sam and Josh are just trying to enjoy their last Devil s Night before graduating high school. Trouble soon arises when the two pals and a group of friends take a detour on their way to a rock concert, finding an old abandoned barn and awakening the evil inside. Now it s up to Sam and Josh to find a way to protect their friends and defeat the creatures that lurk within The Barn... The film stars Mitchell Musolino, Will Stout, Lexi Dripps, Cortland Woodard, Nikki Darling, Nickolaus Joshua with Linnea Quigley (Night of the Demons and Return of the Living Dead) and Ari Lehman (the first Jason Voorhees from Friday the 13th ). Featuring an original score by Rocky Gray the former member of Grammy award-winning goth/rock group 'Evanescence'. Feature Film: (UNRATED) Bonus Content Info- Over 90 minutes of Extras: Audio Commentary The Making of a Nightmare Documentary Gag Reel Deleted and Extended Scenes Alternate Ending Harvest Music Video by Rebel Flesh All Hallow s Eve short film World Wide Weird London premiere reactions Trailers Commercials Original storybook Reversible cover artwork by Marc Schoenbach and Graham Humphreys Number of Discs: 1 Single Layer Blu-ray Disc (25GB) Region Free Unrated/Color/16:9 Widescreen/80 Mins Subtitles: Spanish Review My favorite time of the year is the haunting season and every September I begin to get antsy while looking at the calendar and counting down the days to October 1st. Like most of you I've been sweating the end of summer heat and begging for something to take me away to the cherished burning leaf smell of October. Thank the dark lords for Justin Seaman's The Barn. Set on Halloween in 1989, The Barn is a love letter to everything that there is to love and fear on Halloween night. The movie opens with a flashback sequence to Halloween 1959 and the community of Wheary Falls is in full on Halloween celebratory mode. The kids gather at the local church for a word from the pastor and are then off to the local harvest hootenanny. Of course, two kids can t follow the All Hallows Eve rules which include staying away from a certain barn. Flash forward thirty years and we re thrown full force into the world of Sam and Josh, two seventeen year old s who live for Halloween and all the joys it brings. Sam (Mitchell Musolino) is the embodiment of everyone who builds haunts in their parent s garages and basks in the offerings of the holiday. Josh (Will Stout) is his lifelong best friend who since the loss of his father earlier in the year hasn t really been the same. After one of their pranks on Ms. Barnhart played by scream queen Linnea Quigley goes too far the boys are faced with the realization that this is the last year of unabashed Halloween fun that they will ever get to have. When their favorite metal band announces on the local rock show hosted by Dr. Rock that they are performing a special Halloween night concert, Sam and Josh decide that they have no choice but to go to the concert and cement themselves as local Halloween legends.They gather up some friends and hit the road bound for the concert. After taking a shortcut they end up in Wheary Falls and smack dab in front of the titular Barn that holds legendary evils. Being a horror movie set on Halloween you know the demons will be unleashed on this group of teenagers as well as the unsuspecting townsfolk. The aftermath of which will never be forgotten by those that live to tell the tale. There are countless horror films set on Halloween, very few actually capture and imbue the spirit the way The Barn does. Justin Seaman brilliantly captures every minute detail from the brilliant script and set design to the amazing soundtrack of the film that really transports you into proceedings. The cast are all brilliant and play the parts to the tilt. Lexi Dripps portrayal of Michelle is one of the best girl next door type performances that I've seen in the genre in quite a while and ranks up there with Phoebe Cates in Gremlins. The demons that terrorize our protagonists are a perfect mesh of 80's kitsch and old school monster magazine masks. I can easily see these villains becoming popular Halloween costumes for years to come. The cast and crew of The Barn put everything they had into creating a film that will bring the Halloween spirit into your heart at any time of the year and honestly that s all that we as horror fans can ask for. The Barn comes with my highest recommendation. --Tom Holland's Terror Time The Barn is a love letter to monster movies and the campy decade where they reigned supreme, that s as fun as it is bloody! The idea of everything old being new again is hardly a recent development. That being said, the last year in particular has seen throwbacks to the 80's and retro pastiches becoming a rabid obsession of audiences. Material like Stranger Things and The Final Girls have recently connected with people to unbelievable degrees due to their nostalgic love for the era. It s not difficult to see why this portion of the past is experiencing such a resurgence. The 80's are a time where the monster reigned supreme and horror films carried a surprising amount of power over the rest of cinema. So in spite of such a retro love letter hardly being unfamiliar territory, The Barn pulls this off so effortlessly and authentically. It is definitely the strongest example of achieving this throwback horror since Rodriguez and Tarantino's Grindhouse. In fact, The Barn is some of the most fun that I've had at a horror film in a long time. The story that The Barn frames itself around involves a cursed barn that has largely been forgotten about for thirty years. The dangerous legend associated with this relic sees three monsters, The Boogeyman, Hollow Jack, and the Candy Corn Scarecrow, being components of a Halloween curse that surrounds all of this. Cut to 1989, where Sam and Josh, two precocious teens that are a little too gung ho for the holiday, come face-to-face with this deadly curse and the horrors that come along with it. The Barn spends a good deal of time on its characters, with both Sam and Josh being well defined, albeit simple, protagonists. Everyone comes across as a caricature, but in the comforting, intentional way that is fundamental to the 80's. They re given a large posse of friends to play with, which allows for the film to have a rather expendable death count, which is the right direction for this sort of film. You need to see those silly, over the top death sequences. As their friends begin dying around them, The Barn continues to bank on Sam and Josh s friendship. There is actually believable, compelling chemistry between the two leads that gives this film a healthy, necessary energy to drive it forward. One of the aspects that makes all of this work so well is Sam s deep love for Halloween. He pushes across an infectious obsession with the holiday that frequently had me thinking about Matthew Lillard in Scream. He s frequently bringing up these rules for Halloween that he s created and each one of them is a real delight. Sam treats Halloween like a religion and this approach ends up being really beautiful. Add to that the fact that Sam and Josh are about to graduate high school with this being their last opportunity to trick or treat and paint the town blood red. A nice touch that director, Justin M. Seaman, utilizes with the film s supporting cast, like Sam s Dad or Ms. Barnhart, is that these people are giving performances right out of the Tim and Eric School of Acting. These characters pause at the wrong moments in sentences and make bizarre enunciation choices as if they re completely out of their element. Again, all of this is done to play into the campiness and hammy nature of horror performances circa the 80's but the film nails this aspect especially well. This is something that s really hard to do effectively without it going too far in either direction. These performances are wonderfully wrong in the right sort of way, if that makes sense. You re absolutely laughing with the film rather than at it. It s in on this treat. --Bloody-Disgusting If you were one of the multitudes of horror aficionados that cut their teeth on the abundance of VHS chillers back in the mid-80's, then you've got to be overjoyed with the plethora of throwback flicks that have been unleashed over the course of the last few years. To remember such plastic-cased classics is a thing of beauty, and to revisit them is even more special, but the notion of a tribute to those films that entertained us is a whole other beast, entirely. Allow me to introduce the latest barbarian into the fray: The Barn from director Justin M. Seaman, and suffice it to say, it s beginning to feel a lot like 1989. The opener of this one takes us back to Halloween 1959, and the setting is Wheary Falls, a small town with a large backing from the local church, and the annual hootenanny is underway, and all that s asked of the party goers from the pastor is that they BY ALL MEANS, stay clear of the abandoned barn on the other side of town. Now you honestly didn't think that everyone was going to take the holy man s words to heart, did you? Here s where things get interesting (without giving any spoilers away)- what happens at the front door to the barn to a young kid is masterful, and this is not by any means me cementing myself as a sadistic bastard, but to pull off what Seaman does within the first 4 minutes is not only ballsy and unapologetic, but it sets a tone for the rest of the film. Flash-forward to good old 1989, and the town s biggest Halloween celebrators, Sam and Josh are doing what they enjoy every Autumn: scaring the cheez-whiz out of the locals and making every Debbie downer in town angry. Their friendship has stood the test of Josh s father s passing, and together they compliment each other s twisted sense of humor. When a seemingly harmless prank goes terribly wrong, the two have it broken down to them that their days of jerking around MUST come to an abrupt end. As the impending thoughts of a stagnant existence overwhelm the two, their hopes are somewhat realigned with the news that their favorite heavy metal band will be playing a one-night only show on you guessed it, Halloween. So with a group of pals in tow, the gathering decides that a shortcut to the show is the best route (which it never is), and damned to all hell, wouldn't you know where the shortcut drops our collection of misguided adolescents? yep, right at the doors of the barn itself. Seems the legends of the barn s inhabitants, The Boogeyman, Hallowed Jack and The Candycorn Scarecrow aren't just tall tales after all these creepy suckers are violent, unrepentant, and just not in the Halloween mood. Supported by a couple of entertaining cameos from Linnea Quigley and Ari Lehman, the cast does an admirable job in pulling off performances that are effectually cheesy and fitting for a movie such as this. Oh, and fans of gore? I sincerely hope you brought the biggest damn plastic pumpkin you could find to this film s doorstep, cause it s going to get filled to the brim with enough blood and guts to keep you fed for weeks after screw the candy, viscera s where it s at! There s even a few decent-sized laughs sprayed around in this one to keep things a little bit light from time to time. Overall, I can without a doubt recommend The Barn to everyone looking for a fun, retro trip back to the days of grainy, low-budgeted horror yanked directly off the racks of your local video rental shop this one will sit firmly entrenched in my top 5 of the best horror films for 2016. Available NOW on both DVD and VHS from the barn merch. com hell, there s all sorts of goodies available for your last minute X-Mas shopping, so get on over and pick up a little something for the demented ones in your life! --Dread Central Top About this item Similar From the Brand Reviews The Barn - Special Edition [Blu-ray]

Release: August 27, 2019

$6.99

Description

Half waking dream and half fiery polemic, The Garden was born of director Derek Jarman’s rage over continued anti-gay discrimination and the sluggardly response to the AIDS crisis—he had been diagnosed HIV-positive in 1988. Starring Tilda Swinton (Michael Clayton), this uniquely kaleidoscopic film shows the filmmaker’s genius at its most coruscating, making space in its breadth of vision for an over-the-top Hollywood-style musical number, nightmare images of tar-and-feather queer persecution, and footage of the particularly menacing-looking nuclear power plant that overlooks Jarman’s own garden, the point from which his film begins, and a cherished spot which he must keep tending to even as his body begins to betray him. Writhing with sorrow and anger, and yet so vividly alive to the loveliness of being, The Garden is a baleful and beautiful epistle from the brink of beyond.

Release: February 25, 2020

$6.99

Description

Product Description Medical transport driver Vic is late, but it's not his fault. Roads are closed for a protest, and no one else can shuttle his Russian grandfather and emigre friends to a funeral. The new route uproots his scheduled clients, particularly Tracy (Lauren Spencer in a breakout performance), a vibrant young woman with ALS. As the day goes from hectic to off-the-rails, their collective ride becomes a hilarious, compassionate, and intersectional portrait of American dreams and discenchantment. Review Completely, delightfully unpredictable from scene to scene., "Give Me Liberty" draws you in with its moving performances and blasts of broad comedy. --Manohla Dargis, The New York Times The debut of a fresh vision of the all-American crowd-pleaser. --Nick Allen, Rogerebert.com A wild and ultimately joyous ride. --David Rooney, The Hollywood Reporter

Release: April 26, 2011

$6.99

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In one of his first-ever roles, a young Jack Nicholson stars as Lt. Andre Duvalier, a soldier in Napoleon's army in 19th century France, separated from his regiment. He awakens on a beach to the sight of a strange woman who leads him to the gothic, towering castle that serves as home to eerie Baron Von Leppe (Boris Karloff). But, as Duvalier soon discovers, nothing is what it seems in this ghastly, haunted mansion of death! This underground favorite was made in classic Roger Cormanfashion, making the most of his resources to bring yet another film to life on a minimal budget for his producers at American International Pictures. Short on time himself (there were more movies to be made!), Corman left it to a few of the aspiring directors within his crew (among them, Jack Hill, a young Francis Coppola, and even Jack Nicholson taking a turn behind the camera for a few scenes) to help see the film to completion. The Terror would go on to become a drive-in favorite and late-night TV staple, also appearing under the titles the Terror, Lady of the Shadows and the Castle of Terror.

Release: January 20, 2015

$7.99

Description

Set against the chaotic backdrop of recent events in the Middle East, Nadav Schirman s THE GREEN PRINCE retraces the details of a highly unprecedented partnership that developed between sworn enemies. In the style of a tense psychological thriller, this extraordinary documentary recounts the true story of the son of a Hamas leader who emerged as one of Israel s prized informants, and the Shin Bet agent who risked his career to protect him.

Release: April 28, 2026

$7.99

Description

Andy Milligan clawed his way from the depths of '60s independent cinema straight to the abyss of grindhouse infamy like no other filmmaker in history. 3 DISC COLLECTION INCLUDES 2 THOUGHT-LOST FILMS PLUS THE ACCLAIMED DOCUMENTARY THE DEGENERATE: THE LIFE AND FILMS OF ANDY MILLIGAN WITH 2 RARELY SEEN MOVIE PROJECTS AND 5+ COMBINED HOURS OF SPECIAL FEATURESGutter Auteur: The Lost Legacy of Andy Milligan is a definitive 3-disc tribute to one of cinema's most transgressive, misunderstood, and obsessively fascinating filmmakers. A pioneering outsider who clawed his way from the depths of 1960s underground filmmaking to the grindhouse gutters of 42nd Street, Andy Milligan remains, as Artforum called him, "The Fassbinder of 42nd Street" -- a volatile, visionary auteur whose work defied convention and decency alike. This landmark collection from Severin Films assembles an astonishing array of newly unearthed and restored material, including two features long thought lost: The Degenerates (1967), a post-nuclear nightmare rediscovered in a Brussels vault, and Kiss Me, Kiss Me, Kiss Me! (1968), a searing psychodrama recovered from an Amsterdam archive. Both have been meticulously restored from their only surviving film elements, resurrecting Milligan's raw, handmade cinema for the first time in decades. Also included is the acclaimed 2025 documentary The Degenerate: The Life and Films of Andy Milligan, hailed by RogerEbert.com as "an eye-opening look into one of the weirder and darker corners of cinema history." Directed by Josh Johnson and Grayson Tyler Johnson, it captures the chaos, creativity, and pain of a filmmaker whose work was as personal as it was perverse. The set goes even deeper with two rarely seen projects -- the early short Compass Rose and 1979's gothic curio House of Seven Belles -- alongside more than five hours of special features that peel back the myth and madness surrounding Milligan's legacy. Among the extensive extras are Team Degenerate, a Tribeca Film Festival Q&A with directors Johnson and Johnson, author Jimmy McDonough (The Ghastly One), and Milligan collaborators Hope Stansbury, Natalie Rogers, Ken Lane, and John Borske; deleted scenes and trailers from The Degenerate; a feature-length audio commentary on The Degenerates with Milligan expert Alex DiSanto; the archival 1975 audio interview between Milligan and author Stéphane Bourgoin; and multiple new interviews with actors, scholars, and historians including Stephen Thrower (Nightmare USA). Other highlights include Two Weeks in Woodstock with actress Laura Cunningham, Magic Time! with Peter Ratray, Dove and Divine with Natalie Rogers, Licentious Lunacy with Alex DiSanto, and Thrower's multi-part analyses of Kiss Me, Kiss Me, Kiss Me!, House of Seven Belles, and Compass Rose. A delirious collision of archival discovery, academic depth, and grindhouse sleaze, Gutter Auteur is essential viewing for fans of Andy Warhol's Bad, John Waters, and the darkest reaches of American exploitation cinema. As Screen Anarchy notes, Milligan "created a unique oeuvre that defies and defiles common decency at a level that is both shocking and admirable." Morbidly Beautiful called him "one of exploitation's most fascinating figures," and Video Watchblog's Tim Lucas described him as "one of fantastic cinema's most maligned--and malignant--originals." Raw, angry, and unrepentant, Andy Milligan's legacy has finally been given the restoration and respect it deserves. Bonus Materials Team Degenerate – Q&A With Directors Josh Johnson And Grayson Tyler Johnson, The Ghastly One Author Jimmy McDonough And Milligan Collaborators Hope Stansbury, Natalie Rogers, Ken Lane And John Borske At The 2025 Tribeca Film Festival World Premiere THE DEGENERATE: THE LIFE AND FILMS OF ANDY MILLIGAN Deleted Scenes THE DEGENERATE: THE LIFE AND FILMS OF ANDY MILLIGAN Trailer Audio Commentary For THE DEGENERATES With Milligan Expert Alex DiSanto Two Weeks In Woodstock – Interview With Actress Laura Cunningham Trauma At Tribeca – 2025 Tribeca Film Festival Introduction To THE DEGENERATES / KISS ME, KISS ME, KISS ME! Re-Premiere By Jimmy McDonough, Author Of The Ghastly One Sin Sisters '66 – Stephen Thrower, Author Of Nightmare USA, On THE DEGENERATES THE DEGENERATES Lobby Card Gallery Auricon Ego Death – Stephen Thrower, Author Of Nightmare USA, On COMPASS ROSE Audio Interview With Andy Milligan By Author Stéphane Bourgoin, October 10, 1975 (Played In Conjunction With KISS ME, KISS ME, KISS ME!) Magic Time! – Interview With Actor Peter Ratray Dove And Divine – Interview With Actress Natalie Rogers Milligan Illustrated – Stephen Thrower, Author of Nightmare USA, On KISS ME, KISS ME, KISS ME! Licentious Lunacy – Milligan Expert Alex DiSanto On KISS ME, KISS ME, KISS ME! KISS ME, KISS ME, KISS ME! Trailer All About The Frocks – Stephen Thrower, Author Of Nightmare USA, On HOUSE OF SEVEN BELLES Cast & Crew Actors: Bryarly Lee Marcia Haufrecht Anne Linden Susan Howard Laura Cunningham Hope Stansbury Robert Burgos Vernon Newman David Haine Anthony Moscini Candy Hammond Gerald Jacuzzo Matt Baylor Joe Davies Kenny Burgess Hal Borske Minette Jenneth Webster Maggie Rogers John Borske Robert Patrick Dean Selmier Selena Robins Natalie Rogers Don Williams Peter Ratray Joy Martin Angela Peters Esther Travers Veronica Radburn Nick Orzel Alan Sedan Sean Martin Robert Dahdah Fernando Ron Keith Dolores Barcia Peter Barcia Elaine Boies Joe Downing Randa Kriss Louise Schiumo Jimmy McDonough Sam Sherman Stephen Thrower Josh Johnson Director: Andy Milligan Director: Grayson Tyler Johnson Producer: Frederic Abels Producer: Andy Milligan Producer: Peter Salim Producer: Steve Siegal Producer: William Mishkin Producer: Carl Daft Producer: Andrew Furtado Producer: David Gregory Producer: Josh Johnson Producer: Nicole Mikuzis Producer: Deanna Rooney Top About this item Similar From the Brand Questions Reviews Gutter Auteur: The Lost Legacy of Andy Milligan Gutter Auteur: The Lost Legacy of Andy Milligan

Release: April 28, 2026

$7.99

Description

Andy Milligan clawed his way from the depths of '60s independent cinema straight to the abyss of grindhouse infamy like no other filmmaker in history. 3 DISC COLLECTION INCLUDES 2 THOUGHT-LOST FILMS PLUS THE ACCLAIMED DOCUMENTARY THE DEGENERATE: THE LIFE AND FILMS OF ANDY MILLIGAN WITH 2 RARELY SEEN MOVIE PROJECTS AND 5+ COMBINED HOURS OF SPECIAL FEATURESGutter Auteur: The Lost Legacy of Andy Milligan is a definitive 3-disc tribute to one of cinema's most transgressive, misunderstood, and obsessively fascinating filmmakers. A pioneering outsider who clawed his way from the depths of 1960s underground filmmaking to the grindhouse gutters of 42nd Street, Andy Milligan remains, as Artforum called him, "The Fassbinder of 42nd Street" -- a volatile, visionary auteur whose work defied convention and decency alike. This landmark collection from Severin Films assembles an astonishing array of newly unearthed and restored material, including two features long thought lost: The Degenerates (1967), a post-nuclear nightmare rediscovered in a Brussels vault, and Kiss Me, Kiss Me, Kiss Me! (1968), a searing psychodrama recovered from an Amsterdam archive. Both have been meticulously restored from their only surviving film elements, resurrecting Milligan's raw, handmade cinema for the first time in decades. Also included is the acclaimed 2025 documentary The Degenerate: The Life and Films of Andy Milligan, hailed by RogerEbert.com as "an eye-opening look into one of the weirder and darker corners of cinema history." Directed by Josh Johnson and Grayson Tyler Johnson, it captures the chaos, creativity, and pain of a filmmaker whose work was as personal as it was perverse. The set goes even deeper with two rarely seen projects -- the early short Compass Rose and 1979's gothic curio House of Seven Belles -- alongside more than five hours of special features that peel back the myth and madness surrounding Milligan's legacy. Among the extensive extras are Team Degenerate, a Tribeca Film Festival Q&A with directors Johnson and Johnson, author Jimmy McDonough (The Ghastly One), and Milligan collaborators Hope Stansbury, Natalie Rogers, Ken Lane, and John Borske; deleted scenes and trailers from The Degenerate; a feature-length audio commentary on The Degenerates with Milligan expert Alex DiSanto; the archival 1975 audio interview between Milligan and author Stéphane Bourgoin; and multiple new interviews with actors, scholars, and historians including Stephen Thrower (Nightmare USA). Other highlights include Two Weeks in Woodstock with actress Laura Cunningham, Magic Time! with Peter Ratray, Dove and Divine with Natalie Rogers, Licentious Lunacy with Alex DiSanto, and Thrower's multi-part analyses of Kiss Me, Kiss Me, Kiss Me!, House of Seven Belles, and Compass Rose. A delirious collision of archival discovery, academic depth, and grindhouse sleaze, Gutter Auteur is essential viewing for fans of Andy Warhol's Bad, John Waters, and the darkest reaches of American exploitation cinema. As Screen Anarchy notes, Milligan "created a unique oeuvre that defies and defiles common decency at a level that is both shocking and admirable." Morbidly Beautiful called him "one of exploitation's most fascinating figures," and Video Watchblog's Tim Lucas described him as "one of fantastic cinema's most maligned--and malignant--originals." Raw, angry, and unrepentant, Andy Milligan's legacy has finally been given the restoration and respect it deserves. Bonus Materials Team Degenerate – Q&A With Directors Josh Johnson And Grayson Tyler Johnson, The Ghastly One Author Jimmy McDonough And Milligan Collaborators Hope Stansbury, Natalie Rogers, Ken Lane And John Borske At The 2025 Tribeca Film Festival World Premiere THE DEGENERATE: THE LIFE AND FILMS OF ANDY MILLIGAN Deleted Scenes THE DEGENERATE: THE LIFE AND FILMS OF ANDY MILLIGAN Trailer Audio Commentary For THE DEGENERATES With Milligan Expert Alex DiSanto Two Weeks In Woodstock – Interview With Actress Laura Cunningham Trauma At Tribeca – 2025 Tribeca Film Festival Introduction To THE DEGENERATES / KISS ME, KISS ME, KISS ME! Re-Premiere By Jimmy McDonough, Author Of The Ghastly One Sin Sisters '66 – Stephen Thrower, Author Of Nightmare USA, On THE DEGENERATES THE DEGENERATES Lobby Card Gallery Auricon Ego Death – Stephen Thrower, Author Of Nightmare USA, On COMPASS ROSE Audio Interview With Andy Milligan By Author Stéphane Bourgoin, October 10, 1975 (Played In Conjunction With KISS ME, KISS ME, KISS ME!) Magic Time! – Interview With Actor Peter Ratray Dove And Divine – Interview With Actress Natalie Rogers Milligan Illustrated – Stephen Thrower, Author of Nightmare USA, On KISS ME, KISS ME, KISS ME! Licentious Lunacy – Milligan Expert Alex DiSanto On KISS ME, KISS ME, KISS ME! KISS ME, KISS ME, KISS ME! Trailer All About The Frocks – Stephen Thrower, Author Of Nightmare USA, On HOUSE OF SEVEN BELLES Cast & Crew Actors: Bryarly Lee Marcia Haufrecht Anne Linden Susan Howard Laura Cunningham Hope Stansbury Robert Burgos Vernon Newman David Haine Anthony Moscini Candy Hammond Gerald Jacuzzo Matt Baylor Joe Davies Kenny Burgess Hal Borske Minette Jenneth Webster Maggie Rogers John Borske Robert Patrick Dean Selmier Selena Robins Natalie Rogers Don Williams Peter Ratray Joy Martin Angela Peters Esther Travers Veronica Radburn Nick Orzel Alan Sedan Sean Martin Robert Dahdah Fernando Ron Keith Dolores Barcia Peter Barcia Elaine Boies Joe Downing Randa Kriss Louise Schiumo Jimmy McDonough Sam Sherman Stephen Thrower Josh Johnson Director: Andy Milligan Director: Grayson Tyler Johnson Producer: Frederic Abels Producer: Andy Milligan Producer: Peter Salim Producer: Steve Siegal Producer: William Mishkin Producer: Carl Daft Producer: Andrew Furtado Producer: David Gregory Producer: Josh Johnson Producer: Nicole Mikuzis Producer: Deanna Rooney Top About this item Similar From the Brand Questions Reviews Gutter Auteur: The Lost Legacy of Andy Milligan Gutter Auteur: The Lost Legacy of Andy Milligan

Release: April 28, 2026

$7.99

Description

Andy Milligan clawed his way from the depths of '60s independent cinema straight to the abyss of grindhouse infamy like no other filmmaker in history. 3 DISC COLLECTION INCLUDES 2 THOUGHT-LOST FILMS PLUS THE ACCLAIMED DOCUMENTARY THE DEGENERATE: THE LIFE AND FILMS OF ANDY MILLIGAN WITH 2 RARELY SEEN MOVIE PROJECTS AND 5+ COMBINED HOURS OF SPECIAL FEATURESGutter Auteur: The Lost Legacy of Andy Milligan is a definitive 3-disc tribute to one of cinema's most transgressive, misunderstood, and obsessively fascinating filmmakers. A pioneering outsider who clawed his way from the depths of 1960s underground filmmaking to the grindhouse gutters of 42nd Street, Andy Milligan remains, as Artforum called him, "The Fassbinder of 42nd Street" -- a volatile, visionary auteur whose work defied convention and decency alike. This landmark collection from Severin Films assembles an astonishing array of newly unearthed and restored material, including two features long thought lost: The Degenerates (1967), a post-nuclear nightmare rediscovered in a Brussels vault, and Kiss Me, Kiss Me, Kiss Me! (1968), a searing psychodrama recovered from an Amsterdam archive. Both have been meticulously restored from their only surviving film elements, resurrecting Milligan's raw, handmade cinema for the first time in decades. Also included is the acclaimed 2025 documentary The Degenerate: The Life and Films of Andy Milligan, hailed by RogerEbert.com as "an eye-opening look into one of the weirder and darker corners of cinema history." Directed by Josh Johnson and Grayson Tyler Johnson, it captures the chaos, creativity, and pain of a filmmaker whose work was as personal as it was perverse. The set goes even deeper with two rarely seen projects -- the early short Compass Rose and 1979's gothic curio House of Seven Belles -- alongside more than five hours of special features that peel back the myth and madness surrounding Milligan's legacy. Among the extensive extras are Team Degenerate, a Tribeca Film Festival Q&A with directors Johnson and Johnson, author Jimmy McDonough (The Ghastly One), and Milligan collaborators Hope Stansbury, Natalie Rogers, Ken Lane, and John Borske; deleted scenes and trailers from The Degenerate; a feature-length audio commentary on The Degenerates with Milligan expert Alex DiSanto; the archival 1975 audio interview between Milligan and author Stéphane Bourgoin; and multiple new interviews with actors, scholars, and historians including Stephen Thrower (Nightmare USA). Other highlights include Two Weeks in Woodstock with actress Laura Cunningham, Magic Time! with Peter Ratray, Dove and Divine with Natalie Rogers, Licentious Lunacy with Alex DiSanto, and Thrower's multi-part analyses of Kiss Me, Kiss Me, Kiss Me!, House of Seven Belles, and Compass Rose. A delirious collision of archival discovery, academic depth, and grindhouse sleaze, Gutter Auteur is essential viewing for fans of Andy Warhol's Bad, John Waters, and the darkest reaches of American exploitation cinema. As Screen Anarchy notes, Milligan "created a unique oeuvre that defies and defiles common decency at a level that is both shocking and admirable." Morbidly Beautiful called him "one of exploitation's most fascinating figures," and Video Watchblog's Tim Lucas described him as "one of fantastic cinema's most maligned--and malignant--originals." Raw, angry, and unrepentant, Andy Milligan's legacy has finally been given the restoration and respect it deserves. Bonus Materials Team Degenerate – Q&A With Directors Josh Johnson And Grayson Tyler Johnson, The Ghastly One Author Jimmy McDonough And Milligan Collaborators Hope Stansbury, Natalie Rogers, Ken Lane And John Borske At The 2025 Tribeca Film Festival World Premiere THE DEGENERATE: THE LIFE AND FILMS OF ANDY MILLIGAN Deleted Scenes THE DEGENERATE: THE LIFE AND FILMS OF ANDY MILLIGAN Trailer Audio Commentary For THE DEGENERATES With Milligan Expert Alex DiSanto Two Weeks In Woodstock – Interview With Actress Laura Cunningham Trauma At Tribeca – 2025 Tribeca Film Festival Introduction To THE DEGENERATES / KISS ME, KISS ME, KISS ME! Re-Premiere By Jimmy McDonough, Author Of The Ghastly One Sin Sisters '66 – Stephen Thrower, Author Of Nightmare USA, On THE DEGENERATES THE DEGENERATES Lobby Card Gallery Auricon Ego Death – Stephen Thrower, Author Of Nightmare USA, On COMPASS ROSE Audio Interview With Andy Milligan By Author Stéphane Bourgoin, October 10, 1975 (Played In Conjunction With KISS ME, KISS ME, KISS ME!) Magic Time! – Interview With Actor Peter Ratray Dove And Divine – Interview With Actress Natalie Rogers Milligan Illustrated – Stephen Thrower, Author of Nightmare USA, On KISS ME, KISS ME, KISS ME! Licentious Lunacy – Milligan Expert Alex DiSanto On KISS ME, KISS ME, KISS ME! KISS ME, KISS ME, KISS ME! Trailer All About The Frocks – Stephen Thrower, Author Of Nightmare USA, On HOUSE OF SEVEN BELLES Cast & Crew Actors: Bryarly Lee Marcia Haufrecht Anne Linden Susan Howard Laura Cunningham Hope Stansbury Robert Burgos Vernon Newman David Haine Anthony Moscini Candy Hammond Gerald Jacuzzo Matt Baylor Joe Davies Kenny Burgess Hal Borske Minette Jenneth Webster Maggie Rogers John Borske Robert Patrick Dean Selmier Selena Robins Natalie Rogers Don Williams Peter Ratray Joy Martin Angela Peters Esther Travers Veronica Radburn Nick Orzel Alan Sedan Sean Martin Robert Dahdah Fernando Ron Keith Dolores Barcia Peter Barcia Elaine Boies Joe Downing Randa Kriss Louise Schiumo Jimmy McDonough Sam Sherman Stephen Thrower Josh Johnson Director: Andy Milligan Director: Grayson Tyler Johnson Producer: Frederic Abels Producer: Andy Milligan Producer: Peter Salim Producer: Steve Siegal Producer: William Mishkin Producer: Carl Daft Producer: Andrew Furtado Producer: David Gregory Producer: Josh Johnson Producer: Nicole Mikuzis Producer: Deanna Rooney Top About this item Similar From the Brand Questions Reviews Gutter Auteur: The Lost Legacy of Andy Milligan Gutter Auteur: The Lost Legacy of Andy Milligan

Release: April 28, 2026

$7.99

Description

Andy Milligan clawed his way from the depths of '60s independent cinema straight to the abyss of grindhouse infamy like no other filmmaker in history. 3 DISC COLLECTION INCLUDES 2 THOUGHT-LOST FILMS PLUS THE ACCLAIMED DOCUMENTARY THE DEGENERATE: THE LIFE AND FILMS OF ANDY MILLIGAN WITH 2 RARELY SEEN MOVIE PROJECTS AND 5+ COMBINED HOURS OF SPECIAL FEATURESGutter Auteur: The Lost Legacy of Andy Milligan is a definitive 3-disc tribute to one of cinema's most transgressive, misunderstood, and obsessively fascinating filmmakers. A pioneering outsider who clawed his way from the depths of 1960s underground filmmaking to the grindhouse gutters of 42nd Street, Andy Milligan remains, as Artforum called him, "The Fassbinder of 42nd Street" -- a volatile, visionary auteur whose work defied convention and decency alike. This landmark collection from Severin Films assembles an astonishing array of newly unearthed and restored material, including two features long thought lost: The Degenerates (1967), a post-nuclear nightmare rediscovered in a Brussels vault, and Kiss Me, Kiss Me, Kiss Me! (1968), a searing psychodrama recovered from an Amsterdam archive. Both have been meticulously restored from their only surviving film elements, resurrecting Milligan's raw, handmade cinema for the first time in decades. Also included is the acclaimed 2025 documentary The Degenerate: The Life and Films of Andy Milligan, hailed by RogerEbert.com as "an eye-opening look into one of the weirder and darker corners of cinema history." Directed by Josh Johnson and Grayson Tyler Johnson, it captures the chaos, creativity, and pain of a filmmaker whose work was as personal as it was perverse. The set goes even deeper with two rarely seen projects -- the early short Compass Rose and 1979's gothic curio House of Seven Belles -- alongside more than five hours of special features that peel back the myth and madness surrounding Milligan's legacy. Among the extensive extras are Team Degenerate, a Tribeca Film Festival Q&A with directors Johnson and Johnson, author Jimmy McDonough (The Ghastly One), and Milligan collaborators Hope Stansbury, Natalie Rogers, Ken Lane, and John Borske; deleted scenes and trailers from The Degenerate; a feature-length audio commentary on The Degenerates with Milligan expert Alex DiSanto; the archival 1975 audio interview between Milligan and author Stéphane Bourgoin; and multiple new interviews with actors, scholars, and historians including Stephen Thrower (Nightmare USA). Other highlights include Two Weeks in Woodstock with actress Laura Cunningham, Magic Time! with Peter Ratray, Dove and Divine with Natalie Rogers, Licentious Lunacy with Alex DiSanto, and Thrower's multi-part analyses of Kiss Me, Kiss Me, Kiss Me!, House of Seven Belles, and Compass Rose. A delirious collision of archival discovery, academic depth, and grindhouse sleaze, Gutter Auteur is essential viewing for fans of Andy Warhol's Bad, John Waters, and the darkest reaches of American exploitation cinema. As Screen Anarchy notes, Milligan "created a unique oeuvre that defies and defiles common decency at a level that is both shocking and admirable." Morbidly Beautiful called him "one of exploitation's most fascinating figures," and Video Watchblog's Tim Lucas described him as "one of fantastic cinema's most maligned--and malignant--originals." Raw, angry, and unrepentant, Andy Milligan's legacy has finally been given the restoration and respect it deserves. Bonus Materials Team Degenerate – Q&A With Directors Josh Johnson And Grayson Tyler Johnson, The Ghastly One Author Jimmy McDonough And Milligan Collaborators Hope Stansbury, Natalie Rogers, Ken Lane And John Borske At The 2025 Tribeca Film Festival World Premiere THE DEGENERATE: THE LIFE AND FILMS OF ANDY MILLIGAN Deleted Scenes THE DEGENERATE: THE LIFE AND FILMS OF ANDY MILLIGAN Trailer Audio Commentary For THE DEGENERATES With Milligan Expert Alex DiSanto Two Weeks In Woodstock – Interview With Actress Laura Cunningham Trauma At Tribeca – 2025 Tribeca Film Festival Introduction To THE DEGENERATES / KISS ME, KISS ME, KISS ME! Re-Premiere By Jimmy McDonough, Author Of The Ghastly One Sin Sisters '66 – Stephen Thrower, Author Of Nightmare USA, On THE DEGENERATES THE DEGENERATES Lobby Card Gallery Auricon Ego Death – Stephen Thrower, Author Of Nightmare USA, On COMPASS ROSE Audio Interview With Andy Milligan By Author Stéphane Bourgoin, October 10, 1975 (Played In Conjunction With KISS ME, KISS ME, KISS ME!) Magic Time! – Interview With Actor Peter Ratray Dove And Divine – Interview With Actress Natalie Rogers Milligan Illustrated – Stephen Thrower, Author of Nightmare USA, On KISS ME, KISS ME, KISS ME! Licentious Lunacy – Milligan Expert Alex DiSanto On KISS ME, KISS ME, KISS ME! KISS ME, KISS ME, KISS ME! Trailer All About The Frocks – Stephen Thrower, Author Of Nightmare USA, On HOUSE OF SEVEN BELLES Cast & Crew Actors: Bryarly Lee Marcia Haufrecht Anne Linden Susan Howard Laura Cunningham Hope Stansbury Robert Burgos Vernon Newman David Haine Anthony Moscini Candy Hammond Gerald Jacuzzo Matt Baylor Joe Davies Kenny Burgess Hal Borske Minette Jenneth Webster Maggie Rogers John Borske Robert Patrick Dean Selmier Selena Robins Natalie Rogers Don Williams Peter Ratray Joy Martin Angela Peters Esther Travers Veronica Radburn Nick Orzel Alan Sedan Sean Martin Robert Dahdah Fernando Ron Keith Dolores Barcia Peter Barcia Elaine Boies Joe Downing Randa Kriss Louise Schiumo Jimmy McDonough Sam Sherman Stephen Thrower Josh Johnson Director: Andy Milligan Director: Grayson Tyler Johnson Producer: Frederic Abels Producer: Andy Milligan Producer: Peter Salim Producer: Steve Siegal Producer: William Mishkin Producer: Carl Daft Producer: Andrew Furtado Producer: David Gregory Producer: Josh Johnson Producer: Nicole Mikuzis Producer: Deanna Rooney Top About this item Similar From the Brand Questions Reviews Gutter Auteur: The Lost Legacy of Andy Milligan Gutter Auteur: The Lost Legacy of Andy Milligan

Release: September 12, 2017

$6.99

Description

Mere months after delivering one of the definitive examples of film noir with Kiss Me Deadly, Robert Aldrich brought a noir flavour to Hollywood with his classic adaptation of Clifford Odets stage play, The Big Knife. Charles Castle, one of Hollywood s biggest stars, looks like he has it all. But his marriage is falling apart and his wife is threatening to leave him if he renews his contract. Studio boss Stanley Shriner Hoff isn t taking the news too well, and he ll do anything he can to get his man to sign on the dotted line even if means exposing dark secrets... Winner of the Silver Lion at the 1955 Venice Film Festival, The Big Knife also boasts a remarkable cast list including Jack Palance (Shane) as Castle and Rod Steiger (On the Waterfront) as Hoff, plus Shelley Winters (The Night of the Hunter), Ida Lupino (On Dangerous Ground), Jean Hagen (Singin in the Rain) and Everett Sloane (Citizen Kane). SPECIAL EDITION CONTENTS Brand-new 2K restoration from original film elements produced by Arrow Films exclusively for this release High Definition Blu-ray (1080p) Original English mono audio uncompressed LPCM Optional English subtitles for the deaf and hard-of-hearing Commentary by film critics Glenn Kenny and Nick Pinkerton, recorded exclusively for this release Bass on Titles Saul Bass, responsible for The Big Knife s credit sequence, discusses some of his classic work in this self-directed documentary from 1972 Theatrical trailer Reversible sleeve featuring original and newly commissioned artwork by Sean Phillips FIRST PRESSING ONLY: Illustrated collector s booklet featuring new writing on the film by Nathalie Morris

Release: August 25, 2020

$6.99

Description

NEW 4K RESTORATION FROM UNIVERSAL PICTURES! Hell Bent (1918) is a rousing Western from the series of Cheyenne Harry adventures that director John Ford (still credited as Jack Ford early in his career) made with star Harry Carey (Straight Shooting). Cheyenne Harry was an outlaw with a heart of gold, played with stoic warmth by Carey, whose performances were a pivotal influence on John Wayne. In Hell Bent Harry flees the law after a poker game shootout, and arrives in the town of Rawhide, where he becomes friendly with local cowboy Cimmaron Bill (Duke Lee) and the kindly dance hall girl Bess Thurston (Neva Gerber), who is tending to her sick mother. Gang leader Beau Ross (Joseph Harris) falls hard for Bess, and kidnaps her. Cheyenne Harry goes to desperate lengths traveling across the deadly desert in order to free Bess from the hard-bitten Ross. Special Features: -Archival audio interview. with John Ford by Joseph McBride -Audio commentary by Joseph McBride, author of Searching for John Ford -Music by Zachary Marsh -Video essay by film critic Tag Gallagher

Release: September 22, 2020

$6.99

Description

HELLRAISER IV: Explore the twisted tale of the family who unknowingly opened the door of Hell setting the diabolical Pinhead free to spread evil here on earth. HELLRAISER V: A shady L.A detective finds himself lost in a nightmarish world of evil when he solves the mysterious puzzle box that releases the diabolical demon Pinhead. HELLRAISER VI: Pinhead is back in the next chilling chapter in the electrifying HELLRAISER legacy originated by best-selling horror author (and director of the original film) Clive Barker. HELLRAISER VIII: When five hardcore online gamers are invited to a special party thrown by a mysterious destination known as Hellworld, they endure a night of unspeakable terror that reaches beyond cyberspace.

Release: October 24, 2017

$6.99

Description

Product Description It s Halloween 1989 and best friends Sam and Josh are just trying to enjoy their last Devil s Night before graduating high school. Trouble soon arises when the two pals and a group of friends take a detour on their way to a rock concert, finding an old abandoned barn and awakening the evil inside. Now it s up to Sam and Josh to find a way to protect their friends and defeat the creatures that lurk within The Barn... The film stars Mitchell Musolino, Will Stout, Lexi Dripps, Cortland Woodard, Nikki Darling, Nickolaus Joshua with Linnea Quigley (Night of the Demons and Return of the Living Dead) and Ari Lehman (the first Jason Voorhees from Friday the 13th ). Featuring an original score by Rocky Gray the former member of Grammy award-winning goth/rock group 'Evanescence'. Feature Film: (UNRATED) Bonus Content Info- Over 90 minutes of Extras: Audio Commentary The Making of a Nightmare Documentary Gag Reel Deleted and Extended Scenes Alternate Ending Harvest Music Video by Rebel Flesh All Hallow s Eve short film World Wide Weird London premiere reactions Trailers Commercials Original storybook Reversible cover artwork by Marc Schoenbach and Graham Humphreys Number of Discs: 1 Single Layer Blu-ray Disc (25GB) Region Free Unrated/Color/16:9 Widescreen/80 Mins Subtitles: Spanish Review My favorite time of the year is the haunting season and every September I begin to get antsy while looking at the calendar and counting down the days to October 1st. Like most of you I've been sweating the end of summer heat and begging for something to take me away to the cherished burning leaf smell of October. Thank the dark lords for Justin Seaman's The Barn. Set on Halloween in 1989, The Barn is a love letter to everything that there is to love and fear on Halloween night. The movie opens with a flashback sequence to Halloween 1959 and the community of Wheary Falls is in full on Halloween celebratory mode. The kids gather at the local church for a word from the pastor and are then off to the local harvest hootenanny. Of course, two kids can t follow the All Hallows Eve rules which include staying away from a certain barn. Flash forward thirty years and we re thrown full force into the world of Sam and Josh, two seventeen year old s who live for Halloween and all the joys it brings. Sam (Mitchell Musolino) is the embodiment of everyone who builds haunts in their parent s garages and basks in the offerings of the holiday. Josh (Will Stout) is his lifelong best friend who since the loss of his father earlier in the year hasn t really been the same. After one of their pranks on Ms. Barnhart played by scream queen Linnea Quigley goes too far the boys are faced with the realization that this is the last year of unabashed Halloween fun that they will ever get to have. When their favorite metal band announces on the local rock show hosted by Dr. Rock that they are performing a special Halloween night concert, Sam and Josh decide that they have no choice but to go to the concert and cement themselves as local Halloween legends.They gather up some friends and hit the road bound for the concert. After taking a shortcut they end up in Wheary Falls and smack dab in front of the titular Barn that holds legendary evils. Being a horror movie set on Halloween you know the demons will be unleashed on this group of teenagers as well as the unsuspecting townsfolk. The aftermath of which will never be forgotten by those that live to tell the tale. There are countless horror films set on Halloween, very few actually capture and imbue the spirit the way The Barn does. Justin Seaman brilliantly captures every minute detail from the brilliant script and set design to the amazing soundtrack of the film that really transports you into proceedings. The cast are all brilliant and play the parts to the tilt. Lexi Dripps portrayal of Michelle is one of the best girl next door type performances that I've seen in the genre in quite a while and ranks up there with Phoebe Cates in Gremlins. The demons that terrorize our protagonists are a perfect mesh of 80's kitsch and old school monster magazine masks. I can easily see these villains becoming popular Halloween costumes for years to come. The cast and crew of The Barn put everything they had into creating a film that will bring the Halloween spirit into your heart at any time of the year and honestly that s all that we as horror fans can ask for. The Barn comes with my highest recommendation. --Tom Holland's Terror Time The Barn is a love letter to monster movies and the campy decade where they reigned supreme, that s as fun as it is bloody! The idea of everything old being new again is hardly a recent development. That being said, the last year in particular has seen throwbacks to the 80's and retro pastiches becoming a rabid obsession of audiences. Material like Stranger Things and The Final Girls have recently connected with people to unbelievable degrees due to their nostalgic love for the era. It s not difficult to see why this portion of the past is experiencing such a resurgence. The 80's are a time where the monster reigned supreme and horror films carried a surprising amount of power over the rest of cinema. So in spite of such a retro love letter hardly being unfamiliar territory, The Barn pulls this off so effortlessly and authentically. It is definitely the strongest example of achieving this throwback horror since Rodriguez and Tarantino's Grindhouse. In fact, The Barn is some of the most fun that I've had at a horror film in a long time. The story that The Barn frames itself around involves a cursed barn that has largely been forgotten about for thirty years. The dangerous legend associated with this relic sees three monsters, The Boogeyman, Hollow Jack, and the Candy Corn Scarecrow, being components of a Halloween curse that surrounds all of this. Cut to 1989, where Sam and Josh, two precocious teens that are a little too gung ho for the holiday, come face-to-face with this deadly curse and the horrors that come along with it. The Barn spends a good deal of time on its characters, with both Sam and Josh being well defined, albeit simple, protagonists. Everyone comes across as a caricature, but in the comforting, intentional way that is fundamental to the 80's. They re given a large posse of friends to play with, which allows for the film to have a rather expendable death count, which is the right direction for this sort of film. You need to see those silly, over the top death sequences. As their friends begin dying around them, The Barn continues to bank on Sam and Josh s friendship. There is actually believable, compelling chemistry between the two leads that gives this film a healthy, necessary energy to drive it forward. One of the aspects that makes all of this work so well is Sam s deep love for Halloween. He pushes across an infectious obsession with the holiday that frequently had me thinking about Matthew Lillard in Scream. He s frequently bringing up these rules for Halloween that he s created and each one of them is a real delight. Sam treats Halloween like a religion and this approach ends up being really beautiful. Add to that the fact that Sam and Josh are about to graduate high school with this being their last opportunity to trick or treat and paint the town blood red. A nice touch that director, Justin M. Seaman, utilizes with the film s supporting cast, like Sam s Dad or Ms. Barnhart, is that these people are giving performances right out of the Tim and Eric School of Acting. These characters pause at the wrong moments in sentences and make bizarre enunciation choices as if they re completely out of their element. Again, all of this is done to play into the campiness and hammy nature of horror performances circa the 80's but the film nails this aspect especially well. This is something that s really hard to do effectively without it going too far in either direction. These performances are wonderfully wrong in the right sort of way, if that makes sense. You re absolutely laughing with the film rather than at it. It s in on this treat. --Bloody-Disgusting If you were one of the multitudes of horror aficionados that cut their teeth on the abundance of VHS chillers back in the mid-80's, then you've got to be overjoyed with the plethora of throwback flicks that have been unleashed over the course of the last few years. To remember such plastic-cased classics is a thing of beauty, and to revisit them is even more special, but the notion of a tribute to those films that entertained us is a whole other beast, entirely. Allow me to introduce the latest barbarian into the fray: The Barn from director Justin M. Seaman, and suffice it to say, it s beginning to feel a lot like 1989. The opener of this one takes us back to Halloween 1959, and the setting is Wheary Falls, a small town with a large backing from the local church, and the annual hootenanny is underway, and all that s asked of the party goers from the pastor is that they BY ALL MEANS, stay clear of the abandoned barn on the other side of town. Now you honestly didn't think that everyone was going to take the holy man s words to heart, did you? Here s where things get interesting (without giving any spoilers away)- what happens at the front door to the barn to a young kid is masterful, and this is not by any means me cementing myself as a sadistic bastard, but to pull off what Seaman does within the first 4 minutes is not only ballsy and unapologetic, but it sets a tone for the rest of the film. Flash-forward to good old 1989, and the town s biggest Halloween celebrators, Sam and Josh are doing what they enjoy every Autumn: scaring the cheez-whiz out of the locals and making every Debbie downer in town angry. Their friendship has stood the test of Josh s father s passing, and together they compliment each other s twisted sense of humor. When a seemingly harmless prank goes terribly wrong, the two have it broken down to them that their days of jerking around MUST come to an abrupt end. As the impending thoughts of a stagnant existence overwhelm the two, their hopes are somewhat realigned with the news that their favorite heavy metal band will be playing a one-night only show on you guessed it, Halloween. So with a group of pals in tow, the gathering decides that a shortcut to the show is the best route (which it never is), and damned to all hell, wouldn't you know where the shortcut drops our collection of misguided adolescents? yep, right at the doors of the barn itself. Seems the legends of the barn s inhabitants, The Boogeyman, Hallowed Jack and The Candycorn Scarecrow aren't just tall tales after all these creepy suckers are violent, unrepentant, and just not in the Halloween mood. Supported by a couple of entertaining cameos from Linnea Quigley and Ari Lehman, the cast does an admirable job in pulling off performances that are effectually cheesy and fitting for a movie such as this. Oh, and fans of gore? I sincerely hope you brought the biggest damn plastic pumpkin you could find to this film s doorstep, cause it s going to get filled to the brim with enough blood and guts to keep you fed for weeks after screw the candy, viscera s where it s at! There s even a few decent-sized laughs sprayed around in this one to keep things a little bit light from time to time. Overall, I can without a doubt recommend The Barn to everyone looking for a fun, retro trip back to the days of grainy, low-budgeted horror yanked directly off the racks of your local video rental shop this one will sit firmly entrenched in my top 5 of the best horror films for 2016. Available NOW on both DVD and VHS from the barn merch. com hell, there s all sorts of goodies available for your last minute X-Mas shopping, so get on over and pick up a little something for the demented ones in your life! --Dread Central Top About this item Similar From the Brand Reviews The Barn - Special Edition [Blu-ray]

Release: November 29, 2019

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Product Description Jack the Ripper [BLU-RAY ] Review One fun ride through the bloody streets of the past! --FilmFracture.com Just as scary and fun as many of the Ripper movies we've seen since! --Black Hole Reviews

Release: April 26, 2022

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This collection features three film noir classics. SINGAPORE (1947) – Adventure and romance in the city of intrigue! The irresistible duo of Fred MacMurray (Double Indemnity, The Apartment) and Ava Gardner (The Killers, On the Beach) star in this exotic film noir from director John Brahm (The Lodger, Hangover Square). In pre-war Singapore, Matt Gordon (MacMurray) falls in love with the beautiful Linda Grahame (Gardner), but loses contact with her when the Japanese attack. Five years later, he returns to Singapore to retrieve a fortune in smuggled pearls and accidentally reconnects with Linda, now married to rich planter Van Leyden (Roland Culver, Dead of Night) and suffering from amnesia. Meanwhile, the sinister Mauribus (Thomas Gomez, Key Largo) schemes to steal Matt’s pearls. Richard Haydn (The Emperor Waltz), Spring Byington (I’ll Be Seeing You), Porter Hall (The General Died at Dawn) and Philip Ahn (China) round out the cast of this exciting, romantic noir. JOHNNY STOOL PIGEON (1949) – They cracked the back of the world’s blackest racket! A cop! A dame! A killer! Cult filmmaker William Castle, the macabre mastermind behind House on Haunted Hill, The Tingler, 13 Ghosts and Let’s Kill Uncle, delivers a different kind of shadowy suspense story with Johnny Stool Pigeon. Howard Duff (Woman in Hiding) is San Francisco-based Treasury agent George Morton, who goes undercover to break up a narcotics ring. Dan Duryea (Scarlet Street) is Johnny Evans, a convict in Alcatraz who makes a deal with George, becoming the titular “stool pigeon.” Shelley Winters (Larceny) is the ringleader’s feisty moll who gets involved in the sting. It’s cops versus smugglers in Castle’s hardboiled film noir that co-stars John McIntire (An Act of Murder), Leif Erickson (The Lady Gambles) and Tony Curtis (The Midnight Story) in an early role as a mute killer. THE RAGING TIDE (1951) – Not even the fury of the lashing sea…could match the raging passions that bound them! A San Francisco gangster is rubbed out by rival Bruno Felkin (Richard Conte, Cry of the City), who himself reports the crime to Homicide Lieutenant Kelsey (Stephen McNally, The Lady Gambles) in an alibi scheme which fails. To escape, he stows away on a fishing boat, where skipper Hamil Linder (Charles Bickford, Duel in the Sun) receives Bruno kindly. Later, Bruno enlists Hamil’s son Carl (Alex Nicol, Because of You) to do his dirty work offshore, but things turn sour when Carl takes an interest in Bruno’s girl Connie (Shelley Winters, He Ran All the Way). An exhilarating, stormy climax highlights this unique seafaring noir from prolific director George Sherman (Larceny, The Sleeping City) and ace cinematographer Russell Metty (The Stranger, Touch of Evil). Special Features: -Brand New 2K Masters -NEW Audio Commentary for SINGAPORE by Film Historian Kat Ellinger and Author/Film Historian Lee Gambin -NEW Audio Commentary for JOHNNY STOOL PIGEON by Professor and Film Scholar Jason A. Ney -NEW Audio Commentary for THE RAGING TIDE by Film Historian David Del Valle and Producer Miles Hunter -Theatrical Trailers for SINGAPORE and THE RAGING TIDE -Optional English Subtitles

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An American engineer becomes the target of assassins while traveling through wartime Turkey.

Release: April 26, 2011

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In one of his first-ever roles, a young Jack Nicholson stars as Lt. Andre Duvalier, a soldier in Napoleon's army in 19th century France, separated from his regiment. He awakens on a beach to the sight of a strange woman who leads him to the gothic, towering castle that serves as home to eerie Baron Von Leppe (Boris Karloff). But, as Duvalier soon discovers, nothing is what it seems in this ghastly, haunted mansion of death! This underground favorite was made in classic Roger Cormanfashion, making the most of his resources to bring yet another film to life on a minimal budget for his producers at American International Pictures. Short on time himself (there were more movies to be made!), Corman left it to a few of the aspiring directors within his crew (among them, Jack Hill, a young Francis Coppola, and even Jack Nicholson taking a turn behind the camera for a few scenes) to help see the film to completion. The Terror would go on to become a drive-in favorite and late-night TV staple, also appearing under the titles the Terror, Lady of the Shadows and the Castle of Terror.

Release: October 13, 2009

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In the world of reality TV, producer Seaton Brookstone (Carbonell) is used to handling spoiled celebrities, testy crews and unexpected setbacks. But no one is prepared when the shooting crew finds itself stranded in the remote northern town of White Plains with a killer on the loose. As past suspicions, betrayals and secrets are revealed, the nightmare of shooting this reality show becomes all too real for Director Jake Tanner (Wesley), his crew and his sexy Hollywood celebrity Blanca Champion (Cuoco).

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Three teenage friends run away to the woods to build a house and declare independence from their parents.