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Release: October 24, 2017

$6.99

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Product Description It s Halloween 1989 and best friends Sam and Josh are just trying to enjoy their last Devil s Night before graduating high school. Trouble soon arises when the two pals and a group of friends take a detour on their way to a rock concert, finding an old abandoned barn and awakening the evil inside. Now it s up to Sam and Josh to find a way to protect their friends and defeat the creatures that lurk within The Barn... The film stars Mitchell Musolino, Will Stout, Lexi Dripps, Cortland Woodard, Nikki Darling, Nickolaus Joshua with Linnea Quigley (Night of the Demons and Return of the Living Dead) and Ari Lehman (the first Jason Voorhees from Friday the 13th ). Featuring an original score by Rocky Gray the former member of Grammy award-winning goth/rock group 'Evanescence'. Feature Film: (UNRATED) Bonus Content Info- Over 90 minutes of Extras: Audio Commentary The Making of a Nightmare Documentary Gag Reel Deleted and Extended Scenes Alternate Ending Harvest Music Video by Rebel Flesh All Hallow s Eve short film World Wide Weird London premiere reactions Trailers Commercials Original storybook Reversible cover artwork by Marc Schoenbach and Graham Humphreys Number of Discs: 1 Single Layer Blu-ray Disc (25GB) Region Free Unrated/Color/16:9 Widescreen/80 Mins Subtitles: Spanish Review My favorite time of the year is the haunting season and every September I begin to get antsy while looking at the calendar and counting down the days to October 1st. Like most of you I've been sweating the end of summer heat and begging for something to take me away to the cherished burning leaf smell of October. Thank the dark lords for Justin Seaman's The Barn. Set on Halloween in 1989, The Barn is a love letter to everything that there is to love and fear on Halloween night. The movie opens with a flashback sequence to Halloween 1959 and the community of Wheary Falls is in full on Halloween celebratory mode. The kids gather at the local church for a word from the pastor and are then off to the local harvest hootenanny. Of course, two kids can t follow the All Hallows Eve rules which include staying away from a certain barn. Flash forward thirty years and we re thrown full force into the world of Sam and Josh, two seventeen year old s who live for Halloween and all the joys it brings. Sam (Mitchell Musolino) is the embodiment of everyone who builds haunts in their parent s garages and basks in the offerings of the holiday. Josh (Will Stout) is his lifelong best friend who since the loss of his father earlier in the year hasn t really been the same. After one of their pranks on Ms. Barnhart played by scream queen Linnea Quigley goes too far the boys are faced with the realization that this is the last year of unabashed Halloween fun that they will ever get to have. When their favorite metal band announces on the local rock show hosted by Dr. Rock that they are performing a special Halloween night concert, Sam and Josh decide that they have no choice but to go to the concert and cement themselves as local Halloween legends.They gather up some friends and hit the road bound for the concert. After taking a shortcut they end up in Wheary Falls and smack dab in front of the titular Barn that holds legendary evils. Being a horror movie set on Halloween you know the demons will be unleashed on this group of teenagers as well as the unsuspecting townsfolk. The aftermath of which will never be forgotten by those that live to tell the tale. There are countless horror films set on Halloween, very few actually capture and imbue the spirit the way The Barn does. Justin Seaman brilliantly captures every minute detail from the brilliant script and set design to the amazing soundtrack of the film that really transports you into proceedings. The cast are all brilliant and play the parts to the tilt. Lexi Dripps portrayal of Michelle is one of the best girl next door type performances that I've seen in the genre in quite a while and ranks up there with Phoebe Cates in Gremlins. The demons that terrorize our protagonists are a perfect mesh of 80's kitsch and old school monster magazine masks. I can easily see these villains becoming popular Halloween costumes for years to come. The cast and crew of The Barn put everything they had into creating a film that will bring the Halloween spirit into your heart at any time of the year and honestly that s all that we as horror fans can ask for. The Barn comes with my highest recommendation. --Tom Holland's Terror Time The Barn is a love letter to monster movies and the campy decade where they reigned supreme, that s as fun as it is bloody! The idea of everything old being new again is hardly a recent development. That being said, the last year in particular has seen throwbacks to the 80's and retro pastiches becoming a rabid obsession of audiences. Material like Stranger Things and The Final Girls have recently connected with people to unbelievable degrees due to their nostalgic love for the era. It s not difficult to see why this portion of the past is experiencing such a resurgence. The 80's are a time where the monster reigned supreme and horror films carried a surprising amount of power over the rest of cinema. So in spite of such a retro love letter hardly being unfamiliar territory, The Barn pulls this off so effortlessly and authentically. It is definitely the strongest example of achieving this throwback horror since Rodriguez and Tarantino's Grindhouse. In fact, The Barn is some of the most fun that I've had at a horror film in a long time. The story that The Barn frames itself around involves a cursed barn that has largely been forgotten about for thirty years. The dangerous legend associated with this relic sees three monsters, The Boogeyman, Hollow Jack, and the Candy Corn Scarecrow, being components of a Halloween curse that surrounds all of this. Cut to 1989, where Sam and Josh, two precocious teens that are a little too gung ho for the holiday, come face-to-face with this deadly curse and the horrors that come along with it. The Barn spends a good deal of time on its characters, with both Sam and Josh being well defined, albeit simple, protagonists. Everyone comes across as a caricature, but in the comforting, intentional way that is fundamental to the 80's. They re given a large posse of friends to play with, which allows for the film to have a rather expendable death count, which is the right direction for this sort of film. You need to see those silly, over the top death sequences. As their friends begin dying around them, The Barn continues to bank on Sam and Josh s friendship. There is actually believable, compelling chemistry between the two leads that gives this film a healthy, necessary energy to drive it forward. One of the aspects that makes all of this work so well is Sam s deep love for Halloween. He pushes across an infectious obsession with the holiday that frequently had me thinking about Matthew Lillard in Scream. He s frequently bringing up these rules for Halloween that he s created and each one of them is a real delight. Sam treats Halloween like a religion and this approach ends up being really beautiful. Add to that the fact that Sam and Josh are about to graduate high school with this being their last opportunity to trick or treat and paint the town blood red. A nice touch that director, Justin M. Seaman, utilizes with the film s supporting cast, like Sam s Dad or Ms. Barnhart, is that these people are giving performances right out of the Tim and Eric School of Acting. These characters pause at the wrong moments in sentences and make bizarre enunciation choices as if they re completely out of their element. Again, all of this is done to play into the campiness and hammy nature of horror performances circa the 80's but the film nails this aspect especially well. This is something that s really hard to do effectively without it going too far in either direction. These performances are wonderfully wrong in the right sort of way, if that makes sense. You re absolutely laughing with the film rather than at it. It s in on this treat. --Bloody-Disgusting If you were one of the multitudes of horror aficionados that cut their teeth on the abundance of VHS chillers back in the mid-80's, then you've got to be overjoyed with the plethora of throwback flicks that have been unleashed over the course of the last few years. To remember such plastic-cased classics is a thing of beauty, and to revisit them is even more special, but the notion of a tribute to those films that entertained us is a whole other beast, entirely. Allow me to introduce the latest barbarian into the fray: The Barn from director Justin M. Seaman, and suffice it to say, it s beginning to feel a lot like 1989. The opener of this one takes us back to Halloween 1959, and the setting is Wheary Falls, a small town with a large backing from the local church, and the annual hootenanny is underway, and all that s asked of the party goers from the pastor is that they BY ALL MEANS, stay clear of the abandoned barn on the other side of town. Now you honestly didn't think that everyone was going to take the holy man s words to heart, did you? Here s where things get interesting (without giving any spoilers away)- what happens at the front door to the barn to a young kid is masterful, and this is not by any means me cementing myself as a sadistic bastard, but to pull off what Seaman does within the first 4 minutes is not only ballsy and unapologetic, but it sets a tone for the rest of the film. Flash-forward to good old 1989, and the town s biggest Halloween celebrators, Sam and Josh are doing what they enjoy every Autumn: scaring the cheez-whiz out of the locals and making every Debbie downer in town angry. Their friendship has stood the test of Josh s father s passing, and together they compliment each other s twisted sense of humor. When a seemingly harmless prank goes terribly wrong, the two have it broken down to them that their days of jerking around MUST come to an abrupt end. As the impending thoughts of a stagnant existence overwhelm the two, their hopes are somewhat realigned with the news that their favorite heavy metal band will be playing a one-night only show on you guessed it, Halloween. So with a group of pals in tow, the gathering decides that a shortcut to the show is the best route (which it never is), and damned to all hell, wouldn't you know where the shortcut drops our collection of misguided adolescents? yep, right at the doors of the barn itself. Seems the legends of the barn s inhabitants, The Boogeyman, Hallowed Jack and The Candycorn Scarecrow aren't just tall tales after all these creepy suckers are violent, unrepentant, and just not in the Halloween mood. Supported by a couple of entertaining cameos from Linnea Quigley and Ari Lehman, the cast does an admirable job in pulling off performances that are effectually cheesy and fitting for a movie such as this. Oh, and fans of gore? I sincerely hope you brought the biggest damn plastic pumpkin you could find to this film s doorstep, cause it s going to get filled to the brim with enough blood and guts to keep you fed for weeks after screw the candy, viscera s where it s at! There s even a few decent-sized laughs sprayed around in this one to keep things a little bit light from time to time. Overall, I can without a doubt recommend The Barn to everyone looking for a fun, retro trip back to the days of grainy, low-budgeted horror yanked directly off the racks of your local video rental shop this one will sit firmly entrenched in my top 5 of the best horror films for 2016. Available NOW on both DVD and VHS from the barn merch. com hell, there s all sorts of goodies available for your last minute X-Mas shopping, so get on over and pick up a little something for the demented ones in your life! --Dread Central Top About this item Similar From the Brand Reviews The Barn - Special Edition [Blu-ray]

Release: June 23, 2020

$7.99

Description

Passion brews quietly between an artist and her subject, until they together create a space in which it can briefly flourish, in this sumptuous eighteenth-century romance from Céline Sciamma, one of contemporary French cinema’s most acclaimed auteurs. Summoned to an isolated seaside estate on a secret assignment, Marianne (Noémie Merlant) must find a way to paint a wedding portrait of Héloïse (Adèle Haenel), who is resisting chattel marriage, by furtively observing her. What unfolds in exquisite tension is an exchange of sustained gazes in which the two women come to know each other’s gestures, expressions, and bodies with rapturous intimacy, ultimately forging a subversive creative collaboration as well as a delirious romance. Charged with a yearning that almost transcends time and space, Portrait of a Lady on Fire mines the emotional and artistic possibilities that emerge when women can freely live together and look at one another in a world without men DIRECTOR-APPROVED SPECIAL EDITION BLU-RAY FEATURES • New 4K digital master, with 5.1 surround DTS-HD Master Audio soundtrack • New conversation between director Céline Sciamma and film critic Dana Stevens • New interviews with actors Adèle Haenel and Noémie Merlant • Interview with cinematographer Claire Mathon from the 2019 Cannes Film Festival • Interview from 2019 with artist Hélène Delmaire on creating the paintings for the film, along with behind-the-scenes footage • New English subtitle translation • PLUS: An essay by film critic Ela Bittencourt.

Release: October 24, 2017

$7.99

Description

Product Description It s Halloween 1989 and best friends Sam and Josh are just trying to enjoy their last Devil s Night before graduating high school. Trouble soon arises when the two pals and a group of friends take a detour on their way to a rock concert, finding an old abandoned barn and awakening the evil inside. Now it s up to Sam and Josh to find a way to protect their friends and defeat the creatures that lurk within The Barn... The film stars Mitchell Musolino, Will Stout, Lexi Dripps, Cortland Woodard, Nikki Darling, Nickolaus Joshua with Linnea Quigley (Night of the Demons and Return of the Living Dead) and Ari Lehman (the first Jason Voorhees from Friday the 13th ). Featuring an original score by Rocky Gray the former member of Grammy award-winning goth/rock group 'Evanescence'. Feature Film: (UNRATED) Bonus Content Info- Over 90 minutes of Extras: Audio Commentary The Making of a Nightmare Documentary Gag Reel Deleted and Extended Scenes Alternate Ending Harvest Music Video by Rebel Flesh All Hallow s Eve short film World Wide Weird London premiere reactions Trailers Commercials Original storybook Reversible cover artwork by Marc Schoenbach and Graham Humphreys Number of Discs: 1 Single Layer Blu-ray Disc (25GB) Region Free Unrated/Color/16:9 Widescreen/80 Mins Subtitles: Spanish Review My favorite time of the year is the haunting season and every September I begin to get antsy while looking at the calendar and counting down the days to October 1st. Like most of you I've been sweating the end of summer heat and begging for something to take me away to the cherished burning leaf smell of October. Thank the dark lords for Justin Seaman's The Barn. Set on Halloween in 1989, The Barn is a love letter to everything that there is to love and fear on Halloween night. The movie opens with a flashback sequence to Halloween 1959 and the community of Wheary Falls is in full on Halloween celebratory mode. The kids gather at the local church for a word from the pastor and are then off to the local harvest hootenanny. Of course, two kids can t follow the All Hallows Eve rules which include staying away from a certain barn. Flash forward thirty years and we re thrown full force into the world of Sam and Josh, two seventeen year old s who live for Halloween and all the joys it brings. Sam (Mitchell Musolino) is the embodiment of everyone who builds haunts in their parent s garages and basks in the offerings of the holiday. Josh (Will Stout) is his lifelong best friend who since the loss of his father earlier in the year hasn t really been the same. After one of their pranks on Ms. Barnhart played by scream queen Linnea Quigley goes too far the boys are faced with the realization that this is the last year of unabashed Halloween fun that they will ever get to have. When their favorite metal band announces on the local rock show hosted by Dr. Rock that they are performing a special Halloween night concert, Sam and Josh decide that they have no choice but to go to the concert and cement themselves as local Halloween legends.They gather up some friends and hit the road bound for the concert. After taking a shortcut they end up in Wheary Falls and smack dab in front of the titular Barn that holds legendary evils. Being a horror movie set on Halloween you know the demons will be unleashed on this group of teenagers as well as the unsuspecting townsfolk. The aftermath of which will never be forgotten by those that live to tell the tale. There are countless horror films set on Halloween, very few actually capture and imbue the spirit the way The Barn does. Justin Seaman brilliantly captures every minute detail from the brilliant script and set design to the amazing soundtrack of the film that really transports you into proceedings. The cast are all brilliant and play the parts to the tilt. Lexi Dripps portrayal of Michelle is one of the best girl next door type performances that I've seen in the genre in quite a while and ranks up there with Phoebe Cates in Gremlins. The demons that terrorize our protagonists are a perfect mesh of 80's kitsch and old school monster magazine masks. I can easily see these villains becoming popular Halloween costumes for years to come. The cast and crew of The Barn put everything they had into creating a film that will bring the Halloween spirit into your heart at any time of the year and honestly that s all that we as horror fans can ask for. The Barn comes with my highest recommendation. --Tom Holland's Terror Time The Barn is a love letter to monster movies and the campy decade where they reigned supreme, that s as fun as it is bloody! The idea of everything old being new again is hardly a recent development. That being said, the last year in particular has seen throwbacks to the 80's and retro pastiches becoming a rabid obsession of audiences. Material like Stranger Things and The Final Girls have recently connected with people to unbelievable degrees due to their nostalgic love for the era. It s not difficult to see why this portion of the past is experiencing such a resurgence. The 80's are a time where the monster reigned supreme and horror films carried a surprising amount of power over the rest of cinema. So in spite of such a retro love letter hardly being unfamiliar territory, The Barn pulls this off so effortlessly and authentically. It is definitely the strongest example of achieving this throwback horror since Rodriguez and Tarantino's Grindhouse. In fact, The Barn is some of the most fun that I've had at a horror film in a long time. The story that The Barn frames itself around involves a cursed barn that has largely been forgotten about for thirty years. The dangerous legend associated with this relic sees three monsters, The Boogeyman, Hollow Jack, and the Candy Corn Scarecrow, being components of a Halloween curse that surrounds all of this. Cut to 1989, where Sam and Josh, two precocious teens that are a little too gung ho for the holiday, come face-to-face with this deadly curse and the horrors that come along with it. The Barn spends a good deal of time on its characters, with both Sam and Josh being well defined, albeit simple, protagonists. Everyone comes across as a caricature, but in the comforting, intentional way that is fundamental to the 80's. They re given a large posse of friends to play with, which allows for the film to have a rather expendable death count, which is the right direction for this sort of film. You need to see those silly, over the top death sequences. As their friends begin dying around them, The Barn continues to bank on Sam and Josh s friendship. There is actually believable, compelling chemistry between the two leads that gives this film a healthy, necessary energy to drive it forward. One of the aspects that makes all of this work so well is Sam s deep love for Halloween. He pushes across an infectious obsession with the holiday that frequently had me thinking about Matthew Lillard in Scream. He s frequently bringing up these rules for Halloween that he s created and each one of them is a real delight. Sam treats Halloween like a religion and this approach ends up being really beautiful. Add to that the fact that Sam and Josh are about to graduate high school with this being their last opportunity to trick or treat and paint the town blood red. A nice touch that director, Justin M. Seaman, utilizes with the film s supporting cast, like Sam s Dad or Ms. Barnhart, is that these people are giving performances right out of the Tim and Eric School of Acting. These characters pause at the wrong moments in sentences and make bizarre enunciation choices as if they re completely out of their element. Again, all of this is done to play into the campiness and hammy nature of horror performances circa the 80's but the film nails this aspect especially well. This is something that s really hard to do effectively without it going too far in either direction. These performances are wonderfully wrong in the right sort of way, if that makes sense. You re absolutely laughing with the film rather than at it. It s in on this treat. --Bloody-Disgusting If you were one of the multitudes of horror aficionados that cut their teeth on the abundance of VHS chillers back in the mid-80's, then you've got to be overjoyed with the plethora of throwback flicks that have been unleashed over the course of the last few years. To remember such plastic-cased classics is a thing of beauty, and to revisit them is even more special, but the notion of a tribute to those films that entertained us is a whole other beast, entirely. Allow me to introduce the latest barbarian into the fray: The Barn from director Justin M. Seaman, and suffice it to say, it s beginning to feel a lot like 1989. The opener of this one takes us back to Halloween 1959, and the setting is Wheary Falls, a small town with a large backing from the local church, and the annual hootenanny is underway, and all that s asked of the party goers from the pastor is that they BY ALL MEANS, stay clear of the abandoned barn on the other side of town. Now you honestly didn't think that everyone was going to take the holy man s words to heart, did you? Here s where things get interesting (without giving any spoilers away)- what happens at the front door to the barn to a young kid is masterful, and this is not by any means me cementing myself as a sadistic bastard, but to pull off what Seaman does within the first 4 minutes is not only ballsy and unapologetic, but it sets a tone for the rest of the film. Flash-forward to good old 1989, and the town s biggest Halloween celebrators, Sam and Josh are doing what they enjoy every Autumn: scaring the cheez-whiz out of the locals and making every Debbie downer in town angry. Their friendship has stood the test of Josh s father s passing, and together they compliment each other s twisted sense of humor. When a seemingly harmless prank goes terribly wrong, the two have it broken down to them that their days of jerking around MUST come to an abrupt end. As the impending thoughts of a stagnant existence overwhelm the two, their hopes are somewhat realigned with the news that their favorite heavy metal band will be playing a one-night only show on you guessed it, Halloween. So with a group of pals in tow, the gathering decides that a shortcut to the show is the best route (which it never is), and damned to all hell, wouldn't you know where the shortcut drops our collection of misguided adolescents? yep, right at the doors of the barn itself. Seems the legends of the barn s inhabitants, The Boogeyman, Hallowed Jack and The Candycorn Scarecrow aren't just tall tales after all these creepy suckers are violent, unrepentant, and just not in the Halloween mood. Supported by a couple of entertaining cameos from Linnea Quigley and Ari Lehman, the cast does an admirable job in pulling off performances that are effectually cheesy and fitting for a movie such as this. Oh, and fans of gore? I sincerely hope you brought the biggest damn plastic pumpkin you could find to this film s doorstep, cause it s going to get filled to the brim with enough blood and guts to keep you fed for weeks after screw the candy, viscera s where it s at! There s even a few decent-sized laughs sprayed around in this one to keep things a little bit light from time to time. Overall, I can without a doubt recommend The Barn to everyone looking for a fun, retro trip back to the days of grainy, low-budgeted horror yanked directly off the racks of your local video rental shop this one will sit firmly entrenched in my top 5 of the best horror films for 2016. Available NOW on both DVD and VHS from the barn merch. com hell, there s all sorts of goodies available for your last minute X-Mas shopping, so get on over and pick up a little something for the demented ones in your life! --Dread Central Top About this item Similar From the Brand Reviews The Barn - Special Edition [Blu-ray]

Release: June 13, 2023

$7.99

Description

Product Description WINNER OF 4 ACADEMY AWARDS® INCLUDING BEST PICTURE! Dustin Hoffman (Meet the Fockers) is a “triumph” (People) in an Oscar®-Winning* role, and Tom Cruise (Top Gun: Maverick) delivers the “best acting of his career [in a film that’s] fascinating, touching and full of smart surprises” (Newsweek). Charlie Babbitt (Cruise) has just discovered he has an autistic brother named Raymond (Hoffman) and is now taking him on the ride of his life. Or is it the other way around? From his refusal to drive on major highways to a “four minutes to Wapner “ meltdown at an Oklahoma farmhouse, Raymond first pushes hot-headed Charlie to limits of his patience… and then pulls him completely out of his self-centered world. But what begins as an unsentimental journey for the Babbitt brothers becomes much more than the distance between two places. It’s a connection between two vastly different people… and “a poignant profound and powerful film” (Joel Siegel, ABC-TV). *1988, Best Actor SPECIAL FEATURES: DISC ONE: 4K ULTRA HD DISC 2023 4K restoration (16-Bit Scan of the Original Camera Negative) approved by director Barry Levinson and presented in its original 1.85:1 Aspect Ratio in Dolby Vision / HDR English 5.1 DTS-HD Master Audio, French 5.1 DTS-HD Master Audio, Spanish Mono Optional English Subtitles Audio Commentary by Director Barry Levinson Audio Commentary by Writer Barry Morrow Audio Commentary by Writer Ronald Bass Original Theatrical Trailer (HD, 2:13) DISC TWO: BLU-RAY DISC Brand New 2023 HD (1080p) restoration of the main feature approved by director Barry Levinson presented in 1.85:1 aspect ratio. Audio Commentary by Director Barry Levinson Audio Commentary by Writer Barry Morrow Audio Commentary by Writer Ronald Bass English 5.1 DTS-HD Master Audio, French 5.1 DTS-HD Master Audio, Spanish Mono Optional English Subtitles, Spanish Subtitles, French Subtitles ‘The Journey of Rain Man’ featurette (SD, 22:07) ‘Lifting the Fog: A Look at the Mysteries of Autism’ featurette (SD, 20:13) Deleted Scene (SD, 2:10) Original Theatrical Trailer (HD, 2:13) * Special Features may not be rated, closed captioned or in high definition and are subject to change. Review Under Barry Levinson's astringent direction, Hoffman and Cruise evoke honestly earned emotions. Don't pass on this wonderfully funny and touching movie. There's magic in it. --Pete Travers, People Magazine I found that the Ultra HD presentation of Rain Man allows its attributes to be fully realized in a way that perhaps it hadn’t been before on home video.... Makes for a solid improvement over the previous 1080p release... I am pleased to own it on Ultra HD Blu-ray, and, consider it to be a worthwhile upgrade for fans." --Ralph Potts, AVS Forum A classic from the late 1980s that still holds up well, contains brilliant performances, and delicate direction from Barry Levinson. This new 4K restoration presents the film looking arguably as good or better than it ever has. --Brandon A. Duhamel, TheaterByte.com

Release: August 13, 2019

$6.99

Description

Rizzio Sur La Chou is based on a novel by the legendary writer Augusta Le Breton (Raffia, Bob Le Flambeau) with direction by Henri Deco in (One Step to Eternity) — After a spell in the U. S. A. , master criminal Henri Ferro did ‘Le Nantes’ (Jean Gabon, Touches Pas Au Grimsby) returns to Paris and is recruited by Paul Laski (Marcel Dali, To Have and Have Not), head of a major narcotics ring, to oversee and improve the efficiency of their distribution. Merchandise has been disappearing and unreliable dealers must be eliminated. For the latter, Henri is assigned two hitmen, Roger le Catalan (Lion Ventura, The Sicilian Clan) and Bibi (Albert Remy, The Train). Released as Rizzio in the U. S. , Rizzio Sur La Chou thrillingly explores the criminal underworld of 1950s Paris. Special Features: -Audio Commentary by Film Critic Nick Pinkerton -Theatrical Trailer Top About this item Similar From the Brand Reviews Razzia Sur La Chnouf [Blu-ray]

Release: May 30, 2017

$8.99(Not Free for Subscribers)

Description

Product Description Martin Scorsese's World Cinema Project No. 2 (Criterion Collection) blu-ray Established by Martin Scorsese in 2007, the Film Foundation’s World Cinema Project has maintained a passionate commitment to preserving and presenting masterpieces from around the globe, with a growing roster of more than two dozen restorations that have introduced moviegoers to often-overlooked areas of cinema history. This collector’s set gathers six important works, from the Philippines (Insiang), Thailand (Mysterious Object at Noon), Soviet Kazakhstan (Revenge), Brazil (Limite), Turkey (Law of the Border), and Taiwan (Taipei Story). Each title is an essential contribution to the art form and a window onto a filmmaking tradition that international audiences previously had limited opportunities to experience. DUAL-FORMAT BLU-RAY AND DVD SPECIAL EDITION FEATURES 2K, 3K, or 4K digital restorations of all six films, presented courtesy of the World Cinema Project in collaboration with the Cineteca di Bologna, with uncompressed monaural soundtracks on the Blu-rays Remastered digital soundtrack of Limite created almost entirely from archival recordings of the same musical performances director Mário Peixote and his musical arranger Brutus Pedreira originally selected to accompany the film, presented in uncompressed monaural sound on the Blu-ray New introductions to the films by World Cinema Project founder Martin Scorsese New interview programs featuring film historian Pierre Rissient (on Insiang), director Apichatpong Weerasethakul (on Mysterious Object at Noon), director Ermek Shinarbaev (on Revenge), filmmaker Walter Salles (on Limite), producer Mevlüt Akkaya (on Law of the Border), and actor and cowriter Hou Hsiao-hsien with filmmaker Edmond Wong (on Taipei Story) Updated English subtitle translations Three Blu-rays and six DVDs, with all content available in both formats PLUS: A booklet featuring essays by Phillip Lopate, Dennis Lim, Kent Jones, Fábio Andrade, Bilge Ebiri, and Andrew Chan INSIANG - Jealousy and violence take center stage in the sweltering, claustrophobic melodrama Insiang, a beautifully acted and tautly constructed character study set in the slums of Manila. Director Lino Brocka crafts an eviscerating portrait of women scorned, led by Filipina stars Hilda Koronel and Mona Lisa, who portray an innocent daughter and her bitter mother. Insiang (Koronel) leads a quiet life dominated by household duties, but after she is raped by her mother’s brutish lover and abandoned by the young man who claims to care for her, she exacts vicious revenge. A savage commentary on the degradation of urban social conditions under modern capitalism, Insiang introduced Filipino cinema to international audiences by being the first film from the country ever to play at Cannes. MYSTERIOUS OBJECT AT NOON - As a recent film-school graduate, Apichatpong Weerasethakul brought an appetite for experimentation to Thai cinema with this debut feature, an uncategorizable work that refracts documentary impressions of the director’s native country through the concept of the exquisite corpse game. Enlisting locals to contribute their own improvised narration to a simple tale, Apichatpong charts the collective construction of the fiction as each new encounter imbues it with unpredictable shades of fantasy and pathos. Shot over the course of two years in 16 mm black and white, this playful investigation of the art of storytelling established the fascination with the porous boundaries between the real and the imagined that the director has continued to explore. REVENGE - Early in the twentieth century, a child is raised in Korea with a single purpose: to avenge the death of his father’s first child. This is the crux of Revenge, a decades-spanning tale of obsession and violence, and the third collaboration between director Ermek Shinarbaev and writer Anatoli Kim. As much about Eastern philosophy and poetry as it is about everyday acts of evil, this haunting allegory was the first Soviet film to look at the Korean diaspora in Kazakhstan and Central Asia, and a founding work of the Kazakh New Wave. Rigorous and psychologically complex, Revenge weaves together luminous color imagery and inventive narrative elements in its unforgettable meditation on the way trauma can be passed down through generations. LIMITE - An astonishing work of creative expression, Limite is the sole feature by the Brazilian filmmaker and author Mário Peixoto, made when he was just twenty-two years old. Inspired by a haunting André Kertész photograph Peixoto saw on the cover of a French magazine, this avant-garde silent masterpiece centers on a man and two women lost at sea, their pasts unfolding through meticulously orchestrated flashbacks propelled by the music of Erik Satie, Claude Debussy, Igor Stravinsky, and others. One of the earliest works of independent Latin American filmmaking, Limite was for most of the twentieth century famously difficult to see. It is a pioneering achievement of Brazilian cinema that continues to captivate with its timeless visual poetry. LAW OF THE BORDER - Set along the Turkish-Syrian frontier, this terse, elemental tale of smugglers contending with a changing social landscape brought together two giants of Turkish cinema. Director Lütfi Ö. Akad had already made some of his country’s most notable films when he was approached by Yilmaz Güney—a rising action star who would become Turkey’s most important and controversial filmmaker—to collaborate on this neo-western about a quiet man who finds himself pitted against his fellow outlaws. Combining documentary authenticity with a tough, lean poetry, Law of the Border transformed the nation’s cinema forever—even though it was virtually impossible to see for many years. TAIPEI STORY - Edward Yang’s second feature is a mournful anatomy of a city caught between the past and the present. Made in collaboration with Yang’s fellow New Taiwan Cinema master Hou Hsiao-hsien, who cowrote the screenplay and helped finance the project, Taipei Story chronicles the growing estrangement between a washed-up baseball player (Hou, in a rare on-screen performance) working in his family’s textile business and his girlfriend (pop star Tsai Chin), who clings to the upward mobility of her career in property development. As the couple’s dreams of marriage and emigration begin to unravel, Yang’s gaze illuminates the precariousness of domestic life and the desperation of Taiwan’s globalized modernity. FEATURES: Language: Cantonese, Russian Subtitles: English Number of discs: 9 Run Time: 588 minutes Review Established by Martin Scorsese in 2007, the Film Foundation’s World Cinema Project has maintained a passionate commitment to preserving and presenting masterpieces from around the globe, with a growing roster of more than two dozen restorations that have introduced moviegoers to often-overlooked areas of cinema history. This collector’s set gathers six important works, from the Philippines (Insiang), Thailand (Mysterious Object at Noon), Soviet Kazakhstan (Revenge), Brazil (Limite), Turkey (Law of the Border), and Taiwan (Taipei Story). Each title is an essential contribution to the art form and a window onto a filmmaking tradition that international audiences previously had limited opportunities to experience. DUAL-FORMAT BLU-RAY AND DVD SPECIAL EDITION FEATURES - 2K, 3K, or 4K digital restorations of all six films, presented courtesy of the World Cinema Project in collaboration with the Cineteca di Bologna, with uncompressed monaural soundtracks on the Blu-rays - Remastered digital soundtrack of Limite created almost entirely from archival recordings of the same musical performances director Mário Peixote and his musical arranger Brutus Pedreira originally selected to accompany the film, presented in uncompressed monaural sound on the Blu-ray - New introductions to the films by World Cinema Project founder Martin Scorsese - New interview programs featuring film historian Pierre Rissient (on Insiang), director Apichatpong Weerasethakul (on Mysterious Object at Noon), director Ermek Shinarbaev (on Revenge), filmmaker Walter Salles (on Limite), producer Mevlüt Akkaya (on Law of the Border), and actor and cowriter Hou Hsiao-hsien with filmmaker Edmond Wong (on Taipei Story) - Updated English subtitle translations - Three Blu-rays and six DVDs, with all content available in both formats - PLUS: A booklet featuring essays by Phillip Lopate, Dennis Lim, Kent Jones, Fábio Andrade, Bilge Ebiri, and Andrew Chan INSIANG Jealousy and violence take center stage in the sweltering, claustrophobic melodrama Insiang, a beautifully acted and tautly constructed character study set in the slums of Manila. Director Lino Brocka crafts an eviscerating portrait of women scorned, led by Filipina stars Hilda Koronel and Mona Lisa, who portray an innocent daughter and her bitter mother. Insiang (Koronel) leads a quiet life dominated by household duties, but after she is raped by her mother’s brutish lover and abandoned by the young man who claims to care for her, she exacts vicious revenge. A savage commentary on the degradation of urban social conditions under modern capitalism, Insiang introduced Filipino cinema to international audiences by being the first film from the country ever to play at Cannes. MYSTERIOUS OBJECT AT NOON As a recent film-school graduate, Apichatpong Weerasethakul brought an appetite for experimentation to Thai cinema with this debut feature, an uncategorizable work that refracts documentary impressions of the director’s native country through the concept of the exquisite corpse game. Enlisting locals to contribute their own improvised narration to a simple tale, Apichatpong charts the collective construction of the fiction as each new encounter imbues it with unpredictable shades of fantasy and pathos. Shot over the course of two years in 16 mm black and white, this playful investigation of the art of storytelling established the fascination with the porous boundaries between the real and the imagined that the director has continued to explore. REVENGE Early in the twentieth century, a child is raised in Korea with a single purpose: to avenge the death of his father’s first child. This is the crux of Revenge, a decades-spanning tale of obsession and violence, and the third collaboration between director Ermek Shinarbaev and writer Anatoli Kim. As much about Eastern philosophy and poetry as it is about everyday acts of evil, this haunting allegory was the first Soviet film to look at the Korean diaspora in Kazakhstan and Central Asia, and a founding work of the Kazakh New Wave. Rigorous and psychologically complex, Revenge weaves together luminous color imagery and inventive narrative elements in its unforgettable meditation on the way trauma can be passed down through generations. LIMITE An astonishing work of creative expression, Limite is the sole feature by the Brazilian filmmaker and author Mário Peixoto, made when he was just twenty-two years old. Inspired by a haunting André Kertész photograph Peixoto saw on the cover of a French magazine, this avant-garde silent masterpiece centers on a man and two women lost at sea, their pasts unfolding through meticulously orchestrated flashbacks propelled by the music of Erik Satie, Claude Debussy, Igor Stravinsky, and others. One of the earliest works of independent Latin American filmmaking, Limite was for most of the twentieth century famously difficult to see. It is a pioneering achievement of Brazilian cinema that continues to captivate with its timeless visual poetry. LAW OF THE BORDER Set along the Turkish-Syrian frontier, this terse, elemental tale of smugglers contending with a changing social landscape brought together two giants of Turkish cinema. Director Lütfi Ö. Akad had already made some of his country’s most notable films when he was approached by Yilmaz Güney—a rising action star who would become Turkey’s most important and controversial filmmaker—to collaborate on this neo-western about a quiet man who finds himself pitted against his fellow outlaws. Combining documentary authenticity with a tough, lean poetry, Law of the Border transformed the nation’s cinema forever—even though it was virtually impossible to see for many years. TAIPEI STORY Edward Yang’s second feature is a mournful anatomy of a city caught between the past and the present. Made in collaboration with Yang’s fellow New Taiwan Cinema master Hou Hsiao-hsien, who cowrote the screenplay and helped finance the project, Taipei Story chronicles the growing estrangement between a washed-up baseball player (Hou, in a rare on-screen performance) working in his family’s textile business and his girlfriend (pop star Tsai Chin), who clings to the upward mobility of her career in property development. As the couple’s dreams of marriage and emigration begin to unravel, Yang’s gaze illuminates the precariousness of domestic life and the desperation of Taiwan’s globalized modernity. Top About this item Similar From the Brand Reviews Martin Scorsese's World Cinema Project No. 2: (Insiang / Mysterious Object at Noon / Revenge / Limite / Law of the Border / Taipei Story) (The Criterion Collection) [Blu-ray+DVD]

Release: November 25, 2025

$6.99

Description

Two-disc set includes: Rhine Virgin (La Vierge Du Rhin) (1953)When the Germans invaded in 1940, Strasbourg shipping company head Jacques Ledru (Jean Gabin) went missing... but his wife Geneviève (Elina Labourdette) and his partner Maurice (Renaud Mary) did very well collaborating and managing the business. After a dozen years, he resurfaced under an assumed name, looking for payback-if they don't deal with him first. Gilles Grangier's compelling take on the Phillipe Nord novel co-stars Andrée Clément, Nadia Gray. 82 min. In French with English subtitles. BW/Rtg: NR The Beast Is Loose (Le Fauve Est Lâché) (1959)Gangster-turned-Resistance hero Paul Lamiani (Lino Ventura) was just trying to make a quiet life as a restaurateur when his nation called again. However, they were looking for him to set up old comrade Raymond Maroux (Paul Frankeur) for alleged theft of intel-and he'd have a three-way battle with his government handlers and crooks who also want the documents. Effective spy story, completed by Claude Sautet after the credited Maurice Labro walked off, co-stars Estella Blain, Nadine Alari. AKA: "The Tiger Attacks." 98 min. In French with English subtitles. BW/Rtg: NR Trapped By Fear (Les Distractions) (1960)Paris journalist Paul Frapier (Jean-Paul Belmondo) would have done anything for Laurent Porte (Claude Brasseur), the Algerian War brother-in-arms who saved his life. He'd get to prove it-perhaps to his everlasting regret-when Laurent begs his help going on the run after being involved in the accidental homicide of a cop. Jacques Dupont's scenic, suspenseful drama also stars Alexandra Stewart, Sylva Koscina, Eva Damien, Mireille Darc. 101 min. In French with English subtitles. BW/Rtg: NR The Passion Of Slow Fire (La Mort de Belle) (1961)Geneva professor Stéphane Blanchon (Jean Desailly) shrugged when his overbearing spouse (Monique Mélinand) offered board to pretty American student, and friend's daughter, Belle Shermann (Alexandra Stewart). There was nothing to shrug off the day that Belle was found strangled on the premises-and his protestations of innocence came up against a community's rush to judgment. Edouard Molinaro's take on the Georges Simeon novel, adapted by Jean Anouilh, co-stars Jacques Monod. 91 min. In French with English subtitles. BW/Rtg: NR Standard and Widescreen; Soundtrack: French; Subtitles: English; audio commentary; theatrical trailers.

Release: June 16, 2020

$7.99

Description

Obsession and fate collide in one of the most controversial, provocative films ever made. The arrival of rugged American sailor Jim (Kris Kristofferson, Pat Garrett & Billy the Kid, Vigilante Force) brings joy and sensual fulfillment to English widow Anne Osborne (Sarah Miles, Ryan’s Daughter, Steaming), but her young son is disturbed by this new intruder and joins a perverse group of fellow students. With its disturbing ending and frank love scenes, this stylish adaptation of the novel by legendary writer Yukio Mishima has become a timeless classic. Screenplay and direction by Lewis John Carlino (The Great Santini), cinematography by Douglas Slocombe (Raiders of the Lost Ark) and music score by Johnny Mandel (M*A*S*H). Special Features: -Brand New 2019 HD Scan of the Original Camera Negative -NEW Interview with Star Sarah Miles -NEW Interview with Writer/Director Lewis John Carlino -NEW Interviews with Crew Members Anthony Wayne, Robin Vidgeon, Graham Attwood and Hugh Harlow -Optional English Subtitles -Dual-Layered BD50 Disc -Trailers

Release: July 11, 2016

$6.99

Description

AN UNHOLY TALISMAN OF MURDER AND MADNESS One of the lesser known entries in the annals of the 80s slasher film, Satan s Blade is an eerie slice of US regional terror ripe for rediscovery by horror fans. Arriving at a snow-capped mountain resort, a group of youngsters are met by the news that a double-murder has taken place there the previous night. Despite this grisly revelation, they decide to stay on, unaware of the knife-wielding figure stalking the wintry landscape... Could the local legend of an ungodly mountain man with a grudge against outsiders have some truth in it? Shot in Big Bear, California in 1980 but not released until 1984, L. Scott Castillo, Jr. s Satan s Blade overcomes the limitations of its shoestring budget with a game cast and all-pervasive, creepy atmosphere - key to which is a freakish nightmare sequence that s sure to inspire more than a few sleepless nights. SPECIAL EDITION CONTENTS Brand new 2K restoration of the film presented in both 1.85:1 and 4:3 (1.37:1) versions High Definition Blu-ray (1080p) and Standard Definition DVD presentations Original Mono audio (uncompressed PCM on the Blu-ray) Optional English subtitles for the deaf and hard of hearing Brand new audio commentary by The Hysteria Continues Interview with writer-director L. Scott Castillo, Jr. Remembering Satan s Blade Castillo narrates a look at various items of Satan s Blade memorabilia Reversible sleeve featuring original and newly commissioned artwork by Matt Ryan Tobin First pressing only: Fully-illustrated collector s booklet featuring new writing on the film by Brian Albright, author of Regional Horror Films, 1958-1990

Release: February 7, 2017

$6.99

Description

Brand New 4K Restoration! International superstars Alain Delon (Le Samouraï), Jean Gabin (Touchez Pas au Grisbi) and Lino Ventura (Le Deuxième Souffle) star in this action-packed thriller that delivers white-knuckle suspense from its exciting opening chase to its thrilling conclusion. Aging Sicilian mobster Vittorio Manalese (Gabin) springs master thief and hit man Roger Sartet (Delon) from prison so he can help him pull off the most ambitious heist of his illustrious career, which includes hijacking a New York bound plane and transporting 50 million dollars in jewels. But after the audacious crime, Sartet betrays the crime boss and the two partners in crime become engaged in a tense game of cat-and-mouse and a no-holds-barred battle of wit and bravado. Wonderfully directed by Henri Verneuil (Any Number Can Win), who also co-wrote the screenplay with José Giovanni (Classe Tous Risques) and Pierre Pelegri (The Last Adventure), based on a novel by Auguste Le Breton (Rififi, Bob le Flambeur). Two of the film's other best features are the stunning cinematography by Henri Decaë (Le Cercle Rouge) and original musical score by the legendary Ennio Morricone (The Good, the Bad and the Ugly). SPECIAL FEATURES: 4K Restoration of the English Langauge Cut 2K Restoration of the International Cut Legend of the Clan - Featurette (1:03:33) Audio commentary by Film Historians Howard S. Berger and Nathaniel Thompson The Sicilian Clan by Fred Cavaye (4:15) Animated Montage of Images French and US Theatrical Trailers

Release: October 24, 2017

$6.99

Description

Product Description It s Halloween 1989 and best friends Sam and Josh are just trying to enjoy their last Devil s Night before graduating high school. Trouble soon arises when the two pals and a group of friends take a detour on their way to a rock concert, finding an old abandoned barn and awakening the evil inside. Now it s up to Sam and Josh to find a way to protect their friends and defeat the creatures that lurk within The Barn... The film stars Mitchell Musolino, Will Stout, Lexi Dripps, Cortland Woodard, Nikki Darling, Nickolaus Joshua with Linnea Quigley (Night of the Demons and Return of the Living Dead) and Ari Lehman (the first Jason Voorhees from Friday the 13th ). Featuring an original score by Rocky Gray the former member of Grammy award-winning goth/rock group 'Evanescence'. Feature Film: (UNRATED) Bonus Content Info- Over 90 minutes of Extras: Audio Commentary The Making of a Nightmare Documentary Gag Reel Deleted and Extended Scenes Alternate Ending Harvest Music Video by Rebel Flesh All Hallow s Eve short film World Wide Weird London premiere reactions Trailers Commercials Original storybook Reversible cover artwork by Marc Schoenbach and Graham Humphreys Number of Discs: 1 Single Layer Blu-ray Disc (25GB) Region Free Unrated/Color/16:9 Widescreen/80 Mins Subtitles: Spanish Review My favorite time of the year is the haunting season and every September I begin to get antsy while looking at the calendar and counting down the days to October 1st. Like most of you I've been sweating the end of summer heat and begging for something to take me away to the cherished burning leaf smell of October. Thank the dark lords for Justin Seaman's The Barn. Set on Halloween in 1989, The Barn is a love letter to everything that there is to love and fear on Halloween night. The movie opens with a flashback sequence to Halloween 1959 and the community of Wheary Falls is in full on Halloween celebratory mode. The kids gather at the local church for a word from the pastor and are then off to the local harvest hootenanny. Of course, two kids can t follow the All Hallows Eve rules which include staying away from a certain barn. Flash forward thirty years and we re thrown full force into the world of Sam and Josh, two seventeen year old s who live for Halloween and all the joys it brings. Sam (Mitchell Musolino) is the embodiment of everyone who builds haunts in their parent s garages and basks in the offerings of the holiday. Josh (Will Stout) is his lifelong best friend who since the loss of his father earlier in the year hasn t really been the same. After one of their pranks on Ms. Barnhart played by scream queen Linnea Quigley goes too far the boys are faced with the realization that this is the last year of unabashed Halloween fun that they will ever get to have. When their favorite metal band announces on the local rock show hosted by Dr. Rock that they are performing a special Halloween night concert, Sam and Josh decide that they have no choice but to go to the concert and cement themselves as local Halloween legends.They gather up some friends and hit the road bound for the concert. After taking a shortcut they end up in Wheary Falls and smack dab in front of the titular Barn that holds legendary evils. Being a horror movie set on Halloween you know the demons will be unleashed on this group of teenagers as well as the unsuspecting townsfolk. The aftermath of which will never be forgotten by those that live to tell the tale. There are countless horror films set on Halloween, very few actually capture and imbue the spirit the way The Barn does. Justin Seaman brilliantly captures every minute detail from the brilliant script and set design to the amazing soundtrack of the film that really transports you into proceedings. The cast are all brilliant and play the parts to the tilt. Lexi Dripps portrayal of Michelle is one of the best girl next door type performances that I've seen in the genre in quite a while and ranks up there with Phoebe Cates in Gremlins. The demons that terrorize our protagonists are a perfect mesh of 80's kitsch and old school monster magazine masks. I can easily see these villains becoming popular Halloween costumes for years to come. The cast and crew of The Barn put everything they had into creating a film that will bring the Halloween spirit into your heart at any time of the year and honestly that s all that we as horror fans can ask for. The Barn comes with my highest recommendation. --Tom Holland's Terror Time The Barn is a love letter to monster movies and the campy decade where they reigned supreme, that s as fun as it is bloody! The idea of everything old being new again is hardly a recent development. That being said, the last year in particular has seen throwbacks to the 80's and retro pastiches becoming a rabid obsession of audiences. Material like Stranger Things and The Final Girls have recently connected with people to unbelievable degrees due to their nostalgic love for the era. It s not difficult to see why this portion of the past is experiencing such a resurgence. The 80's are a time where the monster reigned supreme and horror films carried a surprising amount of power over the rest of cinema. So in spite of such a retro love letter hardly being unfamiliar territory, The Barn pulls this off so effortlessly and authentically. It is definitely the strongest example of achieving this throwback horror since Rodriguez and Tarantino's Grindhouse. In fact, The Barn is some of the most fun that I've had at a horror film in a long time. The story that The Barn frames itself around involves a cursed barn that has largely been forgotten about for thirty years. The dangerous legend associated with this relic sees three monsters, The Boogeyman, Hollow Jack, and the Candy Corn Scarecrow, being components of a Halloween curse that surrounds all of this. Cut to 1989, where Sam and Josh, two precocious teens that are a little too gung ho for the holiday, come face-to-face with this deadly curse and the horrors that come along with it. The Barn spends a good deal of time on its characters, with both Sam and Josh being well defined, albeit simple, protagonists. Everyone comes across as a caricature, but in the comforting, intentional way that is fundamental to the 80's. They re given a large posse of friends to play with, which allows for the film to have a rather expendable death count, which is the right direction for this sort of film. You need to see those silly, over the top death sequences. As their friends begin dying around them, The Barn continues to bank on Sam and Josh s friendship. There is actually believable, compelling chemistry between the two leads that gives this film a healthy, necessary energy to drive it forward. One of the aspects that makes all of this work so well is Sam s deep love for Halloween. He pushes across an infectious obsession with the holiday that frequently had me thinking about Matthew Lillard in Scream. He s frequently bringing up these rules for Halloween that he s created and each one of them is a real delight. Sam treats Halloween like a religion and this approach ends up being really beautiful. Add to that the fact that Sam and Josh are about to graduate high school with this being their last opportunity to trick or treat and paint the town blood red. A nice touch that director, Justin M. Seaman, utilizes with the film s supporting cast, like Sam s Dad or Ms. Barnhart, is that these people are giving performances right out of the Tim and Eric School of Acting. These characters pause at the wrong moments in sentences and make bizarre enunciation choices as if they re completely out of their element. Again, all of this is done to play into the campiness and hammy nature of horror performances circa the 80's but the film nails this aspect especially well. This is something that s really hard to do effectively without it going too far in either direction. These performances are wonderfully wrong in the right sort of way, if that makes sense. You re absolutely laughing with the film rather than at it. It s in on this treat. --Bloody-Disgusting If you were one of the multitudes of horror aficionados that cut their teeth on the abundance of VHS chillers back in the mid-80's, then you've got to be overjoyed with the plethora of throwback flicks that have been unleashed over the course of the last few years. To remember such plastic-cased classics is a thing of beauty, and to revisit them is even more special, but the notion of a tribute to those films that entertained us is a whole other beast, entirely. Allow me to introduce the latest barbarian into the fray: The Barn from director Justin M. Seaman, and suffice it to say, it s beginning to feel a lot like 1989. The opener of this one takes us back to Halloween 1959, and the setting is Wheary Falls, a small town with a large backing from the local church, and the annual hootenanny is underway, and all that s asked of the party goers from the pastor is that they BY ALL MEANS, stay clear of the abandoned barn on the other side of town. Now you honestly didn't think that everyone was going to take the holy man s words to heart, did you? Here s where things get interesting (without giving any spoilers away)- what happens at the front door to the barn to a young kid is masterful, and this is not by any means me cementing myself as a sadistic bastard, but to pull off what Seaman does within the first 4 minutes is not only ballsy and unapologetic, but it sets a tone for the rest of the film. Flash-forward to good old 1989, and the town s biggest Halloween celebrators, Sam and Josh are doing what they enjoy every Autumn: scaring the cheez-whiz out of the locals and making every Debbie downer in town angry. Their friendship has stood the test of Josh s father s passing, and together they compliment each other s twisted sense of humor. When a seemingly harmless prank goes terribly wrong, the two have it broken down to them that their days of jerking around MUST come to an abrupt end. As the impending thoughts of a stagnant existence overwhelm the two, their hopes are somewhat realigned with the news that their favorite heavy metal band will be playing a one-night only show on you guessed it, Halloween. So with a group of pals in tow, the gathering decides that a shortcut to the show is the best route (which it never is), and damned to all hell, wouldn't you know where the shortcut drops our collection of misguided adolescents? yep, right at the doors of the barn itself. Seems the legends of the barn s inhabitants, The Boogeyman, Hallowed Jack and The Candycorn Scarecrow aren't just tall tales after all these creepy suckers are violent, unrepentant, and just not in the Halloween mood. Supported by a couple of entertaining cameos from Linnea Quigley and Ari Lehman, the cast does an admirable job in pulling off performances that are effectually cheesy and fitting for a movie such as this. Oh, and fans of gore? I sincerely hope you brought the biggest damn plastic pumpkin you could find to this film s doorstep, cause it s going to get filled to the brim with enough blood and guts to keep you fed for weeks after screw the candy, viscera s where it s at! There s even a few decent-sized laughs sprayed around in this one to keep things a little bit light from time to time. Overall, I can without a doubt recommend The Barn to everyone looking for a fun, retro trip back to the days of grainy, low-budgeted horror yanked directly off the racks of your local video rental shop this one will sit firmly entrenched in my top 5 of the best horror films for 2016. Available NOW on both DVD and VHS from the barn merch. com hell, there s all sorts of goodies available for your last minute X-Mas shopping, so get on over and pick up a little something for the demented ones in your life! --Dread Central Top About this item Similar From the Brand Reviews The Barn - Special Edition [Blu-ray]

Release: November 29, 2022

$6.99

Description

This French noir feature in the French Noir Collection follows gangland violence, betrayal, and moral rot in the underworld.

Release: October 24, 2017

$6.99

Description

Product Description It s Halloween 1989 and best friends Sam and Josh are just trying to enjoy their last Devil s Night before graduating high school. Trouble soon arises when the two pals and a group of friends take a detour on their way to a rock concert, finding an old abandoned barn and awakening the evil inside. Now it s up to Sam and Josh to find a way to protect their friends and defeat the creatures that lurk within The Barn... The film stars Mitchell Musolino, Will Stout, Lexi Dripps, Cortland Woodard, Nikki Darling, Nickolaus Joshua with Linnea Quigley (Night of the Demons and Return of the Living Dead) and Ari Lehman (the first Jason Voorhees from Friday the 13th ). Featuring an original score by Rocky Gray the former member of Grammy award-winning goth/rock group 'Evanescence'. Feature Film: (UNRATED) Bonus Content Info- Over 90 minutes of Extras: Audio Commentary The Making of a Nightmare Documentary Gag Reel Deleted and Extended Scenes Alternate Ending Harvest Music Video by Rebel Flesh All Hallow s Eve short film World Wide Weird London premiere reactions Trailers Commercials Original storybook Reversible cover artwork by Marc Schoenbach and Graham Humphreys Number of Discs: 1 Single Layer Blu-ray Disc (25GB) Region Free Unrated/Color/16:9 Widescreen/80 Mins Subtitles: Spanish Review My favorite time of the year is the haunting season and every September I begin to get antsy while looking at the calendar and counting down the days to October 1st. Like most of you I've been sweating the end of summer heat and begging for something to take me away to the cherished burning leaf smell of October. Thank the dark lords for Justin Seaman's The Barn. Set on Halloween in 1989, The Barn is a love letter to everything that there is to love and fear on Halloween night. The movie opens with a flashback sequence to Halloween 1959 and the community of Wheary Falls is in full on Halloween celebratory mode. The kids gather at the local church for a word from the pastor and are then off to the local harvest hootenanny. Of course, two kids can t follow the All Hallows Eve rules which include staying away from a certain barn. Flash forward thirty years and we re thrown full force into the world of Sam and Josh, two seventeen year old s who live for Halloween and all the joys it brings. Sam (Mitchell Musolino) is the embodiment of everyone who builds haunts in their parent s garages and basks in the offerings of the holiday. Josh (Will Stout) is his lifelong best friend who since the loss of his father earlier in the year hasn t really been the same. After one of their pranks on Ms. Barnhart played by scream queen Linnea Quigley goes too far the boys are faced with the realization that this is the last year of unabashed Halloween fun that they will ever get to have. When their favorite metal band announces on the local rock show hosted by Dr. Rock that they are performing a special Halloween night concert, Sam and Josh decide that they have no choice but to go to the concert and cement themselves as local Halloween legends.They gather up some friends and hit the road bound for the concert. After taking a shortcut they end up in Wheary Falls and smack dab in front of the titular Barn that holds legendary evils. Being a horror movie set on Halloween you know the demons will be unleashed on this group of teenagers as well as the unsuspecting townsfolk. The aftermath of which will never be forgotten by those that live to tell the tale. There are countless horror films set on Halloween, very few actually capture and imbue the spirit the way The Barn does. Justin Seaman brilliantly captures every minute detail from the brilliant script and set design to the amazing soundtrack of the film that really transports you into proceedings. The cast are all brilliant and play the parts to the tilt. Lexi Dripps portrayal of Michelle is one of the best girl next door type performances that I've seen in the genre in quite a while and ranks up there with Phoebe Cates in Gremlins. The demons that terrorize our protagonists are a perfect mesh of 80's kitsch and old school monster magazine masks. I can easily see these villains becoming popular Halloween costumes for years to come. The cast and crew of The Barn put everything they had into creating a film that will bring the Halloween spirit into your heart at any time of the year and honestly that s all that we as horror fans can ask for. The Barn comes with my highest recommendation. --Tom Holland's Terror Time The Barn is a love letter to monster movies and the campy decade where they reigned supreme, that s as fun as it is bloody! The idea of everything old being new again is hardly a recent development. That being said, the last year in particular has seen throwbacks to the 80's and retro pastiches becoming a rabid obsession of audiences. Material like Stranger Things and The Final Girls have recently connected with people to unbelievable degrees due to their nostalgic love for the era. It s not difficult to see why this portion of the past is experiencing such a resurgence. The 80's are a time where the monster reigned supreme and horror films carried a surprising amount of power over the rest of cinema. So in spite of such a retro love letter hardly being unfamiliar territory, The Barn pulls this off so effortlessly and authentically. It is definitely the strongest example of achieving this throwback horror since Rodriguez and Tarantino's Grindhouse. In fact, The Barn is some of the most fun that I've had at a horror film in a long time. The story that The Barn frames itself around involves a cursed barn that has largely been forgotten about for thirty years. The dangerous legend associated with this relic sees three monsters, The Boogeyman, Hollow Jack, and the Candy Corn Scarecrow, being components of a Halloween curse that surrounds all of this. Cut to 1989, where Sam and Josh, two precocious teens that are a little too gung ho for the holiday, come face-to-face with this deadly curse and the horrors that come along with it. The Barn spends a good deal of time on its characters, with both Sam and Josh being well defined, albeit simple, protagonists. Everyone comes across as a caricature, but in the comforting, intentional way that is fundamental to the 80's. They re given a large posse of friends to play with, which allows for the film to have a rather expendable death count, which is the right direction for this sort of film. You need to see those silly, over the top death sequences. As their friends begin dying around them, The Barn continues to bank on Sam and Josh s friendship. There is actually believable, compelling chemistry between the two leads that gives this film a healthy, necessary energy to drive it forward. One of the aspects that makes all of this work so well is Sam s deep love for Halloween. He pushes across an infectious obsession with the holiday that frequently had me thinking about Matthew Lillard in Scream. He s frequently bringing up these rules for Halloween that he s created and each one of them is a real delight. Sam treats Halloween like a religion and this approach ends up being really beautiful. Add to that the fact that Sam and Josh are about to graduate high school with this being their last opportunity to trick or treat and paint the town blood red. A nice touch that director, Justin M. Seaman, utilizes with the film s supporting cast, like Sam s Dad or Ms. Barnhart, is that these people are giving performances right out of the Tim and Eric School of Acting. These characters pause at the wrong moments in sentences and make bizarre enunciation choices as if they re completely out of their element. Again, all of this is done to play into the campiness and hammy nature of horror performances circa the 80's but the film nails this aspect especially well. This is something that s really hard to do effectively without it going too far in either direction. These performances are wonderfully wrong in the right sort of way, if that makes sense. You re absolutely laughing with the film rather than at it. It s in on this treat. --Bloody-Disgusting If you were one of the multitudes of horror aficionados that cut their teeth on the abundance of VHS chillers back in the mid-80's, then you've got to be overjoyed with the plethora of throwback flicks that have been unleashed over the course of the last few years. To remember such plastic-cased classics is a thing of beauty, and to revisit them is even more special, but the notion of a tribute to those films that entertained us is a whole other beast, entirely. Allow me to introduce the latest barbarian into the fray: The Barn from director Justin M. Seaman, and suffice it to say, it s beginning to feel a lot like 1989. The opener of this one takes us back to Halloween 1959, and the setting is Wheary Falls, a small town with a large backing from the local church, and the annual hootenanny is underway, and all that s asked of the party goers from the pastor is that they BY ALL MEANS, stay clear of the abandoned barn on the other side of town. Now you honestly didn't think that everyone was going to take the holy man s words to heart, did you? Here s where things get interesting (without giving any spoilers away)- what happens at the front door to the barn to a young kid is masterful, and this is not by any means me cementing myself as a sadistic bastard, but to pull off what Seaman does within the first 4 minutes is not only ballsy and unapologetic, but it sets a tone for the rest of the film. Flash-forward to good old 1989, and the town s biggest Halloween celebrators, Sam and Josh are doing what they enjoy every Autumn: scaring the cheez-whiz out of the locals and making every Debbie downer in town angry. Their friendship has stood the test of Josh s father s passing, and together they compliment each other s twisted sense of humor. When a seemingly harmless prank goes terribly wrong, the two have it broken down to them that their days of jerking around MUST come to an abrupt end. As the impending thoughts of a stagnant existence overwhelm the two, their hopes are somewhat realigned with the news that their favorite heavy metal band will be playing a one-night only show on you guessed it, Halloween. So with a group of pals in tow, the gathering decides that a shortcut to the show is the best route (which it never is), and damned to all hell, wouldn't you know where the shortcut drops our collection of misguided adolescents? yep, right at the doors of the barn itself. Seems the legends of the barn s inhabitants, The Boogeyman, Hallowed Jack and The Candycorn Scarecrow aren't just tall tales after all these creepy suckers are violent, unrepentant, and just not in the Halloween mood. Supported by a couple of entertaining cameos from Linnea Quigley and Ari Lehman, the cast does an admirable job in pulling off performances that are effectually cheesy and fitting for a movie such as this. Oh, and fans of gore? I sincerely hope you brought the biggest damn plastic pumpkin you could find to this film s doorstep, cause it s going to get filled to the brim with enough blood and guts to keep you fed for weeks after screw the candy, viscera s where it s at! There s even a few decent-sized laughs sprayed around in this one to keep things a little bit light from time to time. Overall, I can without a doubt recommend The Barn to everyone looking for a fun, retro trip back to the days of grainy, low-budgeted horror yanked directly off the racks of your local video rental shop this one will sit firmly entrenched in my top 5 of the best horror films for 2016. Available NOW on both DVD and VHS from the barn merch. com hell, there s all sorts of goodies available for your last minute X-Mas shopping, so get on over and pick up a little something for the demented ones in your life! --Dread Central Top About this item Similar From the Brand Reviews The Barn - Special Edition [Blu-ray]

Release: October 24, 2017

$7.99

Description

Product Description It s Halloween 1989 and best friends Sam and Josh are just trying to enjoy their last Devil s Night before graduating high school. Trouble soon arises when the two pals and a group of friends take a detour on their way to a rock concert, finding an old abandoned barn and awakening the evil inside. Now it s up to Sam and Josh to find a way to protect their friends and defeat the creatures that lurk within The Barn... The film stars Mitchell Musolino, Will Stout, Lexi Dripps, Cortland Woodard, Nikki Darling, Nickolaus Joshua with Linnea Quigley (Night of the Demons and Return of the Living Dead) and Ari Lehman (the first Jason Voorhees from Friday the 13th ). Featuring an original score by Rocky Gray the former member of Grammy award-winning goth/rock group 'Evanescence'. Feature Film: (UNRATED) Bonus Content Info- Over 90 minutes of Extras: Audio Commentary The Making of a Nightmare Documentary Gag Reel Deleted and Extended Scenes Alternate Ending Harvest Music Video by Rebel Flesh All Hallow s Eve short film World Wide Weird London premiere reactions Trailers Commercials Original storybook Reversible cover artwork by Marc Schoenbach and Graham Humphreys Number of Discs: 1 Single Layer Blu-ray Disc (25GB) Region Free Unrated/Color/16:9 Widescreen/80 Mins Subtitles: Spanish Review My favorite time of the year is the haunting season and every September I begin to get antsy while looking at the calendar and counting down the days to October 1st. Like most of you I've been sweating the end of summer heat and begging for something to take me away to the cherished burning leaf smell of October. Thank the dark lords for Justin Seaman's The Barn. Set on Halloween in 1989, The Barn is a love letter to everything that there is to love and fear on Halloween night. The movie opens with a flashback sequence to Halloween 1959 and the community of Wheary Falls is in full on Halloween celebratory mode. The kids gather at the local church for a word from the pastor and are then off to the local harvest hootenanny. Of course, two kids can t follow the All Hallows Eve rules which include staying away from a certain barn. Flash forward thirty years and we re thrown full force into the world of Sam and Josh, two seventeen year old s who live for Halloween and all the joys it brings. Sam (Mitchell Musolino) is the embodiment of everyone who builds haunts in their parent s garages and basks in the offerings of the holiday. Josh (Will Stout) is his lifelong best friend who since the loss of his father earlier in the year hasn t really been the same. After one of their pranks on Ms. Barnhart played by scream queen Linnea Quigley goes too far the boys are faced with the realization that this is the last year of unabashed Halloween fun that they will ever get to have. When their favorite metal band announces on the local rock show hosted by Dr. Rock that they are performing a special Halloween night concert, Sam and Josh decide that they have no choice but to go to the concert and cement themselves as local Halloween legends.They gather up some friends and hit the road bound for the concert. After taking a shortcut they end up in Wheary Falls and smack dab in front of the titular Barn that holds legendary evils. Being a horror movie set on Halloween you know the demons will be unleashed on this group of teenagers as well as the unsuspecting townsfolk. The aftermath of which will never be forgotten by those that live to tell the tale. There are countless horror films set on Halloween, very few actually capture and imbue the spirit the way The Barn does. Justin Seaman brilliantly captures every minute detail from the brilliant script and set design to the amazing soundtrack of the film that really transports you into proceedings. The cast are all brilliant and play the parts to the tilt. Lexi Dripps portrayal of Michelle is one of the best girl next door type performances that I've seen in the genre in quite a while and ranks up there with Phoebe Cates in Gremlins. The demons that terrorize our protagonists are a perfect mesh of 80's kitsch and old school monster magazine masks. I can easily see these villains becoming popular Halloween costumes for years to come. The cast and crew of The Barn put everything they had into creating a film that will bring the Halloween spirit into your heart at any time of the year and honestly that s all that we as horror fans can ask for. The Barn comes with my highest recommendation. --Tom Holland's Terror Time The Barn is a love letter to monster movies and the campy decade where they reigned supreme, that s as fun as it is bloody! The idea of everything old being new again is hardly a recent development. That being said, the last year in particular has seen throwbacks to the 80's and retro pastiches becoming a rabid obsession of audiences. Material like Stranger Things and The Final Girls have recently connected with people to unbelievable degrees due to their nostalgic love for the era. It s not difficult to see why this portion of the past is experiencing such a resurgence. The 80's are a time where the monster reigned supreme and horror films carried a surprising amount of power over the rest of cinema. So in spite of such a retro love letter hardly being unfamiliar territory, The Barn pulls this off so effortlessly and authentically. It is definitely the strongest example of achieving this throwback horror since Rodriguez and Tarantino's Grindhouse. In fact, The Barn is some of the most fun that I've had at a horror film in a long time. The story that The Barn frames itself around involves a cursed barn that has largely been forgotten about for thirty years. The dangerous legend associated with this relic sees three monsters, The Boogeyman, Hollow Jack, and the Candy Corn Scarecrow, being components of a Halloween curse that surrounds all of this. Cut to 1989, where Sam and Josh, two precocious teens that are a little too gung ho for the holiday, come face-to-face with this deadly curse and the horrors that come along with it. The Barn spends a good deal of time on its characters, with both Sam and Josh being well defined, albeit simple, protagonists. Everyone comes across as a caricature, but in the comforting, intentional way that is fundamental to the 80's. They re given a large posse of friends to play with, which allows for the film to have a rather expendable death count, which is the right direction for this sort of film. You need to see those silly, over the top death sequences. As their friends begin dying around them, The Barn continues to bank on Sam and Josh s friendship. There is actually believable, compelling chemistry between the two leads that gives this film a healthy, necessary energy to drive it forward. One of the aspects that makes all of this work so well is Sam s deep love for Halloween. He pushes across an infectious obsession with the holiday that frequently had me thinking about Matthew Lillard in Scream. He s frequently bringing up these rules for Halloween that he s created and each one of them is a real delight. Sam treats Halloween like a religion and this approach ends up being really beautiful. Add to that the fact that Sam and Josh are about to graduate high school with this being their last opportunity to trick or treat and paint the town blood red. A nice touch that director, Justin M. Seaman, utilizes with the film s supporting cast, like Sam s Dad or Ms. Barnhart, is that these people are giving performances right out of the Tim and Eric School of Acting. These characters pause at the wrong moments in sentences and make bizarre enunciation choices as if they re completely out of their element. Again, all of this is done to play into the campiness and hammy nature of horror performances circa the 80's but the film nails this aspect especially well. This is something that s really hard to do effectively without it going too far in either direction. These performances are wonderfully wrong in the right sort of way, if that makes sense. You re absolutely laughing with the film rather than at it. It s in on this treat. --Bloody-Disgusting If you were one of the multitudes of horror aficionados that cut their teeth on the abundance of VHS chillers back in the mid-80's, then you've got to be overjoyed with the plethora of throwback flicks that have been unleashed over the course of the last few years. To remember such plastic-cased classics is a thing of beauty, and to revisit them is even more special, but the notion of a tribute to those films that entertained us is a whole other beast, entirely. Allow me to introduce the latest barbarian into the fray: The Barn from director Justin M. Seaman, and suffice it to say, it s beginning to feel a lot like 1989. The opener of this one takes us back to Halloween 1959, and the setting is Wheary Falls, a small town with a large backing from the local church, and the annual hootenanny is underway, and all that s asked of the party goers from the pastor is that they BY ALL MEANS, stay clear of the abandoned barn on the other side of town. Now you honestly didn't think that everyone was going to take the holy man s words to heart, did you? Here s where things get interesting (without giving any spoilers away)- what happens at the front door to the barn to a young kid is masterful, and this is not by any means me cementing myself as a sadistic bastard, but to pull off what Seaman does within the first 4 minutes is not only ballsy and unapologetic, but it sets a tone for the rest of the film. Flash-forward to good old 1989, and the town s biggest Halloween celebrators, Sam and Josh are doing what they enjoy every Autumn: scaring the cheez-whiz out of the locals and making every Debbie downer in town angry. Their friendship has stood the test of Josh s father s passing, and together they compliment each other s twisted sense of humor. When a seemingly harmless prank goes terribly wrong, the two have it broken down to them that their days of jerking around MUST come to an abrupt end. As the impending thoughts of a stagnant existence overwhelm the two, their hopes are somewhat realigned with the news that their favorite heavy metal band will be playing a one-night only show on you guessed it, Halloween. So with a group of pals in tow, the gathering decides that a shortcut to the show is the best route (which it never is), and damned to all hell, wouldn't you know where the shortcut drops our collection of misguided adolescents? yep, right at the doors of the barn itself. Seems the legends of the barn s inhabitants, The Boogeyman, Hallowed Jack and The Candycorn Scarecrow aren't just tall tales after all these creepy suckers are violent, unrepentant, and just not in the Halloween mood. Supported by a couple of entertaining cameos from Linnea Quigley and Ari Lehman, the cast does an admirable job in pulling off performances that are effectually cheesy and fitting for a movie such as this. Oh, and fans of gore? I sincerely hope you brought the biggest damn plastic pumpkin you could find to this film s doorstep, cause it s going to get filled to the brim with enough blood and guts to keep you fed for weeks after screw the candy, viscera s where it s at! There s even a few decent-sized laughs sprayed around in this one to keep things a little bit light from time to time. Overall, I can without a doubt recommend The Barn to everyone looking for a fun, retro trip back to the days of grainy, low-budgeted horror yanked directly off the racks of your local video rental shop this one will sit firmly entrenched in my top 5 of the best horror films for 2016. Available NOW on both DVD and VHS from the barn merch. com hell, there s all sorts of goodies available for your last minute X-Mas shopping, so get on over and pick up a little something for the demented ones in your life! --Dread Central Top About this item Similar From the Brand Reviews The Barn - Special Edition [Blu-ray]

Release: October 24, 2017

$6.99

Description

Product Description It s Halloween 1989 and best friends Sam and Josh are just trying to enjoy their last Devil s Night before graduating high school. Trouble soon arises when the two pals and a group of friends take a detour on their way to a rock concert, finding an old abandoned barn and awakening the evil inside. Now it s up to Sam and Josh to find a way to protect their friends and defeat the creatures that lurk within The Barn... The film stars Mitchell Musolino, Will Stout, Lexi Dripps, Cortland Woodard, Nikki Darling, Nickolaus Joshua with Linnea Quigley (Night of the Demons and Return of the Living Dead) and Ari Lehman (the first Jason Voorhees from Friday the 13th ). Featuring an original score by Rocky Gray the former member of Grammy award-winning goth/rock group 'Evanescence'. Feature Film: (UNRATED) Bonus Content Info- Over 90 minutes of Extras: Audio Commentary The Making of a Nightmare Documentary Gag Reel Deleted and Extended Scenes Alternate Ending Harvest Music Video by Rebel Flesh All Hallow s Eve short film World Wide Weird London premiere reactions Trailers Commercials Original storybook Reversible cover artwork by Marc Schoenbach and Graham Humphreys Number of Discs: 1 Single Layer Blu-ray Disc (25GB) Region Free Unrated/Color/16:9 Widescreen/80 Mins Subtitles: Spanish Review My favorite time of the year is the haunting season and every September I begin to get antsy while looking at the calendar and counting down the days to October 1st. Like most of you I've been sweating the end of summer heat and begging for something to take me away to the cherished burning leaf smell of October. Thank the dark lords for Justin Seaman's The Barn. Set on Halloween in 1989, The Barn is a love letter to everything that there is to love and fear on Halloween night. The movie opens with a flashback sequence to Halloween 1959 and the community of Wheary Falls is in full on Halloween celebratory mode. The kids gather at the local church for a word from the pastor and are then off to the local harvest hootenanny. Of course, two kids can t follow the All Hallows Eve rules which include staying away from a certain barn. Flash forward thirty years and we re thrown full force into the world of Sam and Josh, two seventeen year old s who live for Halloween and all the joys it brings. Sam (Mitchell Musolino) is the embodiment of everyone who builds haunts in their parent s garages and basks in the offerings of the holiday. Josh (Will Stout) is his lifelong best friend who since the loss of his father earlier in the year hasn t really been the same. After one of their pranks on Ms. Barnhart played by scream queen Linnea Quigley goes too far the boys are faced with the realization that this is the last year of unabashed Halloween fun that they will ever get to have. When their favorite metal band announces on the local rock show hosted by Dr. Rock that they are performing a special Halloween night concert, Sam and Josh decide that they have no choice but to go to the concert and cement themselves as local Halloween legends.They gather up some friends and hit the road bound for the concert. After taking a shortcut they end up in Wheary Falls and smack dab in front of the titular Barn that holds legendary evils. Being a horror movie set on Halloween you know the demons will be unleashed on this group of teenagers as well as the unsuspecting townsfolk. The aftermath of which will never be forgotten by those that live to tell the tale. There are countless horror films set on Halloween, very few actually capture and imbue the spirit the way The Barn does. Justin Seaman brilliantly captures every minute detail from the brilliant script and set design to the amazing soundtrack of the film that really transports you into proceedings. The cast are all brilliant and play the parts to the tilt. Lexi Dripps portrayal of Michelle is one of the best girl next door type performances that I've seen in the genre in quite a while and ranks up there with Phoebe Cates in Gremlins. The demons that terrorize our protagonists are a perfect mesh of 80's kitsch and old school monster magazine masks. I can easily see these villains becoming popular Halloween costumes for years to come. The cast and crew of The Barn put everything they had into creating a film that will bring the Halloween spirit into your heart at any time of the year and honestly that s all that we as horror fans can ask for. The Barn comes with my highest recommendation. --Tom Holland's Terror Time The Barn is a love letter to monster movies and the campy decade where they reigned supreme, that s as fun as it is bloody! The idea of everything old being new again is hardly a recent development. That being said, the last year in particular has seen throwbacks to the 80's and retro pastiches becoming a rabid obsession of audiences. Material like Stranger Things and The Final Girls have recently connected with people to unbelievable degrees due to their nostalgic love for the era. It s not difficult to see why this portion of the past is experiencing such a resurgence. The 80's are a time where the monster reigned supreme and horror films carried a surprising amount of power over the rest of cinema. So in spite of such a retro love letter hardly being unfamiliar territory, The Barn pulls this off so effortlessly and authentically. It is definitely the strongest example of achieving this throwback horror since Rodriguez and Tarantino's Grindhouse. In fact, The Barn is some of the most fun that I've had at a horror film in a long time. The story that The Barn frames itself around involves a cursed barn that has largely been forgotten about for thirty years. The dangerous legend associated with this relic sees three monsters, The Boogeyman, Hollow Jack, and the Candy Corn Scarecrow, being components of a Halloween curse that surrounds all of this. Cut to 1989, where Sam and Josh, two precocious teens that are a little too gung ho for the holiday, come face-to-face with this deadly curse and the horrors that come along with it. The Barn spends a good deal of time on its characters, with both Sam and Josh being well defined, albeit simple, protagonists. Everyone comes across as a caricature, but in the comforting, intentional way that is fundamental to the 80's. They re given a large posse of friends to play with, which allows for the film to have a rather expendable death count, which is the right direction for this sort of film. You need to see those silly, over the top death sequences. As their friends begin dying around them, The Barn continues to bank on Sam and Josh s friendship. There is actually believable, compelling chemistry between the two leads that gives this film a healthy, necessary energy to drive it forward. One of the aspects that makes all of this work so well is Sam s deep love for Halloween. He pushes across an infectious obsession with the holiday that frequently had me thinking about Matthew Lillard in Scream. He s frequently bringing up these rules for Halloween that he s created and each one of them is a real delight. Sam treats Halloween like a religion and this approach ends up being really beautiful. Add to that the fact that Sam and Josh are about to graduate high school with this being their last opportunity to trick or treat and paint the town blood red. A nice touch that director, Justin M. Seaman, utilizes with the film s supporting cast, like Sam s Dad or Ms. Barnhart, is that these people are giving performances right out of the Tim and Eric School of Acting. These characters pause at the wrong moments in sentences and make bizarre enunciation choices as if they re completely out of their element. Again, all of this is done to play into the campiness and hammy nature of horror performances circa the 80's but the film nails this aspect especially well. This is something that s really hard to do effectively without it going too far in either direction. These performances are wonderfully wrong in the right sort of way, if that makes sense. You re absolutely laughing with the film rather than at it. It s in on this treat. --Bloody-Disgusting If you were one of the multitudes of horror aficionados that cut their teeth on the abundance of VHS chillers back in the mid-80's, then you've got to be overjoyed with the plethora of throwback flicks that have been unleashed over the course of the last few years. To remember such plastic-cased classics is a thing of beauty, and to revisit them is even more special, but the notion of a tribute to those films that entertained us is a whole other beast, entirely. Allow me to introduce the latest barbarian into the fray: The Barn from director Justin M. Seaman, and suffice it to say, it s beginning to feel a lot like 1989. The opener of this one takes us back to Halloween 1959, and the setting is Wheary Falls, a small town with a large backing from the local church, and the annual hootenanny is underway, and all that s asked of the party goers from the pastor is that they BY ALL MEANS, stay clear of the abandoned barn on the other side of town. Now you honestly didn't think that everyone was going to take the holy man s words to heart, did you? Here s where things get interesting (without giving any spoilers away)- what happens at the front door to the barn to a young kid is masterful, and this is not by any means me cementing myself as a sadistic bastard, but to pull off what Seaman does within the first 4 minutes is not only ballsy and unapologetic, but it sets a tone for the rest of the film. Flash-forward to good old 1989, and the town s biggest Halloween celebrators, Sam and Josh are doing what they enjoy every Autumn: scaring the cheez-whiz out of the locals and making every Debbie downer in town angry. Their friendship has stood the test of Josh s father s passing, and together they compliment each other s twisted sense of humor. When a seemingly harmless prank goes terribly wrong, the two have it broken down to them that their days of jerking around MUST come to an abrupt end. As the impending thoughts of a stagnant existence overwhelm the two, their hopes are somewhat realigned with the news that their favorite heavy metal band will be playing a one-night only show on you guessed it, Halloween. So with a group of pals in tow, the gathering decides that a shortcut to the show is the best route (which it never is), and damned to all hell, wouldn't you know where the shortcut drops our collection of misguided adolescents? yep, right at the doors of the barn itself. Seems the legends of the barn s inhabitants, The Boogeyman, Hallowed Jack and The Candycorn Scarecrow aren't just tall tales after all these creepy suckers are violent, unrepentant, and just not in the Halloween mood. Supported by a couple of entertaining cameos from Linnea Quigley and Ari Lehman, the cast does an admirable job in pulling off performances that are effectually cheesy and fitting for a movie such as this. Oh, and fans of gore? I sincerely hope you brought the biggest damn plastic pumpkin you could find to this film s doorstep, cause it s going to get filled to the brim with enough blood and guts to keep you fed for weeks after screw the candy, viscera s where it s at! There s even a few decent-sized laughs sprayed around in this one to keep things a little bit light from time to time. Overall, I can without a doubt recommend The Barn to everyone looking for a fun, retro trip back to the days of grainy, low-budgeted horror yanked directly off the racks of your local video rental shop this one will sit firmly entrenched in my top 5 of the best horror films for 2016. Available NOW on both DVD and VHS from the barn merch. com hell, there s all sorts of goodies available for your last minute X-Mas shopping, so get on over and pick up a little something for the demented ones in your life! --Dread Central Top About this item Similar From the Brand Reviews The Barn - Special Edition [Blu-ray]

Release: October 24, 2017

$6.99

Description

Product Description It s Halloween 1989 and best friends Sam and Josh are just trying to enjoy their last Devil s Night before graduating high school. Trouble soon arises when the two pals and a group of friends take a detour on their way to a rock concert, finding an old abandoned barn and awakening the evil inside. Now it s up to Sam and Josh to find a way to protect their friends and defeat the creatures that lurk within The Barn... The film stars Mitchell Musolino, Will Stout, Lexi Dripps, Cortland Woodard, Nikki Darling, Nickolaus Joshua with Linnea Quigley (Night of the Demons and Return of the Living Dead) and Ari Lehman (the first Jason Voorhees from Friday the 13th ). Featuring an original score by Rocky Gray the former member of Grammy award-winning goth/rock group 'Evanescence'. Feature Film: (UNRATED) Bonus Content Info- Over 90 minutes of Extras: Audio Commentary The Making of a Nightmare Documentary Gag Reel Deleted and Extended Scenes Alternate Ending Harvest Music Video by Rebel Flesh All Hallow s Eve short film World Wide Weird London premiere reactions Trailers Commercials Original storybook Reversible cover artwork by Marc Schoenbach and Graham Humphreys Number of Discs: 1 Single Layer Blu-ray Disc (25GB) Region Free Unrated/Color/16:9 Widescreen/80 Mins Subtitles: Spanish Review My favorite time of the year is the haunting season and every September I begin to get antsy while looking at the calendar and counting down the days to October 1st. Like most of you I've been sweating the end of summer heat and begging for something to take me away to the cherished burning leaf smell of October. Thank the dark lords for Justin Seaman's The Barn. Set on Halloween in 1989, The Barn is a love letter to everything that there is to love and fear on Halloween night. The movie opens with a flashback sequence to Halloween 1959 and the community of Wheary Falls is in full on Halloween celebratory mode. The kids gather at the local church for a word from the pastor and are then off to the local harvest hootenanny. Of course, two kids can t follow the All Hallows Eve rules which include staying away from a certain barn. Flash forward thirty years and we re thrown full force into the world of Sam and Josh, two seventeen year old s who live for Halloween and all the joys it brings. Sam (Mitchell Musolino) is the embodiment of everyone who builds haunts in their parent s garages and basks in the offerings of the holiday. Josh (Will Stout) is his lifelong best friend who since the loss of his father earlier in the year hasn t really been the same. After one of their pranks on Ms. Barnhart played by scream queen Linnea Quigley goes too far the boys are faced with the realization that this is the last year of unabashed Halloween fun that they will ever get to have. When their favorite metal band announces on the local rock show hosted by Dr. Rock that they are performing a special Halloween night concert, Sam and Josh decide that they have no choice but to go to the concert and cement themselves as local Halloween legends.They gather up some friends and hit the road bound for the concert. After taking a shortcut they end up in Wheary Falls and smack dab in front of the titular Barn that holds legendary evils. Being a horror movie set on Halloween you know the demons will be unleashed on this group of teenagers as well as the unsuspecting townsfolk. The aftermath of which will never be forgotten by those that live to tell the tale. There are countless horror films set on Halloween, very few actually capture and imbue the spirit the way The Barn does. Justin Seaman brilliantly captures every minute detail from the brilliant script and set design to the amazing soundtrack of the film that really transports you into proceedings. The cast are all brilliant and play the parts to the tilt. Lexi Dripps portrayal of Michelle is one of the best girl next door type performances that I've seen in the genre in quite a while and ranks up there with Phoebe Cates in Gremlins. The demons that terrorize our protagonists are a perfect mesh of 80's kitsch and old school monster magazine masks. I can easily see these villains becoming popular Halloween costumes for years to come. The cast and crew of The Barn put everything they had into creating a film that will bring the Halloween spirit into your heart at any time of the year and honestly that s all that we as horror fans can ask for. The Barn comes with my highest recommendation. --Tom Holland's Terror Time The Barn is a love letter to monster movies and the campy decade where they reigned supreme, that s as fun as it is bloody! The idea of everything old being new again is hardly a recent development. That being said, the last year in particular has seen throwbacks to the 80's and retro pastiches becoming a rabid obsession of audiences. Material like Stranger Things and The Final Girls have recently connected with people to unbelievable degrees due to their nostalgic love for the era. It s not difficult to see why this portion of the past is experiencing such a resurgence. The 80's are a time where the monster reigned supreme and horror films carried a surprising amount of power over the rest of cinema. So in spite of such a retro love letter hardly being unfamiliar territory, The Barn pulls this off so effortlessly and authentically. It is definitely the strongest example of achieving this throwback horror since Rodriguez and Tarantino's Grindhouse. In fact, The Barn is some of the most fun that I've had at a horror film in a long time. The story that The Barn frames itself around involves a cursed barn that has largely been forgotten about for thirty years. The dangerous legend associated with this relic sees three monsters, The Boogeyman, Hollow Jack, and the Candy Corn Scarecrow, being components of a Halloween curse that surrounds all of this. Cut to 1989, where Sam and Josh, two precocious teens that are a little too gung ho for the holiday, come face-to-face with this deadly curse and the horrors that come along with it. The Barn spends a good deal of time on its characters, with both Sam and Josh being well defined, albeit simple, protagonists. Everyone comes across as a caricature, but in the comforting, intentional way that is fundamental to the 80's. They re given a large posse of friends to play with, which allows for the film to have a rather expendable death count, which is the right direction for this sort of film. You need to see those silly, over the top death sequences. As their friends begin dying around them, The Barn continues to bank on Sam and Josh s friendship. There is actually believable, compelling chemistry between the two leads that gives this film a healthy, necessary energy to drive it forward. One of the aspects that makes all of this work so well is Sam s deep love for Halloween. He pushes across an infectious obsession with the holiday that frequently had me thinking about Matthew Lillard in Scream. He s frequently bringing up these rules for Halloween that he s created and each one of them is a real delight. Sam treats Halloween like a religion and this approach ends up being really beautiful. Add to that the fact that Sam and Josh are about to graduate high school with this being their last opportunity to trick or treat and paint the town blood red. A nice touch that director, Justin M. Seaman, utilizes with the film s supporting cast, like Sam s Dad or Ms. Barnhart, is that these people are giving performances right out of the Tim and Eric School of Acting. These characters pause at the wrong moments in sentences and make bizarre enunciation choices as if they re completely out of their element. Again, all of this is done to play into the campiness and hammy nature of horror performances circa the 80's but the film nails this aspect especially well. This is something that s really hard to do effectively without it going too far in either direction. These performances are wonderfully wrong in the right sort of way, if that makes sense. You re absolutely laughing with the film rather than at it. It s in on this treat. --Bloody-Disgusting If you were one of the multitudes of horror aficionados that cut their teeth on the abundance of VHS chillers back in the mid-80's, then you've got to be overjoyed with the plethora of throwback flicks that have been unleashed over the course of the last few years. To remember such plastic-cased classics is a thing of beauty, and to revisit them is even more special, but the notion of a tribute to those films that entertained us is a whole other beast, entirely. Allow me to introduce the latest barbarian into the fray: The Barn from director Justin M. Seaman, and suffice it to say, it s beginning to feel a lot like 1989. The opener of this one takes us back to Halloween 1959, and the setting is Wheary Falls, a small town with a large backing from the local church, and the annual hootenanny is underway, and all that s asked of the party goers from the pastor is that they BY ALL MEANS, stay clear of the abandoned barn on the other side of town. Now you honestly didn't think that everyone was going to take the holy man s words to heart, did you? Here s where things get interesting (without giving any spoilers away)- what happens at the front door to the barn to a young kid is masterful, and this is not by any means me cementing myself as a sadistic bastard, but to pull off what Seaman does within the first 4 minutes is not only ballsy and unapologetic, but it sets a tone for the rest of the film. Flash-forward to good old 1989, and the town s biggest Halloween celebrators, Sam and Josh are doing what they enjoy every Autumn: scaring the cheez-whiz out of the locals and making every Debbie downer in town angry. Their friendship has stood the test of Josh s father s passing, and together they compliment each other s twisted sense of humor. When a seemingly harmless prank goes terribly wrong, the two have it broken down to them that their days of jerking around MUST come to an abrupt end. As the impending thoughts of a stagnant existence overwhelm the two, their hopes are somewhat realigned with the news that their favorite heavy metal band will be playing a one-night only show on you guessed it, Halloween. So with a group of pals in tow, the gathering decides that a shortcut to the show is the best route (which it never is), and damned to all hell, wouldn't you know where the shortcut drops our collection of misguided adolescents? yep, right at the doors of the barn itself. Seems the legends of the barn s inhabitants, The Boogeyman, Hallowed Jack and The Candycorn Scarecrow aren't just tall tales after all these creepy suckers are violent, unrepentant, and just not in the Halloween mood. Supported by a couple of entertaining cameos from Linnea Quigley and Ari Lehman, the cast does an admirable job in pulling off performances that are effectually cheesy and fitting for a movie such as this. Oh, and fans of gore? I sincerely hope you brought the biggest damn plastic pumpkin you could find to this film s doorstep, cause it s going to get filled to the brim with enough blood and guts to keep you fed for weeks after screw the candy, viscera s where it s at! There s even a few decent-sized laughs sprayed around in this one to keep things a little bit light from time to time. Overall, I can without a doubt recommend The Barn to everyone looking for a fun, retro trip back to the days of grainy, low-budgeted horror yanked directly off the racks of your local video rental shop this one will sit firmly entrenched in my top 5 of the best horror films for 2016. Available NOW on both DVD and VHS from the barn merch. com hell, there s all sorts of goodies available for your last minute X-Mas shopping, so get on over and pick up a little something for the demented ones in your life! --Dread Central Top About this item Similar From the Brand Reviews The Barn - Special Edition [Blu-ray]

Release: August 13, 2019

$6.99

Description

Jacques Becker’s (Le Trout) Touches Pas Au Grimsby occupies a significant part in French cinema history; it exerted a huge influence on subsequent directors such as Jean-Pierre Melville (Le Doulas), Henri Vermeil (The Sicilian Clan) and Claude Sautee (Classed Toups Risqué). Max (Jean Gabon, Port of Shadows) is an aging gangster who manages to pull off his final heist, a spectacular gold bullion robbery at Olly airport. All is well until Max’s former girlfriend Joys (Jeanne Moreau, Viva Maria! ) tips off a rival gangster, Angelo (Lion Ventura, Rizzio Sur La Chou). Angelo kidnaps Max’s partner and best friend and threatens to kill him unless Max hands over the loot from his robbery. Touches Pas Au Grimsby was the birth the French policer, a European transposition of the fantastic American gangster films and film noirs of the 1940s. Based on a book by Albert Simon in (Cold Sweat) and beautifully shot in striking black-and-white by Pierre Montage (Hi-Jack Highway). Special Features: -Audio Commentary by Film Critic Nick Pinkerton -Interview with filmmaker Jean Becker -Interview with actress Jeanne Moreau -Interview with Professor/Film Critic Guenette Vincentia -Theatrical Trailer

Release: November 25, 2025

$6.99

Description

Two-disc set includes: Rhine Virgin (La Vierge Du Rhin) (1953)When the Germans invaded in 1940, Strasbourg shipping company head Jacques Ledru (Jean Gabin) went missing... but his wife Geneviève (Elina Labourdette) and his partner Maurice (Renaud Mary) did very well collaborating and managing the business. After a dozen years, he resurfaced under an assumed name, looking for payback-if they don't deal with him first. Gilles Grangier's compelling take on the Phillipe Nord novel co-stars Andrée Clément, Nadia Gray. 82 min. In French with English subtitles. BW/Rtg: NR The Beast Is Loose (Le Fauve Est Lâché) (1959)Gangster-turned-Resistance hero Paul Lamiani (Lino Ventura) was just trying to make a quiet life as a restaurateur when his nation called again. However, they were looking for him to set up old comrade Raymond Maroux (Paul Frankeur) for alleged theft of intel-and he'd have a three-way battle with his government handlers and crooks who also want the documents. Effective spy story, completed by Claude Sautet after the credited Maurice Labro walked off, co-stars Estella Blain, Nadine Alari. AKA: "The Tiger Attacks." 98 min. In French with English subtitles. BW/Rtg: NR Trapped By Fear (Les Distractions) (1960)Paris journalist Paul Frapier (Jean-Paul Belmondo) would have done anything for Laurent Porte (Claude Brasseur), the Algerian War brother-in-arms who saved his life. He'd get to prove it-perhaps to his everlasting regret-when Laurent begs his help going on the run after being involved in the accidental homicide of a cop. Jacques Dupont's scenic, suspenseful drama also stars Alexandra Stewart, Sylva Koscina, Eva Damien, Mireille Darc. 101 min. In French with English subtitles. BW/Rtg: NR The Passion Of Slow Fire (La Mort de Belle) (1961)Geneva professor Stéphane Blanchon (Jean Desailly) shrugged when his overbearing spouse (Monique Mélinand) offered board to pretty American student, and friend's daughter, Belle Shermann (Alexandra Stewart). There was nothing to shrug off the day that Belle was found strangled on the premises-and his protestations of innocence came up against a community's rush to judgment. Edouard Molinaro's take on the Georges Simeon novel, adapted by Jean Anouilh, co-stars Jacques Monod. 91 min. In French with English subtitles. BW/Rtg: NR Standard and Widescreen; Soundtrack: French; Subtitles: English; audio commentary; theatrical trailers.

Release: October 24, 2017

$6.99

Description

Product Description It s Halloween 1989 and best friends Sam and Josh are just trying to enjoy their last Devil s Night before graduating high school. Trouble soon arises when the two pals and a group of friends take a detour on their way to a rock concert, finding an old abandoned barn and awakening the evil inside. Now it s up to Sam and Josh to find a way to protect their friends and defeat the creatures that lurk within The Barn... The film stars Mitchell Musolino, Will Stout, Lexi Dripps, Cortland Woodard, Nikki Darling, Nickolaus Joshua with Linnea Quigley (Night of the Demons and Return of the Living Dead) and Ari Lehman (the first Jason Voorhees from Friday the 13th ). Featuring an original score by Rocky Gray the former member of Grammy award-winning goth/rock group 'Evanescence'. Feature Film: (UNRATED) Bonus Content Info- Over 90 minutes of Extras: Audio Commentary The Making of a Nightmare Documentary Gag Reel Deleted and Extended Scenes Alternate Ending Harvest Music Video by Rebel Flesh All Hallow s Eve short film World Wide Weird London premiere reactions Trailers Commercials Original storybook Reversible cover artwork by Marc Schoenbach and Graham Humphreys Number of Discs: 1 Single Layer Blu-ray Disc (25GB) Region Free Unrated/Color/16:9 Widescreen/80 Mins Subtitles: Spanish Review My favorite time of the year is the haunting season and every September I begin to get antsy while looking at the calendar and counting down the days to October 1st. Like most of you I've been sweating the end of summer heat and begging for something to take me away to the cherished burning leaf smell of October. Thank the dark lords for Justin Seaman's The Barn. Set on Halloween in 1989, The Barn is a love letter to everything that there is to love and fear on Halloween night. The movie opens with a flashback sequence to Halloween 1959 and the community of Wheary Falls is in full on Halloween celebratory mode. The kids gather at the local church for a word from the pastor and are then off to the local harvest hootenanny. Of course, two kids can t follow the All Hallows Eve rules which include staying away from a certain barn. Flash forward thirty years and we re thrown full force into the world of Sam and Josh, two seventeen year old s who live for Halloween and all the joys it brings. Sam (Mitchell Musolino) is the embodiment of everyone who builds haunts in their parent s garages and basks in the offerings of the holiday. Josh (Will Stout) is his lifelong best friend who since the loss of his father earlier in the year hasn t really been the same. After one of their pranks on Ms. Barnhart played by scream queen Linnea Quigley goes too far the boys are faced with the realization that this is the last year of unabashed Halloween fun that they will ever get to have. When their favorite metal band announces on the local rock show hosted by Dr. Rock that they are performing a special Halloween night concert, Sam and Josh decide that they have no choice but to go to the concert and cement themselves as local Halloween legends.They gather up some friends and hit the road bound for the concert. After taking a shortcut they end up in Wheary Falls and smack dab in front of the titular Barn that holds legendary evils. Being a horror movie set on Halloween you know the demons will be unleashed on this group of teenagers as well as the unsuspecting townsfolk. The aftermath of which will never be forgotten by those that live to tell the tale. There are countless horror films set on Halloween, very few actually capture and imbue the spirit the way The Barn does. Justin Seaman brilliantly captures every minute detail from the brilliant script and set design to the amazing soundtrack of the film that really transports you into proceedings. The cast are all brilliant and play the parts to the tilt. Lexi Dripps portrayal of Michelle is one of the best girl next door type performances that I've seen in the genre in quite a while and ranks up there with Phoebe Cates in Gremlins. The demons that terrorize our protagonists are a perfect mesh of 80's kitsch and old school monster magazine masks. I can easily see these villains becoming popular Halloween costumes for years to come. The cast and crew of The Barn put everything they had into creating a film that will bring the Halloween spirit into your heart at any time of the year and honestly that s all that we as horror fans can ask for. The Barn comes with my highest recommendation. --Tom Holland's Terror Time The Barn is a love letter to monster movies and the campy decade where they reigned supreme, that s as fun as it is bloody! The idea of everything old being new again is hardly a recent development. That being said, the last year in particular has seen throwbacks to the 80's and retro pastiches becoming a rabid obsession of audiences. Material like Stranger Things and The Final Girls have recently connected with people to unbelievable degrees due to their nostalgic love for the era. It s not difficult to see why this portion of the past is experiencing such a resurgence. The 80's are a time where the monster reigned supreme and horror films carried a surprising amount of power over the rest of cinema. So in spite of such a retro love letter hardly being unfamiliar territory, The Barn pulls this off so effortlessly and authentically. It is definitely the strongest example of achieving this throwback horror since Rodriguez and Tarantino's Grindhouse. In fact, The Barn is some of the most fun that I've had at a horror film in a long time. The story that The Barn frames itself around involves a cursed barn that has largely been forgotten about for thirty years. The dangerous legend associated with this relic sees three monsters, The Boogeyman, Hollow Jack, and the Candy Corn Scarecrow, being components of a Halloween curse that surrounds all of this. Cut to 1989, where Sam and Josh, two precocious teens that are a little too gung ho for the holiday, come face-to-face with this deadly curse and the horrors that come along with it. The Barn spends a good deal of time on its characters, with both Sam and Josh being well defined, albeit simple, protagonists. Everyone comes across as a caricature, but in the comforting, intentional way that is fundamental to the 80's. They re given a large posse of friends to play with, which allows for the film to have a rather expendable death count, which is the right direction for this sort of film. You need to see those silly, over the top death sequences. As their friends begin dying around them, The Barn continues to bank on Sam and Josh s friendship. There is actually believable, compelling chemistry between the two leads that gives this film a healthy, necessary energy to drive it forward. One of the aspects that makes all of this work so well is Sam s deep love for Halloween. He pushes across an infectious obsession with the holiday that frequently had me thinking about Matthew Lillard in Scream. He s frequently bringing up these rules for Halloween that he s created and each one of them is a real delight. Sam treats Halloween like a religion and this approach ends up being really beautiful. Add to that the fact that Sam and Josh are about to graduate high school with this being their last opportunity to trick or treat and paint the town blood red. A nice touch that director, Justin M. Seaman, utilizes with the film s supporting cast, like Sam s Dad or Ms. Barnhart, is that these people are giving performances right out of the Tim and Eric School of Acting. These characters pause at the wrong moments in sentences and make bizarre enunciation choices as if they re completely out of their element. Again, all of this is done to play into the campiness and hammy nature of horror performances circa the 80's but the film nails this aspect especially well. This is something that s really hard to do effectively without it going too far in either direction. These performances are wonderfully wrong in the right sort of way, if that makes sense. You re absolutely laughing with the film rather than at it. It s in on this treat. --Bloody-Disgusting If you were one of the multitudes of horror aficionados that cut their teeth on the abundance of VHS chillers back in the mid-80's, then you've got to be overjoyed with the plethora of throwback flicks that have been unleashed over the course of the last few years. To remember such plastic-cased classics is a thing of beauty, and to revisit them is even more special, but the notion of a tribute to those films that entertained us is a whole other beast, entirely. Allow me to introduce the latest barbarian into the fray: The Barn from director Justin M. Seaman, and suffice it to say, it s beginning to feel a lot like 1989. The opener of this one takes us back to Halloween 1959, and the setting is Wheary Falls, a small town with a large backing from the local church, and the annual hootenanny is underway, and all that s asked of the party goers from the pastor is that they BY ALL MEANS, stay clear of the abandoned barn on the other side of town. Now you honestly didn't think that everyone was going to take the holy man s words to heart, did you? Here s where things get interesting (without giving any spoilers away)- what happens at the front door to the barn to a young kid is masterful, and this is not by any means me cementing myself as a sadistic bastard, but to pull off what Seaman does within the first 4 minutes is not only ballsy and unapologetic, but it sets a tone for the rest of the film. Flash-forward to good old 1989, and the town s biggest Halloween celebrators, Sam and Josh are doing what they enjoy every Autumn: scaring the cheez-whiz out of the locals and making every Debbie downer in town angry. Their friendship has stood the test of Josh s father s passing, and together they compliment each other s twisted sense of humor. When a seemingly harmless prank goes terribly wrong, the two have it broken down to them that their days of jerking around MUST come to an abrupt end. As the impending thoughts of a stagnant existence overwhelm the two, their hopes are somewhat realigned with the news that their favorite heavy metal band will be playing a one-night only show on you guessed it, Halloween. So with a group of pals in tow, the gathering decides that a shortcut to the show is the best route (which it never is), and damned to all hell, wouldn't you know where the shortcut drops our collection of misguided adolescents? yep, right at the doors of the barn itself. Seems the legends of the barn s inhabitants, The Boogeyman, Hallowed Jack and The Candycorn Scarecrow aren't just tall tales after all these creepy suckers are violent, unrepentant, and just not in the Halloween mood. Supported by a couple of entertaining cameos from Linnea Quigley and Ari Lehman, the cast does an admirable job in pulling off performances that are effectually cheesy and fitting for a movie such as this. Oh, and fans of gore? I sincerely hope you brought the biggest damn plastic pumpkin you could find to this film s doorstep, cause it s going to get filled to the brim with enough blood and guts to keep you fed for weeks after screw the candy, viscera s where it s at! There s even a few decent-sized laughs sprayed around in this one to keep things a little bit light from time to time. Overall, I can without a doubt recommend The Barn to everyone looking for a fun, retro trip back to the days of grainy, low-budgeted horror yanked directly off the racks of your local video rental shop this one will sit firmly entrenched in my top 5 of the best horror films for 2016. Available NOW on both DVD and VHS from the barn merch. com hell, there s all sorts of goodies available for your last minute X-Mas shopping, so get on over and pick up a little something for the demented ones in your life! --Dread Central Top About this item Similar From the Brand Reviews The Barn - Special Edition [Blu-ray]

Release: April 14, 2026

$7.99

Description

Two-disc set includes: Angel's Leap (Le Saut de L'ange) (1971)It was time for the local elections in Marseilles, and, unfortunately, it was time for the local mob factions to start muscling their chosen candidates into office. Retired family head Louis Orsini (Jean Yanne) was hoping to stay out of the country and above the fray-but that would no longer be an option as his relatives' blood was spilled. Yves Boisset's singular crime story co-stars Senta Berger, Sterling Hayden, Gordon Mitchell, Raymond Pellegrin. 95 min. In French with English subtitles. C/Rtg: NR Mad Enough To Kill (Folle à Tuer) (1975)As she was coming off five years' institutionalization, Julie Ballanger (Marlène Jobert) thought herself lucky that an industrialist would hire her as governess for his orphaned nephew (Thomas Waintrop). There may have been an agenda at work as the fragile caregiver may be the boy's only hope when they're targeted by a ruthless kidnapper (Tomas Milian). Tense tale from Yves Boisset co-stars Michel Peyrelon, Victor Lanoux, Jean Bouchaud, Michael Lonsdale. 97 min. In French with English subtitles. C/Rtg: NR The Woman Cop (La Femme Flic) (1980)Toulon inspector Corinne Levasseur (Miou-Miou) wasn't one to play nice, and that bought her a transfer to a northern mining town where she was relegated to desk work. Her paper pushing actually tipped her to a child pornography ring-but as local power brokers were implicated, she may regret her determination to see justice done. Sobering study from Yves Boisset also stars Jean-Marc Thibault, Leny Escudéro, Jean-Pierre Kalfon, Niels Arestrup. 103 min. In French with English subtitles. C/Rtg: NR Rise Up, Spy (Espion, Lève-Toi) (1982)Eight years ago, ex-SDECE agent Sébastien Grenier (Lino Ventura) left the spycraft behind to become a businessman in Zurich. Approached by Swiss official Jean-Paul Chance (Michel Piccoli) to look into a string of terrorist attacks, he only accepts after the lives of two former colleagues are claimed-but is Chance really who he seems? Yves Boisset's tale of intrigue co-stars Bruno Cremer, Bernard Fresson, Krystyna Janda, Heinz Bennent. 98 min. In French with English subtitles. C/Rtg: NR Widescreen; Soundtrack: French; Subtitles: English; audio commentary; theatrical trailers.