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Release: October 24, 2017

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Product Description It s Halloween 1989 and best friends Sam and Josh are just trying to enjoy their last Devil s Night before graduating high school. Trouble soon arises when the two pals and a group of friends take a detour on their way to a rock concert, finding an old abandoned barn and awakening the evil inside. Now it s up to Sam and Josh to find a way to protect their friends and defeat the creatures that lurk within The Barn... The film stars Mitchell Musolino, Will Stout, Lexi Dripps, Cortland Woodard, Nikki Darling, Nickolaus Joshua with Linnea Quigley (Night of the Demons and Return of the Living Dead) and Ari Lehman (the first Jason Voorhees from Friday the 13th ). Featuring an original score by Rocky Gray the former member of Grammy award-winning goth/rock group 'Evanescence'. Feature Film: (UNRATED) Bonus Content Info- Over 90 minutes of Extras: Audio Commentary The Making of a Nightmare Documentary Gag Reel Deleted and Extended Scenes Alternate Ending Harvest Music Video by Rebel Flesh All Hallow s Eve short film World Wide Weird London premiere reactions Trailers Commercials Original storybook Reversible cover artwork by Marc Schoenbach and Graham Humphreys Number of Discs: 1 Single Layer Blu-ray Disc (25GB) Region Free Unrated/Color/16:9 Widescreen/80 Mins Subtitles: Spanish Review My favorite time of the year is the haunting season and every September I begin to get antsy while looking at the calendar and counting down the days to October 1st. Like most of you I've been sweating the end of summer heat and begging for something to take me away to the cherished burning leaf smell of October. Thank the dark lords for Justin Seaman's The Barn. Set on Halloween in 1989, The Barn is a love letter to everything that there is to love and fear on Halloween night. The movie opens with a flashback sequence to Halloween 1959 and the community of Wheary Falls is in full on Halloween celebratory mode. The kids gather at the local church for a word from the pastor and are then off to the local harvest hootenanny. Of course, two kids can t follow the All Hallows Eve rules which include staying away from a certain barn. Flash forward thirty years and we re thrown full force into the world of Sam and Josh, two seventeen year old s who live for Halloween and all the joys it brings. Sam (Mitchell Musolino) is the embodiment of everyone who builds haunts in their parent s garages and basks in the offerings of the holiday. Josh (Will Stout) is his lifelong best friend who since the loss of his father earlier in the year hasn t really been the same. After one of their pranks on Ms. Barnhart played by scream queen Linnea Quigley goes too far the boys are faced with the realization that this is the last year of unabashed Halloween fun that they will ever get to have. When their favorite metal band announces on the local rock show hosted by Dr. Rock that they are performing a special Halloween night concert, Sam and Josh decide that they have no choice but to go to the concert and cement themselves as local Halloween legends.They gather up some friends and hit the road bound for the concert. After taking a shortcut they end up in Wheary Falls and smack dab in front of the titular Barn that holds legendary evils. Being a horror movie set on Halloween you know the demons will be unleashed on this group of teenagers as well as the unsuspecting townsfolk. The aftermath of which will never be forgotten by those that live to tell the tale. There are countless horror films set on Halloween, very few actually capture and imbue the spirit the way The Barn does. Justin Seaman brilliantly captures every minute detail from the brilliant script and set design to the amazing soundtrack of the film that really transports you into proceedings. The cast are all brilliant and play the parts to the tilt. Lexi Dripps portrayal of Michelle is one of the best girl next door type performances that I've seen in the genre in quite a while and ranks up there with Phoebe Cates in Gremlins. The demons that terrorize our protagonists are a perfect mesh of 80's kitsch and old school monster magazine masks. I can easily see these villains becoming popular Halloween costumes for years to come. The cast and crew of The Barn put everything they had into creating a film that will bring the Halloween spirit into your heart at any time of the year and honestly that s all that we as horror fans can ask for. The Barn comes with my highest recommendation. --Tom Holland's Terror Time The Barn is a love letter to monster movies and the campy decade where they reigned supreme, that s as fun as it is bloody! The idea of everything old being new again is hardly a recent development. That being said, the last year in particular has seen throwbacks to the 80's and retro pastiches becoming a rabid obsession of audiences. Material like Stranger Things and The Final Girls have recently connected with people to unbelievable degrees due to their nostalgic love for the era. It s not difficult to see why this portion of the past is experiencing such a resurgence. The 80's are a time where the monster reigned supreme and horror films carried a surprising amount of power over the rest of cinema. So in spite of such a retro love letter hardly being unfamiliar territory, The Barn pulls this off so effortlessly and authentically. It is definitely the strongest example of achieving this throwback horror since Rodriguez and Tarantino's Grindhouse. In fact, The Barn is some of the most fun that I've had at a horror film in a long time. The story that The Barn frames itself around involves a cursed barn that has largely been forgotten about for thirty years. The dangerous legend associated with this relic sees three monsters, The Boogeyman, Hollow Jack, and the Candy Corn Scarecrow, being components of a Halloween curse that surrounds all of this. Cut to 1989, where Sam and Josh, two precocious teens that are a little too gung ho for the holiday, come face-to-face with this deadly curse and the horrors that come along with it. The Barn spends a good deal of time on its characters, with both Sam and Josh being well defined, albeit simple, protagonists. Everyone comes across as a caricature, but in the comforting, intentional way that is fundamental to the 80's. They re given a large posse of friends to play with, which allows for the film to have a rather expendable death count, which is the right direction for this sort of film. You need to see those silly, over the top death sequences. As their friends begin dying around them, The Barn continues to bank on Sam and Josh s friendship. There is actually believable, compelling chemistry between the two leads that gives this film a healthy, necessary energy to drive it forward. One of the aspects that makes all of this work so well is Sam s deep love for Halloween. He pushes across an infectious obsession with the holiday that frequently had me thinking about Matthew Lillard in Scream. He s frequently bringing up these rules for Halloween that he s created and each one of them is a real delight. Sam treats Halloween like a religion and this approach ends up being really beautiful. Add to that the fact that Sam and Josh are about to graduate high school with this being their last opportunity to trick or treat and paint the town blood red. A nice touch that director, Justin M. Seaman, utilizes with the film s supporting cast, like Sam s Dad or Ms. Barnhart, is that these people are giving performances right out of the Tim and Eric School of Acting. These characters pause at the wrong moments in sentences and make bizarre enunciation choices as if they re completely out of their element. Again, all of this is done to play into the campiness and hammy nature of horror performances circa the 80's but the film nails this aspect especially well. This is something that s really hard to do effectively without it going too far in either direction. These performances are wonderfully wrong in the right sort of way, if that makes sense. You re absolutely laughing with the film rather than at it. It s in on this treat. --Bloody-Disgusting If you were one of the multitudes of horror aficionados that cut their teeth on the abundance of VHS chillers back in the mid-80's, then you've got to be overjoyed with the plethora of throwback flicks that have been unleashed over the course of the last few years. To remember such plastic-cased classics is a thing of beauty, and to revisit them is even more special, but the notion of a tribute to those films that entertained us is a whole other beast, entirely. Allow me to introduce the latest barbarian into the fray: The Barn from director Justin M. Seaman, and suffice it to say, it s beginning to feel a lot like 1989. The opener of this one takes us back to Halloween 1959, and the setting is Wheary Falls, a small town with a large backing from the local church, and the annual hootenanny is underway, and all that s asked of the party goers from the pastor is that they BY ALL MEANS, stay clear of the abandoned barn on the other side of town. Now you honestly didn't think that everyone was going to take the holy man s words to heart, did you? Here s where things get interesting (without giving any spoilers away)- what happens at the front door to the barn to a young kid is masterful, and this is not by any means me cementing myself as a sadistic bastard, but to pull off what Seaman does within the first 4 minutes is not only ballsy and unapologetic, but it sets a tone for the rest of the film. Flash-forward to good old 1989, and the town s biggest Halloween celebrators, Sam and Josh are doing what they enjoy every Autumn: scaring the cheez-whiz out of the locals and making every Debbie downer in town angry. Their friendship has stood the test of Josh s father s passing, and together they compliment each other s twisted sense of humor. When a seemingly harmless prank goes terribly wrong, the two have it broken down to them that their days of jerking around MUST come to an abrupt end. As the impending thoughts of a stagnant existence overwhelm the two, their hopes are somewhat realigned with the news that their favorite heavy metal band will be playing a one-night only show on you guessed it, Halloween. So with a group of pals in tow, the gathering decides that a shortcut to the show is the best route (which it never is), and damned to all hell, wouldn't you know where the shortcut drops our collection of misguided adolescents? yep, right at the doors of the barn itself. Seems the legends of the barn s inhabitants, The Boogeyman, Hallowed Jack and The Candycorn Scarecrow aren't just tall tales after all these creepy suckers are violent, unrepentant, and just not in the Halloween mood. Supported by a couple of entertaining cameos from Linnea Quigley and Ari Lehman, the cast does an admirable job in pulling off performances that are effectually cheesy and fitting for a movie such as this. Oh, and fans of gore? I sincerely hope you brought the biggest damn plastic pumpkin you could find to this film s doorstep, cause it s going to get filled to the brim with enough blood and guts to keep you fed for weeks after screw the candy, viscera s where it s at! There s even a few decent-sized laughs sprayed around in this one to keep things a little bit light from time to time. Overall, I can without a doubt recommend The Barn to everyone looking for a fun, retro trip back to the days of grainy, low-budgeted horror yanked directly off the racks of your local video rental shop this one will sit firmly entrenched in my top 5 of the best horror films for 2016. Available NOW on both DVD and VHS from the barn merch. com hell, there s all sorts of goodies available for your last minute X-Mas shopping, so get on over and pick up a little something for the demented ones in your life! --Dread Central Top About this item Similar From the Brand Reviews The Barn - Special Edition [Blu-ray]

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Jonathan Rhys Meyers, Henry Cavill, and special guest Joely Richardson star in the thrilling final season of The Tudors, the epic drama about the life, loves, and lusts of England's most notorious King. King Henry VIII marries his fifth wife, seventeen-year-old Catherine Howard, a mischievous beauty who ignites the passion of both the King and his chamber groom, setting up a deadly love triangle. Spun into a midlife crisis, Henry remarries and embarks on a war with France to capture Boulogne and symbolically recapture his youth. At home, the battle between Catholics and Protestants escalates when Henry's beloved sixth wife is charged with heresy. Now Henry, in his growing madness, must determine her fate while securing the legacy of his magnificent reign. Extra features Loaded with never-before-seen extras that gives you special access to the sexy, lavish world of The Tudors. Including the in-depth featurettes: Illicit Affairs: Secret Romance in Henry's Court The Tudors After Henry: The Royal Children of Henry VIII Farewell to the King: Michael Hirst on The Tudors finale

Release: July 31, 2018

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"Charlize Theron is hilarious," (Time Out) in the new comedy from Academy Award®-nominated director Jason Reitman (2007, Best Director, Juno) and Academy Award®-winning screenwriter Diablo Cody (2007, Best Original Screenplay, Juno). Tully tells the story of Marlo (Academy Award® winner Charlize Theron, 2003, Best Actress, Monster), a mother of three who is gifted a night nanny by her brother (Mark Duplass). Hesitant to the extravagance at first, she forms a unique bond with the thoughtful, unpredictable, young nanny, Tully (Mackenzie Davis). Bonus Content: Includes a digital copy of Tully (Subject to expiration. Go to NBCUCodes.com for details.) The Relationships of Tully

Release: April 5, 2016

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Years after the accidental death of her folk-legend songwriter husband Hunter, Hannah (Rebecca Hall) has yet to fully accept her small-town life in Maine without him. She spends her days contemplating a book she'd like to write on Hunter's life and work, and indulging in a fling with a local meathead (Joe Manganiello). When approached by brash New York academic Andrew (Jason Sudeikis), intent on p

Release: August 11, 2026

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A covert team of elite operatives are living in the shadows. When a ruthless despot steals a billion-dollar fortune, they're sent to take it back-an impossible heist that erupts into a deadly game of strategy, deception and survival.

Release: January 9, 2024

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There is a phenomenon called the Urashima Tunnel, which exists outside the boundaries that constrain our reality. Unbound by such restrictions, it can achieve the otherwise impossible, journey wherever a mind can conceive, and bring the one thing that they most desire. But the cost of using the tunnel is staggering: a portion of one's own existence. Yet... when Kaoru Tono discovers something matching the Tunnel's description, he can't help but think of the sister he lost five years ago. Can the tunnel really reunite them? And how is his school's beautiful new transfer student involved? The answers await down a path into mystery in THE TUNNEL TO SUMMER, THE EXIT OF GOODBYES. Anime / Original Language: Japanese / Dub Language: English / Number of Discs: 2 / Runtime: 275 minutes RATED: R

Release: February 1, 2018

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From the creators of Madagascar and Kung Fu Panda comes the biggest — and funniest — animated adventure of the year! Along with his streetwise snail crew and new human friends, Turbo, an underdog snail, takes on the biggest challenge ever to make their dreams come true. Bonus Content: Champion's Corner Smoove Move's Music Maker Team Turbo: Tricked Out Meet Tito The Race - Storyboards Sequence Be an Artist Shell Creator Theatrical Trailer Sneak Peek World of DreamWorks Animation

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A Long Island farmer forms the Culper Ring and becomes a crucial spy for the American Revolution.

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A Long Island farmer forms the Culper Ring and becomes a crucial spy for the American Revolution.

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A Long Island farmer forms the Culper Ring and becomes a crucial spy for the American Revolution.

Release: February 13, 2024

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Product Description Arbelos Films presents TWLIGHT - Directed by longtime Béla Tarr collaborator György Fehér - never before available on DVD or Blu-ray in North America. After discovering the murdered body of a young girl deep in a mountainous forest, a hardened homicide detective pushes himself to increasingly obsessive ends in his quest to catch the serial killer - known only as "The Giant" - responsible for the crime. A much admired but long unavailable masterpiece by influential Hungarian auteur and regular Béla Tarr collaborator György Fehér, TWILIGHT (SZÜRKÜLET) is at once an existential murder mystery and an expansive meditation on time and space. Stunningly lensed in rich blacks and cascading grays by DP Miklós Gurbán (WERCKMEISTER HARMONIES), Arbelos is proud to present TWILIGHT for its first-ever U.S. release in a brand new 4K restoration by the National Film Institute - Hungarian Film Archive and FilmLab, supervised by Gurbán. Specs: Anamorphic Widescreen 1.66:1. DTS-HD MA 2.0 Mono. Region code: ALL. Special Features: New 4K restoration from the original 35mm camera negative by the National Film Institute - Hungarian Film Archive and FilmLab, supervised by Miklós Gurbá. New video interview with cinematographer Miklós Gurbán. New video interview with editor Mária Czeilik. György Fehér's first two short films: Öregek (1969) and Tomikám (1970). U.S. Theatrical Trailer. 12-page booklet with new essay by Andrea Virginás (Film Genres in Hungarian and Romanian Cinema: History, Theory, Reception). Review Call it Twin Peaks without the jokes… The mood it builds is soul-shaking. --Sheri Linden, Hollywood Reporter Fehér has created a masterpiece that continues the reputation of Hungary's 80s and 90s cinema as a goldmine. --Soham Gadre, Film Inquiry It's a style so minimalist, it approaches maximalism - and this combination of pulp and precision creates an arresting and unique work of film noir. --Teo Bugbee, The New York Times Top

Release: December 27, 2022

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Twilight is an acclaimed whodunit packed with stars and suspense. Directed by the great Robert Benton (The Late Show, Kramer vs. Kramer, Still of the Night, Billy Bathgate) and starring screen legends Paul Newman (The Sting), Gene Hackman (Mississippi Burning), Susan Sarandon (Lorenzo’s Oil) and James Garner (The Great Escape). Newman plays Harry Ross, a burned-out private eye who’s plunged into a murder mystery tied to a long-unsolved case of Hollywood dreams, schemes and cover-ups. Nobody’s Fool renowned star and filmmaker reunite in this richly layered character-driven neo-noir. And Stockard Channing (Grease), Reese Witherspoon (Walk the Line), Giancarlo Esposito (The Usual Suspects), Live Schreiber (Spotlight), M. Emmet Walsh (Blood Simple) and Jason Clarke (Zero Dark Thirty) are among the locals who inhabit a Tinseltown world of privilege and sleaze, sexuality and desperation, trust and double-cross. From beginning to end, Twilight glows. Special Features: -Audio Commentary by Film Critics Alain Silver and James Ursini -Theatrical Trailer (Newly Mastered in 2K) -5 TV Spots -5.1 Surround and Lossless 2.0 Audio -Dual-Layered BD50 Disc -Optional English Subtitles Top About this item Similar From the Brand Reviews Twilight [Blu-ray]

Release: March 13, 2018

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Product Description ANIMAL DESIRES...HUMAN LUST! On Blu-Ray and DVD Matt Farrell (John Ashley) is plucked from the sea while skin-diving and taken to the foreboding fortress of Dr. Gordon. He is to become part of the doctor's diabolical experiment to create a race of super people. This twisted and maniacal doctor's experiments have so far only created terrifying and hideous creatures. His human guinea pigs, freed by the doctor's own daughter, turn the island hideaway into a bloodbath of revenge and terror! Cult Film Queen Pam Grier is featured as ''Panther Woman''. Review ''Basically a retread of HG Wells ''The Island of Dr Moreau,'' ...It does have some good special effects and excellent make-up... ...mistakes include human beings crossed with Apes, Bats and even a Panther. The Panther is a non-speaking role for Pam Grier which involves her savaging everyone in sight and showing the butt kicking prowess that was to make her a success in future films.'' John White --10K Bullets

Release: October 10, 2017

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A rogue Air Force general seizes a missile silo and demands the U.S. government reveal the truth about Vietnam.

Release: September 29, 2009

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Product Description Twin Spirits is a unique and intimate, live theatrical performance by a chamber ensemble of actors, singers and musicians, portraying the deep and ultimately tragic love between the composer Robert Schumann and his pianist wife Clara Wieck. In this intensely moving performance of words, song and music, the Schumanns’ long separation, so formative an influence on their lives, is reflected in the division of the ensemble into male and female groups. Robert's letters to Clara are read by Sting and his songs sung by Simon Keenlyside, with accompaniments and instrumental music played by Iain Burnside and Sergej Krylov. Clara's letters to Robert are read by Trudie Styler and her songs sung by Rebecca Evans, with accompaniments and instrumental music played by Natalie Clein and Natasha Paremski. The narrator, Derek Jacobi, links together the letters and lyrics to complete the essential outline of the story. Conceived and directed by John Caird, Twin Spirits was first performed in June 2005 at the Royal Opera House, Covent Garden, London and has since been experienced only at private performances for charity by small audiences of all ages and interests, leaving them deeply touched and inspired. Press Reviews "Twin Spirits portrays the life and love of Robert and Clara Schumann through readings of their surviving letters. These are read by Sting and Trudie Styler, with Derek Jacobi authoritatively filling in any gaps in the story. In one sense it's a static productions, with everyone seated throughout, but it's actually quite engrossing - perfectly paced and beautifully filmed. It's impossible not to emerge with both a true empathy for the Schumanns and a renewed or awakened interest in their music. The acting stays just the right side of luvviness, with Sting and Styler delivering strong, subtly believable performances. They're supported by beautifully executed interludes from a top line-up of soloists. This is tender, moving, well put together, and supplemented by an enlightening bonus DVD." (Classic fM) "John Caird's Twin Spirits, filmed live at the Royal Opera House, is beautifully constructed and performed with extraordinary fervour… Sting and Trudie Styler's own marriage undoubtedly informs their profoundly affecting portrayal of the Schumanns… Musical choices are mostly Schumann, a bit of Clara and some evocative Mozart and Chopin... often in special arrangements. Bonus material is generous... The issues are fascinating, though. How good is Clara's music? The jury is still out." (BBC Music Magazine) Cast Sting (Actor) Trudie Styler (Actor) Derek Jacobi (Narrator) Simon Keenlyside (Tenor) Sergej Krylov (Violin) Iain Burnside (Piano) The Orchestra of the Royal Opera House Production Company: Royal Opera House Stage Director: John Caird Disc Information Catalogue Number: OABD7043D Date of Performance: 2005 Running Time: 206 minutes Sound: 2.0 & 5.0 PCM Aspect Ratio: 1080i High Definition / 16:9 Subtitles: EN, FR, DE, ES, IT + EN (SONGS ONLY) Label: Opus Arte Review A Great Love Story is Told in Words and Music The nearly legendary story of Robert and Clara Schumann was staged and filmed at the Royal Opera House, Covent Garden, in 2007. The production, titled "Twin Spirits," is now available in a 2-DVD set from Opus Arte, and it is impressive and unusual. As Narrator, Derek Jacobi has center stage. On his right are actor Sting to read from Robert Schumann's letters, baritone Simon Keenlyside to sing Schumann's songs, Sergej Krylov (violin), and Iain Burnside (piano). On his left are actress Trudie Styler to read from Clara's letters, soprano Rebecca Evans to sing selections as a solo or as a duet with Keenlyside, Natalie Clein (cello), and Natasha Peremski (piano). The first disc contains the performance, which is an expert balance of narration and dramatic readings with solos and accompaniments from the musicians. As is explained in the program notes, some of the selections were edited in various ways for theatrical effect. All in all, it provides a fascinating insight into two human beings who loved, created complex and beautiful music, and finally suffered when Robert had a mental breakdown. The second disc offers another set of insights into the genius of the two when different members of the cast, actors and players, discuss the personalities and works of the two Schumanns. The educational value of this disc alone is great. I would like to see similar formats used for other famous musicians--but only with such skilled artists as were used in "Twin Spirits." But when will art departments stop using white print over colored backgrounds in the booklets, which might please their eyes but ruin ours? -- Art Times, Frank Behrens, December 2009 Better than you'd expect. This entertainment comes out of a charity event held at the Royal Opera House, Covent Garden. If you don't blink, you can see Alfred Brendel schmoozing before the curtain goes up. Basically, it pairs the music of Robert and Clara Schumann with their writings to and about one another (with side trips to Mozart and Chopin). The texts and notes don't line up chronologically, but emotionally. The words, from letters and diaries (particularly the so-called "marriage" diary which they kept jointly), chronicle the couple from pre-courtship to Robert's insanity and death, with a bit on Clara's long widowhood. A whiff of the "high-class" charity event lingers a little over the enterprise. Frankly, when I saw Sting's name, I muttered, "God save us from arty rockers." However, Sting surprised me. His delivery was intelligent, understated, with just enough "characterization" that you felt the presence of another personality, perhaps even Schumann's. In other words, he convinced me. It's the professional actors -- Jacobi and Styler -- that I occasionally caught "acting." Jacobi at times became a Masterpiece Theatre compère, while Styler here and there over-emoted. Her young Clara Wieck was a little too cute. However, Jacobi's lines functioned simply for set-ups and connections, and Styler became genuinely moving as Clara bears the family catastrophe. However, the real glory of the evening lies -- don't be too surprised -- in the music and the performances. Evans does well with her songs, although she occasionally slips into opera mode. Burnside supplies sensitive accompaniments -- a pro who knows his Schumann. The cellist Natalie Clein . . . well, I couldn't concentrate too well on her music-making, she's so gorgeous -- a bit like the young Argerich. What I did get showed a fiery but musical personality. She's wonderful in chamber music. American pianist Natasha Paremski negotiated some fiendish passage-work from Clara's piano concerto with spirit and aplomb. Violinist Sergei Krylov seemed uncomfortable in a chamber setting, but he certainly set the tone of the playing. You couldn't accuse him of bland good taste or timidity. However, baritone Simon Keenlyside stood out. I've heard few better Lieder singers. Furthermore, his duet with Evans in Mozart's "Là ci darem" from Don Giovanni provided the musical highpoint of the enterprise -- silkily seductive and a better aphrodisiac than oysters (though not as tasty). It strikes me as ironic that Mozart beats out Schumann in a Schumann documentary -- home-field advantage notwithstanding. The music, for the most part, serves the drama. Sometimes, we get abbreviations or cutoffs so the readings may continue. At other times, piano pieces have been "orchestrated" for the instrumental ensemble and at least one solo song turned into a duet. However, Martin Ward displays great taste, even in a chamber arrangement of something like "Träumerei" -- a trap that can lead to sugar coma if you don't take care. Some of the best bits come from the bonus disc, which contains, among other things, interviews with the musicians and the actors as well as a short documentary made at the Schumann-Haus in Zwickau, the composer's birthplace. John Caird serves as interlocutor. As he talks with the actors, it becomes clear that the group brings contemporary cultural perspectives to the marriage. Clara becomes the put-upon mother of the brood, while Robert flits about doing as he pleases -- writing symphonies and music criticism, preparing to conduct, and so on. This really doesn't survive a moment's thought. Clara, one of the greatest pianists of her day, was the primary breadwinner (one of her tours paid the family's expenses for three years) and had plenty of domestic help. She couldn't have practiced otherwise, and she set herself challenging programs. Don't get me wrong. She had plenty to put up with otherwise from Schumann, who among other things couldn't bear extraneous noise while he worked. I don't remember how they worked it out. She may have had to practice off-premises or Schumann may have composed off-premises. At any rate, musicologist Daniel Gallagher sits in and occasionally and gently puts things right. I should point out that these are extremely informal conversations among intelligent people. My favorite moment comes from pianist Natasha Paremski, who uses the word "vibe" and then asks, "That's not too American a word, is it?" Iain Burnside replies in his Best British Manner, "It's a word, yes." For me, however, the documentary, One Heart, One Soul, counts as the most interesting portion of the bonus features. It consists of the director of Schumann-Haus, Gerd Nauhaus, a man who knows his Schumann as well as anybody, discussing the composer. He too corrects some of the misperceptions that have arisen during the other interviews. Nauhaus speaks German, but you can choose subtitles from among several languages, including English. One may very well ask what audience these discs serve. Sting provides one answer: those not normally interested in classical music can come to the genre by getting involved in the story. It is a cracking good story, if a little weepy -- a Romance novel that happens to be true. Die-hard Sting fanatics will probably want it, even though he doesn't sing. Those who know their Schumann may or may not find something to interest them. The performances all shine, but it's not a Schumann concert, after all. You'll just have to work it out for yourselves. -- Classical CD Review, Steve Schwartz, February 2010 Having brought John Dowland to the masses with his album Songs from the Labyrinth, Sting takes another shot at presenting classical music to a wider audience which has developed the infuriating habit of not taking any notice of it. In this live performance, Sting portrays the passionate and tragically short-lived Robert Schumann by reading from his letters, while his wife Trudie Styler enacts the role of Robert's spouse Clara Schumann (formerly Wieck). In between, selections from the Schumanns' music are played by an ensemble comprising cellist Natalie Clein, pianists Iain Burnside and Natasha Paremski, violinist Sergej Krylov and singers Simon Keenlyside and Rebecca Evans. "I think it's a great `in' for people who don't normally listen to classical music," says Sting. Twin Spirits was devised as a fundraiser for a variety of charities, including the Royal Opera House, so we probably have to forgive its overtones of highbrow schlock. However, our task is not made easier by Derek Jacobi's performance as narrator. Ensconced on a throne and dressed like a Victorian philanthropist, Sir Del is at his fruitiest and most orotund. Fans of Frasier may be reminded of his guest performance as Jackson Hedley, the world's most preposterous Shakespearean actor. However, although Sting has suffered his share of critical brickbats, here he keeps a straight bat and delivers his readings with a mixture of wry humour and quiet sincerity. Trudie sometimes lurches into over-emoting luvviedom, but then again, she was a member of the RSC back in the day, which is how the RSC's John Caird was recruited to direct the project. And it can't be denied that the saga of the Schumanns' doomed greatest-love-of-all is a powerful tear-jerker. "There are moments in the story that make me very fearful," Styler admits. "The idea of losing my husband confronts me when I look at Sting as Robert. There are a few moments in the script where Robert and Clara are having a good time, so I try to make the most of them, just as I do in my own life." At 90 minutes, Twin Spirits cries out for some editing scissors, but perseverance is rewarded by the quality of the musical performances. Simon Keenlyside brings thunderous conviction to his musical portrayal of Robert Schumann, and the quartet performance of Traumerei, which marks the composer's solitary and miserable death, feels lonelier than a coyote's howl. Surprisingly, the second disc of additional features contains some of the best bits, especially Caird's conversations with the participants. All the musicians offer useful insights into the music, with Iain Burnside contributing shrewd remarks about the way Robert Schumann's music demands active intervention from the performer to bring it to life. When Caird introduces musicologist Daniel Gallagher to supply commentary on the Schumanns' life and work, he's so fascinating that that even Sting and Trudie find themselves spontaneously quizzing him. Despite all this, if you really want to explore the Schumanns' work, you might consider buying a selection of CDs and playing them a lot. -- The Arts Desk, Adam Sweeting, October 1, 2009 In his lifetime, Robert Schumann remained in the shadow of his wife Clara Wieck, whose concert career as a pianist took her all over Europe while he labored as a music journalist and largely unrecognized composer. Clara's overbearing father had taught them both piano, but his callous objections to the growing romance between Robert and Clara resulted in a physical separation that -- happily for musicologists -- left hundreds of letters detailing the musical and emotional development of this fascinating couple. While in different cities, they would often arrange to play the same piece at the same time, and then write to each other about the emotions aroused; once they were finally married, they kept a joint "marriage diary" for three and half years that recorded their musical and domestic happiness. Sting and his wife, actor Trudie Styler, are joined by Derek Jacobi, soprano Rebecca Evans, baritone Simon Keenlyside, and four instrumentalists for Twin Spirits, an educational project from London's Royal Opera House that presents the lives and works of Clara and Robert Schumann. Sting and Styler portray the couple in words, Keenlyside and Evans in music. Jacobi narrates. Devised and directed by John Caird, the show was recorded live in an intimately arranged and lit studio space at the opera house. It weaves together musical excerpts, love letters, diary entries and narration to tell the story of their love and marriage, tragically shortened when Robert's mental illness forced his commitment to an asylum. The show itself, which has been given as charity performances since 2005, is both informative and affecting, with spontaneous and energetic musical contributions, especially Evans's urgent rendition of Clara's "Er ist gekommen" and Keenlyside's sweeping "Ich grolle nicht," capped by a powerful high A. Evans's controlled voicing of "Ich hab im Traum geweinet" and Keenlyside's "Stille Liebe" are also effective. Most of the musical selections are short, and many have violin and cello additions, which lend an appropriate salon atmosphere, though the opening of "Carnaval" sounds odd with strings. Because of its placement in the storyline (and the use of Chopin's variations on its tune), "Là ci darem la mano" receives an odd interpretation, but Keenlyside's and Evans's skill and naturalness are winning. Another huge plus is Styler's warm, expressive delivery. With her wispy hair, vulnerable face and a faraway look in her eyes, Styler embodies the romantic, artistic spirit who rejoices in her soul mate; in passages detailing the end of Robert's life, Styler makes Clara's pain palpable. Sting's spiky, contemporary look is a bit of a jolt, but his connection to the material and identification with the obsessive, suffering composer are genuine. All the artists contributed their time to the project without remuneration; only Jacobi (whose presence undoubtedly signals "class") seems arch and distanced in his narration. Several bonus offerings include lengthy, round-table discussions in which the singers, instrumentalists and actors speak of how powerfully the interaction of words and music affected their interpretations and delivery. A thirty-five-minute lecture at the Robert Schumann Haus in Leipzig provides biographical details and background on the Schumanns' careers and training, as well as on their marriage and children. All proceeds from DVD sales benefit outreach projects of the Royal Opera House Education Programme. -- Opera News Online, Judith Malafronte, Decmber 2009 Like cucumber sandwiches at high tea, this depiction of the romance between two German musicians is a uniquely English confection. It follows in the tradition of BBC radio's dramatization of biographical presentations. In this case, the extended courtship and all-too-brief marriage is rendered with convincing fidelity through an enlightened blending of the spoken word and musical examples from the respective compositions of Robert Schumann and Clara Wieck. Nobly narrated by Derek Jacobi, the dialogue is ably conveyed by Sting (when will he, as an emerging musical polymath, be granted a knighthood so that his real name may enter common usage?) and Trudie Styler reading the lovers' correspondence compiled over decades. An unusual form of entertainment, but it kept a capacity audience in rapt attention over a long evening at Covent Garden. The singers and musicians give heartfelt support to the story with immaculate performances. The set includes close to two hours of extra features. It is also available from Opus Arte on conventional DVD format. Highly recommended to admirers of the Schumanns and all collectors with a special interest in German music of the Romantic period. -- La Scena Musicale, October 2009 One of the most moving love stories in the world of music is the relationship between Robert and Clara Schumann. In 2007, the British producer David Caird put together a music theater piece called Twin Spirits at London's Covent Garden in which Derek Jacoby narrated the romantic and tragic story, with Sting and his wife Trudie Styler reading passages from Robert and Clara's letters and the remarkable diary they kept together in the first years of their marriage. Some excellent chamber musicians and singers punctuate the readings with excerpts from the works of both Robert and Clara. Twin Spirits tells the story of Robert Schumann coming to Leipzig to study with the renowned music teacher Friedrich Wieck. Wieck's daughter Clara was a piano prodigy, by far the most talented of his six children. Robert was nine years older than her. He lived with the Wiecks for a year. By the time Clara was in her mid teens, they had fallen in love. Wieck was violently opposed to this romance. Clara's career came first. He refused to permit the marriage and ultimately the two lovers went to court for permission. Clara was 21; Robert 30. Wieck eventually relented when the couple had the first of their eight children, only four of whom outlived their parents. Clara was much more famous than Robert, and traveled extensively giving recitals, which were admired by the greatest musical figures of the time. She inspired Robert -- the year before they were married, he wrote more than 100 of his greatest songs. And she helped further his career by playing his compositions. Robert Schumann suffered from periodic mental breakdowns; tragedy struck when he tried to drown himself. He was institutionalized, but Clara was forbidden to see him for more than two years, until he was actually dying. She spent the rest of her life giving concerts and performing her husband's music. In his musical selection, Twin Spirits producer/director David Caird is less concerned with chronology than with finding something appropriate for each part of the story. Purists might object to the way Caird has rearranged some of the original music for this production. But in this dramatic context, I find these new arrangements both tasteful and effective. Sting, we've come to know, has a serious interest in classical music; he's also a coolly expressive actor and reader. Trudie Styler is particularly affecting reading what Clara wrote during her final visits to Robert. The most disappointing element of Twin Spirits is the rather artificial narration by Derek Jacobi, an actor I usually admire. But the whole enterprise is a compelling and poignant retelling of the story, and the well-chosen and well-performed music make this an outstanding addition to the year celebration of Robert Schumann's bicentennial. -- NPR, Lloyd Schwartz, February 17, 2010 Sting has been taking ever braver leaps into the classical music world over the last few years. As someone who doesn't enjoy his singing, I heaved a sigh of relief that he is on speaking duty in this fascinating musical dramatization of the often difficult, artistically inspirational, romantically fulfilling relationship between composer Robert Schumann and Clara Wieck. Sting is Robert to Trudie Styler's Clara as they sit with narrator Derek Jacobi on the Covent Garden stage, surrounded by exceptional musicians, including tenor Simon Keenlyside, soprano Rebecca Evans and violinist Sergei Krylov. Excerpts from the lovebirds' letters are interwoven with Schumann's music (and a bit of Mozart and Chopin). Once you get into the slow, black-backdropped pace of the story, you come to appreciate what an amazing job director John Caird has done to make the 90-minute show absorbing. A second DVD has more than an hour of extras, including background interviews and a documentary. This is inventive classical programming at its best, though music purists might prefer to hear uncut versions of many of the pieces on the program. -- TheStar.com, John Terauds, November 17, 2009 This is an uncharacteristically small-scale production for writer-director John Caird, who is more closely associated with such spectacles as Les misérables and Nicholas Nickleby. It's a 90-minute account, through words and music, of the personal and professional relationship between Robert Schumann and his wife, née Clara Wieck, devised in 2005 for the education division of the Royal Opera House, Covent Garden, and since then trotted out for various fundraising events with different performer rosters. This version was recorded before a silent audience in late 2007. Despite the number of artists on stage, it seems quite intimate; the actors are low-key, and the musicians, while rising to the passions of the music as necessary (particularly in the finale of Robert's Piano Trio No. 1, which closes the program), are direct and obviously under no pressure to play to a large hall. Although the proceedings are conveyed mainly through close-ups and two- and three-shots, the placement of the performers is interesting and deliberate. In the center, to the rear, on what looks almost like a throne, Sir Derek Jacobi offers bits of introduction and narrative context. Down front, at opposite sides of the stage, sit the actors portraying the Schumanns: pop star Sting, who has always struck me as more intelligent and subtle than he is generally given credit for, and Trudie Styler, best known in America as Mrs. Sting, but in England an accomplished actress with (like Jacobi) a Shakespearean background. Clustered near each of the two main actors is a trio of musicians, divided by gender. On Robert's side are a baritone and a male violinist and pianist; on Clara's, a soprano and a female cellist and pianist. The musicians do not remain segregated all the time; obviously, there's crossover in the trio movement, and both singers deliver Mozart's "Là ci darem la mano," which was important in the Schumanns' personal history. There's also an arrangement of "Träumerei" that manages to include all the instrumentalists. But for the most part, each historical figure is represented by his or her own group of musicians. As you might have guessed, the music comes in bits and pieces, mostly songs and instrumental miniatures (by both Robert and Clara), but for the most part each item is complete in itself and only occasionally, mainly in the beginning, do the actors talk over the music. The spoken lines are drawn from the Schumanns' letters; Caird has heavily edited them and mingled missives from various periods to create a coherent narrative. This overall approach will obviously not satisfy purists who seek an impartial documentary account of the Schumanns, nor music lovers who prefer to hear song cycles and chamber works in their entirety. But that's not the point of this project; it's an introduction to the general, intelligent, curious music lover of the personalities behind this music, and to Clara's essential role in Robert's life and career. If Sting and Styler, sometimes reading from scripts but often looking straight into the camera, don't fully convey the excitement of early love, they are very good at communicating the comfortable intimacy, affection, and mutual respect of an old married couple. Perhaps each is best when not speaking; they can communicate quite a lot in the cutaway shots of one watching the other deliver lines, or in listening to the musicians (who are also seen being quietly attentive during some of the spoken passages). The musical performances are quite good, even if Simon Keenlyside, like most baritones, finds Schumann's top notes taxing. Those requiring a more straightforward documentation of the Schumann situation may prefer the 35-minute documentary in which a curator from the Schumann House museum and archive speaks, in subtitled German, about their marriage and careers, repeating some material from the stage presentation but elaborating on other issues. There's also a surprisingly engaging series of chats with Caird, the performers, and musicologist Daniel Gallagher about the Schumanns and their music. Gallagher's contributions are especially good, even for non-specialists, and while the actors don't have much of substance to contribute, they do at least chime in with the occasional smart observation and perceptive question. The Blu-ray video quality is, as usual, superb, although there's nothing more technically challenging here than maintaining clarity on a rather dark stage. The aspect ratio is 16:9, and the audio options are limited to PCM 2.0 and 5.0. Subtitles are available for the songs and the German documentary. Old hands at this subject may feel that its treatment here is too superficial, but take this for what it is: an educational entertainment designed to introduce the Schumanns' music and cobiography to the uninitiated without insulting their intelligence. "Twin Spirits" surely succeeds on those grounds, most touchingly. -- Fanfare, James Reel, Mar-Apr 2010 Twin Spirits is a live theatrical performance that features narration, impersonation (in an epistolary manner), and chamber music centered on the lives and love of Robert and Clara Schumann. Evidently the work, created and directed by John Caird, toured in smaller venues before being presented at the Royal Opera House. It is indeed a unique experience, the letters of the Schumann's used as the basis for a story of their lives, dramatized here to excellent effect, and enhanced by their music. One can think of no more worthy subjects than these two hyper-romantic figures, celebrated in their day and long afterwards, with personal connections tying them into the fortunes and foibles of Brahms, Liszt, Mendelssohn, Joachim, and Chopin. Their love story is one that was well known even in their own day, and their passion for one another is marked only by the equal degree of tragedy and sorrow that graced their short time together. I will not dwell on aspects of that story here, as it is well known, and if unknown easily found in books and on the Web. Suffice it to say, the story begins with Robert's first studies with Clara Wieck's father (Robert was essentially self-taught), his aspirations as a pianist until he ruined his hands, his solicitation of love from Clara and desire to marry her (against her father's wishes), the frustration they experienced until they could get married, early bliss in their marital life and the success of each, Robert's seminal decline and mental instability, Clara's heartrending final years with Robert in an asylum, and her life after Robert's death. All of this seems like it might be too much for a stage production, but the letters have been carefully vetted in order to keep the action--such as it is--moving along. The story is given general guidelines by Derek Jacobi--superb as usual--and the parts of Robert and Clara taken by Sting and wife Trudie Styler. This might seem an odd choice at first, but Sting seems to have had a late-in-life classical-music conversion (remember his Dowland record?), and his performance as Robert is outstanding, as seasoned as from any actor I can imagine playing the part. Trudie Styler is equally affecting, and her moment of breakdown towards the end is truly distressing. But this is not a play at all--there is no dramatic movement or stage acting. Most of the time, Sting and Trudie are seated close to one another, and they often lean towards each other when speaking. Jacobi is seated pretty much center stage, and they all can be seen watching each other. Interspersed among the talkers are a series of musicians, an all-male group (baritone, violin, piano) on Robert's side, and a female group (soprano, cello, piano) on Clara's side. At different times in the "action," the music of one of the Schumanns is played by one of these groups, or a portion of each. For the most part, the performances are excellent, the singing of Simon Keenlyside being notable, along with the last selection, the Finale from the D-Minor Piano Trio, op. 63, a real barnburner and triumphant ending to an otherwise factual human misfortune that nonetheless had moments of supreme joy. But its protagonists were certainly as star-crossed as Romeo and Juliet ever were. If there is a downside, it would be the lack of more representative music on Robert's part. The very nature and intimacy of this production nixes the idea of large ensemble performances, but one feels like part of the emotional picture is missing without them. Some of the music has been doctored or altered, nothing egregious, but odd sounding to those who know it. This was probably unavoidable in order to make the music portion fuller while using only chamber pieces. The songs are what they are, and there are a few pieces pertinent to the Schumanns at certain times that are by other composers. The staging is wonderful, making it easy to follow what is happening; the sound is equally pleasing, LPCM stereo or DTS surround (my choice). The music however, is only secondary to the engrossing tale, and is chosen wisely to enhance the story where the words end. As bonuses, we get a substantial amount, the cast talks and the documentary being of more than casual interest. I enjoyed this thoroughly, and I can't imagine any music lover who wouldn't. -- Fanfare, Steven E. Ritter, Jan/Feb 2010 Top About this item Similar From the Brand Reviews Twin Spirits: Sting performs Schumann [Blu-ray]

Release: November 17, 2020

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An ambitious genetic experiment takes a wrong turn when two twins—who look nothing alike—are born and then separated. Years later, the unlikely siblings meet: Julius (Arnold Schwarzenegger, The Terminator, Predator), a highly educated but sheltered giant with a big heart, and Vincent (Danny DeVito, It's Always Sunny in Philadelphia), a diminutive hustler with an insatiable lust for women and money. With girlfriends in tow and a hitman on their trail, the newfound brothers set off on a wild, cross-country misadventure to find their mother—but end up finding out more about themselves. Kelly Preston (Secret Admirer), Chloe Webb (Sid and Nancy) and Marshall Bell (Total Recall) co-star in this hilarious box-office blockbuster from director Ivan Reitman (Ghostbusters).

Release: July 30, 2024

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Ashley Judd (Kiss the Girls, Double Jeopardy) is sensual and stunning as Jessica Shepard, a San Francisco police inspector prowling the wharf for a serial killer whose victims all have one thing in common: her. The investigation becomes more and more twisted as her partner (Andy Garcia, Internal Affairs) behaves strangely, and the police commissioner (Samuel L. Jackson, Changing Lanes) is being asked to remove her from the investigation as she is a prime suspect. All the clues point to her and Jessica begins to suspect that she might be the killer she is looking for. Directed by the great Philip Kaufman (The Wanderers, Invasion of the Body Snatchers, The Right Stuff) and simmering with nail-biting suspense, Twisted is a provocative, pulse-pounding psychological thriller that will keep you guessing to the very end. Featuring David Strathairn, Leland Orser, Titus Welliver, Russell Wong, Camryn Manheim, Mark Pellegrino, D.W. Moffett and Richard T. Jones. Special Features: • Brand New HD Master – From a 4K Scan of the Original Camera Negative • Audio Commentary by Director Phillip Kaufman • Creating a 'Twisted' Web of Intrigue: Featurette (11:00) • The Investigators - Clues of Crime: Featurette (10:02) • San Francisco - Scene of the Crime: Featurette (6:57) • Cutting Room Floor: Deleted Scenes with Optional Commentary (16:37) • Theatrical Trailer • 5.1 Surround and Lossless 2.0 Stereo • Optional English Subtitles

Release: May 6, 2008

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Actors: Philip Seymour Hoffman, Helen Hunt, Bill Paxton, Cary Elwes, Jami Gertz Directors: Jan De Bont Writers: Michael Crichton, Anne-marie Martin Producers: Steven Spielberg, Laurie Mac Donald, Gerald R. Molen, Walter F. Parkes, Kathleen Kennedy Format: Blu-ray, Closed-captioned, Color, NTSC, Original recording remastered, Special Edition, Subtitled, Widescreen Language: English Subtitles: English, French Region: Region A/1 (Read more about DVD/Blu-ray formats.) Aspect Ratio: 2.35:1 Number of discs: 1 Rated: PG-13 (Parental Guidance Suggested) Studio: Warner Home Video DVD Release Date: May 6, 2008 Run Time: 113 minutes Average Customer Review: 4.2 out of 5 stars See all reviews (630

Release: July 9, 2024

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Yakuza bosses are supposed to be tough, ruthless, and treat their men like cogs in a callous criminal machine. When former cop and ex-con Doumeki accepts his latest bodyguard assignment, however, he realizes that there's something different about his new boss, Yashiro. Because while Yashiro may seem as emotionally distant as his counterparts, he's also a closet masochist who enjoys receiving pain as much as his job involves bringing it. Yashiro's feelings for at least a few of his men also extends far beyond what's normally extended to other members of the same crime family... a group that now includes Doumeki. Of course, Doumeki's got his own issues, Doumeki. Of course, Doumeki's got his own issues, and nobody can beat an ex cop when it comes to putting the lockdown on a relationship. Except, possibly, a true King of Pain in TWITTERING BIRDS NEVER FLY THE CLOUDS GATHER.

Release: August 16, 2011

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The writer of How to Be a Player turns a hilariously candid eye toward the complex and comical issues of dating, relationships and the ongoing battle between the sexes; featuring a happening and sexy cast including Vivica A. Fox (Independence Day, Booty Call), Morris Chestnut (The Brothers, The Best Man), Anthony Anderson (Big Momma's House, Exit Wounds) and Gabrielle Union (The Brothers, Bring It On, Love and Basketball). Shante Smith (Fox) is a beautiful advertising executive who seems to have her life– and her man– completely under control. Her relationship with Keith (Chestnut), a handsome lawyer, is the envy of her friends, until one night when the girls stumble upon Keith at a nightclub with another woman. Now, Shante is forced to launch her Ten-Day Plan to get her man back in line, save face with her friends and climb back on top of her strained relationship.

Release: December 19, 2023

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Another 12 classic martial arts films highlight this explosive box set comprised from the famous Shaw Brothers' library and featuring some of their greatest stars including The Five Deadly Venom's stars Phillip Kwok, Sun Chien, Lu Feng, Chiang Sheng, and Lo Meng and A Better Tomorrow's Derek Yee and Ti Lung. Many of these visually spectacular films are debuting for the first time on Blu-ray. Heroes meet villains in edge-of-your-seat duels in this exciting array of some of Shaw Brothers' best! The Rebel Intruders: The "Venoms" are back in action again! After creating an international sensation in The Five Venoms, Taiwanese Opera artists Phillip Kwok, Chiang Sheng and Lu Feng reteamed with Chinese muscleman Lo Meng and super-kicker Sun Chien for this politically charged thriller. Set in the early Republican years, The Rebel Intruders follows skilled refugees who run afoul of a powerful traitor. From then on, it's one amazing battle after another! Two Champions Of Shaolin: Legendary director Chang Cheh hit upon a winning formula by teaming three Taiwanese stars with a Korean kicker and a Chinese strongman in a super heroic series of kung fu-filled adventures—starting with the international cult favorite, The Five Venoms. This particular action-packed tale of Shaolin vs. Wu Tang fighters is special in that the fifth "Venom" worked behind the scenes while the other four strut their stuff all the more intently because of it. Legend Of The Fox: Revered director Chang Cheh co-wrote this showcase for a new discovery. Bloody thrills and superlative fight scenes buoy his exciting tale of revenge, which was choreographed by and features cameos from the director's three most popular "Venoms": Kuo Chue, Chiang Sheng, and Lu Feng. Already famous for starring in more than a dozen films, here they lend their extensive expertise to Chien Hsiao-hou, who went on to star in such classics as Mr. Vampire and Fist Of Legend. Black Lizard: Director Chor Yuen is famous for introducing elements of murder mysteries, detective tales, and emotional melodrama into kung fu films. This is one of those skilled thrillers, wherein he uses two editors and three martial arts choreographers to tell a tale of kidnapping, murder, frame-ups, and even being buried alive. The kung fu takes on a macabre, horrific flair in this stunning story of swordsmen and women struggling to save their true loves…and their sanity. House Of Traps: It started with The Five Venoms, the internationally loved kung fu thriller. It continues through more than a dozen bloody good films featuring the same actors in different roles. House Of Traps is considered the last official "Venoms" movie, but what a film it is. There's one plasma-spurting attack after another as heroes and rogues alike try to solve the secrets of a hell house. The core Venoms themselves choreograph the gory fun in this fond farewell to their worldwide film series sensation. Masked Avengers: The godfather of the kung fu film, Chang Cheh, star

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Al Pacino and Matthew McConaughey star in this adrenaline-charged thriller about the sexy, high-stakes world of sports betting, where fortunes can be made or lost with a flip of a coin. When Brandon Lang (McConaughey) is tapped to be the protégé of sports gambling's power player, Walter Abrams (Pacino), he swiftly becomes the golden boy of the high rollers for consistently picking football winners. Now, with millions on the line, Brandon finds himself in a deadly game of con-versus-con with his mentor. Also starring Rene Russo, Armand Assante, and Jeremy Piven, Two For The Money sizzles with intense, non-stop thrills! Bonus Content: Audio Commentary with Director D.J. Caruso and Screenwriter Dan Gilroy The Making of Two For the Money Insider Interview: The Real Brandon Deleted Scenes with Optional Audio Commentary with D.J. Caruso or Dan Gilroy Theatrical Trailer TV Spots

Release: June 18, 2024

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Release: September 17, 2013

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A French UN delegate has disappeared into thin air, sending reporter Moreau (Jean-Pierre Melville) and hard drinking photographer Delmas (Pierre Grasset) on an assignment to find him. Their only lead is a picture of three women. Set against a smoky jazz score and featuring stunning black and white cinematography that beautifully captures the gritty streets at night, this is director Melville s love letter to New York City and homage to the American Film Noir.

Release: November 19, 2024

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Release: April 26, 2011

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In one of his first-ever roles, a young Jack Nicholson stars as Lt. Andre Duvalier, a soldier in Napoleon's army in 19th century France, separated from his regiment. He awakens on a beach to the sight of a strange woman who leads him to the gothic, towering castle that serves as home to eerie Baron Von Leppe (Boris Karloff). But, as Duvalier soon discovers, nothing is what it seems in this ghastly, haunted mansion of death! This underground favorite was made in classic Roger Cormanfashion, making the most of his resources to bring yet another film to life on a minimal budget for his producers at American International Pictures. Short on time himself (there were more movies to be made!), Corman left it to a few of the aspiring directors within his crew (among them, Jack Hill, a young Francis Coppola, and even Jack Nicholson taking a turn behind the camera for a few scenes) to help see the film to completion. The Terror would go on to become a drive-in favorite and late-night TV staple, also appearing under the titles the Terror, Lady of the Shadows and the Castle of Terror.

Release: January 6, 2015

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Release: November 1, 2016

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In a Roman shantytown, a selfish patriarch and his sprawling family claw for money, survival, and dignity in Ettore Scola’s savage black comedy.

Release: March 6, 2012

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Release: March 1, 2011

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Surf legend Kelly Slater and Tahitian riders chase massive waves while the film explores the science behind them.

Release: May 12, 2026

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Ultraman: Towards the Future – The core conflict centers on the invasion led by the alien virus known as Gudis. Jack Shindo, an astronaut with the global defense agency UMA (Universal Multipurpose Agency), merges with the giant alien hero Ultraman Great to counter these menaces. Ultraman: The Ultimate Hero – Kenichi Kai, a member of the global defense team W.I.N.R. (Worldwide Investigation Network Response), merges with the Giant of Light known as Ultraman Powered to combat a series of monstrous threats emerging on the west coast of the United states.

Release: May 12, 2026

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Description

Ultraman: Towards the Future – The core conflict centers on the invasion led by the alien virus known as Gudis. Jack Shindo, an astronaut with the global defense agency UMA (Universal Multipurpose Agency), merges with the giant alien hero Ultraman Great to counter these menaces. Ultraman: The Ultimate Hero – Kenichi Kai, a member of the global defense team W.I.N.R. (Worldwide Investigation Network Response), merges with the Giant of Light known as Ultraman Powered to combat a series of monstrous threats emerging on the west coast of the United states.

Release: May 12, 2026

$6.99

Description

Ultraman: Towards the Future – The core conflict centers on the invasion led by the alien virus known as Gudis. Jack Shindo, an astronaut with the global defense agency UMA (Universal Multipurpose Agency), merges with the giant alien hero Ultraman Great to counter these menaces. Ultraman: The Ultimate Hero – Kenichi Kai, a member of the global defense team W.I.N.R. (Worldwide Investigation Network Response), merges with the Giant of Light known as Ultraman Powered to combat a series of monstrous threats emerging on the west coast of the United states.

Release: May 12, 2026

$6.99

Description

Ultraman: Towards the Future – The core conflict centers on the invasion led by the alien virus known as Gudis. Jack Shindo, an astronaut with the global defense agency UMA (Universal Multipurpose Agency), merges with the giant alien hero Ultraman Great to counter these menaces. Ultraman: The Ultimate Hero – Kenichi Kai, a member of the global defense team W.I.N.R. (Worldwide Investigation Network Response), merges with the Giant of Light known as Ultraman Powered to combat a series of monstrous threats emerging on the west coast of the United states.

Release: January 10, 2017

$7.99

Description

Media Type: NEW BLU-RAY + DVD + Digital HD – (213) Media Title: BIRTH OF A NATION (2017) - Actors: Armie Hammer, Nate Parker, Mark Boone Junior, Colman Domingo - Format: AC-3, Color, Dolby, DTS Surround Sound, Dubbed, NTSC, Subtitled, Widescreen - Language: English (Dolby Surround) - Subtitles: English, French, Spanish - Dubbed: French, Spanish - Region: All (Blu-Ray) - 1 (DVD U.S. and Canada.) - Number of discs: 2 - Rated: R Restricted - Studio: 20th Century Fox - Release Date: January 10, 2017 - Run Time: 120 minutes::-: BILLED AS THE UNTOLD STORY, this is NOT a remake of the silent film of the same name that opened so many doors to film makers and nothing about it is from any American history book I have read or studied. After someone accused Oscar of being “Too White”, Hollywood gives us this movie with nude scenes, rape scenes, whipping scenes and killing scenes. Blacks see this as “OUR” story and it has to be told. NEW BLU-RAY + DVD COMBO - Media Type: NEW BLU-RAY + DVD + Digital HD – (213) Media Title: BIRTH OF A NATION (2017) - Actors: Armie Hammer, Nate Parker, Mark Boone Junior, Colman Domingo - Format: AC-3, Color, Dolby, DTS Surround Sound, Dubbed, NTSC, Subtitled, Widescreen - Language: English (Dolby Surround) - Subtitles: English, French, Spanish - Dubbed: French, Spanish - Region: All (Blu-Ray) - 1 (DVD U.S. and Canada.) - Number of discs: 2 - Rated: R Restricted - Studio: 20th Century Fox - Release Date: January 10, 2017 - Run Time: 120 minutes

Release: June 22, 2021

$6.99

Description

On the same day in 1989, forty-three infants are inexplicably born to random, unconnected women who showed no signs of pregnancy the day before. Seven are adopted by a billionaire who creates The Umbrella Academy and prepares his "children" to save the world. Now, the six surviving members reunite upon the news of their father's passing and must work together to solve a mystery surrounding his death. But the estranged family begins to come apart due to their divergent personalities and abilities, not to mention the imminent threat of a global apocalypse. The Umbrella Academy is based on the comic book series created and written by Gerard Way, illustrated by Gabriel Bá, and published by Dark Horse Comics.

Release: June 22, 2021

$6.99

Description

On the same day in 1989, forty-three infants are inexplicably born to random, unconnected women who showed no signs of pregnancy the day before. Seven are adopted by a billionaire who creates The Umbrella Academy and prepares his "children" to save the world. Now, the six surviving members reunite upon the news of their father's passing and must work together to solve a mystery surrounding his death. But the estranged family begins to come apart due to their divergent personalities and abilities, not to mention the imminent threat of a global apocalypse. The Umbrella Academy is based on the comic book series created and written by Gerard Way, illustrated by Gabriel Bá, and published by Dark Horse Comics.

Release: June 22, 2021

$6.99

Description

On the same day in 1989, forty-three infants are inexplicably born to random, unconnected women who showed no signs of pregnancy the day before. Seven are adopted by a billionaire who creates The Umbrella Academy and prepares his "children" to save the world. Now, the six surviving members reunite upon the news of their father's passing and must work together to solve a mystery surrounding his death. But the estranged family begins to come apart due to their divergent personalities and abilities, not to mention the imminent threat of a global apocalypse. The Umbrella Academy is based on the comic book series created and written by Gerard Way, illustrated by Gabriel Bá, and published by Dark Horse Comics.

Release: June 21, 2022

$6.99

Description

Five warned his family (so, so many times) that using his powers to escape from Vanya’s 2019 apocalypse was risky. Well, he was right - the time jump scatters the siblings in time in and around Dallas, Texas. Over a three year period. Starting in 1960. Some, having been stuck in the past for years, have built lives and moved on, certain they’re the only ones who survived. Five is the last to land, smack dab in the middle of a nuclear doomsday, which - spoiler alert! - turns out is a result of the group’s disruption of the timeline (déjà vu, anyone?). Now the Umbrella Academy must find a way to reunite, figure out what caused doomsday, put a stop to it, and return to the present timeline to stop that other apocalypse. All while being hunted by a trio of ruthless Swedish assassins. But seriously, no pressure or anything.

Release: June 21, 2022

$6.99

Description

Scattered across Dallas in the 1960s, the Hargreeves siblings try to reunite and stop another apocalypse while their altered timeline spirals out of control.

Release: June 21, 2022

$6.99

Description

Five warned his family (so, so many times) that using his powers to escape from Vanya’s 2019 apocalypse was risky. Well, he was right - the time jump scatters the siblings in time in and around Dallas, Texas. Over a three year period. Starting in 1960. Some, having been stuck in the past for years, have built lives and moved on, certain they’re the only ones who survived. Five is the last to land, smack dab in the middle of a nuclear doomsday, which - spoiler alert! - turns out is a result of the group’s disruption of the timeline (déjà vu, anyone?). Now the Umbrella Academy must find a way to reunite, figure out what caused doomsday, put a stop to it, and return to the present timeline to stop that other apocalypse. All while being hunted by a trio of ruthless Swedish assassins. But seriously, no pressure or anything.

Release: May 6, 2025

$7.99

Description

The angelically beautiful Catherine Deneuve was launched to stardom by this dazzling musical heart-tugger from Jacques Demy. She plays an umbrella-shop owner’s delicate daughter, glowing with first love for a handsome garage mechanic, played by Nino Castelnuovo. When the boy is shipped off to fight in Algeria, the two lovers must grow up quickly. Exquisitely designed in a kaleidoscope of colors, and told entirely through lilting songs by the great composer Michel Legrand, The Umbrellas of Cherbourg is one of the most revered and unorthodox movie musicals of all time. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, undertaken by Ciné-Tamaris and approved by Mathieu Demy, director Jacques Demy’s son, with 5.0 surround DTS-HD Master Audio soundtrack Alternate uncompressed monaural soundtrack One 4K UHD disc of the film and one Blu-ray with the film and special features Once Upon a Time . . . “The Umbrellas of Cherbourg,” a 2008 documentary Interview with film scholar Rodney Hill French television interview from 1964 featuring Jacques Demy and composer Michel Legrand discussing the film Archival audio interviews with Legrand and actor Catherine Deneuve at the National Film Theatre in London Demonstration of the 2013 restoration Trailer PLUS: An essay by critic Jim Ridley

Release: September 24, 2019

$6.99

Description

Daniel Auteuil (Caché), Emmanuelle Beard (Mission: Impossible) and André Fusilier (Amelie) star in this sublimely sensual, provocative and critically-acclaimed film from director Claude Sautee (Nelly and Monsieur Arnaud). Camille (Beard), a concert violinist, becomes intrigued by her lover’s business partner Stephane (Auteuil), an aloof restorer of musical instruments. She interprets his distance as a kind of flirtation, but Stephane is more of a voyeur, preferring to watch than engage in romance. A bizarre love triangle forms in which each member slowly unveils their imperfections and insecurities. Un Coeur end Hiver (A Heart in Winter) is a sexy and enthralling film that unearths the origins of desire. Special Features: Audio commentary by film historian Kat Hellinger Trailers

Release: February 25, 2020

$6.99

Description

Rodrigo Cataño (Fernando Soler) runs his household like his own private kingdom, demanding obedience and respect from his submissive wife Doña Gracia (Eugenia Galindo) and their five children. This strictly maintained state of affairs is disturbed with the arrival of charming travelling salesman Roberto (David Silva), who convinces the initially resistant Rodrigo to purchase his newfangled household wares (first a vacuum cleaner, then a fridge) and enchants the family's 15-year-old daughter Maru (Martha Roth). When Maru declares that she intends to marry Roberto, she defies not only her domineering father, but also the entire patriarchal order he represents. Long considered one of the key films of the Golden Age of Mexican cinema, Alejandro Galindo's resonant family drama movingly depicts the tension between tradition and modernity that was gripping Mexican society at the time.

Release: August 14, 2018

$7.99

Description

From producer Roger Corman comes a diabolical horror outing about reproductively challenged couple Virginia (Brooke Adams) and Brad Marshall (Jeff Hayenga), who take part in Dr. Richard Mayerling's (James Karen) experimental in-vitro fertilization program. Soon, the mother-to-be discovers that what she's carrying may not be altogether human! With Jane Cameron, K Callan, and, in early roles, Kathy Griffin and Lisa Kudrow.

Release: July 7, 2009

$6.99

Description

Product Description Enter a world of unrelenting evil as terror finds a new form in The Unborn. From the producers of The Texas Chainsaw Massacre and the co-writer of The Dark Knight comes this shocking supernatural thriller about a young woman (Odette Yustman) plagued by chilling dreams and tortured by a demonic ghost that haunts her waking hours. Her only hope to break the debilitating paranormal curse is in an exorcism with spiritual advisor Sendak (Gary Oldman). See what lies beyond the doorway of our world in this non-stop nightmare of the undead… Amazon.com Gary Oldman as an exorcist in an evil-twin movie inflected with Jewish mysticism? You're already halfway there, right? Hold on, because The Unborn is one of those horror movies that sounds more intriguing in synopsis than it plays. Pity unfortunate babysitter Odette Yustman (Cloverfield), who begins experiencing weird visions just about the time she learns she had a twin that died before birth. Said ghostly twin is suddenly popping up everywhere, leading Yustman to visit a rabbi (that's Oldman) who suspects she is haunted by a dybbuk, a spirit of Jewish legend. All of which is a reasonable set-up, but the movie that results is so ham-fistedly written and played that a few good early shocks dissolve in general ludicrousness. Writer-director David S. Goyer, who worked on Batman Begins and The Dark Knight, displays a tin ear here--the presence of a surprisingly decent cast (Jane Alexander, Idris Elba) simply demonstrates how bad the dialogue is: if they can't speak it, nobody could. The movie's biggest reach is tying its half-baked creepy-kid act to a backstory that includes Auschwitz--well, you can't say Goyer lacks nerve. There's always Oldman, who never backs down from a little scenery chewing if the cause is already lost. It's not enough to salvage this one. --Robert Horton

Release: February 18, 2025

$7.99

Description

When they leave town for an emergency, a staid suburban Chicago couple reluctantly taps the family failure-the unemployed and irresponsible Uncle Buck (John Candy)-to babysit their under-nurtured brood. While his young nephew (Macaulay Culkin) and niece (Gaby Hoffman) take to him right away, Buck continually clashes with the discontented teenaged Tia (Jean Louisa Kelly). Writer/director John Hughes' warm and funny comedy co-stars Amy Madigan, Laurie Metcalf. 100 min. Widescreen (Enhanced); Soundtrack: English; Subtitles: English. Two-disc set.

Release: July 20, 2010

$6.99

Description

Product Description Overworked executive Robert Micelli (Golden Globe nominee Joe Mantegna, Searching for Bobby Fischer) has little time for his loving wife (Academy Award nominee Anne Archer, Patriot Games), rebellious fourteen-year-old son, Bobby, (Trevor Morgan, Jurassic Park III) and twelve-year-old daughter, Gina (Gina Mantegna, 13 Going On 30), who desperately wants a dog. This disconnected family is transformed by long-lost Uncle Nino (Pierrino Mascarino, Tears of the Sun), an old world Italian who unexpectedly arrives on their doorstep for a visit. Nino's simple, old-fashioned ways make him a curiosity to the neighborhood, and an embarrassment to Robert. But, Nino is slowly able to connect with each member of the family, and teach Robert how to enjoy life's simple pleasures: good food, good music, and most important, La Famiglia! Uncle Nino is that rare family film whose simple story and gentle humor can be enjoyed by all ages. Bonus Feature: Interview with Joe Mantegna and his daughter, Gina Mantegna. Joe explores his Italian heritage and the importance of family. Joe and Gina also share their thoughts on this poignant film, and talk about working together for the first time. Winner of the Crystal Heart Award: Heartland Film Festival. Rated: PG. In addition to the Blu-ray disc, this combo pack also includes: 1. DVD version of the program(s) that you can play in your DVD player, vehicle or computer. 2. Digital copy of the program that you can download to your computer and/or transfer to your mobile devices. Questar is pleased to offer you the ability to watch our award-wining programs whenever and wherever you want! Review An Effortless Heartwarmer --The oston Globe Uncle Nino, a movie about moral values, is finally getting its due --The USA Today A family film made with the kind of caring and commitment that will connect with viewers --The Los Angeles Times