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Release: April 5, 2016

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Years after the accidental death of her folk-legend songwriter husband Hunter, Hannah (Rebecca Hall) has yet to fully accept her small-town life in Maine without him. She spends her days contemplating a book she'd like to write on Hunter's life and work, and indulging in a fling with a local meathead (Joe Manganiello). When approached by brash New York academic Andrew (Jason Sudeikis), intent on p

Release: January 25, 2016

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In a post-apocalyptic wasteland, a lonely comic-book-obsessed teen becomes an unlikely hero when he sets out to rescue a mysterious girl from a tyrannical warlord.

Release: July 9, 2024

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Ray Liotta (Goodfellas), Lauren Holly (Dumb and Dumber) and Brendan Gleeson (In Bruges) face off at 35,000 feet above sea level in the high-impact action-thriller Turbulence. A handful of last-minute Christmas Eve passengers are boarding a flight from New York to Los Angeles that will change their lives forever…if they survive. For flight attendant Teri Halloran (Holly), it’s just another plane ride from coast to coast—with only one difference. This time they’ll be carrying two very special passengers—an armed robber named Stubbs (Gleeson) and a seductive serial killer called Ryan Weaver (Liotta)—both handcuffed, shackled and escorted by top security agents. But when Stubbs slaughters one of his escorts and manages to break free, the balance of power suddenly changes hands. Now the cool and intelligent psychopath Ryan Weaver controls the plane, and the lives of every passenger and flight attendant on it. With the massive 747 heading into a severe storm, the danger from outside is almost as deadly as the danger within. The storm could kill you—but Weaver will make you suffer first. You’d better fasten your seatbelts—because this trip is going to be a killer ride! Directed by Robert Butler (Underground Aces) and featuring Hector Elizondo, Rachel Ticotin, Jeffrey DeMunn, Ben Cross and Catherine Hicks. Special Features: • Brand New HD Master – From a 4K Scan of the 35mm Original Camera Negative • NEW Audio Commentary by Director Robert Butler, Moderated by Filmmaker Joe Begos • Theatrical Trailer and TV Spots • 5.1 Surround and Lossless 2.0 Stereo Audio • Dual-Layered BD50 Disc • Optional English Subtitles

Release: July 9, 2024

$7.99

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Ray Liotta (Goodfellas), Lauren Holly (Dumb and Dumber) and Brendan Gleeson (In Bruges) face off at 35,000 feet above sea level in the high-impact action-thriller Turbulence. A handful of last-minute Christmas Eve passengers are boarding a flight from New York to Los Angeles that will change their lives forever…if they survive. For flight attendant Teri Halloran (Holly), it’s just another plane ride from coast to coast—with only one difference. This time they’ll be carrying two very special passengers—an armed robber named Stubbs (Gleeson) and a seductive serial killer called Ryan Weaver (Liotta)—both handcuffed, shackled and escorted by top security agents. But when Stubbs slaughters one of his escorts and manages to break free, the balance of power suddenly changes hands. Now the cool and intelligent psychopath Ryan Weaver controls the plane, and the lives of every passenger and flight attendant on it. With the massive 747 heading into a severe storm, the danger from outside is almost as deadly as the danger within. The storm could kill you—but Weaver will make you suffer first. You’d better fasten your seatbelts—because this trip is going to be a killer ride! Directed by Robert Butler (Underground Aces) and featuring Hector Elizondo, Rachel Ticotin, Jeffrey DeMunn, Ben Cross and Catherine Hicks. Special Features: DISC 1 (4KUHD): • Brand New HDR Dolby Vision Master – From a 4K Scan of the 35mm Original Camera Negative • NEW Audio Commentary by Director Robert Butler, Moderated by Filmmaker Joe Begos • 5.1 Surround and Lossless 2.0 Stereo Audio • Triple-Layered UHD100 Disc • Optional English Subtitles DISC 2 (BLU-RAY): • Brand New HD Master – From a 4K Scan of the 35mm Original Camera Negative • NEW Audio Commentary by Director Robert Butler, Moderated by Filmmaker Joe Begos • Theatrical Trailer and TV Spots • 5.1 Surround and Lossless 2.0 Stereo Audio • Dual-Layered BD50 Disc • Optional English Subtitles

Release: July 17, 2012

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Product Description On January 3, 1889 in Turin, Italy, Friedrich Nietzsche steps out of the doorway of number six, Via Carlo Albert. Not far from him, a cab driver is having trouble with a stubborn horse. The horse refuses to move, whereupon the driver loses his patience and takes his whip to it. Nietzsche puts an end to the brutal scene, throwing his arms around the horse's neck, sobbing. After this, he lies motionless and silent for two days on a divan, until he loses consciousness and his mind. Somewhere in the countryside, the driver of the cab lives with his daughter and the horse. Outside, a windstorm rages. Immaculately photographed in Tarr's renowned long takes, the Turin Horse is the final statement from a master filmmaker. Review "An auteurist triumph." --Manohla Dargis, The New York Times "Four Stars! A sumptuous masterpiece by one of the greatest moviemakers of all time." --V.A. Musetto, NY Post "A death-haunted masterpiece. Tarr s most fully achieved, challenging movie since his 1994 epic Sátántangó. --J. Hoberman, Village Voice

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A Long Island farmer forms the Culper Ring and becomes a crucial spy for the American Revolution.

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A Long Island farmer forms the Culper Ring and becomes a crucial spy for the American Revolution.

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A Long Island farmer forms the Culper Ring and becomes a crucial spy for the American Revolution.

Release: September 20, 2022

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From William Dieterle, the acclaimed director of The Devil and Daniel Webster, I’ll Be Seeing You, Portrait of Jennie and The Accused, comes this electrifying film noir starring screen great William Holden (Stalag 17). When crusading district attorney John Conroy (Edmond O’Brien, The Hitch-Hiker) is tasked to crack down on a powerful crime syndicate, he recruits his no-nonsense newspaperman pal Jerry McKibbon (Holden), his sweetheart Mandy (Alexis Smith, Conflict) and his grizzled detective father (Tom Tully, Ruby Gentry). But unbeknownst to the younger Conroy, the elder Conroy is mixed up in the same racket he’s been appointed to take down. Featuring noir favorites Ed Begley (Boomerang), Ted de Corsia (The Lady from Shanghai) and Neville Brand (D.O.A.) with masterful black-and-white cinematography by Lionel Lindon (Alias Nick Beal), The Turning Point is a thrilling portrait of political corruption that leads to a shocking conclusion. Special Features: -Remastered in HD by Paramount Pictures – From a 4K Scan of the 35mm Film Elements -Audio Commentary by Author/Film Historian Alan K. Rode -Theatrical Trailer -Optional English Subtitles

Release: September 17, 2019

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Supergirl: The Complete Fourth Season (Blu-ray) Season three saw Supergirl stop Reign and the other Worldkillers’ threat to our planet, and in the process, Kara discovered her mother survived the destruction of Krypton. Reconnecting with her past caused Kara to realize that her true home is here on Earth, where big changes are taking place for her and all of her friends in National City – and also, it appears, for a doppelganger in Russia!

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A sea turtle travels the world’s oceans across decades, witnessing friendship, love, and environmental change.

Release: January 17, 2012

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Tuskegee Airmen, The (BD) Fireballs of high-speed air action explode off the screen in this exciting story of the "Fighting 99th" - the first squadron of Black American pilots to be allowed to fight for their country. It is 1943 and the Germans are winning the Second World War as the U.S. suffers huge losses on the ground and in the air. Four newly recruited pilots are united by a desire to serve their country, at a time when black flyers are not welcomed in the Air Force. Now, through the brutal demands of their training, to the perils of flying over nations at war, the men they call "The Tuskegee Airmen" must undertake the riskiest mission of their lives- to prove to America that courage knows no color. Their success could earn them respect, save lives, and help win a terrible war. Their failure could destroy more hopes and dreams than their own.

Release: May 25, 2021

$6.99

Description

The future is no mystery to Julie Gillis. She has her life mapped out in details that fall just shy of where the wedding portrait will hang and the number of goldfish swimming in the bowl. Julie even knows she will be married next March 12. She just does not know to whom. But it is a cinch he will have blue eyes. Frank Sinatra headlines this ring\-a\-ding\-ding delight with the title tune that became a Sinatra standard. Debbie Reynolds plays Julie, who sets her marital sights on a Manhattan talent agent (Sinatra) dedicated to life, liberty and the happiness of pursuit. Love is indeed The Tender Trap. And with Sinatra, Reynolds and comedy experts Celeste Holm, David Wayne and Carolyn Jones on call, its an entertainment gotcha!

Release: December 28, 2010

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A privileged Manhattan teen drug dealer sees his world spiral out of control after a friend is murdered and his cousin is arrested for the crime.

Release: October 23, 2018

$6.99

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A high school girl named Bella falls in love with a vampire. The new couple leads a rival vampire clan to pursue them and attempt to force her to decide if she, too, wishes to become one of the undead.

Release: February 13, 2024

$7.99

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Product Description Arbelos Films presents TWLIGHT - Directed by longtime Béla Tarr collaborator György Fehér - never before available on DVD or Blu-ray in North America. After discovering the murdered body of a young girl deep in a mountainous forest, a hardened homicide detective pushes himself to increasingly obsessive ends in his quest to catch the serial killer - known only as "The Giant" - responsible for the crime. A much admired but long unavailable masterpiece by influential Hungarian auteur and regular Béla Tarr collaborator György Fehér, TWILIGHT (SZÜRKÜLET) is at once an existential murder mystery and an expansive meditation on time and space. Stunningly lensed in rich blacks and cascading grays by DP Miklós Gurbán (WERCKMEISTER HARMONIES), Arbelos is proud to present TWILIGHT for its first-ever U.S. release in a brand new 4K restoration by the National Film Institute - Hungarian Film Archive and FilmLab, supervised by Gurbán. Specs: Anamorphic Widescreen 1.66:1. DTS-HD MA 2.0 Mono. Region code: ALL. Special Features: New 4K restoration from the original 35mm camera negative by the National Film Institute - Hungarian Film Archive and FilmLab, supervised by Miklós Gurbá. New video interview with cinematographer Miklós Gurbán. New video interview with editor Mária Czeilik. György Fehér's first two short films: Öregek (1969) and Tomikám (1970). U.S. Theatrical Trailer. 12-page booklet with new essay by Andrea Virginás (Film Genres in Hungarian and Romanian Cinema: History, Theory, Reception). Review Call it Twin Peaks without the jokes… The mood it builds is soul-shaking. --Sheri Linden, Hollywood Reporter Fehér has created a masterpiece that continues the reputation of Hungary's 80s and 90s cinema as a goldmine. --Soham Gadre, Film Inquiry It's a style so minimalist, it approaches maximalism - and this combination of pulp and precision creates an arresting and unique work of film noir. --Teo Bugbee, The New York Times Top

Release: December 27, 2022

$6.99

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Twilight is an acclaimed whodunit packed with stars and suspense. Directed by the great Robert Benton (The Late Show, Kramer vs. Kramer, Still of the Night, Billy Bathgate) and starring screen legends Paul Newman (The Sting), Gene Hackman (Mississippi Burning), Susan Sarandon (Lorenzo’s Oil) and James Garner (The Great Escape). Newman plays Harry Ross, a burned-out private eye who’s plunged into a murder mystery tied to a long-unsolved case of Hollywood dreams, schemes and cover-ups. Nobody’s Fool renowned star and filmmaker reunite in this richly layered character-driven neo-noir. And Stockard Channing (Grease), Reese Witherspoon (Walk the Line), Giancarlo Esposito (The Usual Suspects), Live Schreiber (Spotlight), M. Emmet Walsh (Blood Simple) and Jason Clarke (Zero Dark Thirty) are among the locals who inhabit a Tinseltown world of privilege and sleaze, sexuality and desperation, trust and double-cross. From beginning to end, Twilight glows. Special Features: -Audio Commentary by Film Critics Alain Silver and James Ursini -Theatrical Trailer (Newly Mastered in 2K) -5 TV Spots -5.1 Surround and Lossless 2.0 Audio -Dual-Layered BD50 Disc -Optional English Subtitles Top About this item Similar From the Brand Reviews Twilight [Blu-ray]

Release: October 23, 2018

$6.99

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A high school girl named Bella falls in love with a vampire. The new couple leads a rival vampire clan to pursue them and attempt to force her to decide if she, too, wishes to become one of the undead.

Release: February 11, 2012

$6.99

Description

The astonishing, highly anticipated next chapter in the series, THE TWILIGHT SAGA: BREAKING DAWN, illuminates the secrets and mysteries of this spellbinding romantic epic that has entranced millions.

Release: October 23, 2018

$6.99

Description

Bella and Edward have been reunited, but their forbidden relationship is threatened to be torn apart again with an evil vampire still seeking her revenge. And Bella is forced to choose between her true love for Edward or her friendship with Jacob Black as the struggles between vampires and werewolves continues. But there is still another choice for Bella to make, mortality or immortality.

Release: October 23, 2018

$6.99

Description

Edward Cullen has already rescued Bella from the clutches of one evil vampire, but now, as their daring relationship threatens all that is near and dear to them, they realize their troubles may be just beginning.

Release: October 15, 2019

$6.99

Description

For the first time, in one collection, the complete television phenomenon TWIN PEAKS: - All 29 episodes of the original groundbreaking seasons. - All 18 parts of the "Limited Event Series" -the return to Twin Peaks - that captivated audiences 25 years later, written by the series co-creators and entirely directed by David Lynch. - A wealth of intriguing, behind-the-scenes special features. So grab a cup of coffee, a slice of cherry pie, and experience the legendary mystery... again and again!

Release: July 29, 2014

$6.99

Description

Twin Peaks: The Entire Mystery is a comprehensive collection with every episode from the complete television series; both the U.S. and international versions of the series' Pilot; the North American Blu-ray debut of David Lynch's follow-up feature Twin Peaks: Fire Walk With Me; and nearly 90 minutes of deleted and alternate scenes from the film. The set also features newly transferred Log Lady introductions for each episode; picture upgrades to many shots in the TV series; a new featurette with series creator Lynch and the actors who portrayed the Palmer family which includes a mesmerizing return to the lives of their characters today; and hours of material never before released on Blu-ray, which dives into the fascinating story behind the celebrated pop culture classic.

Release: July 29, 2014

$6.99

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Twin Peaks: The Entire Mystery is a comprehensive collection with every episode from the complete television series; both the U.S. and international versions of the series' Pilot; the North American Blu-ray debut of David Lynch's follow-up feature Twin Peaks: Fire Walk With Me; and nearly 90 minutes of deleted and alternate scenes from the film. The set also features newly transferred Log Lady introductions for each episode; picture upgrades to many shots in the TV series; a new featurette with series creator Lynch and the actors who portrayed the Palmer family which includes a mesmerizing return to the lives of their characters today; and hours of material never before released on Blu-ray, which dives into the fascinating story behind the celebrated pop culture classic.

Release: July 29, 2014

$6.99

Description

FBI Special Agent Dale Cooper investigates the murder of Laura Palmer in the strange town of Twin Peaks, where dark secrets and supernatural forces lurk beneath the surface.

Release: January 2, 2019

$6.99

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Tell Them Willie Boy Is Here is a modern western classic based on the true story of a Pauite Indian named Willie Boy (Robert Blake, Busting, In Cold Blood) and his bride Lola (Katharine Ross, The Graduate, The Stepford Wives), who become the objects of the last great western manhunt after Willie Boy kills Lola’s father in a “marriage by capture.” The manhunt, led by Sheriff Christopher Cooper (Robert Redford, Legal Eagles, The Sting), turns into a media circus when President Taft comes to visit the area and a mishap becomes twisted by the newspapers of the day. Released in 1969, Tell Them Willie Boy Is Here was a triumph for Redford and was called by Time Magazine, “A subtle, intense document of racial persecution that stands as one of the finest films of the year.” Written and directed by formerly blacklisted Abraham Polonsky (Force of Evil) and featuring stunning on-location cinematography by the great Conrad Hall (Butch Cassidy and the Sundance Kid). The wonderful cast includes Susan Clark (Valdez Is Coming), Barry Sullivan (Planet of the Vampires), John Vernon (The Outlaw Josey Wales) and Charles McGraw (The Narrow Margin). Special Features: -NEW Audio Commentary by Actor/Filmmaker Pat Healy and Film Historian Jim Healy -Theatrical Trailer

Release: January 11, 2022

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Life in the corporate world can be murder. At Mrs. Appleby's, some people would kill to get ahead. Peter Derns (Timothy Hutton), a junior exec at Mrs. Appleby's cookie company, is afraid his future prospects are crumbling faster that the product he markets. Hope appears in the curvaceous form of Kris Bolin (Lara Flynn Boyle), his new temp. Gorgeous, bright and efficient, Kris helps Peter develop a deliciously successful marketing campaign. But after two executives meet mysterious deaths, Peter fears his job security may end permanently due to the one person he needs to trust-his temp. Bonus Content: Head Office – An Interview with Director Tom Holland Office Gossip – An Interview with Actress Lin Shaye Temp Effects – An Interview with Special Effects Artist Steve Johnson Office Politics – An Interview with Editor Scott Conrad Theatrical Trailer

Release: July 29, 2014

$6.99

Description

FBI Special Agent Dale Cooper investigates the murder of Laura Palmer in the strange town of Twin Peaks, where dark secrets and supernatural forces lurk beneath the surface.

Release: September 29, 2009

$6.99

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Product Description Twin Spirits is a unique and intimate, live theatrical performance by a chamber ensemble of actors, singers and musicians, portraying the deep and ultimately tragic love between the composer Robert Schumann and his pianist wife Clara Wieck. In this intensely moving performance of words, song and music, the Schumanns’ long separation, so formative an influence on their lives, is reflected in the division of the ensemble into male and female groups. Robert's letters to Clara are read by Sting and his songs sung by Simon Keenlyside, with accompaniments and instrumental music played by Iain Burnside and Sergej Krylov. Clara's letters to Robert are read by Trudie Styler and her songs sung by Rebecca Evans, with accompaniments and instrumental music played by Natalie Clein and Natasha Paremski. The narrator, Derek Jacobi, links together the letters and lyrics to complete the essential outline of the story. Conceived and directed by John Caird, Twin Spirits was first performed in June 2005 at the Royal Opera House, Covent Garden, London and has since been experienced only at private performances for charity by small audiences of all ages and interests, leaving them deeply touched and inspired. Press Reviews "Twin Spirits portrays the life and love of Robert and Clara Schumann through readings of their surviving letters. These are read by Sting and Trudie Styler, with Derek Jacobi authoritatively filling in any gaps in the story. In one sense it's a static productions, with everyone seated throughout, but it's actually quite engrossing - perfectly paced and beautifully filmed. It's impossible not to emerge with both a true empathy for the Schumanns and a renewed or awakened interest in their music. The acting stays just the right side of luvviness, with Sting and Styler delivering strong, subtly believable performances. They're supported by beautifully executed interludes from a top line-up of soloists. This is tender, moving, well put together, and supplemented by an enlightening bonus DVD." (Classic fM) "John Caird's Twin Spirits, filmed live at the Royal Opera House, is beautifully constructed and performed with extraordinary fervour… Sting and Trudie Styler's own marriage undoubtedly informs their profoundly affecting portrayal of the Schumanns… Musical choices are mostly Schumann, a bit of Clara and some evocative Mozart and Chopin... often in special arrangements. Bonus material is generous... The issues are fascinating, though. How good is Clara's music? The jury is still out." (BBC Music Magazine) Cast Sting (Actor) Trudie Styler (Actor) Derek Jacobi (Narrator) Simon Keenlyside (Tenor) Sergej Krylov (Violin) Iain Burnside (Piano) The Orchestra of the Royal Opera House Production Company: Royal Opera House Stage Director: John Caird Disc Information Catalogue Number: OABD7043D Date of Performance: 2005 Running Time: 206 minutes Sound: 2.0 & 5.0 PCM Aspect Ratio: 1080i High Definition / 16:9 Subtitles: EN, FR, DE, ES, IT + EN (SONGS ONLY) Label: Opus Arte Review A Great Love Story is Told in Words and Music The nearly legendary story of Robert and Clara Schumann was staged and filmed at the Royal Opera House, Covent Garden, in 2007. The production, titled "Twin Spirits," is now available in a 2-DVD set from Opus Arte, and it is impressive and unusual. As Narrator, Derek Jacobi has center stage. On his right are actor Sting to read from Robert Schumann's letters, baritone Simon Keenlyside to sing Schumann's songs, Sergej Krylov (violin), and Iain Burnside (piano). On his left are actress Trudie Styler to read from Clara's letters, soprano Rebecca Evans to sing selections as a solo or as a duet with Keenlyside, Natalie Clein (cello), and Natasha Peremski (piano). The first disc contains the performance, which is an expert balance of narration and dramatic readings with solos and accompaniments from the musicians. As is explained in the program notes, some of the selections were edited in various ways for theatrical effect. All in all, it provides a fascinating insight into two human beings who loved, created complex and beautiful music, and finally suffered when Robert had a mental breakdown. The second disc offers another set of insights into the genius of the two when different members of the cast, actors and players, discuss the personalities and works of the two Schumanns. The educational value of this disc alone is great. I would like to see similar formats used for other famous musicians--but only with such skilled artists as were used in "Twin Spirits." But when will art departments stop using white print over colored backgrounds in the booklets, which might please their eyes but ruin ours? -- Art Times, Frank Behrens, December 2009 Better than you'd expect. This entertainment comes out of a charity event held at the Royal Opera House, Covent Garden. If you don't blink, you can see Alfred Brendel schmoozing before the curtain goes up. Basically, it pairs the music of Robert and Clara Schumann with their writings to and about one another (with side trips to Mozart and Chopin). The texts and notes don't line up chronologically, but emotionally. The words, from letters and diaries (particularly the so-called "marriage" diary which they kept jointly), chronicle the couple from pre-courtship to Robert's insanity and death, with a bit on Clara's long widowhood. A whiff of the "high-class" charity event lingers a little over the enterprise. Frankly, when I saw Sting's name, I muttered, "God save us from arty rockers." However, Sting surprised me. His delivery was intelligent, understated, with just enough "characterization" that you felt the presence of another personality, perhaps even Schumann's. In other words, he convinced me. It's the professional actors -- Jacobi and Styler -- that I occasionally caught "acting." Jacobi at times became a Masterpiece Theatre compère, while Styler here and there over-emoted. Her young Clara Wieck was a little too cute. However, Jacobi's lines functioned simply for set-ups and connections, and Styler became genuinely moving as Clara bears the family catastrophe. However, the real glory of the evening lies -- don't be too surprised -- in the music and the performances. Evans does well with her songs, although she occasionally slips into opera mode. Burnside supplies sensitive accompaniments -- a pro who knows his Schumann. The cellist Natalie Clein . . . well, I couldn't concentrate too well on her music-making, she's so gorgeous -- a bit like the young Argerich. What I did get showed a fiery but musical personality. She's wonderful in chamber music. American pianist Natasha Paremski negotiated some fiendish passage-work from Clara's piano concerto with spirit and aplomb. Violinist Sergei Krylov seemed uncomfortable in a chamber setting, but he certainly set the tone of the playing. You couldn't accuse him of bland good taste or timidity. However, baritone Simon Keenlyside stood out. I've heard few better Lieder singers. Furthermore, his duet with Evans in Mozart's "Là ci darem" from Don Giovanni provided the musical highpoint of the enterprise -- silkily seductive and a better aphrodisiac than oysters (though not as tasty). It strikes me as ironic that Mozart beats out Schumann in a Schumann documentary -- home-field advantage notwithstanding. The music, for the most part, serves the drama. Sometimes, we get abbreviations or cutoffs so the readings may continue. At other times, piano pieces have been "orchestrated" for the instrumental ensemble and at least one solo song turned into a duet. However, Martin Ward displays great taste, even in a chamber arrangement of something like "Träumerei" -- a trap that can lead to sugar coma if you don't take care. Some of the best bits come from the bonus disc, which contains, among other things, interviews with the musicians and the actors as well as a short documentary made at the Schumann-Haus in Zwickau, the composer's birthplace. John Caird serves as interlocutor. As he talks with the actors, it becomes clear that the group brings contemporary cultural perspectives to the marriage. Clara becomes the put-upon mother of the brood, while Robert flits about doing as he pleases -- writing symphonies and music criticism, preparing to conduct, and so on. This really doesn't survive a moment's thought. Clara, one of the greatest pianists of her day, was the primary breadwinner (one of her tours paid the family's expenses for three years) and had plenty of domestic help. She couldn't have practiced otherwise, and she set herself challenging programs. Don't get me wrong. She had plenty to put up with otherwise from Schumann, who among other things couldn't bear extraneous noise while he worked. I don't remember how they worked it out. She may have had to practice off-premises or Schumann may have composed off-premises. At any rate, musicologist Daniel Gallagher sits in and occasionally and gently puts things right. I should point out that these are extremely informal conversations among intelligent people. My favorite moment comes from pianist Natasha Paremski, who uses the word "vibe" and then asks, "That's not too American a word, is it?" Iain Burnside replies in his Best British Manner, "It's a word, yes." For me, however, the documentary, One Heart, One Soul, counts as the most interesting portion of the bonus features. It consists of the director of Schumann-Haus, Gerd Nauhaus, a man who knows his Schumann as well as anybody, discussing the composer. He too corrects some of the misperceptions that have arisen during the other interviews. Nauhaus speaks German, but you can choose subtitles from among several languages, including English. One may very well ask what audience these discs serve. Sting provides one answer: those not normally interested in classical music can come to the genre by getting involved in the story. It is a cracking good story, if a little weepy -- a Romance novel that happens to be true. Die-hard Sting fanatics will probably want it, even though he doesn't sing. Those who know their Schumann may or may not find something to interest them. The performances all shine, but it's not a Schumann concert, after all. You'll just have to work it out for yourselves. -- Classical CD Review, Steve Schwartz, February 2010 Having brought John Dowland to the masses with his album Songs from the Labyrinth, Sting takes another shot at presenting classical music to a wider audience which has developed the infuriating habit of not taking any notice of it. In this live performance, Sting portrays the passionate and tragically short-lived Robert Schumann by reading from his letters, while his wife Trudie Styler enacts the role of Robert's spouse Clara Schumann (formerly Wieck). In between, selections from the Schumanns' music are played by an ensemble comprising cellist Natalie Clein, pianists Iain Burnside and Natasha Paremski, violinist Sergej Krylov and singers Simon Keenlyside and Rebecca Evans. "I think it's a great `in' for people who don't normally listen to classical music," says Sting. Twin Spirits was devised as a fundraiser for a variety of charities, including the Royal Opera House, so we probably have to forgive its overtones of highbrow schlock. However, our task is not made easier by Derek Jacobi's performance as narrator. Ensconced on a throne and dressed like a Victorian philanthropist, Sir Del is at his fruitiest and most orotund. Fans of Frasier may be reminded of his guest performance as Jackson Hedley, the world's most preposterous Shakespearean actor. However, although Sting has suffered his share of critical brickbats, here he keeps a straight bat and delivers his readings with a mixture of wry humour and quiet sincerity. Trudie sometimes lurches into over-emoting luvviedom, but then again, she was a member of the RSC back in the day, which is how the RSC's John Caird was recruited to direct the project. And it can't be denied that the saga of the Schumanns' doomed greatest-love-of-all is a powerful tear-jerker. "There are moments in the story that make me very fearful," Styler admits. "The idea of losing my husband confronts me when I look at Sting as Robert. There are a few moments in the script where Robert and Clara are having a good time, so I try to make the most of them, just as I do in my own life." At 90 minutes, Twin Spirits cries out for some editing scissors, but perseverance is rewarded by the quality of the musical performances. Simon Keenlyside brings thunderous conviction to his musical portrayal of Robert Schumann, and the quartet performance of Traumerei, which marks the composer's solitary and miserable death, feels lonelier than a coyote's howl. Surprisingly, the second disc of additional features contains some of the best bits, especially Caird's conversations with the participants. All the musicians offer useful insights into the music, with Iain Burnside contributing shrewd remarks about the way Robert Schumann's music demands active intervention from the performer to bring it to life. When Caird introduces musicologist Daniel Gallagher to supply commentary on the Schumanns' life and work, he's so fascinating that that even Sting and Trudie find themselves spontaneously quizzing him. Despite all this, if you really want to explore the Schumanns' work, you might consider buying a selection of CDs and playing them a lot. -- The Arts Desk, Adam Sweeting, October 1, 2009 In his lifetime, Robert Schumann remained in the shadow of his wife Clara Wieck, whose concert career as a pianist took her all over Europe while he labored as a music journalist and largely unrecognized composer. Clara's overbearing father had taught them both piano, but his callous objections to the growing romance between Robert and Clara resulted in a physical separation that -- happily for musicologists -- left hundreds of letters detailing the musical and emotional development of this fascinating couple. While in different cities, they would often arrange to play the same piece at the same time, and then write to each other about the emotions aroused; once they were finally married, they kept a joint "marriage diary" for three and half years that recorded their musical and domestic happiness. Sting and his wife, actor Trudie Styler, are joined by Derek Jacobi, soprano Rebecca Evans, baritone Simon Keenlyside, and four instrumentalists for Twin Spirits, an educational project from London's Royal Opera House that presents the lives and works of Clara and Robert Schumann. Sting and Styler portray the couple in words, Keenlyside and Evans in music. Jacobi narrates. Devised and directed by John Caird, the show was recorded live in an intimately arranged and lit studio space at the opera house. It weaves together musical excerpts, love letters, diary entries and narration to tell the story of their love and marriage, tragically shortened when Robert's mental illness forced his commitment to an asylum. The show itself, which has been given as charity performances since 2005, is both informative and affecting, with spontaneous and energetic musical contributions, especially Evans's urgent rendition of Clara's "Er ist gekommen" and Keenlyside's sweeping "Ich grolle nicht," capped by a powerful high A. Evans's controlled voicing of "Ich hab im Traum geweinet" and Keenlyside's "Stille Liebe" are also effective. Most of the musical selections are short, and many have violin and cello additions, which lend an appropriate salon atmosphere, though the opening of "Carnaval" sounds odd with strings. Because of its placement in the storyline (and the use of Chopin's variations on its tune), "Là ci darem la mano" receives an odd interpretation, but Keenlyside's and Evans's skill and naturalness are winning. Another huge plus is Styler's warm, expressive delivery. With her wispy hair, vulnerable face and a faraway look in her eyes, Styler embodies the romantic, artistic spirit who rejoices in her soul mate; in passages detailing the end of Robert's life, Styler makes Clara's pain palpable. Sting's spiky, contemporary look is a bit of a jolt, but his connection to the material and identification with the obsessive, suffering composer are genuine. All the artists contributed their time to the project without remuneration; only Jacobi (whose presence undoubtedly signals "class") seems arch and distanced in his narration. Several bonus offerings include lengthy, round-table discussions in which the singers, instrumentalists and actors speak of how powerfully the interaction of words and music affected their interpretations and delivery. A thirty-five-minute lecture at the Robert Schumann Haus in Leipzig provides biographical details and background on the Schumanns' careers and training, as well as on their marriage and children. All proceeds from DVD sales benefit outreach projects of the Royal Opera House Education Programme. -- Opera News Online, Judith Malafronte, Decmber 2009 Like cucumber sandwiches at high tea, this depiction of the romance between two German musicians is a uniquely English confection. It follows in the tradition of BBC radio's dramatization of biographical presentations. In this case, the extended courtship and all-too-brief marriage is rendered with convincing fidelity through an enlightened blending of the spoken word and musical examples from the respective compositions of Robert Schumann and Clara Wieck. Nobly narrated by Derek Jacobi, the dialogue is ably conveyed by Sting (when will he, as an emerging musical polymath, be granted a knighthood so that his real name may enter common usage?) and Trudie Styler reading the lovers' correspondence compiled over decades. An unusual form of entertainment, but it kept a capacity audience in rapt attention over a long evening at Covent Garden. The singers and musicians give heartfelt support to the story with immaculate performances. The set includes close to two hours of extra features. It is also available from Opus Arte on conventional DVD format. Highly recommended to admirers of the Schumanns and all collectors with a special interest in German music of the Romantic period. -- La Scena Musicale, October 2009 One of the most moving love stories in the world of music is the relationship between Robert and Clara Schumann. In 2007, the British producer David Caird put together a music theater piece called Twin Spirits at London's Covent Garden in which Derek Jacoby narrated the romantic and tragic story, with Sting and his wife Trudie Styler reading passages from Robert and Clara's letters and the remarkable diary they kept together in the first years of their marriage. Some excellent chamber musicians and singers punctuate the readings with excerpts from the works of both Robert and Clara. Twin Spirits tells the story of Robert Schumann coming to Leipzig to study with the renowned music teacher Friedrich Wieck. Wieck's daughter Clara was a piano prodigy, by far the most talented of his six children. Robert was nine years older than her. He lived with the Wiecks for a year. By the time Clara was in her mid teens, they had fallen in love. Wieck was violently opposed to this romance. Clara's career came first. He refused to permit the marriage and ultimately the two lovers went to court for permission. Clara was 21; Robert 30. Wieck eventually relented when the couple had the first of their eight children, only four of whom outlived their parents. Clara was much more famous than Robert, and traveled extensively giving recitals, which were admired by the greatest musical figures of the time. She inspired Robert -- the year before they were married, he wrote more than 100 of his greatest songs. And she helped further his career by playing his compositions. Robert Schumann suffered from periodic mental breakdowns; tragedy struck when he tried to drown himself. He was institutionalized, but Clara was forbidden to see him for more than two years, until he was actually dying. She spent the rest of her life giving concerts and performing her husband's music. In his musical selection, Twin Spirits producer/director David Caird is less concerned with chronology than with finding something appropriate for each part of the story. Purists might object to the way Caird has rearranged some of the original music for this production. But in this dramatic context, I find these new arrangements both tasteful and effective. Sting, we've come to know, has a serious interest in classical music; he's also a coolly expressive actor and reader. Trudie Styler is particularly affecting reading what Clara wrote during her final visits to Robert. The most disappointing element of Twin Spirits is the rather artificial narration by Derek Jacobi, an actor I usually admire. But the whole enterprise is a compelling and poignant retelling of the story, and the well-chosen and well-performed music make this an outstanding addition to the year celebration of Robert Schumann's bicentennial. -- NPR, Lloyd Schwartz, February 17, 2010 Sting has been taking ever braver leaps into the classical music world over the last few years. As someone who doesn't enjoy his singing, I heaved a sigh of relief that he is on speaking duty in this fascinating musical dramatization of the often difficult, artistically inspirational, romantically fulfilling relationship between composer Robert Schumann and Clara Wieck. Sting is Robert to Trudie Styler's Clara as they sit with narrator Derek Jacobi on the Covent Garden stage, surrounded by exceptional musicians, including tenor Simon Keenlyside, soprano Rebecca Evans and violinist Sergei Krylov. Excerpts from the lovebirds' letters are interwoven with Schumann's music (and a bit of Mozart and Chopin). Once you get into the slow, black-backdropped pace of the story, you come to appreciate what an amazing job director John Caird has done to make the 90-minute show absorbing. A second DVD has more than an hour of extras, including background interviews and a documentary. This is inventive classical programming at its best, though music purists might prefer to hear uncut versions of many of the pieces on the program. -- TheStar.com, John Terauds, November 17, 2009 This is an uncharacteristically small-scale production for writer-director John Caird, who is more closely associated with such spectacles as Les misérables and Nicholas Nickleby. It's a 90-minute account, through words and music, of the personal and professional relationship between Robert Schumann and his wife, née Clara Wieck, devised in 2005 for the education division of the Royal Opera House, Covent Garden, and since then trotted out for various fundraising events with different performer rosters. This version was recorded before a silent audience in late 2007. Despite the number of artists on stage, it seems quite intimate; the actors are low-key, and the musicians, while rising to the passions of the music as necessary (particularly in the finale of Robert's Piano Trio No. 1, which closes the program), are direct and obviously under no pressure to play to a large hall. Although the proceedings are conveyed mainly through close-ups and two- and three-shots, the placement of the performers is interesting and deliberate. In the center, to the rear, on what looks almost like a throne, Sir Derek Jacobi offers bits of introduction and narrative context. Down front, at opposite sides of the stage, sit the actors portraying the Schumanns: pop star Sting, who has always struck me as more intelligent and subtle than he is generally given credit for, and Trudie Styler, best known in America as Mrs. Sting, but in England an accomplished actress with (like Jacobi) a Shakespearean background. Clustered near each of the two main actors is a trio of musicians, divided by gender. On Robert's side are a baritone and a male violinist and pianist; on Clara's, a soprano and a female cellist and pianist. The musicians do not remain segregated all the time; obviously, there's crossover in the trio movement, and both singers deliver Mozart's "Là ci darem la mano," which was important in the Schumanns' personal history. There's also an arrangement of "Träumerei" that manages to include all the instrumentalists. But for the most part, each historical figure is represented by his or her own group of musicians. As you might have guessed, the music comes in bits and pieces, mostly songs and instrumental miniatures (by both Robert and Clara), but for the most part each item is complete in itself and only occasionally, mainly in the beginning, do the actors talk over the music. The spoken lines are drawn from the Schumanns' letters; Caird has heavily edited them and mingled missives from various periods to create a coherent narrative. This overall approach will obviously not satisfy purists who seek an impartial documentary account of the Schumanns, nor music lovers who prefer to hear song cycles and chamber works in their entirety. But that's not the point of this project; it's an introduction to the general, intelligent, curious music lover of the personalities behind this music, and to Clara's essential role in Robert's life and career. If Sting and Styler, sometimes reading from scripts but often looking straight into the camera, don't fully convey the excitement of early love, they are very good at communicating the comfortable intimacy, affection, and mutual respect of an old married couple. Perhaps each is best when not speaking; they can communicate quite a lot in the cutaway shots of one watching the other deliver lines, or in listening to the musicians (who are also seen being quietly attentive during some of the spoken passages). The musical performances are quite good, even if Simon Keenlyside, like most baritones, finds Schumann's top notes taxing. Those requiring a more straightforward documentation of the Schumann situation may prefer the 35-minute documentary in which a curator from the Schumann House museum and archive speaks, in subtitled German, about their marriage and careers, repeating some material from the stage presentation but elaborating on other issues. There's also a surprisingly engaging series of chats with Caird, the performers, and musicologist Daniel Gallagher about the Schumanns and their music. Gallagher's contributions are especially good, even for non-specialists, and while the actors don't have much of substance to contribute, they do at least chime in with the occasional smart observation and perceptive question. The Blu-ray video quality is, as usual, superb, although there's nothing more technically challenging here than maintaining clarity on a rather dark stage. The aspect ratio is 16:9, and the audio options are limited to PCM 2.0 and 5.0. Subtitles are available for the songs and the German documentary. Old hands at this subject may feel that its treatment here is too superficial, but take this for what it is: an educational entertainment designed to introduce the Schumanns' music and cobiography to the uninitiated without insulting their intelligence. "Twin Spirits" surely succeeds on those grounds, most touchingly. -- Fanfare, James Reel, Mar-Apr 2010 Twin Spirits is a live theatrical performance that features narration, impersonation (in an epistolary manner), and chamber music centered on the lives and love of Robert and Clara Schumann. Evidently the work, created and directed by John Caird, toured in smaller venues before being presented at the Royal Opera House. It is indeed a unique experience, the letters of the Schumann's used as the basis for a story of their lives, dramatized here to excellent effect, and enhanced by their music. One can think of no more worthy subjects than these two hyper-romantic figures, celebrated in their day and long afterwards, with personal connections tying them into the fortunes and foibles of Brahms, Liszt, Mendelssohn, Joachim, and Chopin. Their love story is one that was well known even in their own day, and their passion for one another is marked only by the equal degree of tragedy and sorrow that graced their short time together. I will not dwell on aspects of that story here, as it is well known, and if unknown easily found in books and on the Web. Suffice it to say, the story begins with Robert's first studies with Clara Wieck's father (Robert was essentially self-taught), his aspirations as a pianist until he ruined his hands, his solicitation of love from Clara and desire to marry her (against her father's wishes), the frustration they experienced until they could get married, early bliss in their marital life and the success of each, Robert's seminal decline and mental instability, Clara's heartrending final years with Robert in an asylum, and her life after Robert's death. All of this seems like it might be too much for a stage production, but the letters have been carefully vetted in order to keep the action--such as it is--moving along. The story is given general guidelines by Derek Jacobi--superb as usual--and the parts of Robert and Clara taken by Sting and wife Trudie Styler. This might seem an odd choice at first, but Sting seems to have had a late-in-life classical-music conversion (remember his Dowland record?), and his performance as Robert is outstanding, as seasoned as from any actor I can imagine playing the part. Trudie Styler is equally affecting, and her moment of breakdown towards the end is truly distressing. But this is not a play at all--there is no dramatic movement or stage acting. Most of the time, Sting and Trudie are seated close to one another, and they often lean towards each other when speaking. Jacobi is seated pretty much center stage, and they all can be seen watching each other. Interspersed among the talkers are a series of musicians, an all-male group (baritone, violin, piano) on Robert's side, and a female group (soprano, cello, piano) on Clara's side. At different times in the "action," the music of one of the Schumanns is played by one of these groups, or a portion of each. For the most part, the performances are excellent, the singing of Simon Keenlyside being notable, along with the last selection, the Finale from the D-Minor Piano Trio, op. 63, a real barnburner and triumphant ending to an otherwise factual human misfortune that nonetheless had moments of supreme joy. But its protagonists were certainly as star-crossed as Romeo and Juliet ever were. If there is a downside, it would be the lack of more representative music on Robert's part. The very nature and intimacy of this production nixes the idea of large ensemble performances, but one feels like part of the emotional picture is missing without them. Some of the music has been doctored or altered, nothing egregious, but odd sounding to those who know it. This was probably unavoidable in order to make the music portion fuller while using only chamber pieces. The songs are what they are, and there are a few pieces pertinent to the Schumanns at certain times that are by other composers. The staging is wonderful, making it easy to follow what is happening; the sound is equally pleasing, LPCM stereo or DTS surround (my choice). The music however, is only secondary to the engrossing tale, and is chosen wisely to enhance the story where the words end. As bonuses, we get a substantial amount, the cast talks and the documentary being of more than casual interest. I enjoyed this thoroughly, and I can't imagine any music lover who wouldn't. -- Fanfare, Steven E. Ritter, Jan/Feb 2010 Top About this item Similar From the Brand Reviews Twin Spirits: Sting performs Schumann [Blu-ray]

Release: April 19, 2023

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Martin is a troubled young man. With a mother who insists on treating him like a child, a stepfather who can't wait to see the back of him, and a brother with Down's Syndrome shut away in an institution, is it any wonder he retreats into an alternate personality - that of six-year-old Georgie? It is Georgie who befriends Susan Harper, but friendship soon turns into obsession. When Susan begins to distance herself, something inside Georgie snaps and he embarks on a killing spree, with Susan as the next target.

Release: May 6, 2008

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Actors: Philip Seymour Hoffman, Helen Hunt, Bill Paxton, Cary Elwes, Jami Gertz Directors: Jan De Bont Writers: Michael Crichton, Anne-marie Martin Producers: Steven Spielberg, Laurie Mac Donald, Gerald R. Molen, Walter F. Parkes, Kathleen Kennedy Format: Blu-ray, Closed-captioned, Color, NTSC, Original recording remastered, Special Edition, Subtitled, Widescreen Language: English Subtitles: English, French Region: Region A/1 (Read more about DVD/Blu-ray formats.) Aspect Ratio: 2.35:1 Number of discs: 1 Rated: PG-13 (Parental Guidance Suggested) Studio: Warner Home Video DVD Release Date: May 6, 2008 Run Time: 113 minutes Average Customer Review: 4.2 out of 5 stars See all reviews (630

Release: August 24, 2021

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Product Description A Double Dose of Terror from the Directors of DAWN OF THE DEAD and SUSPIRIA The Masters of Modern Horror - George Romero and Dario Argento - bring you an unprecedented pair of shockers inspired by the tales of Edgar Allan Poe. In Romero's The Facts In The Case Of Mr. Valdemar, a conniving wife (Adrienne Barbeau of THE FOG) and her lover use a hypnotic trance to embezzle a fortune from her dying husband, only to receive some chilling surprises from beyond the grave. Then in Argento's The Black Cat, a deranged crime scene photographer (Harvey Keitel of FROM DUSK TILL DAWN) is driven to brutal acts of madness and murder by his girlfriend's new pet. But will this cunning feline deliver a final sickening twist of its own? Martin Balsam (PSYCHO), E.G. Marshall (CREEPSHOW), John Amos (THE BEASTMASTER) and Tom Atkins (NIGHT OF THE CREEPS) co-star in this wild horror hit that also features grisly makeup effects by Tom Savini (MANIAC). Blue Underground's acclaimed restoration of TWO EVIL EYES, scanned in 4K 16-bit from the original camera negative, is now presented with Dolby Vision HDR and a new Dolby Atmos audio mix, packed with hours of Extras! SPECIAL FEATURES: Critically acclaimed restoration NOW IN TRUE 4K ULTRA HIGH DEFINITION with DOLBY VISION HDR and a new DOLBY ATMOS audio mix Ultra HD Blu-ray (2160p) Widescreen 1.85:1 Feature Presentation and Bonus Extras Blu-ray Audio: English: Dolby Atmos; English: 2.0 DTS-HD; French: 1.0 DTS-HD Subtitles: English SDH, French, Spanish Audio Commentary with Troy Howarth, Author of Murder By Design: The Unsane Cinema of Dario Argento Theatrical Trailer Poster & Still Gallery Two Masters’ Eyes - Interviews with Directors Dario Argento & George Romero, Special Make-Up Effects Supervisor Tom Savini, Executive Producer Claudio Argento, and Asia Argento Savini’s EFX - A Behind-the-Scenes look at the film’s Special Make-Up Effects At Home With Tom Savini - A personal tour of Tom Savini’s home Adrienne Barbeau on George Romero Before I Wake - Interview with Star Ramy Zada Behind The Wall - Interview with Star Madeleine Potter One Maestro And Two Masters - Interview with Composter Pino Donaggio Rewriting Poe - Interview with Co-Writer Franco Ferrini The Cat Who Wouldn’t Die - Interview with Assistant Director Luigi Cozzi Two Evil Brothers – Interview with Special Make-Up Assistant Everett Burrell Working With George – Interview with Costume Designer Barbara Anderson BONUS! Limited Edition embossed slipcover featuring artwork by legendary artist Enzo Sciotti (First Pressing Only) REGION FREE Special Features May Not Be Rated, Closed Captioned Or In High Definition. Review Solid shocks! --The New York Daily News Absolutely Not For The Squeamish Romero And Argento Fans Are Not Likely To Be Disappointed By These Tales Of The Supernatural! --The Los Angeles Times TWO EVIL EYES Is Deserving Of A Spot On The Shelf Of Any Romero Or Argento Enthusiast! --DVD Talk

Release: August 24, 2021

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Product Description A Double Dose of Terror from the Directors of DAWN OF THE DEAD and SUSPIRIA The Masters of Modern Horror - George Romero and Dario Argento - bring you an unprecedented pair of shockers inspired by the tales of Edgar Allan Poe. In Romero's The Facts In The Case Of Mr. Valdemar, a conniving wife (Adrienne Barbeau of THE FOG) and her lover use a hypnotic trance to embezzle a fortune from her dying husband, only to receive some chilling surprises from beyond the grave. Then in Argento's The Black Cat, a deranged crime scene photographer (Harvey Keitel of FROM DUSK TILL DAWN) is driven to brutal acts of madness and murder by his girlfriend's new pet. But will this cunning feline deliver a final sickening twist of its own? Martin Balsam (PSYCHO), E.G. Marshall (CREEPSHOW), John Amos (THE BEASTMASTER) and Tom Atkins (NIGHT OF THE CREEPS) co-star in this wild horror hit that also features grisly makeup effects by Tom Savini (MANIAC). Blue Underground's acclaimed restoration of TWO EVIL EYES, scanned in 4K 16-bit from the original camera negative, is now presented with Dolby Vision HDR and a new Dolby Atmos audio mix, packed with hours of Extras! SPECIAL FEATURES: Critically acclaimed restoration NOW IN TRUE 4K ULTRA HIGH DEFINITION with DOLBY VISION HDR and a new DOLBY ATMOS audio mix Ultra HD Blu-ray (2160p) Widescreen 1.85:1 Feature Presentation and Bonus Extras Blu-ray Audio: English: Dolby Atmos; English: 2.0 DTS-HD; French: 1.0 DTS-HD Subtitles: English SDH, French, Spanish Audio Commentary with Troy Howarth, Author of Murder By Design: The Unsane Cinema of Dario Argento Theatrical Trailer Poster & Still Gallery Two Masters’ Eyes - Interviews with Directors Dario Argento & George Romero, Special Make-Up Effects Supervisor Tom Savini, Executive Producer Claudio Argento, and Asia Argento Savini’s EFX - A Behind-the-Scenes look at the film’s Special Make-Up Effects At Home With Tom Savini - A personal tour of Tom Savini’s home Adrienne Barbeau on George Romero Before I Wake - Interview with Star Ramy Zada Behind The Wall - Interview with Star Madeleine Potter One Maestro And Two Masters - Interview with Composter Pino Donaggio Rewriting Poe - Interview with Co-Writer Franco Ferrini The Cat Who Wouldn’t Die - Interview with Assistant Director Luigi Cozzi Two Evil Brothers – Interview with Special Make-Up Assistant Everett Burrell Working With George – Interview with Costume Designer Barbara Anderson BONUS! Limited Edition embossed slipcover featuring artwork by legendary artist Enzo Sciotti (First Pressing Only) REGION FREE Special Features May Not Be Rated, Closed Captioned Or In High Definition. Review Solid shocks! --The New York Daily News Absolutely Not For The Squeamish Romero And Argento Fans Are Not Likely To Be Disappointed By These Tales Of The Supernatural! --The Los Angeles Times TWO EVIL EYES Is Deserving Of A Spot On The Shelf Of Any Romero Or Argento Enthusiast! --DVD Talk

Release: June 30, 2014

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Hugh Laurie wields a cane, a brusque bedside manner and a brilliant diagnostic mind as Dr. Gregory House, an acerbic expert in infectious diseases who leads a crack team of physicians as they tackle the most baffling of cases at a New Jersey teaching hospital. Hit 2004-2012 Fox medical drama co-stars Lisa Edelstein, Omar Epps, Robert Sean Leonard, Jesse Spencer, Jennifer Morrison, Peter Jacobson.176 episodes on 39 discs. 128 3/4 hrs. Widescreen (Enhanced); Soundtracks: English, French, German, Japanese, Portuguese, Spanish; Subtitles: French, Dutch, German, Japanese, Portuguese, Spanish.

Release: September 15, 2014

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Viggo Mortensen, Kirsten Dunst and Oscar Isaac star in this thriller adapted from Patricia Highsmith's novel by Hossein Amini, who makes his directorial debut. In 1962 wealthy married couple Chester and Colette MacFarland (Mortensen and Dunst) are in the Acropolis of Athens, Greece, when they meet shady tour guide Rydal (Isaac). Rydal is immediately taken with the beautiful Colette and doesn't hestitate when the couple invite him to dine with them. Later in the evening, however, he begins to realise that Chester is hiding a dark secret and soon finds himself embroiled in murder. Rydal helps the MacFarlands evade the authorities but his feelings for Colette cause tension between him and Chester, making the already precarious situation even more dangerous.

Release: October 31, 2005

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On their third identical voyage from London to the Riviera, Joanna Wallace (Audrey Hepburn) and husband Mark (Albert Finney) explore their 12-year marriage in a series of wry and illuminating flashbacks. They reminisce about the glorious beginning of their love affair, the early years of marriage and the events that led to their subsequent infidelities. As they try to understand their relationship, they must accept how they have changed if they are to rekindle their original love.

Release: June 7, 2016

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Product Description Swedish master Ingmar Bergman penned this loving tribute to his parent's epic romance. In 1909, poor, idealistic theology student Henrik Bergman falls in love with Anna Åkerbloom, the intelligent, educated daughter of a rich family in Uppsala. After their wedding Henrik becomes a priest in the north of Sweden. Urbane Anna can't stand living in the rural county and grows increasingly restless. She returns to Uppsala and the couple's love and commitment are put to the test. Review WINNER - Palme d'Or - Cannes Film Festival WINNER - Best Actress - Cannes Film Festival WINNER - Best Screenplay - Guldbagge Awards WINNER - Best Actress - Guldbagge Awards WINNER - Best Actress - National Society of Film Critics Awards WINNER - Best Foreign Language Film - National Society of Film Critics Awards - --- Mr. Bergman's straightforward screenplay is a reminder of how much of what he has expressed as a director goes beyond words. --Janet Maslin, The New York Times In her role, [Pernilla] August displays an emotional range that is Himalayan. Appealing as she is accomplished, the actress charms the audience as easily as Anna seduces Henrik. --Rita Kempley, The Washington Post

Release: September 27, 2022

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Established by Martin Scorsese in 2007, The Film Foundation’s World Cinema Project has maintained a fierce commitment to preserving and presenting masterpieces from around the globe, with a growing roster of dozens of restorations that have introduced moviegoers to often overlooked areas of cinema history. This collector’s set gathers six important works, from Angola (Sambizanga), Argentina (Prisioneros de la tierra), Iran (Chess of the Wind), Cameroon (Muna moto), Hungary (Two Girls on the Street), and India (Kalpana). Each title is an essential contribution to the art form and a window onto a filmmaking tradition that international audiences previously had limited opportunities to experience. DUAL-FORMAT BLU-RAY AND DVD SPECIAL EDITION FEATURES New 4K digital restorations of Sambizanga, Prisioneros de la tierra, Chess of the Wind, and Muna moto, and 2K digital restorations of Two Girls on the Street and Kalpana, all overseen by The Film Foundation’s World Cinema Project in collaboration with the Cineteca di Bologna, with uncompressed monaural soundtracks on the Blu-rays New introductions to the films by World Cinema Project founder Martin Scorsese New and archival interviews featuring Indian film historian Suresh Chabria and filmmaker Kumar Shahani (on Kalpana); Argentine film historians Paula Félix-Didier and Andrés Levinson (on Prisioneros de la tierra); Two Girls on the Street director André de Toth; and Sambizanga director Sarah Maldoror and Annouchka de Andrade, Maldoror’s daughter New program by filmmaker Mohamed Challouf featuring interviews with Muna moto director Dikongué-Pipa and African film historian Férid Boughedir The Majnoun and the Wind (2022), a documentary by Gita Aslani Shahrestani, daughter of Chess of the Wind director Mohammad Reza Aslani, featuring Aslani, members of the film’s cast and crew, and others New and updated English subtitle translations PLUS: A foreword and essays on the films by critics and scholars Yasmina Price, Matthew Karush, Ehsan Khoshbakht, Aboubakar Sanogo, Chris Fujiwara, and Shai Heredia SAMBIZANGA A bombshell by the first woman to direct a film in Africa, Sarah Maldoror’s chronicle of the awakening of Angola’s independence movement is a stirring hymn to those who risk everything in the fight for freedom. Based on a true story, Sambizanga follows a young woman (Elisa Andrade) as she makes her way from the outskirts of Luanda toward the city’s center looking for her husband (Domingos Oliveira) after his arrest by the Portuguese authorities—an incident that ultimately helps to ignite an uprising. Scored by the language of revolution and the spiritual songs of the colonized Angolan people, and featuring a cast of nonprofessional actors—many of whom were themselves involved in anticolonial resistance—this landmark work of political cinema honors the essential roles of women, as well as the hardships they endure, in the global struggle for liberation. PRISIONEROS DE LA TIERRA The most acclaimed film by one of classic Argentine cinema’s foremost directors, Mario Soffici’s gut-punching work of social realism, shot on location in the dense, sweltering jungle of the Misiones region, simmers with rage against the oppression of workers. A group of desperate men are conscripted into indentured labor on a treacherous, disease-ridden yerba maté plantation under the control of the brutal foreman Köhner (Francisco Petrone)—a situation that boils over in an explosive act of rebellion led by the defiant Podeley (Ángel Magaña), and made all the more tense by the fact that Köhner and Podeley love the same woman: Andrea (Elisa Galvé), the sweet-spirited daughter of the camp’s doctor. The expressionistic, shadow-sculpted cinematography of Pablo Tabernero evokes the feverish dread of a place where suffocating heat, economic exploitation, and unremitting cruelty lead inexorably to madness and violence. CHESS OF THE WIND Lost for decades after screening at the 1976 Tehran International Film Festival, this rediscovered jewel of Iranian cinema reemerges to take its place as one of the most singular and astonishing works of the country’s prerevolutionary New Wave. A hypnotically stylized murder mystery awash in shivery period atmosphere, Chess of the Wind unfolds inside an ornate, candlelit mansion where a web of greed, violence, and betrayal ensnares the potential heirs to a family fortune as they vie for control of their recently deceased matriarch’s estate. Melding the influences of European modernism, gothic horror, and classical Persian art, director Mohammad Reza Aslani crafts an exquisitely restrained mood piece that erupts into a subversive final act in which class conventions, gender roles, and even time itself are upended with shocking ferocity. MUNA MOTO Director Dikongué-Pipa forged a new African cinematic language with Muna moto, a delicate love story with profound emotional resonance. In a close-knit village in Cameroon, the rigid customs governing courtship and marriage mean that a deeply in love betrothed couple (David Endéné and Arlette Din Belle) can be torn apart by the lack of a dowry and by another man’s claiming of the young woman as his own wife—a rupture that sets the stage for a clash between a patriarchal society and a modern generation’s determination to chart its own course. Luminous black-and-white cinematography and stylistic flourishes yield images of haunting power in this potent depiction, told via flashback, of the challenges of postcolonialism and the devastating consequences of a community’s refusal to deviate from tradition. TWO GIRLS ON THE STREET The maverick Hollywood stylist André de Toth sharpened his craft in his native Hungary, where he directed five films, including this chic, dynamically paced melodrama studded with deco decor and jazzy musical interludes. Mária Tasnádi Fekete and Bella Bordy sparkle as upwardly mobile working women—one a musician in an all-girl band, the other a bricklayer—who join forces as they both try to make it in Budapest, supporting each other through changing economic fortunes, the advances of lecherous men, and the highs and heartbreaks of love. Kinetic camera work, brisk editing, and avant-garde imagery abound in Two Girls on the Street, an often strikingly modern ode to the power of working-class female solidarity. KALPANA A riot of ecstatic imagery, performance, and set design, the only film by the visionary dancer and choreographer Uday Shankar is a revolutionary celebration of Indian dance in its myriad varieties and a utopian vision of cultural renewal. Unfolding as an epic film within a film, Kalpana tells the story of an ambitious dancer (Shankar) determined to open a cultural center devoted to breathing new life into India’s traditional artistic forms; meanwhile, the obvious adoration between him and his lead dancer (Shankar’s wife and collaborator, Amala Uday Shankar) arouses the jealousy of his enterprising companion (Lakshmi Kanta). Swirling surrealist dance spectacles—featuring dance masters and young performers, many of whom would become stars in their own right—are interwoven with anticolonial, anticapitalist commentary for a radical, proto-Bollywood milestone that is one of the most influential works in Indian cinema.

Release: July 13, 2021

$6.99

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Roz (Sandra Bullock) has pretty much had enough of her thieving boyfriend, Frank (Denis Leary), but he persuades her to accompany him on a road trip to a quaint New England village where, incidentally, he will be fencing a painting he ...

Release: September 15, 2020

$6.99

Description

Jack Nicholson returns as private eye Jake Gittes in the long-awaited sequel to "Chinatown." Set in 1948 Los Angeles, this riveting mystery has Gittes investigating a case of adultery and murder, only to find a web of land fraud, scheming oil barons, and a mysterious link to the past. Harvey Keitel, Meg Tilly, Reuben Blades co-star; directed by Nicholson and written by "Chinatown" scripter Robert Towne. 137 min. Widescreen; Soundtracks: English DTS HD 5.1 Master Audio, French Dolby Digital stereo; Subtitles: English, French.

Release: November 29, 2016

$6.99

Description

Disney presents a Roald Dahl classic directed by Steven Spielberg. In an imaginative tale filled with magic, wonder and unexpected friendship, a young girl is launched on an enormous adventure when she crosses paths with a mysterious being called the Big Friendly Giant.

Release: November 19, 2024

$7.99

Description

From Don Siegel, the legendary director of Invasion of the Body Snatchers, Coogan's Bluff, Dirty Harry, Charley Varrick, The Shootist and Escape from Alcatraz, comes this classic western starring screen legends Clint Eastwood (The Good, the Bad and the Ugly, High Plains Drifter) and Shirley MacLaine (Sweet Charity, Irma La Douce). Eastwood is a hard-hitting drifter who rides into town and single-handedly rescues a local nun (MacLaine) from a gang of bandits. After meeting a band of Mexican revolutionaries bent on resisting the French occupation of Mexico, the cowboy and Sister Sara decide to join forces with the freedom fighters and set off on a deadly mission to capture the enemy's garrison. But along the way, a steamy romance develops between them when the soft-spoken hero discovers the nun is not what she seems. Ending with a violent climax at the well-protected fort, this action-packed western classic cemented Eastwood's status as a true cinematic superstar. Featuring a masterful score by the great Ennio Morricone (A Fistful of Dollars).

Release: May 29, 2018

$7.99

Description

A comically bittersweet coming of age story, Claude Berri’s THE TWO OF US is also a poignant drama of identity and heritage. When an 8-year-old Jewish boy (Alain Cohen) living in Nazi-occupied France is sent by his parents to live in the country with the Catholic parents of their friends, he is faced with a culture clash both religious and generational. As the grandfatherly Pepe, beloved character actor Michel Simon infuses the role with a gruff tenderness, his growing relationship with the boy a touching portrayal of connection in a broken world. Cohen Film Collection is proud to present a gorgeous new 4K restoration of this world cinema classic.

Release: April 25, 2023

$7.99

Description

Originally released in 1997, Two Orphan Vampires (Les Deux orphelines vampires) finds Jean Rollin, the master of the fantastique, returning to the vampire genre with which he had made his name. By day, blind orphans Henriette and Louise seem to be the picture of innocence. But when darkness falls, their sight returns, and they wander the streets of Paris, encountering the city’s strange nocturnal denizens, and leaving a trail of corpses in their quest for fresh blood. Featuring startling performances from novice leads Alexandre Pic and Isabelle Teboul, alongside Tina Aumont (Modesty Blaise) and Rollin regulars Nathalie Perrey (The Shiver of the Vampires) and Brigitte Lahaie (Fascination), Two Orphan Vampires is a beautiful and melancholy summation of Rollin’s unique and arresting style. INDICATOR LIMITED EDITION 4K UHD SPECIAL FEATURES New 4K HDR restoration from the original negative by Powerhouse Films Limited edition exclusive 80-page book with a new essay by Patricia MacCormack, archival introduction by Jean Rollin, archival production report by Peter Blumenstock, archival interview with Brigitte Lahaie, an extract from Rollin’s source novel, an overview of contemporary critical responses, and full film credits 4K (2160p) UHD presentation in Dolby Vision (HDR10 compatible) Original French and English mono soundtracks Audio commentary with critics and authors David Flint and Adrian J Smith (2023) Memories of a Blue World(2023): updated documentary on the making of Two Orphan Vampires by Rollin’s personal assistant, Daniel Gouyette, featuring interviews with actor Isabelle Teboul, assistant director Jean-Noël Delamarre, composer Philippe D’Aram, and others Jean Rollin on ‘Two Orphan Vampires’(2002): extensive, newly edited archival interview with the filmmaker exploring the themes of Two Orphan Vampires and his wider oeuvre Interview with Alexandra Pic (2002): newly edited archival interview with the actor Interview with Isabelle Teboul (2002): newly edited archival interview with the actor Original theatrical trailer Image gallery: promotional and publicity materials New and improved English translation subtitles for the French soundtrack New and improved English subtitles for the deaf and hard of hearing World premiere on 4K UHD Limited edition of 2,000 numbered units for the US

Release: September 12, 2017

$6.99

Description

The Big Bang Theory: The Complete Tenth Season (BD)

Release: November 29, 2016

$7.99

Description

Disney presents a Roald Dahl classic directed by Steven Spielberg. In an imaginative tale filled with magic, wonder and unexpected friendship, a young girl is launched on an enormous adventure when she crosses paths with a mysterious being called the Big Friendly Giant.

Release: March 10, 2026

$6.99

Description

Five-disc set includes: I'm All Right, Jack (1959)Having flopped at every desk job he tried, privileged but hapless Stanley Windrush (Ian Carmichael) got hired for unskilled labor at his uncle's missile factory. Though eventually winning over suspicious shop steward Fred Kite (Peter Sellers), Stanley's gung-ho attitude makes him the focus for backfiring conniving by both union and management. Satirical follow-up to "Private's Progress" from the Boulting Brothers co-stars Terry-Thomas, Dennis Price, Richard Attenborough, Margaret Rutherford. 104 min. BW/Rtg: NR Man In A Cocked Hat (1959)After Britain forgot that it granted independence to a tiny island nation 40 years earlier, it faced a scramble to head off the ex-colony's dealings with the Soviets over valuable mineral resources. Unfortunately, the job was in the hands of hapless Foreign Office functionary Cadogan de Vere Carlton-Browne (Terry-Thomas), who may be played like a fiddle by the prime minister (Peter Sellers). Delightful Boulting Brothers satire co-stars Luciana Paluzzi, Ian Bannen, Thorley Walters. AKA "Carlton-Browne of the F.O." 88 min. BW/Rtg: TV-PG Two-Way Stretch (1960)Hilarious comic caper stars Peter Sellers as a pampered prisoner who, along with his two cellmates, plans a diamond heist that involves the trio breaking out of-then back into-jail, thus giving them an air-tight alibi. But the arrival of a new no-nonsense head guard threatens to put a crimp on their seemingly foolproof plan. David Lodge, Bernard Cribbins, Wilfrid Hyde-White co-star. 87 min. BW/Rtg: NR The Wrong Arm Of The Law (1963)Peter Sellers is Pearly Gates, a London underworld boss whose empire is under attack, in this crime spree comedy. When rival crooks posing as policemen carry off the proceeds from his latest capers, Gates has nowhere to turn for help... except Scotland Yard! Nanette Newman, Lionel Jeffries, Bernard Cribbins also star. 94 min. BW/Rtg: NR Heavens Above! (1963)Kindly prison chaplain John Smallwood (Peter Sellers) found himself (mistakenly) reassigned as vicar to the small industrial town of Orbiston Parva. Unfortunately, it doesn't take long for Smallwood's notions of charitable attention to the community's less fortunate residents to start galling it's upper crust-leaving the church hierarchy scrambling for a solution. Gentle satire from the Boulting Brothers co-stars Cecil Parker, Isabel Jeans, Ian Carmichael, Brock Peters. 118 min. BW/Rtg: NR Widescreen; Soundtrack: English.

Release: June 26, 2018

$6.99

Description

A faithful wife (Oscar nominee Taraji P. Henson) tired of standing by her devious husband is enraged when it becomes clear she has been betrayed.

Release: January 31, 2017

$6.99

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Madea winds up in the middle of mayhem when she spends a hilarious, haunted Halloween fending off killers, paranormal poltergeists, ghosts, ghouls, and zombies while keeping a watchful eye on a group of misbehaving teens.

Release: September 13, 2016

$6.99

Description

The Big Bang Theory: The Complete Ninth Season (BD) (BD) Prepare to enter phase nine of television’s perpetual laughter experiment as THE BIG BANG THEORY successfully fuses the elements of science and sitcom. Our two genius roommates – Leonard and Sheldon ¬– and their friends are back once again (smarter, but no wiser). Last season, Sheldon went soul-searching (on a train, of course) and was prepared to make some substantial revisions on his Relationship Agreement with Amy, when everything changed. Leonard, meanwhile, was off to Vegas with Penny to finally tie the knot in the season finale. Howard finds himself alone with Bernadette after the sudden passing of his mother; while Raj is not only talking to women – he’s getting exclusive with Emily (Laura Spencer). Together, they will all learn that life is far more complicated outside of the lab as love and friendship never produce predictable results!