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A female twist on the traditional Frog Prince tale that takes place in New Orlean's French Quarter.

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A group of kids face their fears in order to save their town.

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A group of kids face their fears in order to save their town.

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From Walt Disney Animation Studios comes Moana, an epic adventure about a spirited teen who sets sail on a daring mission to prove herself a master wayfinder and fulfill her ancestors' unfinished quest. During her journey, Moana (Auliʻi Cravalho) meets the mighty demigod Maui (Dwayne Johnson), and together they cross the ocean on a fun-filled, action-packed voyage, encountering enormous sea creatures, breathtaking underworlds and impossible odds. Along the way, Moana discovers the one thing she's always sought: her own identity.

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Based on the Vertigo comic book series from DC Entertainment, the film stars Oscar nominee Melissa McCarthy, Tiffany Haddish and Elisabeth Moss as three 1978 Hell’s Kitchen housewives whose mobster husbands are sent to prison by the FBI. Left with little but a sharp ax to grind, the ladies take the Irish mafia’s matters into their own hands—proving unexpectedly adept at everything from running the rackets to taking out the competition…literally. Bonus Content: - Running Hells Kitchen - Taking Over the Neighborhood - Deleted Scenes

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Dwayne Johnson and Jason Statham return to their unforgettable roles as Hobbs and Shaw in this action-packed feature from the blockbuster Fast & Furious franchise! For years, hulking lawman Luke Hobbs (Johnson) and lawless outcast Deckard Shaw (Statham) have traded smack talk and body blows. But when cyber-genetically enhanced anarchist Brixton (Idris Elba) gains control of an insidious bio-threat that could alter humanity forever, Hobbs and Shaw must partner up to bring down the only guy who might be badder than themselves! Bonus Content: Includes 4K UHD, Blu-ray and a digital copy of Fast & Furious Presents: Hobbs & Shaw (Subject to expiration. Go to NBCUCodes.com for details.) Features Dolby Vision and HDR10+ for Brighter, Deeper, More Lifelike Color Alternate Opening Deleted/Extended/Alternate Scenes Johnson & Statham: Hobbs & Shaw Progress of a Fight Scene with Director David Leitch Practical Action The Bad Guy The Sister Hobbs' Family Tree The Matriarch New Friends Elevator Action Stunt Show and Tell Keeping it in the Family: A Conversation with Roman and Dwayne Blind Fury Dwayne and Hobbs: Love at First Bite Feature Commentary with Director David Leitch

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Dwayne Johnson and Jason Statham return to their unforgettable roles as Hobbs and Shaw in this action-packed feature from the blockbuster Fast & Furious franchise! For years, hulking lawman Luke Hobbs (Johnson) and lawless outcast Deckard Shaw (Statham) have traded smack talk and body blows. But when cyber-genetically enhanced anarchist Brixton (Idris Elba) gains control of an insidious bio-threat that could alter humanity forever, Hobbs and Shaw must partner up to bring down the only guy who might be badder than themselves! Bonus Content: Includes 4K UHD, Blu-ray and a digital copy of Fast & Furious Presents: Hobbs & Shaw (Subject to expiration. Go to NBCUCodes.com for details.) Features Dolby Vision and HDR10+ for Brighter, Deeper, More Lifelike Color Alternate Opening Deleted/Extended/Alternate Scenes Johnson & Statham: Hobbs & Shaw Progress of a Fight Scene with Director David Leitch Practical Action The Bad Guy The Sister Hobbs' Family Tree The Matriarch New Friends Elevator Action Stunt Show and Tell Keeping it in the Family: A Conversation with Roman and Dwayne Blind Fury Dwayne and Hobbs: Love at First Bite Feature Commentary with Director David Leitch

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With THE CORPSE VANISHES (1942 ), Monogram Pictures might have, possibly, hit its finest hour. The film, which definitely falls within the realm of horror, owes much, if not everything, to the Weird Menace pulp magazines of the time. The movie is, at its very heart, a lurid dime novel come to life, complete with demented henchmen, evil dwarfs and a bevy of wilting Brides collapsing at the altar. Bela Lugosi packs a lot of unrepentant evil into his role of Dr. Lorenz, equally matched by the untamed wickedness of his own bride, played expertly by CAT PEOPLE's Elizabeth Russell. Angelo Rossitto adds to his Lugosi legacy as he is once more is literally kicked to the curb. BOWERY AT MIDNIGHT (1942) compliments CORPSE perfectly, taking its own cue from even more trashy pulp goodness. Featuring a very good cast that included Tom Neal (DETOUR), Wanda McKay (VOODOO MAN) and David O'Brien (THE DEVIL BAT)... and a cellar full of Zombies! Now in HD from a 2K Film Transfer. Includes a 6 Minute HD film interview with Lugosi as he returns from England after making VAMPIRE OVER LONDON.

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Based on the comic book characters 'Big Hero 6' who first appeared in 'Sunfire and Big Hero 6 #1' created by Steven T. Seagle and Duncan Rouleau and published by Marvel Comics September 1998.

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Based on the best-selling novel by Garth Stein, The Art of Racing in the Rain is a heartwarming tale narrated by a witty and philosophical dog named Enzo (voiced by Kevin Costner). Through his unique insight into the human condition, Enzo helps his owners — racecar driver Denny Swift (Milo Ventimiglia), his wife Eve (Amanda Seyfried) and daughter Zoe — navigate life with a refreshing perspective on friendship, family and unconditional love.

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Product Description Radically combining collaborative documentary, western, and musical elements, the new film by Robert Greene (KATE PLAYS CHRISTINE) follows several members of a close-knit community as they attempt to reckon with their town s darkest hour. In 1917, nearly two-thousand immigrant miners, on strike for better wages and safer working conditions, were violently rounded up by their armed neighbors, herded onto cattle cars, shipped to the middle of the New Mexican desert, and left there to die. This long-buried and largely forgotten event came to be known as the Bisbee Deportation. BISBEE 17 documents locals as they play characters and stage dramatic scenes from the controversial story, culminating in a large scale recreation of the deportation itself on the exact day of its 100th anniversary. These dramatized scenes are based on subjective versions of the story and offer conflicting views of the event, underscoring the difficulty of collective memory, while confronting the current political predicaments of immigration, unionization, environmental damage, and corporate corruption with direct, haunting messages about solidarity and struggle. Audio Commentary by Director Robert Greene Bisbee 17 Shorts (36 minutes) Ghost Towns of Arizona, a short film by Robert Greene (2006, 7 minutes) Deleted and Extended Scenes (37 minutes) Theatrical Trailer Booklet featuring an Oral and Visual History of the Making of Bisbee 17 Review The best film of the year. --A.O. Scott, The New York Times "A riveting, emotionally galvanizing achievement." --Justin Chang, The LA Times "An American riff on THE ACT OF KILLING; a fascinating and dream-like mosaic about a forgotten American tragedy." --David Ehrlich, Indiewire

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Robert Duvall (Apocalypse Now) is Mac Sledge, a down and out country singer. His struggle with fame was over. His fight for respect was just beginning as he struggles with alcohol and depression. His ex-wife, Dixie (Betty Buckley, Frantic), with whom he had a tortured life, will not allow him to see their 18-year-old daughter Sue Ann (Ellen Barkin, Sea of love) and she is now making popular the songs Mac had written and sung. Mac's new family, Rosa Lee (Tess Harper, No Country For Old Men) and her son Sonny, will not let his heartbreaks bring him down again. Together they are determined to find happiness and success. From Bruce Beresford, acclaimed director of Breaker Morant and written by Horton Foote, screenwriter of To Kill A Mockingbird.

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A disastrous online hookup turns into an unexpected emotional connection when a blizzard traps two mismatched strangers together for one very long night.

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Product Description Twin Spirits is a unique and intimate, live theatrical performance by a chamber ensemble of actors, singers and musicians, portraying the deep and ultimately tragic love between the composer Robert Schumann and his pianist wife Clara Wieck. In this intensely moving performance of words, song and music, the Schumanns’ long separation, so formative an influence on their lives, is reflected in the division of the ensemble into male and female groups. Robert's letters to Clara are read by Sting and his songs sung by Simon Keenlyside, with accompaniments and instrumental music played by Iain Burnside and Sergej Krylov. Clara's letters to Robert are read by Trudie Styler and her songs sung by Rebecca Evans, with accompaniments and instrumental music played by Natalie Clein and Natasha Paremski. The narrator, Derek Jacobi, links together the letters and lyrics to complete the essential outline of the story. Conceived and directed by John Caird, Twin Spirits was first performed in June 2005 at the Royal Opera House, Covent Garden, London and has since been experienced only at private performances for charity by small audiences of all ages and interests, leaving them deeply touched and inspired. Press Reviews "Twin Spirits portrays the life and love of Robert and Clara Schumann through readings of their surviving letters. These are read by Sting and Trudie Styler, with Derek Jacobi authoritatively filling in any gaps in the story. In one sense it's a static productions, with everyone seated throughout, but it's actually quite engrossing - perfectly paced and beautifully filmed. It's impossible not to emerge with both a true empathy for the Schumanns and a renewed or awakened interest in their music. The acting stays just the right side of luvviness, with Sting and Styler delivering strong, subtly believable performances. They're supported by beautifully executed interludes from a top line-up of soloists. This is tender, moving, well put together, and supplemented by an enlightening bonus DVD." (Classic fM) "John Caird's Twin Spirits, filmed live at the Royal Opera House, is beautifully constructed and performed with extraordinary fervour… Sting and Trudie Styler's own marriage undoubtedly informs their profoundly affecting portrayal of the Schumanns… Musical choices are mostly Schumann, a bit of Clara and some evocative Mozart and Chopin... often in special arrangements. Bonus material is generous... The issues are fascinating, though. How good is Clara's music? The jury is still out." (BBC Music Magazine) Cast Sting (Actor) Trudie Styler (Actor) Derek Jacobi (Narrator) Simon Keenlyside (Tenor) Sergej Krylov (Violin) Iain Burnside (Piano) The Orchestra of the Royal Opera House Production Company: Royal Opera House Stage Director: John Caird Disc Information Catalogue Number: OABD7043D Date of Performance: 2005 Running Time: 206 minutes Sound: 2.0 & 5.0 PCM Aspect Ratio: 1080i High Definition / 16:9 Subtitles: EN, FR, DE, ES, IT + EN (SONGS ONLY) Label: Opus Arte Review A Great Love Story is Told in Words and Music The nearly legendary story of Robert and Clara Schumann was staged and filmed at the Royal Opera House, Covent Garden, in 2007. The production, titled "Twin Spirits," is now available in a 2-DVD set from Opus Arte, and it is impressive and unusual. As Narrator, Derek Jacobi has center stage. On his right are actor Sting to read from Robert Schumann's letters, baritone Simon Keenlyside to sing Schumann's songs, Sergej Krylov (violin), and Iain Burnside (piano). On his left are actress Trudie Styler to read from Clara's letters, soprano Rebecca Evans to sing selections as a solo or as a duet with Keenlyside, Natalie Clein (cello), and Natasha Peremski (piano). The first disc contains the performance, which is an expert balance of narration and dramatic readings with solos and accompaniments from the musicians. As is explained in the program notes, some of the selections were edited in various ways for theatrical effect. All in all, it provides a fascinating insight into two human beings who loved, created complex and beautiful music, and finally suffered when Robert had a mental breakdown. The second disc offers another set of insights into the genius of the two when different members of the cast, actors and players, discuss the personalities and works of the two Schumanns. The educational value of this disc alone is great. I would like to see similar formats used for other famous musicians--but only with such skilled artists as were used in "Twin Spirits." But when will art departments stop using white print over colored backgrounds in the booklets, which might please their eyes but ruin ours? -- Art Times, Frank Behrens, December 2009 Better than you'd expect. This entertainment comes out of a charity event held at the Royal Opera House, Covent Garden. If you don't blink, you can see Alfred Brendel schmoozing before the curtain goes up. Basically, it pairs the music of Robert and Clara Schumann with their writings to and about one another (with side trips to Mozart and Chopin). The texts and notes don't line up chronologically, but emotionally. The words, from letters and diaries (particularly the so-called "marriage" diary which they kept jointly), chronicle the couple from pre-courtship to Robert's insanity and death, with a bit on Clara's long widowhood. A whiff of the "high-class" charity event lingers a little over the enterprise. Frankly, when I saw Sting's name, I muttered, "God save us from arty rockers." However, Sting surprised me. His delivery was intelligent, understated, with just enough "characterization" that you felt the presence of another personality, perhaps even Schumann's. In other words, he convinced me. It's the professional actors -- Jacobi and Styler -- that I occasionally caught "acting." Jacobi at times became a Masterpiece Theatre compère, while Styler here and there over-emoted. Her young Clara Wieck was a little too cute. However, Jacobi's lines functioned simply for set-ups and connections, and Styler became genuinely moving as Clara bears the family catastrophe. However, the real glory of the evening lies -- don't be too surprised -- in the music and the performances. Evans does well with her songs, although she occasionally slips into opera mode. Burnside supplies sensitive accompaniments -- a pro who knows his Schumann. The cellist Natalie Clein . . . well, I couldn't concentrate too well on her music-making, she's so gorgeous -- a bit like the young Argerich. What I did get showed a fiery but musical personality. She's wonderful in chamber music. American pianist Natasha Paremski negotiated some fiendish passage-work from Clara's piano concerto with spirit and aplomb. Violinist Sergei Krylov seemed uncomfortable in a chamber setting, but he certainly set the tone of the playing. You couldn't accuse him of bland good taste or timidity. However, baritone Simon Keenlyside stood out. I've heard few better Lieder singers. Furthermore, his duet with Evans in Mozart's "Là ci darem" from Don Giovanni provided the musical highpoint of the enterprise -- silkily seductive and a better aphrodisiac than oysters (though not as tasty). It strikes me as ironic that Mozart beats out Schumann in a Schumann documentary -- home-field advantage notwithstanding. The music, for the most part, serves the drama. Sometimes, we get abbreviations or cutoffs so the readings may continue. At other times, piano pieces have been "orchestrated" for the instrumental ensemble and at least one solo song turned into a duet. However, Martin Ward displays great taste, even in a chamber arrangement of something like "Träumerei" -- a trap that can lead to sugar coma if you don't take care. Some of the best bits come from the bonus disc, which contains, among other things, interviews with the musicians and the actors as well as a short documentary made at the Schumann-Haus in Zwickau, the composer's birthplace. John Caird serves as interlocutor. As he talks with the actors, it becomes clear that the group brings contemporary cultural perspectives to the marriage. Clara becomes the put-upon mother of the brood, while Robert flits about doing as he pleases -- writing symphonies and music criticism, preparing to conduct, and so on. This really doesn't survive a moment's thought. Clara, one of the greatest pianists of her day, was the primary breadwinner (one of her tours paid the family's expenses for three years) and had plenty of domestic help. She couldn't have practiced otherwise, and she set herself challenging programs. Don't get me wrong. She had plenty to put up with otherwise from Schumann, who among other things couldn't bear extraneous noise while he worked. I don't remember how they worked it out. She may have had to practice off-premises or Schumann may have composed off-premises. At any rate, musicologist Daniel Gallagher sits in and occasionally and gently puts things right. I should point out that these are extremely informal conversations among intelligent people. My favorite moment comes from pianist Natasha Paremski, who uses the word "vibe" and then asks, "That's not too American a word, is it?" Iain Burnside replies in his Best British Manner, "It's a word, yes." For me, however, the documentary, One Heart, One Soul, counts as the most interesting portion of the bonus features. It consists of the director of Schumann-Haus, Gerd Nauhaus, a man who knows his Schumann as well as anybody, discussing the composer. He too corrects some of the misperceptions that have arisen during the other interviews. Nauhaus speaks German, but you can choose subtitles from among several languages, including English. One may very well ask what audience these discs serve. Sting provides one answer: those not normally interested in classical music can come to the genre by getting involved in the story. It is a cracking good story, if a little weepy -- a Romance novel that happens to be true. Die-hard Sting fanatics will probably want it, even though he doesn't sing. Those who know their Schumann may or may not find something to interest them. The performances all shine, but it's not a Schumann concert, after all. You'll just have to work it out for yourselves. -- Classical CD Review, Steve Schwartz, February 2010 Having brought John Dowland to the masses with his album Songs from the Labyrinth, Sting takes another shot at presenting classical music to a wider audience which has developed the infuriating habit of not taking any notice of it. In this live performance, Sting portrays the passionate and tragically short-lived Robert Schumann by reading from his letters, while his wife Trudie Styler enacts the role of Robert's spouse Clara Schumann (formerly Wieck). In between, selections from the Schumanns' music are played by an ensemble comprising cellist Natalie Clein, pianists Iain Burnside and Natasha Paremski, violinist Sergej Krylov and singers Simon Keenlyside and Rebecca Evans. "I think it's a great `in' for people who don't normally listen to classical music," says Sting. Twin Spirits was devised as a fundraiser for a variety of charities, including the Royal Opera House, so we probably have to forgive its overtones of highbrow schlock. However, our task is not made easier by Derek Jacobi's performance as narrator. Ensconced on a throne and dressed like a Victorian philanthropist, Sir Del is at his fruitiest and most orotund. Fans of Frasier may be reminded of his guest performance as Jackson Hedley, the world's most preposterous Shakespearean actor. However, although Sting has suffered his share of critical brickbats, here he keeps a straight bat and delivers his readings with a mixture of wry humour and quiet sincerity. Trudie sometimes lurches into over-emoting luvviedom, but then again, she was a member of the RSC back in the day, which is how the RSC's John Caird was recruited to direct the project. And it can't be denied that the saga of the Schumanns' doomed greatest-love-of-all is a powerful tear-jerker. "There are moments in the story that make me very fearful," Styler admits. "The idea of losing my husband confronts me when I look at Sting as Robert. There are a few moments in the script where Robert and Clara are having a good time, so I try to make the most of them, just as I do in my own life." At 90 minutes, Twin Spirits cries out for some editing scissors, but perseverance is rewarded by the quality of the musical performances. Simon Keenlyside brings thunderous conviction to his musical portrayal of Robert Schumann, and the quartet performance of Traumerei, which marks the composer's solitary and miserable death, feels lonelier than a coyote's howl. Surprisingly, the second disc of additional features contains some of the best bits, especially Caird's conversations with the participants. All the musicians offer useful insights into the music, with Iain Burnside contributing shrewd remarks about the way Robert Schumann's music demands active intervention from the performer to bring it to life. When Caird introduces musicologist Daniel Gallagher to supply commentary on the Schumanns' life and work, he's so fascinating that that even Sting and Trudie find themselves spontaneously quizzing him. Despite all this, if you really want to explore the Schumanns' work, you might consider buying a selection of CDs and playing them a lot. -- The Arts Desk, Adam Sweeting, October 1, 2009 In his lifetime, Robert Schumann remained in the shadow of his wife Clara Wieck, whose concert career as a pianist took her all over Europe while he labored as a music journalist and largely unrecognized composer. Clara's overbearing father had taught them both piano, but his callous objections to the growing romance between Robert and Clara resulted in a physical separation that -- happily for musicologists -- left hundreds of letters detailing the musical and emotional development of this fascinating couple. While in different cities, they would often arrange to play the same piece at the same time, and then write to each other about the emotions aroused; once they were finally married, they kept a joint "marriage diary" for three and half years that recorded their musical and domestic happiness. Sting and his wife, actor Trudie Styler, are joined by Derek Jacobi, soprano Rebecca Evans, baritone Simon Keenlyside, and four instrumentalists for Twin Spirits, an educational project from London's Royal Opera House that presents the lives and works of Clara and Robert Schumann. Sting and Styler portray the couple in words, Keenlyside and Evans in music. Jacobi narrates. Devised and directed by John Caird, the show was recorded live in an intimately arranged and lit studio space at the opera house. It weaves together musical excerpts, love letters, diary entries and narration to tell the story of their love and marriage, tragically shortened when Robert's mental illness forced his commitment to an asylum. The show itself, which has been given as charity performances since 2005, is both informative and affecting, with spontaneous and energetic musical contributions, especially Evans's urgent rendition of Clara's "Er ist gekommen" and Keenlyside's sweeping "Ich grolle nicht," capped by a powerful high A. Evans's controlled voicing of "Ich hab im Traum geweinet" and Keenlyside's "Stille Liebe" are also effective. Most of the musical selections are short, and many have violin and cello additions, which lend an appropriate salon atmosphere, though the opening of "Carnaval" sounds odd with strings. Because of its placement in the storyline (and the use of Chopin's variations on its tune), "Là ci darem la mano" receives an odd interpretation, but Keenlyside's and Evans's skill and naturalness are winning. Another huge plus is Styler's warm, expressive delivery. With her wispy hair, vulnerable face and a faraway look in her eyes, Styler embodies the romantic, artistic spirit who rejoices in her soul mate; in passages detailing the end of Robert's life, Styler makes Clara's pain palpable. Sting's spiky, contemporary look is a bit of a jolt, but his connection to the material and identification with the obsessive, suffering composer are genuine. All the artists contributed their time to the project without remuneration; only Jacobi (whose presence undoubtedly signals "class") seems arch and distanced in his narration. Several bonus offerings include lengthy, round-table discussions in which the singers, instrumentalists and actors speak of how powerfully the interaction of words and music affected their interpretations and delivery. A thirty-five-minute lecture at the Robert Schumann Haus in Leipzig provides biographical details and background on the Schumanns' careers and training, as well as on their marriage and children. All proceeds from DVD sales benefit outreach projects of the Royal Opera House Education Programme. -- Opera News Online, Judith Malafronte, Decmber 2009 Like cucumber sandwiches at high tea, this depiction of the romance between two German musicians is a uniquely English confection. It follows in the tradition of BBC radio's dramatization of biographical presentations. In this case, the extended courtship and all-too-brief marriage is rendered with convincing fidelity through an enlightened blending of the spoken word and musical examples from the respective compositions of Robert Schumann and Clara Wieck. Nobly narrated by Derek Jacobi, the dialogue is ably conveyed by Sting (when will he, as an emerging musical polymath, be granted a knighthood so that his real name may enter common usage?) and Trudie Styler reading the lovers' correspondence compiled over decades. An unusual form of entertainment, but it kept a capacity audience in rapt attention over a long evening at Covent Garden. The singers and musicians give heartfelt support to the story with immaculate performances. The set includes close to two hours of extra features. It is also available from Opus Arte on conventional DVD format. Highly recommended to admirers of the Schumanns and all collectors with a special interest in German music of the Romantic period. -- La Scena Musicale, October 2009 One of the most moving love stories in the world of music is the relationship between Robert and Clara Schumann. In 2007, the British producer David Caird put together a music theater piece called Twin Spirits at London's Covent Garden in which Derek Jacoby narrated the romantic and tragic story, with Sting and his wife Trudie Styler reading passages from Robert and Clara's letters and the remarkable diary they kept together in the first years of their marriage. Some excellent chamber musicians and singers punctuate the readings with excerpts from the works of both Robert and Clara. Twin Spirits tells the story of Robert Schumann coming to Leipzig to study with the renowned music teacher Friedrich Wieck. Wieck's daughter Clara was a piano prodigy, by far the most talented of his six children. Robert was nine years older than her. He lived with the Wiecks for a year. By the time Clara was in her mid teens, they had fallen in love. Wieck was violently opposed to this romance. Clara's career came first. He refused to permit the marriage and ultimately the two lovers went to court for permission. Clara was 21; Robert 30. Wieck eventually relented when the couple had the first of their eight children, only four of whom outlived their parents. Clara was much more famous than Robert, and traveled extensively giving recitals, which were admired by the greatest musical figures of the time. She inspired Robert -- the year before they were married, he wrote more than 100 of his greatest songs. And she helped further his career by playing his compositions. Robert Schumann suffered from periodic mental breakdowns; tragedy struck when he tried to drown himself. He was institutionalized, but Clara was forbidden to see him for more than two years, until he was actually dying. She spent the rest of her life giving concerts and performing her husband's music. In his musical selection, Twin Spirits producer/director David Caird is less concerned with chronology than with finding something appropriate for each part of the story. Purists might object to the way Caird has rearranged some of the original music for this production. But in this dramatic context, I find these new arrangements both tasteful and effective. Sting, we've come to know, has a serious interest in classical music; he's also a coolly expressive actor and reader. Trudie Styler is particularly affecting reading what Clara wrote during her final visits to Robert. The most disappointing element of Twin Spirits is the rather artificial narration by Derek Jacobi, an actor I usually admire. But the whole enterprise is a compelling and poignant retelling of the story, and the well-chosen and well-performed music make this an outstanding addition to the year celebration of Robert Schumann's bicentennial. -- NPR, Lloyd Schwartz, February 17, 2010 Sting has been taking ever braver leaps into the classical music world over the last few years. As someone who doesn't enjoy his singing, I heaved a sigh of relief that he is on speaking duty in this fascinating musical dramatization of the often difficult, artistically inspirational, romantically fulfilling relationship between composer Robert Schumann and Clara Wieck. Sting is Robert to Trudie Styler's Clara as they sit with narrator Derek Jacobi on the Covent Garden stage, surrounded by exceptional musicians, including tenor Simon Keenlyside, soprano Rebecca Evans and violinist Sergei Krylov. Excerpts from the lovebirds' letters are interwoven with Schumann's music (and a bit of Mozart and Chopin). Once you get into the slow, black-backdropped pace of the story, you come to appreciate what an amazing job director John Caird has done to make the 90-minute show absorbing. A second DVD has more than an hour of extras, including background interviews and a documentary. This is inventive classical programming at its best, though music purists might prefer to hear uncut versions of many of the pieces on the program. -- TheStar.com, John Terauds, November 17, 2009 This is an uncharacteristically small-scale production for writer-director John Caird, who is more closely associated with such spectacles as Les misérables and Nicholas Nickleby. It's a 90-minute account, through words and music, of the personal and professional relationship between Robert Schumann and his wife, née Clara Wieck, devised in 2005 for the education division of the Royal Opera House, Covent Garden, and since then trotted out for various fundraising events with different performer rosters. This version was recorded before a silent audience in late 2007. Despite the number of artists on stage, it seems quite intimate; the actors are low-key, and the musicians, while rising to the passions of the music as necessary (particularly in the finale of Robert's Piano Trio No. 1, which closes the program), are direct and obviously under no pressure to play to a large hall. Although the proceedings are conveyed mainly through close-ups and two- and three-shots, the placement of the performers is interesting and deliberate. In the center, to the rear, on what looks almost like a throne, Sir Derek Jacobi offers bits of introduction and narrative context. Down front, at opposite sides of the stage, sit the actors portraying the Schumanns: pop star Sting, who has always struck me as more intelligent and subtle than he is generally given credit for, and Trudie Styler, best known in America as Mrs. Sting, but in England an accomplished actress with (like Jacobi) a Shakespearean background. Clustered near each of the two main actors is a trio of musicians, divided by gender. On Robert's side are a baritone and a male violinist and pianist; on Clara's, a soprano and a female cellist and pianist. The musicians do not remain segregated all the time; obviously, there's crossover in the trio movement, and both singers deliver Mozart's "Là ci darem la mano," which was important in the Schumanns' personal history. There's also an arrangement of "Träumerei" that manages to include all the instrumentalists. But for the most part, each historical figure is represented by his or her own group of musicians. As you might have guessed, the music comes in bits and pieces, mostly songs and instrumental miniatures (by both Robert and Clara), but for the most part each item is complete in itself and only occasionally, mainly in the beginning, do the actors talk over the music. The spoken lines are drawn from the Schumanns' letters; Caird has heavily edited them and mingled missives from various periods to create a coherent narrative. This overall approach will obviously not satisfy purists who seek an impartial documentary account of the Schumanns, nor music lovers who prefer to hear song cycles and chamber works in their entirety. But that's not the point of this project; it's an introduction to the general, intelligent, curious music lover of the personalities behind this music, and to Clara's essential role in Robert's life and career. If Sting and Styler, sometimes reading from scripts but often looking straight into the camera, don't fully convey the excitement of early love, they are very good at communicating the comfortable intimacy, affection, and mutual respect of an old married couple. Perhaps each is best when not speaking; they can communicate quite a lot in the cutaway shots of one watching the other deliver lines, or in listening to the musicians (who are also seen being quietly attentive during some of the spoken passages). The musical performances are quite good, even if Simon Keenlyside, like most baritones, finds Schumann's top notes taxing. Those requiring a more straightforward documentation of the Schumann situation may prefer the 35-minute documentary in which a curator from the Schumann House museum and archive speaks, in subtitled German, about their marriage and careers, repeating some material from the stage presentation but elaborating on other issues. There's also a surprisingly engaging series of chats with Caird, the performers, and musicologist Daniel Gallagher about the Schumanns and their music. Gallagher's contributions are especially good, even for non-specialists, and while the actors don't have much of substance to contribute, they do at least chime in with the occasional smart observation and perceptive question. The Blu-ray video quality is, as usual, superb, although there's nothing more technically challenging here than maintaining clarity on a rather dark stage. The aspect ratio is 16:9, and the audio options are limited to PCM 2.0 and 5.0. Subtitles are available for the songs and the German documentary. Old hands at this subject may feel that its treatment here is too superficial, but take this for what it is: an educational entertainment designed to introduce the Schumanns' music and cobiography to the uninitiated without insulting their intelligence. "Twin Spirits" surely succeeds on those grounds, most touchingly. -- Fanfare, James Reel, Mar-Apr 2010 Twin Spirits is a live theatrical performance that features narration, impersonation (in an epistolary manner), and chamber music centered on the lives and love of Robert and Clara Schumann. Evidently the work, created and directed by John Caird, toured in smaller venues before being presented at the Royal Opera House. It is indeed a unique experience, the letters of the Schumann's used as the basis for a story of their lives, dramatized here to excellent effect, and enhanced by their music. One can think of no more worthy subjects than these two hyper-romantic figures, celebrated in their day and long afterwards, with personal connections tying them into the fortunes and foibles of Brahms, Liszt, Mendelssohn, Joachim, and Chopin. Their love story is one that was well known even in their own day, and their passion for one another is marked only by the equal degree of tragedy and sorrow that graced their short time together. I will not dwell on aspects of that story here, as it is well known, and if unknown easily found in books and on the Web. Suffice it to say, the story begins with Robert's first studies with Clara Wieck's father (Robert was essentially self-taught), his aspirations as a pianist until he ruined his hands, his solicitation of love from Clara and desire to marry her (against her father's wishes), the frustration they experienced until they could get married, early bliss in their marital life and the success of each, Robert's seminal decline and mental instability, Clara's heartrending final years with Robert in an asylum, and her life after Robert's death. All of this seems like it might be too much for a stage production, but the letters have been carefully vetted in order to keep the action--such as it is--moving along. The story is given general guidelines by Derek Jacobi--superb as usual--and the parts of Robert and Clara taken by Sting and wife Trudie Styler. This might seem an odd choice at first, but Sting seems to have had a late-in-life classical-music conversion (remember his Dowland record?), and his performance as Robert is outstanding, as seasoned as from any actor I can imagine playing the part. Trudie Styler is equally affecting, and her moment of breakdown towards the end is truly distressing. But this is not a play at all--there is no dramatic movement or stage acting. Most of the time, Sting and Trudie are seated close to one another, and they often lean towards each other when speaking. Jacobi is seated pretty much center stage, and they all can be seen watching each other. Interspersed among the talkers are a series of musicians, an all-male group (baritone, violin, piano) on Robert's side, and a female group (soprano, cello, piano) on Clara's side. At different times in the "action," the music of one of the Schumanns is played by one of these groups, or a portion of each. For the most part, the performances are excellent, the singing of Simon Keenlyside being notable, along with the last selection, the Finale from the D-Minor Piano Trio, op. 63, a real barnburner and triumphant ending to an otherwise factual human misfortune that nonetheless had moments of supreme joy. But its protagonists were certainly as star-crossed as Romeo and Juliet ever were. If there is a downside, it would be the lack of more representative music on Robert's part. The very nature and intimacy of this production nixes the idea of large ensemble performances, but one feels like part of the emotional picture is missing without them. Some of the music has been doctored or altered, nothing egregious, but odd sounding to those who know it. This was probably unavoidable in order to make the music portion fuller while using only chamber pieces. The songs are what they are, and there are a few pieces pertinent to the Schumanns at certain times that are by other composers. The staging is wonderful, making it easy to follow what is happening; the sound is equally pleasing, LPCM stereo or DTS surround (my choice). The music however, is only secondary to the engrossing tale, and is chosen wisely to enhance the story where the words end. As bonuses, we get a substantial amount, the cast talks and the documentary being of more than casual interest. I enjoyed this thoroughly, and I can't imagine any music lover who wouldn't. -- Fanfare, Steven E. Ritter, Jan/Feb 2010 Top About this item Similar From the Brand Reviews Twin Spirits: Sting performs Schumann [Blu-ray]

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In a post-apocalyptic future ravaged by overpopulation, a lone survivor (Martin McCann) mercilessly protects his remote sliver of property from intruders. When a mother (Olwen Fouere) and daughter (Mia Goth, A Cure For Wellness) in search of food and shelter show up at his doorstep, he’s suspicious, but cautiously allows them in. Soon, an uneasy alliance, borne of necessity, forms between the trio: but distrust and paranoia threaten to give way to violence at any moment. The Survivalist, the intense, heart-pounding debut feature from Stephen Fingleton, viscerally evokes the fear, tension, and all-consuming desperation of life in a kill-or-be-killed dystopia.

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After six long years in prison for a foiled bank robbery, legendary criminal Karen McCoy (Kim Basinger, L.A. Confidential, The Marrying Man) wants nothing more than to turn her life around. But her hopes are soon shattered: No one will hire her, she's stuck with a sleazy parole officer, and her ex-husband has told their son that she's dead. To make matters worse, crime lord Jack Schmidt (Terence Stamp, The Limey, Modesty Blaise) is forcing her to pull off a seemingly impossible $18 million bank job with the full knowledge that once she hands over the cash, she's history. Cult filmmaker Russell Mulcahy (Highlander, Ricochet) directed this action-packed heist thriller that co-stars Val Kilmer (Real Genius, The Saint) as J.T. Barker, an eager but inept would-be thief Karen recruits for help. Special Features: -NEW Audio Commentary by Director Russell Mulcahy -5.1 Surround and 2.0 Lossless Audio -Theatrical Trailer

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Captured live at The Colosseum at Caesars Palace, Elton John performs a lavish, career-spanning concert featuring classic hits, deep cuts, and dazzling stage production.

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In a country house at summer’s end, a circle of family and friends confront hidden longings, regrets, and emotional fault lines as relationships begin to shift.

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Holocaust follows the tragedy and triumph of the Weiss family of Berlin and intertwines their fate as European Jews with the story of a German family, the Dorfs, whose members include a high-ranking Nazi officer. Filmed on location in Germany and Austria, Holocaust uses the stories of these fictional families to portray the atrocities against the Jewish people from the 1930s to 1945, and presents a heart-wrenching portrait of their struggle.

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Two struggling ranchers join forces against a ruthless land baron whose quest for power threatens their livelihood and freedom.

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Synopsis When Blake Edwards' powerful film of J.P. Miller's heartrending teleplay Days of Wine and Roses hit movie screens, it won critical raves and box-office success and shone brightly as a career highlight for its two Oscar -nominated stars, Jack Lemmon and Lee Remick, who play a couple caught in alcoholism's web. A San Francisco public-relations hotshot is a "social" drinker who never stops socializing. His vivacious wife starts drinking to keep him company. They live for good times. But eventually good times turn bad. Days of Wine and Roses earned a total of five Academy Award nominations and a 1962 Best Song Oscar for its haunting Henry Mancini/Johnny Mercer title tune. A poignant, harrowing portrait of human lives at their lowest, it also reflects filmmaking at its height.

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In the tradition of Charade and Arabesque, screen icons Rock Hudson (The Tarnished Angels) and Claudia Cardinal (Once Upon a Time in the West) co-star in this suspense-filled espionage thriller with a touch of comedy, wonderfully directed by Philip Dunne (Ten North Frederick). General Pratt (Jack Warden, The White Buffalo), a national security chief, and his aides approach successful psychiatrist Dr. Bartholomew Snow (Hudson) for a top secret mission for the United States government. A brilliant scientist, once a patient of Dr. Snow s, has evidently had a mental breakdown and is hiding in a remote government safe house known only as ‘ Base X. With enemy agents on his tail, Snow soon finds himself caught in the middle and out of desperation, he falls in with a mysterious and beautiful woman named Vicky Vincentia (Cardinal). But is she helping him, or is she yet another sinister figure out to manipulate him? Co-starring Guy Stock well (The War Lord) and Brad Dexter (99 River Street), with top-notch widescreen cinematography by Joseph MacDonald (The Sand Pebbles) and a rousing score by the great Lalo Schifrin (Mission: Impossible). Special Features: -Animated Image Gallery -Theatrical Trailer

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Celebrate the 25th anniversary of the original classic: THE SWAN PRINCESS, a magical, musical animated adventure based on the classic fairy tale "Swan Lake" that captured the hearts of audiences around the world! The winner of the Film Advisory Board Award of Excellence and the Parents' Choice Award, it's the heartwarming story of the beautiful princess Odette, who is transformed into a swan by an evil sorcerer's spell. Held captive at an enchanted lake, she befriends Jean-Bob the frog, Speed the turtle and Puffin the bird. Despite their struggle to keep the princess safe, these good-natured creatures can do nothing about the sorcerer's spell, which can only be broken by a vow of everlasting love. Universally cheered and revered, THE SWAN PRINCESS is bursting with color, dazzling animation, beautiful music and features the vocal talents of Jack Palance, John Cleese, Steven Wright and Sandy Duncan! It's an exciting adventure you'll want to relive again and again!

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Wizard of Oz, The (4K Ultra HD + Blu-ray + Digital) In this classic musical fantasy, Judy Garland stars as Dorothy Gale, a young Kansas farm girl who dreams of a land "somewhere over the rainbow." Dorothy's dream comes true when she, her dog, Toto, and her family's house are transported by a tornado to a bright and magical world unlike anything she has seen before. Unfortunately, she makes a mortal enemy of a wicked witch when the house falls on the hag's sister. Now, befriended by a scarecrow without a brain, a tin man with no heart and a cowardly lion--and protected by a pair of enchanted ruby slippers--Dorothy sets off along a yellow brick road for the Emerald City to beseech the all-powerful Wizard of Oz for his help to return home.

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Set during the brutal Tong Wars of San Francisco's Chinatown in the second half of the 19th century, Season 1 of this gritty, action-packed series follows Ah Sahm, a martial arts prodigy who emigrates from China to San Francisco under mysterious circumstances and becomes a hatchet man for one of Chinatown's most powerful tongs (Chinese organized crime family).

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Set during the brutal Tong Wars of San Francisco's Chinatown in the second half of the 19th century, Season 1 of this gritty, action-packed series follows Ah Sahm, a martial arts prodigy who emigrates from China to San Francisco under mysterious circumstances and becomes a hatchet man for one of Chinatown's most powerful tongs (Chinese organized crime family).

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Set during the brutal Tong Wars of San Francisco's Chinatown in the second half of the 19th century, Season 1 of this gritty, action-packed series follows Ah Sahm, a martial arts prodigy who emigrates from China to San Francisco under mysterious circumstances and becomes a hatchet man for one of Chinatown's most powerful tongs (Chinese organized crime family). | | Product details

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In 1998, director Hideo Nakata (Dark Water) unleashed a chilling tale of technological terror on unsuspecting audiences, which redefined the horror genre, launched the J-horror boom in the West and introduced a generation of moviegoers to a creepy, dark-haired girl called Sadako. The film’s success spawned a slew of remakes, reimaginations and imitators, but none could quite boast the power of Nakata’s original masterpiece, which melded traditional Japanese folklore with contemporary anxieties about the spread of technology. A group of teenage friends are found dead, their bodies grotesquely contorted, their faces twisted in terror. Reiko (Nanako Matsushima, When Marnie Was There), a journalist and the aunt of one of the victims, sets out to investigate the shocking phenomenon, and in the process uncovers a creepy urban legend about a supposedly cursed videotape, the contents of which causes anyone who views it to die within a week – unless they can persuade someone else to watch it, and, in so doing, pass on the curse… Arrow Video is proud to present Ringu, the film that started it all, restored from the original negative in glorious high definition and supplemented by a wealth of archival and newly created bonus materials. SPECIAL EDITION CONTENTS Brand new 4K restoration from the original camera negative, approved by director of photography Junichiro Hayashi High Definition Blu-rayTM (1080p) presentation Lossless Japanese DTS-HD master audio 5.1 and PCM 2.0 soundtracks Optional English subtitles New audio commentary by film historian David Kalat The Ringu Legacy, a series of new interviews from critics and filmmakers on their memories of the Ringu series and its enduring legacy A Vicious Circle, a new video interview with author and critic Kat Ellinger on the career of Hideo Nakata Circumnavigating Ringu, a new video essay by author and critic Alexandra Heller-Nicholas on the evolution of the Ringu series Sadako’s Video Theatrical trailers Reversible sleeve featuring original and newly commissioned artwork

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An American visits her future husband stationed in West Germany when East German police kidnap her and take her across the border in a case of mistaken identity. She is taken to a prison known for its brutality and under intense questioning confesses to being a spy for the CIA in exchange for her release. It's a lie and she is sentenced to three years. Her fiance after getting no assistance from t

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Batman Beyond: The Complete Series Deluxe Limited Edition (Blu-ray+Digital): Rage and revenge for his father’s murder motivate Terry McGinnis to steal Bruce Wayne’s high-tech Batsuit. And then a greater purpose and sense of justice keep him wearing it. Across three seasons and 52 episodes of this highly acclaimed Emmy-award winning series, he patrols the streets and skies of Gotham City with Bruce as his guide. Get in on the exciting and explosive partnership between an ex-crime-fighter and his apprentice in the animated series that catapulted the Batman legend to new justice-seeking heights, now in beautiful High Definition! Your Digital Copy redemption code is printed on an insert inside your 4K Ultra HD, Blu-ray or DVD package. Online redemption Go to the website specified on the package insert. Enter the redemption code found on the package insert. Follow the screen prompts to redeem your Digital Copy. A retailer account may be required.

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Synopsis He chops, he dices, he purees! Jackie Chan has the recipe for delicious action-comedy entertainment when he plays a celebrity TV chef caught in a deadly dispute between rival Australian crime lords. With Chan in the kitchen, you know there'll be more pow! than kung pao, and the irrepressible star does not disappoint. Take a look at the in-one-door, out-the-other fight sequence staged at a construction site and you'll discover what we mean. Just when you think you've seen it all, along comes Chan with something new. Then something newer. The breathtaking, lightning-quick fun and excitement just might have you shouting, "Nice kick! Nice spin! Nice move!" He is, after all, Mr. Nice Guy.

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Written and directed by John Sayles (Lone Star), this wrenching historical drama recounts the true story of a West Virginia coal town where the local miners’ struggle to form a union rose to the pitch of all-out war in 1920. When the town of Matewan’s miners go on strike, organizer Joe Kenehan (Chris Cooper, in his screen debut) arrives to help them, uniting workers white and black, Appalachia-born and immigrant, while urging patience in the face of the coal company’s violent provocations. With a crackerjack ensemble cast—including James Earl Jones, David Strathairn, Mary McDonnell, and Will Oldham—and Oscar-nominated cinematography by Haskell Wexler (In the Heat of the Night), Matewan taps into a rich vein of Americana with painstaking attention to local texture, issuing an impassioned cry for justice that still resounds today. DIRECTOR-APPROVED TWO-DVD SPECIAL EDITION FEATURES • New 4K digital restoration, supervised by director John Sayles • Audio commentary featuring Sayles and cinematographer Haskell Wexler • New documentary on the making of the film featuring Sayles, producer Maggie Renzi, production designer Nora Chavooshian, and actors Chris Cooper, James Earl Jones, Mary McDonnell, Will Oldham, and David Strathairn • New interview with composer Mason Daring on the film’s soundtrack • New program on the film’s production design featuring Chavooshian • Trailer • PLUS: An essay by critic A. S. Hamrah

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Frank Capra's perennial holiday classic is one of the most beloved films of all time and the quintessential "Capraesque" comedy/drama. James Stewart is Bedford Falls banker George Bailey, who is driven by circumstances one Christmas Eve to consider suicide, only to be shown by neophyte angel Clarence Odbody (Henry Travers) what a difference his life has made. Tremendous supporting cast includes Donna Reed, Thomas Mitchell, Lionel Barrymore, Ward Bond, Beulah Bondi. Complete, uncut 130-minute version. Widescreen; Soundtracks: English Dolby Digital mono, DVS Dolby Digital mono, Spanish Dolby Digital mono French Dolby Digital mono, German Dolby Digital mono, Italian Dolby Digital mono, Japanese Dolby Digital mono; Subtitles: English (SDH), Spanish, French, German, Italian, Japanese, Danish, Dutch, Finnish, Norwegian, Swedish; featurette; theatrical trailers. Two-disc set.

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Cinderella Story, A: Christmas Wish (Blu-ray) Kat Emerson could use a Christmas miracle! The aspiring singer-songwriter has big dreams...and bigger problems. Her vain stepmother forces her to be a singing elf at billionaire Terrence Wintergarden’s Santa Land, but the job has one bright spot: Nick, the handsome new Santa. As the Wintergarden Christmas Gala approaches, Kat’s stepmother and stepsisters are determined to keep her from going. Could an attentive dog, a BFF and a sprinkling of holiday magic help turn things around? Join Laura Marano (Disney’s Austin & Ally), Gregg Sulkin (Marvel’s Runaways) and Isabella Gomez (One Day at a Time) in this modern-day reimagining of the cherished classic.

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A gelatinous alien lifeform crashes to Earth and begins consuming everyone in its path in this gory 1988 remake of the classic monster movie.

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Batman Beyond: The Complete Series Deluxe Limited Edition (Blu-ray+Digital): Rage and revenge for his father’s murder motivate Terry McGinnis to steal Bruce Wayne’s high-tech Batsuit. And then a greater purpose and sense of justice keep him wearing it. Across three seasons and 52 episodes of this highly acclaimed Emmy-award winning series, he patrols the streets and skies of Gotham City with Bruce as his guide. Get in on the exciting and explosive partnership between an ex-crime-fighter and his apprentice in the animated series that catapulted the Batman legend to new justice-seeking heights, now in beautiful High Definition! Your Digital Copy redemption code is printed on an insert inside your 4K Ultra HD, Blu-ray or DVD package. Online redemption Go to the website specified on the package insert. Enter the redemption code found on the package insert. Follow the screen prompts to redeem your Digital Copy. A retailer account may be required.

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Batman Beyond: The Complete Series Deluxe Limited Edition (Blu-ray+Digital): Rage and revenge for his father’s murder motivate Terry McGinnis to steal Bruce Wayne’s high-tech Batsuit. And then a greater purpose and sense of justice keep him wearing it. Across three seasons and 52 episodes of this highly acclaimed Emmy-award winning series, he patrols the streets and skies of Gotham City with Bruce as his guide. Get in on the exciting and explosive partnership between an ex-crime-fighter and his apprentice in the animated series that catapulted the Batman legend to new justice-seeking heights, now in beautiful High Definition! Your Digital Copy redemption code is printed on an insert inside your 4K Ultra HD, Blu-ray or DVD package. Online redemption Go to the website specified on the package insert. Enter the redemption code found on the package insert. Follow the screen prompts to redeem your Digital Copy. A retailer account may be required.

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Batman Beyond: The Complete Series Deluxe Limited Edition (Blu-ray+Digital): Rage and revenge for his father’s murder motivate Terry McGinnis to steal Bruce Wayne’s high-tech Batsuit. And then a greater purpose and sense of justice keep him wearing it. Across three seasons and 52 episodes of this highly acclaimed Emmy-award winning series, he patrols the streets and skies of Gotham City with Bruce as his guide. Get in on the exciting and explosive partnership between an ex-crime-fighter and his apprentice in the animated series that catapulted the Batman legend to new justice-seeking heights, now in beautiful High Definition! Your Digital Copy redemption code is printed on an insert inside your 4K Ultra HD, Blu-ray or DVD package. Online redemption Go to the website specified on the package insert. Enter the redemption code found on the package insert. Follow the screen prompts to redeem your Digital Copy. A retailer account may be required.

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A crime thriller that centers on a man whose memory has been lost due to a bank heist gone wrong. The character will need to piece together the missing 10 minutes from his memory in order to determine who sabotaged him.

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Bill Murray has joined the Army, and the Army will never be the same! When John Winger (Murray) loses his job, his car, his apartment and his girlfriend, all in one day, he decides he only has one option: volunteer for Uncle Sam. He talks his friend Russell (Harold Ramis) into enlisting with him. Where else, they figure, can they help save the world for democracy and meet girls! John and Russell find basic training a snap: they are arrested twice, have endless run-ins with their drill sergeant (Warren Oates) and get into a big mess at a female mud-wrestling match. They even steal a top secret government vehicle to take some gorgeous female MPs on a date, and wind up behind the Iron Curtain. Stripes is outrageous fun! And that's the fact Jack!

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The original surfer girl/beach bum movie, adapted from the novel by Frederick Kohner, Gidget (1959) stars Sandra Dee as determined little Frances Lawrence, who falls in love both with surfing and with the characters who populate the local Southern California beach hangout. Of particular interest are the young Moondoggie (James Darren) and the more mature Big Kahuna (Cliff Robertson), a Korean War vet who is the idol of every surfer on the coast for his life of apparently unfettered freedom. Starring: Sandra Dee, James Darren, Cliff Robertson, Arthur O’Connell, Joby Baker, Yvonne Craig, Doug McClure Directed By: Paul Wendkos Written By: Gabrielle Upton Score By: Morris Stoloff Language: English Video: 1080p High Definition / 2.35:1 / Color Audio: English 1.0 DTS-HD MA Subtitles: English SDH Theatrical Release: 1959 Runtime: 95 Minutes Rating: NR (Not Rated) Region Code: Region Free (A/B/C) Special Features: Isolated Music Track / Original Theatrical Trailer Genre: Comedy Limited Edition of 3,000 Units

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From the award wining producers at Teton Gravity Research (TGR), in partnership with Jeremy Jones, comes the most progressive big mountain snowboarding film to date, DEEPER. Follow Jeremy and other top free riders as they travel to the world s snowboarding Mecca s and venture past the boundaries of helicopters, snowmobiles, and lifts to explore an untouched realm. Hang on tight as Jeremy Jones faces the biggest challenges he has ever encountered in snowboarding. All night hikes, sleeping on peaks, camping 65 miles from civilization, 20 below temperatures, 10 day storms, and 20 mile days bring the adventure back to riding.

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Sailor Moon S:S4P2 (1995/96) (BD)

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Sailor Moon S:S4P2 (1995/96) (BD)

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Sailor Moon S:S4P2 (1995/96) (BD)

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Sailor Moon SuperS Part 1 (Season 4) (Standard Edition BD/DVD Combo)

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Sailor Moon SuperS Part 1 (Season 4) (Standard Edition BD/DVD Combo)

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Sailor Moon SuperS Part 1 (Season 4) (Standard Edition BD/DVD Combo)

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For the first time completely uncut and remastered! Around the world, children are disappearing—and the culprits are not of this world! The evil Queen Badiane plots to trap Earth in a dark energy field called the Black Dream Hole, powered by the sweet, sugar energy produced from the dreams of children. Meanwhile, Chibi-Usa befriends Perle, a new kid who seems to have grown fond of the town's warm and friendly atmosphere. Their peace is short lived when they find the town's children suddenly start sleep-walking out of their homes, including Chibi-Usa!

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Sailor Moon S Part 2 (Season 3) (combo pack)